Feeds:
Posts
Comments

Posts Tagged ‘bluegrass’

2019 SSR poster 5x8 flyer

Announcing The 3rd Annual Suwannee Spring Reunion March 21-24, 2019
Spirit of the Suwannee Music Park in Live Oak, FL


Featuring:
Steep Canyon Rangers, Billy Strings, Donna The Buffalo, Peter Rowan, Larry Keel Experience, Jim Lauderdale, Verlon Thompson, The Grass Is Dead, and more!

Early Bird Tickets on sale now atwww.suwanneespringreunion.com  

LIVE OAK, FL – For decades the onset of Spring meant gathering at the Spirit of the Suwannee Music Park in Live Oak, Florida for a weekend of fun, family, Bluegrass and string music. A beloved tradition continues as the picturesque grounds play host to a new take on a classic family-friendly gathering with the 3rd Annual Suwannee Spring Reunion taking place Thursday through Sunday, March 21-24, 2019.

For four days in March, you can slip your shoes off and dance under the bright blue vistas and star-studded skies. Wander the endless trails along the Suwannee River, tell stories around the crackling campfire or simply lie back and watch the Spanish moss that drapes the sheltering Live Oaks that sway in the breeze. Dance the days away at the Stages and while away the late night hours around the “Picking Parties” that spring up into the dawn’s early light. There are no wrong choices when you arrive at your home and the place where live music lives for the founding of a new tradition, built on the love of the past, the Suwannee Spring Reunion.

The Suwannee Spring Reunion initial lineup for 2019 features Steep Canyon Rangers, Billy Strings, Donna The Buffalo, Peter Rowan, Larry Keel Experience, Jim Lauderdale, Verlon Thompson, The Grass Is Dead, Jon Stickley Trio, Town Mountain, Rev. Jeff Mosier, The Mammals, Roy Book Binder, Pigeon Kings, Nora Jane Struthers, Ralph Roddenbery, TKO featuring Duke Bardwell, Nikki Talley, The Adventures of Annabelle Lyn, Quartermoon, Sloppy Joe, Habanero Honeys, Jeff Bradley – Comedy + Cool Stuff, Tania & Magic Moon Traveling Circus. More artists to be announced.

Most of these artists bring with them storied histories of epic Suwannee performances! Matching the history on the stage, long time festival creators Beth Judy and Randy Judy along with an amazing staff, are partnering with the Spirit of the Suwannee to make sure that every piece needed is in place to make an epic weekend of music and fun.

Festival Director Beth Judy believes that the perfect gift for music lovers this year is the 2019 Combo Ticket available until January 7th. Beth says “What could be better than a gift of an extraordinary experience not once, but twice in one year when your loved one can attend Suwannee Spring Reunion and Suwannee Roots Revival?  And if not the Combo, an Early Bird Ticket for Suwannee Spring Reunion will make smiling faces all around!”

Once again the beloved tree-lined amphitheater is home to early morning sing-a-longs and night time musical pyrotechnics from the park’s stellar cast of alumni and new favorites. There will be music on four stages including the Amphitheater, Porch, Music Hall, and Music Farmers Stages. Suwannee Spring Reunion attendees will also enjoy music in the campground with jamming at Slopryland and the Bill Monroe Shrine as well as camp pickin’ parties.

Hands-on and performance workshops will be held throughout the weekend with a variety of artists set to perform.  Expect to get professional instruction at the hands on workshops and some out of the ordinary intimate musical experience from the different presentations.

Placing a strong emphasis on embracing the traditions that have made the park a national treasure, there will be a wide array of arts & crafts as well as an array of culinary delights ranging from healthy to decadent in the Vending Village. The park itself is a place where kids of all ages can remember why they fell in love with the magic mixture of sights, sounds, and sensations that constitutes a weekend of paradise that is the Spirit of the Suwannee Music Park.

Tickets are on sale now. Suwannee Spring Reunion offers a multi-day Weekend Ticket that includes festival admission for four days of music, as well as primitive camping on Thursday, Friday, Saturday, and Sunday nights. Early Bird Tickets are $130; Students and military with a valid ID are $120. Children 12 and under are free if accompanied by a parent or legal guardian. Get your tickets now before they rise to the next pricing tier. Single Day Tickets will be available at the Gate only. Please note, Single Day Tickets do not include primitive camping.

Also available is the 2019 Combo Ticket Featuring one multi-day Weekend Ticket for both Suwannee Spring Reunion and Suwannee Roots Revival priced at $260, available until January 7th.  

SOSMP is located between Jacksonville, Florida & Tallahassee, Florida about 30 minutes south of the Georgia State line, about 45 minutes north of Gainesville and is host to a variety of events.

Suwannee Spring Reunion 2019 Initial Lineup
Steep Canyon Rangers
Billy Strings
Donna The Buffalo
Peter Rowan
Larry Keel Experience
Jim Lauderdale
Verlon Thompson
The Grass Is Dead
Jon Stickley Trio
Town Mountain
Rev. Jeff Mosier
The Mammals
Roy Book Binder
Pigeon Kings  
Nora Jane Struthers
Ralph Roddenbery
TKO featuring Duke Bardwell
Nikki Talley
The Adventures of Annabelle Lyn
Quartermoon
Sloppy Joe
Habanero Honeys
Jeff Bradley – Comedy + Cool Stuff
Tania & Magic Moon Traveling Circus

For more information, tickets, and to reserve camping, please visit www.suwanneespringreunion.com.

 

Advertisements

Read Full Post »


TheseThings

Dreamspider_pub_logo_rgb

‘Tis the Season and the end of the year! Here’s a rundown of the albums that Dreamspider Publicity publicized in 2018 in order of release date. Please do keep listening to and supporting live and recorded music! THANK YOU to all the artists, writers, DJs, listeners, and concert goers!!

Cheers and have a fantastic Holiday Season!


~Erin Scholze, Dreamspider Publicity
These Things Just Don’t Happen By Themselves… 

LoveCanonCov13e

Love Canon – Cover Story
Released on Organic Records: July 13
www.lovecanonmusic.com

“Charlottesville, VA’s Love Canon have established themselves as prodigious interpreters of others’ songs. Their latest is chock full of circa 1980’s classics, each imbued with an acoustic charm. In some ways it speaks to the flexibility of the underlying song… In others it speaks the group’s ability to transform the song.” —Twangville, Mayer Danzig

“A guest-filled ride through familiar old favorites, interpreted not as party reboots but as thoughtful reimaginations. Songs from an era known for indulgent electric sheen get broken down and rebuilt with serious bluegrass chops… Throughout the record, the band dips into its deep rolodex of musical friends, tapping quirky troubadour Keller Williams to sing lead on R.E.M.’s ‘Driver 8,’ which features blazing solos and an extended reggae breakdown. Ace fiddler Michael Cleveland and singer Aoife O’Donovan also show up for one of the album’s best tracks, a mountain-hop version of Paul Simon’s ‘Graceland.’ Bluegrass has always been about passing songs down the line and sharing them with friends; Love Canon is toying with that tradition in a good way.” Blue Ridge Outdoors, Jedd Ferris

