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srr2017 art mid summer8.5x11
Lineup Additions For Suwannee Roots Revival Include Mother’s Finest
,
Chatham County Line, The Revelers, and More!

October 12-15, 2017 at the Spirit of Suwannee Music Park in Live Oak, FL

The Dance Tent Features Contra and Square Dance, Cajun/Zydeco, Waltz, Salsa & Latin Dance

Special Guy Clark Tribute Set with Verlon Thompson and Shawn Camp

Permaculture Action Day Workshop Announced!

Ticketswww.suwanneerootsrevival.com/tickets/

LIVE OAK, FL — Spirit of the Suwannee Music Park is pleased to announce additions to the lineup for Suwannee Roots Revival taking place in Live Oak, Florida October 12-15, 2017. The already incredible lineup is expanded to include Mother’s Finest, Chatham County Line, The Revelers, The Lee Boys, Richie and Rosie, Katie Skene, LPT, The Dunehoppers, and The Walker Family Band.

Artists previously announced include Béla Fleck and Abigail Washburn, The Wood Brothers, Peter Rowan Dharma Blues featuring Jack Casady, Donna the Buffalo, Steep Canyon Rangers, Rev Jeff Mosier Band, Willie Sugarcapps and more! See the complete lineup below.

The family friendly festival includes four days of music, camping, campground pickin’ sessions hosted by Sloppy Joe at Slopryland and Quartermoon at Bill Monroe Shrine, the Dance Tent, hands on and performance workshops, yoga, a Kids Tent, and much more! Hosted by long time friends of the park Randy Judy and Beth Judy, Suwannee Roots Revival focuses on amazing roots music that ties together a weekend laced with community based fun, growing friendships, laughing families, and that feel good feeling you get from hanging out in such a beautiful natural setting.

Get ready to rock out with Mother’s Finest, a funk rock band founded in Atlanta, Georgia by Joyce Kennedy and Glenn Murdock in the early 1970s. The group charted with the singles “Fire,” “Baby Love,” “Don’t Wanna Come Back,” “Love Changes,” and “Piece Of The Rock” in the mid to late 1970s. Known internationally, for their fusion of Funk, Rock, Gospel, R&B Metal, and Jazz, they are incomparable and unique in their ability to bring it to you in concert. And now after several year’s quiet, they’re still one of the best LIVE bands on the planet and we are happy to host them for their debut appearance at SOSMP

Raleigh, NC­ based Bluegrass band Chatham County Line made their debut appearance at the legendary Red Rocks Amphitheater opening for the Avett Brothers this July and we are eager for them to perform at Suwannee Roots Revival this Fall! They’ve been traveling the country with their most recent Yep Roc album release, Autumn. Pop Matters says, “They are masterful pickers and varied songwriters capable of creating an infectious backdrop for their audiences to behold with their innovative, masterclass harmonies.”

The Revelers combine Cajun, Country, Blues and Zydeco into a powerful tonic of roots music straight from southwest Louisiana that’s sure to get you moving. The Revelers include founding members of the Red Stick Ramblers and The Pine Leaf Boys, two of the groups unquestionably at the vanguard of the Louisiana cultural renaissance. The band’s second full-length album, Get Ready, featured all original material and was nominated for a GRAMMY in 2016. OffBeat Magazine calls them “groove bound and dance compelling.”

The Lee Boys are one of America’s finest sacred steel ensembles bringing forth what eTown calls a ““powerhouse, gospel-influenced sound.” Although this style of music was virtually unknown outside the House of God church until the past decade, the music has a rich history dating back to the 1930’s. The Lee Family has been an integral part of both the church and its music for decades and has made a plethora of appearances at the Spirit of Suwannee Music Park over the years.

The Dance Tent will feature organized dance sets along with performance sets designed to get your body moving! The Dunehoppers return with their classic take on Contra and Square Dance. There will be brief instruction prior to each of the organized dance sets. The Walker Family Band will feature incredible music designed for the Waltz. Jacksonville’s LPT, an Afro-Cuban band will get hips moving with opportunity for Salsa and other Latin Dance. And then for your fix of Cajun/Zydeco, The Revelers will bring that Louisiana gumbo mix right to Live Oak!

Suwannee Roots Revival will feature a special set of Guy Clark music presented by Verlon Thompson and Shawn Camp. Guy Clark made his first appearance at Spirit of the Suwannee Music Park at the 2nd Annual Suwannee Springfest in 1998 and he joined the Suwannee Family every spring over the next 14 years with only a couple exceptions due to illness. Both Verlon and Shawn have a long history of not only performing with Guy, but also co-writing with him. So many of the Guy songs we’ll hear them share weave parts of their personal histories with Guys into the magical world the songs create. We are delighted to pay tribute to Guy Clark with this performance by two of his favorite performers and friends.

The festival pays tribute and remembers our beloved artists who have passed on with our memorial Vassar Sunday. There will also be a special set to honor the amazing and legendary Col. Bruce Hampton – details will be forthcoming.

