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Wilderness And Space.jpg

The Contribution’s Newest Single, “Wilderness And Space” Released on LoHi Records August 18
Benefiting Piedmont Land Conservancy


Available now →  cdbaby.com | iTunes | Amazon

The Contribution is:
Tim Carbone, Phil Ferlino, Jeff Miller, Keith Moseley, Sheryl Renee, Matt Butler, and Duane Trucks

Since this February, The Contribution have been living up to their name and giving back with each song. They have been releasing one single a month, as sort of a mid-month pick-me-up since February 2017 and have partnered with a variety of nonprofits to which 100% of the profits from each single (sold as a digital download) will go to a charity (hand-picked by members of the band) in perpetuity. Nonprofits involved include Rex Foundation, Conscious Alliance, HeadCount, Rock the Earth, The Delaware Riverkeeper Network, BCEF, and Piedmont Land Conservatory.

The Contribution is the brainchild of Tim Carbone of Railroad Earth (violin, guitar, vocals) together with Phil Ferlino (keyboards, vocals) and Jeff Miller (guitar, vocals) of New Monsoon. Keith Moseley (String Cheese Incident), has been the bass player from the band’s inception along with vocalist Sheryl Renee (The Black Swan Singers). The drum chair has been occupied by Jason Hann (String Cheese Incident), Matt Butler (Everyone Orchestra), and currently Duane Trucks (Widespread Panic). Both Matt Butler and Duane Trucks appear on the band’s new record, Wilderness And Space. The full ten song album will be released on vinyl this Fall on LoHi Records and reveals the group’s love of 60s pop and soul coupled with their ability to flat-out shred.

They release their newest single “Wilderness And Space” on Friday, August 18, 2017 and it will benefit Piedmont Land Conservatory. The song is a stream of consciousness tone poem about dealing with life like a compassionate warrior. What a fitting song as Piedmont Land Conservancy protects the region’s natural lands, farms and waters for present and future generations. To date, PLC has protected nearly 23,000 acres of North Carolina’s Piedmont.

Tim Carbone tells Shows I Go To about how the nonprofits were selected, “I put it to the band at large and asked them, ‘What do you feel strongly about?’LoHi Records labelmate, Jim Brooks, suggested Piedmont Land Conservatory as he has held events to raise money for them in the past.

Brooks says, “When Tim approached me about LoHi releasing The Contribution I loved the idea of combining great music to support great causes. By way of Piedmont Land Conservancy’s annual LandJam concert featuring the very best names in live Americana roots music (this year’s event features Bela Fleck and Abigail Washburn) to further its cause of protecting the Piedmont’s treasured natural spaces, it was a no brainer. I mean, the title, ‘Wilderness and Space,’ couldn’t be a better fit for PLC’s mission and legacy, right? I appreciate Tim inviting PLC to be part of such a unique and worthy musical endeavor.”

Carbone continues about the non-profits involved, “Matt Butler said we should go for the Rex Foundation. Keith wanted Conscious Alliance, who I have also worked with before. Phil suggested Rock the Earth. I thought we would go with HeadCount because I am politically motivated. They don’t choose sides, they just encourage people to register to vote. When you don’t vote, bad things happen. I think we found that out.”

The Delaware Riverkeeper Network is located nearby where Carbone is from and they do wonderful work in protecting the waterways, including the drinking water of nearly 17 Million people, throughout the entire Delaware River Watershed which includes Pennsylvania, New Jersey, Delaware, and New York.

Tim says, “I wrote the words to ‘This Too Shall Pass’ for our guitar player Jeff after his mother passed away from breast cancer.” He says they did some searching and found BCEF, Breast Cancer Emergency Fund in SF Bay area, to pair up with that song. All songs were written and produced by Tim Carbone, Phil Ferlino, and Jeff Miller.

The song “Wilderness And Space” features Carbone on lead vocals, electric guitar and oramics machine, Miller on electric guitars and background vocals, Ferlino on piano, organ, synthesizers and background vocals,  Sheryl Renee on background vocals, Keith Moseley on bass, and Duane Trucks on drums. The bring in guest additions of Linda Kistler and Christopher Souza on violin, Marsha Cahn on viola, Agnieszka Rybska on cello, and Jay Rattman for the string arrangement and as the conductor. The song was recorded at Silo Sound Studio in Denver, CO and Engineered by Todd Divel. Additional recording by Don Sternaker at Mix-o-Lydian Studios in Delaware Water Gap, PA.

