Feeds:
Posts
Comments

Posts Tagged ‘Americana’

The Drunken Hearts Release Wheels of the City
October 18, 2019 on LoHi Records
Produced by Tim Carbone at Silo Sound Studios in Denver, Colorado

The First Single “Unrest” Drops Friday 9/27 → https://distrokid.com/hyperfollow/thedrunkenhearts/unrest

Listen to “Unrest” at JamBase in this Exclusive Premiere www.jambase.com/article/drunken-hearts-unrest

DH_WheelsOfTheCity_v2.jpeg

DENVER, CO — The Drunken Hearts found themselves entering Silo Sound Studios in Denver on April 1st, 2018 with friend and producer Tim Carbone (Railroad Earth)— just one day after the release of their then-brand new, self-produced album, The Prize. The band wanted to try something new for their next album: to create and record a new song each day, and continue that model until an entire album was realized, and the result is eleven full-fledged, living, breathing, musical time capsules that make up Wheels of the City. Mastered by Jim Wilson, the new album is out October 18 on LoHi Records.

Called, “Boulder’s Americana Heroes” by 303 Magazine who writes, “Since their inception as a trio [in 2012], the now rock ‘n’ roll quintet has gained quite the reputation. Their music is raw Americana-rock, with a touch of country and a sprinkle of folk, and the result is a steaming and raucous sound full of emotion and energy.”

 

Drunken_Hearts-20190831-8312TEVreditAndyStrauss.jpg

The Drunken Hearts   Press Shot Credit: Tobin Voggesser

Mixing their mountain-spirit with the twang of the south, this electrifying five-man band met and live in the Boulder/Denver area of Colorado. Acoustic guitarist and powerhouse lead singer, Andrew McConathy is originally from Shreveport, Louisiana, and is known for his compelling songwriting and distinct and expressive vocals. Joining him are pedal steel, Dobro, and lap steel player Cody Russell and electric guitarist and vocalist Kory Montgomery, both from Arkansas, along with bassist and vocalist Jon McCartan, from Upstate New York by way of Vermont, and, from the outskirts of Chicago, drummer Alex Johnson.

 

“The Drunken Hearts deliver an intimate perspective to a nostalgic rock and roll sound,” says Paul Hoffman (Greensky Bluegrass), “Passionate vocals that are reminiscent of Eddie Vedder and country flavored pedal steel are both familiar and a newfound discovery.”

On Wheels of the City, The Drunken Hearts deliver tales of adventure, love, risk, and realization. There’s an overarching feeling of positivity throughout the songs, yet they also contain undertones of the darkness that inhabits life. Aspen Daily News says, “The Drunken Hearts are magnetic, as they combine catchy beats with unique melodies to create a well-synced mixture of musical sensibilities.”

“I loved working on this record with The Drunken Hearts,” exclaims Carbone, a partner in LoHi Records. “Andrew sent me the acoustic demos of the songs and I sketched out the arrangements and instrumentation. The band essentially learned the songs and added their ideas the day we tracked them.”

Andrew says, “Once we got into the studio with Tim, ultimately Unrest,’ the first single, morphed into a rollicking piano-driven rock song topped off by a very psychedelic Pink Floyd-esque bridge with the lyrics, ‘Just getting up is getting me down… Gonna pull the string get my head unwound… Before I die I want to learn to live… Unrest is a state of mind’” Listen to “Unrest” at this exclusive premiere at JamBase → https://www.jambase.com/article/drunken-hearts-unrest

Carbone says, “We did a song a day and except for some vocal overdubs, solo replacements and the strings and horns, that was how it all went down. I’d never worked that way before. It was an amazing stretch of hyper-creativity. I’m very proud of Wheels of the City!”

The title track was inspired by Jack Kerouac’s “Vanishing American Hobo,” written in 1960. McConathy explains the song, ‘Wheels of the City’ examines the cultural paradigm between the homeless, health insurance-less citizens of America and an opposing population who seemingly wish to leave their brothers and sisters helpless, and build a wall to keep freedom and opportunity at bay and weak against the overbearing patriarchy who wishes to repress them.” He sings, “Build a bridge, and not a wall… Something to bind us, not divide us all…

The album features a horn section on the title track and Passchendaelebrings in a string section along with Sheryl Renee’s accompanying vocals to create a unique texture to the telling of a riveting tale of a soldiers love long ago that was lost upon returning from war. Renee also joins on “In the Middle” a song with poignant lyrics, “Here we are fightin’ in the middle, bleedin’ ‘n dying like fools… Here we are believin’ in the the middle, We got nothing but change for days… Here we are believin’ in the middle, I’m the only one that can change my ways…”

Carbone joins in on multiple instruments throughout the album including piano, organ, and violin. Cody Russell also brought two instrumentals to the table, one of which McConathy added words to (“Dream of Waiting”) and the other, “The Cave” to which Carbone added a spoken-word passage from ‘Plato’s Allegory of The Cave’ to create the intro.

Somehow with this ambitious “create and record one entire song per day” approach, the band was able to write and track eleven songs in eleven days, and the result was one of the more satisfying creative endeavors the band has ever taken on.

LoHi’s Vice President Chad Staehly (of Hard Working Americans) says, “We’ve known about The Drunken Hearts for years and it has been really cool watching their growth as artists and performers. This latest album Wheels of the City has an extra layer of depth and songwriting that is very engaging and emotive on a different level from anything they’ve done in the past.”

With notable performances at Winter WonderGrass Steamboat (CO), Winter WonderGrass Squaw Valley (CA), Mumford & Sons Gentlemen of the Road Fest (CO), Electric Forest (MI), FloydFest (VA), Vertex (CO), Fayetteville Roots Fest (AR), Hangtown Music Festival (CA), Bohemian Nights at New West Fest (CO), Northwest String Summit (OR), Grandoozy (CO), Four Peaks Festival (OR), and the band’s very own Yarmony Music Festival (CO), the band is very much at home on the festival circuit. They have also supported Lukas Nelson & Promise of the Real, Greensky Bluegrass, Railroad Earth, Deer Tick, Leftover Salmon, String Cheese Incident, among others.

The band is touring the country from coast-to-coast, with stops at famed venues and festivals along the way and is set to perform a slew of shows with Yonder Mountain String Band during this album release cycle.

