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Tara Nevins (of Donna the Buffalo) and Friends
Tour the Southeast This December

Performing Songs From Her Latest Solo Release ‘Wood and Stone’

Tara Nevins and Friends on Tour:
Wed 12/5  Atlanta, GA  Smith’s Olde Bar
Thur 12/6  Charlotte, NC  The Double Door Inn
Fri 12/7  Asheville, NC  The Grey Eagle
Sat 12/8  Huntsville, AL Kaffeeklatsch

“A tour de force from start to finish” –Elmore Magazine about Wood and Stone

“If heroes and heroines of rock ‘n’ roll are defined by their uniqueness, they definitely broke the mold when they made Tara Nevins.” —Wildman Steve

American roots traditionalist Tara Nevins will be touring this winter in the southeast for select shows, in between her other gigs with Donna the Buffalo. She will be performing songs from her latest solo release, Wood and Stone, on Sugar Hills Records which hit in the Top 20 on the Americana Music Chart in 2011.

Joining Nevins for this tour are Riley Baugus (Banjo), Mike Compton (Mandolin), Pete Finney (pedal steel & electric guitar), David Grier (Acoustic Guitar), Todd Phillips (bass), Mark Raudabaugh (Donna the Buffalo’s  Drummer), and Amber-Dawn Rische (harmony vocals & 2nd fiddle).

Fans of Nevins from her 21-year tenure with Donna the Buffalo are familiar with her versatile talents; she shares the vocal and songwriting responsibilities for the band and is a stellar musician on fiddle, guitar, and accordion. (She plays a mean scrubboard too.) Prior to DTB, Nevins was a founding member of the all-female, old time/Cajun band The Heartbeats.

Wood and Stone was produced by Larry Campbell at the Levon Helm Studios in Woodstock, NY and showcases Nevins’ ever-evolving repertoire as she journeys both back to her own “roots” and head-long into new territory. Featured guests on the album include Levon Helm, Jim Lauderdale, Allison Moorer, Teresa Williams, The Heartbeats, along with the core band of Larry Campbell, Justin Guip, and Byron Isaacs.

CMT says, “With the wonderful fiddle groove and vividly written lyrics, Nevins gives a glimpse into her roots. Stepping out for a rare solo record (beyond her beloved band, Donna the Buffalo), she meshes her Cajun influences, unique voice, drums and steel guitars for an intriguing look at her heritage.”

“Two surprises on the album are “Stars Fell on Alabama,” in which Nevins turns the ‘30s jazz standard into a bleak, gothic soundscape, and “Tennessee River,” an even more desolate turn recalling the best of Lucinda Williams,“ writes Lonesome Road Review.

For more visit www.TaraNevins.com

WATCH- Stars Fell on Alabama Official Music Video
WATCH – Tennessee River performance and interview

About the Players for the Tour:

Riley Baugus. Photo by Abigail Seymoure

RILEY BAUGUS
Riley Baugus represents the best of old time American banjo and song. His powerful singing voice and his expert musicianship place him squarely in the next generation of the quality American roots tradition. When not teaching or building banjos, Riley can be found out on the road performing or in the studio recording.  Riley was the acapella ballad singer for the voice of Pangle in the Academy Award-winning film “Cold Mountain”.

His banjo playing can be heard on several recordings such as Alison Kraus and Robert Plants “Raising Sand, Willie Nelsons “Country Music”, and his two acclaimed solo recordings, “Life Of Riley” and “Long Steel Rail”, to mention only a few. He’s performed with many Old Time string bands and artists such as Dirk Powell, Tim O’brien, Kirk Sutphin, and The Lonesome Sisters. Riley makes his home near Winston-Salem, North Carolina.

Photo Courtesy of Mike Compton

MIKE COMPTON
Preservationist, performer, modern-day musical pioneer, composer, and educator, Mike Compton, a musician’s musician has rightly earned a reputation as one of the best and most influential mandolin players in acoustic music today. Grammy award winner, nominated IBMA Mandolin Player of the Year, and musical US Ambassador throughout the world, Mike has entertained at Carnegie Hall, at the White House, and been honored by the Mississippi State Senate with State Resolution Number 45, a special honor commending his musical accomplishments.