Fall is a wonderful time to reconnect with nature and enjoy the garden and we are thrilled to offer a Permaculture Action Day Workshop on Thursday, Oct 12th, 10am – 1pm called “The Low Maintenance Food Forest.” Food forests can be very low maintenance gardening solution and create food independence for you and your family. Learn the basics of maintaining a food forest as part of our series of educational, hands-on learning experiences. Chop and drop, natural mulching and fertilizing techniques, laying seeds for winter crops and beneficial bugs will be covered in this workshop. Our partners Great Southern Forestry and Grow Here Now will answer questions about bringing permaculture principles to your garden. Space is limited.
Sign up to participate at SuwanneeRootsRevival.com/actionday.

A limited number of Early Bird Tickets are on sale until August 31st for $155 for a 4-­day Weekend Pass (all taxes, fees and primitive camping included). Kids age 12 and under are invited to join for free when accompanied by a parent or legal guardian who buys a multi-day ticket. There are also military and student discounts available. See all rates and tiers and get tickets at www.suwanneerootsrevival.com/tickets.

Set in the midst of 800 acres of Spanish moss-draped oak and cypress trees along the Suwannee River, the venue is a playground for endless activities such as swimming, canoeing, kayaking, disc golf and biking.The Spirit of Suwannee Music Park offers a unique experience like no other, a true playground for all that attend. The Park also offers guest comforts including a general store, full service restaurant, free showers, indoor bathrooms and water stations. Upgraded Camping, including RV hook ups and cabin rentals, is currently on sale and reservations may be made by calling the Park office at (386) 364­-1683. Attendees can also reserve golf cart rentals by calling the park.

SOSMP is located between Jacksonville, Florida & Tallahassee, Florida about 30 minutes south of the Georgia State line, about 45 minutes north of Gainesville and is host to a variety of events. Please visit the park’s web site at www.musicliveshere.com for further information.

Suwannee Roots Revival Lineup
Béla Fleck and Abigail Washburn
The Wood Brothers
Peter Rowan Dharma Blues featuring Jack Casady
Donna the Buffalo
Steep Canyon Rangers
Mother’s Finest
Chatham County Line
Jim Lauderdale
Verlon Thompson
Shawn Camp
Rev Jeff Mosier Band
Willie Sugarcapps
The Lee Boys
The Revelers
Joe Craven & The Sometimers
Seth Walker
River Whyless
Nation of Two
Amanda Anne Platt & The Honeycutters
The Grass Is Dead
Rumpke Mountain Boys
Dread Clampitt
Richie & Rosie
Grandpa’s Cough Medicine
The Pine Box Dwellers
Katie Skene
Belle and The Band
The Adventures of Annabelle Lyn
Quartermoon
Sloppy Joe
LPT
The Walker Family Band
The Dunehoppers
Habanero Honeys
Jeff Bradley
Suwannee Spirit Kids Music Camp
Tania & Magic Moon Traveling Circus

Further information at www.SuwanneeRootsRevival.com. Also visit us on at www.facebook.com/suwanneeroots, Twitter & Instagram: @SuwanneeRoots (#SuwanneeRoots)

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Jam in the Trees_Schedule-2017

Jam In The Trees Takes Place Fri-Sat Aug 25-26 at Pisgah Brewing Company
The Infamous Stringdusters, Acoustic Syndicate, Peter Rowan, Larry Keel, Tim O’Brien and more!

Announcing:
After Hours Jam With Hosts Jim Lauderdale and Frank Solivan and Dirty Kitchen
Meet & Greets w/ Jim Lauderdale, Peter Rowan, and Tim O’Brien & Jan Fabricius
Free Shuttles Between Downtown Asheville, Surrounding Campgrounds & Hotels, and Pisgah

150 Eastside Drive, Black Mountain, NC 28711 | Phone 828.669.0190
Tickets:  www.eventbrite.com/e/jam-in-the-trees-tickets-29283448583

ASHEVILLE, NC — Jam in The Trees is honored to be nominated for an International Bluegrass Music Association (IBMA) Momentum Award in the Festival/Event/Venue category for 2017! What great news to find out shortly before The 2nd Annual Jam In The Trees, a two day, Americana music-themed event that takes place at Pisgah Brewing in Black Mountain, NC on both the beautiful Outdoor Stage and the more intimate Indoor Taproom Stage Friday and Saturday, August 25 and 26, 2017.

This year’s event features The Infamous Stringdusters, Acoustic Syndicate, Peter Rowan, Larry Keel Experience, Jim Lauderdale, Tim O’Brien & Jan Fabricius, Frank Solivan and Dirty Kitchen, Jeffrey Foucault, Front Country, Eilen Jewell, Underhill Rose, Ken Tizzard, Cicada Rhythm, and Zoe & Cloyd!  There will also be unique vendors and local food trucks on-site including Bun Intended, Grateful Roots, Mountain View BBQ, and DOGS, as well as award-winning Pisgah Brewing beer!

Doors open at 7pm on Friday for shows on the Indoor Taproom Stage. Gates open Saturday at 12pm, with music starting at 1pm throughout the day until 11pm on the Pisgah Brewing Outdoor Stage and inside the Taproom with no overlapping sets between stages.

