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Archive for March, 2017

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Banjo Maestro Ned Luberecki’s Take Five OUT TODAY, March 31, 2017

Featuring Guest Musicians:
Dale Ann Bradley, Becky Buller, Amanda Smith, Missy Raines, Mike Compton, David Grier, Jeremy Garrett, Shad Cobb, Stephen Mougin, and Chris Jones & The Night Drivers


Buy it on iTunes, Amazon, cdbaby or directly from Ned at www.nedski.com/take-five

 Ned Luberecki’s new album, Take Five, is independently released TODAY, March 31, 2017. A master of his instrument and adept in multiple styles Ned recorded at The Rec Room, Ben Surratt’s studio in East Nashville this self produced, the 14-track album is a mix of originals and covers and clocks in at just under 45 minutes.

Take Five is a reflection of Ned’s musical diversity, presenting fiddle and banjo tunes, instrumentals, and traditional bluegrass interspersed with jazz standards, classic Buck Owens, and even the theme to Star Trek. Many of Ned’s musical friends from all walks of bluegrass make appearances, making Take Five a sort of retrospective, reminding us that however we know Ned Luberecki – sideman, teacher, on-air radio personality – that he is respected as both a traditional and progressive player with a style perfectly his own – a harlequin combination of the diverse artists, musicians, and genres he’s ingested.

Take Five is stacked with a remarkable lineup of guest musicians including Missy Raines and the New Hip, Jeremy Garrett of The Infamous Stringdusters, Becky Buller, The Helen Highwater Stringband (Mike Compton, David Grier, Missy Raines, and Shad Cobb), Chris Jones and The Night Drivers, Dale Ann Bradley, and Amanda Smith. Also appearing on the album, Stephen Mougin, guitarist of Sam Bush Band and the other half of Nedski & Mojo, calls it “a sonic glimpse inside the mind of Nedski [that] showcases Ned’s brilliant banjo skills in a diverse range of material, from old-time to bluegrass to jazz and beyond. Way beyond!”

take-five-coverWhat Folks are Saying about Take Five

“An absolutely joyous, riveting, beautifully syncopated example of the beauty of the banjo.  From the traditional to the unexpected, the banjo sings.” —Steve Martin (Actor, banjo player)

“Taken as a whole, Take Five demonstrates Luberecki’s mastery of the five-string. From the opening notes of his own tune, Night Driver to the familiar phrasings of Thelonious Monk’s Blue Monk, Luberecki is making a strong case for IBMA banjo player of the year.” —Bluegrass Today, David Morris   

“Journeying across times and genres on this disc, Luberecki’s impeccable playing, adventurous spirit and irrepressible good humor shine throughout.” —International Bluegrass (IBMA Magazine)

“Ned Luberecki is a true ‘master of the five’! This solo recording is a testimony to the incredible breadth of his playing, which I have always admired.”  —Greg Cahill (Special Consensus, former IBMA Chairman)

“His playing oozes with personality and character, and this record perfectly encapsulates that. It’s 100% Ned, and I, for one, am not afraid! Ned’s tunes are a joy to hear and his playing is better than ever.” —Noam Pikelny

“If you were introducing someone to the beauty and versatility of the banjo using 2017 releases, there’s only one choice that can accomplish that goal perfectly, Ned Luberecki’s Take Five. From bluegrass to jazz and from progressive to old-time, this album shows what the banjo is capable of. And just as importantly, it shows that tradition and a fresh energetic approach are still an easy pairing in the bluegrass world.” —Lonesome Banjo Chronicles, Brian Swenk

“‘Adams County Breakdown’ is a rollicking freight train from the other end of the spectrum, a triumph of the five-string banjo that cements Luberecki as a world-class musician.” –Grateful Web, Emerson Kerwin

“… the cover artwork for this CD reminds me of the artwork for Time Out, the 1959 Dave Brubeck Quartet album to feature ‘Take Five.’ I could listen to this track for hours, just as I could spend hours listening to Dave Brubeck’s rendition (and have done, actually).” —Michael Doherty