Over a span of 35 years, Compton has made a career playing on recordings of others adding his signature sound. Mike has made music with such diverse notables as Ralph Stanley, Elvis Costello and the Sugarcanes, David Grier,producer T-Bone Burnett (O Brother, Where Art Thou and Down From The Mountain tours), Nashville Bluegrass Band, John Hartford to name a few, and has performed on over 100 CD’s in a variety of genres, with some of the most beloved artists of our day.

Photo Courtesy of Pete Finny

PETE FINNEY
Pete Finney is a pedal-steel guitarist (and multi-instrumentalist) who has toured and recorded with Patty Loveless for over 20 years, and also worked extensively with folks like the Dixie Chicks, Vince Gill, Pam Tillis, Jim Lauderdale, Doug Sahm as well as countless others,
and has recording credits with the likes of Justin Townes Earle, Bonnie “Prince” Billy,  Radney Foster and Beck.

Photo Courtesy of David Grier

DAVID GRIER
The most award-winning guitarist in recent memory is David Grier. For the past several years, he has been voted by the members of the International Bluegrass Music Association as Best Guitar Player of the Year. He has also appeared on two Grammy- winning recordings: “True Life Blues-A Tribute to Bill Monroe” and “The Great Dobro Sessions.” David is also included in the book, “1,000 Great Guitarists.”

In addition to touring solo, David also appears as the guitarist for Psychograss, who are currently celebrating a critically acclaimed new album, “Now Hear This”.  David makes his home in Nashville.

Photo Courtesy of Todd Phillips

TODD PHILLIPS
Todd Phillips is the bassist of choice for many of the most innovative, as well as traditional, acoustic instrumental and bluegrass recordings made since the mid-1970s.  A two-time Grammy Award winner and founding member of the original David Grisman Quintet, Phillips has made a career of consistently performing and recording with acoustic music’s finest and most creative artists.  He also played in The Tony Rice Unit and the now classic bluegrass recording group The Bluegrass Album Band.

Phillips has had the opportunity to work with a virtual “who’s who” of acoustic music’s finest, such as Vassar Clements, Ricky Skaggs, Sam Bush, John Hartford, Jerry Douglas, Alison Brown, Mike Marshall, Stuart Duncan, Tim O’Brien, Del McCoury, Darrell Scott, Larry Campbell, John Doyle, Dirk Powell, Joan Baez and many more.  Phillips has produced recordings for guitar great David Grier; “Panorama”, and two projects for mandolinist Matt Flinner; “The View From Here” and “Latitude”, which lead to the formation of the innovative instrumental trio; Phillips, Grier & Flinner and their two unique and highly acclaimed CDs; “Phillips, Grier & Flinner” and “Looking Back” (Compass Records).   Todd Phillips lives in Nashville, tours with Psychograss, Russ Barenberg & Brittany Haas, will tour Russia (w/ Bill Evans) in August 2012, reuniting with The Bluegrass Album Band (scheduled 2013) and is doing studio work in his new home town.

Mark Raudabaugh. Photo By Lori Sky Twohy.

MARK RAUDABAUGH
Atlanta based drummer, Mark Raudabaugh, is a versatile and skilled performer who is currently on the road with Donna the Buffalo. He has also toured with Papa Mali, Bobby Lee Rodgers and The CodeTalkers, Grant Green Jr., Ruby Velle and The Soulphonics, among many others.

Photo Courtesy of Amber-Dawn Rische Nicholas

AMBER-DAWN RISCHE NICHOLAS
Amber-Dawn Rische Nicholas has been performing worldwide for many years as a violinist and singer with the now disbanded Arista/Sony Nashville signed group, Jypsi. With the band, she had the opportunity to play many prestigious venues such as Bonnaroo, Austin City Limits, South By Southwest (SXSW), Stagecoach, and many more including several appearances at The Ryman and The Grand Ole Opry. She has toured/performed with major artists including, Darius Rucker, Ronnie Milsap, Hootie & the Blowfish, etc. She has also gained invaluable experience working in the studio with many of the world’s top record producers such as Don Was, Nathan Chapman, Tony Smith, and the list goes on.

Amber-Dawn presently performs with her husband Bobby Nicholas in their duo BAD Nicholas.  They have recently written and recorded their first album together “We Will Fly”.  Amber-Dawn makes her home in Nashville.