“Stripped of its slick ’70s country production and replaced with upbeat horns and killer harmonies, ‘Islands in the Stream’ is a perfect laid-back love ballad when performed by Love Canon. The band’s friend Lauren Balthrop evokes Parton in the high harmonies, and Bobby Read and John D’Earth provide a little bit of funk on the saxophone and trumpet, respectively.–The Boot, Amy McCarthy

HBR_LonesomePanoramic_600px_lo-res
Hot Buttered Rum –
Lonesome Panoramic
Independently Released: July 20
www.hotbutteredrum.net

“Tight Tunes and Whispers of Tom Petty: Lurking behind each song is a rhythmic urgency that’s less prog-bluegrass and more rock oriented… Over its 15-plus-year career, the band has proven itself capable of pulling together strands of country, folk, bluegrass, and jam music into an energetic, good-time experience. But with the batch of well-crafted, sharply performed tunes they cooked up on Lonesome Panoramic, Hot Buttered Rum has managed to blend its ragged charms with that of a well-oiled musical machine.” —No Depression, Jim Shahen

“Ultimately, Lonesome Panoramic reflects the work of a talented group of close-knit colleagues who know how to share their skills and play in sync, with no one individual eager to overshadow the others. The band emphasize subtlety over sizzle, finesse as opposed to frenzy, and a confidence and assurance that makes melody the primary focus. It’s a decided skill set to be sure…” —Bluegrass Today, Lee Zimmerman

“Probably best described as a tangling of jam, country, folk, and bluegrass that results in a timeless energy and easily enjoyable spirit, this is a criminally underappreciated outfit and a fantastic album.” —The Daily Vault, Tom Haugen

CF_LiveAlbumCover_2018_CreditKeithBersonPhotography
Chicago Farmer –
Quarter Past Tonight  – Live Double Disc Album
Independently Released: August 3
www.chicagofarmer.com

“I’d never heard of transplanted son of the soil Cody Diekhoff and you probably haven’t either. But this tenth-anniversary double-live, 24 songs and eight spoken bits that include a tribute to his heroically supportive wife entitled ‘Benefits’… he’s funny, he’s kind, and he’s preparing an instructional video about ‘how do you get that drawl that you do—it’s kind of a mix between a small-town big-city kind of a northernly southernly easterly westerly stuck-in-the-middle type of a drawl.’”  Noisey, Robert Christgau

You don’t hear many albums these days like this two-CD set, which hearkens back to a time when solo folk artists like Tom Paxton and Arlo Guthrie strode onstage offering nothing but their voices, guitars, harmonicas, visions, and wit.”  The Morton Report, Jeff Burger

“A great example of his songwriting and performing chops is ‘I Need a Hit,’ the first song off disc one. It’s about a road-worn troubadour dreaming about a John Hartford scenario — meaning he’d have a money-maker like ‘Gentle on My Mind’ funding his traveling circus.” —Wide Open Country, Bobby Moore

RestHeavyCover_WEB
Chad Elliott & The Redemptions –
Rest Heavy: The Sun Studio Sessions
Independently Released: August 10
www.chadelliott.net

“Iowa suggests such names as Greg Brown, Bo Ramsey, and Pieta Brown among others but now singer-songwriter, artist and author, Chad Elliott can join their esteemed company with Rest Heavy. Even if you didn’t know that these tracks were recorded at Sun Studios in Memphis, you’d still sense a bit of that Elvis Presley style in Elliot’s mix of roots-rock, soul, blues and modern gospel… This album just oozes soul, truth, and seems rather timeless as it could have been recorded almost any time in the last fifty-sixty years.” –Elmore, Jim Hynes

“Rest Heavy… opens with an arpeggiated piano riff and cymbal crash before launching into a leaned-back, eyes-closed, soulful-howl gospel-blues tune of which Sam Cooke would have approved… As he croon-wails his way through tracks that range from hardscrabble stories and ain’t-life-like-that tunes to songs of somber reflection, his constellation of influences is clear, with stylized moments and melodic arrangements that evoke the likes of Tom Waits, Eric Clapton, Bruce Springsteen and Doc Watson.”
Little Village Magazine, Lucas Benson

“ … there is a timeless feel all along the tracks that tell his talent.. roots rock, gospel, soul, blues in a perfect spirit… I would even say this album is the perfect tribute to the spirit of the Sun Studios. I already listened at least 10 times to it and these songs take me with them…” ISA Radio, Mike Penard, France

coverimage
Rudi Ekstein –
Carolina Chimes: Rudi Ekstein’s All Original Bluegrass Instrumental Showcase Featuring Stuart Duncan, Jeff Autry, Mark Schatz
Independently Released on Foxfire Recording: October 5
www.carolinachimes.com

“The bulk of [the songs] are flat-out, hold-on-to-your-hat wild rides that he takes you on… The entire album brings back many great memories to me of John Hartford’s many musical excursions through the years, jam sessions with Mike Marshall down in Florida back in the ’70’s and all sorts of good stuff... I would suggest the best way to listen to this CD is on a nice drive through the country or anywhere.” Elmore, Ken Spooner

“These twelve original numbers flow brilliantly, a set of mandolin-based bluegrass the likes we haven’t experienced in a number of years. I’ve hit ‘repeat’ more than once listening to the set, the minutes passing by much too quickly…. An absolute stunner of a bluegrass album.” –-Fervor Coulee, Donald Teplyske

“This is some serious, hard core bluegrass played with a lot of fire… Good stuff.” —Mandolin Cafe

EDA Butterfly cover 2CD Cover
Edward David Anderson –
Chasing Butterflies
Independently Released on Black Dirt Records: October 18
www.edwarddavidanderson.com

“Key tracks are the disturbing epic tale of race and injustice (with majestic, swirling fiddle) in ‘The Ballad of Lemuel Penn’, the brutally honest ‘Bad Tattoos’ (‘The story of my life’s written on my skin’) and the hypnotic ‘Crosses’ with its rousing and extended instrumental section closing out the track… On Chasing Butterflies, Edward David Anderson commands our attention with his accomplished songwriting and sublime presentation. He certainly has mine. It’s a triumph.” —Listening Through The Lens, No Depression, Rob Dickens

“…nothing here is overplayed: the sound is light, mainly acoustic and upbeat… Judging by his self-penned songs, Anderson observes his world and writes what comes to mind. On his second solo release he covers family, misspent youth (tattoos), dogs, inspirational friends, bleak Montana landscapes and injustices… All in all an interesting outing that explains his wide fanbase.” –Americana Music Show, Tony Ives

“The quality of songwriting here is exemplary. Without exception we are treated to consistently strong melodies with memorable hooky choruses that will live with you after only a few listens. There is a very strong and diverse lyrical theme to these songs while the musicianship on the record is outstanding throughout.” —AmericanaUK, Mark Hegarty

RECKLESS-SAINTS---COVER-artDESAT
Roy Schneider & Kim Mayfield –
Reckless Saints
Independently Released on Shiny Gnu Records: Nov 2
www.RecklessSaints.com

“This husband and wife team runs the gamut from engaging acoustic folk to driving bluesy tunes, with hints of twang sprinkled in… The ringing impression from this offering is the seamless blending of so many forms of roots music, combined with meaningful and often insightful lyrics. It works beautifully.”
Making A Scene, Jim Hynes