Carbone says, “We feel blessed to be able to make this music and have it help people in need… and we would like to empower those who share our passion and provide a resource for them to take action with us.”

Released Singles Available Here → www.cdbaby.com/Artist/TheContribution

For more information, please visit www.TheContribution.net, www.facebook.com/TheContribution, www.twitter.com/thecontribution, and www.instagram.com/thecontribution.

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Jam in the Trees_Schedule-2017

Jam In The Trees Takes Place Fri-Sat Aug 25-26 at Pisgah Brewing Company
The Infamous Stringdusters, Acoustic Syndicate, Peter Rowan, Larry Keel, Tim O’Brien and more!

Announcing:
After Hours Jam With Hosts Jim Lauderdale and Frank Solivan and Dirty Kitchen
Meet & Greets w/ Jim Lauderdale, Peter Rowan, and Tim O’Brien & Jan Fabricius
Free Shuttles Between Downtown Asheville, Surrounding Campgrounds & Hotels, and Pisgah

150 Eastside Drive, Black Mountain, NC 28711 | Phone 828.669.0190
Tickets:  www.eventbrite.com/e/jam-in-the-trees-tickets-29283448583

ASHEVILLE, NC — Jam in The Trees is honored to be nominated for an International Bluegrass Music Association (IBMA) Momentum Award in the Festival/Event/Venue category for 2017! What great news to find out shortly before The 2nd Annual Jam In The Trees, a two day, Americana music-themed event that takes place at Pisgah Brewing in Black Mountain, NC on both the beautiful Outdoor Stage and the more intimate Indoor Taproom Stage Friday and Saturday, August 25 and 26, 2017.

This year’s event features The Infamous Stringdusters, Acoustic Syndicate, Peter Rowan, Larry Keel Experience, Jim Lauderdale, Tim O’Brien & Jan Fabricius, Frank Solivan and Dirty Kitchen, Jeffrey Foucault, Front Country, Eilen Jewell, Underhill Rose, Ken Tizzard, Cicada Rhythm, and Zoe & Cloyd!  There will also be unique vendors and local food trucks on-site including Bun Intended, Grateful Roots, Mountain View BBQ, and DOGS, as well as award-winning Pisgah Brewing beer!

Doors open at 7pm on Friday for shows on the Indoor Taproom Stage. Gates open Saturday at 12pm, with music starting at 1pm throughout the day until 11pm on the Pisgah Brewing Outdoor Stage and inside the Taproom with no overlapping sets between stages.

Saturday night there will be an After Hours Jam hosted by Jim Lauderdale and “house band” Frank Solivan and Dirty Kitchen with guests Peter Rowan, Tim O’ Brien, Ken Tizzard, Front Country and more. It starts around 11:30pm in the Taproom.

The full schedule of music can be found at www.jaminthetrees.com/stage-schedule-2017.

For folks that purchased VIP Tickets, VIP Meet & Greets take place on Saturday in the VIP Area and include Popcorn with Peter Rowan (5:30- 6pm), Jim Lauderdale PicNic Party (4 – 4:30pm), and Biscuits with O’Brien (Tim & Jan) (2:30- 3pm). Each is paired with a specific Pisgah Beer for the occasion and is followed by a brewery tour.

Tickets are on sale now. The two day packages are sold out; however there are still single day tickets available. VIP tickets (Saturday only) are also available and include Meet & Greets with the bands, a guided brewery tour and tasting, preferred parking, a commemorative event poster and more! Kids 12 and under are free and welcome on Saturday with a paying adult. Tap Room shows at Pisgah Brewing are 18 and up, which is what Friday night is, so no kids on Friday night.

Jam In the Trees is excited to have partnered with Asheville Brews Cruise to offer complimentary shuttle service to all ticket holders for 2017! You can catch a ride out to Pisgah Brewing from downtown Asheville before the music starts on both Friday and Saturday, and catch a ride back downtown after the music ends both days! Stay safe and save money on gas!

During festival hours, the Brew Bus will be making a continuous circuit between nearby hotels and campgrounds in the Swannanoa/Black Mountain area and Pisgah Brewing Company. The ones on the route are Holiday Inn Asheville-Biltmore East, Quality Inn and Suites Biltmore East, Super 8 Black Mountain, Mama Gertie’s Hideaway Campground, and Asheville East KOA. Even if you just missed the shuttle, the longest you should have to wait for another is approximately 30 minutes.