The Drunken Hearts Wheels of the City Tour Dates:
10/5 Sat – Denver, CO – Cervantes Other Side
10/10 Thu – Omaha, NE – The Waiting Room Lounge*
10/11 Fri – Des Moines, IA – Wooly’s*
10/12 Sat – TBA
10/13 Sun – Louisville, KY – Mercury Ballroom*
10/16 Wed – Buffalo, NY – Tralf Music Hall*
10/17 Thu – Homer, NY – Center for the Arts*
10/18 Fri – Norfolk, CT – Infinity Music Hall and Bistro*
10/19 Sat – Saratoga Springs, NY – Putnam Place*
10/30 Wed – Bend, OR – Volcanic Theatre Pub
10/31 Thu – Coos Bay, OR – 7 Devils Brewing Co.
11/1 Fri – Salem, OR – Governor’s Cup
11/2 Sat – Portland, OR – Private Party
11/13 Wed – Baltimore, MD – The 8×10*
11/14 Thu – Brooklyn, NY – Brooklyn Bowl*
11/15 Fri – Ardmore, PA – The Ardmore Music Hall*
11/16 Sat – Boulder, CO – The Fox Theatre
11/17 Sun – Woodstock, NY – Levon Helm Studios*
11/19 Tue – Greenfield, MA – Hawks & Reed PAC*
11/21 Thu – Portland, ME – Port City Music Hall*
11/22 Fri – Pawtucket, RI – The Met*
11/23 Sat – Boston, MA – Brighton Music Hall*
11/24 Sun – York, PA – The Capitol Theatre*

* supporting Yonder Mountain String Band

Wheels of the City Track Listing and Credits

  1. Fire in a House 4:02
  2. Shining Eyes 3:24
  3. Alive ‘n Free 3:47
  4. Run It All Together 3:09
  5. Unrest 3:42
  6. Wheels of the City 4:13
  7. Passchendaele 4:52
  8. Two Hearts (On a Limb) 3:15
  9. In the Middle 3:19
  10. Dream of Waiting 4:42
  11. The Cave 3:38

 

The Drunken Hearts:

Andrew McConathy – Acoustic & Electric Guitar, Vocals
Cody Russell – Pedal Steel, Lap Steel, Dobro
Jon McCartan – Electric Bass
Kory Montgomery – Electric & Acoustic Guitar, Vocals
Alex Johnson – Drums, Percussion

Special Guests:
Tim Carbone – Piano (tracks 1, 3, 5), Organ (3), Violin (3), Backing Vocals (7), Spoken Word (11), Percussion (1)
Sheryl Renee – Backing Vocals (tracks 7, 9)

Horn Section (track 6):
Sam Hoyt – Trumpet
Sam Burris – Trombone
John Devivo – French Horn
Jay Rattman – Alto Sax, Flute, Clarinet, and Arrangement

String Section (track 7):
Stephanie Bell – Violin
Chris Souza – Violin
Marsha Cahn – Viola
David Moulton – Cello
Jay Rattman – Arrangement

Produced by Tim Carbone / Engineered by Todd Divel / Recorded at Silo Sound Studios in Denver, CO
Mixed by Todd Divel with Tim Carbone / Mastered by Jim Wilson at Jim Wilson Mastering
Strings and Horns recorded by Don Sternecker at Mix-O-Lydian Recording
All songs arranged by The Drunken Hearts and Tim Carbone

Press Shot Credit: Tobin Voggesser
Album Artwork Credit: John Westmark

For more information and updates from the road, please visit www.thedrunkenhearts.com, facebook.com/thedrunkenhearts, twitter.com/drunkenhearts, and instagram.com/thedrunkenhearts.

Read Full Post »

Bill Scorzari Releases His 3rd Studio Album, Now I’m Free, September 20, 2019

Produced by Neilson Hubbard at Skinny Elephant Recording,With Performances by Erin Rae, Will Kimbrough, Eamon McLoughlin, Michael Rinne

Out Now →   https://nowimfree.hearnow.com

billscorzaricover-14

Huntington, NY —  With a raw and gritty sound, along with a stellar ear for lyrics and composition, New York native Bill Scorzari independently releases his third full-length album of all original music, Now I’m Free, on September 20. Produced by Neilson Hubbard (Orphan Brigade), Now I’m Free was recorded and mixed by engineer Dylan Alldredge at Skinny Elephant Recording in Inglewood, TN and mastered by Jim DeMain at Yes Master Studios.

Hubbard says, “Bill tears himself open on these 15 songs and leaves it all out there in plain sight. He is an open book delivering a record of astonishing intimacy… and the gravel and whispers in his voice carry a true knockout punch.”

Scorzari’s songs transition through a multitude of emotions centered on the experiences of the human condition and are, at times, downright sad. Of his music, some say it’s spoken word, and others, an amalgam of the voice of Tom Waits, the delivery of Sam Baker, and the soul of Kris Kristofferson. In his lyrics, there is a poetic grace, a calming and resigned wisdom of acceptance that shines through the wistful melancholy of hope, and breaks free. 

Bill says of the record, “During the past three years and beyond, I found myself in a place that demanded prolonged introspection and profound healing to be able to navigate through and journey past. This record is a journal of some of the lessons and discoveries that I’ve encountered along the way.”

Kind Words About Now I’m Free:

delicately nuanced” with “detailed arrangements”
Billboard, Gary Graff, Exclusive Interview and Full Album Stream

“There are poets, there are songwriters, there are painters of fine art, and there’s Bill Scorzari. The new album, Now I’m Free is a bold and delicate balance of each. To say it is a thing of beauty is an understatement… To compare Now I’m Free to the other albums released at this time would be unfair to the industry. Perhaps Dylan or Townes could go toe to toe, but my money’s on Scorzari. He makes me want to be a better writer. His writing is vivid and succinct.” —Making A Scene!, Viola Krouse

There may be a handful of songwriters as good as Scorzari but no one else could deliver these stunning songs. It’s even deeper and every bit as good as his last one. Bigger names will get more recognition but Scorzari’s getting there. He did play the Newport Folk Festival this year. He has my vote for Americana Album of the Year.” —Glide, Jim Hynes

