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‘Tis the Season and the end of the year! Here’s a rundown of the albums that Dreamspider Publicity publicized in 2018 in order of release date. Please do keep listening to and supporting live and recorded music! THANK YOU to all the artists, writers, DJs, listeners, and concert goers!!

Cheers and have a fantastic Holiday Season!


~Erin Scholze, Dreamspider Publicity
These Things Just Don’t Happen By Themselves… 

LoveCanonCov13e

Love Canon – Cover Story
Released on Organic Records: July 13
www.lovecanonmusic.com

“Charlottesville, VA’s Love Canon have established themselves as prodigious interpreters of others’ songs. Their latest is chock full of circa 1980’s classics, each imbued with an acoustic charm. In some ways it speaks to the flexibility of the underlying song… In others it speaks the group’s ability to transform the song.” —Twangville, Mayer Danzig

“A guest-filled ride through familiar old favorites, interpreted not as party reboots but as thoughtful reimaginations. Songs from an era known for indulgent electric sheen get broken down and rebuilt with serious bluegrass chops… Throughout the record, the band dips into its deep rolodex of musical friends, tapping quirky troubadour Keller Williams to sing lead on R.E.M.’s ‘Driver 8,’ which features blazing solos and an extended reggae breakdown. Ace fiddler Michael Cleveland and singer Aoife O’Donovan also show up for one of the album’s best tracks, a mountain-hop version of Paul Simon’s ‘Graceland.’ Bluegrass has always been about passing songs down the line and sharing them with friends; Love Canon is toying with that tradition in a good way.” Blue Ridge Outdoors, Jedd Ferris

“Stripped of its slick ’70s country production and replaced with upbeat horns and killer harmonies, ‘Islands in the Stream’ is a perfect laid-back love ballad when performed by Love Canon. The band’s friend Lauren Balthrop evokes Parton in the high harmonies, and Bobby Read and John D’Earth provide a little bit of funk on the saxophone and trumpet, respectively.–The Boot, Amy McCarthy

HBR_LonesomePanoramic_600px_lo-res
Hot Buttered Rum –
Lonesome Panoramic
Independently Released: July 20
www.hotbutteredrum.net

“Tight Tunes and Whispers of Tom Petty: Lurking behind each song is a rhythmic urgency that’s less prog-bluegrass and more rock oriented… Over its 15-plus-year career, the band has proven itself capable of pulling together strands of country, folk, bluegrass, and jam music into an energetic, good-time experience. But with the batch of well-crafted, sharply performed tunes they cooked up on Lonesome Panoramic, Hot Buttered Rum has managed to blend its ragged charms with that of a well-oiled musical machine.” —No Depression, Jim Shahen

“Ultimately, Lonesome Panoramic reflects the work of a talented group of close-knit colleagues who know how to share their skills and play in sync, with no one individual eager to overshadow the others. The band emphasize subtlety over sizzle, finesse as opposed to frenzy, and a confidence and assurance that makes melody the primary focus. It’s a decided skill set to be sure…” —Bluegrass Today, Lee Zimmerman

“Probably best described as a tangling of jam, country, folk, and bluegrass that results in a timeless energy and easily enjoyable spirit, this is a criminally underappreciated outfit and a fantastic album.” —The Daily Vault, Tom Haugen

CF_LiveAlbumCover_2018_CreditKeithBersonPhotography
Chicago Farmer –
Quarter Past Tonight  – Live Double Disc Album
Independently Released: August 3
www.chicagofarmer.com

“I’d never heard of transplanted son of the soil Cody Diekhoff and you probably haven’t either. But this tenth-anniversary double-live, 24 songs and eight spoken bits that include a tribute to his heroically supportive wife entitled ‘Benefits’… he’s funny, he’s kind, and he’s preparing an instructional video about ‘how do you get that drawl that you do—it’s kind of a mix between a small-town big-city kind of a northernly southernly easterly westerly stuck-in-the-middle type of a drawl.’”  Noisey, Robert Christgau

