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Amanda Anne Platt & The Honeycutters New Album Out June 9
The album is now on pre-sale →  https://clg.lnk.to/Lj4Wo

ASHEVILLE, NC –“We’re switching things up a little. After four albums I’ve decided to step out and start using my own name. It’s something that a lot of people have encouraged me to do over the years, and I guess that 2017 just felt right.” That name, Amanda Anne Platt & The Honeycutters, is also the title of the band’s new album, which will be released by Organic Records June 9, 2017. “We’re keeping The Honeycutters too because we don’t want to confuse people… really, we’ve always been Amanda Anne Platt & The Honeycutters. I think I’ve just gotten to a place where I feel comfortable enough to be in the spotlight.”

Amanda is so good it’s ridiculous. I don’t even know what words to use. Her singing, songwriting and presence is unmatched in Americana, Country, Pop… Simply breathtaking,” said Saul Davis: producer (Percy Sledge), manager (Gene Clark, Carla Olson, Phil Seymour).

Lyrically driven, the songs on Amanda Anne Platt & The Honeycutters blend the band’s old-school country roots attitude with their shared influences of rock and folk. Amanda says of the album, “I think it’s just about life and all that that entails. Including but not limited to death, strangers, birthdays, money, leaving, arriving, seasons, corruption, and love.”

Performing along with Platt, The Honeycutters are Matt Smith on pedal steel and Stratocaster, Rick Cooper on bass, Josh Milligan on drums and harmony vocals, and Evan Martin on keys and Telecaster.

Amanda Anne Platt & The Honeycutters is the group’s third release on Organic Records, and fifth album. Assembling the same the same team as 2016’s On The Ropes, Balsam Range’s Tim Surrett steps in for the second time to co-produce this album along with Amanda. Its thirteen tracks were recorded, mixed, and mastered by Scott Barnett at Crossroads Studios in Arden, NC near the band’s hometown of Asheville, NC.

There is an empathetic and charming wit ingrained in Amanda’s songwriting. She has a knack for accessing a deep well of emotion and applying it to her story-telling, whether she is writing from her own experiences or immersing herself into the melody of emotions in another person’s life.

Amanda Platt writes songs on par with Lucinda, Isbell, Lauderdale, Hank Sr. In my opinion, anyway.” said, WNCW’s Music Director Martin Anderson to No Depression.

In the lead off track, “Birthday Song,” Amanda writes with a gentle optimism, “Every time it gets colder I get another year older… I start looking for lines in the bathroom mirror… but when I lay down at night I swear I must have done something right… cause I’m still so damn glad to be here… I’ve been trying to love the questions, and keep on guessing.” Written just before her 30th birthday, Platt calls the song, “a summation of everything I learned in that decade.

There is an easygoing warmth to the album, enhanced by the its refined arrangement and production; from the upbeat “Diamond in the Rough” to the poetic and observational “Eden” to the very personal, yet universal, “Brand New Start” to “Late Summer’s Child” (an ode to her favorite season) and “Rare Thing” (a song commissioned from Platt from a fan as a love song to his wife that ended up being included on the album. “Your mama said that it would never last… but these years go by so fast… and you’re the song I’m humming to myself as I’m counting the miles… you’re such a rare thing.”) One can feel it even in songs with a more solemn concept behind them like, like “Long Ride,” which speaks of living in the moment in the face of mortality.

Platt wrote “Learning How To Love Him” after hearing an acquaintance of hers talk about learning that her husband of 40+ years was terminally ill. She says, “What really struck me was how she described the tenderness that the news brought back to their relationship.” Amanda sings, “’I woke last night and I felt so afraid, I turned on the light and shook him awake and we stared at the ceiling, listening to the sink drip… I spent my whole life learning how to love him and I never loved him more than I do today.”

The successes of On The Ropes [2016] and Me Oh My [2015] have propelled Amanda Anne Platt and The Honeycutters onto the national scene and they have been featured on NPR’s World Cafe’s Sense of Place, NPR’s Mountain Stage, Nashville’s Music City Roots, and Folk Alley and they have performed at AmericanaFest, MerleFest, and IBMA. On The Ropes debuted at #39 on iTunes Top 40 Country Chart on release day and landed on a plethora of year end lists including placing #35 on the Top 100 Albums played on Americana Radio in 2016 and landing at #1 on Western North Carolina’s WNCW Radio’s Year End Listeners Poll of Top Albums of 2016!

On The Ropes hit #11 on the EuroAmericana Chart and The UK’s Julian Piper with Acoustic Magazine says, “Amanda Platt has one of those gorgeous heartache-drenched voices that brings to mind Loretta Lynn or Sheryl Crow.”

Amanda Anne Platt & The Honeycutters plan to tour extensively in US this year and will travel to Europe for the first time in the summer. They are excited to release Amanda Anne Platt & The Honeycutters to the world this spring!

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Amanda Anne Platt and The Honeycutters on Tour
5/6 Sat – Green River Adventures – Saluda, NC
5/19 Fri – Birdfest – Pinewood, SC
5/20 Sat – Sunset Fest – Dandridge, TN
6/2 Fri – The Neighborhood Theater – Charlotte, NC ^ w/ Town Mountain
6/9-10 Fri-Sat – The Grey Eagle – Asheville, NC
6/17 Sat – The Ark – Ann Arbor, MI
6/21 Wed – Abilene Bar and Lounge – Rochester, NY
6/22 Thu – Sportsmen’s Tavern – Buffalo, NY
6/23 Fri – Cathedral Café – Fayetteville, WV
7/14 Fri – Variety Playhouse – Atlanta, GA * w/ Amy Ray Band (of The Indigo Girls)
7/19 Wed – Taos Mesa Brewing – El Prado, NM
7/21 Fri – Telluride Americana Music Fest & Songwriter Showcase at Sheridan Opera House – Telluride, CO
7/22-23 Sat-Sun – Mountain Rails Live – Alamosa, CO

UK DATES
8/4 Fri – Plough Arts Centre – Great Torrington
8/5 Sat – Tumbleweed at Seven Arts – Leeds
8/6 Sun – Saltburn Arts – Saltburn-by-the-Sea
8/8 Tue – Performing Arts Centre – Kilbarchan
8/9 Wed – Private function – Edinburgh
8/10 Thu – Fringe by The Sea – North Berwick
8/11 Fri – Eastgate Theatre – Peebles
8/12 Sat – Jumpin Hot Country Cantina at Acklington Village Hall – Acklington, Northumberland
8/13 Sun – Woodend Gallery – Scarborough
8/16 Wed – Green Note – London
8/17 Thu -Union Music Store at Con Club – Lewes
8/18 Fri – Square & Compass – Worth Matravers
8/19 Sat – Town Hall Live @ Kirton in Lindesy – Lincs
8/20 Sun – American Museum – Bath (afternoon)
More USA dates TBA!

