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THE 4TH ANNUAL SUWANNEE SPRING REUNION MARCH 19-22, 2020
THE SPIRIT OF SUWANNEE MUSIC PARK IN LIVE OAK, FLORIDA

FEATURING
Greensky Bluegrass, Béla Fleck & The Flecktones,
Peter Rowan Free Mexican Airforce featuring Los Texmaniacs,
Donna The Buffalo, Sierra Hull, Ghost Light, Darrell Scott,
Jim Lauderdale Band, Verlon Thompson, The Duhks, Jon Stickley Trio,
Shawn Camp Band, Chatham County Line, Fireside Collective,
Tony Furtado with Luke Price and Matt Flinner
and more!

Tickets on sale atwww.suwanneespringreunion.com 
See the full schedule of music atwww.suwanneespringreunion.com/schedule/ 

LIVE OAK, FL –  Spirit of the Suwannee Music Park (SOSMP) is thrilled to host The 4th Annual Suwannee Spring Reunion Thursday through Sunday, March 19-22 at SOSMP in Live Oak, FL. Folks of all ages will make plans to gather during the forefront of spring at this gorgeous park and its mossy live oak laden grounds for this beloved festival tradition that features a range of music genres rooted in original music – Americana: Bluegrass, Newgrass, Folk, Singer/Songwriter, Blues, and more. Literally something for everyone!

The lineup features Greensky Bluegrass, Béla Fleck & The Flecktones, Peter Rowan Free Mexican Airforce featuring Los Texmaniacs, Donna The Buffalo, Sierra Hull, Ghost Light, Darrell Scott, Jim Lauderdale Band, Verlon Thompson, The Duhks, Jon Stickley Trio, Shawn Camp Band, Chatham County Line, Fireside Collective, Tony Furtado with Luke Price and Matt Flinner, and more!
See the full schedule of music at → https://suwanneespringreunion.com/schedule/.

For four days and nights this family-friendly festival is home to early morning sing-a-longs and night time musical pyrotechnics from the park’s stellar cast of alumni and new favorites. There will be music on four stages and Suwannee Spring Reunion attendees will also enjoy music in the campground with jamming at Slopryland and the Bill Monroe Shrine as well as camp pickin’ parties. 

Thursday night is going to be a blast with Blueground Undergrass hitting the main Amphitheatre Stage at 8:30pm just after a set by Verlon Thompson on the Porch Stage. Jon Stickley Trio follows Blueground alternating back to the Porch and then The Grass Is Dead closes out the Amphitheater Stage for the night. Music begins for the day kicking off with Quartermoon at 3pm and also includes performances by Roy Book Binder, Nikki Talley & Jason Sharp, and Brett Bass & Melted Plectrum

Greensky Bluegrass headlines Friday night, bookended by sets with Peter Rowan and Free Mexican Airforce and Jon Stickley Trio on the Amphitheater Stage. The Duhks play just before Greensky on the Porch Stage and Donna the Buffalo closes out the Porch following Greensky’s set. Other Friday performances include Ghost Light, Chatham County Line, Fireside Collective, Verlon Thomspon, The Tania Elizabeth Experience, and more. The Music Hall Indoor Stage also kicks off on Friday and includes sets by Applebutter Express, Nation of Two, and a special Banjo workshop with Leonard Podolak, Rev Jeff Mosier, and Tony Furtado

Bela Fleck and the Flecktones are the Saturday night headliners, bookended by Donna the Buffalo and a special all-star Suwanee Reunion Jam on the Amphitheatre Stage. Sierra Hull plays the Porch just before The Flecktones and Fireside Collective closes out The Porch Stage for the night. Other Saturday sets include performances by Darrell Scott, Jim Lauderdale, Shawn Camp Band, Songs From The Road Band, Tony Furtado Trio, The Grass Is Dead, Adventures of Annabelle Lyn, Two Foot Level, Nicholas Edward Williams, Ukelyptus, Habanero Honeys, and more.

Vassar Sunday is always a special day for Suwannee Spring Reunion and as tradition holds, Donna the Buffalo will close out the festival and bring out a ton of special guest performers that have played throughout the weekend! Jim Lauderdale, Sierra Hull, Peter Rowan, Rev Jeff Mosier, Verlon Thomspon, and Nikki Talley all perform again as well.

The Old Florida Stage will also feature Contra Dance music and instruction Thursday – Saturday with The Dunehoppers and The Hungry Monks with Andy Kane doing the calling.

A variety of performers will be hosting special hands-on workshops on Music Farmers Stage Friday and Saturday including a Banjo Workshop with Rev Jeff Mosier, Fiddle Instruction with Scott Walker & Holly Riley, Songs and Stories with Nikki Talley & Jason Sharp, Hambone Workshop with Leonard Podolak, Mandolin with Matt Flinner, Flat Pick Guitar Workshop with Brett Bass, Roy Book Binder Hands on Blues Guitar Workshop, Songwriting with Lee Hunter, Joey Kerr, & Annie Wenz, and more.

Placing a strong emphasis on embracing the traditions that have made the park a national treasure, there will be a wide array of arts & crafts as well as an array of culinary delights ranging from healthy to decadent in the Vending Village. The park itself is a place where kids of all ages can remember why they fell in love with the magic mixture of sights, sounds, and sensations that constitutes a weekend of paradise that is the Spirit of the Suwannee Music Park.

SOSMP is located between Jacksonville, Florida & Tallahassee, Florida about 30 minutes south of the Georgia State line, about 45 minutes north of Gainesville and is host to a variety of events.

Tickets are on sale now. See details at www.suwanneespringreunion.com/Tickets/.

Suwannee Spring Reunion 2020 Lineup
Greensky Bluegrass
Béla Fleck & The Flecktones
Peter Rowan Free Mexican Airforce featuring Los Texmaniacs
Donna The Buffalo
Sierra Hull
Ghost Light
Darrell Scott
Jim Lauderdale Band
Verlon Thompson
The Duhks
Jon Stickley Trio
Shawn Camp Band
Chatham County Line
Fireside Collective
Tony Furtado Trio
Roy Book Binder
Rev. Jeff Mosier
Blueground Undergrass
The Grass Is Dead
Songs From The Road Band
Nation of Two
The Tania Elizabeth Experiment
Nikki Talley & Jason Sharp
Ukelyptus
Brett Bass & Melted Plectrum
The Adventures of Annabelle Lyn
Two Foot Level
Nicholas Edward Williams
Applebutter Express
Firewater Tent Revival
Quartermoon
Sloppy Joe
Habanero Honeys
The Hungry Monks
The Walker Brothers
The Dunehoppers
Tania & The Magic Moon Traveling Circus

For more information, tickets, and to reserve camping, please visit www.suwanneespringreunion.com.