You don’t hear many albums these days like this two-CD set, which hearkens back to a time when solo folk artists like Tom Paxton and Arlo Guthrie strode onstage offering nothing but their voices, guitars, harmonicas, visions, and wit.”  The Morton Report, Jeff Burger

“A great example of his songwriting and performing chops is ‘I Need a Hit,’ the first song off disc one. It’s about a road-worn troubadour dreaming about a John Hartford scenario — meaning he’d have a money-maker like ‘Gentle on My Mind’ funding his traveling circus.” —Wide Open Country, Bobby Moore

RestHeavyCover_WEB
Chad Elliott & The Redemptions –
Rest Heavy: The Sun Studio Sessions
Independently Released: August 10
www.chadelliott.net

“Iowa suggests such names as Greg Brown, Bo Ramsey, and Pieta Brown among others but now singer-songwriter, artist and author, Chad Elliott can join their esteemed company with Rest Heavy. Even if you didn’t know that these tracks were recorded at Sun Studios in Memphis, you’d still sense a bit of that Elvis Presley style in Elliot’s mix of roots-rock, soul, blues and modern gospel… This album just oozes soul, truth, and seems rather timeless as it could have been recorded almost any time in the last fifty-sixty years.” –Elmore, Jim Hynes

“Rest Heavy… opens with an arpeggiated piano riff and cymbal crash before launching into a leaned-back, eyes-closed, soulful-howl gospel-blues tune of which Sam Cooke would have approved… As he croon-wails his way through tracks that range from hardscrabble stories and ain’t-life-like-that tunes to songs of somber reflection, his constellation of influences is clear, with stylized moments and melodic arrangements that evoke the likes of Tom Waits, Eric Clapton, Bruce Springsteen and Doc Watson.”
Little Village Magazine, Lucas Benson

“ … there is a timeless feel all along the tracks that tell his talent.. roots rock, gospel, soul, blues in a perfect spirit… I would even say this album is the perfect tribute to the spirit of the Sun Studios. I already listened at least 10 times to it and these songs take me with them…” ISA Radio, Mike Penard, France

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Rudi Ekstein –
Carolina Chimes: Rudi Ekstein’s All Original Bluegrass Instrumental Showcase Featuring Stuart Duncan, Jeff Autry, Mark Schatz
Independently Released on Foxfire Recording: October 5
www.carolinachimes.com

“The bulk of [the songs] are flat-out, hold-on-to-your-hat wild rides that he takes you on… The entire album brings back many great memories to me of John Hartford’s many musical excursions through the years, jam sessions with Mike Marshall down in Florida back in the ’70’s and all sorts of good stuff... I would suggest the best way to listen to this CD is on a nice drive through the country or anywhere.” Elmore, Ken Spooner

“These twelve original numbers flow brilliantly, a set of mandolin-based bluegrass the likes we haven’t experienced in a number of years. I’ve hit ‘repeat’ more than once listening to the set, the minutes passing by much too quickly…. An absolute stunner of a bluegrass album.” –-Fervor Coulee, Donald Teplyske

“This is some serious, hard core bluegrass played with a lot of fire… Good stuff.” —Mandolin Cafe

EDA Butterfly cover 2CD Cover
Edward David Anderson –
Chasing Butterflies
Independently Released on Black Dirt Records: October 18
www.edwarddavidanderson.com

“Key tracks are the disturbing epic tale of race and injustice (with majestic, swirling fiddle) in ‘The Ballad of Lemuel Penn’, the brutally honest ‘Bad Tattoos’ (‘The story of my life’s written on my skin’) and the hypnotic ‘Crosses’ with its rousing and extended instrumental section closing out the track… On Chasing Butterflies, Edward David Anderson commands our attention with his accomplished songwriting and sublime presentation. He certainly has mine. It’s a triumph.” —Listening Through The Lens, No Depression, Rob Dickens

