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Banjo Maestro Ned Luberecki’s Take Five OUT TODAY, March 31, 2017

Featuring Guest Musicians:
Dale Ann Bradley, Becky Buller, Amanda Smith, Missy Raines, Mike Compton, David Grier, Jeremy Garrett, Shad Cobb, Stephen Mougin, and Chris Jones & The Night Drivers


Buy it on iTunes, Amazon, cdbaby or directly from Ned at www.nedski.com/take-five

 Ned Luberecki’s new album, Take Five, is independently released TODAY, March 31, 2017. A master of his instrument and adept in multiple styles Ned recorded at The Rec Room, Ben Surratt’s studio in East Nashville this self produced, the 14-track album is a mix of originals and covers and clocks in at just under 45 minutes.

Take Five is a reflection of Ned’s musical diversity, presenting fiddle and banjo tunes, instrumentals, and traditional bluegrass interspersed with jazz standards, classic Buck Owens, and even the theme to Star Trek. Many of Ned’s musical friends from all walks of bluegrass make appearances, making Take Five a sort of retrospective, reminding us that however we know Ned Luberecki – sideman, teacher, on-air radio personality – that he is respected as both a traditional and progressive player with a style perfectly his own – a harlequin combination of the diverse artists, musicians, and genres he’s ingested.

Take Five is stacked with a remarkable lineup of guest musicians including Missy Raines and the New Hip, Jeremy Garrett of The Infamous Stringdusters, Becky Buller, The Helen Highwater Stringband (Mike Compton, David Grier, Missy Raines, and Shad Cobb), Chris Jones and The Night Drivers, Dale Ann Bradley, and Amanda Smith. Also appearing on the album, Stephen Mougin, guitarist of Sam Bush Band and the other half of Nedski & Mojo, calls it “a sonic glimpse inside the mind of Nedski [that] showcases Ned’s brilliant banjo skills in a diverse range of material, from old-time to bluegrass to jazz and beyond. Way beyond!”

take-five-coverWhat Folks are Saying about Take Five

“An absolutely joyous, riveting, beautifully syncopated example of the beauty of the banjo.  From the traditional to the unexpected, the banjo sings.” —Steve Martin (Actor, banjo player)

“Taken as a whole, Take Five demonstrates Luberecki’s mastery of the five-string. From the opening notes of his own tune, Night Driver to the familiar phrasings of Thelonious Monk’s Blue Monk, Luberecki is making a strong case for IBMA banjo player of the year.” —Bluegrass Today, David Morris   

“Journeying across times and genres on this disc, Luberecki’s impeccable playing, adventurous spirit and irrepressible good humor shine throughout.” —International Bluegrass (IBMA Magazine)

“Ned Luberecki is a true ‘master of the five’! This solo recording is a testimony to the incredible breadth of his playing, which I have always admired.”  —Greg Cahill (Special Consensus, former IBMA Chairman)

“His playing oozes with personality and character, and this record perfectly encapsulates that. It’s 100% Ned, and I, for one, am not afraid! Ned’s tunes are a joy to hear and his playing is better than ever.” —Noam Pikelny

“If you were introducing someone to the beauty and versatility of the banjo using 2017 releases, there’s only one choice that can accomplish that goal perfectly, Ned Luberecki’s Take Five. From bluegrass to jazz and from progressive to old-time, this album shows what the banjo is capable of. And just as importantly, it shows that tradition and a fresh energetic approach are still an easy pairing in the bluegrass world.” —Lonesome Banjo Chronicles, Brian Swenk

“‘Adams County Breakdown’ is a rollicking freight train from the other end of the spectrum, a triumph of the five-string banjo that cements Luberecki as a world-class musician.” –Grateful Web, Emerson Kerwin

“… the cover artwork for this CD reminds me of the artwork for Time Out, the 1959 Dave Brubeck Quartet album to feature ‘Take Five.’ I could listen to this track for hours, just as I could spend hours listening to Dave Brubeck’s rendition (and have done, actually).” —Michael Doherty

“… the interplay between the fiddle and banjo is hypnotic (See ‘Cleveland Park’). Finally, and most importantly, the album is as varied as possible.” —Wine Compass, Todd Godbout

“Bluegrass, on it’s own, is a fun genre of folk music to get into, but with the humor and other genre infusions Luberecki brings here, it wouldn’t surprise at all if he made a few more fans along the way.” —NYS Music, Rob Creenan

“The backing musicians, compositions, and production are all at the highest levels here and Ned has done himself proud with this widely varied and irresistible project.” —Tony Trischka

“With skill, tone, and taste he comfortably transverses styles of bluegrass, jazz, celtic and more making this a seamless and satisfying set of music.” —Missy Raines (7 Time IBMA Bass Player of the Year, Missy Raines & The New Hip)

“… a full course five-string feast, with savory bluegrass, tasty fiddle tunes, tangy jazz and more. It’s all presented with sumptuous tone, timing that’s just right and a dash of Ned’s irrepressible humor. This is state-of-the-art five-string banjo, cooked up with virtuosity and creativity,” —Bill Evans (banjo player, banjo instructor, and author)