Visit TaraNevins.com and Facebook.com/TaraNevins or Facebook.com/TaraNevinsFiddle for more information about the album, a gallery of images, videos, music, and lyrics.

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Donna The Buffalo’s 8-Show New Years Run in Florida into 2013

DtB @ Revolution on Fri, December 28, 2012
doors 8pm, show 9:15, DtB 10:15pm
$18 adv/ $20 dos, All Ages, (954)727-0950
200 West Broward Blvd. Ft. Lauderdale , FL 33312
www.jointherevolution.net

DtB @ Skipper’s Smokehouse Sat, Dec 29th- Mon Dec 31st
Saturday Dec 29th & Sunday Dec 30th
doors 7pm, show 8pm, $25 adv/ $30 dos
Monday, Dec 31st
doors 5pm, show 6pm, $35 adv/ $40 dos
(813)977-6474, 18+
910 Skipper Rd, Tampa, FL 33613
www.skipperssmokehouse.com

DtB @ Green Parrot on Wed- Fri, Jan 2-4, 2013
(305)294-6133, 21+
601 Whitehead St., Key West, FL 33040

DtB @ The Plaza ‘Live’ Sat Jan 5, 2013
Doors 8pm, All ages, $17 adv/ $20 dos
425 North Bumby Ave., Orlando, FL 82803

www.donnathebuffalo.com


The above video is: Donna the Buffalo’s Full Sunday Set at MagnoliaFest 2012- Thanks to Mark DaBabe for recording!

Donna the Buffalo’s feel-good, groove-oriented, danceable and often socially conscious music all began over twenty years ago with roots in old time fiddle music that evolved into a soulful electric Americana mix infused with elements of cajun/ zydeco, rock, folk, reggae, and country. Donna the Buffalo is known for touring the country remaining fiercely independent as one of the industry’s most diverse roots-music bands and has “earned a reputation as one of the most respected, eclectic and hardest-working acts today,” praises Encore.

Donna the Buffalo has been working on a 10th album with Jeb Puryear on guitar and vocals; Tara Nevins on fiddle, guitar, accordion, scrubboard and vocals; keyboardist Dave McCracken; bassist Kyle Spark; and drummer Mark Raudabaugh.

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Town Mountain
The Grey Eagle
w/ The Freight Hoppers
Friday, Dec 2, 2011

$10 adv/ $12 Dos, 9pm
185 Clingman Ave.

Asheville, NC 28801
828-232-5800
www.thegreyeagle.com

Asheville Bluegrasser’s Town Mountain are returning to The Grey Eagle on Friday, December 2nd. The Freight Hoppers will be joining them for the evening’s entertainment, bringing the bluegrass an old-time scenes in Asheville a little bit closer together.

A common thread that binds us to music is familiarity with tradition and the unexpectedness of progression. In a time when bluegrass music is all over the place with it’s predictability; whether it is the crisp clean sound of the contemporary side, the tones of a sixty-year tradition, or the jam band mentality, you can see it coming. It’s all great and Town Mountain is happy to be right in the middle of this bluegrass gumbo.

You’ve heard it before and you’ll hear it again, “Town Mountain’s not your grand daddy’s bluegrass”, or “Town Mountain is a great traditional bluegrass band”. Fortunately both of these statements are true and false all at the same time therefore canceling each other out and in turn making it hard to pigeonhole just what Town Mountain can be called. Newly signed with revered Pinecastle Records, Town Mountain is Phil Barker (Mandolin, vocals), Robert Greer (Guitar, vocals), Jesse Langlais (banjo, vocals), Bobby Britt (fiddle), and Jon Stickley (bass, vocals).

This year Town Mountain has teamed up with Pinecastle Records to release their third album, Steady Operator in the late spring. Now the band, more musically mature and honing in on a sound that suits them collectively as well as personally, is ready to show the acoustic music world that they are in fact on the cutting edge of old and new. A recognizable sound with youthful interpretation of a music that continues to evolve, this is Bluegrass.

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The Freight Hoppers play old time music with an emotional, raw excitement that keeps one foot planted in the past and the other in the present. Of course that’s only when they keep their feet still, for this is high energy dance music of an older day played like there’s no tomorrow. Finding their passion from a love of string band music of the 1920’s and 30’s, The Freight Hoppers have been entertaining crowds of fans at festivals and music halls alike as they travel around the country. The heart of the band is held together by the powerhouse fiddle and banjo combo of David Bass and Frank Lee, while the rhythm section of Isaac Deal on guitar and Bradley Adams on string bass keep the music driving. Add in the vocal duo of Frank and Isaac, and you’ve got yourself one of the most exciting traditional bands to come out of the woodwork. Based out of the Smoky Mountains of North Carolina, The Freight Hoppers draw from a deep source of rural southern music for their inspiration.

