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Posts Tagged ‘Chad Staehly’

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The Contribution To Release New Music Throughout The Year
Tim Carbone, Phil Ferlino, Jeff Miller, Keith Moseley, Sheryl Renee, Matt Butler, & Duane Trucks, Join Musical Forces To Release Their 2nd Album, Wilderness And Space, on LoHi Records

Singles to be released for seven months, with 100% of proceeds going to non-profits and the first single paired with Rex Foundation to come out February 17, 2017

When Relix magazine announced the The Contribution’s debut record, Which Way World [2010], and called them a “jamband supergroup,” they also recognized, “the band serves the songs first and foremost.” Although the band is comprised of some of the scene’s heavy hitters, the first listen to their music reveals their love of 60s pop and soul coupled with their ability to flat-out shred. It’s what makes the band appealing to music lovers from all walks of life and they are pleased to release tracks from their upcoming LoHi Records album, Wilderness And Space, one song at a time over the course of seven months, with full proceeds of each single going to a different non-profit with each track.

The Contribution is the brainchild of Tim Carbone of Railroad Earth (violin, guitar, vocals) together with Phil Ferlino (keyboards, vocals) and Jeff Miller (guitar, vocals) of New Monsoon. Keith Moseley (String Cheese Incident), has been the bass player from the band’s inception along with vocalist Sheryl Renee (The Black Swan Singers). The drum chair has been occupied by Jason Hann (String Cheese Incident), Matt Butler (Everyone Orchestra), and currently Duane Trucks (Widespread Panic). Both Matt Butler and Duane Trucks appear on the band’s new record, Wilderness And Space.

The first song will be released on February 17, 2017 and all proceeds will be donated to Rex Foundation. Consecutive songs will come out each month, each paired with it’s own art and a different non-profit partner. Others taking part include Conscious Alliance, HeadCount, and a handful of other organizations that support the arts, environment, and health. The full ten song album will be released on vinyl this Fall.

SONY DSCReleasing records and touring is a cycle that is connected and a part of each member’s individual careers. Initially conceived as a studio project that would play select live shows, the emphasis for The Contribution was always on writing and recording. Rather than releasing a full record with expectations of touring to support it, Carbone wanted to find a way to live up to the band’s name, which in itself provided the clue as to how, and this is what they cooked up as a way to keep it going and give back in the process.

How could the creation of music be leveraged best for the betterment of the world at large? A lofty goal. The band has never been about personal profit and individually the members have been advocates and activists for various environmental and social causes. Now they have thought of a way to meld the two worlds the band holds dear. They are The Contribution, after all.

Carbone says, “We feel blessed to be able to make this music and have it help people in need… and we would like to empower those who share our passion and provide a resource for them to take action with us.”

All songs written and produced by Tim Carbone, Phil Ferlino and Jeff Miller. The songs from Wilderness And Space were recorded mainly at Silo Sound Studio in Denver, Colorado and engineered by Todd Dival with additional recordings at TRI Studios in San Rafael, CA, (engineered by Rick Vargas). The full ten-song album will come out on vinyl in the Fall of 2017.

Wilderness And Space will be released on LoHi Records, of which Carbone is one of the partners along with singer/songwriter and record producer Todd Snider, Hard Working Americans’ Chad Staehly, who is also with Gold Mountain Entertainment in Nashville, and entrepreneur and marketing veteran Jim Brooks.

Hear more about the Wilderness And Space project from Tim Carbone →

For more information, please visit www.TheContribution.net, www.facebook.com/TheContribution, www.twitter.com/thecontribution, and www.instagram.com/thecontribution.

