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Posts Tagged ‘Amanda Anne Platt’

TaylorMartin_SongDogs_CoverArt_2018
Taylor Martin’s
Song Dogs Out Today, November 16, on Little King Records
Produced by Amanda Anne Platt at Sound Temple Studios in Asheville, NC
Featuring Members of Amanda Anne Platt & The Honeycutters, Mountain Heart, and more

Available Now To Stream and Purchase → https://taylormartin.hearnow.com
(Please note that this link takes you to the correct album on Spotify; however, it currently
attributes the album to the wrong Taylor Martin, working with Spotify to correct this)

More about Taylor Martin at https://about.me/songdogs

ASHEVILLE, NC — Taylor Martin’s Song Dogs is out now on Little King Records (11/16/18). Spinning tales of the highway, homes, lost love, love regained, redemption, and the overuse of cell phones, Martin’s soulful, relatable lyrics and raspy, emotion filled voice is instantly recognizable. The Honeycutters’ Amanda Anne Platt took the lead as Music Producer (along with adding harmony vocals on a handful of songs) with the help of Co-Producer and Engineer, Robert George, and Martin’s visions for the album. The album was recorded at Sound Temple Studios in Asheville, North Carolina.

“Taylor Martin is a killer songwriter,” declares Platt. “He’s got a great sense of melody and an ability to write classic, accessible songs about things we all take for granted. It’s also to his credit that he hits all sides of the spectrum– there are toe tappers and tear jerkers on this album and everything in between. I’m a big fan of the saying, ‘Great songs produce themselves,’ I certainly found that to be true in working with Taylor.”

The album features a number of special guests including Platt, Mountain Heart’s Aaron Ramsey and Josh Shilling, GRAMMY winning Secret Agent 23 Skidoo’s Debrissa McKinney, and Jon Stickley Trio’s Lyndsay Pruett on fiddle, among others.

To celebrate the album’s release, Martin shares a video for the album’s title track “Song Dogs which is full of stunning imagery. Taylor says, ”when I heard that the filmmaker Aladin Aathmani, was heading to Morocco, I jumped at the opportunity to have my musical vision put in a distant landscape. His emotional video interpretation of ‘Song Dogs’ is very moving and like nothing I imagined (in a great way).”

The piano driven, haunting title song comes last, inspired in part by coyotes howling (per cover art) to find each other at night,” writes Country Standard Times’ Jim Hynes of the song. He continues, “It may seem that it stands apart from the others in tone and style, but several listens to Martin will have you hearing an array of styles and influences. That’s what makes it so infectious. Each song stands apart.”

DSC04126.jpgA resident of Asheville since 2004, Martin has been creating music since 1994. He blends musical styles: the approach to music he grew up with in Richmond, Virginia; the western spirit he experienced living five years in Paradise, Utah; and the sounds of southern rock, country, and rhythm n’ blues.

Jeff Burger writes, “The North Carolina–based Taylor Martin, whose raspy vocals recall Levon Helm and, occasionally, Dr. John, features eight originals on this third album, along with three well-chosen covers: Bob Dylan’s ‘Sign on the Window,’ Neil Young’s ‘Music Arcade,’ and Merle Haggard’s ‘Kern River.’ Martin’s own lyrical subjects are all over the map: ‘Little Pictures,’ the funky opener, is about excessive cellphone use, for example, while ‘Hollywood’ references Marilyn Monroe, and the melancholy ‘Eden Colorado’ is about looking for a friend, a dream, and some hope. The music—sometimes funky, sometimes folky, sometimes poppy—is just as varied.”

Martin previously released a video for the album’s bluesy opener “Little Pictures,” which is a song that tips the brim to artists like Professor Longhair while having a contemporary social commentary. The song is what Martin calls his, “observation of people being lost to reality and the death of empathy and the human experience. People being on cell phones too much are missing out on the beauty of the world.” It also invites the listener to put down their electronics and sink further into the experience of the album. Americana Highways premiered the video and wrote “The song rings instantly familiar and simplifies a complex message in clear lyrical fashion, over catchy, punchy, piano-prominent rhythms.”

“Taylor Martin is a singer-songwriter who will remind you of everything good from Tom Waits to the Everly Brothers or the Avett Brothers with some surf rock thrown in. Well-sung, well-played, well-written and relevant…” writes Asheville Citizen Times.

Asheville’s veteran songwriter is just below the forty mark with a bright future as a songwriter and performer ahead of him. Although as jaded and bitter as some road worned heroes, Martin finds refuge in a good sense of humor. “I would have been a terrible dentist,” he laughs. “I’m here, music is why, this is Earth, let’s make more music.”


Taylor Martin – Song Dogs Track Listing

  1. Little Pictures   3:34
  2. Here Comes the Flood    2:59
  3. Eden Colorado   3:17
  4. Music Arcade [Neil Young] copyright Silver Fiddle Music   4:25
  5. Second Sight   3:41
  6. Hollywood   3:41
  7. Our Memories   3:49
  8. Kern River [Merle Haggard] copyright Mt. Shasta Music   4:00
  9. Milk and Honey   3:22
  10. Sign on the Window [Bob Dylan] copyright Big Sky Music   3:39
  11. Song Dogs   4:49
     

     

MUSICIAN CREDITS
Taylor Martin – Lead Vocals, Acoustic Guitar (all)
Richie Jones – Drums, Aux Percussion (all)
Matthew Dufon – Bass (all) Harmony Vocals (2,10)
Aaron “Woody” Wood – Acoustic Guitar (3,8), Electric Guitar (5, 6,10)
Matthew Smith – Electric Guitar (1, 2), Pedal Steel (3,7,8,11)
Aaron Ramsey – Acoustic Guitar (2,4,7,9,10), Mandolin (9)
Josh Shilling – Piano (1,2, 6,7, 8,10,11), B3 (1,2,5,6,7,10), Wurlitzer (5)
Phil Alley – Telecaster (7)
Lyndsay Pruett – fiddle (4,5,7,8)
Amanda Anne Platt – harmony  vocals (2,4,7,9,10)
Debrissa McKinney – harmony vocals (6)

Recorded @ Sound Temple Studios in Asheville, NC
Recorded & Mixed by Robert George
Produced by Amanda Anne Platt
Co-Produced by Robert George & Taylor Martin

For more information and tour dates, please visit www.TaylorMartin.org and www.facebook.com/taylormartin.org and www.twitter.com/song_dogs.

 

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Amanda Anne Platt & The Honeycutters
Two Nights at The Grey Eagle
185 Clingman Ave., Asheville, NC

Amanda Anne Platt and her Honeycutters are excited to be making a
LIVE RECORDING of their upcoming shows at the Grey Eagle
Both nights will be recorded and the best cuts selected from the two sets,
to create an album that will be released in 2019

“We’ve never made a live album and I’m looking forward to putting something out that will capture our on stage energy and the spontaneity of a live show. The Grey Eagle is one of my all time favorite venues, and this is a homecoming show for us, so it makes that this is the weekend we do the recording”
Amanda Anne Platt

NIGHT ONE: AMANDA ANNE PLATT & THE HONEYCUTTERS (SEATED SHOW)
FRIDAY · NOV 2, 2018
doors: 7:00 pm / show: 8:00 pm; All Ages; $15-$18
Bob Sumner Opens

NIGHT TWO: AMANDA ANNE PLATT & THE HONEYCUTTERS (STANDING ROOM ONLY)
SATURDAY · NOV 3, 2018
doors: 8:00 pm / show: 9:00 pm; All Ages; $15-$18
Oliver Bates Craven Opens

ASHEVILLE, NC —  After a whirlwind of a summer, Amanda Anne Platt & The Honeycutters are excited to return home from overseas and play two nights at The Grey Eagle, Friday and Saturday, November 2 and 3 as a homecoming! Amanda says, “This has been one of the craziest summers of my life… possibly the craziest year. There’s so much going on in the world, and my own small world has seen its share of changes, from babies being born, illness, our tour van burning to a crisp on the side of the Texas highway, getting married…and this tour has been a wonderful way to encapsulate all the madness. It’s an incredible feeling to be so far from home and hear people singing along with every word of one of my songs. We’ve been in so many different places and met so many new people, and where I might have expected to feel lost and scattered, there has been an overwhelming sense of connectedness and camaraderie at every turn.”