“Reckless Saints is an acoustic duo comprised of Roy Schneider Music on guitar, harmonica, dobro, drums, banjo and bass with wife Kim Mayfield on guitar, baritone ukulele, mandolin and piano. They both sing and they both write. Their self-titled debut only has one cover: “Election Day” by the late Blaze Foley (the subject of Ethan Hawke’s new movie, Blaze.) Bonnie Raitt bassist Freebo is on hand as is the legendary Nashville harmonica player Charlie McCoy and fiddler Keven Aland. It all amounts to an Americana gem that fans of real pure mountain-stream country will love.” —The Aquarian Weekly, Mike Greenblatt

“Enlisting Blaze Foley’s old musical partner Gurf Morlix for help, Schneider and Mayfield cover Foley’s classic ‘Election Day’ with rough passion, but the beautifully rendered ‘If I Die Tomorrow’ and ‘Poison Arrow’ swoon in their arms. All who cry out for salvation from Reckless Saints might experience the same effect.”
Elmore Magazine, Peter Lindblad

TaylorMartin_SongDogs_CoverArt_2018
Taylor Martin –
Song Dogs
Released on Little King Records: Nov 16
www.taylormartin.org

“Indeed, Martin, an Asheville, NC resident, delivers a stunning work of eight original and three covers all done in a sometimes rock, sometimes blues, sometime ballad and sometimes folk style. His cover of Neil Young’s ‘Music Arcade’ is definitely a Cajun themed sound. Martin’s voice is rather gravelly sounding and is surprisingly easy to listen to for an entire CD… All in all, Song Dogs is an excellent release of music to which almost any listener can relate. Lets face it, maybe some of us can’t relate to love lost or being on the highway. But seriously, who among us can’t claim overuse of a cell phone, at least at some point in time. This is just great music. Highly recommended.” —Audiophile Voice, Paul Wilson

“The piano driven, haunting title song comes last, inspired in part by coyotes howling (per cover art) to find each other at night… It may seem that it stands apart from the others in tone and style, but several listens to Martin will have you hearing an array of styles and influences. That’s what makes it so infectious. Each song stands apart.” Country Standard Times, Jim Hynes

“The song [‘Little Pictures’] rings instantly familiar and simplifies a complex message in clear lyrical fashion, over catchy, punchy, piano-prominent rhythms.” —Americana Highways, Melissa Clarke

NEW FOR 2019!

Be on the lookout for a new book about Leftover Salmon in February entitled Leftover Salmon: Thirty Years of Festival! Written by Tim Newby

New albums in early 2019:
Amy McCarley
MECO  – (Feb 8, 2019)

Reed Foehl
Lucky Enough – (Feb 1, 2019)

 

Read Full Post »

Leftover Salmon: Thirty Years of Festival!
New Book By Author Tim Newby Due Out February 2019 on Rowman & Littlefield

“History is made by those who write it, not the musicians who can’t remember it, Tim Newby knows our history and now it’s up to him to teach us what happened!” —Vince Herman (Leftover Salmon)

“Tim Newby has somehow managed to capture the unique combination of personalities that is Leftover Salmon; a feat that I would have thought fairly impossible. As unique as their music, Tim weaves his story through the sensibilities of the individual players which creates a wonderful kaleidoscope resulting in the definitive biography of a band that is still constantly changing and growing into their 4th decade.”
-Steve Berlin (Los Lobos)


Book CoverDENVER, CO — Few bands stick around for thirty years. Even fewer bands leave a legacy during that time that marks them as a truly special, once-in-lifetime type band. And no band has done all that and had as much fun as Leftover Salmon. Since their earliest days as a forward thinking, progressive bluegrass band who had the guts to add drums to the mix and who was unafraid to stir in any number of highly combustible styles into their ever evolving sound, to their role as a pioneer of the modern jamband scene, to their current status as elder-statesmen of the scene who cast a huge influential shadow over every festival they play, Leftover Salmon has been a crucial link in keeping alive the traditional music of the past while at the same time pushing that sound forward with their own weirdly, unique style.

As Leftover Salmon nears their 30th year, their inspiring story is set to be told in a brand new book, Leftover Salmon: Thirty Years of Festival! that will be released February 2019 by Rowman & Littlefield. In this book, critically acclaimed author of Bluegrass in Baltimore: The Hard Drivin’ Sound & It’s Legacy, Tim Newby presents an intimate portrait of Leftover Salmon through the personal recollections of its band members, family, friends, former band-mates, managers, and the countless musicians they have influenced. Leftover Salmon: Thirty Years of Festival! is a thorough guide covering a thirty-year journey of a truly remarkable band. It is a tale of friendships and losses, musical discoveries and Wild West adventures, and the brethren they surround themselves with who fortify Salmon’s unique voice. Their story is one of tragedy and rebirth, of unimaginable highs and crushing lows, of friendships, of music, but most importantly it is the story of a special band and those that have lived through it all to create, inspire, and have everlasting fun.

LosColor_creditBobCarmichael.jpg

Leftover Salmon. Photo by Bob Carmichael

Heading into their fourth decade Leftover Salmon is showing no signs of slowing down as they are coming off the release of their most recent album, Something Higher (released in 2018), which has been universally hailed as one of the band’s finest releases. Something Higher shows how even upon preparing to enter their fourth decade Leftover Salmon is proving it possible to recreate themselves without changing who they are. The band now features a line-up that has been together longer than any other in Salmon history and is one of the strongest the legendary band has ever assembled. Built around the core of founding members Drew Emmitt and Vince Herman, the band is now powered by banjo-wiz Andy Thorn, and driven by the steady rhythm section of bassist Greg Garrison, drummer Alwyn Robinson, and keyboardist Erik Deutsch.

The new line-up is continuing the long, storied history of Salmon which found them first emerging from the progressive bluegrass world and coming of age as one the original jam bands, before rising to become architects of what has become known as Jamgrass and helping to create a landscape where bands schooled in the traditional rules of bluegrass can break free of those bonds through nontraditional instrumentation and an innate ability to push songs in new psychedelic directions live.

Salmon is a band who, over their thirty-year career, has never stood still; they are constantly changing, evolving, and inspiring. If someone wanted to understand what Americana music is they could do no better than to go to a Leftover Salmon show, where they effortlessly glide from a bluegrass number born on the front porch, to the down-and-dirty Cajun swamps with a stop on Bourbon Street in New Orleans, to the hallowed halls of the Ryman in Nashville, before firing one up in the mountains of Colorado.