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Town Mountain’s ‘Southern Crescent’ OUT TODAY on LoHi Records

Available April 1, 2016 on iTunes → http://apple.co/1QW52ZJ
Limited edition signed CD bundles directly from the web store → www.townmountain.net/shop

ASHEVILLE, NC — Raw, soulful, and with plenty of swagger, Town Mountain, based in Asheville, NC, releases their 5th studio album Southern Crescent on April 1, 2016 through LoHi Records. Produced and engineered by GRAMMY winner Dirk Powell, the album was recorded in Powell’s studio The Cypress House in Breaux Bridge, LA. It was mixed by Mixed by Scott Vestal at Digital Underground in Greenbrier, TN.

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Town Mountain. Photo by Sandlin Gaither.

With an insatiable musical hunger, the members of Town Mountain (Robert Greer on vocals and guitar, Jesse Langlais on banjo and vocals, Bobby Britt on fiddle, Phil Barker on mandolin and vocals, and Nick DiSebastian on bass) made their way to the little south-central Louisiana town of Breaux Bridge, where they recorded their most cohesive, most satisfying album to date. Adam Chaffins* plays bass in the touring outfit.

Southern Crescent was recorded in a decidedly old-school way, live, with minimal fixes and overdubs, with all the musicians in the same room and no noise-reducing baffling between them. Each of Town Mountain’s members contributed songs to Southern Crescent, with Barker, Langlais and Greer the chief writers in the band.

From the boogie-woogie piano of Jerry Lee Lewis that inspired the delightful (and danceable) “Coming Back to You,” to Greer’s cleverly penned and fast-paced “Tick on a Dog,” which offers a taste of another major bluegrass influence, Jimmy Martin, Southern Crescent is tailor-made to keep live audiences on their feet, but it’ll also keep those who think they can easily peg Town Mountain on their toes.

That variety is indeed part of what drives Southern Crescent, which opens with Britt’s delightfully dizzying fiddle work on “St. Augustine,” and showcases Greer’s hard-country vocals on “House With No Windows” and on the freewheeling composition “Ain’t Gonna Worry Me,” (penned by Barker). The group members’ palpable chemistry (and individual artistry) are displayed throughout such instantly memorable tracks as “Wildbird,” (Barker) and “I Miss the Night,” which Langlais penned (with Mark Bumgarner) after experiencing 22 hours of daylight during Alaska’s summer solstice.

The new album is being released on LoHi Records
. Based in Greensboro, N.C., the label is a partnership formed by entrepreneur and marketing veteran Jim Brooks with singer/songwriter and record producer Todd Snider, record producer Tim Carbone (who also plays fiddle in newgrass band Railroad Earth) and Chad Staehly from Gold Mountain Entertainment in Nashville.

Go Behind The Scenes with Town Mountain In “The Making of Southern Crescent” → https://youtu.be/VZD7avVtI4U

Listen to the world premier of “Comin’ Back to You” at The Bluegrass Situation → www.thebluegrasssituation.com/read/listen-town-mountain-comin-back-you

Final Cover Lo ResWhat Folks Are Saying about Town Mountain and Southern Crescent:

“Produced by Dirk Powell, Southern Crescent is hard-charging, grits-and-gravy authentic, the kind of emotions on the strings of Bill Monroe and Flatts and Scruggs pioneered more than 60 years ago. But Town Mountain is no copy band. With Songs written by each band member, and instrumental and vocal originality, Town Mountain honors the Ancients while bringing a collective and generational identity to their art.” —Raleigh News & Observer, Jack Bernhardt

“Southern Crescent reflects the band’s loose, dance-able music, more reflective of their festival and club sets that a staid performing arts center straight-bluegrass set. I’m not sure if the Southern Crescent still runs from Atlanta to Boston like my relatives talked about taking to go ‘visit culture’ in the Northeast, but I’m fairly sure it still runs down to New Orleans, where a more exhilarating culture has endured — an apt analogy for this album.” –Listen to this podcast interview with Town Mountain about Southern Crescent on Country Fried Rock with Sloane Spencer → http://countryfriedrock.org/town-mountain-1606/#.Vv09AnBKhaU