“…nothing here is overplayed: the sound is light, mainly acoustic and upbeat… Judging by his self-penned songs, Anderson observes his world and writes what comes to mind. On his second solo release he covers family, misspent youth (tattoos), dogs, inspirational friends, bleak Montana landscapes and injustices… All in all an interesting outing that explains his wide fanbase.” –Americana Music Show, Tony Ives

“The quality of songwriting here is exemplary. Without exception we are treated to consistently strong melodies with memorable hooky choruses that will live with you after only a few listens. There is a very strong and diverse lyrical theme to these songs while the musicianship on the record is outstanding throughout.” —AmericanaUK, Mark Hegarty

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Roy Schneider & Kim Mayfield –
Reckless Saints
Independently Released on Shiny Gnu Records: Nov 2
www.RecklessSaints.com

“This husband and wife team runs the gamut from engaging acoustic folk to driving bluesy tunes, with hints of twang sprinkled in… The ringing impression from this offering is the seamless blending of so many forms of roots music, combined with meaningful and often insightful lyrics. It works beautifully.”
Making A Scene, Jim Hynes

“Reckless Saints is an acoustic duo comprised of Roy Schneider Music on guitar, harmonica, dobro, drums, banjo and bass with wife Kim Mayfield on guitar, baritone ukulele, mandolin and piano. They both sing and they both write. Their self-titled debut only has one cover: “Election Day” by the late Blaze Foley (the subject of Ethan Hawke’s new movie, Blaze.) Bonnie Raitt bassist Freebo is on hand as is the legendary Nashville harmonica player Charlie McCoy and fiddler Keven Aland. It all amounts to an Americana gem that fans of real pure mountain-stream country will love.” —The Aquarian Weekly, Mike Greenblatt

“Enlisting Blaze Foley’s old musical partner Gurf Morlix for help, Schneider and Mayfield cover Foley’s classic ‘Election Day’ with rough passion, but the beautifully rendered ‘If I Die Tomorrow’ and ‘Poison Arrow’ swoon in their arms. All who cry out for salvation from Reckless Saints might experience the same effect.”
Elmore Magazine, Peter Lindblad

TaylorMartin_SongDogs_CoverArt_2018
Taylor Martin –
Song Dogs
Released on Little King Records: Nov 16
www.taylormartin.org

“Indeed, Martin, an Asheville, NC resident, delivers a stunning work of eight original and three covers all done in a sometimes rock, sometimes blues, sometime ballad and sometimes folk style. His cover of Neil Young’s ‘Music Arcade’ is definitely a Cajun themed sound. Martin’s voice is rather gravelly sounding and is surprisingly easy to listen to for an entire CD… All in all, Song Dogs is an excellent release of music to which almost any listener can relate. Lets face it, maybe some of us can’t relate to love lost or being on the highway. But seriously, who among us can’t claim overuse of a cell phone, at least at some point in time. This is just great music. Highly recommended.” —Audiophile Voice, Paul Wilson

“The piano driven, haunting title song comes last, inspired in part by coyotes howling (per cover art) to find each other at night… It may seem that it stands apart from the others in tone and style, but several listens to Martin will have you hearing an array of styles and influences. That’s what makes it so infectious. Each song stands apart.” Country Standard Times, Jim Hynes

“The song [‘Little Pictures’] rings instantly familiar and simplifies a complex message in clear lyrical fashion, over catchy, punchy, piano-prominent rhythms.” —Americana Highways, Melissa Clarke

NEW FOR 2019!