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All proceeds will go directly to helping offset Billy’s medical expenses.

Asheville, NC — A large group of friends has come together in the bluegrass and acoustic music scene in the area to help our good buddy, Billy Constable, raise funds to offset his medical expenses for a brain tumor that he was recently diagnosed with.  The Grey Eagle is hosting the event on Sunday, December 11, 2011.  The doors open at 6pm, donations will be accepted, and there will also be a silent auction.  Bands performing are Big Daddy Bluegrass Band, Asheville Bluegrass Collective (featuring: members of Steep Canyon Rangers, Larry Keel & Natural Bridge and Town Mountain), Jason Burleson and the Bluegrass Buddies, and Nikki Talley.

Travers Chandler writes in Bluegrass Today, “Anyone familiar with the acoustic music scene of Western NC, or with the music of the legendary Charlie Moore, is no stranger to Billy Constable. In fact, I am not certain Billy encountered many strangers. He is a friend to many people, and to those of us fortunate to know him well, even a great mentor.”

Billy has been diagnosed with a lump on the lower portion of his brain which has been causing increasingly frequent seizures. He is currently seeing medical specialists and gathering evaluations. The expense is certain to be high, and Billy is without medical insurance. We are coming together here, as friends and fellow musicians, to help offset those costs.

Billy Constable grew up in a very musical family in Avery County, and he has been playing music for most of his life. Billy is part of Avery County’s Wiseman family, which includes a number of professional musicians including Scotty Wiseman, Lawrence Wiseman, David Wiseman, Fiddling Jimmy Wiseman, banjo picker Kent Wiseman, and Billy’s mother, Lois.

Billy began playing guitar professionally as a youngster with bluegrass great Charlie Moore, who had married Billy’s mother. He also played in Douglas Dillard’s newly formed “post Dillards” bluegrass band The Doug Dillard Band from Hollywood, which also featured Byron Berline and occasional guests like Vassar Clements and Sam Bush.

After touring with The Doug Dillard Band, Billy took a break from the road in order to work on his banjo skills while playing in a family’s band, The Constables, who were living in California at the time. He later had the opportunity to tour with two more bluegrass greats, Kenny Baker, a veteran fiddler from Bill Monroe’s Bluegrass Boys, and Josh Graves, a long time Dobro player with Flatt & Scruggs’ Foggy Mountain Boys.

Billy’s approach to the banjo is firmly rooted in Appalachian string music, but it can be deceptively eclectic. His influences begin at home and with his family, but Billy’s repertoire is vast, and he is comfortable in most musical situations. In addition to banjo, Billy is also an accomplished musician on the guitar, mandolin and violin.

In recent years, Billy has carried his banjo into more jam-oriented groups such as Acoustic Forum from New York and New England’s Max Creek. He toured extensively and recorded with Hypnotic Clambake and The Larry Keel Experience. Billy has appeared on many shows with Leftover Salmon, and he was also a featured guest on a handful of String Cheese Incident shows and one of their recent albums “Carnival 99.” Billy also played with the seasonal Big Daddy Bluegrass Band with Steve McMurray, Curtis Burch and Larry Keel.

For more information about Billy Constable and for updates on his medical situation, please visit:  www.billyconstable.com and the FaceBook Event.

