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Posts Tagged ‘Andy Pond’

Aaron Burdett Releases his new album Breathing Underwater Today

Download it for Free at www.AaronBurdett.com

Aaron’s release show is at The One Stop Deli & Bar in Asheville
this Saturday night, the 15th at 10pm.

He will also be live on WNCW at 4pm on Friday, Sept 14th.
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Based in the Asheville, NC area, storyteller and musician Aaron Burdett is set to release his 4th album, Breathing Underwater on September 11th, 2012. Building on the traditions of the finest performing songwriters such as John Hiatt, James Taylor, Cat Stevens, and John Prine; Aaron’s music blends folk-rock, bluegrass, and blues with pop sensibilities. His honest songwriting pours in between hammer-on chord changes and rolling crosspicking rhythms, all the while keeping at the forefront his own unique sound and authentic voice.
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Optimistically themed, Breathing Underwater reflects Aaron’s life experience and the changing perceptions and priorities that come with the passage of time, working towards goals, and finding the peace of mind to allow life to unfold naturally. It features 11 tracks, all penned by Burdett, including the slow, bluesy electric title track. It’s a tonally diverse album, from the upbeat and newgrassy “Copper on the Corner” and “Sneaking up” to the more relaxed pace of “The Simplest Things”, a piece about stepping back from day to day distractions and concerns to remember the more important things we are blessed with. There is a musical release in “3 or 4 minutes”, a song about being taken away on a journey by an artist, and then realizing that it’s only a 3 or 4 minute song even though you feel like you’ve been gone and zoned into the music forever.
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He’s got some excellent players on the album including Will Jernigan on bass, Billy Seawell drums, Andy Pond and Brian Paul Swenk on banjo, Casey Driessen on fiddle, with Aaron on all the geetars….
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For tour dates and to find out more  visit: AaronBurdett.com

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Aaron Burdett Releases “Breathing Underwater”

“Burdett’s accessible and utterly authentic vocal style is the perfect match for his insightful, ruminative lyrics, which totally sells the truth of his tales, making for a truly satisfying listening experience.” —Bold Life

“laid-back set of acoustic driven folk” —Mountain Xpress

“Burdett’s music ranges from handmade hooks to newgrass to Starbucks soundtracks” —Greenville Metromix

Based in the Asheville, NC area, storyteller and musician Aaron Burdett is set to release his 4th album, Breathing Underwater on September 11th, 2012. Building on the traditions of the finest performing songwriters such as John Hiatt, James Taylor, Cat Stevens, and John Prine; Aaron’s music blends folk-rock, bluegrass, and blues with pop sensibilities. His honest songwriting pours in between hammer-on chord changes and rolling crosspicking rhythms, all the while keeping at the forefront his own unique sound and authentic voice.

After successfully raising $9000 through Kickstarter, Burdett and his band (Will Jernigan on bass and Billy Seawell on drums), took to Hollow Reed Studios to record with producer Chris Rosser. Breathing Underwater is the first album where vocalist Burdett performs on his electric guitar as well as acoustic. Guest musicians include Casey Driessen on fiddle, Andy Pond on banjo and cajon, Brian Swenk on banjo, and Chris Rosser on keys.

Optimistically themed, Breathing Underwater reflects Aaron’s life experience and the changing perceptions and priorities that come with the passage of time, working towards goals, and finding the peace of mind to allow life to unfold naturally. It features 11 tracks, all penned by Burdett, including the slow, bluesy electric title track. It’s a tonally diverse album, from the upbeat and newgrassy “Copper on the Corner” and “Sneaking up” to the more relaxed pace of “The Simplest Things”, a piece about stepping back from day to day distractions and concerns to remember the more important things we are blessed with. There is a musical release in “3 or 4 minutes”, a song about being taken away on a journey by an artist, and then realizing that it’s only a 3 or 4 minute song even though you feel like you’ve been gone and zoned into the music forever.

Burdett has recorded three previous albums: 2005’s The Weight of Words, 2008’s Resolve, and 2010’s Stand Up Eight. The latter two hit in the top 25 top regional releases on WNCW. “There’s a comfortable feeling to Stand Up Eight, somewhat reminiscent to the music of John Hiatt and Bruce Hornsby,” writes Blue Ridge Outdoors. Over the years Aaron has been a finalist in several songwriting competitions including The Mountain Stage Songwriting Contest, The NC Songwriter’s Cooperative Songwriting Contest, and the Hank Williams Songwriting Contest (from the old Flat Rock Music Festival).

From Ireland and the UK to the Southeastern United States, Aaron‘s abilities have been noticed and showcased on some of the premier singer-songwriter stages during his career. Burdett has collaborated on his past albums with members of Big Daddy Love, Acoustic Syndicate, Free Planet Radio, and Snake Oil Medicine Show. He also had the pleasure of opening for the Avett Brothers several years back at his bass player’s wedding!