This new album simply blows me away… you might want to think about Tom Waits a little, but better… The thing that impresses me is, of course, is the fact that [Bill’s] voice is very distinctive, there is no question about the fact, that if someone hears this, hears this music, hears your new album, they are gonna know: this is Bill Scorzari, because there’s not many people that have this voice and evoke this kind of emotion.
Mostly Folk, WIOX Catskills Cafe, Artie Martello

Bill says “I could feel some of the old 1970s ‘country rock’ (Marshall Tucker Band, Charlie Daniels Band…) influences from my youth welling up and flowing out and that made writing this song a whole lot of fun.”
The Bluegrass Situation premiered the uptempo “Treat Me Kind”

“A stunning work. Bill’s poetic lyrics are a frozen rope to the heart.”
Podcast interview on The Marinade with Jason Earle

“With a somber musical style and a hushed, gritty vocal that rises like the morning mist to mingle with Erin Rae’s grounded tones, ‘It All Matters’ is just outright pretty. Now I’m Free should be nominated for awards this year with its depth of grace and innovative tones; Scorzari taps into a nexus between the familiar and the uncanny.”
Americana Highways Song Premiere of “It All Matters,” Melissa Clarke

“Like the songs on his last CD… the ones here are all original, deeply personal and affecting; and Scorzari’s earthy vocals, which are just a bit less sandpapery than Dave Van Ronk’s, drive them home. With any luck, this guy is going places, and chances are, you’ll want to follow along for the ride.”  
The Morton Report, Americana Highways, Jeff Burger

Like singer-songwriters, Kris Kristofferson, Leonard Cohen, and Tom Waits, Bill’s raspy baritone snarls, hisses, and whispers through his heartfelt lyrics. Sometimes leaving the melody and just speaking the words, he comes off like a modern-day Rod McKuen, sweeping us up in his narratives and wringing out their plaintive content.
WTCA 106.1 FM & 1050 AM, South Bend Tribune, Kathy Bottorf

“Fans of Bob Dylan, Leonard Cohen, Neil Young and anyone who likes quality song writing will dig this” Live Music News and Review, Phil Simon

“A superb singer/songwriter with an outlaw rasp and a heavy-hearted soul”
The Ripple Effect

“Wonderfully gruff and oozing with emotion and raw honesty.”
Listening Through The Lens, Rob Dickens

Singer-songwriter Bill Scorzari skates in the ether with a sort of Ry Cooder ambient dream. But his voice is absolutely of the earth with its whiskey-borne rasp. Scorzari sings in the folk tradition of those who aren’t afraid to jerk a few tears but doesn’t mask his intentions or pull any punches. Sometimes the man gets mean.”
Rochester City Newspaper, Frank De Blase

______________________________________

More about Bill Scorzari and Now I’m Free:

BillScorzari_4300color_ByJimMarchese_5.jpg

Bill Scorzari. Photo by Jim Marchese

The album was performed live in the studio by Scorzari and a long list of critically acclaimed and otherwise notable musicians including, Hubbard on drums/percussion and piano, multi-instrumentalist Will Kimbrough, vocalist Erin Rae (Americana Music Association nominee for Best Emerging Artist of 2019), fiddler/strings Eamon McGloughlin (AMA nominee for Best Instrumentalist of 2019), upright and electric bass player Michael Rinne (AMA nominee for Best Instrumentalist of 2019), Brent Burke on Dobro, Juan Solorzano on electric guitar and lap steel, lap steel player and vocalist Megan McCormick, Greg Krockta on harmonica, and vocalist Mia Rose Lynne.

Throughout the entire album, Bill’s authenticity as a songwriter moves you through his music breath by breath. Profound and poetic, Scorzari’s emotionally charged and introspective compositions are sung with a knowing tenderness of heart. 

Bill transformed his life at a later age from being a New York trial lawyer turned full-time musician. In 2008, he stumbled upon a Live-at-Paste recording of Justin Townes Earle performing “Mama’s Eyes.” The song resonated within his soul and sparked the kind of life-altering moment that you hear a person speak of, that singular moment when everything changed. Although he picked up his first guitar at just 8 years old, it wasn’t until 2011 that he was able to give his artistry the attention it deserves. 

The passing of Bill’s father and role-model, whose footsteps he had followed into the practice of law, marked a time of profound change and opened a new chapter – one that required a giant leap towards pursuing a passion that had long been tucked away in Bill’s heart. Bill put out his first album, Just the Same, in 2014, followed by Through These Waves (produced by Jonah Tolchin) in 2017. The three albums (and their titles) that he created thereafter, represent the narrative and catharsis of his journey: past, present and future.

The success of his first two records allowed Bill to share stages with Sarah Jarosz, Sam Outlaw, The Dustbowl Revival, Tall Tall Trees, Seldom Scene, Billy Strings, Frank Fairfield, Tom Marion, Zak Sokolow, Jonah Tolchin, Jenni Lyn Gardner (Della Mae), Jeff Scroggins and Colorado, Twisted Pine, Whiskey Myers, Big Country, and others. In July of 2019, Bill became “One of the folk,” with his inaugural performance at the Newport Folk Festival.

This third installment in his discography, Now I’m Free, offers a deeper and unguarded look into Scorzari’s soul, weathered and bared, and rooted in the present moment while moving freely into the unspoken promises of the future.

For more information, up-dates and news, please visit www.billscorzari.com, www.facebook.com/billscorzari, www.twitter.com/BillScorzari, and www.instagram.com/billscorzari.