More information and shuttle times can be found at www.jaminthetrees.com/accommodations-shuttles.

Jam in the Trees not only values music and community, but we also take on a responsibility to change the world for the better. For the second year in a row, a portion of our proceeds will benefit Wild Forests & Fauna (WildFF), a conservation organization that works with local communities to protect and restore globally important forests. One of their main projects, Native Seeds, is headed up by Asheville-native Georgia Beasley who has helped build the largest native tree nurseries in northern Uganda to empower traditional women healers and provide the area with medicine and food security. Last year’s inaugural event raised $5000 to protect, restore, and support threatened forests and wildlife in Western North Carolina as part of their Big Tree Project.

Jam in The Trees is sponsored by Prestige Subaru and Mosaic Lifestyle Realty.

Stay tuned to the festival’s website www.jaminthetrees.com to see the full schedule and for more information and updates.

Jam in The Trees 2017 Lineup
The Infamous Stringdusters
Acoustic Syndicate
Peter Rowan
Larry Keel Experience
Jim Lauderdale
Tim O’Brien & Jan Fabricius
Frank Solivan and Dirty Kitchen
Jeffrey Foucault
Front Country
Eilen Jewell
Underhill Rose
Ken Tizzard
Cicada Rhythm
Zoe & Cloyd

More information about Jam In The Trees can be found at www.jaminthetrees.com, www.facebook.com/JamInTheTrees, www.twitter.com/jaminthetrees, and www.instagram.com/jaminthetrees.

 

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Balsam Range. Photo by David Simchock

Balsam Range Casts Acoustic Spells with Mountain Voodoo,
Their Most Recent Release on Mountain Home Music Company

Flying High After Months On The Bluegrass Charts,
Balsam Range Nominated for Eight IBMA Awards!

Balsam Range is overjoyed with the news of today’s IBMA Awards Nominations in the following eight categories: Entertainer of the Year, Vocal Group of the Year, Instrumental Group of the Year, Song of the Year: “Blue Collar Dreams”, Album of the Year: Mountain Voodoo, Gospel Recorded Event of the Year: “Wish You Were Here”, Male Vocalist of the Year: Buddy Melton, and Bass Player of the Year: Tim Surrett!

Balsam Range, along with Sierra Hull and Justin Moses, performed live earlier today for the awards announcement with SiriusXM Bluegrass Junction host Kyle Cantrell. You can rewatch it over on IBMA’s facebook page from their Facebook Live stream.

The band is flying high with their sixth studio album, Mountain Voodoo, which came out on Mountain Home Music Company [11/11/17]. With Mountain Voodoo they offer something that is continuing to mesmerize fans of bluegrass and beyond with elements of jazz, country, gospel, swing, and old-time music that are all infused into the fresh sound of this unique Southern band. It’s five distinct personalities creating one remarkable musical experience.

balsamrangemtnvoodoowallcovThe 13-tracks are like the book of life “Chapter Six” for Balsam Range and are filled with songs of journey, home, sense of place, hardcore drive, and longing. There are fiery instrumental parts alternating with heavy, deep ballads overlaid by the vocal harmonies the group has become known for.

Their song “Blue Collar Dreams” has stayed at #1 on Bluegrass Unlimited’s Radio chart for June, July, and August. The same song also spent three consecutive months at number one on the Bluegrass Today charts earlier this year! Two other songs from the album have also landed at #1 on Bluegrass Today’s chart including “Something ‘Bout That Suitcase” and “El Dorado Blue.”

Balsam Range is Buddy Melton (Fiddle, Lead and Tenor Vocals), Darren Nicholson (Mandolin, Octave Mandolin, Lead Vocals, Baritone and Low Tenor Vocals), Dr. Marc Pruett (Banjo), Tim Surrett (Bass, Dobro, Baritone and Lead Vocals), and Caleb Smith (Guitar, Lead & Baritone Vocals). The five original members, who are celebrating their 10th year together this March, are all acoustic musicians and singers from North Carolina. They thoughtfully and respectfully adopted the name of a majestic range of mountains that surrounds part of their home county of Haywood, NC where the Smokies meet the Blue Ridge, the Balsam Range.

