Feeds:
Posts
Comments

Posts Tagged ‘Fourchestra’

Jonathan Scales Fourchestra & Galen Kipar Project
Isis Restaurant & Music Hall

Saturday, March 15, 2014
www.isisasheville.com

Isis Music Hall in Asheville is proud to host an evening with Jonathan Scales Fourchestra and Galen Kipar Project on Saturday, March 15th. Both bands have been busy writing new music for upcoming albums and are excited to present some of the tunes at the show. Scroll to the bottom of this for a couple of videos of Jonathan Scales Fourchestra and Galen Kipar Project Performing live.

Doors are at 5pm if you would like to sit down for dinner prior to the show. The show starts at 9pmas and general admission tickets are $10 in advance and $12 at the door. There will be some balcony seating available. Call 828-575-2737 for dinner reservations or with questions. Isis Music Hall is located at 743 Haywood Road Asheville, NC 28806.

Jonathan Scales Fourchestra. Photo by Mike Morel.

Jonathan Scales Fourchestra. Photo by Mike Morel.

Jonathan Scales Fourchestra is heading into the studio in the middle-of-nowhere Virginia at Summit Sound to record the bands first TRIO record, no guests, not extra orchestration, just raw Jonathan Scales Fourchestra. This will be their most ambitious record for the band, inspired by Roy “Futureman” Wooten, the album will be their first real attempt to put together an “epic, long-form masterpiece.” The new release, Mixtape Symphony, is expected to drop in late spring through Ropeadope Records.

Jonathan Scales Fourchestra is an example of musical sincerity. Weaving together collective and individual influences without compromise, they are as much themselves as they are a unit—a crucial trait of landmark instrumental ensembles. Equally captivating is steel pannist and founder Jonathan Scales’ compositional skill as is his tasteful, avant-garde improvisational approach.

“Scales is to steel pans ….what Béla Fleck is to the banjo—an über innovator,” says Driftwood Magazine. Drummer and percussionist Phill Bronson drives the Fourchestra’s time-shifting, modern grooves with graceful polyrhythmic chops and the listening ability of a true master. (His talent has been praised by Victor Wooten, Oteil Burbridge, Ellie Mannette, and others.) Bassist Cody Wright rounds out the ensemble with a groundbreaking hybrid picking style stemming from his background as a highly practiced fusion guitarist. With gut-wrenching grooves and blistering, soulful melodic lines, Wright’s mix of flash and feel adds a unique depth to the Fourchestra.

Together, the group explodes onto stages with an indescribable sound that is as much felt as it is heard, and is said to have “a Thelonious Monk-like attitude with a Mozart creativity that works.” (Pan on the Net) The group’s self-titled debut collaborative album features unparalleled sonic density and envelope-pushing compositions. Guest collaborators include Grammy winning masters Victor Wooten and Howard Levy (Béla Fleck and the Flecktones) and is fully orchestrated with horns and strings.

For more about Jonathan Scales Fourchestra and tour dates, please visit www.jonscales.com.

******************************************

Galen Kipar Project. Photo by Folktography

Galen Kipar Project. Photo by Folktography

Galen Kipar Project has been on the rise since 2006, and are currently recording their fifth album at Echo Mountain Studio in Asheville, NC and at the Jefferson Center with Summit Sound’s engineer in Roanoke, VA. They will be launching a kickstarter campaign soon to help fund getting the new music out to the world and expect to release the album by the end of the year.

Crafting a fusion of folk, classical, jazz, and blues, Galen Kipar Project has been hailed as “complex yet accessible” and “cohesive and poignant” with “experimental folk masterpieces.” Based in Asheville, GKP is Lyndsay Pruett (violin/ vocals), Jeremy Young (Drums), Ben Portwood (upright bass/ vocals), Galen Kipar (guitar/ harmonicas and vocals), Aaron Ballance (lap steel guitar/ dobro) and Jon Morrow (8 string Novak guitar/bass).