Be on the lookout for a new book about Leftover Salmon in February entitled Leftover Salmon: Thirty Years of Festival! Written by Tim Newby

New albums in early 2019:
Amy McCarley
MECO  – (Feb 8, 2019)

Reed Foehl
Lucky Enough – (Feb 1, 2019)

 

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Edward David Anderson Shares “Bad Tattoos” Video
From His New Album Chasing Butterflies
Recorded at the NuttHouse in Muscle Shoals

What folks are saying about the song “Bad Tattoos”

“He comes across genuinely here and displays a dry wit on other songs,
especially in the catchy ‘Bad Tattoos.’” —Country Standard Time,  Jim Hynes

“The album’s best track, ‘Bad Tattoos,’ also serves as a bit of a mission statement for the new Edward David Anderson. The song, which humorously recounts the bad decisions of a high school boy who inked his girlfriend’s name on his body and a woman who put her favorite band’s logo on her chest, only to discover that their popularity faded long before the ink would. It could have been a cautionary tale, but Anderson chooses to cast it as a permanent record of a life lived, good and bad.” Concert Hopper, Chris Griffy

“You will be humming the chorus of ‘Bad Tattoos’ after just one listen…”
Americana UK, Mark Hegarty

‘The bluesy ‘Bad Tattoos,’ for instance seems like Alison Kraus jamming with Cab Calloway with vocals by Duke Tumatoe. The humorous yarn of regret and acceptance could be heard from a church choir or a chain gang.” —The Community Word, Bill Knight

“I do indeed have a few bad tattoos and got to thinking about how each of them represent who I was at a certain time in my life. And how that’s not a bad thing. It’s easy to forget who you were and where you came from. The anecdotal verses are also based on people I know.”
Edward David Anderson

EDApress1kimandersonBLOOMINGTON, IL —  “The story of my life’s written on my skin,” sings Edward David Anderson on the devilishly sardonic “Bad Tattoos” from his new album Chasing Butterflies (Black Dirt Records – Oct. 19, 2018). The song, like the artist, is brutally honest and has a worn feel; like it’s coming from someone that has been around and put in the miles. “I don’t think I could have written these tunes when I was 25,” Anderson explains. “Everything I’ve done, the people I’ve met, all the places I’ve been, have brought me to this moment.”

Watch the official video of “Bad Tattoos” here from with shots from the studio showing EDA, Nutt, and Kuhn come together on the song for the group vocals as the “Bad Tatts Choir”→ https://youtu.be/uTbl7w2Hs8Q

The gifted songwriter and multi-instrumentalist, who spent a decade fronting the revered Midwest rock band Backyard Tire Fire, broke away and released his ambitious debut Lies & Wishes in 2014. The album was lauded “a superb solo effort” by No Depression and David Dye (NPR World Cafe) praised the follow-up Lower Alabama: The Loxley Sessions as “a wonderfully soulful record.”

It was through a tip from a friend that Anderson connected with GRAMMY Award winner Jimmy Nutt (SteelDrivers) from the iconic Shoals region of north Alabama. During their first conversation it was clear the two had a natural rapport and he quickly set a course for Jimmy’s NuttHouse Recording Studio in Sheffield. Diverging from past albums EDA used local session musicians for his backing band. “I felt the way to get the most authentic Shoals sound was to play with people who live and work there,” he said. Nutt played bass and brought in Jon Davis (Dylan LeBlanc) on drums, Brad Kuhn on keys, Todd Beene (Lucero) on pedal steel, and Kimi Samson on violin, and the chemistry was instant.

The core of the 10-track album was cut live in just a few short days with minimal overdubbing, making it feel both cohesive and human. “We brought in strings on a few and pedal steel on one, but didn’t want to get too carried away,” Anderson recalls. The result is a stunningly sublime, less-is-more snapshot of a writer in his prime.

Chasing Butterflies is available now on all outlets → http://smarturl.it/8bdvv6

EDA Butterfly cover 2CD CoverChasing Butterflies Track Listing:

  1. Harmony (3:19)
  2. The Ballad of Lemuel Penn (4:02)
  3. The Best Part (3:23)
  4. Bad Tattoos (4:19)
  5. Crosses (4:03)
  6. Only in My Dreams (4:49)
  7. Dog Days (2:32)
  8. Chasing Butterflies (4:19)
  9. Sittin’ ‘Round at Home (2:23)
  10. Seasons Turn (5:45)

Edward David Anderson – vocals, acoustic, electric & baritone guitars, banjo
Jimmy Nutt – Bass, Percussion
Jon Davis – Drums, Percussion
Brad Kuhn – Keys (Wurlitzer, Hammond A100, Yamaha C7 Grand, Rhodes)
Kimi Samson – Violin (2,6,9)
Todd Beene – Pedal Steel (8)

For more information, please visit www.edwarddavidanderson.com, facebook.com/edwarddavidandersonmusic, twitter.com/edanderson72, and instagram.com/edwarddavidanderson.