Lyrically driven, the songs of Amanda Anne Platt & The Honeycutters blend the band’s old-school country roots attitude with their shared influences of rock and folk. Based in Asheville, North Carolina, Amanda Anne Platt is a storyteller by nature with an incredible band backing her. Performing along Platt, The Honeycutters are Matt Smith on pedal steel and guitar, Rick Cooper on bass, Josh Milligan on drums and harmony vocals, and Evan Martin on keys and guitar.

The band is thrilled to have returned from their overseas tour which will led them back to England and Scotland as well as to Ireland, Spain, and The Netherlands from late August through the end of September! To some wonderful International reviews:

Jump In Hot’s Juan Fitzgerald writes, ““Amanda Platt and her band The Honeycutters from Asheville, North Carolina brought over a warm country glow … and provided top class songs and musicianship throughout the evening… for me her solo spot was another high spot and the song ‘Americas Blues’  about the dreadful state of American politics at this present time again hit the spot.”

Americana UK’s Jim Finnie writes of them, “Great songwriting, an incredibly tight sound with very high-quality musicianship from the whole band and it all gets brought together with Amanda’s glorious voice,” and Rootstime in Belgium says, “Amanda’s singing heartbreakingly beautiful.”

A homegrown entity, the band is critically acclaimed locally, regionally, nationally, as well as overseas. Their most recent album Amanda Anne Platt & The Honeycutters [Organic Records 2017] placed #2 (sandwiched between Jason Isbell and Gregg Allman) in their regional radio station WNCW’s year end listeners poll for 2017! The station’s Music Director Martin Anderson said to No Depression, “Amanda Platt writes songs on par with Lucinda, Isbell, Lauderdale, Hank Sr. In my opinion, anyway.”

Music City Roots’ Craig Havighurst writes, “She’s soothing (even in the hurtin’ songs) and sobering (except for the drinkin’ songs) and nuanced in a way that I think tops even those rather famous ladies of the moment named Margo and Kacey… I’d be hard pressed to find a finer string of recordings from any band working in the classic country/mountain tradition in these last five years.”

Amanda Anne Platt & The Honeycutters are a diamond in the rough, and through their music, travels, the friendships they make along the way, they will continue to bring music straight from the heart to the world.

Watch the official music video for “Birthday Song” https://youtu.be/K168ib7ltTc

Watch the official music video for “Jukebox” → https://youtu.be/T87FD97QNRU

More information at www.TheHoneycutters.com, www.facebook.com/Honeycutters, and www.twitter.com/thehoneycutters.

 

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TaylorMartin_SongDogs_CoverArt_2018

Taylor Martin Releases Song Dogs on November 16 on Little King Records
Produced by Amanda Anne Platt at Sound Temple Studios in Asheville, NC
Featuring Members of Amanda Anne Platt & The Honeycutters, Mountain Heart, and more


First Single: “Little Pictures” Available Now →  https://taylormartin.hearnow.com/little-pictures

More about Taylor Martin at https://about.me/songdogs

ASHEVILLE, NC — Taylor Martin brings you music with a beating heart; his raspy, emotion filled voice is instantly recognizable and his lyrics have an unflinching sincerity. Martin releases his third album, Song Dogs November 16, 2018 on Little King Records. On it, he spins tales of the highway, homes, lost love, love regained, redemption, and the overuse of cell phones. The Honeycutters’ Amanda Anne Platt took the lead as Music Producer (along with adding harmony vocals on a handful of songs) with the help of Co-Producer and Engineer, Robert George, and Martin’s visions for the album. The album was recorded at Sound Temple Studios in Asheville, North Carolina.

“Taylor Martin is a killer songwriter,” declares Platt. “He’s got a great sense of melody and an ability to write classic, accessible songs about things we all take for granted. It’s also to his credit that he hits all sides of the spectrum– there are toe tappers and tear jerkers on this album and everything in between. I’m a big fan of the saying, ‘Great songs produce themselves,’ I certainly found that to be true in working with Taylor.”

The album’s bluesy opener “Little Pictures” tips the brim to people like Professor Longhair while having a contemporary social commentary. The song is what Martin calls his, “observation of people being lost to reality and the death of empathy and the human experience. People being on cell phones too much are missing out on the beauty of the world.” It also invites the listener to put down their electronics and sink further into the experience of the album. Americana Highways premieres the official music video for “Little Pictures and write, “The song rings instantly familiar and simplifies a complex message in clear lyrical fashion, over catchy, punchy, piano-prominent rhythms.”

A resident of Asheville, North Carolina since 2004, Martin has been creating music since 1994. He blends musical styles: the approach to music he grew up with in Richmond, Virginia; the western spirit he experienced living five years in Paradise, Utah; and the sounds of southern rock, country, and rhythm n’ blues.

The album features some of the finest, most innovative musicians in acoustic music today including, not only The Honeycutters’ Amanda Anne Platt, but also their guitarist and pedal steel player, Matthew Smith. Mountain Heart’s Aaron Ramsey (mandolin, acoustic guitar) and Josh Shilling (Piano, B3, Wurlitzer) perform on much of the album along with Jon Stickley Trio’s Lyndsay Pruett on fiddle. Drummer Richie Jones [Ralph Roddenbery, Donna Hopkins Band] and bassist Matt Dufon perform on all eleven tracks. Asheville guitar legend, Aaron “Woody” Wood, takes the lead on acoustic and electric guitars on a handful of tracks, GRAMMY winner Debrissa McKinney (Secret Agent 23 Skidoo, Empire Strikes Brass) lends harmony vocals on a song and Phil Alley adds some texture with his Telecaster on a track.

“I was supported by mostly local musicians for Song Dogs, says Martin. “Josh came in from Nashville and Richie came from Atlanta, but other than that it’s all friends from Asheville. There’s a lot of love on this record. Having close friends record with you really helps the album go deeper.”

“Working on Taylor’s albums has always been an awesome process,” says Josh Shilling.  “His distinct melodies, chord progressions, and organic recording approach create a unique and extremely vibey song and sound. His ability to pull the perfect band together makes the recording sessions feel amazing, and I love that he’s seeking emotional, human performances more than perfect performances. There’s some grit and soul on this record that feels like it came from another time and place… perhaps an Allman Brothers or Leon Russell time and place.”

“I’ve always tried to write from the heart and to do that there just has to be a story underneath,” says Martin. From the catchy “Here Comes The Flood” to the mellow and rolling “Eden Colorado” (with Wood’s expansive guitar solo and the delicate interplay of Smith’s pedal steel) to the dreamlike “Second Sight (with it’s lucid surf tones and Pruett’s orchestral string arrangement) to the more pop-oriented “Hollywood” (featuring McKinney on harmony vocals), the album will have you hooked.

Our Memories” is a lonesome duet that reflects on remaining in a home after the love has moved out and the remnants are left behind; Martin and Platt’s vocals intermingle with the sultry fiddle and pedal steel melodies of Pruett and Smith. Another duet with Platt, “Milk and Honey” features Aaron Ramsey on mandolin and is a love song that written over the course of many years to express that even in this numbing technological age people can still be in love in the land of milk and honey.