 

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Chicago Farmer’s Flyover Country Featuring The Band of Heathens
Is Making Waves on the Americana And Folk Radio Charts

Currently at #18 on the Americana Radio Albums Chart
#9 on the NACC Folk Radio Chart

“All In One Place” is at #33 on the AMA Radio Singles Chart

Available now at → https://chicagofarmer.hearnow.com/flyover-country 

BLOOMINGTON, IL — Illinois-based Cody “Chicago Farmer” Diekhof paired up with Texas’ The Band of Heathens for Flyover Country, independently released February 7. With DJs across the country spinning many of the songs from the album, it is climbing up the Americana and Folk radio charts in an increasingly competitive landscape. In the past few  weeks the album shot up to #18 after debuting at #33 on the Americana Radio Albums Chart and is currently at #9 on the NACC Folk Radio Chart.

Chicago Farmer_LP front cover_low-resThe current single, “All In One Place,” is a humorous look at the sad truth about making money in the music business is on the rise and currently at #33 on the Americana Singles Chart. American Songwriter Magazine says, “This tale of high hopes and low returns [is] an outlaw country number that resounds with heart and humor.”

Chicago Farmer is known for his clever and heartfelt songwriting and unique voice. Through all the songs on Flyover Country — and most Chicago Farmer songs, for that matter —runs a common thread, a love and respect for regular folks, those who might be overlooked and underappreciated. He is a champion of the Midwest and the working class. “A lot of my friends are just getting by day-to-day,” Diekhoff said. “We keep at it, we keep working hard. Hopefully, eventually, things will turn around.”

Kind Words about Chicago Farmer & Flyover Country

a continuation of what the Delavan, Illinois, native does best — clever and heartfelt songwriting that looks at the fabric of the Midwest.”
Chicago Sun Times, Mary Houlihan

“… with Flyover Country, his sixth solo effort to date, he opts to make a bigger noise, thanks to an album that finds this midwest native teaming with the formidable Texas ensemble, Band of Heathens. The music still retains its intimacy and introspection, but given the Heathens’ backing there’s also an added sense of grit and determination…  Consequently, the possibility of wider recognition becomes a more likely possibility with Flyover Country, a set of freewheeling songs clearly spawned from a populist perspective.”
Goldmine, Lee Zimmerman

“His trademark appeal is his ability to sing about the regular person, the working person, in a relatable way… No doubt, Chicago Farmer has a serious outlook, but he wants listeners to have fun listening to these tales, spike with humor in places and this time around, bolstered by a terrific band.”
Elmore Magazine, Jim Hynes

“Chicago Farmer has spent the last two decades writing and performing as a solo artist, but in The Band of Heathens… Diehkoff found natural collaborators.”
American Songwriter, Matt Wallock

“This album shows both Diekhoff’s ability to spin a tale and to write songs that get people to sing along. It also shows how well he is able to evoke emotions – whether it’s a song that makes you laugh or a song that hits you right in the heart. Beyond all that, you realize that his is a style that will endure in a world where music has seemingly become disposable.”
Americana Highways, Gary Schwind

Putting his solo troubadour days behind him (after a run of solo dates opening for Todd Snider in January), at least for a while, with Flyover Country’s release, Diekhoff is on the road with a band, performing as Chicago Farmer and The Fieldnotes which includes Jaik Willis, Cody Jensen, & Cosmic Charlie Harris.

Chicago Farmer Tour Dates

All Shows with The Full Band, The Fieldnotes, Unless Otherwise Noted:
2/27 Thu – Natalie’s Coal Fired Pizza – Worthington, OH
2/28 Fri – Southgate House – Newport, KY
2/29 Sat – Duke’s Indy – Indianapolis, IN
3/6 Fri – Redstone Room @ River Music Experience – Davenport, IA
3/7 Sat – Vaudeville Mews – Des Moines, IA
3/8 Sun – World Theater – Kearney, NE
3/12 Thu – Magic Rat – Fort Collins, CO
3/13 Fri – The Walnut Room – Denver, CO
3/14 Sat – Western Jubilee – Colorado Springs, CO
3/27 Fri – Inside Out – Gilman, IL *solo show
4/2 Thu – Music Box Supper Club – Cleveland, OH
4/3 Fri – Sportsmens Tavern – Buffalo, NY
4/4 Sat – Moondogs Pittsburgh, PA
4/6 Mon – Woodsongs Radio Hour – Lexington, KY
4/10 Fri – Founders Brewing Co – Grand Rapids, MI
4/11 Sat – The Livery – Harbor, MI
4/16 Thu – Rose Music Hall – Columbia, MO
4/17 Fri – Kenny’s Westside Pub – Peoria, IL
4/18 Sat – The Venue – Aurora, IL
4/23 Thu – Crossroads Music Fest Seymour, IN
4/24-25 Fri-Sat – Rose Bowl Tavern – Urbana, IL
5/21 Thu – The Ark – Ann Arbor, MI
5/22-5/24 Fri-Sun – Summer Camp Music Festival – Chillicothe, IL
6/5 Fri – Knuckleheads – Kansas City, MO
6/6 Sat – Brew Skies Music Festival – Hannibal, MO
5/28-29 Thu-Fri – John Hartford Memorial Fest – Bean Blossom, IN
6/19 Fri – Moccasin Creek Festival – Effingham, IL
6/27 Sat – Private Event – Wilmington, IL
8/7 Fri – Rock the Farm @ Mackinaw Valley Winery – Mackinaw, IL
8/8 Sat – People Fest – Hillsboro, WI

Further information and tour dates can be found at www.chicagofarmer.com, www.facebook.com/chicagofarmer, instagram.com/chicagofarmermusic, and twitter.com/chicagofarmer.

 

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Bill Scorzari Releases His 3rd Studio Album, Now I’m Free, September 20, 2019

Produced by Neilson Hubbard at Skinny Elephant Recording,With Performances by Erin Rae, Will Kimbrough, Eamon McLoughlin, Michael Rinne

Out Now →   https://nowimfree.hearnow.com

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Huntington, NY —  With a raw and gritty sound, along with a stellar ear for lyrics and composition, New York native Bill Scorzari independently releases his third full-length album of all original music, Now I’m Free, on September 20. Produced by Neilson Hubbard (Orphan Brigade), Now I’m Free was recorded and mixed by engineer Dylan Alldredge at Skinny Elephant Recording in Inglewood, TN and mastered by Jim DeMain at Yes Master Studios.

Hubbard says, “Bill tears himself open on these 15 songs and leaves it all out there in plain sight. He is an open book delivering a record of astonishing intimacy… and the gravel and whispers in his voice carry a true knockout punch.”

