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Posts Tagged ‘Cat’s Cradle’

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Town Mountain & Tift Merritt Play Yep Roc’s Benefit For The ACLU of NC
Saturday, March 11, 2017 at The Cat’s Cradle

7pm doors, $15, 100% of ticket sales to ACLU of NC

Tickets: http://bit.ly/2m45tXa
Facebook event: www.facebook.com/events/1734271726884518/

300 East Main Street, Carrboro, North Carolina 27510
www.catscradle.com

Town Mountain is thrilled to join in on Yep Roc Records’ Sing Out!, a night of songs and solidarity in support of the American Civil Liberties Union (ACLU) of North Carolina at The Cat’s Cradle on Saturday, March 11th. Tift Merritt, Caleb Caudle, and Alexandra Sauser-Monnig from Mountain Man will also be performing! Doors are at 7pm with the show starting at 7:30. Tickets are $15 and 100% of ticket sales will be going to the ACLU of North Carolina.

The ACLU of North Carolina is a nonpartisan, nonprofit membership organization dedicated to protecting civil rights and civil liberties for all North Carolinians. The ACLU-NC has approximately 20,000 members and supporters in North Carolina. For more information, please visit www.acluofnc.org.

Town Mountain’s banjo player, Jesse Langlais says, “In today’s political climate, we need now more than ever, a great source for accountability. The ACLU is that entity. Town Mountain is proud to take part in an event to help fight the good fight.”

Vocalist and guitar player Robert Greer says, “We believe in the civil rights of all human beings and we also love playing music in Eastern North Carolina. That’s why we’re stoked to play this show benefiting the ACLU of North Carolina at Cat’s Cradle!”

Town Mountain is known for their hard-driving sound, in-house songwriting, and the honky-tonk swagger of their live performances. The hearty base of Town Mountain’s music is the bluegrass triumvirate of Bill Monroe, Lester Flatt and Earl Scruggs. It’s what else goes into the mix that brings it all to life both on stage and on record and reflects the group’s wide-ranging influences – from the Grateful Dead’s Jerry Garcia and the ethereal lyrics of Robert Hunter, to the honest, vintage country of Willie, Waylon, and Merle. Along with Langlais and Greer, this the Asheville-based band features and mandolinist Phil Barker, fiddler Jack Devereux, and Zach Smith on bass.

For more information, please visit TownMountain.net, facebook.com/TownMountain, twitter.com/TownMountain, and instagram.com/townmountainbluegrass.

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Here’s a nice review of the recent Acoustic Syndicate show at the Cat’s Cradle in Carrboro, NC  with Glide magazine. Some excerpts are below. Please click the link to read the full review with show specifics and see some great photos by Bryan Rogers as well.

Acoustic Syndicate

The Cat’s Cradle, Carrboro, NC 1/8/11

By Bryan Rodgers

The recent resurgence of Acoustic Syndicate has seen the band utilize a wide variety of formations.  After six albums and a decade of touring with the core quartet of brothers Fitz and Bryon McMurry (drums/vocals and banjo/vocals, respectively), their cousin Steve McMurry (guitar and vocals), and bassist Jay Sanders, the band took a hiatus that, at the time, was of undetermined length . . .

. . .

n 2011, it seems that the Syndicate is really and truly back, at least in a regional sense, with Sanders fully on board, several tour dates in the southeast, and their first new batch of songs since 2004.  Despite this rejuvenated focus on the band, the McMurrys continue to find themselves balancing different formations, as evidenced by the long-awaited Saturday night Cat’s Cradle show . . .

. . .

Dobro player Billy Cardine is the latest addition to the group, and in many ways his inclusion makes perfect sense. . .  the band often featured saxophonist Jeremy Saunders during their most prolific period, so Cardine helps bring back that instrumental flexibility, giving Syndicate a new weapon to utilize during their lengthy improvisations. Starting slowly with “Billy the Kid” and crowd favorite “Pumpkin and Daisy,” the band wasted no time in paying tribute to one of their key influences on his birthday. Elvis Presley’s first ever single, “That’s Alright, Mama” was performed with reverence just before the joyful, island-flavored “November” pushed the energy of the show in a new direction….

Read more of the show review: http://www.glidemagazine.com/articles/56785/acoustic-syndicate.html

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Acoustic Syndicate plays this Saturday, January 8th at the Cat’s Cradle in Carrboro, NC.

Here is a bit more info from IndyWeek:

Festival favorites earlier in the decade, Acoustic Syndicate now play far fewer live shows than they once did. But the pleasing jamgrass and familial harmonies of Cleveland County’s McMurry boys—plus bassist Jay Sanders and newly added dobro master Billy Cardine—hasn’t changed much. Music for and by good-natured mountain folk, Acoustic Syndicate’s grass is enriched with strong jazz sensibilities, a dose of reggae and occasional electric banjo licks that disregard the acoustic designation. Opening newgrass quintet Acoustic Manner features four members of defunct Raleigh outfit Barefoot Manner. —Spencer Griffith

Read more: http://www.indyweek.com/indyweek/acoustic-syndicate-acoustic-manner/Event?oid=1884682

They also got a best bet in the Herald Sun who lists the following details about showtime as well:

Guitarist Steve “Big Daddy” McMurry is joined by his cousins, Bryon McMurry on banjo and Fitz McMurry on drums. They are backed on acoustic and electric bass by Asheville’s Jays Sanders. Recently, they have added (the Biscuit Burners) Billy Cardine’s dobro playing to the ensemble. Acoustic Syndicate will perform Saturday (doors open at 8:30, concert at 9:30) at Cat’s Cradle, 300 E. Main St., in Carrboro. For tickets, call 967-9053 or visit http://www.catscradle.com.

Read more: The Herald-Sun – BEST BET Acoustic Syndicate to perform at Cradle


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