Balsam Range is humbled and honored to receive nominations for this years IBMA Awards in the following categories:

Entertainer of the Year
Vocal Group of the Year
Instrumental Group of the Year
Song of the Year: “Blue Collar Dreams”
Album of the Year: Mountain Voodoo
Gospel Recorded Event of the Year: “Wish You Were Here”
Male Vocalist of the Year: Buddy Melton
Bass Player of the Year: Tim Surrett

Get Mountain Voodoo at iTunes, Amazon, and morehttps://clg.lnk.to/3OSAZ

Watch the studio version of “Blue Collar Dreams”

Critical Acclaim for Balsam Range and Mountain Voodoo:

“These guys just keep getting better. How good is this one? There’s a potential song of the year here… the laurels go to Aaron Bibelhauser’s ‘Blue Collar Dreams’, an anthem for working stiffs everywhere that’s been dominating the charts. The song has quite a pedigree.”
Bluegrass Today, David Morris’ Top Albums of the 2016

“No matter what your taste in bluegrass might be, every listener can find something here to like. Take a listen to ‘Blue Collar Dreams’ or ‘Eldorado Blue’ with Buddy Melton and see if you agree.”
IBMA

Mountain Voodoo parts the curtains between heaven and earth as it speaks to those that have passed in ‘Wish You Were Here’, and sees leaving making an exit with ‘Something ‘Bout That Suitcase’ as Balsam Range walk a ‘straight and narrow line’ with empty pockets in ‘Blue Collar Dreams.’”
The Alternate Root, Danny McCloskey

“So consistently impressive that we no longer expect their albums to be ‘better than their last,’ in less than a decade Balsam Range has hit the plateau of excellence few groups achieve. Like The Del McCoury Band, Blue Highway, and Alison Krauss & Union Station before them, a new release from Balsam Range is measured against their individual legacy. Mountain Voodoo lacks nothing.”
Country Standard Time, Donald Teplyske’s Favorite Bluegrass Albums of 2016

“Stepping over boundaries seems to be a part of Balsam Range’s DNA.”
News & Record/ Greensboro.com, Grant Britt

“They kick the album off with a bang. Pure (what they at one time called) Newgrass, the kind of stuff on which Tony Rice and Ricky Skaggs based their reputations. Acoustic guitar (mostly picked), bass, mandolin, fiddle and banjo, and voices. The voices are crucial. You can jig and reel and you can breakdown without vocals but you cannot have the best of what bluegrass offers without voices. Think Seldom Scene and Doyle Lawson. Think harmonies sung by angels. Think harmonies stacked to the ceiling. There isn’t anything like it, or as some of my friends would say, ‘There ain’t nothin’ lak it.’”
No Depression, Frank Gutch Jr.

“They’re groovy. Balsam Range reminds us that bluegrass can be dancing music, hip-swinging music, backbeat music, as rhythmically hypnotic as all the plugged-in genres that formed in its wake. ‘It’s hillbilly soul!’ says mandolin player Darren Nicholson.’”
The Bluegrass Situation, Joseph Terrell

“Some of the best vocal harmonies I can recall in quite some time… Bluegrass aficionado or not, you absolutely need to hear Balsam Range.”
Elmore Magazine, Jim Hynes

For more information, tour dates, and more, please visit www.balsamrange.com. Stay up to date with current news on www.facebook.com/balsamrange, www.twitter.com/BalsamRange, and www.instagram.com/balsamrange.

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The Contribution’s Newest Single, “This Too Shall Pass” – Out 7/21

To Benefit BCEF (Breast Cancer Emergency Fund in SF Bay area)

Now Available on iTunes, Amazon, and Cdbaby

Since February, The Contribution have been living up to their name and giving back with each song. They have been releasing one single a month, as sort of a mid-month pick-me-up since February 2017 and have partnered with a variety of nonprofits to which 100% of the profits from each single (sold as a digital download) will go to a charity (hand-picked by members of the band) in perpetuity.

The Contribution is the brainchild of Tim Carbone of Railroad Earth (violin, guitar, vocals) together with Phil Ferlino (keyboards, vocals) and Jeff Miller (guitar, vocals) of New Monsoon. Keith Moseley (String Cheese Incident), has been the bass player from the band’s inception along with vocalist Sheryl Renee (The Black Swan Singers). The drum chair has been occupied by Jason Hann (String Cheese Incident), Matt Butler (Everyone Orchestra), and currently Duane Trucks (Widespread Panic). Both Matt Butler and Duane Trucks appear on the band’s new record, Wilderness And Space. The full ten song album will be released on vinyl this Fall on LoHi Records and reveals the group’s love of 60s pop and soul coupled with their ability to flat-out shred.

logoBCEFThey release their newest single “This Too Shall Pass” on Friday, July 21 and it will benefit BCEF, Breast Cancer Emergency Fund  in SF Bay area.