Scorzari’s songs transition through a multitude of emotions centered on the experiences of the human condition and are, at times, downright sad. Of his music, some say it’s spoken word, and others, an amalgam of the voice of Tom Waits, the delivery of Sam Baker, and the soul of Kris Kristofferson. In his lyrics, there is a poetic grace, a calming and resigned wisdom of acceptance that shines through the wistful melancholy of hope, and breaks free. 

Bill says of the record, “During the past three years and beyond, I found myself in a place that demanded prolonged introspection and profound healing to be able to navigate through and journey past. This record is a journal of some of the lessons and discoveries that I’ve encountered along the way.”

Kind Words About Now I’m Free:

delicately nuanced” with “detailed arrangements”
Billboard, Gary Graff, Exclusive Interview and Full Album Stream

“There are poets, there are songwriters, there are painters of fine art, and there’s Bill Scorzari. The new album, Now I’m Free is a bold and delicate balance of each. To say it is a thing of beauty is an understatement… To compare Now I’m Free to the other albums released at this time would be unfair to the industry. Perhaps Dylan or Townes could go toe to toe, but my money’s on Scorzari. He makes me want to be a better writer. His writing is vivid and succinct.” —Making A Scene!, Viola Krouse

There may be a handful of songwriters as good as Scorzari but no one else could deliver these stunning songs. It’s even deeper and every bit as good as his last one. Bigger names will get more recognition but Scorzari’s getting there. He did play the Newport Folk Festival this year. He has my vote for Americana Album of the Year.” —Glide, Jim Hynes

This new album simply blows me away… you might want to think about Tom Waits a little, but better… The thing that impresses me is, of course, is the fact that [Bill’s] voice is very distinctive, there is no question about the fact, that if someone hears this, hears this music, hears your new album, they are gonna know: this is Bill Scorzari, because there’s not many people that have this voice and evoke this kind of emotion.
Mostly Folk, WIOX Catskills Cafe, Artie Martello

Bill says “I could feel some of the old 1970s ‘country rock’ (Marshall Tucker Band, Charlie Daniels Band…) influences from my youth welling up and flowing out and that made writing this song a whole lot of fun.”
The Bluegrass Situation premiered the uptempo “Treat Me Kind”

“A stunning work. Bill’s poetic lyrics are a frozen rope to the heart.”
Podcast interview on The Marinade with Jason Earle

“With a somber musical style and a hushed, gritty vocal that rises like the morning mist to mingle with Erin Rae’s grounded tones, ‘It All Matters’ is just outright pretty. Now I’m Free should be nominated for awards this year with its depth of grace and innovative tones; Scorzari taps into a nexus between the familiar and the uncanny.”
Americana Highways Song Premiere of “It All Matters,” Melissa Clarke

“Like the songs on his last CD… the ones here are all original, deeply personal and affecting; and Scorzari’s earthy vocals, which are just a bit less sandpapery than Dave Van Ronk’s, drive them home. With any luck, this guy is going places, and chances are, you’ll want to follow along for the ride.”  
The Morton Report, Americana Highways, Jeff Burger

Like singer-songwriters, Kris Kristofferson, Leonard Cohen, and Tom Waits, Bill’s raspy baritone snarls, hisses, and whispers through his heartfelt lyrics. Sometimes leaving the melody and just speaking the words, he comes off like a modern-day Rod McKuen, sweeping us up in his narratives and wringing out their plaintive content.
WTCA 106.1 FM & 1050 AM, South Bend Tribune, Kathy Bottorf

“Fans of Bob Dylan, Leonard Cohen, Neil Young and anyone who likes quality song writing will dig this” Live Music News and Review, Phil Simon

“A superb singer/songwriter with an outlaw rasp and a heavy-hearted soul”
The Ripple Effect

“Wonderfully gruff and oozing with emotion and raw honesty.”
Listening Through The Lens, Rob Dickens

Singer-songwriter Bill Scorzari skates in the ether with a sort of Ry Cooder ambient dream. But his voice is absolutely of the earth with its whiskey-borne rasp. Scorzari sings in the folk tradition of those who aren’t afraid to jerk a few tears but doesn’t mask his intentions or pull any punches. Sometimes the man gets mean.”
Rochester City Newspaper, Frank De Blase

______________________________________

More about Bill Scorzari and Now I’m Free:

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Bill Scorzari. Photo by Jim Marchese

The album was performed live in the studio by Scorzari and a long list of critically acclaimed and otherwise notable musicians including, Hubbard on drums/percussion and piano, multi-instrumentalist Will Kimbrough, vocalist Erin Rae (Americana Music Association nominee for Best Emerging Artist of 2019), fiddler/strings Eamon McGloughlin (AMA nominee for Best Instrumentalist of 2019), upright and electric bass player Michael Rinne (AMA nominee for Best Instrumentalist of 2019), Brent Burke on Dobro, Juan Solorzano on electric guitar and lap steel, lap steel player and vocalist Megan McCormick, Greg Krockta on harmonica, and vocalist Mia Rose Lynne.

Throughout the entire album, Bill’s authenticity as a songwriter moves you through his music breath by breath. Profound and poetic, Scorzari’s emotionally charged and introspective compositions are sung with a knowing tenderness of heart. 

Bill transformed his life at a later age from being a New York trial lawyer turned full-time musician. In 2008, he stumbled upon a Live-at-Paste recording of Justin Townes Earle performing “Mama’s Eyes.” The song resonated within his soul and sparked the kind of life-altering moment that you hear a person speak of, that singular moment when everything changed. Although he picked up his first guitar at just 8 years old, it wasn’t until 2011 that he was able to give his artistry the attention it deserves. 

The passing of Bill’s father and role-model, whose footsteps he had followed into the practice of law, marked a time of profound change and opened a new chapter – one that required a giant leap towards pursuing a passion that had long been tucked away in Bill’s heart. Bill put out his first album, Just the Same, in 2014, followed by Through These Waves (produced by Jonah Tolchin) in 2017. The three albums (and their titles) that he created thereafter, represent the narrative and catharsis of his journey: past, present and future.

The success of his first two records allowed Bill to share stages with Sarah Jarosz, Sam Outlaw, The Dustbowl Revival, Tall Tall Trees, Seldom Scene, Billy Strings, Frank Fairfield, Tom Marion, Zak Sokolow, Jonah Tolchin, Jenni Lyn Gardner (Della Mae), Jeff Scroggins and Colorado, Twisted Pine, Whiskey Myers, Big Country, and others. In July of 2019, Bill became “One of the folk,” with his inaugural performance at the Newport Folk Festival.

This third installment in his discography, Now I’m Free, offers a deeper and unguarded look into Scorzari’s soul, weathered and bared, and rooted in the present moment while moving freely into the unspoken promises of the future.

For more information, up-dates and news, please visit www.billscorzari.com, www.facebook.com/billscorzari, www.twitter.com/BillScorzari, and www.instagram.com/billscorzari.