“… the interplay between the fiddle and banjo is hypnotic (See ‘Cleveland Park’). Finally, and most importantly, the album is as varied as possible.” —Wine Compass, Todd Godbout

“Bluegrass, on it’s own, is a fun genre of folk music to get into, but with the humor and other genre infusions Luberecki brings here, it wouldn’t surprise at all if he made a few more fans along the way.” —NYS Music, Rob Creenan

“The backing musicians, compositions, and production are all at the highest levels here and Ned has done himself proud with this widely varied and irresistible project.” —Tony Trischka

“With skill, tone, and taste he comfortably transverses styles of bluegrass, jazz, celtic and more making this a seamless and satisfying set of music.” —Missy Raines (7 Time IBMA Bass Player of the Year, Missy Raines & The New Hip)

“… a full course five-string feast, with savory bluegrass, tasty fiddle tunes, tangy jazz and more. It’s all presented with sumptuous tone, timing that’s just right and a dash of Ned’s irrepressible humor. This is state-of-the-art five-string banjo, cooked up with virtuosity and creativity,” —Bill Evans (banjo player, banjo instructor, and author)

“Ned Luberecki is surely among the most talented and creative artists we have in bluegrass music. It doesn’t matter if he is driving the banjo right through the Becky Buller Band, sharing clever stories from the stage, or hosting one of his programs on SiriusXM’s Bluegrass Junction, Ned’s wit and wisdom always shine through… ” —Bluegrass Today, John Lawless

Listen to Bluegrass Today “Night Driver” at Bluegrass Today → www.bluegrasstoday.com/nightdriver-from-ned-luberecki

Listen to  “Higher Ground” at The Bluegrass Situation →  www.thebluegrasssituation.com/read/listen-ned-luberecki-higher-ground

For more information, please visit www.nedski.com, www.facebook.com/MoreBanjo, Twitter: @NedLuberecki, and Instagram: nedluberecki

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Bill Scorzari’s
Through These Waves, Produced by Jonah Tolchin, Released March 10

Bringing Together a Cast of Fine Musicians,
Scorzari Explores Impassioned & Thoughtful Landscapes

Available now on iTunes, Bandcamp, Spotify, and CD Baby

Huntington, NY — New York native, Bill Scorzari independently releases his sophomore album, Through These Waves, Today, March 10, 2017. Produced by Jonah Tolchin (Yep Roc) and engineered, mixed, and mastered by Billy Bennett, the album of all original material was recorded over twelve days at the famed Bomb Shelter in East Nashville through the studio’s 1970’s MCI console and mixed to tape. In a recent interview with No Depression, Tolchin calls Bill Scorzari, “one of the greatest songwriters I’ve ever heard.” With sincere and robust lyrics, Scorzari’s raspy vocals usher the listener breezily into his world.

Joining Scorzari on the album are Joachim Cooder (drums, percussion), Laur Joamets (electric guitar, slide guitar), Chris Scruggs (steel guitar), Will Kimbrough (mandolin, piano), Eamon McLoughlin (fiddle, viola, cello), Jon Estes (upright bass, guitar, organ), Kim Richey (vocals), Brent Burke (dobro) and more.

Bill has a scruffy sentimentality that was comforting to behold.” Billy Bennett comments on the recording sessions, “There were humbling moments of marvel for me during the process, as the tremendous cast of musicians populated Bill’s emotional landscapes beautifully. I was privileged to have played a part.”

“One of the most idiosyncratic voices I’ve ever come across,” Laur Joamets expresses. “Bill’s timbre is one-of-a-kind. It’s a great record. I’m proud to be on it.”

Even through all of the chaos in the world, every time you are let down, or hurt, or feel broken, there is a softness within our hearts that will help us to come through and rise above anything that life deals us, without hardening our spirit. There’s a solemn, yet uplifting and gracious feel to Through These Waves, a gentle roll of energy in the songs and the recording experience that is emphasized in the musical collaboration that came about when the musicians entered the studio.