There are three covers on the album including Bob Dylan’s nostalgic “Sign on the Window [New Morning], an upbeat and slightly cajun version of Neil Young’s poignant “Music Arcade[Broken Arrow], and Merle Haggard’s song of tragic loss, “Kern River.”

The album’s title track, “Song Dogs,” lands as the final track and features Shilling on piano paired with Smith’s pedal steel. Martin says, “I spend a ridiculous amount of time in the woods alone. Usually right before dark the coyotes will begin to howl to find each other for the nights hunt. One such evening I wrote these lyrics about the loneliness of the modern age and how difficult it is to ‘stay’ when your heart is restless. And the remorse after you’ve gone too far… I sure do identify with those animals at dusk.”

“Taylor Martin is a singer-songwriter who will remind you of everything good from Tom Waits to the Everly Brothers or the Avett Brothers with some surf rock thrown in. Well-sung, well-played, well-written and relevant…” writes Asheville Citizen Times.

Asheville’s veteran songwriter is just below the forty mark with a bright future as a songwriter and performer ahead of him. Although as jaded and bitter as some road worned heroes, Martin finds refuge in a good sense of humor. “I would have been a terrible dentist,” he laughs. “I’m here, music is why, this is Earth, let’s make more music.”

Taylor Martin – Song Dogs Track Listing

  1. Little Pictures   3:34
  2. Here Comes the Flood    2:59
  3. Eden Colorado   3:17
  4. Music Arcade [Neil Young] copyright Silver Fiddle Music   4:25
  5. Second Sight   3:41
  6. Hollywood   3:41
  7. Our Memories   3:49
  8. Kern River [Merle Haggard] copyright Mt. Shasta Music   4:00
  9. Milk and Honey   3:22
  10. Sign on the Window [Bob Dylan] copyright Big Sky Music   3:39
  11. Song Dogs   4:49

    MUSICIAN CREDITS
    Taylor Martin – Lead Vocals, Acoustic Guitar (all)
    Richie Jones – Drums, Aux Percussion (all)
    Matthew Dufon – Bass (all) Harmony Vocals (2,10)
    Aaron Woody Wood – Acoustic Guitar (3,8), Electric Guitar (5, 6,10)
    Matthew Smith – Electric Guitar (1, 2), Pedal Steel (3,7,8,11)
    Aaron Ramsey – Acoustic Guitar (2,4,7,9,10), Mandolin (9)
    Josh Shilling – Piano (1,2, 6,7, 8,10,11), B3 (1,2,5,6,7,10), Wurlitzer (5)
    Phil Alley – Telecaster (7)
    Lyndsay Pruett – fiddle (4,5,7,8)
    Amanda Anne Platt – harmony  vocals (2,4,7,9,10)
    Debrissa McKinney – harmony vocals (6)

    Recorded @ Sound Temple Studios in Asheville, NC
    Recorded & Mixed by Robert George
    Produced by Amanda Anne Platt
    Co-Produced by Robert George & Taylor Martin

    For more information and tour dates, please visit www.TaylorMartin.org and www.facebook.com/taylormartin.org and www.twitter.com/song_dogs.

 

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AAPHC - promopic.jpg

Amanda Anne Platt & The Honeycutters Play Salvage Station on Friday, July 20
opener tba
$15 adv/ $18 dos
468 Riverside Drive, Asheville, NC
www.salvagestation.com/events2/2018/7/21/amanda-anne-platt-and-the-honeycutters

ASHEVILLE, NC —  Lyrically driven, the songs of Amanda Anne Platt & The Honeycutters blend the band’s old-school country roots attitude with their shared influences of rock and folk. Based in Asheville, North Carolina, Amanda Anne Platt is a storyteller by nature with an incredible band backing her. Performing along Platt, The Honeycutters are Matt Smith on pedal steel and guitar, Rick Cooper on bass, Josh Milligan on drums and harmony vocals, and Evan Martin on keys and guitar.

There is an empathetic and charming wit ingrained in Platt’s songwriting. She has a knack for accessing a deep well of emotion and applying it to her story-telling, whether she is writing from her own experiences or immersing herself into the melody of emotions in another person’s life.

Music City Roots’ Craig Havighurst writes, “She’s soothing (even in the hurtin’ songs) and sobering (except for the drinkin’ songs) and nuanced in a way that I think tops even those rather famous ladies of the moment named Margo and Kacey… I’d be hard pressed to find a finer string of recordings from any band working in the classic country/mountain tradition in these last five years.”

A homegrown entity, the band is critically acclaimed locally, regionally, nationally, as well as overseas. Their most recent album Amanda Anne Platt & The Honeycutters [Organic Records 2017] placed #2 (sandwiched between Jason Isbell and Gregg Allman) in their regional radio station WNCW’s year end listeners poll for 2017! The station’s Music Director Martin Anderson said to No Depression, “Amanda Platt writes songs on par with Lucinda, Isbell, Lauderdale, Hank Sr. In my opinion, anyway.”

“This is a band that does everything right,” says Goldmine’s Mike Greenblatt. “Platt deserves all that might come to her over this, her fifth (and best) album. Backed by pedal steel, electric guitar, keyboards, bass, drums, percussion, and vocal harmony, it’s Platt’s show as she writes, sings and co-produces. Complete with lyrics of introspection with the kind of words you can chew on long after the album ends, it also works on a lighter level by dint of the fact that it just sounds so damn good. Go as deep as you want. It’s all good, as they say.”

Amanda Anne Platt & The Honeycutters received a shout out from Fodor’s Travel Magazine in a write-up about the band’s hometown of Asheville, NC, and a couple of years back they were also featured on XPN World Cafe’s Sense of Place series. In 2017, their music also placed into the Americana Music Association Year End Top 100 list of Americana Airplay for the second year in a row!

For the past ten years Amanda Anne Platt has been singing her original songs with her band The Honeycutters. In that time they have toured all over the United States and (parts of) Canada, as well as making their first trip overseas last summer, playing shows in England and Scotland garnering much praise and many sold out shows, and they made a lot of new friends and fans that they are excited to see again!

The UK’s American Roots’ Magazine Mike Morrison writes, “This is a band whose back catalogue is a match for anyone’s and yet still they’re improving. Modern country music really doesn’t get much better than the highly individual style of Amanda Anne Platt and the Honeycutters.”  

The band is thrilled to have another overseas tour booked for this summer which will take them back to England and Scotland as well as to Ireland, Spain, and The Netherlands from late August through the end of September! They have an Indiegogo campaign currently running to help raise funds to cover the travel costs associated with the trip including round trip airfare to Dublin from the US for 5, internal flights, van and backline (amps, drums) rental, lodging (travelodges, tents, etc), and fuel with a goal aiming to raise $9000 by June 25 which they just surpassed today!

Everyone who donates will gain access to an exclusive (ooo!) tour blog (ahh!) featuring updates and anecdotes from Amanda, as well as photo and video documentation of the band as they experience some inevitable culture shock. Other perks include limited edition tee shirts, handwritten lyrics to an AAP song of your choice, pet portraits (Amanda says, “I don’t claim to be good at drawing, but it will be unique. I can guarantee that.”), CD packages, stickers, drink koozies, and a private House Concert.

Amanda says, “In these crazy days we live in it’s easy to forget that when a song comes on the radio and makes your day a little easier, there were a lot of people involved in getting that song there. However you support the arts, you are making it possible for working artists to keep creating. And when you do that, you are ensuring that this world will continue to have a thriving stream of original art and music. And we all need that!”

Amanda Anne Platt & The Honeycutters are a diamond in the rough, and through their music, travels, the friendships they make along the way, they will continue to bring music straight from the heart to the world.

Watch the official music video for “Birthday Song” https://youtu.be/K168ib7ltTc

Watch the official music video for “Jukebox” → https://youtu.be/T87FD97QNRU

More information at www.TheHoneycutters.com, www.facebook.com/Honeycutters, and www.twitter.com/thehoneycutters.