Amanda Anne Platt & The Honeycutters Track Listing
1. Birthday Song 4:15
2. Long Ride 3:47
3. What We’ve Got 4:46
4. Diamond In The Rough 4:37
5. Eden 5:33
6. The Guitar Case 4:18
7. Learning How To Love Him 4:17
8. Brand New Start 3:14
9. Late Summer’s Child 3:57
10. The Good Guys (Dick Tracy) 4:38
11. Rare Thing 4:43
12. The Things We Call Home 2:39
13. The Road 2:40

More information at www.TheHoneycutters.com, www.facebook.com/Honeycutters, and www.twitter.com/thehoneycutters.

 

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Asheville Holiday Hang with Town Mountain & The Honeycutters in the SouthEast This December

ASHEVILLE, NC — Town Mountain is teaming up with The Honeycutters, another stellar band from Asheville, for the Asheville Holiday Hang as a run of shows in the Southeast. The Asheville Holiday Hang originated as a holiday benefit in Asheville, NC and is heading into its 5th year. This year’s benefit event takes place at The Grey Eagle in Asheville on Friday, December 16th and proceeds go to MANNA FoodBank. They decided that they wanted to bring The Asheville Hang on the road and added a few other dates with the same lineup for the holidays. Other dates include December 14th at The Rabbit Hole in Charlotte, NC, December 15th at The Pour House in Charleston, SC, and December 17th at Gottrocks in Greenville, SC.

The Asheville Hang is not an isolated series; Town Mountain will be hosting Asheville Hangs in various cities throughout the year with a variety of other Asheville acts. Town Mountain’s Jesse Langlais says, “This year it has turned into a multi-city event, which originated in Asheville, over the course of a week. Thus, the concept of the Asheville Hang was born. A traveling show, representing some of the finest musical acts Western North Carolina has to offer. Expect to see the Asheville Hang branching out into a variety of other towns.”

The Asheville Holiday Hang 2016 Dates
12/14 Wed – The Rabbit Hole – Charlotte, NC
12/15 Thu –  The Pour House – Charleston, SC
12/16 Fri – MANNA FoodBank Benefit @ The Grey Eagle – Asheville, NC
12/17 Sat – Gottrocks – Greenville, SC

TwnMtn_2016_1_byAmyDaniels_HRTown Mountain Displays Their Soulful Bluegrass/Country Swagger on Southern Crescent, Produced by Dirk Powell On LoHi Records

Raw, soulful, and with plenty of swagger, Town Mountain released their 5th studio album, Southern Crescent, on April 1, 2016 on LoHi Records. Produced and engineered by GRAMMY winner Dirk Powell, Southern Crescent was recorded in Powell’s studio The Cypress House in south-central Louisiana town of Breaux Bridge. It was mixed by Mixed by Scott Vestal at Digital Underground in Greenbrier, TN. Since it’s release the band debuted on the Grand Ole Opry and the Ryman Auditorium stages bringing their sound to new audiences. The critically acclaimed album debuted at #4 on the Billboard Bluegrass Chart and spent ten weeks on the Americana Radio Chart’s Top 40.

“The first time I heard TM I loved, respected, and enjoyed them. And I do now more than ever.” Exclaims Jim Lauderdale. “They have stuck with their deep bluegrass roots but as they have with all of their releases they have grown and expanded. They sound like Carolina, and they carry that sound farther and farther with Southern Crescent, their latest gem.”

No Depression’s Amos Perrine names Town Mountain as, “the most exciting bluegrass band to come along in a long time,” which is echoed by Music City Roots’ Craig Havighurst sentiments, “I’d put Town Mountain on my list of Five Bluegrass Bands You Must Know in 2016, because while the genre has forked and morphed in wonderful ways, these guys from Asheville have more Flatt & Scruggs and more Jimmy Martin in their sound than any young band I can think of. And when they do nod to other influences, they tend to be from parallels to the early bluegrass era, like Chuck Berry and Carl Perkins for example.”

Nominated for the 2016 Emerging Artist Award with the International Bluegrass Music Association (IBMA) and the 2013 winners of IBMA Momentum Awards for Performance Band and Vocalist of the Year (Robert Greer), Town Mountain has earned raves for their hard-driving sound, their in-house songwriting and the honky-tonk edge that permeates their exhilarating live performances. With an insatiable musical hunger, the members of Town Mountain are Robert Greer on vocals and guitar, Jesse Langlais on banjo and vocals, Phil Barker on mandolin and vocals, Jack Devereux on fiddle, and Adam Chaffins on bass.

More information at www.TownMountain.net

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Honeycutters_2016_Ring_ByLeahBeilhartThe Honeycutters Show Their Country Roots with On The Ropes, Released By Organic Records

The Honeycutters have a voice you can’t ignore; a voice of persistence, of struggle and of hope, a voice that leads the new music movement erupting out of Asheville, NC. They released their 4th studio album On The Ropes May 20, 2016 on Organic Records to much critical acclaim. Nashville’s Music City Roots’ Craig Havighurst says principal songwriter and frontwoman, Amanda Anne Platt “has a voice that’s complex, sweet and aching. Even more potently, she writes songs that folks are citing as up there with the best of the field, such as Mary Gauthier and Lucinda Williams.” On The Ropes was produced by Amanda Anne Platt and Tim Surrett and engineered and mastered by Van Atkins at Crossroads Studios in Arden, NC.

On The Ropes debuted on release day at #39 on iTunes Top 40 Country Chart and #12 on Amazon’s Hot New Releases on Folk. The album spent nineteen weeks on the Americana Radio Chart hitting #10 and remaining in the top twenty for 11 weeks. It also landed in the #1 position on the Roots Music Report Country Chart! The band recently shipped the album overseas and it stands at #11 on September’s EuroAmericana Chart.