 

Leftover Salmon On Tour:

2018

Thanksgiving Run- featuring pre/post shows and a Day of Giving at Moe’s BBQ Englewood
11/23 Fri – Gothic Theatre – Englewood, CO w/ Gasoline Lollipops
11/24 Sat – Gothic Theatre – Englewood, CO w/ Tenth Mountain Division

12/7-11 Fri-Tues – Strings & Sol – Puerto Morelos, Mexico

New Years Run
12/28 Fri – Crystal Bay Club Casino – Crystal Bay, NV
12/29 Sat – Sierra Nevada Brewing Co – Chico, CA
12/30 Sun – Terrapin Crossroads – San Rafael, CA
12/31 Mon – Terrapin Crossroads – San Rafael, CA

2019
1/15-20 Tue-Mon – Jam Cruise – Miami, FL
1/31 Thu – Soreng Theatre – Eugene, OR*
2/1 Fri – Revolution Hall – Portland, OR*
2/2 Sat – The Triple Door – Seattle, WA (2 shows)*
2/14 Thu – Wheeler Opera House – Aspen, CO*
2/15 Fri – Vilar Performing Arts Center – Beaver Creek, CO*
2/16 Sat – Washington’s – Fort Collins, CO*
2/21 Thu – The Steifel Theatre for the Performing Arts – Salina, KS*
2/22 Fri – Sheldon Concert Hall – St. Louis, MO*
2/23 Sat – North Shore Center for the Performing Arts – Skokie, IL*
2/24 Sun – Turner Hall Ballroom – Milwaukee, WI*
2/26 Tue – Woodward Theatre – Owensboro, KY*
2/27 Wed – Minglewood Hall – Memphis, TN*
2/28 Thu – City Winery – Atlanta, GA (2 shows)*
3/1 Fri – The Caverns – Pelham, TN*
3/2 Sat – Dave Finkelman Auditorium – Middletown, OH*
3/14-16 Thur-Sat – Alyeska Resort – Girdwood, AK
3/22-24 Fri-Sun – Boogie at the Broadmoor – Colorado Springs, CO
3/29-31 Fri-Sun – WinterWonderGrass – Tahoe, CA
4/13-14 Sat-Sun – Bender Jamboree – Las Vegas, NV
4/26 Fri – Stoughton Opera House – Stoughton, WI*
4/27 Sat – Stefanie H. Weill Center for the Performing Arts – Sheboygan, WI*
4/28 Sun – Sheldon Theatre – Red Wing, MN*

*Stories From the Living Room Shows:
Each of the SFTLR shows listed will feature Leftover Salmon’s acoustic Living Room set with stories and chatter about Thirty Year Of Festival from the band.
Tickets On Sale for SFTLR show: Friday, Nov. 16, 10am MST

For more information, tour dates, and other LoS news, please visit www.LeftoverSalmon.com.
Stream and purchase Something Higher at https://lnk.to/SomethingHigher.

 

Read Full Post »

coverimage
Carolina Chimes:
Rudi Ekstein’s All Original Bluegrass Instrumental Showcase

Ekstein Collaborates with All-star Musicians Stuart Duncan, Jeff Autry, Mark Schatz & More

OUT TODAY: October 5, 2018 on Foxfire Recording

Available Now On All Outlets→ http://smarturl.it/2pryj6   

Asheville, NC – Rudi Ekstein has been in the music business for many years as a performer, producer, and studio owner. Now, on his album Carolina Chimes: Rudi Ekstein’s All Original Bluegrass Instrumental Showcase, released October 5, on Foxfire Recording, Ekstein showcases his mandolin prowess on 12 original instrumental tunes featuring an all-star cast of world-class talent. Some of the artists brought into the studio for this project include multi-GRAMMY Award Winner Stuart Duncan on fiddle and renowned guitarist Jeff Autry for the entire album, two time IBMA Bass Player of the Year Mark Schatz performs on all but one tune, long-time collaborator John Plotnik plays banjo on the majority of the album and steps in on Dobro on four tracks while GRAMMY nominated multi instrumentalist, Patrick Sauber takes the lead on banjo. Bluegrass Today premiered the first single off the album, “Spikebuck.”

With Carolina Chimes as Ekstein has put together an upbeat collection of bluegrass barn burners performed with great pickers who help to bring these unique cuts to life. Unselfish and smart, Ekstein lets his collaborators do what they do best here. The result is a fast-paced recording that will remind you of the power of bluegrass music.

rudi_ekstein suit-473_fxd_CreditSandlinGaither.jpg

Rudi Ekstein. Photo by Sandlin Gaither.

“The most obvious parts of everyone’s life have been depicted in a bluegrass song,” says Ekstein. “The bluegrass tunes I’ve written for my records over the past 30 or so years are mostly named after people, events, or something important that happened in my life. That’s just part of my love for bluegrass.”

As the son of an Austrian immigrant to America his surname, Ekstein, translates, literally, to “Cornerstone,” which is the aptly titled opening track to the album, symbolizing his heritage and love of the genre. Another song on Carolina Chimes that reflects that philosophy is “Jessy’s Fancy,” named for Ekstein’s daughter.

Many of the tunes on Carolina Chimes reflect Ekstein’s travels in this world, from his early years living in California and exploring the American West, to settling down in the western North Carolina mountain town of Asheville.

“Hoot Owl Hop” was written from his days of living in California when the warm summer nights brought hoot owls to the eucalyptus trees every year. The perfect title for a wild ride of a tune, ‘Spikebuck,’ refers to the name of some rapids on the Arkansas River in Colorado where his family, barely hanging on, took a fast-moving whitewater rafting trip one year. “Back Drag” was named after an insane stunt Ekstein once attempted for the first and last time as a trick rider on a galloping horse in his youth.

About a decade ago, Ekstein relocated to Asheville, where he continues to run the Foxfire Recording Studio (started in 1990), so he could play more bluegrass with western North Carolina roots musician, Billy Constable, for whom this album is dedicated. Constable, who passed away in 2015 of cancer, was best known for his three-finger-picking banjo technique and his vigorous acoustic guitar leads.

A couple of songs on this project were written in Constable’s memory including, “‘Bacon in the Pan,’ Rudi’s version of an old-time fiddle tune done in the bluegrass style as, Rudi recalls, “Billy often spoke endlessly on the phone about the fine points of cooking a good breakfast, and ‘All Night in Kentucky’ is a tune I wrote after jamming all night long at the IBMA convention in Louisville, KY, with Billy. Inspired by that experience, I just couldn’t stop pickin’ on that early morning and I spontaneously ended up playing this tune.”

Rock ‘n’ roll music and bluegrass music from the Appalachian Mountains have had a big influence in Ekstein’s musical life. Within weeks of arriving in the area, Constable introduced Ekstein to many players in the WNC pickin’ scene. Both were in the band Blue Wheel Drive, along with bassist Rob Parks, and all three went on to perform for two years with The Bobby Hicks Band. Parks makes an appearance on Carolina Chimes playing “Rockalachia,” a tune BWD performed live that is reminiscent of the boogie-woogie style of bluegrass played on the mandolin in the 1940’s by the Father of Bluegrass, Bill Monroe. Another bluegrass buddy from those days, Seth Rhinehart, also steps in on banjo on that ditty as well as “Dixie Sunset,” of which Ekstein says, “I wanted to see how close I could write a ¾-time tune within the style of bluegrass, but still make it unique in its own way. Playing music on the deck of my North Carolina mountain home while overlooking the woods and watching the sunset inspired me to write this twisty waltz.”