Co-founding member of The Contribution and resident of the Bay Area, Jeff Miller, says, “BCEF is a nonprofit that has special significance to me as my mother, Joann D. Miller, passed away in 2012 from breast cancer. My family and I found out when it was already stage 4, so we could do nothing but support her in her last months of life on this plane.”

Many people with breast cancer have inadequate or no health insurance. Most will be unable to work throughout their treatment, adding a huge financial toll to an already difficult struggle. BCEF’s fast and early intervention prevents financial deterioration and provides a sense of security during a devastating illness. BCEF helps people in need continue life-extending medical treatments, avoid utility shut-off, prevent eviction, and maintain stable housing while they battle breast cancer. BCEF is a tax-exempt non-profit organization and does not receive City, State or Federal funds. 100% of their funding is from private foundations, corporations, and individuals.

Miller continues, “The song ‘This Too Shall Pass’ was written as a reference to the cathartic idea that even in our darkest days, with a loved one passing, there is hope. In writing and recording this song, I forever have a way to remember my mom and bring her into being whenever the song is played… a true blessing.”

 

 

Tim Carbone tells Shows I Go To about how the nonprofits were selected, “I put it to the band at large and asked them, ‘What do you feel strongly about?’Tim says, “I wrote the words to ‘This Too Shall Pass’ for our guitar player Jeff after his mother passed away from breast cancer.” He says they did some searching and found BCEF, Breast Cancer Emergency Fund in SF Bay area, to pair up with that song.

The Delaware Riverkeeper Network is located nearby where Carbone is from and they do wonderful work in protecting the waterways, including the drinking water of nearly 17 Million people, throughout the entire Delaware River Watershed which includes Pennsylvania, New Jersey, Delaware, and New York.

Carbone continues, “Matt Butler said we should go for the Rex Foundation. Keith wanted Conscious Alliance, who I have also worked with before. Phil suggested Rock the Earth. I thought we would go with HeadCount because I am politically motivated. They don’t choose sides, they just encourage people to register to vote. When you don’t vote, bad things happen. I think we found that out.”

LoHi Records labelmate, Jim Brooks, suggested Piedmont Land Conservatory as he has held events to raise money for them in the past to preserve natural and scenic lands, farms, and open spaces in Piedmont North Carolina. All songs were written and produced by Tim Carbone, Phil Ferlino, and Jeff Miller.

“This Too Shall Pass” features Carbone on electric guitar, background vocals and percussion, Miller on electric guitars and background vocal, Ferlino on Wurlitzer electric piano, Hammond organ and background vocals with Sheryl Renee on lead vocals, Keith Moseley on bass, and Duane Trucks on drums. The song was recorded at Silo Sound Studio in Denver, CO and Engineered by Todd Divel. Additional recording by Don Sternaker at Mix-o-Lydian Studios in Delaware Water Gap, PA.

Carbone says, “We feel blessed to be able to make this music and have it help people in need… and we would like to empower those who share our passion and provide a resource for them to take action with us.”

All Released Singles Available Here → www.cdbaby.com/Artist/TheContribution

For more information, please visit www.TheContribution.net, www.facebook.com/TheContribution, www.twitter.com/thecontribution, and www.instagram.com/thecontribution.

 

 

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GrassRoots Culture Camp at Trumansburg Fairgrounds on July 16-19

Four Days of Music and Dance Workshops
Leading Up to The 27th Annual Finger Lakes GrassRoots Festival in Trumansburg, NY

See the full lineup and schedule →  www.grassrootsfest.org/culture-camp-1-1/

TRUMANSBURG, NY —  Over the past few decades, the Finger Lakes GrassRoots Festival of Music and Dance has grown to be more than just a single event in Trumansburg, NY and this year the latest addition to the roster returns for its sophomore year: the GrassRoots Culture Camp 2017 runs from Sunday through Wednesday, July 16-19, the four days leading up to the 27th annual GrassRoots Festival which takes place July 20-23. Both the camp and the festival are held at the Trumansburg Fairgrounds.

Culture Camp is an incredible opportunity to attend four days of music and dance workshops led by many of the favorite GrassRoots performers including instructors from Donna The Buffalo, Driftwood, The Horseflies, Preston Frank and His Zydeco Family Band, Keith Secola, Balfa Toujours, Los Texmaniacs, Big Mean Sound Machine, Jennie Lowe Stearns, The Blind Spots, Richie and Rosie, Bobby Henrie and The Goners, and many more!

