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Archive for the ‘Jonathan Scales Fourchestra’ Category

Jonathan Scales Fourchestra & Galen Kipar Project
Isis Restaurant & Music Hall

Saturday, March 15, 2014
www.isisasheville.com

Isis Music Hall in Asheville is proud to host an evening with Jonathan Scales Fourchestra and Galen Kipar Project on Saturday, March 15th. Both bands have been busy writing new music for upcoming albums and are excited to present some of the tunes at the show. Scroll to the bottom of this for a couple of videos of Jonathan Scales Fourchestra and Galen Kipar Project Performing live.

Doors are at 5pm if you would like to sit down for dinner prior to the show. The show starts at 9pmas and general admission tickets are $10 in advance and $12 at the door. There will be some balcony seating available. Call 828-575-2737 for dinner reservations or with questions. Isis Music Hall is located at 743 Haywood Road Asheville, NC 28806.

Jonathan Scales Fourchestra. Photo by Mike Morel.

Jonathan Scales Fourchestra. Photo by Mike Morel.

Jonathan Scales Fourchestra is heading into the studio in the middle-of-nowhere Virginia at Summit Sound to record the bands first TRIO record, no guests, not extra orchestration, just raw Jonathan Scales Fourchestra. This will be their most ambitious record for the band, inspired by Roy “Futureman” Wooten, the album will be their first real attempt to put together an “epic, long-form masterpiece.” The new release, Mixtape Symphony, is expected to drop in late spring through Ropeadope Records.

Jonathan Scales Fourchestra is an example of musical sincerity. Weaving together collective and individual influences without compromise, they are as much themselves as they are a unit—a crucial trait of landmark instrumental ensembles. Equally captivating is steel pannist and founder Jonathan Scales’ compositional skill as is his tasteful, avant-garde improvisational approach.

“Scales is to steel pans ….what Béla Fleck is to the banjo—an über innovator,” says Driftwood Magazine. Drummer and percussionist Phill Bronson drives the Fourchestra’s time-shifting, modern grooves with graceful polyrhythmic chops and the listening ability of a true master. (His talent has been praised by Victor Wooten, Oteil Burbridge, Ellie Mannette, and others.) Bassist Cody Wright rounds out the ensemble with a groundbreaking hybrid picking style stemming from his background as a highly practiced fusion guitarist. With gut-wrenching grooves and blistering, soulful melodic lines, Wright’s mix of flash and feel adds a unique depth to the Fourchestra.

Together, the group explodes onto stages with an indescribable sound that is as much felt as it is heard, and is said to have “a Thelonious Monk-like attitude with a Mozart creativity that works.” (Pan on the Net) The group’s self-titled debut collaborative album features unparalleled sonic density and envelope-pushing compositions. Guest collaborators include Grammy winning masters Victor Wooten and Howard Levy (Béla Fleck and the Flecktones) and is fully orchestrated with horns and strings.

For more about Jonathan Scales Fourchestra and tour dates, please visit www.jonscales.com.

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Galen Kipar Project. Photo by Folktography

Galen Kipar Project. Photo by Folktography

Galen Kipar Project has been on the rise since 2006, and are currently recording their fifth album at Echo Mountain Studio in Asheville, NC and at the Jefferson Center with Summit Sound’s engineer in Roanoke, VA. They will be launching a kickstarter campaign soon to help fund getting the new music out to the world and expect to release the album by the end of the year.

Crafting a fusion of folk, classical, jazz, and blues, Galen Kipar Project has been hailed as “complex yet accessible” and “cohesive and poignant” with “experimental folk masterpieces.” Based in Asheville, GKP is Lyndsay Pruett (violin/ vocals), Jeremy Young (Drums), Ben Portwood (upright bass/ vocals), Galen Kipar (guitar/ harmonicas and vocals), Aaron Ballance (lap steel guitar/ dobro) and Jon Morrow (8 string Novak guitar/bass).

Galen Kipar Project has released four albums, the most recent being The Scenic Route in 2010. “The aptly titled effort is loaded with images of mountains, rivers, forests and streams, and backed by lush arrangements, fluid vocals and Appalachian instrumentation that bring to life what is essentially a musical portrait of Western North Carolina,” says the Mountain Xpress.