Will Kimbrough says, “I enjoyed playing on Bill Scorzari’s record… Boy, did it turn out fine — thoughtful, soulful songs, with -by God- real music to back them up. Top notch.”

From the Critics:

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Bill Scorzari. Photo by Lauren Jahoda

“One of 2017’s best albums so far… The crisp, organic interplay of both acoustic and electric instruments perfectly frame Scorzari’s weathered, raspy voice that many have described as ‘singular’ or ‘idiosyncratic.’ Just to give you some clues, head in the direction of Tom Waits or Malcolm Holcombe. Scorzari’s voice is in that neighborhood but still stands apart. And, then there are his thoughtful, cinematically shaped songs that continue to resonate after repeated listens. Yes, this is a ‘must hear’ for singer-songwriter aficionados.” —Elmore, Jim Hynes

“…once in awhile… just once in awhile… you find one and, man, it’s a rush. Case in point, a compact disc by Bill Scorzari titled Through These Waves…Bill Scorzari is a force. His songwriting is stellar, his picking above par and his voice fits his songs perfectly. The album itself is a knockout… performances are topnotch all-around…I give this a solid A, top to bottom. I give ‘Hound Dog Diggin” an A+ for the groove alone.” —No Depression, Frank Gutch Jr.

“Bill Scorzari has a lived-in voice that says, ‘Listen to these songs.’ They spring from the earth and the ocean with an open heart and the wisdom of experience.” –WFUV’s John Platt. Listen in to Bill’s recent interview in WFUV’s Sunday Supper → www.wfuv.org/content/susan-kane-and-bill-scorzari

“Scorzari’s songs are consistently profound, poetic, and emotional; and his voice—as gravelly and compelling as Tom Waits’s—is counterpointed beautifully with strings and, on the gorgeous ‘More of Your Love,’ a female vocalist. This is one of the most compelling albums by a little-known artist that I’ve heard in a while.”  The Morton Report, Jeff Burger

“Scorzari’s songs are often about seeking a kindred soul and in that finding solace. There is a poetic grace that makes them worth listening to and reading.” —Lonesome Highway, Stephen Rapid

“An album that is serene, uplifting, and powerful, Through These Waves is a gem waiting to be discovered.” —The Daily Country, Tara Joan

“Scorzari sings, but his version of singing is more of the spoken poetry with a pulsating vibration timbre that Sam Baker has perfected over the course of four albums and innumerable gigs. He connects with listeners by creating soundscapes that reveal descriptions of mood and atmosphere more than character. You listen and think, Yes—I’ve felt that…” —Fervor Coulee, Donald Teplyske

“… he’s a songwriter of the highest order with a three pack a day voice that sounds nothing like that during every day conversation. When he’s on stage though, that voice will make you pay attention to lyrics that can turn a phrase, make you think or make you thankful that there’s someone out there to relate to.” —Medium, Thomas Gerbasi

“…Scorzari has struck gold on what is only his second album, Through These Waves…His style of music occasionally reminds me of Sam Baker, the wistfulness and precise nature of the songs and wondrous beauty, and arguably his greatest attribute honesty the record is one of the finest I have stumbled across in a long time.”  —Flying Shoes Review (UK) Maurice Hope

Through These Waves Track Listing:
1. A Dream of You (5:48)
2. A Brand New Deal (3:12)
3. Shelter From the Wind (5:28)
4. Hound Dog Diggin’ (3:27)
5. More of Your Love (5:23)
6. Holy Man (3:26)
7. She Don’t Care About Auld Lang Syne (4:21)
8. For When I Didn’t See (3:56)
9. Loser at Heart (4:33)
10. I Can Carry This (4:32)
11. It’s Time (3:30)
12. Riptide (4:38)