Now I’m Free Track Listing:

  1. Into the Light of the Day (5:07)
  2. Over Again (4:40)
  3. Now I’m Free (3:44)
  4. It All Matters (4:35)
  5. One More Time (4:07)
  6. When Will My Time Come Along (3:58) 
  7. Treat Me Kind (3:23)
  8. San Miguel County (4:36)
  9. It’s Just What I Know (4:47)
  10. Steel Wheels (4:48)
  11. You’re Gonna Miss Me When I’m Gone (2:59)
  12. Yes I Will (10:51)
  13. Cypress Tree (3:37)
  14. Don’t You Ever Go Away From Me (4:20)
  15. New Mexico (I to Mine) (7:20)

PERFORMANCE CREDITS BY MUSICIAN
Bill Scorzari: Vocals and Acoustic Guitar
Erin Rae: Harmony Vocal (Track 4)
Mia Rose Lynne: Harmony Vocals (Tracks 2, 14)
Will Kimbrough: Electric Guitar (Tracks 5, 7, 10, 15), Slide Guitar (Track 7), Mandolin (Track 11), Cigar Box Guitar (Track 14), Piano (Track 5)
Juan Solorzano: Electric Guitar (Tracks 1, 4, 7, 9, 10, 12), Lap Steel Guitar (Tracks 2, 8, 9, 11), 2nd Acoustic Guitar (Tracks 4, 15)
Megan McCormick: Lap steel (Tracks 1, 3, 4, 6, 13), Harmony Vocal (Track 6)
Brent Burke: Dobro
Greg Krockta: Harmonica
Michael Rinne: Upright Bass & Electric Bass
Neilson Hubbard: Drums/Percussion, Piano (Track 14)

All songs, lyrics and music written, arranged and performed by Bill Scorzari

For more information, up-dates and news, please visit www.billscorzari.com, www.facebook.com/billscorzari, www.twitter.com/BillScorzari, and www.instagram.com/billscorzari

 

Read Full Post »

THH LOGO web.jpg
Introducing The High Hawks, Announcing Tour Dates

Denver, CO — Introducing the world to a new and exciting all-star project consisting of some good friends from the Americana, jam, and bluegrass worlds. Please meet THE HIGH HAWKS.

No one knows where the train will take them. It’s one you jump on out of the curiosity and excitement of the unknown. The very wonder of what the stars and the spirits will conjure on any given jubilee. And what the hell is a High Hawk?

Vince Herman (Leftover Salmon), Adam Greuel (Horseshoes & Hand Grenades), Chad Staehly (Hard Working Americans), Brian Adams (DeadPhish Orchestra), and Will Trask (Great American Taxi), come together with friends like Tim Carbone (Railroad Earth) as well as others to play songs, perhaps bringing an unusual sparkle to the galactic core.

THE HIGH HAWKS will be playing some Fall dates with more to come. Tickets go on sale on Friday.


10.18.19 – Fox Theatre – Boulder, CO*
10.19.19 – Cervantes Other Side – Denver, CO*
10.20.19 – Aggie Theatre – Fort Collins, CO*
11.7.19 – The Back Room @ Colectivo – Milwaukee, WI @#
11.8.19 – Spirit of Peoria – Peoria, IL @
11.9.19 – La Crosse Distilling Co. – La Crosse, WI @
11.10.19 – High Noon Saloon – Madison, WI @#

* – with special guest Kind Country
@ – with special guest Tim Carbone
# – with special guest Chicago Farmer

For more information and to stay in touch with THE HIGH HAWKS, follow along @thehighhawks on Facebook (www.facebook.com/thehighhawks) and Instagram (www.instagram.com/thehighhawks).

Read Full Post »

billscorzaricover-14.jpg
Bill Scorzari Releases His 3rd Studio Album, Now I’m Free, September 20, 2019

Born of the past three years’ introspection and contemplation of the human condition, Scorzari writes some of his most compelling compositions to date

Produced by Neilson Hubbard at Skinny Elephant Recording,
With Performances by Erin Rae, Will Kimbrough, Eamon McLoughlin, Michael Rinne, and more

First Single “It All Matters” Out Now →  https://itallmatters.hearnow.com

 

With a somber musical style and a hushed, gritty vocal that rises like the morning mist to mingle with Erin Rae’s grounded tones, ‘It All Matters’ is just outright pretty. Now I’m Free should be nominated for awards this year with its depth of grace and innovative tones; Scorzari taps into a nexus between the familiar and the uncanny.Americana Highways

Pre-order with “It All Matters” available now on iTunes

(Huntington, NY) —  On September 20, New York native, Bill Scorzari, independently releases his third full-length album of all original music titled, Now I’m Free. His sound is gritty, raw and at times, downright sad. His songs transition through a multitude of emotions, with themes centered on the experiences of the human condition. Of his music, some say it’s spoken word, and others, an amalgam of the voice of Tom Waits, the delivery of Sam Baker, and the soul of Kris Kristofferson. In his lyrics, there is a poetic grace, a calming and resigned wisdom of acceptance that shines through the wistful melancholy of hope, and breaks free. No Depression wrote, “Bill Scorzari is a force. His songwriting is stellar, his picking above par and his voice fits his songs perfectly.”

Bill says of the record, “During the past three years and beyond, I found myself in a place that demanded prolonged introspection and profound healing to be able to navigate through and journey past. This record is a journal of some of the lessons and discoveries that I’ve encountered along the way.”

Produced by Neilson Hubbard (Orphan Brigade), Now I’m Free was recorded and mixed by engineer Dylan Alldredge at Skinny Elephant Recording in Inglewood, TN and mastered by Jim DeMain at Yes Master Studios. Hubbard says, “Bill tears himself open on these 15 songs and leaves it all out there in plain sight. He is an open book delivering a record of astonishing intimacy… and the gravel and whispers in his voice carry a true knockout punch.”

The album was performed live in the studio by Scorzari and a long list of critically acclaimed and otherwise notable musicians including, Hubbard on Drums/Percussion, Multi-Instrumentalist Will Kimbrough, Vocalist Erin Rae (Americana Music Association nominee for Best Emerging Artist of 2019), Fiddler/Strings Eamon McGloughlin (AMA nominee for Best Instrumentalist of 2019), Upright and Electric Bass player Michael Rinne (AMA nominee for Best Instrumentalist of 2019), Brent Burke on Dobro, Juan Solorzano on Electric Guitar and Lap Steel, Lap Steel player and Vocalist Megan McCormick, Greg Krockta on Harmonica, and Vocalist Mia Rose Lynne.

 

BillScorzari_4299bw_ByJimMarchese.jpg

Bill Scorzari. Photo by Jim Marchese

Throughout the entire album, Bill’s authenticity as a songwriter moves you through his music breath by breath. Profound and poetic, Scorzari’s emotionally charged and introspective compositions are sung with a knowing tenderness of heart.

 

The album opens with “Into the Light Of the Day,” of which Scorzari says, “Faith and trust are so important. When they are called into question, for whatever reason, it becomes difficult to see things clearly. We become distressed, and our distress makes it even harder to find clarity… Nothing can resolve until we look directly at it and confront the full depth of it all. The first step toward doing that is both the most difficult and the most liberating step, taking what troubles you into the light of the day.” 