Now I’m Free Track Listing:

  1. Into the Light of the Day (5:07)
  2. Over Again (4:40)
  3. Now I’m Free (3:44)
  4. It All Matters (4:35)
  5. One More Time (4:07)
  6. When Will My Time Come Along (3:58) 
  7. Treat Me Kind (3:23)
  8. San Miguel County (4:36)
  9. It’s Just What I Know (4:47)
  10. Steel Wheels (4:48)
  11. You’re Gonna Miss Me When I’m Gone (2:59)
  12. Yes I Will (10:51)
  13. Cypress Tree (3:37)
  14. Don’t You Ever Go Away From Me (4:20)
  15. New Mexico (I to Mine) (7:20)

PERFORMANCE CREDITS BY MUSICIAN
Bill Scorzari: Vocals and Acoustic Guitar
Erin Rae: Harmony Vocal (Track 4)
Mia Rose Lynne: Harmony Vocals (Tracks 2, 14)
Will Kimbrough: Electric Guitar (Tracks 5, 7, 10, 15), Slide Guitar (Track 7), Mandolin (Track 11), Cigar Box Guitar (Track 14), Piano (Track 5)
Juan Solorzano: Electric Guitar (Tracks 1, 4, 7, 9, 10, 12), Lap Steel Guitar (Tracks 2, 8, 9, 11), 2nd Acoustic Guitar (Tracks 4, 15)
Megan McCormick: Lap steel (Tracks 1, 3, 4, 6, 13), Harmony Vocal (Track 6)
Brent Burke: Dobro
Greg Krockta: Harmonica
Michael Rinne: Upright Bass & Electric Bass
Neilson Hubbard: Drums/Percussion, Piano (Track 14)

All songs, lyrics and music written, arranged and performed by Bill Scorzari

For more information, up-dates and news, please visit www.billscorzari.com, www.facebook.com/billscorzari, www.twitter.com/BillScorzari, and www.instagram.com/billscorzari

 

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The 3rd Annual Suwannee Spring Reunion March 21-24, 2019
Spirit of the Suwannee Music Park in Live Oak, FL

Additions to Round Out Final Lineup Include:
Marty Stuart and His Fabulous Superlatives, Chatham County Line, Joe Craven & Hattie Craven, Shawn Camp Band, Daddy (Will Kimbrough & Tommy Womack), and more!

Artists Already Announced Include:
Steep Canyon Rangers, Billy Strings, Donna The Buffalo, Larry Keel Experience, Jim Lauderdale, Verlon Thompson, The Grass Is Dead,  Jon Stickley Trio ...

Tickets on sale atwww.suwanneespringreunion.com/Tickets  

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Marty Stuart and His Fabulous Superlatives

LIVE OAK, FL – As spring approaches, the excitement builds as folks of all ages make plans to gather at the Spirit of the Suwannee Music Park in Live Oak, Florida to continue a beloved festival tradition that features a range of music genres rooted in original music – Americana: Bluegrass, Newgrass, Folk, Singer/Songwriter, Blues, and more. Literally something for everyone! The gorgeous park with its mossy live oak laden grounds host the 3rd Annual Suwannee Spring Reunion, taking place Thursday through Sunday, March 21-24, 2019.

The Suwannee Spring Reunion adds a batch of artists to round out the final lineup for 2019 including Marty Stuart and His Fabulous Superlatives, Chatham County Line, Joe Craven & Hattie Craven, Daddy (Will Kimbrough & Tommy Womack), Shawn Camp Band, Cicada Rhythm, Balkun Brothers, and Artists At Large: Brett Bass and Nicholas Edwards Williams.

They will join the stellar acts already announced which include Steep Canyon Rangers, Billy Strings, Donna The Buffalo, Larry Keel Experience, Jim Lauderdale, Verlon Thompson, The Grass Is Dead, Jon Stickley Trio, Town Mountain, Rev. Jeff Mosier, The Mammals, Roy Book Binder, Pigeon Kings, Nora Jane Struthers, Ralph Roddenbery, TKO featuring Duke Bardwell, Nikki Talley, The Adventures of Annabelle Lyn, Quartermoon, Sloppy Joe, Habanero Honeys, Jeff Bradley – Comedy + Cool Stuff, and Tania & Magic Moon Traveling Circus.

Due to unforeseen circumstances Peter Rowan will not be able to perform this year as previously announced. He is sad to miss it, but excited to let you know that he will be performing at the sister festival, Suwannee Roots Revival, this October.

Most of these artists bring with them storied histories of epic Suwannee performances! “This festival truly is a reunion. Most of the artists have played here before and are part of our Festival Family,” says Festival Director Beth Judy. “It feels like coming home to the artists and the festival community. Even those attending for the first time, whether artist or festival patron, are welcomed into our community and feel a part of something special. Special and more fun than they’ve had lately – maybe ever! It truly is something you have to experience to believe.”

Matching the history on the stage, long time festival creators Beth Judy and Randy Judy, along with an amazing staff, are partnering with the Spirit of the Suwannee to make sure that every piece needed is in place to make an epic weekend of music and fun.

Once again the beloved tree-lined amphitheater is home to early morning sing-a-longs and night time musical pyrotechnics from the park’s stellar cast of alumni and new favorites. There will be music on four stages including the Amphitheater, Porch, Music Hall, and Music Farmers Stages. Suwannee Spring Reunion attendees will also enjoy music in the campground with jamming at Slopryland and the Bill Monroe Shrine as well as camp pickin’ parties.

Hands-on and performance workshops will be held throughout the weekend with a variety of artists set to perform.  Expect to get professional instruction at the hands on workshops and some out of the ordinary intimate musical experience from the different presentations.

Placing a strong emphasis on embracing the traditions that have made the park a national treasure, there will be a wide array of arts & crafts as well as an array of culinary delights ranging from healthy to decadent in the Vending Village. The park itself is a place where kids of all ages can remember why they fell in love with the magic mixture of sights, sounds, and sensations that constitutes a weekend of paradise that is the Spirit of the Suwannee Music Park.

Tickets are on sale now at www.suwanneespringreunion.com/tickets/. Suwannee Spring Reunion offers a multi-day Weekend Ticket that includes festival admission for four days of music, as well as primitive camping on Thursday, Friday, Saturday, and Sunday nights. Current Tickets Rates are $145; Students and military with a valid ID are $130. Get your tickets now before they rise to the next pricing tier on Monday, February 25th. Children 12 and under are free if accompanied by a parent or legal guardian. Single Day Tickets will be available at the Gate only. Please note, Single Day Tickets do not include primitive camping.

SOSMP is located between Jacksonville, Florida & Tallahassee, Florida about 30 minutes south of the Georgia State line, about 45 minutes north of Gainesville and is host to a variety of events.