Musician Credits (alphabetical order):
Brent Burke: Dobro
Joachim Cooder: Drums, Percussion
Jon Estes: Upright Bass (Tracks 2, 3, 5, 8, 11), Second Acoustic Guitar (Track 5), Organ (Track 10), Percussion (Track 8)
Laur Joamets: Electric Guitars (Track 4), Slide Guitar (Track 6)
Annie Johnson: Second Vocal (Track 5)
Will Kimbrough: Mandolin, Piano
Marie Lewey: Background Vocals (Tracks 4, 10)
Eamon McLoughlin: Fiddle, Viola, Cello
Matt Murphy: Upright Bass (Tracks 1, 4, 6, 9, 10, 12)
Kim Richey: Second Vocal (Track 6)
Danny Roaman: Slide Guitar (Tracks 3, 4, 9)
Bill Scorzari: Acoustic Guitar, Vocals, Chair
Chris Scruggs: Steel Guitar
Jonah Tolchin: Electric Guitar (Tracks 1, 6, 11, 12), Lap Steel (Tracks 1, 10, 11)
Kyle Tuttle: Banjo
Cindy Walker: Background Vocals (Tracks 4, 10)

For more information and updates, please visit www.billscorzari.com, www.facebook.com/billscorzari , and www.twitter.com/BillScorzari.

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Jon Stickley Trio. Photo By Heather Hambor

 

Jon Stickley Trio Releases Maybe Believe on May 12, 2017
Produced by Dave King (The Bad Plus) at Echo Mountain Studios in Asheville NC

Thoughtful & energetic”Bryan Sutton

Watch a behind-the-scenes video from the recording session → www.youtube.com/watch?v=ccQB75r3Vww

ASHEVILLE —  Riding the wave of their critically acclaimed 2015 album, Lost at Last, Jon Stickley Trio independently releases their 3rd full length album, Maybe Believe, on May 12, 2017. Jon Stickley Trio combines Jon Stickley’s rapid-fire flatpicking guitar with the sultry and wild, yet refined, melodies of Lyndsay Pruett on violin set over the deep groove of Patrick Armitage on drums.

“The latest record from the Jon Stickley Trio flexes new and strong muscles, utilizing more progressive structures and deeper pockets than ever before,” says Producer Dave King (Of The Bad Plus). “All the while, the group retains its place as a modern-thinking acoustic ensemble with one foot in tradition and the other in a bluegrass honored future that allows for the avant garde, punk, and be bop to mix in freely and tastefully.”

Greensky Bluegrass’ Anders Beck says of Jon, “Sure, comparisons to previous musicians are a good way to explain a new artist to the masses, but to do so is to cheat Stickley of what he really is: a damn genius, a musical mastermind, and one of the most unique, creative, and inventive guitar players I’ve ever heard…  Stickley’s guitar playing shares as much in common with the flow of the greatest rappers of all time as it does with his flatpicking heroes…”

1-Maybe-Believe-FrontThe album title, Maybe Believe, is a continuation of the theme from Lost at Last. With Lost at Last, the band was stepping away from their collective musical past, into new territory that was somewhat uncomfortable, but also inspiring and free. With Maybe Believe, they have become more comfortable in their own skin yet retain an element of vulnerability while continuing to move into uncharted territory. This album marks the next step in the band’s evolution, and takes the listener to original and unexpected new places that still embody the familiarity of the Jon Stickley Trio’s signature style.

 

Dave says, “I was honored to be a part of this evolution and I think we made a very compelling album for music fans and musicians of all kinds.” This is his second time joining forces with the Trio at Echo Mountain Recording Studio in the band’s hometown of Asheville, NC, once again working with Engineer Julian Dryer. Both were also on board for Lost at Last which garnered praise from The New York Times, NPR’s Heavy Rotation, NPR’s World Cafe, Folk Alley, Premier Guitar Magazine, Acoustic Guitar Magazine, Performer Magazine, and many others.