Other cuts on Carolina Chimes reflect Ekstein’s many musical influences. “I always thought ‘Indian Rain’ would be a good song for an old fashioned western movie. Too bad it was 60 years too late. Turned out to be a better bluegrass fiddle tune, especially with Stuart Duncan at the Helm. In the late 1980’s, I recorded my song ‘Flapjack’ while playing Dobro for a band project,” says Ekstein. “I originally wrote it on the Dobro as a tune for the mandolin. I finally made it a reality here on this album. And, that brings me to the album’s title cut, ‘Carolina Chimes.’ I’ve always loved the classic banjo tunes that featured the sound of arpeggio chimes created by banjo and mandolin duets. It reminds me of bells ringing at an old Carolina country church house.”

Kind Words about Carolina Chimes:

“The bulk of [the songs] are flat-out, hold-on-to-your-hat wild rides that he takes you on… The entire album brings back many great memories to me of John Hartford’s many musical excursions through the years, jam sessions with Mike Marshall down in Florida back in the ’70’s and all sorts of good stuff... I would suggest the best way to listen to this CD is on a nice drive through the country or anywhere.”Elmore, Ken Spooner

“Here is good, pure music… ‘Carolina Chimes,’ the disc’s title track, is one that completely delights me, certainly another of the disc’s highlights. There is something incredibly catchy and even pretty about it. It’s happiness in the form of music.” Michael’s Music Log, Michael Doherty

“Rudi Ekstein has written a great collection of new bluegrass instrumentals and as writer, producer, engineer and musician, recorded this album and maintained a very high degree of quality at every step of the production process! The mix is wonderful and Rudi’s cast of musicians is stellar!” —Gene Libbea (Nashville Bluegrass Band)

“Rudi’s original tunes are sure to become classics. The musicians on this project are fantastic – every tune is a gem.” –Dennis Caplinger

“Rudi has put together a nice mixture of tunes that take us from up tempo fiddle numbers to sad mountain laments with a gypsy jazz feel thrown in for good measure. I am honored to be included in this stellar lineup of world class acoustic players from around the country. This project is superbly crafted using the finest instruments, played through the finest microphones by virtuoso musicians. Great job Rudi! —Jeff Autry

“I have known Rudi for a long time. Having lived in California for several years we used to cross paths alot. Rudi, like me, as we have grown older, seems to have a calling to write tunes. Bill Monroe did the same thing. The 12 tunes that Rudi has put together are winners. These musicians that Rudi picked to play on his project are top notch. Surrounding yourself with good musicians is the key, and Rudi, you found the right key.”  —Byron Berline

Carolina Chimes Track Listing
1. Cornerstone   (2:41)
2. Indian Rain   (3:21)
3. All Night in Kentucky  (2:48)
4. Hoot Owl Hop   (2:52)
5. Jessy’s Fancy   (3:54)
6. Spikebuck   (2:04)
7. Flapjack   (3:31)
8. Bacon in the Pan   (2:28)
9. Rockalachia   (2:35)
10. Carolina Chimes   (2:26)
11. Dixie Sunset   (2:39 )
12. Back Drag   (1:50)

 

The Musicians on Carolina Chimes include:
Stuart Duncan – Fiddle (all tracks)
Jeff Autry – Guitar (all tracks)
Mark Schatz – Upright Bass (all tracks except 9)
Rob Parks – Upright Bass (9)
John Plotnik – Banjo (1,2,3,7,10,12), Dobro (4,5,6,8)
Patrick Sauber – Banjo (4,5,6,8)
Seth Rhinehart – Banjo (9,11)
Rudi Ekstein – Mandolin (all tracks)

All tunes written by Rudi Ekstein, BMI, Carolina Chimes Music, P & C 2018
Produced by Rudi Ekstein.  Recorded and Mixed by Rudi Ekstein

Rudi has owned and operated his own commercial recording studio business Foxfire Recording since 1990, and since then has played for, or produced and/or engineered numerous albums for CMH, Rounder, Sugar Hill Records, as well as artists like Tony Rice, Larry Rice, Chris Hillman, Josh Graves, David Grisman, Richard Greene, Bill Keith, David Grier, Herb Pedersen, Bill Bryson, and other notables. His array of recording and live performance credits include many internationally known bluegrass musicians like fiddle players Byron Berline and Gabe Witcher; banjo hotshots John Hickman, Dennis Caplinger, and Craig Smith; gifted Dobro player, Rob Ickes, The Nashville Bluegrass Band’s GRAMMY award winning bass player, Gene Libbea; an original Bluegrass Cardinal bass player Bill Bryson; as well as three members of the Country Boys (later the Kentucky Colonels), bass man Eric White, banjo player, Billy Ray Lathum, and Dobro player, Leroy Mack among many others.

For more information, please visit the album website: www.carolinachimes.com and www.facebook.com/rudieksteinbluegrass.

 

 

Read Full Post »

 

2018SRR art poster Draft2 11x17 72dpi

Suwannee Roots Revival 2018 Art Poster by Artist Marci Davis 


The 3rd Annual Suwannee Roots Revival

October 11-14, 2018 at Spirit of Suwannee Music Park in Live Oak, FL

Oteil & Friends, Leftover Salmon,
Keller Williams‘ PettyGrass Featuring The HillBenders,
Donna the Buffalo, Peter Rowan Free Mexican Airforce,
Bruce Cockburn, The Seldom Scene

and much more!

Tickets www.suwanneerootsrevival.com/tickets/

 

LIVE OAK, FL — The 3rd Annual Suwannee Roots Revival takes place Thursday, October 11 – Sunday, October 14 at the magical Spirit of the Suwannee Music Park (SOSMP) in Live Oak, Florida. With multiple stages throughout the weekend (Amphitheater Stage, Porch Stage, Dance Tent, Music Hall, and Music Farmer’s Stage) Suwannee Roots Revival is jam-packed with stellar music and dance and many bands will perform multiple sets. This family-friendly festival includes four days of music, camping, yoga, music workshops, a Kids Tent, as well as campground pickin’ sessions. Set in the midst of 800 acres of Spanish moss-draped oak and cypress trees along the Suwannee River, the venue is a playground for endless activities such as swimming, canoeing, kayaking, disc golf, and biking. We are thrilled to announce the daily schedules of music here → www.suwanneerootsrevival.com/schedule.

Oteil Burbridge will lead an all-star cast as Oteil & Friends as the Thursday night headliners featuring John Kadlecik, Weedie Braimah, Alfreda Gerald, Jay Lane, Scott Metzger [JRAD], and Jason Crosby [Phil Lesh & The Terrapin Family Band]. Peter Rowan Free Mexican Airforce is also on Thursday and Rowan will be doing a workshop as well. Others set to appear on Thursday are Jon Stickley Trio, The Grass Is Dead, The Dustbowl Revival, Joe Craven & The Sometimers, Jonathan Scales Fourchestra, Sloppy Joe, Sauce Boss, Jeff Bradley, Contra Dance Instruction & Contra Dance with The Dunehoppers, LPT, and more!

Keller Williams’ Pettygrass featuring The HillBenders headlines Friday along with The Seldom Scene, and the first of three festival appearance by Donna the Buffalo. Friday hosts a plethora of stellar music including Rev Jeff Mosier, The Lee Boys, The HillBenders, a second appearance by Joe Craven & The Sometimers, The Lonely Heartstring Band, Katie Skene & The Cosmic Kind, Brett Bass & Melted Plectrum, Whetherman, Belle and the Band, second sets by The Grass Is Dead and Sauce Boss, Tornado Rider, Syzygy much more including, in the Dance Tent, Waltz Instruction & Waltz with The Walker Family Band, and Contra Dance Instruction & Contra Dance with The Dunehoppers.

