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Kellin Watson will be sitting in with old friends The Duhks, as a guest vocalist for two shows this February. With Tania Elizabeth on Fiddle and Scott Senior on percussion, Jordan McConnell on guitar and Leonard Podolak on Banjo and vocals it will be almost all of the original members of The Duhks! It will be a special night, but if you can’t make it, be sure and help us spread the word to others in or around the Raleigh or Spindale area.

Spindale, NC
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The most vital acoustic music being made today acknowledges its predecessors and lives in the here and now. The Duhks, a band of skilled, high-energy, tattooed musicians from Winnipeg, Manitoba, have been riveting audiences and winning staunch fans around the world with just that kind of music. The Boston Globe says about them, “Canada’s premier neo-tradsters romp from world-beat to blues, urban-pop to old-timey, with wild-eyed invention, haunting traditionalism, and spine-rattling groove. Who says the Frozen North can’t sizzle, eh?”
NPR says, “The inventive Canadians in The Duhks are widely beloved for their smooth blend of traditional roots music and soul, which they inject with well-placed Afro-Cuban and Celtic influences.” Ultimately though, according to band founder and claw-hammer banjoist Leonard Podolak, the Duhks “just want to play music that speaks to everybody.” Mission accomplished.

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Kellin Watson is a internationally-touring singer-songwriter, whose award-winning sound blends elements of blues, pop, folk, and soul. Hailing from Asheville, NC, Kellin draws on her Appalachian roots to bring both power and rawness to her music. “There are a lot of common talents in the world, but there are very few rare talents. I feel that Kellin is a rare, uncommon talent. Her songs have the ability to take someone gently by the wrist and tell them a story…”  states Billy Corgan of The Smashing Pumpkins. The Charlotte Observer calls her, “Jazzy soul and swinging pop comparable to Fiona Apple or a less folksy Ani DiFranco, Watson has an endearing stage demeanor and a killer voice, not to mention soulful songs that don’t fit in any particular box.” Keep an eye out for her 2011 release “Halo of Blue.”

www.duhks.com
www.kellinwatson.com

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Have you Herd? Countdown to Midnight with Donna The Buffalo 2010-2011

First Night Raleigh
Friday, December 31st, 2010
set time: 10:30 – Midnight
Main Stage – Site 26
The $9 First Night Raleigh Admission Button grants you access to every venue and every activity.
All Ages
City Plaza – Downtown
Raleigh, NC

The countdown is underway to First Night Raleigh 2011 — marking 20 YEARS as central North Carolina’s best and biggest New Year’s Eve celebration. Festivities will begin at 2:00 on December 31, 2010 with the Children’s Celebration, followed by the People’s Procession down Fayetteville Street, an Early Countdown at 7:00 and Evening Performances of music, dance, comedy, interactive activities and more in two dozen venues throughout downtown Raleigh.

Donna the Buffalo is happy to be ringing in the New Year with the countdown to midnight at First Night Raleigh this year! The day’s events look to be fantastic and others on the lineup include Tropic Culture, Danny Paisley & The Southern Grass, Comedy Worx, Holy Ghost Tent Revival, Chuck Davis and the African American Dance Ensemble, Mandolin Orange, Lenny Marcus Trio, Transactors Improv Company, the First Night Light Circus and many more!

Fireworks at Midnight and appearance by Ira David Wood III, actor and Executive Director of Raleigh’s Theatre in the Park, sponsored by goLiveWorkPlay.com

For complete festival details, performer schedules and admission buttons go to firstnightraleigh.com. Ring in 2011 with 40,000 of your closest friends at FIRST NIGHT RALEIGH!