Stickley says, “We had just gotten to know Dave last time and had such a good time. Bringing him in again takes the whole thing up a notch. It was a completely different experience, after traveling all over the place touring [in 2016 the Trio drove over 50,000 miles], over time we’ve developed a cohesion as a band where we intimately know each other and can feel where each other is wanting to go and respond. It’s developed into a tight musical relationship.”

The album’s opening track, “Jewels,” is a short, mellow, piece which serves as the album’s prologue, setting the tone of the record, quieting the mind of the listener. It’s a cleansing of the palette before the full course, and features the delicate harmonics of Jon and Lyndsay along with and Patrick’s textural brushwork.

Then they go full throttle with “Playpeople,” an eclectic piece that draws inspiration from Green Day, Duran Duran, Grateful Dead, and David Grisman Quintet, but in the end, is ultimately pure Jon Stickley Trio. This track’s title is a gender-neutral term for someone who likes to have a good time, and does so despite all external obstacles and displays the Trio’s fun-loving energy and virtuosity, as well as their controlled intensity.

Almost With You” and “Mt. Sandia Swing” highlight the Jon Stickley Trio’s ability and inclination to play with polyrhythms and layer different grooves on top of each other. Dave King described “Sandia” as “The Violent Femmes… playing Jazz.”

Jon Stickley’s music brings forth mental imagery from the soundscapes the band has created in songs like “Slow Burn,” which is a like simmering pot of stew that occasionally boils over, while “Microbruise” embraces the fun-loving nature of Asheville’s beer brewers and drinkers, and “Cecil” is the Trio’s heaviest song yet featuring seamless interplay between guitar and violin with a sludgy, old school, John Bonham style drumbeat.

The aforementioned songs were all penned by Stickley, while Lyndsay Pruett’s hand brings forth a couple of jazzier numbers. A highlight of the record, “The Price of Being Nice” has a quirky, infectious theme that is explored throughout the song with a somewhat deconstructed treatment that allows the Trio to shine. Pruett also wrote “Lady Time,” a short solo song that closes out the album that features her distinctive pizzicato playing and improvisations.

The album contains three covers, “Jerusalem Ridge” (a Bill Monroe tune with a twist that has become a staple at live shows), “Avril 14th’ (a piece by Richard James a.k.a. Aphex Twin), and “Birdland Breakdown” (a tune by mandolinist John Reischman which also appeared on Tony Rice’s jazz-grass album Still Inside).

Jon Stickley Trio On Tour
3/10 Fri – The Grey Eagle – Asheville, NC
3/15 Wed – The Station Inn – Nashville, TN *w/ The Dustbowl Revival
3/16 Thu – The Earl – Atlanta, GA w/ The Dustbowl Revival
3/17-18 Fri-Sat – Anastasia Music Festival @ St. Augustine Amphitheater – St. Augustine, FL
3/21 Tue – Taos Mesa Brewing – El Prado, NM
3/22 Wed – House Concert – Albuquerque, NM
3/23 Thu – Last Exit Live – Phoenix, AZ
3/24 Fri – Coconino Center For The Arts – Flagstaff, AZ
3/25 Sat – Seven Grand – San Diego, CA
3/29 Wed – Throckmorton Theatre – Mill Valley, CA
3/30 Thu – Neck of the Woods – San Francisco, CA
3/31-4/1 Fri-Sat – WinterWonderGrass – North Lake Tahoe, CA
4/6 Thu – The Stage at KDHX – St. Louis, MO
4/7 Fri – Rhythm and Blooms Festival – Knoxville, TN
4/8 Sat – Albino Skunk Festival – Greer, SC
4/12 Wed – Willie’s Locally Known – Lexington, KY
4/13 Thu – The Fire Pit’s Side Bar – Milwaukee, WI
4/14 Fri – Mid West Music Festival – LaCrosse, WI
4/15 Sat – Two Brothers Roundhouse – Aurora, IL
4/29 Sat – WV Craft Brew Fest – Lewisburg, WV
5/12-13 Fri-Sat – LEAF – Black Mountain, NC
5/19 Fri – Lower Town Arts & Music Festival – Paducah, KY
5/20 Sat – Moonshiner’s Ball – Berea, KY
5/26 Fri – Rooster Walk – Martinsville, VA
6/8 Thu – Founders Brewing – Grand Rapids, MI
6/9 Fri – Parliament Room at Otus Supply – Ferndale, MI
6/10-11 Sat-Sun – NorEastr Festival @ County Fairgrounds – Mio, MI
7/15 Sat – Red Wing Roots Music Festival – Mount Solon, VA
7/29-30 Sat-Sun – FloydFest – Floyd, VA
More dates TBA!