Leftover Salmon makes their first appearance of the weekend as the Saturday night headliners. The day is jam-packed with music by Donna the Buffalo, Bruce Cockburn, Samantha Fish, Horseshoes and Hand Grenades, Jim Lauderdale, Verlon Thompson, David Gans will be hosting a workshop and is also an artist at large, Nikki Talley, The Corbitt Brothers, and Rushadicus as well as further sets with Tornado Rider and Rev Jeff Mosier, Joe Craven & The Sometimers, Whetherman, The Lee Boys, LPT, Brett Bass and Melted Plectrum, Waltz with The Walker Family Band, and Contra Dance Instruction with The Dunehoppers.

Sunday is always a special day closing out the festival with music and is “Vassar Day”, the day of remembrance for those lost that were dear to us. Donna the Buffalo will close out the festival with a a set and also will be bringing up guests artist that are still around for a fun-filled evening. Sunday sets include Leftover Salmon, Rev Jeff Mosier with The Grass Is Dead, Horseshoes and Hand Grenades, Jim Lauderdale, Verlon Thompson and more. David Gans will be broadcasting his SiriusXM Radio show “Tales from the Golden Road” live from the park.

Other special items to keep an eye out for are Yoga with Rhonda Bell on Friday, Saturday & Sunday at 9am at Dance Tent, Kids Tent Activities Daily with Tania & Magic Moon Traveling Circus along with a with Kids Talent Show on Sat Night, Bean Spence Paint Class, Kids Yoga and more. There will also be various workshops in Music Hall with many artist such as Seldom Scene, Bruce Cockburn, and more throughout the weekend.

Hosted by long time friends of SOSMP, Randy Judy and Beth Judy, Suwannee Roots Revival focuses on amazing roots music that ties together a weekend laced with community based fun, growing friendships, laughing families, and that feel good feeling you get from hanging out in such a beautiful natural setting.

SOSMP offers guest comforts including a general store, full service restaurant, free showers, indoor bathrooms, and water stations. Upgraded camping, including RV hook ups and cabin rentals, as well as golf cart rentals are currently on sale. Reservations may be made by calling the Park office at (386) 364­-1683. SOSMP is located between Jacksonville, Florida & Tallahassee, Florida about 30 minutes south of the Georgia State line, about 45 minutes north of Gainesville and is host to a variety of events. Please visit the park’s web site at www.musicliveshere.com for further information.

Suwannee Roots Revival Full Lineup 2018
Oteil & Friends
Leftover Salmon
Donna the Buffalo
Keller Williams’ PettyGrass Featuring The HillBenders
Peter Rowan Free Mexican Airforce
Bruce Cockburn
The Seldom Scene
Horseshoes & Hand Grenades
Samantha Fish
Shinyribs
Dustbowl Revival
Jim Lauderdale
Verlon Thompson
Rev. Jeff Mosier
Jon Stickley Trio
The Grass Is Dead
Joe Craven & The Sometimers
The Lonely Heartstring Band
Jonathan Scales Fourchestra
The Lee Boys
Katie Skene and The Cosmic Kind
Tornado Rider
Sauce Boss
Belle and The Band
Whetherman
Sloppy Joe
Quartermoon
The Adventures of Annabelle Lyn
Brett Bass and Melted Plectrum
The Corbitt Brothers
Nikki Talley
SYZYGY
The Dunehoppers
LPT
The Walker Family Band
David Gans – Artist-at-Large
Jeff Bradley – Comedy + Cool Stuff
Suwannee Spirit Kids
Tania & Magic Moon Traveling Circus

The Suwannee Roots Revival 2018 Art Poster by Artist Marci Davis will be available for purchase at Festival Merchandise.

Further information at www.SuwanneeRootsRevival.com. Also visit us on at www.facebook.com/suwanneeroots, Twitter & Instagram: @SuwanneeRoots (#SuwanneeRoots)

 

 

Read Full Post »

coverimage
Carolina Chimes: Rudi Ekstein’s All Original Bluegrass Instrumental Showcase

Ekstein Collaborates with All-star Musicians Stuart Duncan, Jeff Autry, Mark Schatz & more

Released October 5, 2018 on Foxfire Recording

New single “Spikebuck”out now to stream and purchase → https://rudiekstein.hearnow.com
The album is also available to pre-order → http://smarturl.it/2pryj6   

Asheville, NC – Rudi Ekstein has been in the music business for many years as a performer, producer, and studio owner. Now, on his album Carolina Chimes: Rudi Ekstein’s All Original Bluegrass Instrumental Showcase, to be independently released October 5, Ekstein showcases his mandolin prowess on 12 original instrumental tunes featuring an all-star cast of world-class talent. Some of the artists brought into the studio for this project include multi-GRAMMY Award Winner Stuart Duncan on fiddle and renowned guitarist Jeff Autry for the entire album, two time IBMA Bass Player of the Year Mark Schatz performs on all but one tune, long-time collaborator John Plotnik plays banjo on the majority of the album and steps in on Dobro on four tracks while GRAMMY nominated multi instrumentalist, Patrick Sauber takes the lead on banjo. Bluegrass Today premiered the first single off the album, “Spikebuck.”

Throughout bluegrass music’s 70-plus year history, albums of all-instrumental tunes have been recorded and released, showcasing the amazing level of artistry found in the genre. While singers tend to write songs that require lyrics brought to life by vocalists, instrumentalists of all stripes are prone to write tunes and melodies that let them cut loose and have some fun.

That is the case with Carolina Chimes as Ekstein has put together an upbeat collection of bluegrass barn burners performed with great pickers who help to bring these unique cuts to life. Unselfish and smart, Ekstein lets his collaborators do what they do best here. The result is a fast-paced recording that will remind you of the power of bluegrass music.

rudi_ekstein 1-176_fxd_CreditSandlinGaither.jpg

Rudi Ekstein. Photo by Sandlin Gaither.

“The most obvious parts of everyone’s life have been depicted in a bluegrass song,” says Ekstein. “The bluegrass tunes I’ve written for my records over the past 30 or so years are mostly named after people, events, or something important that happened in my life. That’s just part of my love for bluegrass.”

As the son of an Austrian immigrant to America his surname, Ekstein, translates, literally, to “Cornerstone,” which is the aptly titled opening track to the album, symbolizing his heritage and love of the genre. Another song on Carolina Chimes that reflects that philosophy is “Jessy’s Fancy,” named for Ekstein’s daughter who finally noticed his mandolin playing in a different way. “My daughter Jessy heard me working out this tune in my backyard one day,” says Ekstein. “She said, ‘What’s that Dad? It’s beautiful.’ It was the first time I ever got my daughter’s attention while playing the mandolin, so this one is dedicated to her. She still loves to hear it.”

Many of the tunes on Carolina Chimes reflect Ekstein’s travels in this world, from his early years living in California and exploring the American West, to settling down in the western North Carolina mountain town of Asheville.