Joining Amanda Platt to round out The Honeycutters are Rick Cooper, alternating between upright and electric bass, drummer Josh Milligan, pedal steel player Matt Smith, and Tal Taylor on mandolin.

“Like all great songwriters, Platt’s characters are alive, with enough nuance to convince the listener that they have entire lives outside the glimpse they get from the songs.” Examiner’s Chris Griffy continues, “This is most evident on the album’s closer ‘Barmaid’s Blues’. One of the rare ballads in On the Ropes‘ fourteen songs and one of the most lyrically dense. When Platt’s world weary bartender laments that ‘All the gunslingers, got the rings on their fingers” and later that ‘I got a feeling like I been waiting on the last train home. It’s been a little slow, but it’s coming I know’, there’s a delicate balance of melancholy and hope that takes a deft hand to pull off without sounding cliched. Platt’s hand is that deft.”

“Forget Nashville, with their buzz-making brand of rock-roots-country, the Honeycutters are out to make Asheville, NC the brand new music city,” writes Elmore Magazine.

More information and tour dates at www.TheHoneycutters.com

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HoneycuttersOnTheRopesBigCov

The Honeycutters, an Asheville-based American Country Roots Band,
Release 4th Studio Album, On The Ropes, May 20, 2016 on Organic Records


Now available: CD, Vinyl and Digital
iTunes, Amazon, Tower Records, and Select-O-Hits

ASHEVILLE, NC — The Honeycutters have a voice you can’t ignore; a voice of persistence, of struggle and of hope, a voice that leads the new music movement erupting out of Asheville, NC. Their new album On The Ropes is out today, May 20, 2016 on Organic Records. Nashville’s Music City Roots’ Craig Havighurst says principal songwriter and frontwoman, Amanda Anne Platt “has a voice that’s complex, sweet and aching. Even more potently, she writes songs that folks are citing as up there with the best of the field, such as Mary Gauthier and Lucinda Williams.” This morning the album hit #38 on the iTunes Top 40 Country Chart and #12 on Amazon’s Hot New Releases on Folk. It is currently at #1 on the Roots Music Report’s Country Chart! and #10 on the The Alternate Root Magazine’s Roots 66 Chart!

Joining Amanda Platt to round out The Honeycutters are Rick Cooper, alternating between upright and electric bass, accentuating the band’s delve deeper into a rock sound blending with their old-school country roots attitude. Along with drummer Josh Milligan the two create a powerful pocket and groove that locks the album together, with Milligan’s vocal harmonies complementing and enhancing Platt’s lead. The pedal steel work of Matt Smith brings unexpected rock licks on an instrument traditionally reserved for a classic country sound in tracks like “Blue Besides” and “Only Eyes”. Smith also shows his prowess on electric guitar with rock, and R&B flavored runs and solos like in “Golden Child”. Tal Taylor’s mandolin cuts through with bitey, bluesy notes and fierce tremolo that pushes the instrument beyond its obvious folk appeal.

On The Ropes was produced by Amanda Anne Platt and Tim Surrett and engineered and mastered by Van Atkins at Crossroads Studios in Arden, NC.

What Folks Are Saying about On The Ropes:

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Amanda Anne Platt. Photo By Leah Beilhart.

“Their songwriting is first rate, their arrangements and instrumental ability in top form and with a front woman as assertive and impressive as singer Amanda Anne Platt, there’s nothing lacking in presence or execution. The songs may revolve around the need for assurance and affirmation, but clearly, Platt and her colleagues… have every contingency covered.”  –No Depression, Lee Zimmerman

 

“Pratt is a gifted songwriter and vocalist… She has an authoritative, confident voice that can be sweet, aching, and joyous, sometimes even in the same song. Pratt’s voice and the interplay of the guitar and mandolin give this band their unique complex sound – a clear-sounding mash-up of Americana, bluegrass, folk, and honky-tonk.” –Elmore, Jim Hynes

On The Ropes wonderfully showcases Platt’s dazzling songwriting skills with themes of loss, loneliness, nostalgia and getting the shit kicked out of you by love. All thirteen tracks are original material, except for a fascinating cover of Leonard Cohen’s iconic “Hallelujah”, sung in a spellbinding manner and just dripping of honeysuckle and moonshine.” That Music Mag, Jane Roser

“Amanda Anne Platt is a master songwriter, not because she finds unusual metaphors, creates cute wordplay, or buries deep psychological meaning in her lyrics, but because her songs are so effortlessly conversational. She’s like that old friend at the bar who sidles up to you real close, in your personal space, and grabs your forearm to get your attention because she really really wants to make sure you get what she’s telling you. Her songs command attention because they are so darn human you believe them.” —Americana Music Show, Calvin Powers

“On The Ropes is brimming with affecting, relatable, and on point lyrics… It’s not just Platt’s ability to tap into emotions and experiences so keenly that makes On The Ropes so special, the band’s tight musicianship brings Platt’s lyrics to new heights. Tal Taylor’s mandolin adds something special to every song as does Matt Smith’s pedal steel, dobro, and electric guitar while Rick Cooper (upright and electric bass) and Josh Milligan (drums/harmony vocal) expertly keep a precise beat.” —The Daily Country, Tara Joan

“Make no mistake, The Honeycutters are a country band in every sense of the word. They are the type of ‘country’ that has the ability to save country music radio, in the same way as Sturgill Simpson, Whitey Morgan, and Chris Stapleton. They will probably stay firmly within the Americana charts and radio promotions and do very well there, but each time I put on their album I can’t escape the heavy realization of how much country music radio needs them right now.” —Lonesone Banjo Chronicles, Brian Swenk

“While her country-flavored songs almost always tell a story, The Honeycutters’ musical approach adds a dimension to the tunes that only widens their appeal.”  —Mountain Xpress, Bill Kopp

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The Honeycutters. Photo by Leah Beilhart.