Suwannee Spring Reunion 2019 Final Lineup (New additions in Bold)
Marty Stuart and His Fabulous Superlatives
Steep Canyon Rangers
Billy Strings
Donna The Buffalo
Larry Keel Experience
Chatham County Line
Jim Lauderdale
Verlon Thompson
Shawn Camp Band
The Grass Is Dead
Jon Stickley Trio
Town Mountain
Joe Craven & Hattie Craven
Rev. Jeff Mosier
Daddy (Will Kimbrough & Tommy Womack)
The Mammals
Pigeon Kings
Roy Book Binder  
Nikki Talley
Nora Jane Struthers
Ralph Roddenbery
TKO featuring Duke Bardwell
Cicada Rhythm
Balkun Brothers
Quartermoon
Sloppy Joe
Habanero Honeys
The Adventures of Annabelle Lyn
Artists At Large: Brett Bass and Nicholas Edwards Williams
Jeff Bradley – Comedy + Cool Stuff
Tania & Magic Moon Traveling Circus

For more information, tickets, and to reserve camping, please visit www.suwanneespringreunion.com.

 

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Reed Foehl Releases 5th Studio Album,
Lucky Enough, Feb 1, 2019

Recorded in Austin, TX with The Band of Heathens
Co-Produced by Reed Foehl with Gordy Quist and Ed Jurdi


Available Now On All Outlets to Stream and Purchase → http://hyperurl.co/3xm6td

POWNAL, VT — With the Feb. 1, 2019, release of Reed Foehl’s fifth solo album, Lucky Enough, fans will get a dose of powerful medicine, a cathartic collection of 10 songs that Foehl recorded with help from a mighty musical force, The Band of Heathens, at their Finishing School studio in Austin, Texas. It’s an album that will undoubtedly solidify his standing as one of the most compelling and vital Americana artists around.

On Lucky Enough, Foehl touches on a range of Americana styles, all with emotionally charged lyrics and can’t-get-out-of-your-head choruses, from somber folk elegies and gospel-tinged tunes to barroom country singalongs and jaunty calypso-flavored, country-infused pop. These are deeply personal songs for Foehl, and while they were written during some dark days, there’s a sense of optimism and gratitude, an overriding feeling that the hope outshines the heartbreak.

Lucky Enough is dedicated to the memory of Foehl’s mother — “the Queen of Everything” — and a keen sense of loss flavors the album. But there’s also a sense of hope, of forward momentum, change and a celebration of love, including not just the romantic variety but the kind a guy has for the oldest of old friends. For Foehl, creating Lucky Enough with The Band of Heathens has been a cathartic process. “If I can help myself, maybe I can help others,” he says. “You’ve got to keep moving forward. I think that’s the important thing. Live to fight another day.”

What People Are Saying:

“Certain songwriters have an innate gift for infectious songs that just linger for days on end. Reed Foehl is one of them. Each song on his fifth album, Lucky Enough, tells a story in his quietly understated way that somehow results in powerful imagery and emotions… This is as good as songwriting gets. Foehl’s lyrics are often astonishing and his relaxed, comforting approach works wonders.” —Glide, Jim Hynes

“His voice—smooth, companionable, and flavoured with a touch of palatable wisdom—is the first thing one is likely to notice. But the songs are masterfully constructed, some poetic and symbolic, most situational explorations brought to fruition with elegantly nuanced instrumentation… ‘Stealing Starlight’ and ‘American Miles’—both expansive, grandly produced three-minute epics, worthy entertainment for listeners who appreciate Josh Ritter, Fleet Foxes, or Vance Joy.” Fervor Coulee, Donald Teplyske

The Bluegrass Situation premiered “Stealing Starlight”

“Reed Foehl’s excellent album Lucky Enough takes the listener on an existential journey to fill life’s holes. Written at an impossibly difficult time in Foehl’s life, while he was caring for his mother who was battling cancer, Foehl would be understood for writing a melancholy record. Lucky Enough ducks expectation. It does not feel melancholy. It feels settled. Not resigned, but at peace with life’s challenges and tribulations.” The Marinade with Jason Earle, Listen in to a Podcast Interview

“Reed has the ability to transport the soul, a true master. One of the great songwriters of our time.” —Gregory Alan Isakov. Isakov co-wrote the debut track, “American Miles,” a road song that was inspired by traveling and the great american landscape. Glide Magazine premiered “American Miles”

“Reed Foehl is like a brother to me, we’ve traveled a lot of miles on the road together, and I don’t think they make better singer-songwriters than him.” —Todd Snider  

“He starts out with the gentle strumming ‘Stealing Starlight’ and the quiet acoustics of ‘American Miles,’ which just excels into the beautiful landscape that Reed paints with his words. He begins to pick the tempo up with the steady rhythm of ‘If It Rains’ and ‘He’s On An Island,’ but sandwiched in-between is the piano ballad ‘Carousel Horses.’ Reed Foehl finishes up his new album with the pop/folk tone of ‘Wish I Knew’ and wonderfully, emotion-filled ‘Color Me In.’” JP’s Music Blog, Jim Pasinski

“I fell for this album just a few moments into its first track, ‘Stealing Starlight.’ There is something so sad and yet oddly comforting in Reed Foehl’s vocal delivery that worked on me immediately and pulled me in, so that I wanted to pay closer attention to every word, to see what this voice had to tell me.”
Michael’s Music Log, Michael Doherty

“Reed Foehl is a familiar voice in the wilderness calling you home.  His songs are part New England Folklore, told around an old wood stove in the midst of a winter’s blizzard and part Southern Charm, warm and inviting, like the spring breeze that welcome the magnolia blossoms.” —Ed Jurdi, The Band of Heathens

“Reed’s songs hit you in the heart, and everything else falls away” —Anais Mitchell

reed guitar hi res photo_ByKateDrewMiller

Reed Foehl. Photo By Kate Drew Miller

More About Reed Foehl & Lucky Enough:

Foehl certainly took an unexpected route in getting to Lucky Enough. Then again, he says, “I’ve always done things very unconventionally.”

A New England native who had long lived in Colorado, Foehl was making a big move, heading to Nashville to continue his craft as an artist and a songwriter. That made sense after co-writing the leadoff song (“Fly”) with up-and-coming country singer/songwriter Brent Cobb on Lee Ann Womack’s 2014 GRAMMY nominated album, The Way I’m Livin’.

On the way, he got a call from his mother, Linda. She had lymphoma, and she needed him. He didn’t hesitate, ditching his fully loaded car in Nashville and flying straight home to Massachusetts. “It put in perspective what life’s about,” he says. “This was important, definitely more than any of these records I’ve made.”

While he cared for his mother, Foehl kept at his songwriting, thanks to the sponsorship of a longtime friend and hockey teammate. Keeping the creative flames burning was vital. “It’s not just what I do, it’s who I am. I’m writing songs so people can hear them and so I can be OK. That’s really the gist of it,” he says.