Songwriter and host of the Grateful Dead Hour, David Gans states about the album, “It’s like a collection of short stories, brilliantly constructed and with a unique and compelling literary voice. I keep coming back to each song, listening more deeply and being drawn more deeply in.” Gans says about Galen’s music, ” I was hooked right away… Strange, slightly other-worldly acoustic music sung in a sweet, slightly distracted voice. I think of it as a sort of American Primitive, with hits of Sandy Bull in the guitars, Brett Dennen in the voice, Donna the Buffalo in the rustic simplicity, and something altogether new in the wonderful orchestrations… In the words of Tina Fey, “When I hear the sounds of this nearby world, I want to go to there.'”

For more about Galen Kipar Project and upcoming shows, please visit www.galenkipar.com.

 

 

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New Video: Kiss From A Rose (Seal Cover) Jonathan Scales Fourchestra

Jonathan Scales Fourchestra performs Seal’s “Kiss From a Rose” on the streets of Asheville, North Carolina.

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Dreamspider Publicity is so excited about MerleFest 2012! Dreamspider is working with 5 acts that will be performing this weekend including Donna the Buffalo, Red June, The Honeycutters, Johnson’s Crossroad, and Jonathan Scales Fourchestra. Both Red June and The Honeycutters have albums due out soon!  Please click on the images for links to their websites.
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Donna the Buffalo’s feel-good, groove-oriented, danceable and often socially conscious music all began over twenty years ago with roots in old time fiddle music that evolved into a soulful electric Americana mix infused with elements of cajun/ zydeco, rock, folk, reggae, and country. Donna the Buffalo is known for touring the country remaining fiercely independent as one of the industry’s most diverse roots-music bands and has “earned a reputation as one of the most respected, eclectic and hardest-working acts today,” praises Encore. The dynamic songwriting tandem of vocalists Jeb Puryear and Tara Nevins have penned over 180 songs in their collaboration with DTB and have many more in the making.
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Donna the Buffalo MerleFest Schedule:
Thursday, April 26, 2012:
Outreach:  1:30 PM- 2:30PM (DtB performance at Wilkes Middle School)
Media Tent: 4:30-5PM
Watson Stage: 6:45-7:45PM (Donna The Buffalo with Jim Lauderdale)
Autograph Signing: 8:15-8:45PM
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Friday, April 27, 2012
Traditional Tent: 2:30-3:30PM (Tara Nevins and Friends)
Hillside Stage: 6:15-7PM (DtB)
Dance Tent: 10:30-11:59PM (DtB)
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Saturday, April 28, 2012
Creekside Stage: 2-3:30PM Tara will sit in for a song with Peter Wernick’s Flexigrass
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Sunday, April 29, 2012    
Traditional Tent: 11:30AM-12:30PM Tara will take part in the “Women Who Sing Traditional Music” workshop
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Red June is an acoustic trio based in Asheville, NC who creates and performs beautifully distilled Americana music. They are making waves with their dynamic, yet refined sound that features striking 3-part harmonies, tasteful instrumental work and honest, soulful songwriting that seamlessly blends old-time, bluegrass, roots rock and traditional country music. Poised to release their second full-length album, Beauty Will Come, on June 5th, 2012, listeners can expect an album to fall in love with. “The record is a brilliant integration of old-time, bluegrass, and beyond, and feels like a holding of hands… the blend is beautiful,” says singer/songwriter Kari Sickenberger of Polecat Creek.  Red June is made up of Will Straughan on resonator guitar, vocals and guitar, John Cloyd Miller on mandolin, vocals and guitar, and Natalya Weinstein on fiddle and vocals.
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Red June MerleFest Schedule:
Friday, April 27, 2012
Dance Tent: 12:45-1:45 PM “Learn to Clog with Carol Rifkin and Red June”
Dance Tent: 8:30PM Natalya will be a guest performers at the Square Dance
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Saturday, April 28, 2012
Americana Stage: 11:00-11:45AM
Autograph Signing: 12:15-12:45PM
Traditional Tent: 1:30-2:15PM
Traditional Tent: 3:30-4:15PM Natalya will be part of the Fiddle Workshop
Dance Tent: 4:15-5:45PM
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Sunday, April 29, 2012
Media Tent: 11:00-11:30 AM