“Ned Luberecki is surely among the most talented and creative artists we have in bluegrass music. It doesn’t matter if he is driving the banjo right through the Becky Buller Band, sharing clever stories from the stage, or hosting one of his programs on SiriusXM’s Bluegrass Junction, Ned’s wit and wisdom always shine through… ” —Bluegrass Today, John Lawless

Listen to Bluegrass Today “Night Driver” at Bluegrass Today → www.bluegrasstoday.com/nightdriver-from-ned-luberecki

Listen to  “Higher Ground” at The Bluegrass Situation →  www.thebluegrasssituation.com/read/listen-ned-luberecki-higher-ground

For more information, please visit www.nedski.com, www.facebook.com/MoreBanjo, Twitter: @NedLuberecki, and Instagram: nedluberecki

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Jon Stickley Trio. Photo By Heather Hambor

 

Jon Stickley Trio Releases Maybe Believe on May 12, 2017
Produced by Dave King (The Bad Plus) at Echo Mountain Studios in Asheville NC

Thoughtful & energetic”Bryan Sutton

Watch a behind-the-scenes video from the recording session → www.youtube.com/watch?v=ccQB75r3Vww

ASHEVILLE —  Riding the wave of their critically acclaimed 2015 album, Lost at Last, Jon Stickley Trio independently releases their 3rd full length album, Maybe Believe, on May 12, 2017. Jon Stickley Trio combines Jon Stickley’s rapid-fire flatpicking guitar with the sultry and wild, yet refined, melodies of Lyndsay Pruett on violin set over the deep groove of Patrick Armitage on drums.

“The latest record from the Jon Stickley Trio flexes new and strong muscles, utilizing more progressive structures and deeper pockets than ever before,” says Producer Dave King (Of The Bad Plus). “All the while, the group retains its place as a modern-thinking acoustic ensemble with one foot in tradition and the other in a bluegrass honored future that allows for the avant garde, punk, and be bop to mix in freely and tastefully.”

Greensky Bluegrass’ Anders Beck says of Jon, “Sure, comparisons to previous musicians are a good way to explain a new artist to the masses, but to do so is to cheat Stickley of what he really is: a damn genius, a musical mastermind, and one of the most unique, creative, and inventive guitar players I’ve ever heard…  Stickley’s guitar playing shares as much in common with the flow of the greatest rappers of all time as it does with his flatpicking heroes…”

1-Maybe-Believe-FrontThe album title, Maybe Believe, is a continuation of the theme from Lost at Last. With Lost at Last, the band was stepping away from their collective musical past, into new territory that was somewhat uncomfortable, but also inspiring and free. With Maybe Believe, they have become more comfortable in their own skin yet retain an element of vulnerability while continuing to move into uncharted territory. This album marks the next step in the band’s evolution, and takes the listener to original and unexpected new places that still embody the familiarity of the Jon Stickley Trio’s signature style.

 

Dave says, “I was honored to be a part of this evolution and I think we made a very compelling album for music fans and musicians of all kinds.” This is his second time joining forces with the Trio at Echo Mountain Recording Studio in the band’s hometown of Asheville, NC, once again working with Engineer Julian Dryer. Both were also on board for Lost at Last which garnered praise from The New York Times, NPR’s Heavy Rotation, NPR’s World Cafe, Folk Alley, Premier Guitar Magazine, Acoustic Guitar Magazine, Performer Magazine, and many others.

Stickley says, “We had just gotten to know Dave last time and had such a good time. Bringing him in again takes the whole thing up a notch. It was a completely different experience, after traveling all over the place touring [in 2016 the Trio drove over 50,000 miles], over time we’ve developed a cohesion as a band where we intimately know each other and can feel where each other is wanting to go and respond. It’s developed into a tight musical relationship.”

The album’s opening track, “Jewels,” is a short, mellow, piece which serves as the album’s prologue, setting the tone of the record, quieting the mind of the listener. It’s a cleansing of the palette before the full course, and features the delicate harmonics of Jon and Lyndsay along with and Patrick’s textural brushwork.

Then they go full throttle with “Playpeople,” an eclectic piece that draws inspiration from Green Day, Duran Duran, Grateful Dead, and David Grisman Quintet, but in the end, is ultimately pure Jon Stickley Trio. This track’s title is a gender-neutral term for someone who likes to have a good time, and does so despite all external obstacles and displays the Trio’s fun-loving energy and virtuosity, as well as their controlled intensity.

Almost With You” and “Mt. Sandia Swing” highlight the Jon Stickley Trio’s ability and inclination to play with polyrhythms and layer different grooves on top of each other. Dave King described “Sandia” as “The Violent Femmes… playing Jazz.”

Jon Stickley’s music brings forth mental imagery from the soundscapes the band has created in songs like “Slow Burn,” which is a like simmering pot of stew that occasionally boils over, while “Microbruise” embraces the fun-loving nature of Asheville’s beer brewers and drinkers, and “Cecil” is the Trio’s heaviest song yet featuring seamless interplay between guitar and violin with a sludgy, old school, John Bonham style drumbeat.