“Hoot Owl Hop” was written from his days of living in California when the warm summer nights brought hoot owls to the eucalyptus trees every year, which he often heard and occasionally saw. The perfect title for a wild ride of a tune, ‘Spikebuck,’ refers to the name of some rapids on the Arkansas River in Colorado where his family, barely hanging on, took a fast-moving whitewater rafting trip one year. “Back Drag” was named after an insane stunt Ekstein once attempted for the first and last time. He says,”I was an accomplished trick rider in my youth and I tried a crazy stunt with my ankles strapped to the back of the saddle while dangling behind a galloping horse. I was nervous at first as I coaxed my horse to a full gallop. I threw myself back, with rocks flying, the wind in my ears and my head and hands now dragging within reach of the ground. After rounding the corner of the arena at full speed, my horse abruptly stopped, throwing me off to fall flat on my face in the mud.”

About a decade ago, Ekstein relocated to Asheville, where he continues to run the Foxfire Recording Studio (started in 1990), so he could play more bluegrass with western North Carolina roots musician, Billy Constable, for whom this album is dedicated. Constable, who passed away in 2015 of cancer, was best known for his three-finger-picking banjo technique and his vigorous acoustic guitar leads. A couple of songs on this project were written in his memory.

‘Bacon in the Pan’ is my version of an old-time fiddle tune done in the bluegrass style,” says Ekstein. “It is named after my beloved friend of a lifetime and band mate Billy Constable. He often spoke endlessly on the phone about the fine points of cooking a good breakfast. ‘All Night in Kentucky’ is a tune I wrote after jamming all night long at the IBMA convention in Louisville, KY, with Billy, who was an instrumental wizard. Inspired by that experience, I just couldn’t stop pickin’ on that early morning and I spontaneously ended up playing this tune.”

Rock ‘n’ roll music and bluegrass music from the Appalachian Mountains have had a big influence in Ekstein’s musical life. Within weeks of arriving in the area, Constable introduced Ekstein to many players in the WNC pickin’ scene. Both were in the band Blue Wheel Drive, along with bassist Rob Parks, and all three went on to perform for two years with The Bobby Hicks Band. Parks makes an appearance on Carolina Chimes playing “Rockalachia,” a tune BWD performed live that is reminiscent of the boogie-woogie style of bluegrass played on the mandolin in the 1940’s by the Father of Bluegrass, Bill Monroe. Another bluegrass buddy from those days, Seth Rhinehart, also steps in on banjo on that ditty as well as “Dixie Sunset,” of which Ekstein says, “I wanted to see how close I could write a ¾-time tune within the style of bluegrass, but still make it unique in its own way. Playing music on the deck of my North Carolina mountain home while overlooking the woods and watching the sunset inspired me to write this twisty waltz.”


Other cuts on Carolina Chimes reflect Ekstein’s many musical influences. “I always thought ‘Indian Rain’ would be a good song for an old fashioned western movie. Too bad it was 60 years too late. Turned out to be a better bluegrass fiddle tune, especially with Stuart Duncan at the Helm. In the late 1980’s, I recorded my song ‘Flapjack’ while playing Dobro for a band project,” says Ekstein. “I originally wrote it on the Dobro as a tune for the mandolin. I finally made it a reality here on this album. And, that brings me to the album’s title cut, ‘Carolina Chimes.’ I’ve always loved the classic banjo tunes that featured the sound of arpeggio chimes created by banjo and mandolin duets. It reminds me of bells ringing at an old Carolina country church house.”

As producer of his own album, Ekstein had the pleasure of deciding who he would bring in to play on the project. Fortunately, he chose to collaborate with some of the best pickers in the business.

When it comes to musicians respected by music fans and professional peers alike, few receive the accolades that are routinely given to fiddler Stuart Duncan. From his work in the Nashville Bluegrass Band to his contribution to the 8-million copy selling “O Brother, Where Art Thou” movie soundtrack album, from his annual run in the all-star Telluride Bluegrass Festival House Band to his playing on countless recording sessions, and with multiple IBMA Fiddle Player of the Year Awards and also nominated for 2018, Duncan is considered one of the best fiddlers on the planet.

Guitarist Jeff Autry is also widely appreciated as a solid axe man who has played with everyone from the Ricky Skaggs to Tony Rice, Peter Rowan, and others. He also held down the guitar chair for a decade-and-a-half with the John Cowan Band. His latest gig finds him as a member of The Edgar Loudermilk Band featuring Jeff Autry.

Mark Schatz has played the bass with living legends for most of his career, anchoring historical jams with folks like Tony Rice, Sam Bush, Peter Rowan, Vassar Clements, and so many more. Currently he is the bassist for the Claire Lynch Band and is one of the best in the business and is a two time winner of IBMA Bass Player of the Year and is currently nominated 2018.

The same can be said for Patrick Sauber, a GRAMMY nominated banjo picker, who is currently kicking up the five-string for many well known national acts like Tim O’Brien, the Peter Rowan Band, John Reishmann and the Jaybirds, Laurie Lewis and the Right Hands, and others.

Rudi has owned and operated his own commercial recording studio business Foxfire Recording since 1990, and since then has played for, or produced and/or engineered numerous albums for CMH, Rounder, Sugar Hill Records, as well as artists like Tony Rice, Larry Rice, Chris Hillman, Josh Graves, David Grisman, Richard Greene, Bill Keith, David Grier, Herb Pedersen, Bill Bryson, and other notables. His array of recording and live performance credits include many internationally known bluegrass musicians like fiddle players Byron Berline and Gabe Witcher; banjo hotshots John Hickman, Dennis Caplinger, and Craig Smith; gifted Dobro player, Rob Ickes, The Nashville Bluegrass Band’s GRAMMY award winning bass player, Gene Libbea; an original Bluegrass Cardinal bass player Bill Bryson; as well as three members of the Country Boys (later the Kentucky Colonels), bass man Eric White, banjo player, Billy Ray Lathum, and Dobro player, Leroy Mack among many others.

Kind Words:

“Rudi Ekstein has written a great collection of new bluegrass instrumentals and as writer, producer, engineer and musician, recorded this album and maintained a very high degree of quality at every step of the production process! The mix is wonderful and Rudi’s cast of musicians is stellar!” —Gene Libbea (Nashville Bluegrass Band)

“Rudi’s original tunes are sure to become classics. The musicians on this project are fantastic – every tune is a gem.” –Dennis Caplinger

“Rudi has put together a nice mixture of tunes that take us from up tempo fiddle numbers to sad mountain laments with a gypsy jazz feel thrown in for good measure. I am honored to be included in this stellar lineup of world class acoustic players from around the country. This project is superbly crafted using the finest instruments, played through the finest microphones by virtuoso musicians. Great job Rudi!” —Jeff Autry

“I have known Rudi for a long time. Having lived in California for several years we used to cross paths alot. Rudi, like me, as we have grown older, seems to have a calling to write tunes. Bill Monroe did the same thing. The 12 tunes that Rudi has put together are winners. These musicians that Rudi picked to play on his project are top notch. Surrounding yourself with good musicians is the key, and Rudi, you found the right key.”  —Byron Berline