Culture Camp Coordinator and co-founding member of Donna the Buffalo, Tara Nevins, says, “GrassRoots Culture Camp offers first hand learning experience with masters of traditional and contemporary art forms, including music, dance, visual arts, and culinary arts in a fun and positive setting, promoting community and the importance of tradition and culture in our society.”

The workshops, along with themed nightly dinners and dances, provide an opportunity to immerse oneself in an intimate learning experience and to enjoy a few extra days of fun before the festival begins. Workshops include fiddle, banjo, guitar, the art of guitar and cello, bass, mandolin, accordion, improvisation, singing, children’s sing song, country songs old and new, cajun songs, songwriting, father and son duo, Native Americana, the spirit of the native american drum, Moog synthesizers, Afrobeat drumset rhythms & concepts, bodhran, scrubboard, triangle, dance, acrylic painting, yoga, youth percussion, and youth square dance. Advanced musicians as well as beginners are welcome!

PREVIOUS CULTURE CAMP ATTENDEES SAY:

“What an amazing experience Culture Camp turned out to be! Rarely is there an opportunity to immerse yourself in music while learning how to make it. The nightly shows in the dance tent were fabulous! The dinner cuisine was superb! My favorite workshops were Songwriting and Duet Singing. I left Culture Camp feeling inspired and energized!” –Phyllis Atwell

“In all honesty, last year’s Culture Camp was a major life experience for me. I was able to work and jam with with professionals, such as Jeb Puryear. At my level of playing as an adult learner, I never thought that I would have had that opportunity. I received individualized instruction from the very talented Joey Arcuri of Driftwood. I don’t think I’ve put down my upright bass since. I look forward to Culture Camp to rejuvenate the inspiration and motivation for another whole year. Culture Camp is such a beautiful way to ease into the excitement of the music festival….the feeding of my soul through music, education, arts, culture, and friends that have become family.” –Ni Lu

“My Culture Camp participation was a combination of learning, experiencing, and interacting with people up close and feeling the joy of what they do and bring to GrassRoots. It’s truly rewarding!” –Jeffrey Schriber

Watch Tara Nevins (of Donna The Buffalo) talk about GrassRoots Culture Camp

WORKSHOPS WITH INSTRUCTORS FROM:
Donna The Buffalo
Driftwood
The Horseflies
Preston Frank and His Zydeco Family Band
Keith Secola
Balfa Toujours
Los Texmaniacs
Big Mean Sound Machine
Jennie Lowe Stearns
The Blind Spots
Richie and Rosie
Bobby Henrie and The Goners
Jones Benally
Laila Belle
The Grady Girls
plus many more…..

NIGHTLY DANCES (Open to the public)

Sunday July 16th – Bobby Henrie and The Goners (rarified rockabilly, swing and everything in between)

Monday July 17th – Balfa Toujours – (“Balfa Always”, carrying on the legacy and tradition of the Balfa Brothers. Cajun music at it’s best.)

Tuesday July 18th – Los Texmaniacs – (Grammy-winning Conjunto band, incorporating elements from rock & roll and jazz while still honoring the roots of Conjunto Tejano)

Wednesday July 19th – Preston Frank and His Zydeco Family Band – (From Soileau, Louisiana, the finest in Creole/Zydeco music)

TICKETS AND DETAILS

ALL INCLUSIVE 4-DAY ADMISSION – $125 – This ticket includes four days of workshops plus nightly dinners & dances. Youth (15 and under) $65

SINGLE DAY FULL ADMISSION – $40 – This ticket includes one day of workshops plus nightly dinners & dances.
DINNER & DANCE ONLY – ONE NIGHT – $30 – 6:30 PM each night

DANCE ONLY – ONE NIGHT – $15  – 8:30 PM each night

CAMPING OPTIONS ARE ALSO AVAILABLE FOR AN ADDITION FEE

LOCATION: Trumansburg Fairgrounds, Rt 96, Trumansburg, NY 14886. Info: (607) 387-5090

 

Listen to an interview with GrassRoots Culture Camp Coordinator Tara Nevins on WHCU radio  http://whcuradio.com/morning-newswatch/grassroots-culture-camp/