“Amanda Anne Platt doesn’t sound like everyone else. Her voice has its own sweet yet strong, recognizable ring, and the songs she writes sound like old friends, yet are new and relevant.” —Asheville Citizen Times, Carol Rifkin

 

“More fans should attach themselves to her brand of poignant songwriting and Lucinda Williams-like singing… The Honeycutters aren’t like anything on today’s country music radio. The group’s music, though, is like the country music that once blared through AM radio, complete with steel guitar and a dash of Western swing.”
Hendersonville Times News/ GoUpstate, Jason Gilmer

“This here is sawdust floor and longneck honky-tonk. North Carolina’s The Honeycutters swings gentle to and fro, with a knockout punch of steel guitar, and a rhythm section that adheres gloriously to the 2/4. This is the country music you’ve been missing. The genre’s purity gets redefined by songbird Amanda Anne Platt. It’s all around beautiful and timeless.” –Rochester City Paper, Frank De Blase

On The Ropes is a worthy successor to Me Oh My. It’s relatable and heart-breaking, buoyant and hopeful. The Honeycutters just keep getting better and it’s thrilling to hear it.” —Popshifter, Melissa Bratcher

On The Ropes shows more versatility from The Honeycutters with a bit of rock and pop influence in the production, while still keeping the songs firmly planted in country music. The songs and lyrics are richer, exploring more topics, and Platt’s vocals sound as good as ever.” —Country Perspective, Derek Hudgin

“On Ropes, Platt asks the hard questions and avoids easy answers, both lyrically and musically. The pieces are familiar ones from just about any other country bar band, the pedal steel, the mandolin and guitar with touches of ‘grass, gospel and folk. Platt’s writing keeps these in play while raising the Honeycutters above the overly familiar tricks and cliches of the crowded genre. Love lost is hardly new territory, but she writes about it from a novel place.” —KRFC’s Route and Branches, Scott Foley

“All of those sad little pop singers need to get off country radio and let the Honeycutters take it from here. When I heard this album I felt the same way I felt when I first heard Emmylou Harris and the Hot Band. There’s not much of a point to making such comparisons however, because the Honeycutters are their own band… Thank god for bands like the Honeycutters, they give me faith that a group can remain true to their vision while still writing extremely memorable songs.” —Western Free Press, Skyler Miller

“There are a lot of lines that stand out, that ring true, lyrics you can hold onto.”
Michael Doherty

“One of the best current acts to come out of Asheville is The Honeycutters, a great band ready to be discovered by the rest of America.” —Cincinnati City Beat, Derek Halsey

Song Premiere: LISTEN: The Honeycutters, “On The Ropes“ at Elmore Magazine
“On The Ropes [is] a feel good barn-burner of a song that pairs Platt’s old-school country vocals with a rollicking, danceable melody. The harmonies laced throughout recall the roots tradition the band is steeped in, but the track is a radio-ready hit, dangerously catchy and perfect for when you need a little boost.”

Song Premier: LISTEN: The Honeycutters, “Blue Besides” at The Bluegrass Situation www.thebluegrasssituation.com/read/listen-honeycutters-blue-besides

Listen in to The Honeycutters’ World Cafe appearance at http://bit.ly/TheHoneycutters_WorldCafe.

More info, tourdates and updates at www.TheHoneycutters.com, www.facebook.com/Honeycutters, and twitter.com/thehoneycutters.

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Town Mountain’s ‘Southern Crescent’ OUT TODAY on LoHi Records

Available April 1, 2016 on iTunes → http://apple.co/1QW52ZJ
Limited edition signed CD bundles directly from the web store → www.townmountain.net/shop

ASHEVILLE, NC — Raw, soulful, and with plenty of swagger, Town Mountain, based in Asheville, NC, releases their 5th studio album Southern Crescent on April 1, 2016 through LoHi Records. Produced and engineered by GRAMMY winner Dirk Powell, the album was recorded in Powell’s studio The Cypress House in Breaux Bridge, LA. It was mixed by Mixed by Scott Vestal at Digital Underground in Greenbrier, TN.

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Town Mountain. Photo by Sandlin Gaither.

With an insatiable musical hunger, the members of Town Mountain (Robert Greer on vocals and guitar, Jesse Langlais on banjo and vocals, Bobby Britt on fiddle, Phil Barker on mandolin and vocals, and Nick DiSebastian on bass) made their way to the little south-central Louisiana town of Breaux Bridge, where they recorded their most cohesive, most satisfying album to date. Adam Chaffins* plays bass in the touring outfit.

Southern Crescent was recorded in a decidedly old-school way, live, with minimal fixes and overdubs, with all the musicians in the same room and no noise-reducing baffling between them. Each of Town Mountain’s members contributed songs to Southern Crescent, with Barker, Langlais and Greer the chief writers in the band.

From the boogie-woogie piano of Jerry Lee Lewis that inspired the delightful (and danceable) “Coming Back to You,” to Greer’s cleverly penned and fast-paced “Tick on a Dog,” which offers a taste of another major bluegrass influence, Jimmy Martin, Southern Crescent is tailor-made to keep live audiences on their feet, but it’ll also keep those who think they can easily peg Town Mountain on their toes.

That variety is indeed part of what drives Southern Crescent, which opens with Britt’s delightfully dizzying fiddle work on “St. Augustine,” and showcases Greer’s hard-country vocals on “House With No Windows” and on the freewheeling composition “Ain’t Gonna Worry Me,” (penned by Barker). The group members’ palpable chemistry (and individual artistry) are displayed throughout such instantly memorable tracks as “Wildbird,” (Barker) and “I Miss the Night,” which Langlais penned (with Mark Bumgarner) after experiencing 22 hours of daylight during Alaska’s summer solstice.

The new album is being released on LoHi Records
. Based in Greensboro, N.C., the label is a partnership formed by entrepreneur and marketing veteran Jim Brooks with singer/songwriter and record producer Todd Snider, record producer Tim Carbone (who also plays fiddle in newgrass band Railroad Earth) and Chad Staehly from Gold Mountain Entertainment in Nashville.