Galen Kipar Project has released four albums, the most recent being The Scenic Route in 2010. “The aptly titled effort is loaded with images of mountains, rivers, forests and streams, and backed by lush arrangements, fluid vocals and Appalachian instrumentation that bring to life what is essentially a musical portrait of Western North Carolina,” says the Mountain Xpress.

Songwriter and host of the Grateful Dead Hour, David Gans states about the album, “It’s like a collection of short stories, brilliantly constructed and with a unique and compelling literary voice. I keep coming back to each song, listening more deeply and being drawn more deeply in.” Gans says about Galen’s music, ” I was hooked right away… Strange, slightly other-worldly acoustic music sung in a sweet, slightly distracted voice. I think of it as a sort of American Primitive, with hits of Sandy Bull in the guitars, Brett Dennen in the voice, Donna the Buffalo in the rustic simplicity, and something altogether new in the wonderful orchestrations… In the words of Tina Fey, “When I hear the sounds of this nearby world, I want to go to there.'”

For more about Galen Kipar Project and upcoming shows, please visit www.galenkipar.com.

 

 

Read Full Post »

New Video: Kiss From A Rose (Seal Cover) Jonathan Scales Fourchestra

Jonathan Scales Fourchestra performs Seal’s “Kiss From a Rose” on the streets of Asheville, North Carolina.

Read Full Post »

“…rising star of the steel drums…” ~Traps Magazine

“The Real Deal [with] a Thelonius Monk-like attitude with a Mozart creativity that works.”Pan on the Net
“At the end of the day, Scales is going to be a major play in rewriting the books on steelpan music outside of the box.” ~
When Steel Talks



Classically trained composer turned steel pan maestro and front man of the Fourchestra, Jonathan Scales is heavily influenced by the complexity of banjo virtuoso Bela Fleck to the hustle of Jay-Z. Gritty blues guitarist, Duane Simpson, and fusion-chops bassist, Cody Wright, provide the harmonic support for Scales’ sound, while jazz/hip-hop drummer, Phill Bronson, drives the time-shifting, modern grooves. Based in Asheville, NC, the cast of Characters holds this mind-bending concoction together with jazz edge and classical sensibility as they tour around a new album, Character Farm & Other Short Stories.

“unique compositions which not only display the amiably quirky wit and charm of the likes of Theolonius Monk and Horace Silver, but also a level of complexity behind an entirely approachable manner…Scales’ steel drum propels the compositions forward through harmony more so than rhythm and that frees Bronson to attack his drum kit with unusual syncopation that manages to show elements of cocky, hip hop swagger and cool, bop jazz.” – William Helms – The Joy of Violent Movement

Show Details at a Glance:
Jonathan Scales Fourchestra

Thursday, September 22nd
Red Door

Free admission ($5-10 suggested donation), all ages, 8pm
443 i St. NW
Washington, DC
www.reddoorloft.tumblr.com

Friday, Sept 23rd
Rockwood Music Hall, Stage 1

1am, Free, 21+
196 Allen Street
NY, NY, 10002
212-477-4155
www.rockwoodmusichall.com

Saturday, Sept 24th
The Shrine

8:00 PM, Free, All Ages
2271 Adam Clayton Powell Jr. Blvd.
New York, NY 10030
(212) 690-7807
www.shrinenyc.com


Sunday, Sept 25th
Pantonic Steel Orchestra’s Panyard

Free, All Ages
2514 Albemarle Road (between Veronica Place & Lott Street)
New York, NY (Brooklyn)
www.pantonic.com

www.JonScales.com



Read Full Post »


The 10th annual LAAFF is right around the corner in Downtown Asheville on Labor Day Weekend Sept 3-4th on Lexington Ave. 