 

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EDA Butterfly cover 2CD Cover

Edward David Anderson Releases Chasing Butterflies
Out Today October 19 on Black Dirt Records
Recorded at the NuttHouse in Muscle Shoals with Producer Jimmy Nutt

Available Now On All Outlets → http://smarturl.it/8bdvv6

BLOOMINGTON, IL — Edward David Anderson has been writing songs, making records, and playing shows for a living for more than 2 decades. An American songwriter and rock & roll veteran who spent his formative years fronting the revered Midwest band, Backyard Tire Fire, and having penned eight albums for the band, he is known for infectious melodies and memorable messages. Since their hiatus in 2011, EDA has continued to write and tour as a solo artist and his 3rd solo studio record, Chasing Butterflies, is out today October 19, 2018 on his own Black Dirt Records.

“The story of my life’s written on my skin,” sings Edward David Anderson on the devilishly sardonic “Bad Tattoos” on Chasing Butterflies. The song, like the artist, is brutally honest and has a worn feel; like it’s coming from someone that has been around and put in the miles. “I don’t think I could have written these tunes when I was 25,” Anderson explains. “Everything I’ve done, the people I’ve met, all the places I’ve been, have brought me to this moment.”

It was through a tip from a friend that Anderson connected with GRAMMY Award winner Jimmy Nutt (SteelDrivers) from the iconic Shoals region of north Alabama. During their first conversation it was clear the two had a natural rapport and he quickly set a course for Jimmy’s NuttHouse Recording Studio in Sheffield. Diverging from past albums EDA used local session musicians for his backing band. “I felt the way to get the most authentic Shoals sound was to play with people who live and work there,” he said. Nutt played bass and brought in Jon Davis (Dylan LeBlanc) on drums, Brad Kuhn on keys, Todd Beene (Lucero) on pedal steel, and Kimi Samson on violin and the chemistry was instant.

EDApress1kimanderson.jpgThe core of the 10-track album was cut live in just a few short days with minimal overdubbing, making it feel both cohesive and human. “We brought in strings on a few and pedal steel on one, but didn’t want to get too carried away,” Anderson recalls. The result is a stunningly sublime, less-is-more snapshot of a writer in his prime.  

On Chasing Butterflies there is a feeling of arrival. Absorbing and learning and growing through life experience has clearly refined his ability to write about the human condition. In “The Best Part, he sings to his wife “You help me to understand/you make me a better man/I’m gonna do the best I can/to love you,” and you believe him. This kind of sincerity and honesty along with a candidly dry sense of humor recur throughout the album.

WHAT FOLKS ARE SAYING:

“There are a handful of songs spread throughout the 40-minute disc that would make Chris Stapleton sit up and notice… Musically, the album has a deep southern soul feel… Grooves are deep, guitar breaks are extended (but not exaggerated), and emotion is palatable… Chasing Butterflies is a stunning collection of modern Americana. Poetic and fresh with a deceptively laconic quality making it all the more momentous. I don’t use the word often: brilliant.” —Fervor Coulee, Donald Teplyske

“Thematically, Anderson again weaves stories about the multi-faceted South, painting character portraits, dealing with its duality, its mysteries, and its special charms. Of course, there are love songs too…. Anderson has a knack for infectious hooks as evidenced by ‘Bad Tattoos’ and ‘Only in My Dreams’… Anderson continues to impress.” —Country Standard Time,  Jim Hynes