The aforementioned songs were all penned by Stickley, while Lyndsay Pruett’s hand brings forth a couple of jazzier numbers. A highlight of the record, “The Price of Being Nice” has a quirky, infectious theme that is explored throughout the song with a somewhat deconstructed treatment that allows the Trio to shine. Pruett also wrote “Lady Time,” a short solo song that closes out the album that features her distinctive pizzicato playing and improvisations.

The album contains three covers, “Jerusalem Ridge” (a Bill Monroe tune with a twist that has become a staple at live shows), “Avril 14th’ (a piece by Richard James a.k.a. Aphex Twin), and “Birdland Breakdown” (a tune by mandolinist John Reischman which also appeared on Tony Rice’s jazz-grass album Still Inside).

Jon Stickley Trio On Tour
3/10 Fri – The Grey Eagle – Asheville, NC
3/15 Wed – The Station Inn – Nashville, TN *w/ The Dustbowl Revival
3/16 Thu – The Earl – Atlanta, GA w/ The Dustbowl Revival
3/17-18 Fri-Sat – Anastasia Music Festival @ St. Augustine Amphitheater – St. Augustine, FL
3/21 Tue – Taos Mesa Brewing – El Prado, NM
3/22 Wed – House Concert – Albuquerque, NM
3/23 Thu – Last Exit Live – Phoenix, AZ
3/24 Fri – Coconino Center For The Arts – Flagstaff, AZ
3/25 Sat – Seven Grand – San Diego, CA
3/29 Wed – Throckmorton Theatre – Mill Valley, CA
3/30 Thu – Neck of the Woods – San Francisco, CA
3/31-4/1 Fri-Sat – WinterWonderGrass – North Lake Tahoe, CA
4/6 Thu – The Stage at KDHX – St. Louis, MO
4/7 Fri – Rhythm and Blooms Festival – Knoxville, TN
4/8 Sat – Albino Skunk Festival – Greer, SC
4/12 Wed – Willie’s Locally Known – Lexington, KY
4/13 Thu – The Fire Pit’s Side Bar – Milwaukee, WI
4/14 Fri – Mid West Music Festival – LaCrosse, WI
4/15 Sat – Two Brothers Roundhouse – Aurora, IL
4/29 Sat – WV Craft Brew Fest – Lewisburg, WV
5/12-13 Fri-Sat – LEAF – Black Mountain, NC
5/19 Fri – Lower Town Arts & Music Festival – Paducah, KY
5/20 Sat – Moonshiner’s Ball – Berea, KY
5/26 Fri – Rooster Walk – Martinsville, VA
6/8 Thu – Founders Brewing – Grand Rapids, MI
6/9 Fri – Parliament Room at Otus Supply – Ferndale, MI
6/10-11 Sat-Sun – NorEastr Festival @ County Fairgrounds – Mio, MI
7/15 Sat – Red Wing Roots Music Festival – Mount Solon, VA
7/29-30 Sat-Sun – FloydFest – Floyd, VA
More dates TBA!

Maybe Believe Track Listing*

  1. Jewels 2:03
  2. Playpeople 4:36
  3.  Almost With You 3:39
  4.  Slow Burn 4:47
  5. Jerusalem Ridge (Bill Monroe) 5:36
  6.  Avril 14th (Richard James a.k.a. Aphex Twin) 1:59
  7. Cecil 4:36
  8.  Microbruise 3:19
  9. The Price of Being Nice (Lyndsay Pruett) 3:39
  10.  Mt. Sandia Swing 4:23
  11.  Birdland Breakdown (John Reischman) 3:54
  12. Lady Time (Lyndsay Pruett) 3:44

* All songs written by Jon Stickley unless otherwise noted

For more information and updates from the road, please visit www.jonstickley.com, www.facebook.com/JonStickleyTrio, www.instagram.com/jonstickleytrio, and www.twitter.com/StickleyMusic.

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Town Mountain & Tift Merritt Play Yep Roc’s Benefit For The ACLU of NC
Saturday, March 11, 2017 at The Cat’s Cradle

7pm doors, $15, 100% of ticket sales to ACLU of NC

Tickets: http://bit.ly/2m45tXa
Facebook event: www.facebook.com/events/1734271726884518/

300 East Main Street, Carrboro, North Carolina 27510
www.catscradle.com

Town Mountain is thrilled to join in on Yep Roc Records’ Sing Out!, a night of songs and solidarity in support of the American Civil Liberties Union (ACLU) of North Carolina at The Cat’s Cradle on Saturday, March 11th. Tift Merritt, Caleb Caudle, and Alexandra Sauser-Monnig from Mountain Man will also be performing! Doors are at 7pm with the show starting at 7:30. Tickets are $15 and 100% of ticket sales will be going to the ACLU of North Carolina.

The ACLU of North Carolina is a nonpartisan, nonprofit membership organization dedicated to protecting civil rights and civil liberties for all North Carolinians. The ACLU-NC has approximately 20,000 members and supporters in North Carolina. For more information, please visit www.acluofnc.org.