A handful of Dreamspider bands and friends are performing at the Fest:

  • Stephaniesid is doing their CD release at their show on Saturday Sept 3d at 7:30 on the main stage.
  • Galen Kipar Project plays on Sunday 2:45-3:30 pm on the main stage
  • Jonathan Scales Fourchestra on Sunday 5:45-6:30pm on the Mai Stage
  • Spork! on Sunday 1:15-2pm on the Main stage

Also, be sure to check out 23 Skidoo & The Family Band (Sat 11am Main Stage), Santos (Sat. 1pm bobo stage) , Paper Tiger (Sat 3:15 Main Stage), Vertigo Jazz Project (Sat 4:15 Main Stage), The Secret B-Sides (Sun 6pm bobo stage), Lotion (Sun 2:30-3:10 Mountain Xpress Walnut Stage), GFE (Sun 8:15 MX WaLnut Stage), Ten Cent Poetry (Sun 11:45- 12:30 Main Stage), Jeff Santiago y Los Gatos Negros (Sun 1:45- 2:30 main stage), Zansa (Sun 6:30-7:15 Main Stage), Moses Atwood Band (Sun 4:45-5:30 main Stage) and lots of oither great stuff.

For the full schedule and lots more fantastic Asheville bands check out the Mountain Xpress: http://www.mountainx.com/ae/2011/083111laaff-bandsschedule#.Tl-jfWoglIE

The Xpress also did this wonderful interview with Stephaniesid about their album release:

The new Stephaniesid album, Starfruit — despite its name-association with things tropical and celestial — was conceived in a dark basement. “A universe leapt out of the grayness,” says front woman Stephanie Morgan.

An advance listen of the album reveals lush pop, layered vocals, rich horn parts and a certain velvety darkness (perhaps it’s the snarl of baritone sax or echoes of reverb ). But even through an edge of bitterness (despite dance beats and bells, the track “Starf—ker” is not without teeth), the record is backlit by undeniable sparkle.

READ THE FULL ARTICLE HERE:http://www.mountainx.com/ae/2011/083111ripe-for-the-picking#.Tl-m_WoglIE

LAAFF is not only a music festival, it is also a arts and fun festival.. So be sure to wander around and stumble into many other fabulously freaky things that will happen both day! Here are some fantactic pics of last years LAAFF by local Photographer Lissy Whelan with Bright Life Photography:


Read Full Post »

Here’s a great review of a recent Jonathan Scales Fourchestra show at the Rockwood Music Hall in NYC:

… I was able to catch the Asheville, North Carolina-based genre mashing act, the Jonathan Scales Fourchestra, who were ironically enough for this show at least, a trio, and not a quartet. Their material centered on rhythm and percussion as the band was comprised of a steel drummer, a drummer and a bassist. As Scales joked on more than one occasion, you weren’t going to hear some stereotypical calypso covers – or calypso-styled standards. Instead what we all heard was some jazz fusion that at time owed a heavy debt to bands such as Return to Forever, Mahavishnu Orchestra and several others but with a playful, goofy, mischievous air, while being quite funky. The steel drum played the unusual role of simultaneously setting the melody and rhythm, pulling the song forward, which allowed their drummer to play with unusual and angular jazz syncopation. And to be honest, it was truly novel (which is something I don’t say too often). When Scales mentioned that one of their original compositions was influenced by Mahavishnu Orchestra and Muddy Waters, I was probably the only one who actually knew who he was talking about, and in a way I found that kind of sad. (For some reason Mahavishnu Orchestra and Return to Forever have been mostly forgotten and I think that’s fucking shameful. But that’s another issue for another time.) On a certain level, I wasn’t completely convinced that the audience actually got them or their sound – you would be amazed by the lack of sophistication that occurs at live shows across the city – but they certainly won me over. I found myself intrigued by their unique sound and I hope to see them in town sometime soon.

READ THE FULL ARTICLE and SEE PHOTOS HERE: http://thejoyofviolentmovement.tumblr.com/post/8566415853/the-jonathan-scales-fourchestra-and-joe-fletcher-and

Read Full Post »

Photo by Bren Dendy. Illustrations by Gregory Keyzer.

Jonathan Scales played the Elbo Room in Chicago last Saturday. Here is a review from SouthSide on the Town.

