Town Mountain on Tour with Railroad Earth January 2016 in the Southeast ~ Bluegrass with Swagger
1/14 Thu – Variety Playhouse – Atlanta, GA 1/15 Fri – Variety Playhouse – Atlanta, GA 1/16 Sat – The Orange Peel – Asheville, NC 1/17 Sun – Iron City – Birmingham, AL 1/20 Wed – Druid City Music Hall – Tuscaloosa, AL
ASHEVILLE, NC — Town Mountain is excited to announce they will be hitting the road in support of Railroad Earth next month. The run of dates kicks off with a two night stand in Atlanta at the Variety Playhouse on January 14th and 15th, followed by a hometown performance at The Orange Peel in Asheville, and wrapping up in Birmingham and Tuscaloosa respectively.
Town Mountain’s hard drivin’ bluegrass sound, tight harmonies, and stellar in-house songwriting have become the band’s trademark. They light up the stage with their honky tonk edge and barroom swagger, featuring a Jimmy Martin-style bounce and confidence that is countered at times by a laid-back John Hartford-esque groove. Town Mountain includes Robert Greer on vocals and guitar, Jesse Langlais on banjo and vocals, Bobby Britt on fiddle, Phil Barker on mandolin and vocals, and Adam Chaffins on bass.
Town Mountain just wrapped up the final touches of their 5th studio album which is due out in the Spring of 2016. Produced and engineered by GRAMMY winner Dirk Powell, the album was recorded in Powell’s studio The Cypress House in south Louisiana. To warm everyone up this winter, they released a two-track disc of their favorite tunes from the Grateful Dead’s catalog called The Dead Session, that has some snazzy artwork to go along with it; it will be available at the shows!
For a sneak peek at what to expect on the future studio album, watch the band perform a new original song, “Wildbird,” in this wonderful session filmed by Hype Music Festivals at the 2015 Suwannee Springfest in Live Oak, FL →
Larry Keel Independently Releases Experienced
on Friday, February 26, 2016 A blazing journey of music featuring special guests: Sam Bush, Del McCoury, Peter Rowan, Keller Williams, Jason Carter, Mike Guggino, and Anders Beck
LEXINGTON, VA — Flatpicking guitar phenom Larry Keel dazzles music-lovers once more with his 15th self-released album Experienced, due out February 26, 2016. The album is an entirely original work that showcases both Larry’s and bandmate Will Lee’s exceptional songwriting, singing and jaw-dropping instrumental performances, accompanied by Keel’s equally talented wife Jenny Keel on upright bass and harmony vocals. It was recorded at Wally Cleaver Studio in Fredericksburg, VA with engineer (and guest drummer) Jeff Covert and mastered by the award-winning industry great Bill Wolf (Willie Nelson, Tony Rice, Doc Watson) in Arlington, VA.
Added to the raw sophistication of Keel’s progressive acoustic style are several guest-musician-friends who appear on various tracks of Experienced, a list of artists that reads like a ‘Who’s Who’ of icons and new stars including Sam Bush, Del McCoury, Peter Rowan, Keller Williams, Jason Carter (The Del McCoury Band), Mike Guggino (Steep Canyon Rangers), and Anders Beck (Greensky Bluegrass). According to Larry, “This project is a collection of my songs and Will Lee’s music, developed further with the amazing talents of some of our musician friends and heroes. Very real. Very fresh.”
The seven tracks on Experienced reflect Keel’s musical personality, from frenzied and raunchy to mystical and sensitive, and through it all, Keel’s honest attitude shines, fearlessly and with throttle wide-open. As Sam Bush (who plays mandolin and fiddle on the fiery opening track “Ripchord”) says, ‘Enjoy the music… Larry does!” “‘Lil Miss” follows up with a cynical gibe at a mock Miss Prim and not-so-proper young lady of modern day society, set to a down and dirty blues-rock riff.
“Memories” (co-written by Larry and Jenny) is the portrait of the artist (Keel) gently swept away by life’s vast gallery of experiences and personal connections, and the poignant emotions that spring from it all. As the third track, it cools down the pace of things, letting the listener settle into the musical journey Keel has orchestrated.