Saturday night there will be an After Hours Jam hosted by Jim Lauderdale and “house band” Frank Solivan and Dirty Kitchen with guests Peter Rowan, Tim O’ Brien, Ken Tizzard, Front Country and more. It starts around 11:30pm in the Taproom.

The full schedule of music can be found at www.jaminthetrees.com/stage-schedule-2017.

For folks that purchased VIP Tickets, VIP Meet & Greets take place on Saturday in the VIP Area and include Popcorn with Peter Rowan (5:30- 6pm), Jim Lauderdale PicNic Party (4 – 4:30pm), and Biscuits with O’Brien (Tim & Jan) (2:30- 3pm). Each is paired with a specific Pisgah Beer for the occasion and is followed by a brewery tour.

Tickets are on sale now. The two day packages are sold out; however there are still single day tickets available. VIP tickets (Saturday only) are also available and include Meet & Greets with the bands, a guided brewery tour and tasting, preferred parking, a commemorative event poster and more! Kids 12 and under are free and welcome on Saturday with a paying adult. Tap Room shows at Pisgah Brewing are 18 and up, which is what Friday night is, so no kids on Friday night.

Jam In the Trees is excited to have partnered with Asheville Brews Cruise to offer complimentary shuttle service to all ticket holders for 2017! You can catch a ride out to Pisgah Brewing from downtown Asheville before the music starts on both Friday and Saturday, and catch a ride back downtown after the music ends both days! Stay safe and save money on gas!

During festival hours, the Brew Bus will be making a continuous circuit between nearby hotels and campgrounds in the Swannanoa/Black Mountain area and Pisgah Brewing Company. The ones on the route are Holiday Inn Asheville-Biltmore East, Quality Inn and Suites Biltmore East, Super 8 Black Mountain, Mama Gertie’s Hideaway Campground, and Asheville East KOA. Even if you just missed the shuttle, the longest you should have to wait for another is approximately 30 minutes.

More information and shuttle times can be found at www.jaminthetrees.com/accommodations-shuttles.

Jam in the Trees not only values music and community, but we also take on a responsibility to change the world for the better. For the second year in a row, a portion of our proceeds will benefit Wild Forests & Fauna (WildFF), a conservation organization that works with local communities to protect and restore globally important forests. One of their main projects, Native Seeds, is headed up by Asheville-native Georgia Beasley who has helped build the largest native tree nurseries in northern Uganda to empower traditional women healers and provide the area with medicine and food security. Last year’s inaugural event raised $5000 to protect, restore, and support threatened forests and wildlife in Western North Carolina as part of their Big Tree Project.

Jam in The Trees is sponsored by Prestige Subaru and Mosaic Lifestyle Realty.

Stay tuned to the festival’s website www.jaminthetrees.com to see the full schedule and for more information and updates.

Jam in The Trees 2017 Lineup
The Infamous Stringdusters
Acoustic Syndicate
Peter Rowan
Larry Keel Experience
Jim Lauderdale
Tim O’Brien & Jan Fabricius
Frank Solivan and Dirty Kitchen
Jeffrey Foucault
Front Country
Eilen Jewell
Underhill Rose
Ken Tizzard
Cicada Rhythm
Zoe & Cloyd

More information about Jam In The Trees can be found at www.jaminthetrees.com, www.facebook.com/JamInTheTrees, www.twitter.com/jaminthetrees, and www.instagram.com/jaminthetrees.

 

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Balsam Range. Photo by David Simchock

Balsam Range Casts Acoustic Spells with Mountain Voodoo,
Their Most Recent Release on Mountain Home Music Company

Flying High After Months On The Bluegrass Charts,
Balsam Range Nominated for Eight IBMA Awards!

Balsam Range is overjoyed with the news of today’s IBMA Awards Nominations in the following eight categories: Entertainer of the Year, Vocal Group of the Year, Instrumental Group of the Year, Song of the Year: “Blue Collar Dreams”, Album of the Year: Mountain Voodoo, Gospel Recorded Event of the Year: “Wish You Were Here”, Male Vocalist of the Year: Buddy Melton, and Bass Player of the Year: Tim Surrett!

Balsam Range, along with Sierra Hull and Justin Moses, performed live earlier today for the awards announcement with SiriusXM Bluegrass Junction host Kyle Cantrell. You can rewatch it over on IBMA’s facebook page from their Facebook Live stream.

The band is flying high with their sixth studio album, Mountain Voodoo, which came out on Mountain Home Music Company [11/11/17]. With Mountain Voodoo they offer something that is continuing to mesmerize fans of bluegrass and beyond with elements of jazz, country, gospel, swing, and old-time music that are all infused into the fresh sound of this unique Southern band. It’s five distinct personalities creating one remarkable musical experience.

balsamrangemtnvoodoowallcovThe 13-tracks are like the book of life “Chapter Six” for Balsam Range and are filled with songs of journey, home, sense of place, hardcore drive, and longing. There are fiery instrumental parts alternating with heavy, deep ballads overlaid by the vocal harmonies the group has become known for.

Their song “Blue Collar Dreams” has stayed at #1 on Bluegrass Unlimited’s Radio chart for June, July, and August. The same song also spent three consecutive months at number one on the Bluegrass Today charts earlier this year! Two other songs from the album have also landed at #1 on Bluegrass Today’s chart including “Something ‘Bout That Suitcase” and “El Dorado Blue.”