He has the rare ability to open his soul and unfold his stories in a natural style that is simultaneously guileslees and universal. Another fine collection from my good friend!” —Johnny Hickman (Cracker)

“The album’s other standout track… ‘The Ballad of Lemuel Penn’ tells the true story of a black war hero and Assistant Superintendant of the D.C. Public School System who was shot near Athens, GA by white supremacists nine days after the passage of the Civil Rights Act. Taking a story song format similar to Bob Dylan’s ‘The Hurricane,’ the song tells of how, despite witnesses turning in the three Klansmen who shot Penn, the ‘all white jury’ acquitted the trio. It’s an old story, but one that resonates just a year after the events of Charlottesville, especially in the closing lines, when Anderson reminds us that ‘one still lives in Athens today.’ Anderson’s tale is greatly assisted by fiddler Kimi Samson’s haunting melodies.” Concert Hopper, Chris Griffy

Edward David Anderson’s Chasing Butterflies paints a melodic Americana picture that humanizes symbols we see every day.” —Jon Norton (WGLT)

“EDA has always been one of my favorite songwriters and singers, and on this record he has beautifully managed to capture the elusive dichotomy that is the American South- a combination of mystery, darkness and relaxed geniality. Great album.” —Steve Berlin, Los Lobos

“An artist to the bone who is raw, open, gritty… A portal into the human condition.” —Seth Walker

Chasing Butterflies is a treasure chest full of American songs, just waiting for you to open and find all of the joy and mysteries stored inside.  Edward David Anderson’s voice and these songs are like a back porch conversation with a great old long lost friend. You can pick up right where you left off and it always feels right.” –Ed Jurdi (Band of Heathens)

The Bluegrass Situation Song Premiere “The Best Part”

Americana Highways Song Premiere “Chasing Butterflies”

Live And LIsten Song Premiere “Only In My Dreams”

Chasing Butterflies Track Listing:

  1. Harmony (3:19)
  2. The Ballad of Lemuel Penn (4:02)
  3. The Best Part (3:23)
  4. Bad Tattoos (4:19)
  5. Crosses (4:03)
  6. Only in My Dreams (4:49)
  7. Dog Days (2:32)
  8. Chasing Butterflies (4:19)
  9. Sittin’ ‘Round at Home (2:23)
  10. Seasons Turn (5:45)

Edward David Anderson – vocals, acoustic, electric & baritone guitars, banjo
Jimmy Nutt – Bass, Percussion
Jon Davis – Drums, Percussion
Brad Kuhn – Keys (Wurlitzer, Hammond A100, Yamaha C7 Grand, Rhodes)
Kimi Samson – Violin (2,6,9)
Todd Beene – Pedal Steel (8)

For more information, please visit www.edwarddavidanderson.com, facebook.com/edwarddavidandersonmusic, twitter.com/edanderson72, and instagram.com/edwarddavidanderson.

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EDA Butterfly cover 2CD Cover.jpg
Edward David Anderson Releases
Chasing Butterflies
Out October 19 on Black Dirt Records
Recorded at The NuttHouse in Muscle Shoals with Producer Jimmy Nutt

“EDA has always been one of my favorite songwriters and singers, and on this record he has beautifully managed to capture the elusive dichotomy that is the American South- a combination of mystery, darkness and relaxed geniality. Great album.”
Steve Berlin (Los Lobos)

Ed has the rare ability to open his soul and unfold his stories in a natural style that is simultaneously guileless and universal, a direct hit to the heart.”
Johnny Hickman (Cracker)

“An artist to the bone who is raw, open, gritty…a portal into the human condition.”
Seth Walker

BLOOMINGTON, IL —  “The story of my life’s written on my skin,” sings Edward David Anderson on the devilishly sardonic “Bad Tattoos” from his soon to be released Chasing Butterflies (Black Dirt Records – Oct. 19, 2018). The song, like the artist, is brutally honest and has a worn feel; like it’s coming from someone that has been around and put in the miles. “I don’t think I could have written these tunes when I was 25,” Anderson explains. “Everything I’ve done, the people I’ve met, all the places I’ve been, have brought me to this moment.”