This is fitting to describe Bill’s music in general and his approach of digging deeper into his own depth and bringing his thoughts and experiences honestly and authentically into the light through the medium of music.

He writes in the title track, “Now I’m Free,” “So, I stood there by the waterfall flowing from the bridal veil, with an angel dressed in rags. She said, ‘To hell you ride.’ And, to hell we sailed. And, we never did look back. And, she said, ‘Every word I say is true and someday you will see, spending all of our time always tryin’ to break through, leaves us no time for tryin’ to break free, and it’s time to break free.’”

Another standout track on the album is the first single, “It All Matters,” with Erin Rae adding vocal harmony. When asked about what the lyrics of this track mean to him, Scorzari says, “It’s so important to be attentive to each other. The way toward that goal, is to start to be more attentive to ourselves, to heal what needs to be healed in us and to find a path forward to our own better existence… It’s never too late to shine a light through the darkness... The big things are important, but so are the little things. It all matters.”

The nearly 11-minutes of “Yes I Will” were recorded in an unrehearsed, epic “first take” in which Bill sings, “And, I know these thoughts will come and that they will go again, and yes, I know, yes, I can still chase the harder days away with just some paper and a pen, the way the sun will rise and embrace the white moon in its own black skies, and then there’ll be no need to try to make me smile. Won’t you help me to more easily reveal my broken soul?...  I’m only distracted by my motion when I’m intent on standing still. And, if you let me have the time to just keep on tryin’ to break through, just to be human, well then, yes, I will.” 

BillScorzari_4221color_ByJimMarchese.jpg

Bill Scorzari. Photo by Jim Marchese

There is a wide variety of soundscapes in Now I’m Free, ranging from the slow country waltz of “Over Again,” the catchy uptempo road song “Treat Me Kind,” the sleepy-slow, intoxicating, drunken-swaying groove in “San Miguel County,” the crushingly intimate and breathtaking “One More Time,” and the raging blues number, “Steel Wheels.”

When Will My Time Come Along” is a humble reminder of the seemingly endless struggles we must endure, and the importance of small accomplishments made along the way towards larger pursuits. It’s chord progression manifested easily in Scorzari’s mind, as did the lyrics for “It’s Just What I Know,” when he found himself in that “longed-for space where the words you’ve desperately searched for, and have been struggling with how to say, suddenly arrive as a gift in an unfettered moment of clarity.”

Although he picked up his first guitar at just 8 years old, it wasn’t until 2011 that he was able to give his artistry the attention it deserves. The passing of Bill’s father and role-model, whose footsteps he had followed into the practice of law, marked a time of profound change and opened a new chapter – one that required a giant leap towards pursuing a passion that had long been tucked away in Bill’s heart. The three albums (and their titles) that he created thereafter, represent the narrative and catharsis of his journey: past, present and future. 

The first two, Just the Same (2014) and Through These Waves (2017), were both released to critical acclaim. Waves, a spring release, made several best-album-of-2017 lists, including Folk Alley and Elmore Magazine. Jim Hynes, in his review of Waves in Elmore, says of Bill, “…his thoughtful, cinematically shaped songs that continue to resonate after repeated listens. Yes, this is a ‘must hear’ for singer-songwriter aficionados.” One such aficionado, WFUV’s John Platt, says, “Bill Scorzari has a lived-in voice that says, ‘Listen to these songs. They spring from the earth and the ocean with an open heart and the wisdom of experience.’” 

The success of his first two records allowed Bill to share stages with Sarah Jarosz, Sam Outlaw, The Dustbowl Revival, Tall Tall Trees, Seldom Scene, Billy Strings, Frank Fairfield, Tom Marion, Zak Sokolow, Jonah Tolchin, Jenni Lyn Gardner (Della Mae), Jeff Scroggins and Colorado, Twisted Pine, Whiskey Myers, Big Country, and many others. In July of 2019, Bill became “One of the folk,” with his inaugural performance at the Newport Folk Festival.

This third installment in his discography, Now I’m Free, offers a deeper and unguarded look into Scorzari’s soul, weathered and bared, and rooted in the present moment while moving freely into the unspoken promises of the future.

For more information, up-dates and news, please visit www.billscorzari.com, www.facebook.com/billscorzari, www.twitter.com/BillScorzari, and www.instagram.com/billscorzari 

Now I’m Free Track Listing:

  1. Into the Light of the Day (5:07)
  2. Over Again (4:40)
  3. Now I’m Free (3:44)
  4. It All Matters (4:35)
  5. One More Time (4:07)
  6. When Will My Time Come Along (3:58) 
  7. Treat Me Kind (3:23)
  8. San Miguel County (4:36)
  9. It’s Just What I Know (4:47)
  10. Steel Wheels (4:48)
  11. You’re Gonna Miss Me When I’m Gone (2:59)
  12. Yes I Will (10:51)
  13. Cypress Tree (3:37)
  14. Don’t You Ever Go Away From Me (4:20)
  15. New Mexico (I to Mine) (7:20)

PERFORMANCE CREDITS BY MUSICIAN
Bill Scorzari: Vocals and Acoustic Guitar
Erin Rae: Harmony Vocal (Track 4)
Mia Rose Lynne: Harmony Vocals (Tracks 2, 14)
Will Kimbrough: Electric Guitar (Tracks 5, 7, 10, 15), Slide Guitar (Track 7), Mandolin (Track 11), Cigar Box Guitar (Track 14), Piano (Track 5)
Juan Solorzano: Electric Guitar (Tracks 1, 4, 7, 9, 10, 12), Lap Steel Guitar (Tracks 2, 8, 9, 11), 2nd Acoustic Guitar (Tracks 4, 15)
Megan McCormick: Lap steel (Tracks 1, 3, 4, 6, 13), Harmony Vocal (Track 6)
Brent Burke: Dobro
Greg Krockta: Harmonica
Michael Rinne: Upright Bass & Electric Bass
Neilson Hubbard: Drums/Percussion, Piano (Track 14)

All songs, lyrics and music written, arranged and performed by Bill Scorzari

 