Balsam Range is Buddy Melton (Fiddle, Lead and Tenor Vocals), Darren Nicholson (Mandolin, Octave Mandolin, Lead Vocals, Baritone and Low Tenor Vocals), Dr. Marc Pruett (Banjo), Tim Surrett (Bass, Dobro, Baritone and Lead Vocals), and Caleb Smith (Guitar, Lead & Baritone Vocals). The five original members, who are celebrating their 10th year together this March, are all acoustic musicians and singers from North Carolina. They thoughtfully and respectfully adopted the name of a majestic range of mountains that surrounds part of their home county of Haywood, NC where the Smokies meet the Blue Ridge, the Balsam Range.

Balsam Range is humbled and honored to receive nominations for this years IBMA Awards in the following categories:

Entertainer of the Year
Vocal Group of the Year
Instrumental Group of the Year
Song of the Year: “Blue Collar Dreams”
Album of the Year: Mountain Voodoo
Gospel Recorded Event of the Year: “Wish You Were Here”
Male Vocalist of the Year: Buddy Melton
Bass Player of the Year: Tim Surrett

Get Mountain Voodoo at iTunes, Amazon, and morehttps://clg.lnk.to/3OSAZ

Watch the studio version of “Blue Collar Dreams”

Critical Acclaim for Balsam Range and Mountain Voodoo:

“These guys just keep getting better. How good is this one? There’s a potential song of the year here… the laurels go to Aaron Bibelhauser’s ‘Blue Collar Dreams’, an anthem for working stiffs everywhere that’s been dominating the charts. The song has quite a pedigree.”
Bluegrass Today, David Morris’ Top Albums of the 2016

“No matter what your taste in bluegrass might be, every listener can find something here to like. Take a listen to ‘Blue Collar Dreams’ or ‘Eldorado Blue’ with Buddy Melton and see if you agree.”
IBMA

Mountain Voodoo parts the curtains between heaven and earth as it speaks to those that have passed in ‘Wish You Were Here’, and sees leaving making an exit with ‘Something ‘Bout That Suitcase’ as Balsam Range walk a ‘straight and narrow line’ with empty pockets in ‘Blue Collar Dreams.’”
The Alternate Root, Danny McCloskey

“So consistently impressive that we no longer expect their albums to be ‘better than their last,’ in less than a decade Balsam Range has hit the plateau of excellence few groups achieve. Like The Del McCoury Band, Blue Highway, and Alison Krauss & Union Station before them, a new release from Balsam Range is measured against their individual legacy. Mountain Voodoo lacks nothing.”
Country Standard Time, Donald Teplyske’s Favorite Bluegrass Albums of 2016

“Stepping over boundaries seems to be a part of Balsam Range’s DNA.”
News & Record/ Greensboro.com, Grant Britt

“They kick the album off with a bang. Pure (what they at one time called) Newgrass, the kind of stuff on which Tony Rice and Ricky Skaggs based their reputations. Acoustic guitar (mostly picked), bass, mandolin, fiddle and banjo, and voices. The voices are crucial. You can jig and reel and you can breakdown without vocals but you cannot have the best of what bluegrass offers without voices. Think Seldom Scene and Doyle Lawson. Think harmonies sung by angels. Think harmonies stacked to the ceiling. There isn’t anything like it, or as some of my friends would say, ‘There ain’t nothin’ lak it.’”
No Depression, Frank Gutch Jr.

“They’re groovy. Balsam Range reminds us that bluegrass can be dancing music, hip-swinging music, backbeat music, as rhythmically hypnotic as all the plugged-in genres that formed in its wake. ‘It’s hillbilly soul!’ says mandolin player Darren Nicholson.’”
The Bluegrass Situation, Joseph Terrell

“Some of the best vocal harmonies I can recall in quite some time… Bluegrass aficionado or not, you absolutely need to hear Balsam Range.”
Elmore Magazine, Jim Hynes

For more information, tour dates, and more, please visit www.balsamrange.com. Stay up to date with current news on www.facebook.com/balsamrange, www.twitter.com/BalsamRange, and www.instagram.com/balsamrange.

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GrassRoots Culture Camp at Trumansburg Fairgrounds on July 16-19

Four Days of Music and Dance Workshops
Leading Up to The 27th Annual Finger Lakes GrassRoots Festival in Trumansburg, NY

See the full lineup and schedule →  www.grassrootsfest.org/culture-camp-1-1/

TRUMANSBURG, NY —  Over the past few decades, the Finger Lakes GrassRoots Festival of Music and Dance has grown to be more than just a single event in Trumansburg, NY and this year the latest addition to the roster returns for its sophomore year: the GrassRoots Culture Camp 2017 runs from Sunday through Wednesday, July 16-19, the four days leading up to the 27th annual GrassRoots Festival which takes place July 20-23. Both the camp and the festival are held at the Trumansburg Fairgrounds.