Cabin Stage 12:20-12:45PM
Autograph Signing  1:15-1:45PM
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The Honeycutters are excited to introduce their second full length studio release, When Bitter Met Sweet this spring. Like their first release, Irene, When Bitter Met Sweet features singer/songwriter Amanda Anne Platt, who has been hailed as “one of the best songwriters coming out of WNC these days” by WNCW programming director Martin Anderson. Peter James accompanies her on lead and rhythm guitar as well as harmony vocals. The Real Southern Say, “I can see a day when her name is mentioned alongside Lucinda Williams, Mary Gauthier and Gillian Welch. She’s just that good.”
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The Honeycutters MerleFest Schedule:
Friday, April 27, 2012
Americana Stage: 9:45-10:30AM
Creekside: 1:15-2PM
Austin Alumni Hall: 2-3:30PM Amanda is a guest judge @ Chris Austin Songwriting Contest
Austin Alumni Hall: 8:55-9:10PM Amanda will be performing a solo songwriter session
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Saturday, April 28, 2012
Media Tent: 1:30-2PM
Cabin stage: 3:05-3:30PM
Autograph signing:  4-4:30PM
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Johnson’s Crossroad has been described by friends and fans as everything from Appalachian Soul” to “Hillbilly Metal.” The band blends blues, roots-rock, folk, bluegrass, and Appalachian Old Time for a sound that The Daily Times’ Steve Wildsmith calls “both mournful and jubilant, breezy and graveyard serious.” He goes on to comment that frontman Paul Johnson’s voice “barely rises above a growl, but he stretches that sound to encompass the experience of a train-hopping hobo and the wisdom of an old man recalling loves lost and wars fought from the porch of a backwoods cabin.”  Watching his back is mandolin player Keith Minguez, a strong friendship at the core of the group… ironically enough the band originated on Keith’s first visit to MerleFest watching John Hartford perform.
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Johnson’s Crossroad MerleFest Schedule:
 Friday, April 27, 2012
Walker Center: 1:15-2:00PM
Creekside Stage: 3:45PM-4:30PM
Autograph Signing: 5-5:30PM
Austin Stage in Alumni Hall: 10:05-10:20PM Songwriter Coffeehouse with Paul Johnson
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Saturday, April 28, 2012
Media Tent: 10-10:30AM
Cabin Stage: 11:15-11:45AM
Autograph Signing: 12:30-1pm
Americana Stage: 1:30-2:15PM
Plaza Stage:  5:45PM- 6:30PM
Autograph signing: 7-7:30PM
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Classically trained composer turned steel pan maestro and front man of the Fourchestra, Jonathan Scales is heavily influenced by the complexity of banjo virtuoso Bela Fleck to the hustle of Jay-Z and is known for his unique presentation of the Steel Pan that brings the instrument into new realms of musical influence and has been called, “… a rising star of the steel drums” by Traps Magazine and “The Real Deal [with] a Thelonius Monk-like attitude with a Mozart creativity that works” by Pan on the Net. Fusion-chops bassist, Cody Wright provides the harmonic support for Scales’ sound, while jazz/hip-hop drummer, Phill Bronson, drives the time-shifting, modern grooves.  Premier Steel Pan Magazine When Steel Talks says, “At the end of the day, Scales is going to be a major play in rewriting the books on steelpan music outside of the box.”
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Jonathan Scales Fourchestra MerleFest Schedule:
Friday, April 27, 2012
Media Tent: 10:30-11AM
Watson Stage: 11:45AM-12:45PM
Autograph signing: 1-1:30PM
Hillside Stage: 2:15-3PM
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Saturday, April 28, 2012
Walker Center: 9:15-10:15AM Intimate performance for ticketed guests @ Patron Breakfast
Walker Center: 11:15PM-12AM Midnight Jam Opening Act
Mayes Pit-Cohn Auditorium: 2:45 PM 3:30PM Steel Drum Workshop
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Jonathan Scales announced the World Premier of his new video for the song “The Longest December” from the 2011 album “Character Farm and Other Short Stories”

“Scales showcases his dexterity with a searing torrent of par runs on the devious, guitar-tinged The Longest December.” —Exclaim.ca

“Overall, there is a crisp sound to the album as the instrumental stories take shape. The title track Character Farm is a relaxing ride after the darker side of The Longest December takes a steel pan frenzy.” — Sarah Morgan, Atlanta Music Examiner

Get the Character Farm and Other Short Stories at: http://www.jonscales.com/shop.cfm