 

 

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2017 Holiday Hang Tour LO RES.jpg
THE ASHEVILLE HOLIDAY HANG HITS THE ROAD
SHOWS IN THE SOUTHEAST
FEATURING:
TOWN MOUNTAIN AND AMANDA ANNE PLATT & THE HONEYCUTTERS

The Holiday Hang is an event focused on highlighting talent from the Asheville music community, while raising awareness and donating partial proceeds to Feeding America food banks in each city

ASHEVILLE, NC — Town Mountain and Amanda Anne Platt & The Honeycutters, two stellar bands from Asheville, North Carolina, are teaming up for the Asheville Holiday Hang as a run of shows in the Southeast, sponsored by New Belgium Brewing Company. Ashvegas’ Caleb Calhoun calls them, “a match made in heaven.”

“Over the past few years, New Belgium and Town Mountain have forged a relationship that goes well beyond making great music and good beer. The partnership has been one that ties to both organizations philanthropic roots at a time of year where people need it the most, the holidays,” says New Belgium Brewing Employee Owner, Trey Wheeler. New Belgium Brewing Company will be running specials at each of the shows and adding to the financial donation to MANNA FoodBank.

Town Mountain says, “For us the holiday season seems like a great time to celebrate playing music with friends as well as giving back to the community that has supported us through the years.” The Asheville Holiday Hang originated as a holiday benefit in Asheville and is heading into its 6th year with the hometown Asheville show taking place at The Orange Peel for the first time. Both bands and The Orange Peel are teaming up and donating 20% of ticket sales from that show to MANNA FoodBank!

MANNA FoodBank is a private, not-for-profit service organization, that links the food industry with over 200 partner agencies in 16 counties of WNC. MANNA is an acronym and stands for Mountain Area Nutritional Needs Alliance. They are a member of Feeding America, the nation’s largest domestic hunger relief organization. For 35 years, Feeding America has responded to the hunger crisis in America by providing food to people in need through a nationwide network of food banks with the motto, “Together we can solve hunger.”

“MANNA is excited to partner with Town Mountain again for the fifth consecutive year. Their Holiday Hang show has become a ‘Must See’ holiday tradition for dozens of fans in our MANNA community.” Alisa Hixson, Director Corporate Engagement & Signature Events at MANNA FoodBank, says,”Their support has provided for over 6,000 meals in WNC and their desire to keep giving  back to their community epitomizes the mindset of the Asheville community. They’re a powerhouse of musicians harnessing their talent to help their neighbors, the perfect holiday story!”

Last year, Town Mountain paired with The Honeycutters and decided to bring the Holiday Hang on the road to other cities they both frequent and have grown friendships and fans in. The tradition continues this year and are excited to expand the scope of the Holiday Hang with a longer run of shows through the Southeast including Rocky Mount, Virginia, Greer and Charleston, South Carolina, Atlanta, Georgia, and Charlotte and Raleigh, North Carolina.

Not only is the event traveling to additional cities, but with the help of Feeding America (of which MANNA is a part of) the bands are donating partial proceeds from each show to a food bank from that area.

AHH Photo 2 .jpeg

Town Mountain and Amanda Anne Platt & The Honeycutters Family Holiday Photo 2017

Town Mountain and The Honeycutters have long been close friends and each band has a different sound to offer The Holiday Hang. Both have their own spin on what Americana is today. You’ll be sure to hear bluegrass, country, and rock influences coming from each band. As in years past there will be a jam at the end of each night where they join together in the collaborative spirit of the Asheville music scene.

 

On the surface, a joint tour between the bluegrass combo Town Mountain and the alt-country band The Honeycutters might seem like an odd fit. Town Mountain’s dizzying all-acoustic instrumental skills and tight vocal harmonies recall the great early bluegrass groups like The Stanley Brothers or Bill Monroe’s Bluegrass Boys, while The Honeycutters’ rougher brand of twangy heartbreak is perfect for the honky-tonk,” says Greenville Journal’s Vincent Harris.

“We just go back a long way in the Asheville music scene; we’re friends in that way. And I think that we’re both bands with roots in more traditional forms of music. We can be put into genres, but at the same time, ‘Americana’ describes what both of us do,” Platt says in an interview with the Greenville Journal. “Obviously, Town Mountain plays bluegrass and The Honeycutters have origins in classic country, but we’re both very song-oriented. Town Mountain has three great songwriters that share the songwriting duties, and in The Honeycutters I’m all about the song.”

Asheville Holiday Hang Tour Dates
12/7 Thu – Harvester Performance Center – Rocky Mount, VA
12/8 Fri – The Spinning Jenny – Greer, SC
12/9 Sat – The Charleston Pour House – Charleston, SC
12/14 Thu – Smith’s Olde Bar – Atlanta, GA
12/15 Fri – The Orange Peel – Asheville, NC
12/16 Sat – Neighborhood Theater – Charlotte, NC
12/17 Sun – The Lincoln Theater – Raleigh, NC

More information about Town Mountain and Amanda Anne Platt & The Honeycutters
www.TownMountain.net and www.TheHoneycutters.com.

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HoneyCov2

Amanda Anne Platt & The Honeycutters New Album
Out June 9 on Organic Records

Country Roots Band from Asheville, North Carolina

Stream or purchase today at all outlets –> https://clg.lnk.to/Lj4Wo

“’Learning How To Love Him’ is a prime example of the new intimacy Platt shares with her audience. Her voice, rising and falling above a simple, spare guitar line, is on display in a way it never has been before.” –Elena See
LISTEN to the song premiere on NPR’s Folk Alley

A coming-of-age song of sorts, ‘Diamond in the Rough’ is a rock-tinged, rootsy track”–Amy McCarthy
LISTEN to the Song Premiere on The Boot

ASHEVILLE, NC — Amanda Anne Platt & The Honeycutters new self-titled album is out today, June 9, on Organic Records. “We’re switching things up a little. After four albums I’ve decided to step out and start using my own name. It’s something that a lot of people have encouraged me to do over the years, and I guess that 2017 just felt right.” says Amanda. “We’re keeping The Honeycutters too because we don’t want to confuse people… really, we’ve always been Amanda Anne Platt & The Honeycutters. I think I’ve just gotten to a place where I feel comfortable enough to be in the spotlight.”

Based in Asheville, North Carolina, Amanda is a storyteller by nature with an incredible band backing her. Performing along with Amanda Anne Platt, The Honeycutters are Matt Smith on pedal steel and Stratocaster, Rick Cooper on bass, Josh Milligan on drums and harmony vocals, and Evan Martin on keys and Telecaster. Lyrically driven, the songs on Amanda Anne Platt & The Honeycutters blend the band’s old-school country roots attitude with their shared influences of rock and folk.

Amanda Anne Platt & The Honeycutters will tour extensively in US this year and are traveling to Europe for the first time this summer. Tour dates and more information at www.TheHoneycutters.com.