Maybe Believe Track Listing*

  1. Jewels 2:03
  2. Playpeople 4:36
  3.  Almost With You 3:39
  4.  Slow Burn 4:47
  5. Jerusalem Ridge (Bill Monroe) 5:36
  6.  Avril 14th (Richard James a.k.a. Aphex Twin) 1:59
  7. Cecil 4:36
  8.  Microbruise 3:19
  9. The Price of Being Nice (Lyndsay Pruett) 3:39
  10.  Mt. Sandia Swing 4:23
  11.  Birdland Breakdown (John Reischman) 3:54
  12. Lady Time (Lyndsay Pruett) 3:44

* All songs written by Jon Stickley unless otherwise noted

For more information and updates from the road, please visit www.jonstickley.com, www.facebook.com/JonStickleyTrio, www.instagram.com/jonstickleytrio, and www.twitter.com/StickleyMusic.

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Town Mountain & Tift Merritt Play Yep Roc’s Benefit For The ACLU of NC
Saturday, March 11, 2017 at The Cat’s Cradle

7pm doors, $15, 100% of ticket sales to ACLU of NC

Tickets: http://bit.ly/2m45tXa
Facebook event: www.facebook.com/events/1734271726884518/

300 East Main Street, Carrboro, North Carolina 27510
www.catscradle.com

Town Mountain is thrilled to join in on Yep Roc Records’ Sing Out!, a night of songs and solidarity in support of the American Civil Liberties Union (ACLU) of North Carolina at The Cat’s Cradle on Saturday, March 11th. Tift Merritt, Caleb Caudle, and Alexandra Sauser-Monnig from Mountain Man will also be performing! Doors are at 7pm with the show starting at 7:30. Tickets are $15 and 100% of ticket sales will be going to the ACLU of North Carolina.

The ACLU of North Carolina is a nonpartisan, nonprofit membership organization dedicated to protecting civil rights and civil liberties for all North Carolinians. The ACLU-NC has approximately 20,000 members and supporters in North Carolina. For more information, please visit www.acluofnc.org.

Town Mountain’s banjo player, Jesse Langlais says, “In today’s political climate, we need now more than ever, a great source for accountability. The ACLU is that entity. Town Mountain is proud to take part in an event to help fight the good fight.”

Vocalist and guitar player Robert Greer says, “We believe in the civil rights of all human beings and we also love playing music in Eastern North Carolina. That’s why we’re stoked to play this show benefiting the ACLU of North Carolina at Cat’s Cradle!”

Town Mountain is known for their hard-driving sound, in-house songwriting, and the honky-tonk swagger of their live performances. The hearty base of Town Mountain’s music is the bluegrass triumvirate of Bill Monroe, Lester Flatt and Earl Scruggs. It’s what else goes into the mix that brings it all to life both on stage and on record and reflects the group’s wide-ranging influences – from the Grateful Dead’s Jerry Garcia and the ethereal lyrics of Robert Hunter, to the honest, vintage country of Willie, Waylon, and Merle. Along with Langlais and Greer, this the Asheville-based band features and mandolinist Phil Barker, fiddler Jack Devereux, and Zach Smith on bass.