Culture Camp is an incredible opportunity to attend four days of music and dance workshops led by many of the favorite GrassRoots performers including instructors from Donna The Buffalo, Driftwood, The Horseflies, Preston Frank and His Zydeco Family Band, Keith Secola, Balfa Toujours, Los Texmaniacs, Big Mean Sound Machine, Jennie Lowe Stearns, The Blind Spots, Richie and Rosie, Bobby Henrie and The Goners, and many more!

Culture Camp Coordinator and co-founding member of Donna the Buffalo, Tara Nevins, says, “GrassRoots Culture Camp offers first hand learning experience with masters of traditional and contemporary art forms, including music, dance, visual arts, and culinary arts in a fun and positive setting, promoting community and the importance of tradition and culture in our society.”

The workshops, along with themed nightly dinners and dances, provide an opportunity to immerse oneself in an intimate learning experience and to enjoy a few extra days of fun before the festival begins. Workshops include fiddle, banjo, guitar, the art of guitar and cello, bass, mandolin, accordion, improvisation, singing, children’s sing song, country songs old and new, cajun songs, songwriting, father and son duo, Native Americana, the spirit of the native american drum, Moog synthesizers, Afrobeat drumset rhythms & concepts, bodhran, scrubboard, triangle, dance, acrylic painting, yoga, youth percussion, and youth square dance. Advanced musicians as well as beginners are welcome!

PREVIOUS CULTURE CAMP ATTENDEES SAY:

“What an amazing experience Culture Camp turned out to be! Rarely is there an opportunity to immerse yourself in music while learning how to make it. The nightly shows in the dance tent were fabulous! The dinner cuisine was superb! My favorite workshops were Songwriting and Duet Singing. I left Culture Camp feeling inspired and energized!” –Phyllis Atwell

“In all honesty, last year’s Culture Camp was a major life experience for me. I was able to work and jam with with professionals, such as Jeb Puryear. At my level of playing as an adult learner, I never thought that I would have had that opportunity. I received individualized instruction from the very talented Joey Arcuri of Driftwood. I don’t think I’ve put down my upright bass since. I look forward to Culture Camp to rejuvenate the inspiration and motivation for another whole year. Culture Camp is such a beautiful way to ease into the excitement of the music festival….the feeding of my soul through music, education, arts, culture, and friends that have become family.” –Ni Lu

“My Culture Camp participation was a combination of learning, experiencing, and interacting with people up close and feeling the joy of what they do and bring to GrassRoots. It’s truly rewarding!” –Jeffrey Schriber

Watch Tara Nevins (of Donna The Buffalo) talk about GrassRoots Culture Camp

WORKSHOPS WITH INSTRUCTORS FROM:
Donna The Buffalo
Driftwood
The Horseflies
Preston Frank and His Zydeco Family Band
Keith Secola
Balfa Toujours
Los Texmaniacs
Big Mean Sound Machine
Jennie Lowe Stearns
The Blind Spots
Richie and Rosie
Bobby Henrie and The Goners
Jones Benally
Laila Belle
The Grady Girls
plus many more…..

NIGHTLY DANCES (Open to the public)

Sunday July 16th – Bobby Henrie and The Goners (rarified rockabilly, swing and everything in between)

Monday July 17th – Balfa Toujours – (“Balfa Always”, carrying on the legacy and tradition of the Balfa Brothers. Cajun music at it’s best.)

Tuesday July 18th – Los Texmaniacs – (Grammy-winning Conjunto band, incorporating elements from rock & roll and jazz while still honoring the roots of Conjunto Tejano)

Wednesday July 19th – Preston Frank and His Zydeco Family Band – (From Soileau, Louisiana, the finest in Creole/Zydeco music)

TICKETS AND DETAILS

ALL INCLUSIVE 4-DAY ADMISSION – $125 – This ticket includes four days of workshops plus nightly dinners & dances. Youth (15 and under) $65

SINGLE DAY FULL ADMISSION – $40 – This ticket includes one day of workshops plus nightly dinners & dances.
DINNER & DANCE ONLY – ONE NIGHT – $30 – 6:30 PM each night

DANCE ONLY – ONE NIGHT – $15  – 8:30 PM each night

CAMPING OPTIONS ARE ALSO AVAILABLE FOR AN ADDITION FEE

LOCATION: Trumansburg Fairgrounds, Rt 96, Trumansburg, NY 14886. Info: (607) 387-5090

 

Listen to an interview with GrassRoots Culture Camp Coordinator Tara Nevins on WHCU radio  http://whcuradio.com/morning-newswatch/grassroots-culture-camp/

You can find the event on Facebook: www.facebook.com/events/1766466600330369/

FOR COMPLETE GRASSROOTS CULTURE CAMP INFORMATION, THE SCHEDULE, TICKETS PRICES, AND FURTHER DETAILS, GO TO: www.grassrootsfest.org/culture-camp-1-1/

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AndyHall_RooseveltCollier_CreditJasonCharmPhotog
Andy Hall and Roosevelt Collier Release Let The Steel Play June 16
Sacred Steel Meets Bluegrass in this Exploration of the Slide Guitar

two noted masters of the slide guitar” –Andrew O’Brien
Listen to the Song Premiere of “This Little Light Of Mine” at Live For Live Music