Town Mountain’s banjo player, Jesse Langlais says, “In today’s political climate, we need now more than ever, a great source for accountability. The ACLU is that entity. Town Mountain is proud to take part in an event to help fight the good fight.”

Vocalist and guitar player Robert Greer says, “We believe in the civil rights of all human beings and we also love playing music in Eastern North Carolina. That’s why we’re stoked to play this show benefiting the ACLU of North Carolina at Cat’s Cradle!”

Town Mountain is known for their hard-driving sound, in-house songwriting, and the honky-tonk swagger of their live performances. The hearty base of Town Mountain’s music is the bluegrass triumvirate of Bill Monroe, Lester Flatt and Earl Scruggs. It’s what else goes into the mix that brings it all to life both on stage and on record and reflects the group’s wide-ranging influences – from the Grateful Dead’s Jerry Garcia and the ethereal lyrics of Robert Hunter, to the honest, vintage country of Willie, Waylon, and Merle. Along with Langlais and Greer, this the Asheville-based band features and mandolinist Phil Barker, fiddler Jack Devereux, and Zach Smith on bass.

For more information, please visit TownMountain.net, facebook.com/TownMountain, twitter.com/TownMountain, and instagram.com/townmountainbluegrass.

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The Infamous Stringdusters Added To Jam In The Trees This August!

Joining the already stellar lineup:
Acoustic Syndicate, Peter Rowan, Larry Keel, Tim O’Brien, Jim Lauderdale,
Underhill Rose, Ken Tizzard

Friday Night Schedule Announced!

Fri-Sat Aug 25-26, 2017 at Pisgah Brewing Company in Black Mountain, NC
150 Eastside Drive, Black Mountain, NC 28711 | Phone 828.669.0190
Tickets:  www.eventbrite.com/e/jam-in-the-trees-tickets-29283448583

ASHEVILLE, NC — The 2nd Annual Jam In The Trees is thrilled to announce the addition of The Infamous Stringdusters to the lineup which includes some incredible acts that have already been annonced: Acoustic Syndicate, Peter Rowan, Larry Keel, Tim O’Brien, Jim Lauderdale, Underhill Rose, and Ken Tizzard. The 2017 event takes place Friday and Saturday, August 25-26th at Pisgah Brewing Company in Black Mountain, NC. More artists TBA!

Bluegrass virtuosos The Infamous Stringdusters are no stranger to WNC and are excited to return with their new album LAWS OF GRAVITY, which debuted at #3 on iTunes Country Chart and #1 on the Amazon Bluegrass Chart. As first revealed on Rolling Stone Country, the new album marks a return to form for the Grammy-nominated acoustic five-piece. LAWS OF GRAVITY is all new original Dusters music–perhaps the most “Infamous” record they’ve done in their decade together.

Jam in the Trees has also announced the Friday schedule which starts with Ken Tizzard, followed by Underhill Rose, then Larry Keel. Doors at 7, show starts at 8pm, all on the indoor stage.

Gates open Saturday at 12pm, with music starting at 1pm throughout the day until 11pm on the beautiful Pisgah Brewing Outdoor Stage, followed by an “After Hours Jam” on the indoor stage.

Early Bird Tickets available while supplies last. VIP tickets are available for $100 and include Meet & Greets with the bands, a guided brewery tour and tasting, preferred parking, a commemorative event poster and more! Hotel and shuttle information coming soon. Stay tuned to the festival’s new website www.jaminthetrees.com for more information and updates.

JITT is a benefit for Wild Forests & Fauna (WildFF) and last year’s inaugural event raised $5000 to protect, restore and support threatened forests and wildlife in Western North Carolina. Relive some of the wonderful moments of 2016 through photos of the event by David Simchock Photography at www.frontrowfocus.com.

“At WildFF, our Big Tree Project that leverages outreach education and reforestation to protect forests in Western North Carolina and around the globe,” WildFF’s Executive Director Benjamin Colvin says, “Since JITT, the Big Tree Project has grown and has even sparked a relationship with ABTech and local company ArborZen to restore a razed site with over 500 native trees. We are thrilled to be a part of this and can not wait for Jam in the Trees 2017!”

JITT is now accepting art vendor applications for Jam In The Trees 2017. JITT is booking non-food vendors only; if you are a food vendor interested in being a part of JITT, please contact Pisgah Brewing directly. Here is the link to the Art Vendor Application: http://bit.ly/JITT_ArtVendorApp_2017.

Lifelong resident of Asheville and President of Jam In The Trees, LLC, Laurel York, says, “We hope the ‘jamsters’ will come out again in 2017 for an even better event than last year and show their support for their great cause!”

Jam in The Trees 2017:
The Infamous Stringdusters
Acoustic Syndicate
Peter Rowan
Larry Keel
Tim O’Brien
Jim Lauderdale
Underhill Rose
Ken Tizzard

More information about Jam in The Trees can be found at www.jaminthetrees.com, www.facebook.com/JamInTheTrees, www.twitter.com/jaminthetrees, and www.instagram.com/jaminthetrees.