Carolina Chimes Track Listing
1. Cornerstone   (2:41)
2. Indian Rain   (3:21)
3. All Night in Kentucky  (2:48)
4. Hoot Owl Hop   (2:52)
5. Jessy’s Fancy   (3:54)
6. Spikebuck   (2:04)
7. Flapjack   (3:31)
8. Bacon in the Pan   (2:28)
9. Rockalachia   (2:35)
10. Carolina Chimes   (2:26)
11. Dixie Sunset   (2:39 )
12. Back Drag   (1:50)

The Musicians on Carolina Chimes include:
Stuart Duncan – Fiddle (all tracks)
Jeff Autry – Guitar (all tracks)
Mark Schatz – Upright Bass (all tracks except 9)
Rob Parks – Upright Bass (9)
John Plotnik – Banjo (1,2,3,7,10,12), Dobro (4,5,6,8)
Patrick Sauber – Banjo (4,5,6,8)
Seth Rhinehart – Banjo (9,11)
Rudi Ekstein – Mandolin (all tracks)

All tunes written by Rudi Ekstein, BMI, Carolina Chimes Music, P & C 2018
Produced by Rudi Ekstein.  Recorded and Mixed by Rudi Ekstein

 

For more information, please visit the album website: www.carolinachimes.com and www.facebook.com/rudieksteinbluegrass.

###

 

Read Full Post »

HBR_LonesomePanoramic_600px_lo-res

Hot Buttered Rum’s Lonesome Panoramic OUT TODAY July 20, 2018
Recorded at Panoramic House Studio in Stinson Beach, CA
w/ Special Guests ALO’s Zach Gill and Dan Lebowitz,
The Coffis Brothers, and Rainbow Girls

Available now on all outlets → https://fanlink.to/HBRLoPan

SAN FRANCISCO, CA– Rooted in the trajectory of west coast bluegrass, uptempo string band Hot Buttered Rum is thrilled to independently release their sixth studio album, Lonesome Panoramic on July 20, 2018. The songs in Lonesome Panoramic are inspired by the northern California landscape and include mid-tempo Americana rockers, buoyant bluegrass tunes, lively boogies, and dark groves. The band is delighted to have garnered early support of the album with song premieres from Relix, The Bluegrass Situation, Live For Live Music, Bluegrass Today, and The Bay Bridged!

No Depression’s Jim Shahen, in a review entitled, “Tight Tunes and Whispers of Tom Petty,” writes that the album is “some of the band’s tightest material to date…. Over its 15-plus-year career, the band has proven itself capable of pulling together strands of country, folk, bluegrass, and jam music into an energetic, good-time experience. But with the batch of well-crafted, sharply performed tunes they cooked up on Lonesome Panoramic, Hot Buttered Rum has managed to blend its ragged charms with that of a well-oiled musical machine.”

Country Standard Time’s Jim Hynes calls itrefreshing, breezy music.” He goes on to write, “Stellar musicianship and sturdy vocals help an album centered mostly on songs. Several threads and layers run through the music, embellishing the carefully crafted material.”

Bluegrass Today’s John Lawless acknowledges “…the band appeals to a wide range of listeners; bluegrass and old time fans who are drawn by their instrumentation and ability, plus live music lovers of all types who respond to their high-energy shows… Hot Buttered Rum has become a staple of the progressive bluegrass scene with their quick-paced and fiery blend of bluegrass, folk, rock, and country.”

HBR_2018_byMattSharkey_5787The band’s two vocalists and songwriters, guitarist Nat Keefe and multi-instrumentalist Erik Yates (mainly 5-string banjo, also resonator and acoustic guitars), take turns in writing and leading the songs. Rounding out the band, Bryan Horne delivers, in true athletic form, his talents on upright bass along with charismatic fiddler and harmony vocalist Zebulon Bowles and drummer/percussionist/mandolinist James Stafford, providing a warm and solid rhythmic foundation.

Self-produced, Lonesome Panoramic was recorded at Panoramic House Studio in Stinson Beach, CA, along the Panoramic Highway with majestic views of the western Marin County coastline. Lonesome Panoramic was engineered by Robert Cheek (Band of Horses, The Chris Robinson Brotherhood), mixed by Zebulon Bowles, and mastered by David Little.

Jim Pasinski gives a nice rundown of the tracks on his blog and writes, “It features 13-tracks, beginning with the high-energy swing of ‘You Can Tell’ and the steady strumming of ‘Sittin’ Here Alone.’ They slow the tempo down for the acoustic ballads ‘Country Tunes And Love Songs’ and ‘How Short The Song,’ before the fun, quick pace of ‘Never Got Married.’ The album continues with the tales of ‘Sleeping Giants’ and the swift pace of ‘Mighty Fine,’ before finishing with the 8-minute blues of ‘The One That Everybody Knows’ and sweet soulful sounds of the ‘Deep End.’”

With Lonesome Panoramic, Hot Buttered Rum wades the full width of the river from the shoals to the deep waters with a passionate, laid back attitude and they are excited to share this new album with the world.

Listen to an interview with Erik Yates in The Sound Podcast with Ira Haberman

Lonesome Panoramic Track Listing
1. You Can Tell   2:11 (Yates)
2. Sittin’ Here Alone   3:14 (Keefe)
3. Country Tunes & Love Songs (ft. The Coffis Bros.)  4:29 (Keefe, K Coffis, J Coffis)
4. How Short the Song   3:27 (Yates)
5. Treasure Island Blues   4:46 (Yates)
6. Never Got Married   2:50  (Keefe)
7. Spirits Still Come (ft. Rainbow Girls)   4:54 (Keefe)
8. Sleeping Giants   5:04  (Yates)
9. Leaving Dallas   4:31 (Keefe)
10. When that Lonesome Feeling Comes 4:07 (Yates)
11. Mighty Fine   4:25 (Keefe)
12. The One that Everybody Knows   8:04  (Yates)
13. The Deep End (ft. ALO)   4:55 (Keefe, Yates, Lebowitz, Gill)

Hot Buttered Rum is:
Zebulon Bowles – fiddle (all), backup vocals (2,8,10,13), Pacific Ocean (7)
Bryan Horne – upright bass (all)
Nat Keefe – acoustic guitar (all but 4), lead vocals (2,3,6,7,9,11,13), backup vocals (8,10)
James Stafford – drums and percussion (3,5,6,7,8,10,11,12,12), mandolin (1,2,9)
Erik Yates – 5-string banjo (1,2,6,8,9,10,11,12,13), lead vocals (1,5,8,10,12,13), acoustic guitar (4), resophonic guitar (3,5,7), backup vocals (2)


Guest Musicians:
Jamie Coffis – vocals (3)
Kellen Coffis – vocals (3)
Rainbow Girls: Erin Chapin, Caitlin Gowdey, Vanessa May – backup vocals (7,13)
Dan Lebowitz (ALO) – electric guitar & vocals (13)
Zach Gill (ALO) – vocals (13)

For more information and updates from the road, please visit www.hotbutteredrum.net, www.facebook.com/hotbutteredrum, www.twitter.com/hotbutteredrum, and www.instagram.com/hot.buttered.rum.band.

Read Full Post »

Older Posts »