This is Hall’s Music City dobro meeting Collier’s Sacred Steel from the Deep South in an all-instrumental record, and the result is a full-bodied, highly conversational sound that you will not want to put down.” –Richard Oakley, Listen to the Song Premiere of their version of “Crazy Fingers” at The Poke Around

Available now:
iTunes | Amazon | CD Baby | Spotify

DENVER, CO — Andy Hall of The Infamous Stringdusters and Roosevelt Collier of the Lee Boys released Let The Steel Play today, June 16, 2017. “This album is the perfect example of something you do strictly for the joy of the music. We shared songs that highlight our slide guitar history, but we also wrote some super cool modern tunes together. We came together through our love of slide and have become close musical partners,” says Andy, “It was engineered by a great slide guitarist in his own right, John Macy (The Nitty Gritty Dirt Band, Los Lobos) in Denver CO. So it’s slide top to bottom!”

Andy Hall and Roosevelt Collier met in 2012 on Jam Cruise, and began playing music with one another when their paths would cross. Both are sought after sit-in players at festivals throughout the country and known for their dexterity, versatility, and intuitive knack for picking up rhythms and melodies.

Andy comes from the world of bluegrass, and cut his teeth in Nashville’s vibrant country and bluegrass scene having performed with Earl Scruggs, Ryan Adams, and Dolly Parton (who he is also on two albums with). Roosevelt “The Dr.” was born into the Sacred Steel sound, learning lap and pedal steel at a young age directly under his uncles and grandfather in the House of God church his family attended in Perrine, FL. Roosevelt has performed alongside BB King, Widespread Panic, The Allman Brothers, and Del McCoury Band.

Let the Steel Play is an instrumental offering that gives the listener something new, yet familiar. Where two traditions unite and form something new and relevant. The slide guitar is not all that common, but it’s certainly a treat to the ear and to the soul.

What people are saying about Let The Steel Play:

“Music so beautiful, you could imagine angels in heaven playing steel guitar instead of harps” —Honest Tune, Kyler Klix

“Different musical worlds bridged by steel strings and glass slides. The resulting sound is a perfect blend of the heavenly and the down home, a religious experience happening casually from the porch of a country home.”
NYS Music, Eli Stein

“The pair add their own spin to such traditional songs as ‘This Little Light Of Mine,’ ‘Power In The Blood’ and ‘Reuben’s Train’ as well as an inventive cover of the Grateful Dead’s ‘Crazy Fingers’ and more… their playing comes together in a fresh and enjoyable way.” —Jambase

“‘Singing Steel’ has all the hallmarks of what is good about the respective instruments, when played by such stellar craftsmen. They make the strings really pop.” —Flying Shoes Review (UK), Maurice Hope

This recording feels live; it has that fresh, immediate vibe, like they got one chance at it, and everything worked out beautifully.”
Michael’s Music Log, Michael Doherty

LetTheSteelPlay_CoverLet The Steel Play Track Listing
1. This Little Light Of Mine 4:51
2. Maiden’s Prayer 3:48
3. Singing Steel 4:01
4. Crazy Fingers 4:40
5. Rosebud 3:04
6. Reuben’s Train 3:34
7. Remington 3:06
8. The Darkest Hour 4:05
9. Power In the Blood 3:50
10. Colfax Boogie (W/ Anders Beck) 4:46

Instruments & credits:
Andy Hall:
1929 National Style 2 Squareneck Tricone 1, 10
Beard Mahogany Belle Beard Model Resonator Guitar 2, 3, 4, 5, 6, 7, 9
Bear Creek Koa Weissenborn Style Guitar 8

Roosevelt Collier:
Asher Electro Hawaiian Lap Steel, 1, 2, 4, 5, 6, 7, 8, 9
Meredith Maple Resonator Guitar 3, 10

Anders Beck:
Meredith Mahogany Resonator Guitar 10

Websites:
www.artistworks.com/dobro-lessons-andy-hall
www.rooseveltcollier.net

Facebook:
www.facebook.com/andyhalldobro
www.facebook.com/RooseveltCollier

Watch the video promo for Let The Steel Play

 

 

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Andy Hall and Roosevelt Collier Release Let The Steel Play June 16, 2017
Sacred Steel Meets Bluegrass in this Exploration of the Slide Guitar

Andy Hall and Roosevelt Collier will be doing a Stageit show
Sunday, May 21 at 9:15pm ET/ 7:15pm MT to celebrate the upcoming release!
Tune in → www.stageit.com/andy_hall/andy_hall_and_roosevelt_collier/61242
The top 5 supporters will get a signed copy of the cd!

DENVER, CO — Andy Hall of The Infamous Stringdusters and Roosevelt Collier of the Lee Boys have come together on a new album, Let The Steel Play, which is set for independent release June 16, 2017. Let the Steel Play was born out of a love of slide guitar, and a friendship made through music. Andy Hall and Roosevelt Collier met in 2012 on Jam Cruise, and began playing music together when their paths would cross. Both are sought after sit-in players at festivals throughout the country and known for their dexterity, versatility, and intuitive knack for picking up rhythms and melodies.