“On Southern Crescent, there’s little fuss and pretension, as each track has a lived-in and live feel, with the band members coalescing around the song in an almost preordained way. There is as much outlaw country and Western swing to these songs as bluegrass, despite the instrumentation. As traditional and even-keeled as Town Mountain is, no other band sounds quite the same.” —Mountain Xpress, Kyle Petersen

“I have seen this band many times, and while there are a couple of bigger names out there, this Asheville group is the most exciting bluegrass band to come along in a long time” –-No Depression, Amos Perrine

Southern Crescent is a near-perfect balance of tradition and young, raw energy… They’ll hear a hundred years of southern musical culture bubbling up and finding a common point where North Carolina, Georgia, and Louisiana meet as old friends. Town Mountain’s style and sonic footprint comes from a foundation of rhythm and groove that comes not from just loving the music (that’s too easy) but from living the music.” —Stream to the Premier of the song “Wildbird” at Bluegrass Today, Brian Swenk

“The record features an expected dose of fast string picking, including the opening fiddle workout ‘St. Augustine,’ but as it unfolds it becomes a well-rounded effort full of front-porch song craft that touches on various shades of roots music. ‘Leroy’s Reel’ has a distinctly Cajun flavor, while ‘Comin’ Back to You’ is a rockabilly dance tune propelled by some boogie-woogie piano.”  —Blue Ridge Outdoors, Jedd Ferris

“By the time they arrive at ‘Whiskey With Tears,’ one is ready to recommend them to country radio not because they sound like they belong there, but because you wish radio sounded like Town Mountain.”–Fervor Coulee, Donald Teplyske

“From the fiddle filled, energetic instrumental opener, ‘St. Augustine’ to the carefree ‘Ain’t Gonna Worry Me’ bluegrass sensibilities merge with roots, rock and country in melodies that will not only make you sit up and listen – they’ll have you getting up and moving as well.” —The Daily Country, Tara Joan

“There are a lot of bluegrass and country bands out there but only a few really have the ability to pull off what Ricky Skaggs and Tony Rice pulled off… Town Mountain, a band out of Asheville NC, does though and they prove it song after song. A bit more country here and a bit more bluegrass there makes the music as roots as you can get.” –-Frank Gutch Jr., Bob Segarini Blog

Town Mountain’s Southern Crescent Tour 2016:
4/1 Fri – The Grey Eagle – Asheville, NC
4/2 Sat – Newgrass Brewing Company – Shelby, NC
4/5 Tue – Hampton Taphouse – Hampton, VA
4/6 Wed – Gypsy Sally’s – Washington, DC
4/7 Thu – Lizard Lounge – Cambridge, MA
4/8 Fri – Hill Country BBQ – New York, NY
4/9 Sat – The Hobo Stage – Fredon, NJ
4/10 Sun – Tin Angel – Philadelphia, PA
4/12 Tue – Haymarket Whiskey Bar – Louisville, KY
4/13 Wed – Cosmic Charlie’s – Lexington, KY
4/14 Thu – The Station Inn – Nashville, TN
4/15 Fri – Barley’s – Knoxville, TN
4/16 Sat – Waverly “Old 280” Boogie – Waverly, AL
4/17 Sun – Zydeco – Birmingham, AL
4/28 Thu – Independent Ale House – Greenville, SC
4/30 Sat – UNC – Chapel Hill, NC
5/13 Fri – KSUT Concert Series @ Henry Strater Theatre – Durango, CO
5/14 Sat – Denver Beer Co.’s Sundrenched Music Festival – Denver, CO
5/14 Sat – Ophelia’s Electric Soapbox – Denver, CO (After party with Hot Buttered Run)
5/21 Sat – The Pour House – Charleston, SC (with Peter Rowan)
5/22 Sun – Lincoln Theatre – Raleigh, NC (supporting Hard Working Americans)
5/24 Tue – The Orange Peel – Asheville, NC (supporting Hard Working Americans)
5/25 Wed – Minglewood Hall – Memphis, TN (supporting Hard Working Americans)
5/27 Fri – White Squirrel Festival – Brevard, NC
5/28 Sat – Rooster Walk – Martinsville, VA
6/1 Wed – Music City Roots – Nashville, TN
6/3 Fri – Bailey Park – Winston-Salem, NC
6/5 Sun – Nelsonville Music Festival
6/11 Sat – Festival of the Bluegrass – Lexington, KY
6/16 Thu – Back Porch Music Series – Durham, NC
6/23 Thu – Rudyfest 16 – Grayson, KY
6/24 Fri – ROMP Fest – Owensboro, KY
7/23 Sat – Homegrown Music Festival – Ozark, AR
8/5 Sat – Pickathon – Happy Valley, OR