You can find the event on Facebook: www.facebook.com/events/1766466600330369/

FOR COMPLETE GRASSROOTS CULTURE CAMP INFORMATION, THE SCHEDULE, TICKETS PRICES, AND FURTHER DETAILS, GO TO: www.grassrootsfest.org/culture-camp-1-1/

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The Contribution’s Newest Single, “Dream Out In The Rain” – Out 6/16
To Benefit The Delaware Riverkeeper

The Contribution Release New Music Throughout 2017

Singles to be released for seven months, with 100% of proceeds going to nonprofits
Rex Foundation, Conscious Alliance, HeadCount, Rock the Earth, The Delaware Riverkeeper Network, BCEF (Breast Cancer Emergency Fund in SF Bay area), and Piedmont Land Conservatory

Listen to the Exclusive Stream Premiere of “Dream Out In The Rain” at NJArts.net

Released Singles Available Here → www.cdbaby.com/Artist/TheContribution

**************

Since this February, The Contribution have been living up to their name and giving back with each song. They have been releasing one single a month, as sort of a mid-month pick-me-up since February 2017 and have partnered with a variety of nonprofits to which 100% of the profits from each single (sold as a digital download) will go to a charity (hand-picked by members of the band) in perpetuity.

They release their newest single “Dream Out In The Rain” on Friday, June 16 and it will benefit The Delaware Riverkeeper Network. This is a song about having the courage to dream and believing in yourself, with the lyrics “Don’t wait to start… Today’s the new tomorrow… Open your heart… And your story will follow.” Listen to the Exclusive Stream Premiere of “Dream Out In The Rain” at NJArts.net.

The Contribution is the brainchild of Tim Carbone of Railroad Earth (violin, guitar, vocals) together with Phil Ferlino (keyboards, vocals) and Jeff Miller (guitar, vocals) of New Monsoon. Keith Moseley (String Cheese Incident), has been the bass player from the band’s inception along with vocalist Sheryl Renee (The Black Swan Singers). The drum chair has been occupied by Jason Hann (String Cheese Incident), Matt Butler (Everyone Orchestra), and currently Duane Trucks (Widespread Panic). Both Matt Butler and Duane Trucks appear on the band’s new record, Wilderness And Space. The full ten song album will be released on vinyl this Fall on LoHi Records and reveals the group’s love of 60s pop and soul coupled with their ability to flat-out shred.

Tim Carbone tells Shows I Go To about how the nonprofits were selected, “I put it to the band at large and asked them, ‘What do you feel strongly about?’ The Delaware Riverkeeper Network is located nearby where Carbone is from and they do wonderful work in protecting the waterways, including the drinking water of nearly 17 Million people, throughout the entire Delaware River Watershed which includes Pennsylvania, New Jersey, Delaware, and New York.

Carbone continues, “Matt Butler said we should go for the Rex Foundation. Keith wanted Conscious Alliance, who I have also worked with before. Phil suggested Rock the Earth. I thought we would go with HeadCount because I am politically motivated. They don’t choose sides, they just encourage people to register to vote. When you don’t vote, bad things happen. I think we found that out.”

Tim says, “I wrote the words to ‘This Too Shall Pass’ for our guitar player Jeff after his mother passed away from breast cancer.” He says they did some searching and found BCEF, a Breast Cancer Emergency Fund in SF Bay area, to pair up with that song. LoHi Records labelmate, Jim Brooks, suggested Piedmont Land Conservatory as he has held events to raise money for them in the past to preserve natural and scenic lands, farms, and open spaces in Piedmont North Carolina. All songs were written and produced by Tim Carbone, Phil Ferlino, and Jeff Miller.

“Dream Out In The Rain” features Carbone, Miller, Ferlino with Sheryl Renee on background vocals, Keith Moseley on bass, and Matt Butler on drums. They also have a handful of special guests including Jay Rattman on saxophones and horn arrangement, Rick Chamberlain on trombone, Sean McAnally on trumpet. The song was recorded at Silo Sound Studio in Denver, CO and Engineered by Todd Divel. Additional recording by Don Sternaker at Mix-o-Lydian Studios, Delaware Water Gap, PA.

Carbone says, “We feel blessed to be able to make this music and have it help people in need… and we would like to empower those who share our passion and provide a resource for them to take action with us.”

Released Singles Available Here → www.cdbaby.com/Artist/TheContribution

For more information, please visit www.TheContribution.net, www.facebook.com/TheContribution, www.twitter.com/thecontribution, and www.instagram.com/thecontribution.