“Larry Keel is a triple threat… songwriter, guitar player, entertainer. He can do it all,” says Del McCoury, who is featured on the playful and rollicking “‘Fill em Up Again” along with Carter and Guggino. “I think what makes Larry so powerful is that he has lived his songs, he’s not sitting in a room trying to write the hit of the week, he’s writing what’s in his heart and on his mind.”
“I love me some Keels. There is a certain genuine authenticity that Larry and Jenny possess,” says Keller Williams. “When we get together, our wonder-powers unite to form a giant, impenetrable sphere of open-minded, Appalachian psychedelic goodness.” Appropriately, Keller plays on the swelling and rolling “Miles and Miles,” which is a sort of metaphoric travel log of life on the road as a musician (and as a human being)… the key being to stay true to one’s own ‘voice’.
“The Warrior” is loosely based on the Carlos Castaneda book The Teachings of Don Juan and the search for knowledge by an old Yaqui Indian brujo. Peter Rowan joins on percussion instruments, yodeling and throat singing, adding a burning tension to the music, as the tale is sung in Keel’s gravely baritone. “The warrior is seeking the power… Standing tall he will never cower… He can see the spirits in the air… He can see the things that are not there.” The musicianship, lyrics and magical production combine to bring the listener down into the depths of the mystics and back out again in revelation.
Following “The Warrior”, the album’s gentle and refreshing closing melody, “Another Summer Day,” emits the feeling of resurfacing into the world, relaxed and carefree to enjoy the daylight and breeze. The tune was written and sung by Will Lee, with Anders Beck lending his intuitive touch on dobro and Jeff Covert carrying it along with a light drum beat.
“Larry is the yin and the yang,” declares Beck. “He will break your heart with a waltz, but he can also scare the hello out of you in the next song. He plays on the edge… no, strike that.. he creates genius guitar solos while staring over the edge and laughing maniacally.”
“This studio album was a complete blast to make, from start to finish,” says Jenny Keel. “Larry, Will and I, along with our exceptional engineer Jeff Covert coalesce into a working musical unit that push each other to higher and higher heights of magic, skill, art and energy. Add to that this cast of guests with all THEIR unique talents, and you have a recording that is pure enjoyment. Every detail of it!”
Throughout his prolific career, Keel has released 15 albums, including Experienced, and is featured on 10 others. Along with those that guest on the new album, Keel has performed with a multitude of top acoustic and electric musicians alive, and some now gone, including Vassar Clements, John Hartford, Tony Rice, Bill Monroe, Bob Weir, Jorma Kaukonen, Little Feat, Trombone Shorty, Railroad Earth, Leftover Salmon and many many others. Larry has written songs being performed by the likes of Del McCoury Band, Infamous Stringdusters and Yonder Mountain String Band and has a tune on Del McCoury’s GRAMMY-winning album The Company We Keep [2005] entitled ‘The Mountain Song.’
Experienced Track Listing: 1. Ripchord [Lee] 6:09 w/ Sam Bush
2. ‘Lil Miss [Keel] 4:22
3. Memories [The Keels] 4:00
4. Fill’em Up Again [Lee] 2:55 w/ Del McCoury, Jason Carter, Mike Guggino
5. Miles and Miles [Keel] 4:37 w/ Keller Williams
6. The Warrior 4:38 [Keel] w/ Peter Rowan
7. Another Summer Day [Lee] 4:47 w/ Anders Beck, Jeff Covert
*All tracks with The Larry Keel Experience: Larry Keel, Will Lee, and Jenny Keel
Vocalist & Songwriter Jane Kramer Makes a Full Voiced Return to Her Roots with Mountain-made Second Solo Album, Carnival of Hopes – Due Out Feb 26, 2016
Produced and Engineered by Adam Johnson of Sound Lab Studios, The album features backing band Free Planet Radio as well as guest appearances by Nicky Sanders of Steep Canyon Rangers and more
ASHEVILLE, NC — Vocalist and songwriter Jane Kramer is set to independently release her gutsy and ambrosial second solo album entitled Carnival of Hopes on Friday, February 26, 2016. Carnival of Hopes feels both celebratory and frank. It is filled with songs of regret and insight found after deep and gritty self-reflection. At its core, the album tells the story of facing down dark inner demons while still clinging to “that tiny chirping of light in your bones that somehow keeps you tethered to keeping on,” Kramer says.