If people would prefer to mail a donation, please mail to:
Dave Ruch
155 St James Place
Buffalo NY 14222
dave@daveruch.com
716-884-6855

~~~~~~~~~~~~~  MEET THE PERFORMERS   ~~~~~~~~~~~~~~~

Big Daddy Bluegrass Band The Big Daddy Bluegrass Band rides again! It has been five long years since the BDBB has taken the stage. They make their return on February 11th at the Visulite Theater in Charlotte, NC, for the debut of the new lineup which features some of the premier acoustic musicians working today. Steve “Big Daddy” McMurry, front man and founding member of Acoustic Syndicate, returns to the world of bluegrass music with a formidable arsenal of hot, young pickers. Jason Flournoy, formerly of Larry Keel & Natural Bridge / Shanti Groove, is highly respected in all genres of music across the nation. Jay Sanders is the long time bass man for Acoustic Syndicate and former with Donna The Buffalo. He is one of the hardest working and most exciting upright bass men on the East coast. Producer, engineer and dobro virtuoso, Billy Cardine, formerly of The Biscuit Burners, is one of Jerry Douglass’ favorite new dobro men. He has shared the stage with Edgar Meyer at Carnegie Hall and his recordings are featured on the BBC, PBS and the History Channel. Robert Greer, front man of Asheville bluegrass band Town Mountain, will also be joining the band adding harmonizing vocals, guitar, and his charismatic stage presenc

Asheville Bluegrass Collective– The Asheville Bluegrass Collective is a super-group of Asheville’s finest bluegrass musicians. The pickers include: Jon Stickley and Robert Greer (Town Mountain), Mark Schimick (Larry Keel and Natural Bridge), Charles Humphrey (Steep Canyon Rangers), Jason Flournoy, and many more special guests! Look out for some solid Asheville style Bluegrass!

Jason Burleson – The original banjo player with Blue Highway, Jason is a native of Newland, North Carolina. A talented multi-instrumentalist, he brings all-around musicianship to the group, not the least of which is his distinctive, rock-solid banjo style. Writing for the Memphis Area Bluegrass Association,Betty Westmoreland observed about Jason and his habit of saying very little onstage: “His banjo does the talking, as is true of most superb performers. From Newland, NC, in Avery County, Burleson is part of that fine crop of North Carolina banjo players. There must be something about the air, or water, or the soil in that part of the country—so many fine banjo players seem to come out of those hills.”

Jason’s instrumental compositions form an integral part of the Blue Highway repertoire, including “The North Cove” ( Through the Window of a Train), hailed by one critic as “a burning instrumental with a sinuous melody” that offers “more to chew on than just the whiz-bang pyrotechnics of many modern bluegrass instrumentals” (Smoky Mountain News). Jason also anchors the group’s quartets with his bass vocals. A jazz devotee, Jason’s talent hasn’t been fully revealed yet to the bluegrass community and gives Blue Highway unlimited options for the future.

Jason will be leading a virtuosic group of bluegrass musicians featuring everyone’s favorite bluegrass buddy, David Via.

David Vias songs come from being raised and living up in the Blue Ridge mountains of Patrick County, Virginia. Via (as most folks call him – that’s pronounced Vi and rhymes with sky) is a well-known figure in bluegrass/newgrass circles with twenty-some odd years of singing and songwriting.

Via first performed Americana/Bluegrass with The Bluegrass Buddies with Alan Bibey and Ronnie Bowman. Over the years, Via has played in a lot of lineups and with a lot of great pickers: the newgrass In Sync – Jody King, James Donchez, Kim Gardiner, and Alan Purdue, the Dan River Revue – Wyatt Rice, Tommy Morse, Tim Jefferson, and Pete Ross. Via has joined the stage with Vassar Clemmens, Sammy Shelor, Ronnie Bowman, Tony Rice, and John Cowan. He currently teams up with two-time grammy winner Curtis Burch to perform more intimate shows and highlights his original material with award-winning musician friends who spin David Via & Corn Tornado.

Nikki Talley Hardworking, energetic, mountain girl with a big voice…these could all describe Nikki Talley. Raised in North Carolina and hailing from Asheville, it’s only fitting that her music is as eclectic as the state that boasts the mountains and the sea. Trying to pin down Nikki’s style, critics and reviewers alike have compared her to an early Liz Phair and Gillian Welch, but to leave the comparisons there would be doing a disservice to her fiery stage performance, hauntingly seductive and raw gritty lyrics, lifted by a voice that harkens back to the Appalachian roots from which she was born, and shores up on the edges of contemporary southern rock, country, blues, and jazz that has her audiences stomping and clapping for more.