For more information, please visit TownMountain.net, facebook.com/TownMountain, twitter.com/TownMountain, and instagram.com/townmountainbluegrass.

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Raw, soulful, and with plenty of swagger,
Town Mountain releases 5th album, Southern Crescent,
April 1, 2016 on LoHi Records

Produced by Dirk Powell at his Cypress House studio
in Breaux Bridge, Louisiana

ASHEVILLE — In much the same way that iconic southern dishes such as Louisiana gumbo or Brunswick stew can include any number of flavorful ingredients, so too does bluegrass music rely on a recipe that can vary wildly, depending on who’s doing the cooking. For Asheville, North Carolina-based bluegrass band Town Mountain, the key ingredient of the musical stew that is their career-defining fifth album, Southern Crescent, is the same confident – yet entirely embraceable – swagger that has distinguished the group since they first formed in 2005. The new album is due out on April 1, 2016 on LoHi Records.

Final Cover Lo Res

With an insatiable musical hunger, the members of Town Mountain (Robert Greer on vocals and guitar, Jesse Langlais on banjo and vocals, Bobby Britt on fiddle, Phil Barker on mandolin and vocals, and Nick DiSebastian* on bass) made their way to the little south-central Louisiana town of Breaux Bridge, where they recorded their most cohesive, most satisfying album to date. Produced by legendary GRAMMY-winning musician (and Louisiana transplant) Dirk Powell at his Cypress House studio, with low-swooping live oak trees and the picturesque Bayou Teche nearby, Southern Crescent is nothing less than a musical tour-de-force. Adam Chaffins* plays bass in the touring outfit.

The 2013 winners of IBMA Momentum Awards for Performance Band and Vocalist of the Year (Robert Greer), Town Mountain has earned raves for their hard-driving sound, their in-house songwriting and the honky-tonk edge that permeates their exhilarating live performances, whether in a packed club or at a sold-out festival. Just as a gumbo recipe starts with the “holy trinity” of staples (onions, bell peppers and celery), and can contain a wide variety of additional ingredients and inspiration, the hearty base of Town Mountain’s music is the bluegrass triumvirate of Bill Monroe, Lester Flatt and Earl Scruggs. It’s what else goes into the mix that brings it all to life both on stage and on record and reflects the group’s wide-ranging influences – from the Grateful Dead’s Jerry Garcia and the ethereal lyrics of Robert Hunter, to the honest, vintage country of Willie, Waylon and Merle.

Southern Crescent was recorded in a decidedly old-school way, live, with minimal fixes and overdubs, with all the musicians in the same room and no noise-reducing baffling between them. The result: a raw, soulful album that prompted iconic singer-songwriter Jim Lauderdale to enthuse in the liner notes, “The first time I heard Town Mountain I loved, respected, and enjoyed them. And I do now more than ever. They have stuck with their deep bluegrass roots but as they have with all of their releases, they have grown and expanded. They sound like Carolina, and they carry that sound farther and farther with Southern Crescent, their latest gem.”

In spite of not having worked with Powell as their producer before, singer-songwriter Robert Greer says he walked away from the experience “thinking this is how I want to record every record from this point on.” It probably didn’t hurt that Powell’s mom, who lives next door to the studio, was keeping the group supplied with coffee and homemade chocolate chip cookies.