For more information, please visit TownMountain.net, facebook.com/TownMountain, twitter.com/TownMountain, and instagram.com/townmountainbluegrass.

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The Infamous Stringdusters Added To Jam In The Trees This August!

Joining the already stellar lineup:
Acoustic Syndicate, Peter Rowan, Larry Keel, Tim O’Brien, Jim Lauderdale,
Underhill Rose, Ken Tizzard

Friday Night Schedule Announced!

Fri-Sat Aug 25-26, 2017 at Pisgah Brewing Company in Black Mountain, NC
150 Eastside Drive, Black Mountain, NC 28711 | Phone 828.669.0190
Tickets:  www.eventbrite.com/e/jam-in-the-trees-tickets-29283448583

ASHEVILLE, NC — The 2nd Annual Jam In The Trees is thrilled to announce the addition of The Infamous Stringdusters to the lineup which includes some incredible acts that have already been annonced: Acoustic Syndicate, Peter Rowan, Larry Keel, Tim O’Brien, Jim Lauderdale, Underhill Rose, and Ken Tizzard. The 2017 event takes place Friday and Saturday, August 25-26th at Pisgah Brewing Company in Black Mountain, NC. More artists TBA!

Bluegrass virtuosos The Infamous Stringdusters are no stranger to WNC and are excited to return with their new album LAWS OF GRAVITY, which debuted at #3 on iTunes Country Chart and #1 on the Amazon Bluegrass Chart. As first revealed on Rolling Stone Country, the new album marks a return to form for the Grammy-nominated acoustic five-piece. LAWS OF GRAVITY is all new original Dusters music–perhaps the most “Infamous” record they’ve done in their decade together.

Jam in the Trees has also announced the Friday schedule which starts with Ken Tizzard, followed by Underhill Rose, then Larry Keel. Doors at 7, show starts at 8pm, all on the indoor stage.

Gates open Saturday at 12pm, with music starting at 1pm throughout the day until 11pm on the beautiful Pisgah Brewing Outdoor Stage, followed by an “After Hours Jam” on the indoor stage.

Early Bird Tickets available while supplies last. VIP tickets are available for $100 and include Meet & Greets with the bands, a guided brewery tour and tasting, preferred parking, a commemorative event poster and more! Hotel and shuttle information coming soon. Stay tuned to the festival’s new website www.jaminthetrees.com for more information and updates.

JITT is a benefit for Wild Forests & Fauna (WildFF) and last year’s inaugural event raised $5000 to protect, restore and support threatened forests and wildlife in Western North Carolina. Relive some of the wonderful moments of 2016 through photos of the event by David Simchock Photography at www.frontrowfocus.com.

“At WildFF, our Big Tree Project that leverages outreach education and reforestation to protect forests in Western North Carolina and around the globe,” WildFF’s Executive Director Benjamin Colvin says, “Since JITT, the Big Tree Project has grown and has even sparked a relationship with ABTech and local company ArborZen to restore a razed site with over 500 native trees. We are thrilled to be a part of this and can not wait for Jam in the Trees 2017!”

JITT is now accepting art vendor applications for Jam In The Trees 2017. JITT is booking non-food vendors only; if you are a food vendor interested in being a part of JITT, please contact Pisgah Brewing directly. Here is the link to the Art Vendor Application: http://bit.ly/JITT_ArtVendorApp_2017.

Lifelong resident of Asheville and President of Jam In The Trees, LLC, Laurel York, says, “We hope the ‘jamsters’ will come out again in 2017 for an even better event than last year and show their support for their great cause!”

Jam in The Trees 2017:
The Infamous Stringdusters
Acoustic Syndicate
Peter Rowan
Larry Keel
Tim O’Brien
Jim Lauderdale
Underhill Rose
Ken Tizzard

More information about Jam in The Trees can be found at www.jaminthetrees.com, www.facebook.com/JamInTheTrees, www.twitter.com/jaminthetrees, and www.instagram.com/jaminthetrees.

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