Throughout the album, it is Kramer’s unvarnished honesty and searching, powerfully sweet and heartrending voice that carry the well-crafted and arranged songs and tie both elements of loss and healing cohesively together. “I’m not great at making stuff up,” she says, “so I sing what I lived and what I know, without any sugar or fluff.”
“Anyone who has stared down the barrel of themselves and their failures and fears and shipwrecked loves has scraped up against the bottom of their own capacity for hoping,” says Kramer, a social worker and musician by trade. “My carnival of hopes is busted and hideous and rusty and somehow still brave and sparkly,” she says, “like the image of the forgotten Ferris wheel printed on the disc – half taken over by trees and time, but still standing.”
With deep ties to the area, Carnival of Hopes, boasts a sparkling cast of Ashevillian producers and players. It was recorded at the award-winning Sound Temple Studios in Asheville in February of 2015, while she still lived on the other side of the country in Portland, Oregon. A few months later, after a four-year run spent writing and reflecting on the West Coast, Jane Kramer pulled up stakes and returned to Western North Carolina with a renewed energy to share her new music with the world.
Carnival of Hopes aches and soars with her connections to Appalachian balladry, a force she first encountered at Warren Wilson College and honed while performing with the Asheville-based all-female trio, the Barrel House Mamas, who helped reintroduce Americana music to the Blue Ridge Mountains a decade ago. However, it is as a solo artist where the power of Kramer’s songwriting and world-class vocals truly shine.
Kramer’s longtime friend Adam Johnson of Sound Lab Studios, whose portfolio of clients includes such names as Alison Krauss and Yo Yo Ma, produced and engineered the album. Kramer is backed by Chris Rosser on piano and harmonium,Eliot Wadopian on upright bass and River Guerguerian on drums and percussion, the virtuoso trio that comprises Free Planet Radio, and by master Georgia-based bluegrass musicians/ multi-instrumentalists, Pace Conner (steel string, high string and baritone guitars, ukulele, mandolin, and backing vocals) and Michael Evers (Dobro, banjo, mandolin, and backing vocals) who arranged the songs for recording and perform and tour with Kramer regularly.
Carnival of Hopes as an album is full of sometimes-searing flourishes on the complexities of Kramer’s modern life. The title track clearly encompasses that, she says.
Jane Kramer. Photo by Sandlin Gaither.
“In the song ‘Carnival of Hopes’ and on the record as a whole, I talk about letting things die and being honest about it: the notion that I am a good woman, ideas for my future and success, a big love, and even parts of myself dying and being reborn in the letting go” she says. “I talk about laying down my hammer but leaving the light on in the window. While these are heavy concepts, I feel the take-away feeling of the album is one of hope.”
On this deeply personal album, Kramer’s favorite track is the ballad, “Good Woman.” While she says she’s not one who fits that description, listeners might disagree after hearing the lilting but earnest passion and regret in her voice.
“Good Woman” is the song you write when your lover kicks you out of the house and you’re half drunk on cheap box wine in a crappy motel room staring at yourself in the mirror under the fluorescent bathroom light,” Jane says. “You can’t help but be honest then.”
“Aside from the sentiment, the contributions of virtuoso players, Nicky Sanders of Steep Canyon Rangers and Franklin Keel of Sirius B, also help make the song a favorite,” Kramer adds. They play orchestral fiddle and cello, respectively, on “Good Woman”.
Other songs on the album offer clear hints to Kramer’s unflinching self-examination and ability to convey heavy subject matter through utterly palatable and even catchy song-crafting. The New Orleans jazz-influenced “Why’d I Do That Blues,” (which features a horn section comprised of JP Furnas on trombone and Ben Hovey on trumpet), the classic country honky tonking sass of the opening track “Half Way Gone,” and the banjo-driven, uptempo modern-day spiritual “My Dusty Wings” all speak to a talented songwriter laying herself bare. She credits her songwriting hero and mentor, Mary Gauthier, with helping her reach for, and express, everything she hoped to communicate with the album.