Critical Acclaim for Amanda Anne Platt & The Honeycutters:

“Writing with a maturity that belies her early thirties age, Amanda pens tunes about a couple with a 40-year relationship, reflections of a spouse with a terminally ill husband, break-up, strangers, leaving, the music industry, and, of course, love. Platt is as good a songwriter as anyone with an Americana label by their name and that includes Isbell and Lucinda to name just two of them… You will need to listen repeatedly as the album is lengthy and Platt’s lyrics are so damn real and relatable on so many levels.”
Elmore, Jim Hynes

“They… deliver a feisty, witty, hard-knock life realism on their records and this eponymous release, their fifth, is like the continuation of a classic serial novel you just can’t put down… My favorite track is ‘Eden’ and I must have listened to it at least five times because it’s just bloody brilliant, cheeky and slightly heart-wrenching all at once: ‘Don’t keep a TV ’cause the news is always bad and it teaches us to want all the things we’ll never have’ and then the storyteller asks to be let ‘back inside that garden, I won’t eat anything that’s fallen from that goddamn tree.’ —That Mag, Jane Roser

“Platt can find a tune and express it exquisitely with a distinctive voice and a sympathetic band… Her wonderful lyrics seem to be an assessment of the people and circumstances that surround her to find the good bits.”
Americana Music Show, Tony Ives

“Platt opens with the reflective ‘Birthday Song’, warmed in among other things, tasty piano the album is immediately up and running on greased wheels. Blending country with folk and country pop you have Americana music with a capital ‘A’ and it is good!” —Flying Shoes Review (UK), Maurice Hope

“Platt sings like she means it on this country-tinged folk album, and whether or not her nuanced lyrics are drawn directly from real life, they sure sound as if they are… Platt’s vocals convey joy and tenderness and her band provide amiable backup. At its best, this music is on a par with Lucinda Williams’s, which is saying a lot.” —The Morton Report, Jeff Burger

“There is, as with the two before, an easygoing warmth to the album, and a certain kind of knowing. The kind from that comes from being a keen and empathetic observer. From the upbeat ‘Diamond in the Rough’ to the poetic ‘Eden’ to the solemn ‘Long Ride,’ Platt and her band flesh out all that’s real and been missing in country music for lo these many years.”  —No Depression, Amos Perrine

“a gem of an album… The collection combines sharp and emotive songwriting with crisp production values. A successful blend of country roots and honky-tonk, but with a defining Appalachian twist. Above it all hovers Platt’s voice – laconic, sultry, pitch perfect and ultimately charming.” —Listening Through The Lens, Rob Dickens

“Amanda Anne is one of the best songwriters I have ever heard – and I have been listening carefully to music for about 55 years. She writes with her heart and her brain and her observations on life, love and other matters of importance are sparkling …
Her songs get into your blood and become a part of you.”
letter from David Whittaker who commissioned the song “Rare Thing” for his wife Holly

“Amanda is so good it’s ridiculous. I don’t even know what words to use. Her singing, songwriting and presence is unmatched in Americana, Country, Pop… Simply breathtaking.” — Saul Davis: producer (Percy Sledge), manager (Gene Clark, Carla Olson, Phil Seymour).

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Amanda Anne Platt & The Honeycutters Track Listing

1. Birthday Song 4:15
2. Long Ride 3:47
3. What We’ve Got 4:46
4. Diamond In The Rough 4:37
5. Eden 5:33
6. The Guitar Case 4:18
7. Learning How To Love Him 4:17
8. Brand New Start 3:14
9. Late Summer’s Child 3:57
10. The Good Guys (Dick Tracy) 4:38
11. Rare Thing 4:43
12. The Things We Call Home 2:39
13. The Road 2:40

Produced by Amanda Anne Platt and Tim Surrett

Mixing and Mastering by Recording Engineer Scott Barnett at Crossroads Studios in Arden, NC

Stream or purchase Amanda Anne Platt & The Honeycutters here →  https://clg.lnk.to/Lj4Wo

More information at www.TheHoneycutters.com, www.facebook.com/Honeycutters, and www.twitter.com/thehoneycutters.

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Amanda Anne Platt & The Honeycutters New Album Out June 9
The album is now on pre-sale →  https://clg.lnk.to/Lj4Wo

ASHEVILLE, NC –“We’re switching things up a little. After four albums I’ve decided to step out and start using my own name. It’s something that a lot of people have encouraged me to do over the years, and I guess that 2017 just felt right.” That name, Amanda Anne Platt & The Honeycutters, is also the title of the band’s new album, which will be released by Organic Records June 9, 2017. “We’re keeping The Honeycutters too because we don’t want to confuse people… really, we’ve always been Amanda Anne Platt & The Honeycutters. I think I’ve just gotten to a place where I feel comfortable enough to be in the spotlight.”

Amanda is so good it’s ridiculous. I don’t even know what words to use. Her singing, songwriting and presence is unmatched in Americana, Country, Pop… Simply breathtaking,” said Saul Davis: producer (Percy Sledge), manager (Gene Clark, Carla Olson, Phil Seymour).

Lyrically driven, the songs on Amanda Anne Platt & The Honeycutters blend the band’s old-school country roots attitude with their shared influences of rock and folk. Amanda says of the album, “I think it’s just about life and all that that entails. Including but not limited to death, strangers, birthdays, money, leaving, arriving, seasons, corruption, and love.”

Performing along with Platt, The Honeycutters are Matt Smith on pedal steel and Stratocaster, Rick Cooper on bass, Josh Milligan on drums and harmony vocals, and Evan Martin on keys and Telecaster.

Amanda Anne Platt & The Honeycutters is the group’s third release on Organic Records, and fifth album. Assembling the same the same team as 2016’s On The Ropes, Balsam Range’s Tim Surrett steps in for the second time to co-produce this album along with Amanda. Its thirteen tracks were recorded, mixed, and mastered by Scott Barnett at Crossroads Studios in Arden, NC near the band’s hometown of Asheville, NC.

There is an empathetic and charming wit ingrained in Amanda’s songwriting. She has a knack for accessing a deep well of emotion and applying it to her story-telling, whether she is writing from her own experiences or immersing herself into the melody of emotions in another person’s life.

Amanda Platt writes songs on par with Lucinda, Isbell, Lauderdale, Hank Sr. In my opinion, anyway.” said, WNCW’s Music Director Martin Anderson to No Depression.

In the lead off track, “Birthday Song,” Amanda writes with a gentle optimism, “Every time it gets colder I get another year older… I start looking for lines in the bathroom mirror… but when I lay down at night I swear I must have done something right… cause I’m still so damn glad to be here… I’ve been trying to love the questions, and keep on guessing.” Written just before her 30th birthday, Platt calls the song, “a summation of everything I learned in that decade.

There is an easygoing warmth to the album, enhanced by the its refined arrangement and production; from the upbeat “Diamond in the Rough” to the poetic and observational “Eden” to the very personal, yet universal, “Brand New Start” to “Late Summer’s Child” (an ode to her favorite season) and “Rare Thing” (a song commissioned from Platt from a fan as a love song to his wife that ended up being included on the album. “Your mama said that it would never last… but these years go by so fast… and you’re the song I’m humming to myself as I’m counting the miles… you’re such a rare thing.”) One can feel it even in songs with a more solemn concept behind them like, like “Long Ride,” which speaks of living in the moment in the face of mortality.

Platt wrote “Learning How To Love Him” after hearing an acquaintance of hers talk about learning that her husband of 40+ years was terminally ill. She says, “What really struck me was how she described the tenderness that the news brought back to their relationship.” Amanda sings, “’I woke last night and I felt so afraid, I turned on the light and shook him awake and we stared at the ceiling, listening to the sink drip… I spent my whole life learning how to love him and I never loved him more than I do today.”

The successes of On The Ropes [2016] and Me Oh My [2015] have propelled Amanda Anne Platt and The Honeycutters onto the national scene and they have been featured on NPR’s World Cafe’s Sense of Place, NPR’s Mountain Stage, Nashville’s Music City Roots, and Folk Alley and they have performed at AmericanaFest, MerleFest, and IBMA. On The Ropes debuted at #39 on iTunes Top 40 Country Chart on release day and landed on a plethora of year end lists including placing #35 on the Top 100 Albums played on Americana Radio in 2016 and landing at #1 on Western North Carolina’s WNCW Radio’s Year End Listeners Poll of Top Albums of 2016!

On The Ropes hit #11 on the EuroAmericana Chart and The UK’s Julian Piper with Acoustic Magazine says, “Amanda Platt has one of those gorgeous heartache-drenched voices that brings to mind Loretta Lynn or Sheryl Crow.”