After Foehl lost his mother in July 2017, he knew he had to keep moving forward and started thinking about recording an album. Although he launched his solo career with the release of Spark in 2001, he played in bands for years, notably fronting Acoustic Junction and then as a charter member of Great American Taxi. For his fifth solo album, he thought, why not go into the studio with a full-fledged band? “With all my records. I like to take leaps and chances and want to try different things,” he says. “I said, ‘What about doing it with The Band of Heathens?’”

Foehl had toured as an opener with The Band of Heathens, and he knew and loved their tones and sound and how they worked together. The Heathens, for their part, had really hit it off with Foehl on tour and were primed to help him make an album. “We really dug his stuff and felt like it would be a good match,” said Ed Jurdi, who co-produced Lucky Enough with Foehl and fellow Heathen Gordy Quist, with both Jurdi and Quist adding guitars and vocals on the album. “What I felt our job was, was to put him in a position where he could do his thing, just really make him comfortable. The record is about Reed and his songs, so how do we elevate that by adding what we can do? The idea as a producer is to both create a record the artist likes and making an album that the artist didn’t know they could make.”

The great thing about the Heathens, Foehl says, is they always knew when to hold back and when to let it rip, deftly embellishing the 10 songs on Lucky Enough. “They are very much chameleon-like,” Foehl said of the Heathens, “capable and talented enough to adapt and play any style of music.”

Foehl’s solo career has been bookended by loss, losing his father, Billy, in 2001 around the time Spark came out and then his mother preceding Lucky Enough, with three albums in between — 2007’s Stoned Beautiful, 2009’s Once an Ocean and 2014’s Lost in the West. Growing up in Dover, Mass., his parents were a huge influence for Foehl, filling the house with John Prine music and playing for decades together in a bluegrass/country band called The Centre Streeters. His parents encouraged him in his musical passion, regularly taking him to Boston, where he cut his teeth as a performer, busking at the Faneuil Hall Marketplace at the tender age of 11.

ReedFoehl_LuckyEnough_back.jpgLucky Enough Track Listing
1. Stealing Starlight (3:33)
2. American Miles (3:22)
3. If It Rains (4:48)
4. Takes a Long Time to Make Old Friends (3:18)
5. Carousel Horses (3:00)
6. He’s on an Island (3:26)
7. Running Out of You (3:46)
8. Wish I Knew (2:36)
9. Hello My Dear (4:12)
10. Color Me In (3:28)

Reed Foehl – lead vocals and acoustic guitar
Gordy Quist – guitars, background vocals
Ed Jurdi – guitars, background vocals
Trevor Nealon – keyboards, background vocals
Jesse Wilson – bass guitar, background vocals
Richard Millsap – drums, background vocals
Geoff Queen – pedal steel

Engineered and mixed by Steve Christensen
Mastered by Fred Kevorkian
Green Mountain Records

Reed Foehl On Tour Supporting Todd Snider!
3/13 Wed – The Gramercy Theatre – New York, NY
3/14 Thu – Ardmore Music Hall – Ardmore, PA
3/15 Fri – The Sinclair – Cambridge, MA
3/17 Sun – Infinity Music Hall & Bistro – Hartford, CT
3/18 Mon – The Birchmere – Alexandria, VA
3/20 Wed- The Beacon Theater – Hopewell, VA
3/22 Fri – Lincoln Theater – Raleigh, NC
3/23 Sat – The Ramkat – Winston-Salem, NC
3/24 Sun – The Orange Peel – Asheville, NC
5/2 Thu – The Jefferson Theater – Charlottesville, VA
5/3 Fri – The Rex Theater – Pittsburgh, PA
5/4 Sat – Rams Head On Stage – Annapolis, MD

For more information and updates, please visit www.reedfoehlmusic.com, www.facebook.com/ReedFoehl, www.twitter.com/reedfoehl, and www.instagram.com/reedfoehl.

 

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ReedFoehl_LuckyEnough_13x13_cover

Reed Foehl To Release 5th Studio Album, Lucky Enough, Feb 1, 2019

Recorded in Austin, TX with The Band of Heathens
Co-Produced by Reed Foehl with Gordy Quist and Ed Jurdi

On Tour with Todd Snider in March!


POWNAL, VT —
With the Feb. 1, 2019, release of Reed Foehl’s fifth solo album, Lucky Enough, fans will get a dose of powerful medicine, a cathartic collection of 10 songs that Foehl recorded with help from a mighty musical force, The Band of Heathens, at their Finishing School studio in Austin, Texas. It’s an album that will undoubtedly solidify his standing as one of the most compelling and vital Americana artists around.

Other artists have long sung the praises of Foehl. As fellow songwriter Gregory Alan Isakov notes, “Reed has the ability to transport the soul, a true master. One of the great songwriters of our time.”

Isakov co-wrote the debut track, “American Miles,” a road song that was inspired by traveling and the great american landscape. Glide Magazine premiered the song and writes, “…the vocals in the beginning immediately conjure images of staring out the window of a car as it cruises along a lonesome highway at sunrise. Foehl keeps the instrumentation sparse, letting a lightly picked acoustic and the quiet thumb of a drum create the groove while the occasional flourish of a piano and a tambourine. His vocals have a dreamy folk quality that reflects the quietly reflective lyrics.”

Listen to “American Miles”→ http://bit.ly/AmericanMiles_GlidePremiere.

Todd Snider, whom Foehl will be touring with in March 2019, says, “Reed Foehl is like a brother to me. We’ve had a lot of miles on the road together, and I don’t think they make better singer-songwriters than him.”

Ed Jurdi of The Band of Heathens, a fellow native of Massachusetts, was downright poetic in his expression of admiration for Foehl, “Reed Foehl is a familiar voice in the wilderness calling you home. His songs are part New England folklore, told around an old wood stove in the midst of a winter’s blizzard and part Southern charm, warm and inviting, like the spring breeze that welcome the magnolia blossoms.”

On Lucky Enough, Foehl touches on a range of Americana styles, all with emotionally charged lyrics and can’t-get-out-of-your-head choruses, from somber folk elegies (“Stealing Starlight” and “American Miles”)  and gospel-tinged tunes (“Carousel Horses”) to barroom country singalongs (“Long Time to Make Old Friends”) and jaunty calypso-flavored, country-infused pop (“Wish I Knew”). These are deeply personal songs for Foehl, and while they were written during some dark days, there’s a sense of optimism and gratitude, an overriding feeling that the hope outshines the heartbreak.