Bill Scorzari Tour Dates

8/24 Sat – Taste Budd’s Cafe’ – Red Hook, NY
8/25 Sun – Dogwood Bread Company – Wadhams, NY
8/26 Mon – Radio Bean – Burlington, VT
8/27 Tue – Abilene Bar and Lounge – Rochester, NY
8/30 Fri – Plain Folk Cafe’ Music & Coffee House – Pleasant Plain, OH
8/31 Sat – Over Yonder House Concerts – Toledo, OH
9/1 Sun – Visible Voice – Cleveland, OH
9/4 Wed – Uncommon Ground – Edgewater Listening Room – Chicago, IL
9/5 Thu – The Elbo Room – Chicago, IL
9/6 Fri –  Wild Rose Moon – Plymouth, IN
9/7 Sat – Wild Rose Moon – Plymouth, IN
9/8 Sun – Ca’d’Zan House Concerts – Cambridge, IL
9/13 Fri – Black Forest Community Center – Colorado Springs, CO
9/14 Sat – The Laughing Goat Coffee House – Boulder, CO
9/15 Sun – The Muse Performance Space – Lafayette, CO
9/21 Sat – Cafe Zippy – Everett, WA
9/22 Sun – Tim’s Tavern – Seattle, WA
9/27 Fri – Artichoke Music – Portland, OR
9/28 Sat – Crown Alley Irish Pub – Ocean Park, WA
10/3 Thu – Flynn’s Cabaret & Steakhouse – Felton, CA
10/5 Sat – The Shady Lady House Concert – Saratoga, CA
10/9 Wed – The Blue Guitar at The Arroyo Seco Golf Course – South Pasadena, CA
10/11-12 Fri-Sat – 16th Annual Far-West Conference – Woodland Hills, CA
10/25 Fri – Pecan Grove Store – Fredericksburg, TX
For more information, up-dates and news, please visit www.billscorzari.com, www.facebook.com/billscorzari, www.twitter.com/BillScorzari, and www.instagram.com/billscorzari.

Read Full Post »


SAM BUSH, DEL MCCOURY BAND, KELLER & THE KEELS, SAMANTHA FISH,

THE TRAVELIN’ MCCOURYS, PETER ROWAN, AND DONNA THE BUFFALO
SLATED TO PERFORM AT THE 4TH ANNUAL SUWANNEE ROOTS REVIVAL

OCTOBER 10-13, 2019 AT THE SPIRIT OF SUWANNEE MUSIC PARK
IN LIVE OAK, FLORIDA

LIVE OAK, FL — The 4th Annual Suwannee Roots Revival takes place Thursday, October 10 – Sunday, October 13 at the renowned Spirit of the Suwannee Music Park (SOSMP) in Live Oak, Florida. A plethora of incredible musicians are slated to perform including Sam Bush Band, Del McCoury Band, Keller & The Keels, Samantha Fish, The Travelin’ McCourys, Peter Rowan, Donna the Buffalo, We Banjo 3, The Lil Smokies, Jon Stickley Trio, Verlon Thompson, The Grass Is Dead, Lindsay Lou, Front Country, Joe Craven & The Sometimers, Jeff Mosier Ensemble, David Gans, The Lee Boys, and much more!

Suwannee Roots Revival is jam-packed with stellar music and dance on multiple stages throughout the weekend (Amphitheater Stage, Porch Stage, Dance Tent, Music Hall, and Music Farmer’s Stage). This family-friendly festival includes four days of music, camping, yoga, music workshops, a Kids Tent, as well as campground pickin’ sessions. Set in the midst of 800 acres of Spanish moss-draped oak and cypress trees along the Suwannee River, the venue is a playground for endless activities such as swimming, canoeing, kayaking, disc golf, and biking. 

Hosted by long time friends of SOSMP, Randy Judy and Beth Judy, Suwannee Roots Revival focuses on showcasing established as well as up-and-coming roots musicians throughout a weekend laced with community based fun, growing friendships, laughing families, and that feel-good feeling you get from hanging out in such a beautiful natural setting.

Placing a strong emphasis on embracing the traditions that have made the park a national treasure, there will be a wide array of arts & crafts as well as culinary delights ranging from healthy to decadent in the Vending Village. Hands-on and performance workshops will be held throughout the weekend with a variety of artists set to perform. The park itself is a place where kids of all ages can remember why they fell in love with the magic mixture of sights, sounds, and sensations that constitutes a weekend of paradise that is the Spirit of the Suwannee Music Park.

SOSMP offers guest comforts including a general store, full service restaurant, free showers, indoor bathrooms, and water stations. Upgraded camping, including RV hook ups and cabin rentals, as well as golf cart rentals are currently on sale. Reservations may be made by calling the Park office at (386) 364­-1683. SOSMP is located between Jacksonville, Florida & Tallahassee, Florida about 30 minutes south of the Georgia State line, about 45 minutes north of Gainesville and is host to a variety of events. Please visit the park’s web site at www.musicliveshere.com for further information.

Tickets are on sale now at suwanneerootsrevival.com/tickets/. Suwannee Roots Revival offers a multi-day Weekend Ticket that includes festival admission for four days of music, as well as primitive camping on Thursday, Friday, Saturday, and Sunday nights. Early Bird Tickets are $140; Student / Military Early Bird are $130 (with a valid ID). Children 12 and under are free if accompanied by a parent or legal guardian. Get your tickets now before they rise to the next pricing tier. Single Day Tickets will be available at the gate only. Please note, Single Day Tickets do not include primitive camping.

Suwannee Roots Revival 2019 Lineup
Sam Bush Band
Del McCoury Band
Keller & The Keels
Samantha Fish
The Travelin’ McCourys
Peter Rowan
Donna the Buffalo
We Banjo 3
The Lil Smokies
Jon Stickley Trio
Seth Walker
Verlon Thompson
The Grass Is Dead
Lindsay Lou
Front Country
Joe Craven & The Sometimers
Jeff Mosier Ensemble
David Gans
The Lee Boys
Balkun Brothers
Donna Hopkins Band
Ralph Roddenbery
Dread Clampitt
Nikki Talley & Jason Sharp
Brett Bass and Melted Plectrum
Nicholas Edward Williams
Quartermoon
Sloppy Joe
Arvid Smith
The Walker Family Band
The Dunehoppers
Jeff Bradley
Suwannee Spirit Kids
Tania & Magic Moon Traveling Circus
… and more to be announced! 