Amanda Anne Platt & The Honeycutters plan to tour extensively in US this year and will travel to Europe for the first time in the summer. They are excited to release Amanda Anne Platt & The Honeycutters to the world this spring!

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Amanda Anne Platt and The Honeycutters on Tour
5/6 Sat – Green River Adventures – Saluda, NC
5/19 Fri – Birdfest – Pinewood, SC
5/20 Sat – Sunset Fest – Dandridge, TN
6/2 Fri – The Neighborhood Theater – Charlotte, NC ^ w/ Town Mountain
6/9-10 Fri-Sat – The Grey Eagle – Asheville, NC
6/17 Sat – The Ark – Ann Arbor, MI
6/21 Wed – Abilene Bar and Lounge – Rochester, NY
6/22 Thu – Sportsmen’s Tavern – Buffalo, NY
6/23 Fri – Cathedral Café – Fayetteville, WV
7/14 Fri – Variety Playhouse – Atlanta, GA * w/ Amy Ray Band (of The Indigo Girls)
7/19 Wed – Taos Mesa Brewing – El Prado, NM
7/21 Fri – Telluride Americana Music Fest & Songwriter Showcase at Sheridan Opera House – Telluride, CO
7/22-23 Sat-Sun – Mountain Rails Live – Alamosa, CO

UK DATES
8/4 Fri – Plough Arts Centre – Great Torrington
8/5 Sat – Tumbleweed at Seven Arts – Leeds
8/6 Sun – Saltburn Arts – Saltburn-by-the-Sea
8/8 Tue – Performing Arts Centre – Kilbarchan
8/9 Wed – Private function – Edinburgh
8/10 Thu – Fringe by The Sea – North Berwick
8/11 Fri – Eastgate Theatre – Peebles
8/12 Sat – Jumpin Hot Country Cantina at Acklington Village Hall – Acklington, Northumberland
8/13 Sun – Woodend Gallery – Scarborough
8/16 Wed – Green Note – London
8/17 Thu -Union Music Store at Con Club – Lewes
8/18 Fri – Square & Compass – Worth Matravers
8/19 Sat – Town Hall Live @ Kirton in Lindesy – Lincs
8/20 Sun – American Museum – Bath (afternoon)
More USA dates TBA!

Amanda Anne Platt & The Honeycutters Track Listing
1. Birthday Song 4:15
2. Long Ride 3:47
3. What We’ve Got 4:46
4. Diamond In The Rough 4:37
5. Eden 5:33
6. The Guitar Case 4:18
7. Learning How To Love Him 4:17
8. Brand New Start 3:14
9. Late Summer’s Child 3:57
10. The Good Guys (Dick Tracy) 4:38
11. Rare Thing 4:43
12. The Things We Call Home 2:39
13. The Road 2:40

More information at www.TheHoneycutters.com, www.facebook.com/Honeycutters, and www.twitter.com/thehoneycutters.

 

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Two Asheville, North Carolina bands, The Honeycutters and Town Mountain, represent different ends of the Americana spectrum and both will perform at the 2016 AmericanaFest in Nashville.

The Honeycutters Show Their Country Roots
with On The Ropes, Released By Organic Records

honeycutters_2016_ring_byleahbeilhartThe Honeycutters have a voice you can’t ignore; a voice of persistence, of struggle and of hope, a voice that leads the new music movement erupting out of Asheville, NC. They released their 4th studio album On The Ropes May 20, 2016 on Organic Records to much critical acclaim. Nashville’s Music City Roots’ Craig Havighurst says principal songwriter and frontwoman, Amanda Anne Platt “has a voice that’s complex, sweet and aching. Even more potently, she writes songs that folks are citing as up there with the best of the field, such as Mary Gauthier and Lucinda Williams.” On The Ropes was produced by Amanda Anne Platt and Tim Surrett and engineered and mastered by Van Atkins at Crossroads Studios in Arden, NC.

On The Ropes debuted on release day at #39 on iTunes Top 40 Country Chart and #12 on Amazon’s Hot New Releases on Folk. The album spent nineteen weeks on the Americana Radio Chart hitting #10 and remaining in the top twenty for 11 weeks. It also landed in the #1 position on the Roots Music Report Country Chart! The band recently shipped the album overseas and it stands at #11 on September’s EuroAmericana Chart.

Joining Amanda Platt to round out The Honeycutters are Rick Cooper, alternating between upright and electric bass, drummer Josh Milligan, pedal steel player Matt Smith, and Tal Taylor on mandolin.
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“Like all great songwriters, Platt’s characters are alive, with enough nuance to convince the listener that they have entire lives outside the glimpse they get from the songs.” Examiner’s Chris Griffy continues, “This is most evident on the album’s closer ‘Barmaid’s Blues’. One of the rare ballads in On the Ropes’ fourteen songs and one of the most lyrically dense. When Platt’s world weary bartender laments that ‘All the gunslingers, got the rings on their fingers” and later that ‘I got a feeling like I been waiting on the last train home. It’s been a little slow, but it’s coming I know’, there’s a delicate balance of melancholy and hope that takes a deft hand to pull off without sounding cliched. Platt’s hand is that deft.”

The Honeycutters AmericanaFest 2016 Schedule

Thursday 9/22 – 12pm
– Taping with The Country Network “Our Land: The Music Highway” TV Show at The Listening Room  – Open to the public with Meet & Greet Post show  – More info TCNCountry.com

Thursday 9/22 – 10pm – The Basement – Official AMA Showcase

Friday 9/23 –  8:40am – KHYI Radio Live Broadcast with Chuck Taylor at Sound Stage Studios – Live Radio Session – listen online at khyi.com

Friday 10/23 10am airing of a radio session with The Honeycutters on Sun Radio – Solar-Powered Americana from Austin – listen online at sunradio.com

More information at www.TheHoneycutters.com

…………………

Town Mountain Displays Their Soulful Bluegrass/Country Swagger on Southern Crescent, Produced by Dirk Powell On LoHi Records

TwnMtn_2016_1_byAmyDaniels_HRRaw, soulful, and with plenty of swagger, Town Mountain released their 5th studio album, Southern Crescent, on April 1, 2016 on LoHi Records. Produced and engineered by GRAMMY winner Dirk Powell, Southern Crescent was recorded in Powell’s studio The Cypress House in south-central Louisiana town of Breaux Bridge. It was mixed by Mixed by Scott Vestal at Digital Underground in Greenbrier, TN. Since it’s release the band debuted on the Grand Ole Opry and the Ryman Auditorium stages bringing their sound to new audiences. The critically acclaimed album debuted at #4 on the Billboard Bluegrass Chart and spent ten weeks on the Americana Radio Chart’s Top 40.

The first time I heard TM I loved, respected, and enjoyed them. And I do now more than ever,” exclaims Jim Lauderdale. “They have stuck with their deep bluegrass roots but as they have with all of their releases they have grown and expanded. They sound like Carolina, and they carry that sound farther and farther with Southern Crescent, their latest gem.”

Up for the 2016 Emerging Artist Award with the International Bluegrass Music Association (IBMA) and the 2013 winners of IBMA Momentum Awards for Performance Band and Vocalist of the Year (Robert Greer), Town Mountain has earned raves for their hard-driving sound, their in-house songwriting and the honky-tonk edge that permeates their exhilarating live performances. With an insatiable musical hunger, the members of Town Mountain are Robert Greer on vocals and guitar, Jesse Langlais on banjo and vocals, Phil Barker on mandolin and vocals, Jack Devereux on fiddle, and Adam Chaffins on bass. Please note Bobby Britt (fiddle) and Nick DiSebastian (bass) perform on the album.