The new album is being released on LoHi Records. Based in Greensboro, N.C., the label is a partnership formed by entrepreneur and marketing veteran Jim Brooks with singer/songwriter and record producer Todd Snider, record producer Tim Carbone (who also plays fiddle in newgrass band Railroad Earth) and Chad Staehly from Gold Mountain Entertainment in Nashville.

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Town Mountain. Photo by Sandlin Gaither

Each of Town Mountain’s members contributed songs to Southern Crescent, with Barker, Langlais and Greer the chief writers in the band. A democratic process determines what they’ll record, but the greatest factor, especially on the new record, is audience reaction, which is basically what led to release of the band’s first official live album, Town Mountain: Live At The Isis, in 2014. “We’ve gone into the studio before with new stuff but every tune on this record had been road-tested,” says Greer. “We go in to the recording situation and we have our tunes arranged already because we’ve been playing them on stage. That’s a contributing factor to successfully being able to record them live, because we’re used to doing them night after night.”

From the boogie-woogie piano of Jerry Lee Lewis that inspired the delightful (and danceable) “Coming Back to You,” to Greer’s cleverly penned and fast-paced “Tick on a Dog,” which offers a taste of another major bluegrass influence, Jimmy Martin, Southern Crescent is tailor-made to keep live audiences on their feet, but it’ll also keep those who think they can easily peg Town Mountain on their toes. “With live music, anything can happen,” Greer acknowledges. “It’s not supposed to be perfect but does it have soul!”

The music, perhaps, should also come with a road map. As Langlais explains, “A lot of the material is based around traveling. You start to peel back the lyrics of the songs and see that a lot of the material is about being out on the road and the experiences – positive or negative – that we may have living the lifestyle.”

Just as the guys find a wealth of musical inspiration in each other, there’s admittedly a little frustration that comes from being in a band with several other gifted songwriters at the same time. As Langlais explains, “You want to make sure you’re up there and everybody else is feeling the same about you. It’s good to have multiple writers in the band because it gives your audience more variety.”

That variety is indeed part of what drives Southern Crescent, which opens with Britt’s delightfully dizzying fiddle work on “St. Augustine,” and showcases Greer’s hard-country vocals on “House With No Windows” and on the freewheeling composition “Ain’t Gonna Worry Me,” (penned by Barker). The group members’ palpable chemistry (and individual artistry) are displayed throughout such instantly memorable tracks as “Wildbird,” (Barker) and “I Miss the Night,” which Langlais penned (with Mark Bumgarner) after experiencing 22 hours of daylight during Alaska’s summer solstice.

“Bands are constantly trying to define their sound, a sound that sets them apart from every other band, especially in genre as small as bluegrass,” says Langlais. “Our approach has been to find what our sound inherently will be and build off of that. Granted, we are taking a piece of what Bill Monroe’s band did in order to make our own bluegrass band. That’s just inevitable. But he borrowed from all these other genres, too – rock ‘n’ roll, country music, Scots-Irish fiddle music. I think we have realized what our sound is with this album.”

Greer, who hosts occasional nights of acoustic classic country and bluegrass in Asheville called Cornmeal Waltz (after a Guy Clark song), understands the music-food connection, saying that no matter what goes into gumbo or Brusnwick stew, they’re still “as southern as red clay.” The same is certainly true of Southern Crescent, Town Mountain’s prize-worthy signature dish.