For more information, tickets, and to reserve camping, please visit www.suwanneerootsrevival.com.
Also visit us on at www.facebook.com/suwanneeroots, Twitter & Instagram: @SuwanneeRoots (#SuwanneeRoots).

 

 

Read Full Post »

BatB_Daily Promo Square (1)

Leftover Salmon’s Boogie At The Broadmoor
March 22-24, 2019
Final Schedule, Themes, and Activities Announced!
Plus Room Update and Special Marriott Deal!

www.boogieatthebroadmoor.com
Location: The Broadmoor Resort, 1 Lake Drive, Colorado Springs, CO (map)

Denver, CO — Leftover Salmon is so excited to share the final schedule for The Boogie At The Broadmoor, a first class, three day, five-star concert experience that is like no other filled with live music, dancing, dining, and activities of all kinds and is open to all ages. All at The Broadmoor Resort, nestled against the backdrop of the Cheyenne Foothills just 75 miles south of Denver from Friday-Sunday, March 22-24.  

Featured acts include Leftover Salmon, Sam Bush, Lukas Nelson & Promise of the Real, Nitty Gritty Dirt Band, Bluegrass Generals (Ft. Chris Pandolfi, Andy Hall, Sam Bush, Dave Bruzza, & Greg Garrison), Zach Deputy, Southern Avenue, and many more! See the full schedule and more info at www.boogieatthebroadmoor.com

Special themes for the weekend are also announced: Friday will be Funky Threads Friday and Heady Bauer will be on hand to rent or sell all sorts of costumes and threads. On Saturday, as is LoS tradition, there will be a Formal Masquerade Ball and a fan fashion show presented by Heady Bauer where you can get your group or individual shots taken by legendary rock photographer, Jay Blakesberg. On Saturday, our friends at Festy GoNuts are holding their Sunday Funday Jam in Your Jammies! (Heady Bauer will have plenty of onesies if your jammies are generally a birthday suit.)

There will also be Yoga on Saturday and Sunday morning, pop-up picks at secret locations throughout the Broadmoor, a talent show and open jam to participate in, our book talk and signing hosted by author Tim Newby, a Q&A with Sam Bush following the screening of his movie, a poster art show hosted by Furthur Frames, and SO MUCH MORE! We’re just a few weeks away from the Boogie!

Other acts boogie with Leftover Salmon for the weekend include The Sweet Lillies, Tenth Mountain Division, Pixie & The Partygrass Boys, DeadPhish Orchestra, Erik Deutsch’s Falling Flowers, Woodshed Red, Sockeye, Tejon Street Corner Thieves, and Special Guests include the High Country Horns (ft. Skerik, Jennifer Hartswick, Natalie Cressman) and Sally Van Meter.

Not only did Leftover Salmon book all this amazing music for you for an unforgettable weekend, but the Broadmoor is a historic location and that is stacked with adventures, restaurants, bars, shopping, and more to enjoy with your friends and family. There are endless opportunities to explore the picturesque mountains, streams, and canyons that have inspired generations. Whether you are interested in zip lining adventures and horseback riding, Colorado fly-fishing, or an indulgent day at the spa, there is a plethora of activities for every age in every season, including a state of the art movie theater, bowling alley, and so much more!

This is your best chance to stay at this legendary resort for an affordable price exclusive to Salmon fans. Come enjoy a weekend at this beautiful 5-star hotel with top-notch amenities and music that can’t be beaten! LoS is excited to be able to offer a wide range of accommodations at Boogie At The Broadmoor attendees and the amenities at The Broadmoor are boundless. See what awaits you here.

Book CoverLeftover Salmon will also have plenty of copies of their new book, Leftover Salmon: Thirty Years of Festival! Written by Tim Newby, the book covers their thirty-year journey as a band and is an intimate portrait of Leftover Salmon through the personal recollections of its members, family, friends, former bandmates, managers, and the countless musicians they have influenced. Vince Herman says, “History is made by those who write it, not the musicians who can’t remember it, Tim Newby knows our history and now it’s up to him to teach us what happened!”

Come be part of creating the next chapter of things for LoS at the Boogie At The Broadmoor! Full weekend passes are available and The Broadmoor offers a variety of Suites, Cottages, Brownstones, and even a 12,000 SQ FT Estate House. To book any of these upgraded accommodations, please call the resort at 1-855-634-7711 and mention you’re with “Leftover Salmon’s Boogie At The Broadmoor” group.

We are SOLD OUT of all the Classic and Superior Rooms at The Broadmoor. There are still Premier Rooms available at a very discounted rate of $249 as well as Suites and Cottages! We have also teamed up with the Courtyard by Marriott just 2 miles down the road to offer a special room rate of just $105 per night for the LoS Group. Head here http://bit.ly/boogieroomoptions to book!

For those of you staying off-site, we’ve got Lyft offering discounted rides to and from The Broadmoor using code “BROADMOOR19”

Can’t make the whole Boogie? Get your single day tickets now so you don’t miss this very special experience! There is a student Spring Break Special for those under 21 (Full Weekend and Single Day) and kids under 7 are free!

See the schedule and book your tickets and rooms to come out for a taste of this Five Star Festival at a Five Star Resort at www.Boogieatthebroadmoor.com.

For more information, other LoS news, please visit www.LeftoverSalmon.com.

 

Read Full Post »

Amy McCarley Launches MECO, Her 3rd Album, February 8, 2019
Co-produced by Kenny Vaughan & George Bradfute

Kenny Vaughan & Chris Scruggs Join McCarley on the Entire Album
Featuring special guests:
Pat Alger, Marty Stuart, Kenny Lovelace, Harry Stinson, and George Bradfute

Available Now To Stream & Purchase→  http://radi.al/MECOAmyMcCarley

MECO_ALBUM_COVERARTHUNTSVILLE, AL —  With poignant and thought provoking lyrics, Amy McCarley finds balance in a new perspective with the launch of MECO, her 3rd studio album, out February 8, 2019. After collaborating in writing new songs with Bluebird Cafe round-mate and Nashville Songwriters Hall of Famer, Pat Alger, McCarley returned to the studio with esteemed colleagues, co-producers Kenny Vaughan & George Bradfute to work on MECO, her highly anticipated follow up to 2014’s Jet Engines. MECO was recorded and mixed by Bradfute in his Tone Chaparral Studios in Madison, Tennessee and mastered by Jim DeMain at Yes Master Studios in Nashville.