Andy comes from the world of bluegrass, and cut his teeth in Nashville’s vibrant country and bluegrass scene having performed with Earl Scruggs, Ryan Adams, and Dolly Parton (who he is also on two albums with). Roosevelt “The Dr.” was born into the Sacred Steel sound, learning lap and pedal steel at a young age directly under his uncles and grandfather in the House of God church his family attended in Perrine, FL. Roosevelt has performed alongside BB King, Widespread Panic, The Allman Brothers, and Del McCoury Band.

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Andy Hall  & Roosevelt Collier. Photo by Jason Charme

Coming from different backgrounds and methods, yet brought together through slide guitar, Roosevelt and Andy have joined forces to create a musical bridge that emanates a freshness, yet honors both traditions.

The bluegrass tradition is highlighted by classics such as a haunting and melodic version of “A Maiden’s Prayer,” which was written initially for piano in Poland and made popular in the 1930’s in America by Bob Wills who arranged it on fiddle in a more Western Swing style and added lyrics; it was later recorded by Buck Owens and Willie Nelson. Let The Steel Play also includes the 1920’s folk song made popular by Flatts and Scruggs, “Reuben’s Train,” which is jazzed up even more in it’s evolution here.

The time-honored song “This Little Light Of Mine” is played in both bluegrass and gospel music. Andy says, “We chose it because it seemed like a natural bridge between our two styles, and it is just fun to play. Roosevelt’s unique way of playing bass parts on the steel is highlighted in the breakdown section.”

Power In the Blood” showcase the sounds of Sacred Steel. Written by Lewis E. Jones in 1899, the slides take on a very vocal style here; you can almost imagine yourself in church, feeling the holy spirit!

For a slightly more modern flair they also perform a version of the Grateful Dead’s “Crazy Fingers.” “When we recorded this album I had been playing quite a bit with Phil Lesh, and was doing Grateful Grass shows with Keller Williams, so I certainly had the Grateful Dead on the brain,” says Andy Hall, “‘Crazy Fingers’ has always been a closet favorite of mine. Amazing complex chords that work so well together. Yet the melody is so memorable. I play the melody throughout, and then Roosevelt soars on the intro riff that we repeat at the end.”

Additionally there are 5 originals that Andy and Roosevelt wrote together specifically for this project. From the uplifting “Rosebud” to the fast paced “Remington,” this record showcases not only exceptional slide work, but engaging songwriting. “The Darkest Hour” was written on Hall’s Weissenborn style guitar, which has a mellower, pretty sound and juxtaposes nicely with the gritty low sound of Roosevelt’s lap steel.

In the final song of the album, “Colfax Boogie,” Anders Beck of Greensky Bluegrass adds his Dobro prowess to make a slide guitar power trio. They co-wrote it while all together in the studio and had fun with three slides all taking turns and playing off each other, a perfect way to round out the project.

Let The Steel Play was recorded at Macy Sound Studios in Denver, CO, and produced by John Macy (The Nitty Gritty Dirt Band, Los Lobos). The mastering was done by Fred Guarino (he also recorded The Infamous Stringdusters’ 2015 album Undercover), at Tiki Recording.

Let the Steel Play is an instrumental offering that gives the listener something new, yet familiar. Where two traditions come together and form something new and relevant. The slide guitar is not all that common, but it’s certainly a treat to the ear and to the soul.

LetTheSteelPlay_Cover.jpeg

Let The Steel Play Track Listing
1. This Little Light Of Mine 4:51
2. Maiden’s Prayer 3:48
3. Singing Steel 4:01
4. Crazy Fingers 4:40
5. Rosebud 3:04
6. Reuben’s Train 3:34
7. Remington 3:06
8. The Darkest Hour 4:05
9. Power In the Blood 3:50
10. Colfax Boogie (W/ Anders Beck) 4:46


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Instruments & credits:
Andy Hall:
1929 National Style 2 Squareneck Tricone 1, 10
Beard Mahogany Belle Beard Model Resonator Guitar 2, 3, 4, 5, 6, 7, 9
Bear Creek Koa Weissenborn Style Guitar 8

Roosevelt Collier:
Asher Electro Hawaiian Lap Steel, 1, 2, 4, 5, 6, 7, 8, 9
Meredith Maple Resonator Guitar 3, 10

Anders Beck:
Meredith Mahogany Resonator Guitar 10
Websites:
www.artistworks.com/dobro-lessons-andy-hall
www.rooseveltcollier.net

Facebook:
www.facebook.com/andyhalldobro
www.facebook.com/RooseveltCollier

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Banjo Maestro Ned Luberecki’s Take Five OUT TODAY, March 31, 2017

Featuring Guest Musicians:
Dale Ann Bradley, Becky Buller, Amanda Smith, Missy Raines, Mike Compton, David Grier, Jeremy Garrett, Shad Cobb, Stephen Mougin, and Chris Jones & The Night Drivers


Buy it on iTunes, Amazon, cdbaby or directly from Ned at www.nedski.com/take-five

 Ned Luberecki’s new album, Take Five, is independently released TODAY, March 31, 2017. A master of his instrument and adept in multiple styles Ned recorded at The Rec Room, Ben Surratt’s studio in East Nashville this self produced, the 14-track album is a mix of originals and covers and clocks in at just under 45 minutes.