No Depression’s Amos Perrine names Town Mountain as, “the most exciting bluegrass band to come along in a long time,” which is echoed by Music City Roots’ Craig Havighurst sentiments, “I’d put Town Mountain on my list of Five Bluegrass Bands You Must Know in 2016, because while the genre has forked and morphed in wonderful ways, these guys from Asheville have more Flatt & Scruggs and more Jimmy Martin in their sound than any young band I can think of. And when they do nod to other influences, they tend to be from parallels to the early bluegrass era, like Chuck Berry and Carl Perkins for example.”

Town Mountain AmericanaFest 2016 Schedule

Tuesday 9/20 11pm The Basement – Official AMA Showcase

Wednesday 9/21 – 9:30am airing of a radio session with Town Mountain on Sun Radio – Solar-Powered Americana from Austin – listen online at sunradio.com

More information at www.TownMountain.net

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The Honeycutters, an Asheville-based American Country Roots Band,
Release 4th Studio Album, On The Ropes, May 20, 2016 on Organic Records


Now available: CD, Vinyl and Digital
iTunes, Amazon, Tower Records, and Select-O-Hits

ASHEVILLE, NC — The Honeycutters have a voice you can’t ignore; a voice of persistence, of struggle and of hope, a voice that leads the new music movement erupting out of Asheville, NC. Their new album On The Ropes is out today, May 20, 2016 on Organic Records. Nashville’s Music City Roots’ Craig Havighurst says principal songwriter and frontwoman, Amanda Anne Platt “has a voice that’s complex, sweet and aching. Even more potently, she writes songs that folks are citing as up there with the best of the field, such as Mary Gauthier and Lucinda Williams.” This morning the album hit #38 on the iTunes Top 40 Country Chart and #12 on Amazon’s Hot New Releases on Folk. It is currently at #1 on the Roots Music Report’s Country Chart! and #10 on the The Alternate Root Magazine’s Roots 66 Chart!

Joining Amanda Platt to round out The Honeycutters are Rick Cooper, alternating between upright and electric bass, accentuating the band’s delve deeper into a rock sound blending with their old-school country roots attitude. Along with drummer Josh Milligan the two create a powerful pocket and groove that locks the album together, with Milligan’s vocal harmonies complementing and enhancing Platt’s lead. The pedal steel work of Matt Smith brings unexpected rock licks on an instrument traditionally reserved for a classic country sound in tracks like “Blue Besides” and “Only Eyes”. Smith also shows his prowess on electric guitar with rock, and R&B flavored runs and solos like in “Golden Child”. Tal Taylor’s mandolin cuts through with bitey, bluesy notes and fierce tremolo that pushes the instrument beyond its obvious folk appeal.

On The Ropes was produced by Amanda Anne Platt and Tim Surrett and engineered and mastered by Van Atkins at Crossroads Studios in Arden, NC.

What Folks Are Saying about On The Ropes:

AmandaSolo_2016_ByLeahBeilhart_4

Amanda Anne Platt. Photo By Leah Beilhart.

“Their songwriting is first rate, their arrangements and instrumental ability in top form and with a front woman as assertive and impressive as singer Amanda Anne Platt, there’s nothing lacking in presence or execution. The songs may revolve around the need for assurance and affirmation, but clearly, Platt and her colleagues… have every contingency covered.”  –No Depression, Lee Zimmerman

 

“Pratt is a gifted songwriter and vocalist… She has an authoritative, confident voice that can be sweet, aching, and joyous, sometimes even in the same song. Pratt’s voice and the interplay of the guitar and mandolin give this band their unique complex sound – a clear-sounding mash-up of Americana, bluegrass, folk, and honky-tonk.” –Elmore, Jim Hynes

On The Ropes wonderfully showcases Platt’s dazzling songwriting skills with themes of loss, loneliness, nostalgia and getting the shit kicked out of you by love. All thirteen tracks are original material, except for a fascinating cover of Leonard Cohen’s iconic “Hallelujah”, sung in a spellbinding manner and just dripping of honeysuckle and moonshine.” That Music Mag, Jane Roser

“Amanda Anne Platt is a master songwriter, not because she finds unusual metaphors, creates cute wordplay, or buries deep psychological meaning in her lyrics, but because her songs are so effortlessly conversational. She’s like that old friend at the bar who sidles up to you real close, in your personal space, and grabs your forearm to get your attention because she really really wants to make sure you get what she’s telling you. Her songs command attention because they are so darn human you believe them.” —Americana Music Show, Calvin Powers

“On The Ropes is brimming with affecting, relatable, and on point lyrics… It’s not just Platt’s ability to tap into emotions and experiences so keenly that makes On The Ropes so special, the band’s tight musicianship brings Platt’s lyrics to new heights. Tal Taylor’s mandolin adds something special to every song as does Matt Smith’s pedal steel, dobro, and electric guitar while Rick Cooper (upright and electric bass) and Josh Milligan (drums/harmony vocal) expertly keep a precise beat.” —The Daily Country, Tara Joan

“Make no mistake, The Honeycutters are a country band in every sense of the word. They are the type of ‘country’ that has the ability to save country music radio, in the same way as Sturgill Simpson, Whitey Morgan, and Chris Stapleton. They will probably stay firmly within the Americana charts and radio promotions and do very well there, but each time I put on their album I can’t escape the heavy realization of how much country music radio needs them right now.” —Lonesone Banjo Chronicles, Brian Swenk

“While her country-flavored songs almost always tell a story, The Honeycutters’ musical approach adds a dimension to the tunes that only widens their appeal.”  —Mountain Xpress, Bill Kopp

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The Honeycutters. Photo by Leah Beilhart.

“Amanda Anne Platt doesn’t sound like everyone else. Her voice has its own sweet yet strong, recognizable ring, and the songs she writes sound like old friends, yet are new and relevant.” —Asheville Citizen Times, Carol Rifkin

 

“More fans should attach themselves to her brand of poignant songwriting and Lucinda Williams-like singing… The Honeycutters aren’t like anything on today’s country music radio. The group’s music, though, is like the country music that once blared through AM radio, complete with steel guitar and a dash of Western swing.”
Hendersonville Times News/ GoUpstate, Jason Gilmer

“This here is sawdust floor and longneck honky-tonk. North Carolina’s The Honeycutters swings gentle to and fro, with a knockout punch of steel guitar, and a rhythm section that adheres gloriously to the 2/4. This is the country music you’ve been missing. The genre’s purity gets redefined by songbird Amanda Anne Platt. It’s all around beautiful and timeless.” –Rochester City Paper, Frank De Blase

On The Ropes is a worthy successor to Me Oh My. It’s relatable and heart-breaking, buoyant and hopeful. The Honeycutters just keep getting better and it’s thrilling to hear it.” —Popshifter, Melissa Bratcher

On The Ropes shows more versatility from The Honeycutters with a bit of rock and pop influence in the production, while still keeping the songs firmly planted in country music. The songs and lyrics are richer, exploring more topics, and Platt’s vocals sound as good as ever.” —Country Perspective, Derek Hudgin

“On Ropes, Platt asks the hard questions and avoids easy answers, both lyrically and musically. The pieces are familiar ones from just about any other country bar band, the pedal steel, the mandolin and guitar with touches of ‘grass, gospel and folk. Platt’s writing keeps these in play while raising the Honeycutters above the overly familiar tricks and cliches of the crowded genre. Love lost is hardly new territory, but she writes about it from a novel place.” —KRFC’s Route and Branches, Scott Foley

“All of those sad little pop singers need to get off country radio and let the Honeycutters take it from here. When I heard this album I felt the same way I felt when I first heard Emmylou Harris and the Hot Band. There’s not much of a point to making such comparisons however, because the Honeycutters are their own band… Thank god for bands like the Honeycutters, they give me faith that a group can remain true to their vision while still writing extremely memorable songs.” —Western Free Press, Skyler Miller

“There are a lot of lines that stand out, that ring true, lyrics you can hold onto.”
Michael Doherty

“One of the best current acts to come out of Asheville is The Honeycutters, a great band ready to be discovered by the rest of America.” —Cincinnati City Beat, Derek Halsey

Song Premiere: LISTEN: The Honeycutters, “On The Ropes“ at Elmore Magazine
“On The Ropes [is] a feel good barn-burner of a song that pairs Platt’s old-school country vocals with a rollicking, danceable melody. The harmonies laced throughout recall the roots tradition the band is steeped in, but the track is a radio-ready hit, dangerously catchy and perfect for when you need a little boost.”