The songs on the album were all penned by Kramer with the exception of one cover, “Down South,” written by Tom Petty. “This tune just sounds like the mountains.” Kramer says,”I’m a huge Petty fan and love the poignant simplicity of his writing. Additionally, and probably what was most important to me was the message of the song thematically, about returning home to the south and it’s little idiosyncrasies.”
The sense of homecoming that rings through was a conscious effort, Kramer says. “I did that because Asheville is my dirt. It’s my home and my culture, musically and otherwise. I missed it and knew somewhere in my bones I would be coming back to stay soon,” she says.
“I didn’t want to make an album that didn’t sound like home,” Kramer adds. “I wanted Asheville musicians and Appalachian instrumentation – that wistful, southern dobro sound that hurts your heart a little.” Carnival of Hopes is indeed a homecoming album, and will take listeners through the enchanting and accessible emotional landscape of a woman who has climbed the mountain of her own failures and fears and learned how to be at home with herself.
Announcing The 20th Annual Suwannee Springfest Initial Lineup John Prine, The Del McCoury Band, Keller Williams Grateful Grass, The Infamous Stringdusters, Nicki Bluhm & the Gramblers, Jeff Austin Band, The Larry Keel Experience, Donna the Buffalo & More ~ March 17-20, 2016 at the Spirit of Suwannee Music Park in Live Oak, FL ~ Grab your super early bird tickets now and save→ www.suwanneespringfest.com/tickets
Live Oak, FL — Suwannee Springfest celebrates 20 years of kicking off the spring festival season at the beautiful Spirit ofSuwannee Music Park in Live Oak, FL. It takes place March 17-20, 2016 and we are thrilled to announce that John Prine will be headlining the festival with his debut appearance at the event! A lot of return favorites from over the years will be joining in to help celebrate the anniversary including The Del McCoury Band, Keller Williams Grateful Grass, The Infamous Stringdusters, Jeff Austin Band, The Larry Keel Experience, Donna the Buffalo, and Jim Lauderdale. Nicki Bluhm & the Gramblers and Dave & Dave (of Trampled By Turtles) make their debut appearance at the fest!
Other fun acts on the bill include Cabinet, Fruition, Jon Stickley Trio, Nora Jane Struthers, Mandolin Orange, Rumpke Mountain Boys and more. Stay tuned for additional artist announcements, workshops, and other activities! See the full lineup at suwanneespringfest.com
Get your tickets for Suwannee Springfest now at the super early bird rate of $160 (GA) until midnight on Wednesday Dec 16th before they rise to the next tier of $175 through January 17th. Student / Military Ticket $175 advance through March 16th. Individual day tickets are also available. Tickets are inclusive of all taxes and fees, and include 4 days of primitive camping and music Thursday – Sunday nights. Kids under 12 are invited to join for free.
Attendees can also upgrade for a VIP Experience which includes a four-day ticket with primitive camping, dinners from Thursday – Saturday evenings, a VIP Laminate, a swag bag with the festival poster, a cap, and other goodies for $300 until 1/17 when it goes up to $350. See all rates and tiers and get tickets at www.suwanneespringfest.com/tickets.
Suwannee Springfest is a gem of a festival with beautiful early spring weather in a stunning natural setting of moss-draped oak and cypress trees where festivalgoers experience four days of superb music in the midst of a friendly, family-style environment. Keep an ear out for some campground pickin’ and bring your acoustic instruments to join in on the fun!
Located just north of Live Oak, Fla, the Spirit of the Suwannee Music Park is a one-of-a-kind music park and premier campground nestled in 800 acres on the shady banks of the historic, tea-colored Suwannee River in North Florida. With multiple stages, miles of trails and over 800 acres for camping, hiking, swimming, canoe and kayak rentals on the river, horseback riding, disc golf, and a restaurant and country store; the park offers a unique experience like no other, a true playground for all that attend.
Attendees can reserve RV hook ups, cabin rentals, and golf cart rentals by calling the park. SOSMP is located between Jacksonville, Florida & Tallahassee, Florida about 30 minutes south of the Georgia State line, about 45 minutes north of Gainesville and is host to a variety of events. Please visit the park’s web site at www.musicliveshere.com or call them at 386-364-1683 for information.