The uncannily cinematic album takes its title from the chorus of “If It Rains,” on its surface a Dust Bowl ballad about persistence in the face of the vagaries of nature. “If it don’t shed a tear, we wait ’til next year, heartbroken but lucky enough,” Foehl sings in the unforgettably melodic chorus. With the final verse, it’s clear the song digs deeper than drought when he sings, in a voice worn and weary but warm:

With the cold came the snow

On our favorite place to go

I carved the slated path

Just thought you should know

And built a wooden bench

Then laid it in cement

Out of love and in memory of.”

Foehl certainly took an unexpected route in getting to Lucky Enough. Then again, he says, “I’ve always done things very unconventionally.”

A New England native who had long lived in Colorado, Foehl was making a big move, heading to Nashville to continue his craft as an artist and a songwriter. That made sense after co-writing the leadoff song (“Fly”) with up-and-coming country singer/songwriter Brent Cobb on Lee Ann Womack’s 2014 GRAMMY nominated album, The Way I’m Livin’.

On the way, he got a call from his mother, Linda. She had lymphoma, and she needed him. He didn’t hesitate, ditching his fully loaded car in Nashville and flying straight home to Massachusetts. “It put in perspective what life’s about,” he says. “This was important, definitely more than any of these records I’ve made.”

While he cared for his mother, Foehl kept at his songwriting, thanks to the sponsorship of a longtime friend and hockey teammate. Keeping the creative flames burning was vital. “It’s not just what I do, it’s who I am. I’m writing songs so people can hear them and so I can be OK. That’s really the gist of it,” he says.

After Foehl lost his mother in July 2017, he knew he had to keep moving forward and started thinking about recording an album. Although he launched his solo career with the release of Spark in 2001, he played in bands for years, notably fronting Acoustic Junction and then as a charter member of Great American Taxi. For his fifth solo album, he thought, why not go into the studio with a full-fledged band? “With all my records. I like to take leaps and chances and want to try different things,” he says. “I said, ‘What about doing it with The Band of Heathens?’”

Foehl had toured as an opener with The Band of Heathens, and he knew and loved their tones and sound and how they worked together. And The Heathens had just opened their own studio in Austin, christening it by recording an update of the entire landmark Ray Charles album, A Message from the People. “These guys are really good,” Foehl says. “If I hire them, it’s a built in sound. They’ve been playing together forever.”

The Heathens, for their part, had really hit it off with Foehl on tour and were primed to help him make an album. “We really dug his stuff and felt like it would be a good match,” said Ed Jurdi, who co-produced Lucky Enough with Foehl and fellow Heathen Gordy Quist, with both Jurdi and Quist adding guitars and vocals on the album. “What I felt our job was, was to put him in a position where he could do his thing, just really make him comfortable. The record is about Reed and his songs, so how do we elevate that by adding what we can do? The idea as a producer is to both create a record the artist likes and making an album that the artist didn’t know they could make.”

The great thing about the Heathens, Foehl says, is they always knew when to hold back and when to let it rip, deftly embellishing the 10 songs on Lucky Enough. “They are very much chameleon-like,” Foehl said of the Heathens, “capable and talented enough to adapt and play any style of music.”

Quist even pitched in on the writing of “Wish I Knew,” helping Foehl take the song in a direction he would never have thought to go. Musically, it playfully moves along at a frisky pace, while lyrically Foehl wrestles with some of the life’s big questions:

If the choices were just black and white

I’d a half a chance to get things right

How to make it through the dark of night

Only wish I wish I knew

In addition to Quist and Jurdi, the other Heathens playing on the album include Trevor Nealon (keyboards), Jesse Wilson (bass guitar), and Richard Millsap, (who played drums as well as electric guitar), along with Geoff Queen on pedal steel. Lucky Enough, which will be released on Green Mountain Records, was engineered and mixed by Steve Christensen and mastered by Fred Kevorkian.

Foehl’s solo career has been bookended by loss, losing his father, Billy, in 2001 around the time Spark came out and then his mother preceding Lucky Enough, with three albums in between — 2007’s Stoned Beautiful, 2009’s Once an Ocean and 2014’s Lost in the West. Growing up in Dover, Mass., his parents were a huge influence for Foehl, filling the house with John Prine music and playing for decades together in a bluegrass/country band called The Centre Streeters. His parents encouraged him in his musical passion, regularly taking him to Boston, where he cut his teeth as a performer, busking at the Faneuil Hall Marketplace at the tender age of 11.

Lucky Enough is dedicated to the memory of Foehl’s mother — “the Queen of Everything” — and a keen sense of loss flavors the album. But there’s also a sense of hope, of forward momentum, change and a celebration of love, including not just the romantic variety but the kind a guy has for the oldest of old friends. For Foehl, creating Lucky Enough with The Band of Heathens has been a cathartic process. “If I can help myself, maybe I can help others,” he says. “You’ve got to keep moving forward. I think that’s the important thing. Live to fight another day.”

Reed Foel Holiday Shows This December with Gregory Alan Isakov
12/22-22 Fri-Sat – Gold Hill Inn, Boulder, CO

reed guitar hi res photo_ByKateDrewMiller

Reed Foehl
Photo by Kate Drew Miller

Reed Foehl On Tour Supporting Todd Snider March 2019!
3/13 Wed – The Gramercy Theatre – New York, NY
3/14 Thu – Ardmore Music Hall – Ardmore, PA
3/15 Fri – The Sinclair – Cambridge, MA
3/17 Sun – Infinity Music Hall & Bistro – Hartford, CT
3/18 The Birchmere – Alexandria, VA
3/20 Wed- The Beacon Theater – Hopewell, VA
3/22 Fri – Lincoln Theater – Raleigh, NC
3/23 Sat – The Ramkat – Winston-Salem, NC
3/24 Sun – The Orange Peel – Asheville, NC

Lucky Enough Track Listing
1. Stealing Starlight (3:33)
2. American Miles (3:22)
3. If It Rains (4:48)
4. Takes a Long Time to Make Old Friends (3:18)
5. Carousel Horses (3:00)
6. He’s on an Island (3:26)
7. Running Out of You (3:46)
8. Wish I Knew (2:36)
9. Hello My Dear (4:12)
10. Color Me In (3:28)

Reed Foehl – lead vocals and acoustic guitar
Gordy Quist – guitars, background vocals
Ed Jurdi – guitars, background vocals
Trevor Nealon – keyboards, background vocals
Jesse Wilson – bass guitar, background vocals
Richard Millsap – drums, background vocals
Geoff Queen – pedal steel

For more information and updates, please visit www.reedfoehlmusic.com, www.facebook.com/ReedFoehl, www.twitter.com/reedfoehl, and www.instagram.com/reedfoehl.