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Show Details at a Glance:
Benefit for Billy Constable
Sunday, December 11, 2011
The Grey Eagle
185 Clingman Avenue
Asheville, NC 28801
(828) 232-5800
www.thegreyeagle.com

$10 Suggested donation

Bands: Big Daddy Bluegrass Band, Asheville Blue Grass Collective (featuring: members of Steep Canyon Rangers, Larry Keel & Natural Bridge and Town Mountain), Jason Burleson and the Blue Grass Buddies, and Nikki Talley.

The doors open at 6pm silent auction will close at 9pm.

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Galen Kipar Project. – 9p
Whetherman – 8p
And…
Taylor Martin’s Engine – 10:30p

Thursday December 8, 2011
Grey Eagle
185 Clingman Ave.
Asheville, NC 28801
8pm, Donation w/ $7 min.
http://www.thegreyeagle.com

Effortlessly crafting a fusion of folk, classical, jazz, and blues, the Galen Kipar Project has been hailed as “complex yet accessible” and “cohesive and poignant” with “experimental folk masterpieces.” Based in Asheville, GKP released their fourth album The Scenic Route in 2010 which features the unique sonorous sound that has become the band’s trademark. “In Asheville, fans call his act a ‘small-scale symphony.’ It’s probably more like chamber folk/pop, sometimes reminiscent of Adrian Belew’s quieter moods,” says The Roanoke Times writer Tad Dickens.  Joining vocalist Galen Kipar on guitars & harmonica is Lyndsay Pruett on violin & vocals, Aaron Ballance on dobro and Rob Parks on bass.

Galen Kipar is currently writing new music and in the pre-production phase of the next album. The WCGazzette writes, “Kipar says ripples of his trout-tinted soul will continue to be felt in the band’s upcoming release. ‘It will be accessible, with catchy hooks,’ he says of the album. ‘[But] it will also be complex enough that a fan will be able to listen to it and still come back and hear something new. That’s always been our goal.'”

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Whetherman is the mellow music project of Nicholas Williams, a 27 year-old unsigned singer/songwriter out of the Midwest, who has been heavily influenced by folk musicians such as Paul Simon, Van Morrison, Nick Drake and Neil Young. This emerging artist is becoming increasingly well-known for his distinct voice, a creative blend of crooning and soaring melodic qualities that has become the staple …for Whetherman’s music. His songs are comforting and gentle on the ears, providing depth and landscape with insightful lyrics and beautiful texture in supporting instrumentals.

Since June of 2007, Williams has released four full length albums: “Bull” (2007), “The Great Lull” (2008), “Nooks and Crannies” (2010) and most recently, “Wind in the Trees” (2011). The first two works were under a distribution deal backed by Adorable Records, an independent label based outside of Detroit, MI, which Williams remained signed with until 2009. Williams then chose to be independent, booking all festivals, tour dates, merchandising, managing artwork and continuing to record every album on his own dollar and time.

After a move to the Southeast and releasing the third Whetherman title, Williams has since found a local group of diversely talented musicians of up to nine different performers to share the stage with, called “The Steady Melodies”. The ensemble is mostly made up of University of North Florida Musical/Jazz Studies alumni, and worldly influenced musicians. Currently, The Steady Melodies are comprised of: JP Salvat (Percussion), Dan Evans (Mandolin, Guitar), Alex Hayward (Drums), Rachel Murray (Vocals), Angel Garcia (Keys), Adam Mantovani (Bass), Milan Algood (Drums), Austin Johnson (Bass) and Lyndsay Pruett (Fiddle).


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Taylor Martin brings you music with a beating heart. Gritty, real and powerful, his new band Taylor Martin’s Engine is filled with music born of genuine experience painted true and honest with raw and uncommon sincerity. This is music as it should be. This is music for those who wish to be moved. Engine. A word that despite many uses is almost always tied to motion. Taylor’s music and writings are also in the business of motion. Unconcerned with the fickle demands of fashion this Engine is as timeless and dynamic as the word itself. Featuring Jon Stickley on guitar, Lydsay Pruett on Fiddle, Ricky Cooper on Bass, and Taylor Martin on rhythm guitar.