Take Five is a reflection of Ned’s musical diversity, presenting fiddle and banjo tunes, instrumentals, and traditional bluegrass interspersed with jazz standards, classic Buck Owens, and even the theme to Star Trek. Many of Ned’s musical friends from all walks of bluegrass make appearances, making Take Five a sort of retrospective, reminding us that however we know Ned Luberecki – sideman, teacher, on-air radio personality – that he is respected as both a traditional and progressive player with a style perfectly his own – a harlequin combination of the diverse artists, musicians, and genres he’s ingested.

Take Five is stacked with a remarkable lineup of guest musicians including Missy Raines and the New Hip, Jeremy Garrett of The Infamous Stringdusters, Becky Buller, The Helen Highwater Stringband (Mike Compton, David Grier, Missy Raines, and Shad Cobb), Chris Jones and The Night Drivers, Dale Ann Bradley, and Amanda Smith. Also appearing on the album, Stephen Mougin, guitarist of Sam Bush Band and the other half of Nedski & Mojo, calls it “a sonic glimpse inside the mind of Nedski [that] showcases Ned’s brilliant banjo skills in a diverse range of material, from old-time to bluegrass to jazz and beyond. Way beyond!”

take-five-coverWhat Folks are Saying about Take Five

“An absolutely joyous, riveting, beautifully syncopated example of the beauty of the banjo.  From the traditional to the unexpected, the banjo sings.” —Steve Martin (Actor, banjo player)

“Taken as a whole, Take Five demonstrates Luberecki’s mastery of the five-string. From the opening notes of his own tune, Night Driver to the familiar phrasings of Thelonious Monk’s Blue Monk, Luberecki is making a strong case for IBMA banjo player of the year.” —Bluegrass Today, David Morris   

“Journeying across times and genres on this disc, Luberecki’s impeccable playing, adventurous spirit and irrepressible good humor shine throughout.” —International Bluegrass (IBMA Magazine)

“Ned Luberecki is a true ‘master of the five’! This solo recording is a testimony to the incredible breadth of his playing, which I have always admired.”  —Greg Cahill (Special Consensus, former IBMA Chairman)

“His playing oozes with personality and character, and this record perfectly encapsulates that. It’s 100% Ned, and I, for one, am not afraid! Ned’s tunes are a joy to hear and his playing is better than ever.” —Noam Pikelny

“If you were introducing someone to the beauty and versatility of the banjo using 2017 releases, there’s only one choice that can accomplish that goal perfectly, Ned Luberecki’s Take Five. From bluegrass to jazz and from progressive to old-time, this album shows what the banjo is capable of. And just as importantly, it shows that tradition and a fresh energetic approach are still an easy pairing in the bluegrass world.” —Lonesome Banjo Chronicles, Brian Swenk

“‘Adams County Breakdown’ is a rollicking freight train from the other end of the spectrum, a triumph of the five-string banjo that cements Luberecki as a world-class musician.” –Grateful Web, Emerson Kerwin

“… the cover artwork for this CD reminds me of the artwork for Time Out, the 1959 Dave Brubeck Quartet album to feature ‘Take Five.’ I could listen to this track for hours, just as I could spend hours listening to Dave Brubeck’s rendition (and have done, actually).” —Michael Doherty

“… the interplay between the fiddle and banjo is hypnotic (See ‘Cleveland Park’). Finally, and most importantly, the album is as varied as possible.” —Wine Compass, Todd Godbout

“Bluegrass, on it’s own, is a fun genre of folk music to get into, but with the humor and other genre infusions Luberecki brings here, it wouldn’t surprise at all if he made a few more fans along the way.” —NYS Music, Rob Creenan

“The backing musicians, compositions, and production are all at the highest levels here and Ned has done himself proud with this widely varied and irresistible project.” —Tony Trischka

“With skill, tone, and taste he comfortably transverses styles of bluegrass, jazz, celtic and more making this a seamless and satisfying set of music.” —Missy Raines (7 Time IBMA Bass Player of the Year, Missy Raines & The New Hip)

“… a full course five-string feast, with savory bluegrass, tasty fiddle tunes, tangy jazz and more. It’s all presented with sumptuous tone, timing that’s just right and a dash of Ned’s irrepressible humor. This is state-of-the-art five-string banjo, cooked up with virtuosity and creativity,” —Bill Evans (banjo player, banjo instructor, and author)

“Ned Luberecki is surely among the most talented and creative artists we have in bluegrass music. It doesn’t matter if he is driving the banjo right through the Becky Buller Band, sharing clever stories from the stage, or hosting one of his programs on SiriusXM’s Bluegrass Junction, Ned’s wit and wisdom always shine through… ” —Bluegrass Today, John Lawless

Listen to Bluegrass Today “Night Driver” at Bluegrass Today → www.bluegrasstoday.com/nightdriver-from-ned-luberecki

Listen to  “Higher Ground” at The Bluegrass Situation →  www.thebluegrasssituation.com/read/listen-ned-luberecki-higher-ground

For more information, please visit www.nedski.com, www.facebook.com/MoreBanjo, Twitter: @NedLuberecki, and Instagram: nedluberecki

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