Suwannee Springfest Initial 2016 Lineup John Prine
The Del McCoury Band
Keller Williams Grateful Grass
Infamous Stringdusters
Nicki Bluhm & the Gramblers
Jeff Austin Band
The Larry Keel Experience
Donna the Buffalo
Dave & Dave (of Trampled By Turtles)
Jim Lauderdale
Cabinet
Fruition
Jon Stickley Trio
Nora Jane Struthers
Mandolin Orange
Rumpke Mountain Boys
The Broadcast
The Virginia Daredevils
Grits & Soul
Grandpa’s Cough Medicine
Big Cosmo
Nikki Talley
Sloppy Joe
Quartermoon
Taylor Martin’s Engine
Two Foot Level
The Steppin Stones
Donna the Buffalo Announce Winter 2016 Tour Dates Distinctive, groove-heavy, and danceable,
Donna the Buffalo is a band for the people
One of the most dynamic and determined bands continuously touring America for since 1989,Donna the Buffalo has created a community environment at their shows through their distinctive, groove-heavy, and danceable music.
Donna the Buffalo is happy to announce their new year’s and winter tour for 2016! They travel into Florida leading up to the New Year with a show in Ponte Vedra Beach on the 30th of December and they ring in the new year on NYE at Skipper’s in Tampa. They continue on in early January through Stuart, Boca Raton, Key West, and Orlando before heading back up north for stops in Saxapahaw, NC as well as Charlottesville, and Richmond, Virginia before a short break.
The tour picks back up again at The Hamilton in Washington, DC on January, 22nd as they travel south to play Asheville’s Orange Peel the following day. The following Thursday they meet up with Ben Cohen (Co-founder of Ben and Jerry’s) for another Stampede show – this one Free – in Plymouth, NH on the 28th. That weekend they roam the northeast with shows in Jim Thorpe, Buffalo, and Infinity Hall in Norfolk. In early February they hit the Brooklyn Bowl, Club Helsinki Hudson, the Narrow center for the Arts in Fall River and the Bull Run Concert Series near Boston, MA. Inventive New York City-based band, City of the Sun will open along select winter shows.
Donna the Buffalo is the host band for the Virginia Key GrassRoots Festival of Music, Art & Dance in Miami and they’ll be performing throughout the weekend from Thursday-Sunday, February 18-21. Stay tuned for more dates to be announced for late winter and early spring!
Donna the Buffalo is Jeb Puryear (vocals, electric guitar) and Tara Nevins (vocals, guitar, fiddle, accordion, scrubboard) joined by David McCracken (Hammond organ, Hohner Clavinet & piano), Kyle Spark (bass) and Mark Raudabaugh (drums). “It’s been really fun with this lineup,” Puryear says. “You get to the point where you’re playing on a really high level, things are clicking and it’s like turning on the key to a really good car. It just goes.”
Donna the Buffalo is a band for the people that is accessible, positive, and memorable. With roots in old time fiddle music that evolved into a soulful electric American mix infused with elements of cajun/ zydeco, rock, folk, reggae, and country. I
“For the dizzying array of styles and genres with which they work, Donna The Buffalo maintain a surprising level of consistency… over the course of their 25-year career, they retain a sharp focus that has helped them create some truly lasting music…” writes Elmore. “Few groups are this comfortable as performers, and even fewer would take as many risks.”