“The term ‘genius’ is not a platitude I bandy about regularly, but it fits here.  Jonathan Scales is to the steel pans what Bela Fleck is to the banjo or David Grisman is to the mandolin – instrumental innovator and brilliant composer – and his Character Farm & Other Short Stories is a mindbender of pan-driven jazz, with guest spots by Jeff Coffin and Kofi Burbridge.  My favorite record of the year for its sheer virtuosity and pure inventiveness.  It’s unlike anything else I heard in 2011.” —Dave Stallard, Honest Tune

“Character Farm features the churning 6/8 Jam We Did, the slightly-island strut of Science Fair Project, the breakneck steel-drum’n’bass of The Longest December, and Muddy Vishnu, a dynamic tune filled with plot twists reminiscent of The Flecktones’ classic Sinister Minister.” —ROBIN TOLLESON, Bold Life 

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Jonathan Scales Fourchestra “The Longest December”

Directed by Daniel Judson
Theatre lighting director – Erik McDaniel
Band: Phill Bronson – drums. Cody Wright/Michael Libramento – bass. Duane Simpson -Guitar. Jonathan Scales – steel pan
Sound engineering by Michael Hynes
Dancer: Cherry Oh

http://www.jonscales.com

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Sweet! The Annual Best of poll in Asheville Mountain Xpress has tallied the votes for this years winners!

Congratulations to Stephaniesid (#1 Best Pop Band), Jonathan Scales Fourchestra (#3 Jazz, #2 Best Video), Secret Secret 23 Skidoo (#1 Local Hip Hop), The Mad Tea: Krekel and Ami (#2 Fragglepop), Papertiger (#3 Electronic) , Steep Canyon Rangers (#1 Local Bluegrass/ Old- Time), Josh Phillips Folk Festival (#1 Best Local Jam/ Progressive band and #3 Acoustic/ Folk)), Toubab Krewe (#1 World/ Reggae and also #2 Local Jam/ Progressive band) , the Honeycutters (#1 Americana/ Country), Pierce Edens (#2 Americana/ Country), Dave Desmelik (#3 Americana/ Country), The Secret B-Side (#1 R & B/ Blues and also #1 in Soul) Vertigo Jazz Project, LaZoom Tour (#1 Comedy Group), Kovac and the Polar Bear (#1 Best Music Video), Dustin Spagnola (#1 Visual Artist) and all of the other winners in the variety of categories!

See all the entertainment winners and categories here: http://www.mountainx.com/bestof/2011/8/Arts-Entertainment#.TpWGTXK3OCh

Jonathan Scales Fourchestra won #2 Best Video and #3 Best Jazz Band:

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“…rising star of the steel drums…” ~Traps Magazine

“The Real Deal [with] a Thelonius Monk-like attitude with a Mozart creativity that works.”Pan on the Net
“At the end of the day, Scales is going to be a major play in rewriting the books on steelpan music outside of the box.” ~
When Steel Talks



Classically trained composer turned steel pan maestro and front man of the Fourchestra, Jonathan Scales is heavily influenced by the complexity of banjo virtuoso Bela Fleck to the hustle of Jay-Z. Gritty blues guitarist, Duane Simpson, and fusion-chops bassist, Cody Wright, provide the harmonic support for Scales’ sound, while jazz/hip-hop drummer, Phill Bronson, drives the time-shifting, modern grooves. Based in Asheville, NC, the cast of Characters holds this mind-bending concoction together with jazz edge and classical sensibility as they tour around a new album, Character Farm & Other Short Stories.

“unique compositions which not only display the amiably quirky wit and charm of the likes of Theolonius Monk and Horace Silver, but also a level of complexity behind an entirely approachable manner…Scales’ steel drum propels the compositions forward through harmony more so than rhythm and that frees Bronson to attack his drum kit with unusual syncopation that manages to show elements of cocky, hip hop swagger and cool, bop jazz.” – William Helms – The Joy of Violent Movement

Show Details at a Glance:
Jonathan Scales Fourchestra

Thursday, September 22nd
Red Door

Free admission ($5-10 suggested donation), all ages, 8pm
443 i St. NW
Washington, DC
www.reddoorloft.tumblr.com

Friday, Sept 23rd
Rockwood Music Hall, Stage 1

1am, Free, 21+
196 Allen Street
NY, NY, 10002
212-477-4155
www.rockwoodmusichall.com

Saturday, Sept 24th
The Shrine

8:00 PM, Free, All Ages
2271 Adam Clayton Powell Jr. Blvd.
New York, NY 10030
(212) 690-7807
www.shrinenyc.com


Sunday, Sept 25th
Pantonic Steel Orchestra’s Panyard

Free, All Ages
2514 Albemarle Road (between Veronica Place & Lott Street)
New York, NY (Brooklyn)
www.pantonic.com

www.JonScales.com



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Hey all!