Town Mountain on Tour 2016:
3/4-5 Fri-Sat – Hilton Head Island Seafood Festival – Hilton Head, SC
3/19 Sat – The Rabbit Hole – Charlotte, NC (with Jeff Austin Band)
4/1 Fri – The Grey Eagle – Asheville, NC
4/2 Sat – Newgrass Brewing Company – Shelby, NC
4/5 Tue – Hampton Taphouse – Hampton, VA
4/6 Wed – Gypsy Sally’s – Washington, DC
4/7 Thu – Lizard Lounge – Cambridge, MA
4/8 Fri – Hill Country BBQ – New York, NY
4/10 Sun – Tin Angel – Philadelphia, PA
4/12 Tue – Haymarket Whiskey Bar – Louisville, KY
4/13 Wed – Cosmic Charlie’s – Lexington, KY
4/14 Thu – The Station Inn – Nashville, TN
4/15 Fri – Barley’s – Knoxville, TN
4/16 Sat – Waverly “Old 280” Boogie – Waverly, AL
4/17 Sun – Zydeco – Birmingham, AL
5/28 Sat – Rooster Walk – Martinsville, VA
6/24 Fri – ROMP Fest – Owensboro, KY
7/23 Sat – Homegrown Music Festival – Ozark, AR

For more information, please visit TownMountain.net, facebook.com/TownMountain, twitter.com/TownMountain, and instagram.com/townmountainbluegrass

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Hard Working Americans, Moonalice, Dead Winter Carpenters Play HUMANITY RISING — A Butte Fire Benefit on Sat, Dec 19, 2015 at Calaveras County Fairgrounds, Angels Camp, CA

HUMANITY RISING Share The Spirit
Family Friendly, 3 stages in 3 buildings, Dinner and Silent Auction
1pm to Midnight

Tickets are $25 in advance through Eventbrite or the Sierra Nevada Adventure Company stores in Murphys, Sonora, and Arnold, as well as Outer Aisle in Murphys & The Pickle Patch in San Andreas
$35 at the door. Kids under 12 free. Ages 13-16 $10
101 Frogtown Rd, Angels Camp, CA 95222

RSVP on Facebook and find out more here→
www.facebook.com/HUMANITYRISINGSHARETHESPIRIT

HOMER, AK– The Blue Mountain Community Renewal Council, a 501C3- non-profit, is partnering with HUMANITY RISING – Share the Spirit, A Butte Fire Benefit on December 19th at the Calaveras County Fairgrounds.

Set to perform, and graciously donating their time, are Hard Working Americans (a recently formed ‘Super group’ consisting of Todd Snider, Dave Schools, Neal Casal, Duane Trucks, Chad Staehly, and Jesse Aycock), Moonalice out of San Fransisco, Dead Winter Carpenters from the Tahoe area, Edge of the West from Santa Cruz, Grateful Bluegrass Boys and Dusty Greenbones Band from Mendicino, and many more! Plus the best MC of our time, Wavy Gravy and a psychedelic light show by Liquid Lights.

It’s a family friendly event with three stages in three buildings, dinner, and silent auction and runs from 1pm through Midnight. HUMANITY RISING is looking for donations and volunteers to help make this event as impactful as possible. Proceeds will be distributed promptly and equitably to the most needy families and individuals promptly in order to help provide some degree of holiday comfort.

“Our first show ever was a benefit show for flood victims in Colorado. We understand how these giant natural disasters put hard-working Americans’ backs up against the wall.” say The Hard Working Americans. “We’re in a position to help so let’s all join together and make a difference. It takes a village.”

The Butte Fire started in early September 2015 in the Sierra Nevada Foothills of California and was one of the among the worst in the State’s history, with over 70,000 acres burned, as well as an estimated 500 plus homes.

“If you are thinking the Butte Fire is over, stop assuming someone else is doing the work that needs to be done.” Long time Tuolumne and Calaveras county resident, promoter, philanthropist, and co-producer of Humanity Rising Jim Stearns says, “There’s some perception or rationalization that there is enormous help coming in. It’s the proverbial ‘somebody else is taking care of it’ problem. If those who are still warm, dry and relatively wealthy that live within 25 miles of the devastation would give 10 percent of their time and/or resources the problem would largely be handled already. Unfortunately many are buying useless crap for Christmas, taking vacations and ignoring the tragedy their neighbors are facing right over the hill.”