Donna the Buffalo Winter Tour 2016 12/30 Wed – Ponte Vedra Concert Hall – Ponte Vedra Beach, FL
12/31/15 Thu – Skipper’s Smokehouse – Tampa, FL
1/1/16 Fri – Terra Fermata – Stuart, FL
1/2 Sat – The Funky Biscuit – Boca Raton, FL
1/5-6 Tue-Wed – Green Parrot – Key West, FL
1/7 Thu – Plaza Live – Orlando, FL
1/8 Fri – Haw River Ballroom – Saxapahaw, NC
1/9 Sat – The Jefferson Theater – Charlottesville, VA*
1/10 Sun – Capital Ale House – Richmond, VA
1/22 Fri -The Hamilton – Washington, DC*
1/23 Sat – The Orange Peel – Asheville, NC*
1/28 Thu – Flying Monkey Performance Center – Plymouth, NH#
1/29 Fri – Mauch Chunk Opera House – Jim Thorpe, PA*
1/30 Sat – Buffalo Iron Works – Buffalo, NY*
1/31 Sun – Infinity Hall – Norfolk, CT*
2/3 Wed – Brooklyn Bowl – Brooklyn, NY
2/4 Thu – Club Helsinki Hudson – Hudson, NY
2/5 Fri – Narrows Center For the Arts – Fall River, MA
2/6 Sat – The Bull Run Concert Series – Shirley, MA
2/18-21 Thu-Sun – Virginia Key GrassRoots Festival of Music, Art & Dance – Miami, FL
* w/ City of The Sun opening
# Stampede show with Ben Cohen (Co-founder of Ben and Jerry’s) Free!
More about the music → Jeb talks of his inspiration “rolling off all the great protest songs and the socially conscious music like Bob Marley and The Beatles and Bob Dylan – all of that stuff. So that, to me, is sort of like a tradition to write from that angle as a way of reflecting on what you feel about the world and how you feel it could be better and getting to a different place as a society. There’s also the strength that comes from music and gives you the feeling like you can change those things and make some progress, and then express some of the particulars about what you’d like to change.”
“If there’s a common thread, it’s an up-tempo beat that gets audiences dancing, moving and smiling, even for the more topical songs. That’s part of the point: Sending energy and spreading joy can be political acts… When the band recently went out to the Occupy Wall Street demonstrations, Puryear read a pamphlet that said ‘it’s about the vibration,’ and he agrees.
‘The vibe is going to be the big change, out of a passion for living,”Jeb says said to the Rochester Messenger Post. “Just that kind of energy, something we kind of feel in ourselves.” It’s certainly kept the band rejuvenated, he noted: It’s “having an absolute chemistry that’s creative and can still be exciting over 20-something years.’”
Donna the Buffalo was on tour in the fall of 2015 with The Stampede: A tour to raise awareness to the inappropriate use of corporate money in politics, which garnered press in USA Today and SALON, as well as the support of Occupy Wall Street and Headcount, amongst many others. They joined forces with Ben Cohen, Co-Founder of Ben & Jerry’s, who has started stamping slogans on currency in protest (stampstampede.org). American roots music troubadour Peter Rowan joined in on the tour as well; he says “At last, it comes around again; making music with Donna the Buffalo, one of my favorites.”
“As a band, we have made a long term commitment to join this burgeoning movement,” says Jeb Puryear. “It is clear to us that we will never get significant government action on issues like healthcare, student debt, wall street banks, the environment, and corporate tax evasion until we outlaw legalized corporate bribery of our politicians.”
The Honeycutters Debut Music Video for “Jukebox,”
A Swingin’ Honky Tonk Anthem
ASHEVILLE, NC — The Honeycutters recently filmed a music video for their original song “Jukebox” at the historical and eclectic Town Pump Tavern in Black Mountain, NC, just east of their hometown of Asheville. Folk Alley premiered the video and writes of it, “The jolly, honky-tonk rhythm of the song underscores the sweet plaintiveness of Platt’s voice…until it doesn’t. As she steps up on to the stage to join the band, her smile wide, her voice big and bright, she and the other musicians seem to be in perfect sync, swinging, swaying and encouraging the whole of the bar to join in and look ahead to the brighter side of life.”
“Jukebox” is the lead track and perfect introduction to their new album Me Oh My [Organic Records® April 2015], an album which is threaded with themes of love, loss, acceptance and regrowth. “‘Jukebox’ features a woman done with waiting to fully live and imploring her partner to come along and make some magic with her, ‘I’m going dancin’, you comin’ or not? Take a chance on me daddy, this may be all we got,’” writes Front Row Focus’ Beth Baldino. “And in a line that reflects an overarching theme running throughout the album, ‘no use asking why, songbirds just ain’t built to fly, but sooner or later we all have to try.’ In other words, don’t dwell on why it’s taken us this long, it’s about time for us to shine.”