Amazing writer friend Dave Shiflett just posted a review about me– Dreamspider Erin– haha– I am so used to getting all the musicians and events the press, that this is a turn of events…

Check it out at:http://alivewithoutpermission.wordpress.com/2011/08/18/erin-scholze/

Here is a short excerpt of a much longer story:

I had made plans to stop and see Erin on the way home from the Mt. Airy music festival in northern North Carolina. I  met Erin several weeks before at Merlefest, where one of her clients – Tara Nevins, who fronts Donna the Buffalo and also has a solo career – was talking up her new CD, “Wood and Stone,” in the press tent.  Erin is one of those people who is instantly likable, with a warm bearing, terrific smile and whose eyes, as I’ve pointed out in an earlier post, are full of sunshine. What also stands out is her love of her clients’ music. I have dealt with many publicists during my years as a critic and many times they seem to simply be going through the motions. Erin, by contrast, is genuinely enthusiastic about her work. Over the course of the Merlefest weekend, whether at the press tent or during a performance, she would slip by to fill me in on some aspect of the song being played, perhaps how it fit into the band’s history,  or to invite me to another performance. I would soon find that Erin’s enthusiasm is also a reflection of her belief that music is not simply entertainment but a source of social cohesion and an antidote, if only temporary, to life’s endless trials and tribulations.

Cheers~!

Erin Scholze, Dreamspider Publicity


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New Lingua Musica Episode: Erin Scholze from Dreamspider Publicity talks with Jonathan Scales Fourchestra at The Musicians Workshop on Merrimon Ave. in Asheville, NC in July 2011. Daniel Judson filmed and edited this video which is copyright Luminescence LLC 2011 and may be used as long as proper credit is given.
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Jonathan Scales has been called a “…rising star of the steel drums…” by Traps Magazine and “The Real Deal” by Pan on the Net and as having “A Thelonius Monk-like attitude with a Mozart creativity that works.” Premier Steel Pan magazine, When Steel Talks states , “At the end of the day, Scales is going to be a major play in rewriting the books on steelpan music outside of the box.”

In this episode of Lingua Musica, Jonathan Scales discusses how he came about his style of Steel Pan. Also hear more about his new album, Character Farm & Other Short Stories, which is a 45-minute dive deeper into the compositionally-twisted work. There are nine original instrumental “stories” on the album which transport listeners from the primal Jam We Did to the lush Hallucinations of the Dream Chasers. The title track Character Farm brings the audience into a chilled, ‘worldly’ ride after the frantically emotional The Longest December. Guest appearance on the record include Jeff Coffin (of Dave Matthews Band / Bela Fleck & the Flecktones), Yonrico Scott and Kofi Burbridge (of Derek Trucks Band fame) and the dazzling work of fiddle virtuoso Casey Driessen.  Also, you will meet the cast of Characters that make up the Fourchestra: classically trained composer turned steel pan maestro and front man of the Fourchestra, Jonathan Scales, is heavily influenced by the complexity of banjo virtuoso Bela Fleck to the hustle of Jay-Z. Gritty blues guitarist, Duane Simpson, and fusion-chops bassist, Cody Wright, provide the harmonic support for Scales’ sound; while jazz/hip-hop drummer, Phill Bronson, drives the time-shifting, modern grooves. 

Scales, along with fimmaker Daniel Judson, produced an insightful Music Video for the song Muddy Vishnu; snippets of the music video are shown in the interview. Watching Muddy Vishnu is “almost like a Being John Malkovich set inside Scales’ own world of found rhythms, visions, colors, friends, inspirations and rare silence,” writes Asheville’s Mountain Xpress.

In this episode of Lingua Musica, Scales’s also talks about the album’s comic book-inspired images, designed by Gregory Keyzer, that tie together the musical fusion of his Fourchestra. “There’s a different illustration for every song,” Scales says in an interview with Robin Tolleson in Bold Life. “It’s cool because you can kind of put a visual image with each piece. The album is packaged like a book of short stories, but there’s an overlying theme. The sonic tapestry, mixed with the congruent artwork, really ties the whole thing together. The pictures help people make their judgments about what it’s about and how they feel about it. It’s not complete long form, but it’s closer.”