Go Behind The Scenes with Town Mountain In “The Making of Southern Crescent” → https://youtu.be/VZD7avVtI4U

Listen to the world premier of “Comin’ Back to You” at The Bluegrass Situation → www.thebluegrasssituation.com/read/listen-town-mountain-comin-back-you

Final Cover Lo ResWhat Folks Are Saying about Town Mountain and Southern Crescent:

“Produced by Dirk Powell, Southern Crescent is hard-charging, grits-and-gravy authentic, the kind of emotions on the strings of Bill Monroe and Flatts and Scruggs pioneered more than 60 years ago. But Town Mountain is no copy band. With Songs written by each band member, and instrumental and vocal originality, Town Mountain honors the Ancients while bringing a collective and generational identity to their art.” —Raleigh News & Observer, Jack Bernhardt

“Southern Crescent reflects the band’s loose, dance-able music, more reflective of their festival and club sets that a staid performing arts center straight-bluegrass set. I’m not sure if the Southern Crescent still runs from Atlanta to Boston like my relatives talked about taking to go ‘visit culture’ in the Northeast, but I’m fairly sure it still runs down to New Orleans, where a more exhilarating culture has endured — an apt analogy for this album.” –Listen to this podcast interview with Town Mountain about Southern Crescent on Country Fried Rock with Sloane Spencer → http://countryfriedrock.org/town-mountain-1606/#.Vv09AnBKhaU

“On Southern Crescent, there’s little fuss and pretension, as each track has a lived-in and live feel, with the band members coalescing around the song in an almost preordained way. There is as much outlaw country and Western swing to these songs as bluegrass, despite the instrumentation. As traditional and even-keeled as Town Mountain is, no other band sounds quite the same.” —Mountain Xpress, Kyle Petersen

“I have seen this band many times, and while there are a couple of bigger names out there, this Asheville group is the most exciting bluegrass band to come along in a long time” –-No Depression, Amos Perrine

Southern Crescent is a near-perfect balance of tradition and young, raw energy… They’ll hear a hundred years of southern musical culture bubbling up and finding a common point where North Carolina, Georgia, and Louisiana meet as old friends. Town Mountain’s style and sonic footprint comes from a foundation of rhythm and groove that comes not from just loving the music (that’s too easy) but from living the music.” —Stream to the Premier of the song “Wildbird” at Bluegrass Today, Brian Swenk

“The record features an expected dose of fast string picking, including the opening fiddle workout ‘St. Augustine,’ but as it unfolds it becomes a well-rounded effort full of front-porch song craft that touches on various shades of roots music. ‘Leroy’s Reel’ has a distinctly Cajun flavor, while ‘Comin’ Back to You’ is a rockabilly dance tune propelled by some boogie-woogie piano.”  —Blue Ridge Outdoors, Jedd Ferris

“By the time they arrive at ‘Whiskey With Tears,’ one is ready to recommend them to country radio not because they sound like they belong there, but because you wish radio sounded like Town Mountain.”–Fervor Coulee, Donald Teplyske

“From the fiddle filled, energetic instrumental opener, ‘St. Augustine’ to the carefree ‘Ain’t Gonna Worry Me’ bluegrass sensibilities merge with roots, rock and country in melodies that will not only make you sit up and listen – they’ll have you getting up and moving as well.” —The Daily Country, Tara Joan

“There are a lot of bluegrass and country bands out there but only a few really have the ability to pull off what Ricky Skaggs and Tony Rice pulled off… Town Mountain, a band out of Asheville NC, does though and they prove it song after song. A bit more country here and a bit more bluegrass there makes the music as roots as you can get.” –-Frank Gutch Jr., Bob Segarini Blog

Town Mountain’s Southern Crescent Tour 2016:
4/1 Fri – The Grey Eagle – Asheville, NC
4/2 Sat – Newgrass Brewing Company – Shelby, NC
4/5 Tue – Hampton Taphouse – Hampton, VA
4/6 Wed – Gypsy Sally’s – Washington, DC
4/7 Thu – Lizard Lounge – Cambridge, MA
4/8 Fri – Hill Country BBQ – New York, NY
4/9 Sat – The Hobo Stage – Fredon, NJ
4/10 Sun – Tin Angel – Philadelphia, PA
4/12 Tue – Haymarket Whiskey Bar – Louisville, KY
4/13 Wed – Cosmic Charlie’s – Lexington, KY
4/14 Thu – The Station Inn – Nashville, TN
4/15 Fri – Barley’s – Knoxville, TN
4/16 Sat – Waverly “Old 280” Boogie – Waverly, AL
4/17 Sun – Zydeco – Birmingham, AL
4/28 Thu – Independent Ale House – Greenville, SC
4/30 Sat – UNC – Chapel Hill, NC
5/13 Fri – KSUT Concert Series @ Henry Strater Theatre – Durango, CO
5/14 Sat – Denver Beer Co.’s Sundrenched Music Festival – Denver, CO
5/14 Sat – Ophelia’s Electric Soapbox – Denver, CO (After party with Hot Buttered Run)
5/21 Sat – The Pour House – Charleston, SC (with Peter Rowan)
5/22 Sun – Lincoln Theatre – Raleigh, NC (supporting Hard Working Americans)
5/24 Tue – The Orange Peel – Asheville, NC (supporting Hard Working Americans)
5/25 Wed – Minglewood Hall – Memphis, TN (supporting Hard Working Americans)
5/27 Fri – White Squirrel Festival – Brevard, NC
5/28 Sat – Rooster Walk – Martinsville, VA
6/1 Wed – Music City Roots – Nashville, TN
6/3 Fri – Bailey Park – Winston-Salem, NC
6/5 Sun – Nelsonville Music Festival
6/11 Sat – Festival of the Bluegrass – Lexington, KY
6/16 Thu – Back Porch Music Series – Durham, NC
6/23 Thu – Rudyfest 16 – Grayson, KY
6/24 Fri – ROMP Fest – Owensboro, KY
7/23 Sat – Homegrown Music Festival – Ozark, AR
8/5 Sat – Pickathon – Happy Valley, OR

For more information, please visit TownMountain.net, facebook.com/TownMountain, twitter.com/TownMountain, and instagram.com/townmountainbluegrass.

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HoneycuttersOnTheRopesBigCov
The Honeycutters, an Asheville-based American Country Roots Band,

Release 4th Studio Album, On The Ropes,
May 20, 2016 on Organic Records


A Special Vinyl Edition On The Ropes Featured as a National Release
for Record Store Week
in partnership with Select-O-Hits
on ‘Vinyl Tuesday’ April 12th


Pre-order starting April 1st at iTunes
Get the vinyl at Tower Records, Select-O-Hits, and Amazon

Tune into NPR’s World Cafe Thursday, March 31st to hear The Honeycutters → www.worldcafe.npr.org

ASHEVILLE, NC — The Honeycutters have a voice you can’t ignore; a voice of persistence, of struggle and of hope, a voice that leads the new music movement erupting out of Asheville, NC. Poised to release their 4th studio album On The Ropes May 20, 2016 on Organic Records, Nashville’s Music City Roots’ Craig Havighurst says principal songwriter and frontwoman, Amanda Anne Platt “has a voice that’s complex, sweet and aching. Even more potently, she writes songs that folks are citing as up there with the best of the field, such as Mary Gauthier and Lucinda Williams.” Along with Platt, The Honeycutters are Rick Cooper (electric and upright bass), Josh Milligan (drums and vocal harmonies), Matt Smith (pedal steel and electric guitar), and Tal Taylor (mandolin). On The Ropes was produced by Amanda Anne Platt and Tim Surrett and engineered and mastered by Van Atkins at Crossroads Studios in Arden, NC.