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Andy Hall and Roosevelt Collier Release Let The Steel Play June 16
Sacred Steel Meets Bluegrass in this Exploration of the Slide Guitar

two noted masters of the slide guitar” –Andrew O’Brien
Listen to the Song Premiere of “This Little Light Of Mine” at Live For Live Music

This is Hall’s Music City dobro meeting Collier’s Sacred Steel from the Deep South in an all-instrumental record, and the result is a full-bodied, highly conversational sound that you will not want to put down.” –Richard Oakley, Listen to the Song Premiere of their version of “Crazy Fingers” at The Poke Around

Available now:
iTunes | Amazon | CD Baby | Spotify

DENVER, CO — Andy Hall of The Infamous Stringdusters and Roosevelt Collier of the Lee Boys released Let The Steel Play today, June 16, 2017. “This album is the perfect example of something you do strictly for the joy of the music. We shared songs that highlight our slide guitar history, but we also wrote some super cool modern tunes together. We came together through our love of slide and have become close musical partners,” says Andy, “It was engineered by a great slide guitarist in his own right, John Macy (The Nitty Gritty Dirt Band, Los Lobos) in Denver CO. So it’s slide top to bottom!”

Andy Hall and Roosevelt Collier met in 2012 on Jam Cruise, and began playing music with one another when their paths would cross. Both are sought after sit-in players at festivals throughout the country and known for their dexterity, versatility, and intuitive knack for picking up rhythms and melodies.

Andy comes from the world of bluegrass, and cut his teeth in Nashville’s vibrant country and bluegrass scene having performed with Earl Scruggs, Ryan Adams, and Dolly Parton (who he is also on two albums with). Roosevelt “The Dr.” was born into the Sacred Steel sound, learning lap and pedal steel at a young age directly under his uncles and grandfather in the House of God church his family attended in Perrine, FL. Roosevelt has performed alongside BB King, Widespread Panic, The Allman Brothers, and Del McCoury Band.

Let the Steel Play is an instrumental offering that gives the listener something new, yet familiar. Where two traditions unite and form something new and relevant. The slide guitar is not all that common, but it’s certainly a treat to the ear and to the soul.

What people are saying about Let The Steel Play:

“Music so beautiful, you could imagine angels in heaven playing steel guitar instead of harps” —Honest Tune, Kyler Klix

“Different musical worlds bridged by steel strings and glass slides. The resulting sound is a perfect blend of the heavenly and the down home, a religious experience happening casually from the porch of a country home.”
NYS Music, Eli Stein

“The pair add their own spin to such traditional songs as ‘This Little Light Of Mine,’ ‘Power In The Blood’ and ‘Reuben’s Train’ as well as an inventive cover of the Grateful Dead’s ‘Crazy Fingers’ and more… their playing comes together in a fresh and enjoyable way.” —Jambase

“‘Singing Steel’ has all the hallmarks of what is good about the respective instruments, when played by such stellar craftsmen. They make the strings really pop.” —Flying Shoes Review (UK), Maurice Hope

This recording feels live; it has that fresh, immediate vibe, like they got one chance at it, and everything worked out beautifully.”
Michael’s Music Log, Michael Doherty

LetTheSteelPlay_CoverLet The Steel Play Track Listing
1. This Little Light Of Mine 4:51
2. Maiden’s Prayer 3:48
3. Singing Steel 4:01
4. Crazy Fingers 4:40
5. Rosebud 3:04
6. Reuben’s Train 3:34
7. Remington 3:06
8. The Darkest Hour 4:05
9. Power In the Blood 3:50
10. Colfax Boogie (W/ Anders Beck) 4:46

Instruments & credits:
Andy Hall:
1929 National Style 2 Squareneck Tricone 1, 10
Beard Mahogany Belle Beard Model Resonator Guitar 2, 3, 4, 5, 6, 7, 9
Bear Creek Koa Weissenborn Style Guitar 8

Roosevelt Collier:
Asher Electro Hawaiian Lap Steel, 1, 2, 4, 5, 6, 7, 8, 9
Meredith Maple Resonator Guitar 3, 10

Anders Beck:
Meredith Mahogany Resonator Guitar 10

Websites:
www.artistworks.com/dobro-lessons-andy-hall
www.rooseveltcollier.net

Facebook:
www.facebook.com/andyhalldobro
www.facebook.com/RooseveltCollier

Watch the video promo for Let The Steel Play

 

 

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