The Honeycutters. Photo by Sandlin Gaither.
The Honeycutters are fueled by the powerful songwriting and vocals of founder Amanda Platt who is also the album producer, band leader, and principal creative force behind the group. With songs that are honest and relatable, part chagrin and part hope, Platt’s voice carries a timeless appeal shaped by a raw honesty that comes straight from the heart and emits a sort of melancholy happiness. Joining Platt in The Honeycutters are Tal Taylor on mandolin, Rick Cooper on bass, Josh Milligan on drums, and Matt Smith on pedal steel, electric guitar, and dobro.
The Honeycutters set out to visually tell the story of “Jukebox” by calling in a cast of friends and cohorts, as well as a few actors from the area, to spend a day filming in the perfect locale of this well-worn honky-tonk tavern. The video was directed and produced by Ty Gilpin, Senior Director of Marketing at Organic Records.
The visuals lead the viewer through an entire transformation. In this rustic and sleepy bar, Amanda plays the role of the bartender. She drops a quarter in the jukebox and starts washing the bar and dreamily singing while a few desolate souls sit and drink. She has a heart to heart with a couple of them, reminding that the music is on and begins to dance with a lonely man and woman, in turn, as she gets to the lyrics, “It’s only a song, so for heaven’s sake won’t you sing along?”
The band has entered the bar by then, set up, and is playing. An excited fan who peers through the window likes what he sees, so he calls in a whole crowd to come in and dance. As The Honeycutters get to the line, “Sooner or later we all have to try,” Amanda’s character shifts her own energy and the scene flashes to her on the stage performing. The leading male and female, no longer in despair, start dancing. The color is brighter; everyone is there; the bar is full of happy people spinning and cowboy boots kicking. Flash back to the first bar scene and the couple is now slow dancing peacefully with just a few others in the bar. They found their place in the music.
For making the “Jukebox” video possible, The Honeycutters send a special thanks to the Town Pump Tavern and their staff, Ty Gilpin (Producer/Director), John Litschke (Director of Photography/J. Martin Productions, Inc.), Dan Burke (Videographer/Lighting), Michael Hendrix (Videographer/Media Management), Don Talley (Associate Producer), Adam Foster (Jib Operator/Lighting/Production Assistant), Katie Kasben (Makeup/Stylist), singer-songwriter Lance Mills (Male Lead and a friend of band), and female lead Deena Wade (NYS3 – The Meisner Conservatory for the Southeast Graduate).
“Their music is the kind that you’d want to play on a jukebox in a bar, if bars still had jukeboxes.” No Depression’s Amos Perrine writes, “You can sit in a booth with a beer and a tear or stretch out and take a twirl with some like-minded stranger. And their new album is one of the year’s best.”
What Folks Are Saying about “Jukebox”
“From the first track – ‘Jukebox’ – to the closer (‘A Life For You’) this is a perfect album of tunes that – in most cases will have you dancing around the room (or at least tapping your toes)” —Amazon, Steve Ramm
“Frontwoman Amanda Anne Platt writes potently vivid narratives that mine the underside of hardscrabble rural America: her characters are people we all know…, Jukebox, sets the tone, a swaying midtempo number with a cajoling cynicism: it’s sort of a ‘better enjoy this because this might be all we’ve got’ scenario.” —New York Daily News, Delarue
“When I first heard the opening track ‘Jukebox’, I thought ‘how did my Patsy Cline CD get in there?’… It’s a fun, toe-tapping honky tonk anthem…” ––That Music Mag, Jane Roser
“Not taking things too seriously is the theme of opening track ‘Jukebox,’ which immediately draws you into a place where you’ll remain throughout the record. The title track comments on the state of the modern woman.”
—The Daily Country, Tara Joan
“From the very first track, ‘Jukebox,’ Platt’s words will have listeners hooked on the entire album. ‘Don’t go calling me the angel on your doorstep/Cause I fell just like all the rest/I was too broke down to fly.’ These lyrics in ‘Jukebox’ are sure to grab the hearts of listeners and force them to clear their schedules just to finish the record. If the first track doesn’t leave listeners in tears by the end, the opening lines of the third song, ‘Me Oh My,’ will.”