“Fitting in at country honky-tonks and hard-scrabble bars alike, the Honeycutters have built a reputation for high energy shows coupled with tight harmonies and wistfully delicate lyrics of longing, heartbreak, and the American experience,” writes Alan Cackett (UK).

In On The Ropes Platt continues to bring songs of heartache, yearning, and comebacks using phrases so relatable you wish you had thought of them yourself, ”Love ain’t ever black and white, it’s pink and gray and blue besides” (“Blue Besides”).

Platt’s writing is always personal. The title track, “On The Ropes,” is a rally song about coming back from hard knocks. “When I’m down for the count there’s a voice I can’t ignore,” like a continuous conversation with herself, pushing her along and encouraging her to make “something out of nothing.”

In a recent interview with David Dye of the World Cafe, Dye pointed out Platt’s string of songs with ‘love gone wrong’ themes. Her response, “Doesn’t everyone have stories of love gone wrong?” Part of Amanda’s significance as a songwriter lies in her ability to write everybody’s story and allow each listener to feel it’s theirs alone. She shares songs of love and loss, songs of struggles and fears; in “The Only Eyes” Amanda writes, “If there were an easier road that wasn’t so crooked, Honey, I hope you know I would have took it.” NPR’s World Cafe, produced by XPN in Philadelphia, brought the show to Asheville’s The Grey Eagle this February for a sold out evening of entertainment including The Honeycutters in their “Sense of Place” series. The airdate for The Honeycutters’ World Cafe segment is Thursday, March 31st during the first hour of the show.

Honeycutters_2016_Ring_ByLeahBeilhart

The Honeycutters. Photo by Leah Beilhart

The power of Amanda’s songwriting requires musicianship with the kind of edginess needed to match it, to cohesively surround the lyrics in just the right skin while still shining in their individual performances.

Alternating between upright and, new to this album, electric bass, Rick Cooper accentuates the band’s delve deeper into a rock sound blending with their old-school country roots attitude. Along with drummer Josh Milligan the two create a powerful pocket and groove that locks the album together, with Milligan’s vocal harmonies complementing and enhancing Platt’s lead. The pedal steel work of Matt Smith brings unexpected rock licks on an instrument traditionally reserved for a classic country sound in tracks like “Blue Besides” and “Only Eyes”. Smith also shows his prowess on electric guitar with rock, and R&B flavored runs and solos like in “Golden Child”. Tal Taylor’s mandolin cuts through with bitey, bluesy notes and fierce tremolo that pushes the instrument beyond its obvious folk appeal.

On The Ropes has thirteen tracks of all original material with the exception of Leonard Cohen’s “Hallelujah,” a song Amanda has been playing since before she moved to Asheville. She says, “We’ve had a number of people ask us to record our version, so here ’tis.”  Special guests on the album include Amanda’s father Mark Platt on harmonica, Jeff Collins on piano, and Jason Webb on Hammond B-3 Organ. “The Handbook” features the lovely ladies of Sweet Claudette on vocals: Dulci Ellenberger, Melissa Hyman, and Amber L. Sims.

A special vinyl edition of On the Ropes will be released April 12, 2016 on Vinyl Tuesday, as a featured national release for Record Store Week. This will include a double album released through Organic Records®’ national distribution partner Select-O-Hits. This vinyl album will be made available to independent record stores throughout the country in time for Record Store Day on April 16th. Vinyl Mastering by Scott Barnett at Crossroads Studios / Arden, NC and Jeff Powell at Take Out Vinyl, Memphis, TN.

On The Ropes builds on the critical success of The Honeycutters breakout album Me Oh My [Organic Records 2015], which appeared on over twenty “2015 Year End Lists” including nods from No Depression, “It’s the type of country music you’d play on the jukebox and take a spin on a red dirt floor” and Cleveland Scene, “an upbeat symphony of regret, redemption and resurgence.” The album was voted #3 on WNCW’s Top 100 Listeners Poll (Under Jason Isbell and Alabama Shakes), listed in NPR’s Folk Alley’s Top 50, and was one of KBCS’s “Most Played Albums of 2015.”

In their “50 Essential Albums for 2015” list, Saving Country Music writes, “Me Oh My is the 14-song testament that you sense could be the centerpiece of her career when it’s all said and done… This is a band, an album, and a songwriter that both the Americana and country world should pay greater attention to.” Me Oh My launched The Honeycutters onto the national stage, bringing along an army of fans with them. Don’t blink now, they’re coming back for more.

It has been said that overnight success is a result of long time dedication and hard work. Amanda writes, in “Golden Child,” her love letter to the music industry, “Now I don’t mind if it takes a little time, when it comes to waiting I’ve been practicing for years.”

On The Ropes – Track Listing
1. On the Ropes
2. Blue Besides
3. Golden Child
4. The Handbook
5. The Only Eyes
6. Back Row
7. Useless Memories
8. Piece of Heaven
9. Let’s Get Drunk
10. 500 Pieces
11. Ache
12. Hallelujah
13. Barmaid’s Blues

Stay tuned to www.TheHoneycutters.com for tour dates and more news about their upcoming Spring 2016 album release on Organic Records!

For news from the road, please visit www.facebook.com/Honeycutters and twitter.com/thehoneycutters.

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The Honeycutters Debut Music Video for “Jukebox,”
A Swingin’ Honky Tonk Anthem

ASHEVILLE, NC — The Honeycutters recently filmed a music video for their original song “Jukebox” at the historical and eclectic Town Pump Tavern in Black Mountain, NC, just east of their hometown of Asheville. Folk Alley premiered the video and writes of it, “The jolly, honky-tonk rhythm of the song underscores the sweet plaintiveness of Platt’s voice…until it doesn’t. As she steps up on to the stage to join the band, her smile wide, her voice big and bright, she and the other musicians seem to be in perfect sync, swinging, swaying and encouraging the whole of the bar to join in and look ahead to the brighter side of life.”