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Anastasia Music Festival is a Three-Day Celebration of Bluegrass Music

At The St. Augustine Amphitheatre Thursday, March 16-Saturday, March 18, 2017

Stage Schedules & After Parties Announced!
www.anastasiamusicfestival.com/schedule/

St. Augustine, Fla. — In an epic three-day celebration of traditional and modern bluegrass music, the Anastasia Music Festival will feature over 20 of the brightest bluegrass stars performing live at the St. Augustine Amphitheatre Thursday, March 16 through Saturday, March 18.  Set to perform are The Del McCoury Band, David Grisman’s Bluegrass Experience, Sam Bush, Elephant Revival, Fruition, Cabinet, Jeff Austin Band, The Travelin’ McCourys, Mandolin Orange, Sierra Hull, The Broomestix, Dustbowl Revival, Joe Pug, Jon Stickley Trio, The Honeycutters and more!

Anastasia Music Festival is excited to announce late night parties each night! On Thursday, Taylor Martin will host the “Anastasia Park Players” at Hoptinger St Augustine. Firewater Tent Revival Band hosts Friday night, also at Hoptinger St Augustine. Jon Stickley Trio & Friends perform Saturday’s late night at Elks Lodge. Expect lots of special guests and late night fun! Music will be on three stages of music at the St. Augustine Amphitheater and runs until 10pm on Thursday and 10:30pm on Friday and Saturday nights with the late night parties starting directly following.

“Bluegrass music has such a rich history and to host a three-day festival celebrating the genre at the Amphitheatre is truly special,” says Ryan Murphy, Director of the St. Johns County Cultural Events Division which owns and operates the St. Augustine Amphitheatre. “We hope that music fans of all ages and families from all over will come out and enjoy traditional and modern bluegrass among the natural park setting of the St. Augustine Amphitheatre.”

This family-friendly event also features a Kid’s Tent on Friday and Saturday featuring fun activities for children and Brenda Star Walker will host daily yoga on Friday and Saturday. Children 10 and under are free with paid adult admission. Information on camping packages and other accommodations are available online at www.anastasiamusicfestival.com.

The Daily Lineup:

Performing on Thursday, March 16 will be Fruition, The Broomestix, The Honeycutters, Grits & Soul, Nikki Talley, Taylor Martin, and more to be announced. Gates are at 3pm with music starting at 4pm and music ends on Thursday at 10pm.

Friday, March 17 will feature performances by The Del McCoury Band, David Grisman’s Bluegrass Experience, The Travelin’ McCourys, Elephant Revival, Fruition, Cabinet, The Broomestix, Dustbowl Revival, Mandolin Orange, Jon Stickley Trio, The Honeycutters, Joe Pugg, Grits & Soul, Nikki Talley, Taylor Martin, Flagship Romance, I Like Dandelions, and Paper Bird. Gates are at 11am with music starting at 12pm and ending at Friday at 10:30pm.

Saturday, March 18 performances include sets by Grateful Ball with The Travelin’ McCourys and Jeff Austin, Sam Bush, The Del McCoury Band, Cabinet, Fruition, The Jeff Austin Band, Sierra Hull, Mandolin Orange, Jon Stickley Trio, Dustbowl Revival, Joe Pugg, Taylor Martin, Nikki Talley, Town Meeting, West King Band, Alastair – Byrd Revue, Robbie Dammit & The Broken Strings, and Remedy Tree. Gates are at 11am with music starting at 12pm and ending at 10:30pm.

More information on all the performers can be found online at www.anastasiamusicfestival.com in addition to camping and hotel accommodations, as well as volunteer and vending information. VIP, Three-day, and Single day tickets for the Anastasia Music Festival are on sale now at the St. Augustine Amphitheatre and Ponte Vedra Concert Hall Box Offices, online at ticketmaster.com, all authorized TicketMaster outlets, or by phone at 800-745-3000.

Anastasia Music Festival Full Lineup- 2017
The Del McCoury Band x2
David Grisman’s Bluegrass Experience
Sam Bush
Elephant Revival
Fruition x3
Cabinet x2
Jeff Austin Band
The Travelin’ McCourys x2
Mandolin Orange x2
Sierra Hull
The Broomestix x2
Dustbowl Revival x2
Joe Pug
Jon Stickley Trio x2
The Honeycutters
Grits & Soul x2
Nikki Talley x2
Taylor Martin x2
The Applebutter Express
Paper Bird
Flagship Romance
Town Meeting
West-King String Band
Alastair-Byrd Revue
Remedy Tree
I Like Dandelions
Robbie Dammit & The Broken Strings
Steve Pruett

Late Night Parties:

Thursday, March 16 @ 10:30pm at Hoptinger St Augustine
“Anastasia Park Players” hosted by Taylor Martin
200 Anastasia Blvd., St. Augustine, FL
No Cover

Friday, March 17 @ 10:30pm at Hoptinger St Augustine
Firewater Tent Revival Band
200 Anastasia Blvd., St. Augustine, FL
No Cover

Saturday, March 18 at 11:00pm at Elks Lodge
Jon Stickley Trio & Friends
1420 A1A South, St. Augustine, FL
Tickets: $10 @ the door

For more information and to stay up to date on news, please visit www.anastasiamusicfestival.com, www.facebook.com/AnastasiaMusicFestival, www.twitter.com/AnastasiaFest17, www.instagram.com/anastasiafest17, and www.staugamphitheatre.com.