—The Daily Lobo, Skylar Griego (New Mexico)
“Me Oh My… damn near beats anything coming out of Nashville these days. Singer/songwriter/producer Amanda Anne Platt is an irresistible and irrepressible force of nature. It’s all so authentic, organic, acoustic, sprightly, lively, lyrically profound and catchy that—when buoyed by Tal Taylor on mandolin and Matt Smith on pedal steel, electric guitar and dobro—you can’t get these songs out of your head. ‘Jukebox’ should be the obvious single… Americana comes up aces here.”
—The Aquarian’s Rant N Roll, Mike Greenblatt
“‘Jukebox’ is on a different plane, as country as anything you would have heard on the radio back in the day.”
—Lonesome Road Review, Larry Stephens
“The Honeycutters are a combo of supremely talented and empathetic musicians, fully committed to her vision. Whether driving and seasoning with pedal steel and brass the gently swinging honky-tonk of ‘Jukebox’, or creating the ideal atmosphere for the eye-opening dramatic desolation and stoic acceptance of life’s travails in the title track, they are indispensable. Their vocal harmonies, too, multiply the emotional effect of Amanda’s narratives.”
—No Depression, Amos Perrine
CHRISTMAS JAM ART SHOW @ THE SATELLITE GALLERY In Conjunction with X-Mas Jam By Day Featuring Rock & Roll Art and Photography Opening Reception on Friday, Dec 11, 2015 3-6pm
(Feel free to RSVP an Facebook) Showing all X-Mas Jam weekend Dec 12-13th from 11am-6pm Show runs through Jan 17, 2016, Free! 55 Broadway Street, Asheville, NC
ASHEVILLE, NC — The Satellite Gallery will once again host the Christmas Jam Art Show, with proceeds from art sales donated to the Asheville Area Habitat for Humanity. The show includes exceptional rock & roll art and photography from all over the country, including some from here in Asheville.
Warren Haynes. Photo by Jay Blakesburg.
There will be an opening reception on Friday, December 11th from 3-6pm, with complimentary refreshments provided. The gallery will be open during the day throughout the Warren Haynes Christmas Jam weekend, December 12-13th from 11am-6pm. Many featured gallery artists and photographers will be in attendance as well. Original art, concert posters, prints, framed prints, and other items will be available with a portion of the proceeds being donated to Habitat for Humanity.
Artwork on Display from the 2014 Christmas Jam Art Show
Featured artists include Jay Blakesberg Photography, John Warner Studios, Stewart O’Shields, Justin Helton – Status Serigraph, Serlo Studios, Mike DuBois, The Art of Steve Johannsen, Jeff Troldahl, Kirk West Photography, Dino Perrucci, David Oppenheimer – Performance Impressions, Allison Murphy Photography, Robbi Cohn – Dead images, Stuart Engel, Gus Cutty, Topr, David Simchock Photography, and as well intricate carved wood plaques from The Eden’s Rose Foundation! Plus there will be years of Christmas Jam posters from the archives, designed by Jeff Wood, Gary Houston, and many more artists. (See links below to check out their art)
Warren Haynes Presents: The Christmas Jam has benefited Asheville Area Habitat for Humanity since the mid 1990’s with over $1.8 million in donations having translated into many Habitat homes and neighborhoods for families in need of safe, decent and affordable housing.
John Warner in front of his designs.
Artwork will remain on display at The Satellite Gallery through January 17, 2016. Admission to the Satellite Gallery is free every day! The Satellite Gallery is located at 55 Broadway Street, Asheville, NC.
More about the music →
The visuals lead the viewer through an entire transformation. In this rustic and sleepy bar, Amanda plays the role of the bartender. She drops a quarter in the jukebox and starts washing the bar and dreamily singing while a few desolate souls sit and drink. She has a heart to heart with a couple of them, reminding that the music is on and begins to dance with a lonely man and woman, in turn, as she gets to the lyrics, “It’s only a song, so for heaven’s sake won’t you sing along?”
“Their music is the kind that you’d want to play on a jukebox in a bar, if bars still had jukeboxes.” 
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