“Jukebox” is the lead track and perfect introduction to their new album Me Oh My [Organic Records® April 2015], an album which is threaded with themes of love, loss, acceptance and regrowth. “‘Jukebox’ features a woman done with waiting to fully live and imploring her partner to come along and make some magic with her, ‘I’m going dancin’, you comin’ or not? Take a chance on me daddy, this may be all we got,’” writes Front Row Focus’ Beth Baldino. “And in a line that reflects an overarching theme running throughout the album, ‘no use asking why, songbirds just ain’t built to fly, but sooner or later we all have to try.’ In other words, don’t dwell on why it’s taken us this long, it’s about time for us to shine.”

honeycutters_2015_CreditSandlingaither_Smile

The Honeycutters. Photo by Sandlin Gaither.

The Honeycutters are fueled by the powerful songwriting and vocals of founder Amanda Platt who is also the album producer, band leader, and principal creative force behind the group. With songs that are honest and relatable, part chagrin and part hope, Platt’s voice carries a timeless appeal shaped by a raw honesty that comes straight from the heart and emits a sort of melancholy happiness. Joining Platt in The Honeycutters are Tal Taylor on mandolin, Rick Cooper on bass, Josh Milligan on drums, and Matt Smith on pedal steel, electric guitar, and dobro.

The Honeycutters set out to visually tell the story of “Jukebox” by calling in a cast of friends and cohorts, as well as a few actors from the area, to spend a day filming in the perfect locale of this well-worn honky-tonk tavern. The video was directed and produced by Ty Gilpin, Senior Director of Marketing at Organic Records.

Honeycutters_Jukebox_2015_1.pngThe visuals lead the viewer through an entire transformation. In this rustic and sleepy bar, Amanda plays the role of the bartender. She drops a quarter in the jukebox and starts washing the bar and dreamily singing while a few desolate souls sit and drink. She has a heart to heart with a couple of them, reminding that the music is on and begins to dance with a lonely man and woman, in turn, as she gets to the lyrics, “It’s only a song, so for heaven’s sake won’t you sing along?”

The band has entered the bar by then, set up, and is playing. An excited fan who peers through the window likes what he sees, so he calls in a whole crowd to come in and dance. As The Honeycutters get to the line, “Sooner or later we all have to try,” Amanda’s character shifts her own energy and the scene flashes to her on the stage performing. The leading male and female, no longer in despair, start dancing. The color is brighter; everyone is there; the bar is full of happy people spinning and cowboy boots kicking. Flash back to the first bar scene and the couple is now slow dancing peacefully with just a few others in the bar. They found their place in the music.

For making the “Jukebox” video possible, The Honeycutters send a special thanks to the Town Pump Tavern and their staff, Ty Gilpin (Producer/Director), John Litschke (Director of Photography/J. Martin Productions, Inc.), Dan Burke (Videographer/Lighting), Michael Hendrix (Videographer/Media Management), Don Talley (Associate Producer), Adam Foster (Jib Operator/Lighting/Production Assistant), Katie Kasben (Makeup/Stylist), singer-songwriter Lance Mills (Male Lead and a friend of band), and female lead Deena Wade (NYS3 – The Meisner Conservatory for the Southeast Graduate).

honeycuttCov3D“Their music is the kind that you’d want to play on a jukebox in a bar, if bars still had jukeboxes.” No Depression’s Amos Perrine writes, “You can sit in a booth with a beer and a tear or stretch out and take a twirl with some like-minded stranger. And their new album is one of the year’s best.”


What Folks Are Saying about “Jukebox”

“From the first track – ‘Jukebox’ – to the closer (‘A Life For You’) this is a perfect album of tunes that – in most cases will have you dancing around the room (or at least tapping your toes)”
Amazon, Steve Ramm

“Frontwoman Amanda Anne Platt writes potently vivid narratives that mine the underside of hardscrabble rural America: her characters are people we all know…, Jukebox, sets the tone, a swaying midtempo number with a cajoling cynicism: it’s sort of a ‘better enjoy this because this might be all we’ve got’ scenario.” —New York Daily News, Delarue

“When I first heard the opening track ‘Jukebox’, I thought ‘how did my Patsy Cline CD get in there?’… It’s a fun, toe-tapping honky tonk anthem…”
That Music Mag, Jane Roser

“Not taking things too seriously is the theme of opening track ‘Jukebox,’ which immediately draws you into a place where you’ll remain throughout the record. The title track comments on the state of the modern woman.”
The Daily Country, Tara Joan

“From the very first track, ‘Jukebox,’ Platt’s words will have listeners hooked on the entire album. ‘Don’t go calling me the angel on your doorstep/Cause I fell just like all the rest/I was too broke down to fly.’ These lyrics in ‘Jukebox’ are sure to grab the hearts of listeners and force them to clear their schedules just to finish the record. If the first track doesn’t leave listeners in tears by the end, the opening lines of the third song, ‘Me Oh My,’ will.”
The Daily Lobo, Skylar Griego (New Mexico)

“Me Oh My… damn near beats anything coming out of Nashville these days. Singer/songwriter/producer Amanda Anne Platt is an irresistible and irrepressible force of nature. It’s all so authentic, organic, acoustic, sprightly, lively, lyrically profound and catchy that—when buoyed by Tal Taylor on mandolin and Matt Smith on pedal steel, electric guitar and dobro—you can’t get these songs out of your head. ‘Jukebox’ should be the obvious single… Americana comes up aces here.”
The Aquarian’s Rant N Roll, Mike Greenblatt

“‘Jukebox’ is on a different plane, as country as anything you would have heard on the radio back in the day.”
Lonesome Road Review, Larry Stephens

“The Honeycutters are a combo of supremely talented and empathetic musicians, fully committed to her vision. Whether driving and seasoning with pedal steel and brass the gently swinging honky-tonk of ‘Jukebox’, or creating the ideal atmosphere for the eye-opening dramatic desolation and stoic acceptance of life’s travails in the title track, they are indispensable. Their vocal harmonies, too, multiply the emotional effect of Amanda’s narratives.”
No Depression, Amos Perrine

For more information about The Honeycutters & further tour dates, visit: www.thehoneycutters.com. For news from the road, visit www.facebook.com/Honeycutters and twitter.com/thehoneycutters.