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Balsam Range. Photo By David Simchock

Balsam Range Is Casting Acoustic Spells with Mountain Voodoo,
Their Most Recent Release on Mountain Home Music Company

The Boot Premieres a Music Video of “Eldorado Blue”

Filmed at Crossroads Studios near Asheville, N.C., the music video for ‘Eldorado Blue’ provides an intimate glimpse into Balsam Range’s process of laying down tracks in the studio; those clips are juxtaposed with shots of Small Town USA.”

Watch “Eldorado Blue” at The Boot→    
www.theboot.com/balsam-range-eldorado-blue-music-video/

Asheville, NC — Balsam Range is currently touring in support of Mountain Voodoo, their sixth studio album, on Mountain Home Music Company. With it, they are offering something that is sure to continue to mesmerize fans of bluegrass and beyond with elements of jazz, country, gospel, swing, and old-time music that are all infused into the fresh sound of this unique Southern band. It’s five distinct personalities creating one remarkable musical experience.

balsamrangemtnvoodoowallcovMountain Voodoo [Released 11/11/17] is like the book of life “Chapter Six” for Balsam Range; 13-tracks filled with songs of journey, home, sense of place, hardcore drive, and longing. There are fiery instrumental parts alternating with heavy, deep ballads overlaid by the vocal harmonies the group has become known for.

Balsam Range is Buddy Melton (Fiddle, Lead and Tenor Vocals), Darren Nicholson (Mandolin, Octave Mandolin, Lead Vocals, Baritone and Low Tenor Vocals), Dr. Marc Pruett (Banjo), Tim Surrett (Bass, Dobro, Baritone and Lead Vocals), and Caleb Smith (Guitar, Lead & Baritone Vocals). The five original members, who are celebrating their 10th year together this March, are all acoustic musicians and singers from North Carolina. They thoughtfully and respectfully adopted the name of a majestic range of mountains that surrounds part of their home county of Haywood, NC where the Smokies meet the Blue Ridge, the Balsam Range.

What Folks Are Saying:

“Fans who grew up in a small town will find plenty to relate to in ‘Eldorado Blue,’ a song that explores the dilemma of whether or not you even want to spread your wings and leave home. Balsam Range describe the song as ‘a story of finding oneself and recognizing contentment in life is something we can all stand to do.’”
Amy McCarthy for The Boot’s World Premiere of the Music Video for “Eldorado Blue

“So consistently impressive that we no longer expect their albums to be ‘better than their last,’ in less than a decade Balsam Range has hit the plateau of excellence few groups achieve. Like The Del McCoury Band, Blue Highway, and Alison Krauss & Union Station before them, a new release from Balsam Range is measured against their individual legacy. Mountain Voodoo lacks nothing.”
Country Standard Time, Donald Teplyske’s Favorite Bluegrass Albums of 2016

“Already accomplished musicians, in a decade they’ve won ten IBMA awards (International Bluegrass Music Association) released five albums, toured nationally, made multiple Grand Ole Opry stops and, in general, have become icons in the world of professional bluegrass. The fellas can both sing and pick.”
Asheville Citizen Times, Carol Rifkin

“Its theme – pride of place and trying to make it in a small town – is visited throughout Mountain Voodoo. The material comes mostly from top bluegrass songwriters, especially band friend Milan Miller, who contributed the swinging honky tonker ‘Hello Heartache.’”
Stream WMOT Roots Radio’s 90 Second Spin with Craig Havighurst

“These guys just keep getting better. How good is this one? There’s a potential song of the year here… the laurels go to Aaron Bibelhauser’s ‘Blue Collar Dreams’, an anthem for working stiffs everywhere that’s been dominating the charts. The song has quite a pedigree.”
Bluegrass Today, David Morris’ Top Albums of the 2016

“The men of the Range continue to make some of the best music in the industry. This is a fitting follow up to Five, which is a LARGE statement. I expect some of the CD to do well through the first qtr/half of 2017.”
Flashpoint Bluegrass Radio, Jeff Miller’s 2016 Bluegrass CDs to Remember

“Stepping over boundaries seems to be a part of Balsam Range’s DNA.”
News & Record/ Greensboro.com, Grant Britt

“They’re groovy. Balsam Range reminds us that bluegrass can be dancing music, hip-swinging music, backbeat music, as rhythmically hypnotic as all the plugged-in genres that formed in its wake. ‘It’s hillbilly soul!’ says mandolin player Darren Nicholson.’”
The Bluegrass Situation, Joseph Terrell

“They kick the album off with a bang. Pure (what they at one time called) Newgrass, the kind of stuff on which Tony Rice and Ricky Skaggs based their reputations. Acoustic guitar (mostly picked), bass, mandolin, fiddle and banjo, and voices. The voices are crucial. You can jig and reel and you can breakdown without vocals but you cannot have the best of what bluegrass offers without voices. Think Seldom Scene and Doyle Lawson. Think harmonies sung by angels. Think harmonies stacked to the ceiling. There isn’t anything like it, or as some of my friends would say, ‘There ain’t nothin’ lak it.’”
No Depression, Frank Gutch Jr.