Whether solo or with his band, Aaron’s talent for the craft of songwriting and knack for connecting with a live audience has won him praise time and time again.

Aaron Burdett on Tour:

Aaron Burdett Band Live on Studio B, WNCW 88.7
4pm Friday, September 14. 2012

Aaron Burdett Band’s AVL CD Release Show @  The One Stop in Asheville, NC
With special guest Andy Pond joining the band
Saturday, September 15, 2012 10pm

Aaron Burdett Solo @ Pisgah Brewing Co. in Black Mountain, NC
Saturday, September 22, 2012 3pm

 Aaron Burdett Band @ The Purple Onion in Saluda, NC
Hometown CD Release Show!!
Saturday, September 29, 2012 8pm

Aaron Burdett Band @ Jack of Hearts in Weaverville, NC
Friday, October 10, 2012 9pm

Aaron Burdett Band @ The Garage in Winston-Salem, NC
Saturday, October 13, 2012 9:30pm

More dates tbd…

aaronburdett.com
facebook.com/AaronBurdettMusic
twitter.com/Aaron_Burdett

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Extract 17. Photo by Rob Gardner

Stop. Listen. Dynamic changes happen simultaneously with nuanced timbre shifts, while the notes, chords, and poly-rhythms travel past you. Extract 17 is not a jam band, or math rock or even a hybrid of anything. They are four musicians of remarkable talent, pushing each other and themselves to make something wonderful. Equal parts Mahavishnu Orchestra, Strength In Numbers and original innovation, Extract 17 plays a palate of original electric instrumental compositions focused on both the spirit of adventure and the beauty of arrangement. You can see them live for *FREE* every Tuesday in March at Modaddy’s Bar in Asheville.

In the past year, the four musicians that comprise Extract 17, Jay Sanders, Bill Cardine, Andy Pond and Ian Cunningham, have been composing, arranging, and experimenting with a variety of provocative new sounds. Their repertoire features tunes written by each member of the group and a select list of covers from some of their biggest influences including Bill Frisell, MMW, and Hank Williams.

As a bass player, what characterizes Jay Sanders‘ music is an overwhelming sense of space, time and genre. His compositions tend towards the melodic and sublime while improvisations can go from the most peaceful melody to full-scale free jazz and noise music. Attention to style and unique versatility are the hallmarks of his playing. Sanders is best known for his work with Acoustic Syndicate and Donna The Buffalo.

Bill Cardine brings his innate sense of musicianship, melody and texture with his muse instrument of choice, the slide guitar. Jerry Douglas has said of Cardine “I couldn’t have picked a better example for them of where the Dobro is now or what the possibilities are with the instrument.” His innovative work on the Dobro, Moog Slide Guitar, Chaturangui, Weissenborn and Electric Steel guitars has lead him as both a performer and educator around the world, as well as to some of our country’s most revered venues and major festivals. Internationally, Cardine is known for his work with the Biscuit Burners; he is also the newest member of Acoustic Syndicate.

Andy Pond is one of the most exciting progressive-acoustic banjoists on the scene today: melodic and tasteful with a raw edge of improvisation. His approach to the banjo is all encompassing and includes Middle eastern/Balkan flavours, newgrass and dixieland grooves as well as funky dance beats. For almost two decades, Pond has been the driving force behind the Snake Oil Medicine Show, is half of the Pond Brothers, and the lead of CX1.

Ian Cunningham‘s drumming boldly combines the best parts of rock, jazz, African and things completely different and unknown into a powerful beat that is the perfect landscape for Extract 17. Cunningham is a formidable drummer and presence in the Asheville music scene; and as the pulsating foundation for UNC Asheville’s African Dance and Drumming classes, he excels at bridging the worlds of music.

In September of 2010, Sanders, Cardine and Pond performed a series of shows with the legendary Jeff Sipe on drums including memorable performances at the LAAFF Festival, Pisgah Brewing’s beautiful outdoor stage, the Pour House in Charleston, and Asheville’s juke-joint MoDaddy’s. 2011 finds the quartet breaking ground in new directions with the addition of Ian Cunningham on drums. This new lineup will debut as part of MoDaddy’s monthly residency series, playing every Tuesday in March. The shows are all free and begin around 9:30. Enjoy being carried away into a vast soundscape of innovative instrumental music.

Show details at a Glance:

Extract 17
Sanders-Cardine-Pond-Cunningham
Tuesdays in March
MoDaddys

9:30pm
*FREE SHOWS*
828-258-1550
77-B Biltmore Avenue
Asheville, NC 28801
www.modaddysbar.com

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Jay Sanders has long been a staple in the Asheville music scene. One of the “go to” bass players in the area, Jay has toured extensively with Acoustic Syndicate, Donna The Buffalo, Snake Oil Medicine Show, and countless others.