Song Premier: LISTEN: The Honeycutters, “Blue Besides” at The Bluegrass Situation www.thebluegrasssituation.com/read/listen-honeycutters-blue-besides

Listen in to The Honeycutters’ World Cafe appearance at http://bit.ly/TheHoneycutters_WorldCafe.

More info, tourdates and updates at www.TheHoneycutters.com, www.facebook.com/Honeycutters, and twitter.com/thehoneycutters.

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The Honeycutters, an Asheville-based American Country Roots Band,

Release 4th Studio Album, On The Ropes,
May 20, 2016 on Organic Records


A Special Vinyl Edition On The Ropes Featured as a National Release
for Record Store Week
in partnership with Select-O-Hits
on ‘Vinyl Tuesday’ April 12th


Pre-order starting April 1st at iTunes
Get the vinyl at Tower Records, Select-O-Hits, and Amazon

Tune into NPR’s World Cafe Thursday, March 31st to hear The Honeycutters → www.worldcafe.npr.org

ASHEVILLE, NC — The Honeycutters have a voice you can’t ignore; a voice of persistence, of struggle and of hope, a voice that leads the new music movement erupting out of Asheville, NC. Poised to release their 4th studio album On The Ropes May 20, 2016 on Organic Records, Nashville’s Music City Roots’ Craig Havighurst says principal songwriter and frontwoman, Amanda Anne Platt “has a voice that’s complex, sweet and aching. Even more potently, she writes songs that folks are citing as up there with the best of the field, such as Mary Gauthier and Lucinda Williams.” Along with Platt, The Honeycutters are Rick Cooper (electric and upright bass), Josh Milligan (drums and vocal harmonies), Matt Smith (pedal steel and electric guitar), and Tal Taylor (mandolin). On The Ropes was produced by Amanda Anne Platt and Tim Surrett and engineered and mastered by Van Atkins at Crossroads Studios in Arden, NC.

“Fitting in at country honky-tonks and hard-scrabble bars alike, the Honeycutters have built a reputation for high energy shows coupled with tight harmonies and wistfully delicate lyrics of longing, heartbreak, and the American experience,” writes Alan Cackett (UK).

In On The Ropes Platt continues to bring songs of heartache, yearning, and comebacks using phrases so relatable you wish you had thought of them yourself, ”Love ain’t ever black and white, it’s pink and gray and blue besides” (“Blue Besides”).

Platt’s writing is always personal. The title track, “On The Ropes,” is a rally song about coming back from hard knocks. “When I’m down for the count there’s a voice I can’t ignore,” like a continuous conversation with herself, pushing her along and encouraging her to make “something out of nothing.”

In a recent interview with David Dye of the World Cafe, Dye pointed out Platt’s string of songs with ‘love gone wrong’ themes. Her response, “Doesn’t everyone have stories of love gone wrong?” Part of Amanda’s significance as a songwriter lies in her ability to write everybody’s story and allow each listener to feel it’s theirs alone. She shares songs of love and loss, songs of struggles and fears; in “The Only Eyes” Amanda writes, “If there were an easier road that wasn’t so crooked, Honey, I hope you know I would have took it.” NPR’s World Cafe, produced by XPN in Philadelphia, brought the show to Asheville’s The Grey Eagle this February for a sold out evening of entertainment including The Honeycutters in their “Sense of Place” series. The airdate for The Honeycutters’ World Cafe segment is Thursday, March 31st during the first hour of the show.

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The Honeycutters. Photo by Leah Beilhart

The power of Amanda’s songwriting requires musicianship with the kind of edginess needed to match it, to cohesively surround the lyrics in just the right skin while still shining in their individual performances.

Alternating between upright and, new to this album, electric bass, Rick Cooper accentuates the band’s delve deeper into a rock sound blending with their old-school country roots attitude. Along with drummer Josh Milligan the two create a powerful pocket and groove that locks the album together, with Milligan’s vocal harmonies complementing and enhancing Platt’s lead. The pedal steel work of Matt Smith brings unexpected rock licks on an instrument traditionally reserved for a classic country sound in tracks like “Blue Besides” and “Only Eyes”. Smith also shows his prowess on electric guitar with rock, and R&B flavored runs and solos like in “Golden Child”. Tal Taylor’s mandolin cuts through with bitey, bluesy notes and fierce tremolo that pushes the instrument beyond its obvious folk appeal.

On The Ropes has thirteen tracks of all original material with the exception of Leonard Cohen’s “Hallelujah,” a song Amanda has been playing since before she moved to Asheville. She says, “We’ve had a number of people ask us to record our version, so here ’tis.”  Special guests on the album include Amanda’s father Mark Platt on harmonica, Jeff Collins on piano, and Jason Webb on Hammond B-3 Organ. “The Handbook” features the lovely ladies of Sweet Claudette on vocals: Dulci Ellenberger, Melissa Hyman, and Amber L. Sims.

A special vinyl edition of On the Ropes will be released April 12, 2016 on Vinyl Tuesday, as a featured national release for Record Store Week. This will include a double album released through Organic Records®’ national distribution partner Select-O-Hits. This vinyl album will be made available to independent record stores throughout the country in time for Record Store Day on April 16th. Vinyl Mastering by Scott Barnett at Crossroads Studios / Arden, NC and Jeff Powell at Take Out Vinyl, Memphis, TN.

On The Ropes builds on the critical success of The Honeycutters breakout album Me Oh My [Organic Records 2015], which appeared on over twenty “2015 Year End Lists” including nods from No Depression, “It’s the type of country music you’d play on the jukebox and take a spin on a red dirt floor” and Cleveland Scene, “an upbeat symphony of regret, redemption and resurgence.” The album was voted #3 on WNCW’s Top 100 Listeners Poll (Under Jason Isbell and Alabama Shakes), listed in NPR’s Folk Alley’s Top 50, and was one of KBCS’s “Most Played Albums of 2015.”

In their “50 Essential Albums for 2015” list, Saving Country Music writes, “Me Oh My is the 14-song testament that you sense could be the centerpiece of her career when it’s all said and done… This is a band, an album, and a songwriter that both the Americana and country world should pay greater attention to.” Me Oh My launched The Honeycutters onto the national stage, bringing along an army of fans with them. Don’t blink now, they’re coming back for more.

It has been said that overnight success is a result of long time dedication and hard work. Amanda writes, in “Golden Child,” her love letter to the music industry, “Now I don’t mind if it takes a little time, when it comes to waiting I’ve been practicing for years.”

On The Ropes – Track Listing
1. On the Ropes
2. Blue Besides
3. Golden Child
4. The Handbook
5. The Only Eyes
6. Back Row
7. Useless Memories
8. Piece of Heaven
9. Let’s Get Drunk
10. 500 Pieces
11. Ache
12. Hallelujah
13. Barmaid’s Blues

Stay tuned to www.TheHoneycutters.com for tour dates and more news about their upcoming Spring 2016 album release on Organic Records!

For news from the road, please visit www.facebook.com/Honeycutters and twitter.com/thehoneycutters.

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