An acronym borrowed from the Space Shuttle program that stands for Main Engine Cut Off, MECO occurred for the shuttle when onboard propulsion systems were disengaged at an altitude where velocity could be maintained by the power of an innate force at work in the universe with periodic adjustments from the vehicle. The album traces McCarley’s experience of what it’s been like leaving life as a NASA contractor to pursue a career in music.

Featuring two of Marty Stuart’s Fabulous Superlatives on the entire album including Vaughan on guitar and multi-instrumentalist Chris Scruggs on drums, percussion, bass, and steel guitar; it is only fitting that Harry Stinson joins in on backing vocals on a track and Stuart himself plays mandolin onNever Can Tell.”

The ten tracks of all original material feature McCarley’s yearning vocals, acoustic guitar, and harmonica. Alger, who co-wrote half of the songs on MECO says of McCarley, “Super, super intense guitar style. And I was so fascinated by it. Everything she did was real. Super intense. She’s just a different kind of performer.”  Alger describes the series of events leading to a co-writing partnership that yielded half the songs on MECO in this video cliphttps://youtu.be/oY3V2ZZwTXU

Uniquely relatable, this northern Alabama native’s music is embraced by Americana fans across the country and abroad. Vaughan says, “I think all of her songs come from a personal experience. Each song is about something she’s gone through, which is good because it gives her a little edge on the delivery. The emotional content kinda comes through in there.”

What Folks Are Saying:

MECO demonstrates beyond doubt that Amy McCarley has established a clear flightpath in Americana music with her blend of country rock sung with a world weariness that immediately brings to mind Lucinda Williams… in MECO she has reached an elevation that deserves a wider acclaim to propel her musical voyage.”
Americana Music Show, Lyndon Bolton,
Listen in to Lyndon Bolton’s podcast interview with McCarley on Americana Music Show

“Not only can McCarley write songs, sing them and play a mean acoustic guitar, she has an astute sense for musical support…. this is a can’t miss effort.”
Country Standard Time, Jim Hynes

“With any luck, the record should propel McCarley into the big time at least as quickly as a NASA rocket launches a capsule into space. It combines mainstream accessibility with the sort of authenticity and depth you’d associate with artists like Lucinda Williams.”
The Morton Report, Jeff Burger

“Marshall Chapman, Lucinda Williams, and (delightfully) Linda McRae come to mind as McCarley utilizes various aspects of her lithe voice, the result entirely her own with soulful shades of her Alabama roots apparent.” 
Fervor Coulee, Donald Teplyske

“It is superb… She possesses a strong and expressive voice that can display presentiment and positivity equally… Vaughan and Bradfute’s production is spot on, never overwhelming the vocal or getting in the way of the song.” 
Lonesome Highway, Stephen Rapid

“… there’s a reflective spirit and emotional honesty that’s very transparent on the listen, as each song is carefully crafted and delivered with a pensive, gorgeous timelessness.”
Take Effect Reviews, Tom Haugen

More About MECO:

With Scruggs’ wild driving rhythm and Vaughan’s insane blazing solo, the album opens with  “A Clue,” a determined revelatory song started in McCarley’s days at NASA. A song of finding strength in perseverance, “Clarksdale Blues” features Bradfute on slide guitar and gives a sense of those wide open blue skies in the Mississippi Delta, the location of the song’s inspiration.

Jerry Lee Lewis band leader, Kenny Lovelace, plays fiddle on the upbeat and breezy tune “Ain’t Life Funny” which muses about how life can tell a joke, “Just when we think that things are humming… Ain’t it funny how it all goes up in smoke.” McCarley says, “He cranks it all up to where either a square dance or hippie jig seem equally appropriate to me.”

Triumphant and joyful, “High Wire” is about survival. McCarley says, “Kenny and Chris brought the emotion in ‘High Wire’ to full impact during the instrumental break right after I sing ‘A little bird perched on a limb / In a wild storm in the wind / I will sway I will bend / With eyes wide open / And drink it in.” Other songs demonstrate a cathartic release in a new perspective such as “Everything Changed,” “Happy,” and “Farewell Paradise.

Sorrow and gratitude go hand in hand on the dream-like “Days” which features McCarley’s co-writer Pat Alger playing lead acoustic guitar and recalls treasured moments with loved ones which can go by so quickly. “Never Can Tell” is a song about finding meaning amidst uncertainty and “How You Do” is more plaintive in nature.

McCarley’s trajectory is defined by her personal strength as an artist and her ability to learn through the enormous collaborative power of connecting with other stellar talents. She says, “It has taken everything I have plus the guiding unseen hands of time and chance together with support from some incredibly talented generous souls in order for this album to be made and on its way to listeners.”

MECO Track Listing & Credits:
1. A Clue (4:41)*
2. Clarksdale Blues (4:18)*
3. Everything Changed (5:28)
4. High Wire (4:20)
5. Days (3:13)*
6. Never Can Tell (2:39)
7. How You Do (4:32)
8. Happy (4:12)*
9. Ain’t Life Funny (3:04)*
10. Farewell Paradise (3:57)

Amy McCarley — vocals, acoustic guitar (all), harmonica (7)
Kenny Vaughan — electric guitar, acoustic guitar (all)
Chris Scruggs — drums, percussion, and bass (all), steel guitar (5,10), backing vocals (10)
George Bradfute — slide guitar (2), fiddle (6), viola and cello (7), fiddle and mandolin (8)
Pat Alger — acoustic guitar (5)
Marty Stuart — mandolin (6)
Kenny Lovelace — fiddle (9)
Harry Stinson — backing vocals (10)

Producers — Kenny Vaughan & George Bradfute
Audio & mix engineer — George Bradfute (Tone Chaparral)
Mastering engineer — Jim DeMain (Yes Master Studios)

*Indicates a song written by Amy McCarley & Pat Alger

© 2019 McCarley Publishing (BMI) & Algerhythms (ASCAP)
All other songs written by Amy McCarley © 2019 McCarley Publishing


For more information, please visit  www.amymccarley.com, www.facebook.com/amymccarleymusic, www.twitter.com/amy_mccarley,  www.instagram.com/amymccarleymusic.

 

Read Full Post »

Older Posts »