Throughout the spring of 2010, Sanders lead the Mindtonic Music Series on Tuesday evenings at the Rocket Club in West Asheville. He brought together a dynamic edge of collaborative players, each performance resulting in a completely different sound than the week before. Groups were assembled to bridge various music scenes and to showcase the co-creations that form when unlikely musical companions of contrasting styles are set free in an open environment.

On Wednesday, November 3rd, the Best of the Mindtonic Music Series will be making a special appearance at The Grey Eagle in Asheville. The new combination of Jay Sanders, Bill Cardine and Andy Pond will be joined by special guest percussionist, River Guerguerian. The improvisational spirit of The E.Normus Trio opens the show. The show starts at 9pm. $8 Advance, $10 Door.

Collectively, Sanders, Cardine and Pond are three of the most celebrated talents in Western North Carolina. Dobro master Bill Cardine has long been a signature sound of the Biscuit Burners and was recently featured on Jerry Douglas’ tribute to Tut Taylor. Andy Pond is one of the banjo world’s best kept secret, making his sound known through the Snake Oil Medicine Show. The Porous Borders of Music was an experience that brought together the musical talents of Andy Pond and Bill Cardine and could easily describe their continued odyssey as they expand upon infinite creative horizons.

For a sneak peak at what they have to offer, check out these videos from their first show at Pisgah Brewing with Jeff Sipe sitting in: http://wp.me/pxjHY-HR.

Some of their music is also available to download at http://mindtonic.net/media/SCPS. Just right click on the link from the index page and you can save it to i-tunes.

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Formed in 2007, The E.Normus Trio is an adventurous Jazz spirit comprised of Steve Alford on alto & bass clarinet, Billy Seawell on drums, and Jay Sanders on bass. Steve Alford is the director of the jazz program at Mars Hill College and a frequent participant in the Asheville Jazz Orchestra. One of the most expressive drummers you will ever see, Billy Seawell is best known for his work with the Snake Oil Medicine Show. The essence of creativity is emphasized in collective improvisations that traverse a wide musical spectrum. The E.Normus Trio has held residencies at the Jolie Rouge and The Rocket Club, making weekly performances the stuff of legendary exploration.

For more info visit: www./mindtonic.net


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Sanders, Pond, Caradine, and Sipe at LAAFF 2010. Photo by Bright Life Photography

Jay Sanders (Bass), Bill Cardine (Dobro), Andy Pond (Banjo) and Jeff Sipe (drums) are four of the most celebrated talents in Western North Carolina. To list all of the amazing projects these four musicians have been a part of would take away from the magic that occurs when they combine their spirited efforts. The Porous Borders of Music was an experience that brought together the musical talents of Andy Pond and Bill Cardine and could easily describe their continued odyssey as they expand upon infinite creative horizons.

These videos are from the quartets first show on Sept 2nd 2010 at the Pisgah Brewery outdoor venue in Swannanoa, NC.

Sanders, Cardine, Pond and Sipe — Flyswatter

Sanders, Cardine, Pond and Sipe — Tales From The Dark Side

Sanders, Cardine, Pond and Sipe — Storms of Mecklenberg


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by Alli Marshall in Vol. 15 / Iss. 23 on 12/31/2008

Mountain Xpress

http://www.mountainx.com/ae/2007/123108any_reason_for_the_season_the_other_new_year/

Once, when Asheville-based musician Andy Pond passed through customs into the Montego Bay airport, a member of the Mento band (which greets tourists) noticed his banjo case. “Going to Jamaica with a musical instrument makes people treat you differently,” Pond says. He suddenly found himself picking along with the band, welcoming fellow tourists—including the cast of MTV’s “Jackass” series.

Sound crazy? In under three hours’ flight time, you could be in sunny Jamaica, rum drink in hand, warm breeze blowing off the turquoise ocean and strains of—no, not reggae or steel drums—Larry Keel welcoming you to paradise.

Unlikely but true, and all part of the annual random-but-not-without-reason Chinese New Year Celebration (CHNY), held in the Jamaican beach town of Negril. This January’s gathering, which attracts many Western N.C. residents, artists and musicians, heralds the year of the Ox.

This particular Chinese New Year event got its start as a gathering of friends that moved from country to country. The Jamaican location stuck—despite the oddity of a Chinese holiday in the Caribbean—and soon word got out, catapulting the private festivities to public ones.