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HONEYCUTTERS-ME-OH-MY-SUMMER-TOUR-POSTER-FINAL
The Honeycutters Announce ‘Me Oh My’ 2015 Summer Tour

Asheville-based American Country Roots Band, The Honeycutters,
Released 3rd Studio Album, Me Oh My, With Organic Records

“…Platt’s songwriting could be placed in the exceptional category, at least from the evidence Me Oh My presents in her favor. It’s not just the sorrow and sincerity, it’s the insight and  the resonance. Songs like ‘All You Ever’ and ‘Not That Simple’ exemplify this top shelf quality to her music, while the mood of Me Oh My very much takes on the perspective of a young woman moving ever so closer to middle age, and mindful of not just the changes in herself, but in the world as it reflects back on her.”
Saving Country Music

ASHEVILLE, NC — The Honeycutters, an Asheville, NC-based original country roots band, released their third studio album, Me Oh My, on April 21, 2015 with Organic Records® and is thrilled to announce their 2015 summer tour.

They kick off the tour in the south and have an appearance on WDVX’s Tennessee Shines in Knoxville on July 1st airing worldwide at 7pm CT at WDVX.com, followed by a show on the 3rd at the US National Whitewater Center in Charlotte, NC with Greensky Bluegrass. They travel west for a several shows with stops in Kansas City, Colorado’s Front Range, Albuquerque, Oklahoma City, Kansas and Arkansas. After a short break, picking back up again for further shows in the southern region including a performance at the Birthplace of Country Music Museum in Bristol, TN in mid August.

BackCoverHoneycutters_2015_CreditSandlingaitherFueled by the powerful songwriting and vocals of founder Amanda Anne Platt, Me Oh My moves her into the spotlight as producer, band leader, and principal creative force behind the band. With songs that are honest and relatable, part chagrin and part hope, Platt’s voice carries a timeless appeal.

Along with Amanda Platt, The Honeycutters include Tal Taylor on mandolin, Rick Cooper on bass, Josh Milligan on drums, and Matt Smith rounds out the band on pedal steel, electric guitar, and dobro to create a sound that carries just as well across the bar room as in a church or a theater. Platt’s songs are shaped by a raw honesty that comes straight from the heart and emits a sort of melancholy happiness.

The Honeycutters on Tour with Me Oh My
6/26 Fri – Transylvania County Library – Brevard, NC
7/1 Wed – WDVX’s Tennessee Shines @ Boyd’s Jig and Reel – Knoxville, TN
7/3 Fri – US National Whitewater Center – Charlotte, NC &
7/9 Thu – Knuckleheads Saloon – Kansas City, MO
7/10 Fri – Tuft Theatre – Denver, CO
7/11 Sat – Peak Performances @ Copper Mountain Resort – Copper Mountain, CO
7/12  Sun – Woody Creek Community Center – Woody Creek, CO
7/14 Tue – Low Spirits Bar & Stage – Albuquerque, NM
7/15 Wed – The Blue Door – Oklahoma City, OK
7/16 Thu – George’s Majestic Lounge – Fayetteville, AR
7/17 Fri – Lakewood House Concerts – Pittsburg, KS
7/18 Sat – Stickyz Rock’N’Roll Chicken Shack – Little Rock, AR < 7/24 Fri – Conundrum Music Hall – West Columbia, SC 7/25 Sat – The Pour House – Charleston, SC >
8/9 Sun – Birthplace of Country Music Museum – Bristol, TN
8/14 Fri – The Crown at the Carolina Theatre – Greensboro, NC
8/21 Fri – Summer Tracks Rogers Park Amphitheater – Tryon, NC
8/22 Sat- Cataloochee Ranch – Maggie Valley, NC
10/1 Thu – The Albino Skunk Festival – Greer, SC
12/4 Fri – Manhattan Arts Center – Manhattan, KS
12/5 Sat – The Stage at KDHX – St Louis, MO

& w/ Greensky Bluegrass
< w/ Mountain Sprout > w/ The High Divers and Avi Jacob

For more information about The Honeycutters and further tour dates to be announced, please visit: www.thehoneycutters.com. For news from the road, please visit www.facebook.com/Honeycutters and twitter.com/thehoneycutters.

What Folks Are Saying about Me Oh My:

“Vocalist Amanda Platt has a voice that’s complex, sweet and aching. Even more potently, she writes songs that folks are citing as up there with the best of the field, such as Mary Gauthier and Lucinda Williams.” —Craig Havighurst, Music City Roots

“There are a lot of worthy and compelling Americana singer-songsters and bands out there right now, it’s a rich landscape. But The Honeycutters, fronted by Amanda Platt is surely a wonder to behold. The band just sounds so darn good and makes a style of country music that always makes me feel good, even when it’s so melancholy. I think Amanda has something to teach us about the economy of words, the magic of a good melody and the satisfaction of an aching and honest vocal.” —Amy Ray of The Indigo Girls

“With singer/songwriter — and, now, producer — Amanda Anne Platt at the helm, the group puts their own spin on an old form. Sure, there’s a timeless quality to honest songs done up by a bunch of great players… there’s also a freshness to it.” —Folk Alley First Listen, Kelly McCartney

“It’s easy to think of Mags Bennett, the character played by Margo Martindale on TV’s Justified, when listening to Amanda Anne Platt front North Carolina quartet the Honeycutters. Steadfast, independent and all woman…” –-Pop Matters, Eric Risch

“Me Oh My, an extremely balanced album in terms of tempo and theme, merges Americana, roots, country and even honky tonk into a delightfully unique combination. It’s a highly recommended, refreshing and enjoyable listen from the first track to the last.” —The Daily Country, Tara Joan

Me Oh My… is a like a time machine on a shiny disc; classic, old-timey country and folk tunes with catchy melodies and lyrics that drip in poetry.”  That Music Mag, Jane Roser

“Platt’s rootsy sense of melody and strong lyrical instincts are heard throughout Me Oh My, with the inviting southern swing of ‘Jukebox’ and the ballad title track serving as particular stand-outs.” —Alex Biese, Asbury Park Press

 

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