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The Blind Tiger announces the grand opening of its NEW 1819 Spring Garden Street location with a special New Years’ Eve performance headlined by instrumental powerhouse Toubab Krewe who is touring in support of their new album TK2. The event is presented by Greenefields Productions.  Doors for the Friday, December 31st celebration will open at 8pm with the new venue boasting of a higher capacity of 480, free parking, larger bathrooms and 5000 sq feet . The Jonathan Scales Fourchestra opens the show with music at 9pm. Ticket packages are $20 and include one ticket to the show, champagne toast, & complimentary hor d’oeuvres. They are available at www.theblindtiger.com

Click for more on TK2

The Blind Tiger’s grand opening celebration will be headlined by Asheville-based Toubab Krewe. Formed in 2005, Toubab Krewe has tenaciously honed their craft through relentless touring and a fierce dedication to carving out something they can truly call their own. The fruits of this hard work can be heard on their scintillating new long-player, TK2, out now on Nat Geo Music.

Some music cannot be found on a map or within iTunes categories. Some music is so original it seems snatched from the great, invisible substrata that runs below all human activity, a sound aching to be born without a flag or fixed allegiance– free, questing, overflowing with immediate, tangible life. This is the music of Toubab Krewe, the vibrant Asheville, NC-based instrumental powerhouse that creates a sonic Pangaea that lustily swirls together rock, African traditions, jam sensibilities, international folk strains and more. While nearly impossible to put into any box, it takes only a few moments to realize in a very palpable way that one is face-to-face with a true original who recognizes no borders in a march towards a muscular, original, globally switched-on sound.

What Justin Perkins (Kora, Kamelngoni, guitar, percussion), Teal Brown (drums, congas), Drew Heller (guitar, piano, fiddle), David Pransky (bass, guitar), and Luke Quaranta (Djembe, percussion) have wrought on TK2 reflects the many miles and musical journeys that have transpired since their studio debut.


The NYE pairing of Toubab Krewe with Jonathan Scales Fourchestra is sure to be an unforgettable occasion.  Jonathan Scales is a Steel Pan player who brings a whole new sense of vitality to this traditionally Caribbean instrument.  Here you have a classically trained composer turned steel pan maestro, heavily influenced by sounds from banjo virtuoso Bela Fleck to rapper Jay-Z . . . It’s a whole new concoction with a jazz edge classical sensibility, that has been described as “joyously inventive” by the Jazz Times. Check them out in the video below:

Purchase tickets for this New Year’s Eve Celebration online here.

Toubab Krewe NYE 2010-2011
Grand Opening of The Blind Tiger
Jonathan Scale Fourchestra opens

Friday, December 31st

$20, doors 8pm, show 9pm
336-272-9888
1819 Spring Garden St
Greensboro, NC 27403
www.theblindtiger.com


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Acoustic Syndicate is excited to announce that they will be returning to the Visulite Theater in Charlotte, NC on December 17th & 18th for their annual holiday show! Joining them will be very special guest & long time friend and collaborator, Jeremy Saunders on saxophones! That being said, the mix of the McMurry ClanJay Sanders on bass, Saunders on sax, and Syndicate’s newest addition to the group, Billy Cardine on dobro, along with all the new tunes… This show is going to ROCK!

Here’s a nice video featuring Saunders on Sax from the Visulite in 2007:

Now imagine that with Cardine’s blistering dobro for the first time ever and you’ve got two historical Syndicate nights!


…And to think it all began from a simple Chritmas gift
in December of1977 when Joe and Fitzhugh McMurry, a couple of brothers from Cleveland County, NC got together and decided to get their kids bluegrass instruments for Christmas that year. The kids were brothers Fitz Jr. and Bryon McMurry, and their cousin Steve McMurry. Fitzie, as he was known back then, got a Gibson Hummingbird guitar. Bryon got an Eagle banjo and Steve got a fiddle from Sears & Roebuck. All were excited and happy.

Skip forward some years, lots of parties, & lots of bars later and in 1994 the band caught the attention of Steve Metcalf of the world famous Green Acres Music Hall, in Bostic, NC. He featured them at “The Acres” on a couple of big bills like David Grisman and Bela Fleck. In 1997, the Syndicate added Nashville bassist, Jay Sanders, formerly of the Snake Oil Medicine Show to their line up to complete the Syndicate core. In 2001 Syndicate added Jeremy Saunders on saxophones. The rest is a matter of record.

Acoustic Syndicate plays on with its message of peace, earth, unity and family. Come on out and celebrate the holidays with friends & family at the Visulite for 2 nights in December!



Show Details at a Glance:
ACOUSTIC SYNDICATE
Saturday, December 18, 2010
Visulite Theatre
Show starts at 9:45
Doors open at 8:00
$15 adv, $17 day of show

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