Americana Highways premieres the title track “Chasing Butterflies, a song based on an old songwriter pal of EDAs, and writes of it, “With the clear vocals highlighted front and center on this song, and the music sustaining the suspense, we’re carried along in the tale of ‘chasing butterflies in the wind,’ a story on the run, in and out of relationships, in and out of prison, and in and out of sobriety, following life’s veering, restless paths just as butterflies do.”

EDApress2kimanderson.jpg

Edward David Anderson

The gifted songwriter and multi-instrumentalist, who spent a decade fronting the revered Midwest rock band Backyard Tire Fire, broke away and released his ambitious debut Lies & Wishes in 2014. The album was lauded “a superb solo effort” by No Depression and David Dye (NPR World Cafe) praised the follow-up Lower Alabama: The Loxley Sessions as “a wonderfully soulful record.”

Both releases were significant steps forward for EDA, but on Chasing Butterflies there is a feeling of arrival. Absorbing and learning and growing through life experience has clearly refined his ability to write about the human condition. In “The Best Part, he sings to his wife “You help me to understand/you make me a better man/I’m gonna do the best I can/to love you,” and you believe him. This kind of sincerity and honesty along with a candidly dry sense of humor recur throughout the album.

It was through a tip from a friend that Anderson connected with GRAMMY Award winner Jimmy Nutt (SteelDrivers) from the iconic Shoals region of north Alabama. During their first conversation it was clear the two had a natural rapport and he quickly set a course for Jimmy’s NuttHouse Recording Studio in Sheffield. Diverging from past albums EDA used local session musicians for his backing band. “I felt the way to get the most authentic Shoals sound was to play with people who live and work there,” he said. Nutt played bass and brought in Jon Davis (Dylan LeBlanc) on drums, Brad Kuhn on keys, Todd Beene (Lucero) on pedal steel and Kimi Samson on violin, and the chemistry was instant.

The core of the 10-track album was cut live in just a few short days with minimal overdubbing, making it feel both cohesive and human. “We brought in strings on a few and pedal steel on one, but didn’t want to get too carried away,” Anderson recalls. The result is a stunningly sublime, less-is-more snapshot of a writer in his prime.

The songs on Chasing Butterflies are as diverse as they are hooky. As thought-provoking as they are heartbreaking. They are simple yet complex and were thoughtfully produced and recorded. From the hopeful opening lyric, “It’s a beautiful thing/when two people sing/in harmony,” to the haunting title track’s “There’s a restlessness I guess/I’m uneasy I confess,” EDA takes you on a vast & colorful musical journey. You get the feeling he’s lived these songs. That the sleepless nights, the long drives, and the never ending search fuel the fire that keeps Edward David Anderson out there “Chasing Butterflies.”

Chasing Butterflies Track Listing:

  1. Harmony (3:19)
  2. The Ballad of Lemuel Penn (4:02)
  3. The Best Part (3:23)
  4. Bad Tattoos (4:19)
  5. Crosses (4:03)
  6. Only in My Dreams (4:49)
  7. Dog Days (2:32)
  8. Chasing Butterflies (4:19)
  9. Sittin’ ‘Round at Home (2:23)
  10. Seasons Turn (5:45)

Edward David Anderson – vocals, acoustic, electric & baritone guitars, banjo
Jimmy Nutt – Bass, Percussion
Jon Davis – Drums, Percussion
Brad Kuhn – Keys (Wurlitzer, Hammond A100, Yamaha C7 Grand, Rhodes)
Kimi Samson – Violin (2,6,9)
Todd Beene – Pedal Steel (8)

For more information, please visit www.edwarddavidanderson.com, facebook.com/edwarddavidandersonmusic, twitter.com/edanderson72, and instagram.com/edwarddavidanderson.

 

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