“Some of the best vocal harmonies I can recall in quite some time… Bluegrass aficionado or not, you absolutely need to hear Balsam Range.”
Elmore Magazine, Jim Hynes

Balsam Range On Tour
2/23-24 Thu- Fri – Wintergrass – Bellvue, WA
3/4  Sat – Balsam Range 10th Anniversary Concert @ Colonial Theatre – Canton, NC
3/11 Sat – Sheldon Theatre of Performing Arts – Red Wing, MN
3/25 Sat – Sertoma Youth Ranch Spring Bluegrass Festival – Brooksville, FL
4/1 Sat – Lions Club Brighter Visions Fundraiser – Lake Junaluska, NC
4/7 Fri – Sumter Opera House – Sumter, NC
4/8 Sat – Pamlico Musical Society Concert @ The Red Rooster – Oriental, NC
4/15 Sat – Parrish Auditorium – Hamilton, OH
4/21 Fri – Cary Arts Center – Cary, NC
4/22 Sat – Apple Country Cider Jam – Hendersonville, NC
5/5 Fri – Boxcar Pinion Bluegrass Festival – Chattanooga, NC
5/11 Thu – Doyle Lawson & Quicksilver Bluegrass Festival – Denton, NC
5/13 Sat – Rotary Club Fundraiser @ Carteret Community Theatre – Morehead City, NC
5/20 Sat – Buhl, Germany
5/21 Sun – Waldkraiburg, Germany
5/23 Tue – Prague, Czech Republic
5/27 Sat – Willisau, Switzerland
6/1 Thu – Ciener Botanical gardens – Kernersville, NC
6/2 Fri – Dollywood – Pigeon Forge, TN
6/3 Sat – Cold Mountain Music at Lake Logan – Canton, NC
6/16-17 Fri-Sat – Wenatchee River Bluegrass Festival – Cashmere, WA
6/24 Sat – Rudy Fest – Grayson, KY
7/2 Sun – Lake Junaluska Conference Center – Lake Junaluska, NC
7/8 Sat – Stecoah Valley Center – Robbinsville, NC
7/13 Thu – Grey Fox Bluegrass Festival – Oak Hill, NY
7/22 Sat – Bluegrass On The Square – Corydon, IN
8/4 Fri – Mandolin farms Bluegrass Festival – Flemingsburg, KY
8/5 Sat – Dillard Bluegrass & BBQ Festival – Dillard, GA
8/26 Sat – Ocean Lakes Bluegrass Weekend – Myrtle Beach, SC

For more information, tour dates, and more, please visit www.balsamrange.com. Stay up to date with current news on www.facebook.com/balsamrange, www.twitter.com/BalsamRange, and www.instagram.com/balsamrange.

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DannyBarnes_StoveUp_frontcover.pngDanny Barnes Releases All Acoustic Homage to Don Stover, Stove Up, on March 3, 2017
Featuring Danny Barnes along with Jason Carter, Chris Henry, Mike Bub, and Nick Forster

Danny Barnes is already known as an iconic American musician, a banjo playing innovator who’s earned high praise from everybody from Bill Frisell and Dave Matthews to Steve Martin, who presented Danny with the Prize for Excellence in Banjo in 2015. From the days with his groundbreaking Austin band, the Bad Livers, to his two decade solo career experimenting with electronic music, jazz, old time string band music and more, he’s a genre bending, rule breaking original who prefers to color outside the lines.

Now, with Stove Up, out March 3, 2017, he’s showing us that it was always a choice, that he’s always had the chops to play straight ahead bluegrass banjo with the best of them. With a top-flight band backing him up, Danny turns in an amazing set of tunes that demonstrate his respect for tradition and his commitment to his own musical voice.

“Happily, with Stove Up, our five-string hero steps out of the lab and into the sunlight where his pre-war Gibson can really shine,” says Tim O’Brien. “Producer and guitarist Nick Forster wisely loosens the reins and lets his pack of thoroughbreds set a fast pace around the bluegrass track. Mandolinist Chris Henry, with his bone-dry tone and expanded traditional approach, is a particularly inspired foil to Barnes. Along with Forster, much decorated fiddler Jason Carter, and everyone’s favorite bassist, Mike Bub, they cut through some beautiful territory, including two Don Stover’s compositions—”Black Diamond” and “Rockwood Deer Chase.” Three vocal tracks peek through the instrumentals and give new listeners a look into the quirky mind of Barnes… These are live and lively performances where you can almost hear the musicians smile.”