Character Farm, along with a glossy 19 x 13 poster depicting the custom designed comic book graphics illustrating each song are available at www.jonscales.com.

This video was brought to you by Lingua Musica: Where Music is the Universal Language…


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Here’s a great review of a recent Jonathan Scales Fourchestra show at the Rockwood Music Hall in NYC:

… I was able to catch the Asheville, North Carolina-based genre mashing act, the Jonathan Scales Fourchestra, who were ironically enough for this show at least, a trio, and not a quartet. Their material centered on rhythm and percussion as the band was comprised of a steel drummer, a drummer and a bassist. As Scales joked on more than one occasion, you weren’t going to hear some stereotypical calypso covers – or calypso-styled standards. Instead what we all heard was some jazz fusion that at time owed a heavy debt to bands such as Return to Forever, Mahavishnu Orchestra and several others but with a playful, goofy, mischievous air, while being quite funky. The steel drum played the unusual role of simultaneously setting the melody and rhythm, pulling the song forward, which allowed their drummer to play with unusual and angular jazz syncopation. And to be honest, it was truly novel (which is something I don’t say too often). When Scales mentioned that one of their original compositions was influenced by Mahavishnu Orchestra and Muddy Waters, I was probably the only one who actually knew who he was talking about, and in a way I found that kind of sad. (For some reason Mahavishnu Orchestra and Return to Forever have been mostly forgotten and I think that’s fucking shameful. But that’s another issue for another time.) On a certain level, I wasn’t completely convinced that the audience actually got them or their sound – you would be amazed by the lack of sophistication that occurs at live shows across the city – but they certainly won me over. I found myself intrigued by their unique sound and I hope to see them in town sometime soon.

READ THE FULL ARTICLE and SEE PHOTOS HERE: http://thejoyofviolentmovement.tumblr.com/post/8566415853/the-jonathan-scales-fourchestra-and-joe-fletcher-and

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Photo by Bren Dendy. Illustrations by Gregory Keyzer.

Jonathan Scales played the Elbo Room in Chicago last Saturday. Here is a review from SouthSide on the Town.

[Jonathan Scales] combined the best of two music worlds – the ultra smooth sounds of jazz rhythms and vibrant energy of rock with the cool taste of the Caribbean into a deliciously sounding performance. This unique attraction not only captivated this reviewer’s attention but the entire audience as well. Steel pannist Jonathan Scales brought his rockin’ Fourchestra band (however it was a trio for his Elbo Room appearance) and its rockin’ music that featured intricately woven melodies and notes off his steel drums and the lively momentum of rock and jazz together. Throughout the opening set, this oddly mesh of sounds and rhythms retained a pleasurable vibe as well as a danceable groove for anyone adventurous enough to do so.

SouthSide thoroughly enjoyed hearing such creative floetry within Jonathan’s epic yet poetic compositions in which, if listened closely, one could hear the fierce intensity (and at times, emotionally charged) “vocals” within the lyrics even though there weren’t any actual lyrics to be humanly sung. That was, in SouthSide’s opinion, the beauty of this artist’s music. It was an awe-inspiring experience for this reviewer to hear the “lyrics” spoken directly (and indirectly) amongst the instruments during certain points of his songs. For example, during one particular song, she could vividly hear the fiery “spoken” words between the drum kit versus the steel drums and bass combined and then vice versa drums (steel and percussion) versus bass.

She also enjoyed another particular song featuring an interesting combination of sudden/abrupt dramatic bursts and pauses that grabbed her immediate attention. Jonathan’s rhythmic island/jazz/rock sound was dazzling …spellbounding that no one in the basement lounge dared move a muscle until the performance concluded.

SouthSide highly recommends spending your warm summer nights amidst the cool rockin’ sounds of this island-jazz breeze by Jonathan Scales. And just a small reminder, blogspot readers, he doesn’t do Jimmy Buffet songs. Visit http://www.jonscales.com for more information and music by this artist and his Fourchestra.

Read the full review here: http://southsideonthetown.blogspot.com/2011/07/02-jul-11.html

The band also interviewed on Fearless Radio before their show that evening. Listen to the full podcast of the interview at this link: http://fearlessradio.com/index.php/new-music-binge/2832-jonathon-scales-fourchestra-070211.html

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