 

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MECO_ALBUM_COVERART
Amy McCarley To Release
MECO, Her 3rd Album, February 8, 2019
Co-produced by Kenny Vaughan & George Bradfute

Kenny Vaughan & Chris Scruggs Join McCarley on the Entire Album
Featuring special guests:
Pat Alger, Marty Stuart, Kenny Lovelace, Harry Stinson, and George Bradfute

The sound quality on ‘High Wire,’ like the rest of the album, is clear, spacious and uncluttered… McCarley’s voice rings out like a sultry blues nightclub singer, as the music spins a country waltz on the high wire.
Americana Highways premiered the first single, “High Wire

“High Wire” Available Now → http://radi.al/AmyMcCarleyHighWire

HUNTSVILLE, AL —  With poignant and thought provoking lyrics, Amy McCarley finds balance in a new perspective with MECO, her 3rd studio album due out February 8, 2019. After collaborating in writing new songs with Bluebird Cafe round-mate and Nashville Songwriters Hall of Famer, Pat Alger, McCarley returned to the studio with esteemed colleagues, co-producers Kenny Vaughan & George Bradfute to work on MECO, her highly anticipated follow up to 2014’s Jet Engines. MECO was recorded and mixed by Bradfute in his Tone Chaparral Studios in Madison, Tennessee and mastered by Jim DeMain at Yes Master Studios in Nashville.

A rhythm section all in himself, multi-instrumentalist Chris Scruggs lent his talents not only on drums, percussion, and bass, but also steel guitar. Alongside special guests Marty Stuart, Pat Alger, Kenny Lovelace, and Harry Stinson — the future is bright for fans of Amy McCarley.

Uniquely relatable, this northern Alabama native’s music is embraced by Americana fans across the country and abroad. Vaughan says, “I think all of her songs come from a personal experience. Each song is about something she’s gone through, which is good because it gives her a little edge on the delivery. The emotional content kinda comes through in there.”

MECO, an acronym borrowed from the Space Shuttle program that stands for Main Engine Cut Off, occurred for the shuttle when onboard propulsion systems were disengaged at an altitude where velocity could be maintained by the power of an innate force at work in the universe with periodic adjustments from the vehicle. The album traces McCarley’s experience of what it’s been like leaving life as a NASA contractor to pursue a career in music.

McCarley explains the inspiration behind the album, “Similar to shuttle missions, the trajectory of my path has been defined by how well I have been able to develop personal strength as an artist to the point where the possibility of connecting with the enormous collaborative power of other worldly talent exists. It has taken everything I have plus the guiding unseen hands of time and chance together with support from some incredibly talented generous souls in order for this album to be made and on its way to listeners.”

She says in an interview with Wide Open Country, “It’s taught me to be grateful for every opportunity and all the talented people I’ve had the good fortune to work with on this project. It’s taught me to do my best and then let go of the need for the outcome to be a certain way. Of course, that doesn’t mean I don’t forget and need to relearn all this over and over. I’ve certainly not graduated from the school of life!”

Her sultry voice was lauded by No Depression as “a nuanced instrument” and her drive and determination to continue charging forward is readily apparent on MECO with a blazing backing band to accent in instrumentation what her emotion filled vocals bring forth in each song.

This is McCarley’s second album working with Vaughan (Marty Stuart & His Fabulous Superlatives, The Pretenders, Lana Del Rey, et al) and Bradfute (Webb Wilder, Planet Rockers, et al) at the helm since she left the NASA contracting world in 2013. Both also accompany her in performance on MECO, with Vaughan taking the lead on electric and playing acoustic guitar on the entire album and Bradfute performing on slide guitar, fiddle, mandolin, and other strings.

McCarley says, “What Kenny brings to this whole project as producer and lead guitarist cannot be overstated. Together with a stellar assembled cast —including mighty partner in crime, co-producer / engineer / studio owner, George Bradfute— his influence and signature sound took this album to a place I never would have known to go on my own that I feel so fortunate to be able to share with the world.”

The ten tracks of all original material feature McCarley’s yearning vocals, acoustic guitar, and harmonica. Alger, who co-wrote half of the songs on MECO says of McCarley, “Super, super intense guitar style. And I was so fascinated by it. Everything she did was real. Super intense. She’s just a different kind of performer.”

Throughout the album there are songs of determination and revelation (“A Clue”), perseverance after despair (“Clarksdale Blues”), and cathartic release in a new perspective (“Everything Changed,” “Happy,” “Farewell Paradise”). There are melodies of joyful triumph (“High Wire”), gratitude (”Days”), and a song about finding meaning amidst uncertainty (“Never Can Tell”). Some are plaintive in nature (“How You Do,”)  while others are breezy lighthearted observations on universal topics (“Ain’t Life Funny”).

Based in Huntsville, Alabama, McCarley toured over 200 dates in support of her second album, Jet Engines, and is expecting to tour throughout 2019 with MECO. McCarley has made many festival appearances including Maverick Festival, Kerrville Folk Festival, Kate Wolf Music Festival, W.C. Handy Music Festival, 30A Songwriters Festival, EarleFest, Rocket City Summer Fest and Panoply Arts Festival, as well as unofficial showcases at Folk Alliance International, SXSW, and AmericanaFest. She has performed as an opening act and toured with a variety of performers including Marty Stuart & His Fabulous Superlatives, Ronnie Milsap, John Hiatt, Kenny Vaughan Trio, Pat Alger, Doyle Bramhall II, Kim Richey, Webb Wilder, Kevin Gordon, Claire Lynch, Lilly Hiatt, Delta Rae, Edwin McCain, and The Grahams.

MECO Track Listing & Credits:
1. A Clue (4:41)*
2. Clarksdale Blues (4:18)*
3. Everything Changed (5:28)
4. High Wire (4:20)
5. Days (3:13)*
6. Never Can Tell (2:39)
7. How You Do (4:32)
8. Happy (4:12)*
9. Ain’t Life Funny (3:04)*
10. Farewell Paradise (3:57)

Amy McCarley — vocals, acoustic guitar (all), harmonica (7)
Kenny Vaughan — electric guitar, acoustic guitar (all)
Chris Scruggs — drums, percussion, and bass (all), steel guitar (5,10), backing vocals (10)
George Bradfute — slide guitar (2), fiddle (6), viola and cello (7), fiddle and mandolin (8)
Pat Alger — acoustic guitar (5)
Marty Stuart — mandolin (6)
Kenny Lovelace — fiddle (9)
Harry Stinson — backing vocals (10)

Producers — Kenny Vaughan & George Bradfute
Audio & mix engineer — George Bradfute (Tone Chaparral)
Mastering engineer — Jim DeMain (Yes Master Studios)

*Indicates a song written by Amy McCarley & Pat Alger

© 2019 McCarley Publishing (BMI) & Algerhythms (ASCAP)
All other songs written by Amy McCarley © 2019 McCarley Publishing

For more information, please visit  www.amymccarley.com, www.facebook.com/amymccarleymusic, www.twitter.com/amymccarley,  www.instagram.com/amymccarleymusic.

 

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