“The intention of the celebration is to … build a culture of peace and community through travel, music, arts and play to set a positive tone for the New Year,” reads the event Web site. In fact, CHNY has been taking place for the better part of a decade and not only provides a full itinerary of music and fun in the sun, but also opportunities to explore Jamaican culture and contribute to social projects.

One project, close to the heart of Pond (who first came to CHNY—and Jamaica—in 2001 when his band, Snake Oil Medicine Show, was invited), is the West Haven Children’s Home for the Disabled. “We originally volunteered to play a concert for the kids,” he recalls. “It was heavy. This is an orphanage for physically-challenged children andadults.” Organizers approached the Children’s Home staff to see how CHNY attendees could help. The answer: “We don’t need money, we need humans to visit,” Pond says.

“We spent a week doing art projects and serving food,” Pond recalls. “I always wondered if we helped them or just helped our own consciousness.”

He adds, “You can impact one person for one week. I go [to Jamaica] and realize how much I actually have.”

Pond understands that for some, the visit to Jamaica is about vacation and concerts. “That’s okay,” he says. “We know it’s not comfortable to go to the orphanages and see people who have less.” CHNY’s service mark also comes in the event’s commitment to support Jamaican-owned businesses. This is especially important on the Caribbean island where international resorts bring no return to local economies. It’s worth noting that while CHNY comes with a price tag (even musicians and volunteers pay their own way), the event organizers have already done the legwork to help visitors make the most impact with their American dollars, and avoid as many hassles as possible.

Another opportunity to learn (and WNC connection) comes through the ongoing One Love Reasoning Seminars, lead by Robert Roskind, author of Rasta Heart: A Journey into One Love and Gathering of the Peacemakers, both of which deal with Jamaican elders who wish to further the Bob Marley principal of love and freedom for all humanity. Roskind is a resident of Blowing Rock, N.C., but he and his wife Julia travel frequently to Jamaica.

Pond notes that there’s a long-standing (if informal) exchange program between the Appalachian Mountains and Jamaica. “Asheville and Negril have a strange exchange of music. Before there was Snake Oil Medicine Show, there was Ras Alan,” he says. “I personally had a musical epiphany. The simplicity and the poetry of reggae touched me.”

what: Chinese New Year 2009, a week-long celebration of peace, community, the arts and travel
where: Negril, Jamaica
when: Saturday, Jan. 24-Saturday, Jan. 31 (Packages run $750-$2610, not including airfare. At press time, airfare ran around $300 for a direct flight from Charlotte, N.C. to Montego Bay, Jamaica.http://www.chny.org.)

The lineup

Chinese New Year 2009 attendees may be surprised by just how familiar the bands performing at the Jamaican resort seem. That’s because a significant portion of the roster is Asheville-based. Here’s who’s playing:
• Kenyatta “Culture” Hill: The son of ‘70’s era reggae star Joseph Hill, Jamaica-based Kenyatta carries on the family legacy. He recently released his first solo album, Pass the Torch.
• Laura Reed and Deep Pocket: Influenced by roots reaching from front woman Reed’s South African home to the American South, this Asheville-based big band blends reggae, R&B, soul and funk for a captivating and high-energy live show.
• CX-1: At first look, CX-1 is a mini-version of Snake Oil Medicine Show. In fact, the Pond Brothers’ side project (a.k.a. “The Blackhole Bluegrass Boys”) allows its members to further explore the connections between reggae and bluegrass.
• The Overtakers: This Negril-based husband and wife project (led by Ruben and Ruth Brooks) has collaborated with CX-1 for a transcendent Asheville show, as well using their music to uplift their own Jamaican community.
• Josh Phillips: Formerly of Asheville’s Yo Mama’s Big Fat Booty Band, Phillips recent went solo with a the seamless debut release, Wicker. Upbeat songwriting and folky reggae-meets-hip-hop make up a not-to-be-missed Josh Phillips performance.
• Fred Tackett and Paul Barrerre: These guitarists, both of the legendary band Little Feat, have their own band known appropriately, as Paul and Fred-The Acoustic Duo. Fred is from Arkansas, Paul from California.
• Acoustic Syndicate: Formed in 1992 by brothers Bryon and Fitz McMurry and cousin Steve McMurry, the acoustic Americana outfit logged many road miles and built an impressive fan base before they quit touring in 2005. After a two-year hiatus, the core group reunited for occasional show dates.
• Larry Keel & Natural Bridge: Expert picking, fiery licks and roots music performed with modern flare underscore a Natural Bridge show. The sounds are second only Virginia-based musician Larry Keel’s penchant for creating a family feel wherever he goes.
• Snake Oil Medicine Show: This long-term Asheville collective, including George and Andy Pond, Caroline Pond, Billy Seawell, Sean Foley and, occasionally, painter Phil Cheney, has the uncanny ability to turn any crowd into a party.

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