Recorded in eTown Studios in Colorado, Stove Up was produced by Nick Forster and engineered by James Tuttle. The mixing and editing were done by the great banjo player Scott Vestal and it was mastered by David Glasser at Airshow.

DannyBarnesBW-12_byMonicaFrisell.jpg

Danny Barnes. Photo by Monica Frisell

Danny says, “After 45 years of practicing, this is the first acoustic bluegrass record I’ve ever made. Nick, Mike, Jason, and Chris are bluegrass royalty! It was a sure enough honor to be able to make Stove Up, a loving homage to the great Don Stover.”

One of his banjo heroes, Don Stover, was the inspiration for this project simply because Don knew how to play bluegrass banjo in a way that fit the style, showed respect for Earl Scruggs and others, but it still sounded like him, had his own voice. Danny delivers on all fronts here, from scorching banjo fiddle duets with Jason Carter (“Paddy on the Turnpike,” “John Hardy,” and “Bill Cheatum”) to faithful versions of Scruggs (“Flint Hill Special” and “Fireball”), or a Grandpa Jones tune (“Eight More Miles To Louisville”) to a reinterpreted Rolling Stones song (“Factory Girl”) or his own originals (“Isotope 709,” “Charlie,” and “Get It While You Can”). This generous set of music sounds like what it is – great musicians having fun playing music in real time.

Danny says, “All these tunes on here (except the ones I made up), I’ve been playing and working on since I was a young boy. I’m STILL working on this stuff. My plan = never give up.”

If you’re looking for an antidote to the world’s problems, go find Stove Up, this new Danny Barnes record, and turn it up loud. It’s a thing of joy and beauty!

Kind words about Danny and Stove Up

“My friend Danny. The truth. This is the thing that struck me most strongly when I first heard Danny Barnes and is something that continues to grow stronger and clearer. What we hear from Danny is true. It can be coming from no one else. His story. Whether it’s the songs he writes himself or those he chooses to play. He has lived it. He’s not playing ‘at’ it. He ‘is’ it… Danny’s love of, connection to, and history with this music is long and deep. What a joy now to listen to these songs transformed through his lifetime of experience. It is a wonderful thing… Thank you Danny. Sincerely.” —Bill Frisell

“Danny Barnes represents all that is good about heartfelt music. He has deep passion, exemplary technique, great abilities as a songwriter, richly burnished vocals, and the fearsome desire to break through boundaries while still staying solidly rooted in tradition. He’s as fine as they come.”  —Tony Trischka

“For years I’ve said Danny Barnes is the world’s greatest banjo player. It’s the truth, but now with fake news and all the puffery, words have lost their meaning. But that’s okay because the truth is in the music. Listen to DB’s banjo if you wanna hear the truth.” —Robert Earl Keen

“Like Superman squeezing a lump of coal, Danny Barnes can transform crumbling musical remnants into cutting edge innovations, but avid fans have long known that Barnyard Electronics’ chief engineer has some serious traditional banjo chops.” —Tim O’Brien

Danny Barnes on Tour 2017*
2/16 Thu – The Big Easy – Petaluma, CA
2/17 Fri – The Crepe Place – Santa Cruz, CA
2/18 Sat – The Back Room – Berkeley, CA
2/19 Sun – Moe’s Original BBQ – Tahoe City, CA
2/22 Wed – Applegate Lodge – Applegate, OR
2/23 Thu – HiFi Lounge – Eugene, OR
3/9 Thu – Cervante’s Other Side – Denver, CO %
3/10 Fri – Barkley Ballroom – Frisco, CO %
3/12 Sun – The Stanley Hotel – Estes Park, CO %
3/16 Thu – White Eagle Saloon – Portland, OR
3/17 Fri – Rock Creek Tavern – Hillsboro, OR
3/18 Sat – McMennamins Grand Lodge – Forest Grove, OR
4/19 Thu – Club Passim – Cambridge, MA ^
4/20 Thu – Caffe Lena – Saratoga Springs, NY ^
4/21-22 Fri-Sat – Durango Bluegrass Meltdown – Durango, CO ^
4/25 Tue – Cabaret at Germano’s – Baltimore, MD ^
4/26 Wed – C-ville Coffee – Charlottesville, VA ^
4/27 Thu – Hill Country Live – Washington, DC ^
4/28 Fri – Milkboy – Philadelphia, PA ^
4/29 Sat – Hill Country Live – New York, NY ^
4/30  Sun – Elk Creek Cafe – Millheim, PA ^
5/4-6 Thu-Sat – Adrift Hotel – Long Beach, WA
5/7-13 Sun-Sat – Al’s Den at Crystal Hotel – Portland, OR
7/13-16 Thu-Sun – Northwest String Summit – North Plains, OR

* All Dates are Danny Barnes solo unless otherwise noted
% Danny with Jeremy Garrett and Andy Falco
^ Danny with Grant Gordy and Joe K Walsh
More dates TBA!

Stay up-to-date with news from Danny Barnes at www.dannybarnes.com, twitter.com/Wildknees, and Facebook.com/DannyBarnesBanjo.  

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