The mission of this event will be to provide grants to those that have had their homes and lives destroyed by the Butte Fire. Those that are uninsured, well underinsured and haven’t or haven’t the ability to secure major funding from other agencies such as Red Cross and FEMA will be given the highest priority.

Wendy Cox, a “boots on the ground” type of person, posted a comprehensive and accurate write-up about the situation entitled, Why Is help still needed?.” “Hundreds (if not more than 1,000) of displaced people (more than 500 residences were lost to the fire) are living in inadequate conditions. They are confounded by their situation, and at a loss for what they are going to do. Many do not have potable water, if they have water at all. They are toileting in the sticks that used to be forest. They are sleeping on the bare ground if they are not fortunate to have a tarp. They do not enjoy a hot meal. They are waking up to frost and constant dampness that sleeping outdoors will bring (seniors are especially vulnerable to health problems in this environment.) Basic needs remain unmet.

When a disaster strikes there is an outpour of support which quickly turns to a trickle. Some of the temporary fixes and help have left… Because it has been two months and recovery will take 10-15 years.  Because there are victims still waiting for basic needs to be met.  Because victims are being swallowed by bureaucracy. Because people still feel lost, and confused.  Because it is the right thing to do.

The producers of the Humanity Rising benefit concert are Jim and Alisa Stearns, Linda Sanchez, and Emily West. Jim was owner and operator of Avery Ranch from 1974 until 2011. Alisa was born and raised in Sonora and has partnered with Jim on countless fundraising endeavors. Linda Sanchez, a long time Calaveras activist, was a Butte Fire victim, (lost everything) and Emily is a long time resident of the county as well. Blue Mountain Community Renewal Council is the 501C3 that will be the steward of the event and for providing this administrative service as well as providing insurance, this organization will take 3% of the revenue. BMCRC, located in San Andreas, is listed by the Sierra Health Foundation as one of the five recipients of their community grants as an organization working for the relief of Butte Fire victims.

“We do our best to live up to the mantra: Do all the good you can. By all the means you can. In all the places you can. In all the ways you can. To all the people you can. At all the times you can, for as long as you can.” Jim Stearns says “We have a deep connection to the land and the people that were devastated by the fire. We believe that if people just do what they can to help, in the relief of their neighbors and friends, then we together we can make a huge impact. Maybe it’s a day of work. Maybe it’s five bucks or maybe it’s a hundred. Maybe it’s taking somebody in, loaning somebody your RV or making food.  We all have something we can offer. For us, we happen to be good at bringing people together for a good time as well as a good cause. Like everybody else, we’re just offering to help in the way we know best.”

“We are in the process of contacting individuals and organizations who are working tirelessly on the ground for recommendations and nominations for possible recipients of these funds.” Alisa Stearn says, “We are acutely aware that misuse, misdirection and administrative costs often decimate the effectiveness of these endeavors and remain deeply committed to making sure that this event will be as transparent and efficient as humanly possible.”

More Information and to get involved, please contact Jim Stearns, jim@salmonfestalaska.org or Alisa Mooy alisa@salmonfestalaska.org.

Humanity Rising – A Butte Fire Benefit:
Hard Working Americans
Moonalice
Dead Winter Carpenters
Edge of West
Grateful Bluegrass Boys
Dusty Greenbones Band
Folk Goddess Diane Patterson
Nedra & Julio
Thick Soup
Big Joe Daddy
Felicity Oceansong
Nicole Sass
MC Wavy Gravy
Plus a Psychedelic Light show by Liquid Lights
More tba!

Ticket link → www.eventbrite.com/e/humanity-rising-share-the-spirit-butte-fire-benefit-concert-tickets-19321362716?aff=efbbt

RSVP on Facebook and find out more here→
www.facebook.com/HUMANITYRISINGSHARETHESPIRIT

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