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Acoustic Syndicate


The Lincoln Theater ~ Raleigh, NC
Friday, November 26th, 2010
 

&

The Orange Peel ~ Asheville, NC
Saturday, November 27th, 2010


Acoustic Syndicate is:
Steve McMurry: Acoustic guitars, mandolin, vocals.
Bryon McMurry: Banjos, electric guitar, vocals.
Fitz McMurry: Drums, vocals.
Jay Sanders: Acoustic upright bass, electric bass.
Billy Cardine: Acoustic and electric dobros.
………………………….
Acoustic Syndicate was born in December, 1977 when Joe and Fitzhugh McMurry, a couple of brothers from Cleveland County, NC got together and decided to get their kids bluegrass instruments for Christmas that year. The kids were brothers Fitz Jr. and Bryon McMurry, and their cousin Steve McMurry. Fitzie, as he was known back then, got a Gibson Hummingbird guitar. Bryon got an Eagle banjo and Steve got a fiddle from Sears & Roebuck. All were excited and happy. The trio was nicknamed the “The Maple Creek Three” by Fitzhugh Sr. They learned a few songs, mostly church songs from the Methodist hymnal, and threw in a couple of country and bluegrass numbers and before long they were playing whenever they could…mostly serving at the pleasure of the parents at family gatherings and church functions. Joe and Fitzhugh, taking great delight in the results of their scheme, had unwittingly laid the foundation of what was to become Acoustic Syndicate. The boys spent the remainder of their childhood and adolescence singing, playing, living and working together on the family farm in Cleveland County.

After high school the trio drifted on separate paths for a while…moving off to college, taking jobs, getting married and so on. But the boys would always make time to get together and go see some good, live music…anything from bluegrass to punk rock. One could find them at a reggae festival on Lake Norman as easily as you could see them at the Milestone in Charlotte to see the Bad Brains, or in DC at a Grateful Dead show. In 1992 the three landed back in Cleveland County, quite by coincidence, and started playing again. In 1993 the trio added Doug Rogers to the group on upright bass. The band played their first gig as The Mint Jubilee Blues at the suggestion of a friend. After some debate on the topic, the band decided on “Acoustic Syndicate” over dinner at the old El Cancun Mexican restaurant in Shelby, NC in October of that year. Bryon actually came up with the name.

Photo by Bright Life Photography

The Band started out pretty much as any other, playing at parties, bars and alike. In 1994 the band caught the attention of Steve Metcalf of the world famous Green Acres Music Hall, in Bostic, NC. He featured them at “The Acres” on a couple of big bills like David Grisman and Bela Fleck. In 1997, the Syndicate added Nashville bassist, Jay Sanders, formerly of the Snake Oil Medicine Show to their line up to complete the Syndicate core. The rest is a matter of record. From there, with the help and connections of Steve Metcalf and the booking of Hugh Southard at Blue Mountain Artists, the band went on to tour the country extensively for the next eight years, completing six recording projects, two of them for Sugar Hill Records.

In 2001 they added long time friend and collaborator, Jeremy Saunders on saxophones. With their distinct brand of folk rock, bluegrass and reggae, coupled with their romper room, ultra high-energy, live performances they went on to be regulars at the biggest music festivals in the country, playing Bonnaroo, Farm Aid, High Sierra Music Festival, Telluride Music Festival, Merle Fest, Magnolia Fest and many more. The band played most of the A list rooms in the country and continued to tour and record until 2005.

The collapse of the record industry along with growing family needs at home forced the band to either commit to a long term tour schedule, or stop playing. The band decided to call it quits at Smilefest in May of 2005. The decision to disband would not stand. After only a two year break, the people called for the music to continue, and at the frequent and steadfast urging of Blue Mountain Artists, the Syndicate decided to play again.
From the very beginning the band resolved to play honest, good music with emphasis on musicianship and vocal harmonies. The mission was to provide good music to the masses as an alternative to the cookie cutter, self-centered industry standards of the day. Their body of original material always conveyed a positive message of coexistence, peace, conservation, sustainability and happiness. They opted to leave the sappy love songs to those who take no exception to wasting the precious time and minds of the body politic.

Acoustic Syndicate plays on with its message of peace, earth, unity and family. The Syndicate will enter the studio this winter to begin work on their 7th recording. They can be found out and about in the South East touring with their new music and their newest addition to the group, dobro player Billy Cardine.

Biography: Lyle Cordova.

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