[Jonathan Scales] combined the best of two music worlds – the ultra smooth sounds of jazz rhythms and vibrant energy of rock with the cool taste of the Caribbean into a deliciously sounding performance. This unique attraction not only captivated this reviewer’s attention but the entire audience as well. Steel pannist Jonathan Scales brought his rockin’ Fourchestra band (however it was a trio for his Elbo Room appearance) and its rockin’ music that featured intricately woven melodies and notes off his steel drums and the lively momentum of rock and jazz together. Throughout the opening set, this oddly mesh of sounds and rhythms retained a pleasurable vibe as well as a danceable groove for anyone adventurous enough to do so.

SouthSide thoroughly enjoyed hearing such creative floetry within Jonathan’s epic yet poetic compositions in which, if listened closely, one could hear the fierce intensity (and at times, emotionally charged) “vocals” within the lyrics even though there weren’t any actual lyrics to be humanly sung. That was, in SouthSide’s opinion, the beauty of this artist’s music. It was an awe-inspiring experience for this reviewer to hear the “lyrics” spoken directly (and indirectly) amongst the instruments during certain points of his songs. For example, during one particular song, she could vividly hear the fiery “spoken” words between the drum kit versus the steel drums and bass combined and then vice versa drums (steel and percussion) versus bass.

She also enjoyed another particular song featuring an interesting combination of sudden/abrupt dramatic bursts and pauses that grabbed her immediate attention. Jonathan’s rhythmic island/jazz/rock sound was dazzling …spellbounding that no one in the basement lounge dared move a muscle until the performance concluded.

SouthSide highly recommends spending your warm summer nights amidst the cool rockin’ sounds of this island-jazz breeze by Jonathan Scales. And just a small reminder, blogspot readers, he doesn’t do Jimmy Buffet songs. Visit http://www.jonscales.com for more information and music by this artist and his Fourchestra.

Read the full review here: http://southsideonthetown.blogspot.com/2011/07/02-jul-11.html

The band also interviewed on Fearless Radio before their show that evening. Listen to the full podcast of the interview at this link: http://fearlessradio.com/index.php/new-music-binge/2832-jonathon-scales-fourchestra-070211.html

Read Full Post »

I am thrilled to announce jazz/ rock Steel-Pannist Jonathan Scales is touring around his album release with a few shows opening up for classically trained pop cellist Ben Sollee this June!

Ben Sollee is a genre-bending cellist and vocalist who released his new album “Inclusions” on May 10th. Armed with a cello, Sollee is canvassing the country, sometimes by bicycle, imploring folks to rediscover the connections between music, art, film, dance, their community, and personal relationships. American Songwriter states, “Inclusions is a thoughtful and thoroughly imaginative album about what a huge and complicated undertaking it is to truly relate to other human beings, what with all our mismatches in expectations and differences in background, experience and belief.”

Jonathan Scales has been called a “…rising star of the steel drums…” by Traps Magazine, while Pan on the Net refers to him as “the Real Deal” and having “A Thelonius Monk-like attitude with a Mozart creativity that works.”  When Steel Talks sums it up with, “At the end of the day, Scales is going to be a major play in rewriting the books on steelpan music outside of the box.” Like Sollee, Scales is also touring around a new release “Character Farm & Other Short Stories” which features guest appearances by Jeff Coffin (of Dave Matthews Band/Bela Fleck & the Flecktones), Yonrico Scott & Kofi Burbridge (of Derek Trucks Band), and fiddle virtuoso Casey Driessen. “Through the album’s countless turns, Scales manages to blend in the very particular sound of steel pan seamlessly with everything from a flute, horn and saxophone to the oft-accompanying electric guitar, all while showing off the easily stereotyped instrument in a new light,” declares Exclaim.CA.

*******************************************
Jonathan Scales and his Fourchestra will be opening for Sollee on:

Friday, June 3 ~ Old Rock House ~ St. Louis, MO
Saturday, June 4 ~ White Rabbit Cabaret ~ Indianapolis, IN
Sunday, June 5 ~ 20th Century Theater ~ Cincinnati, OH

Click the Pics to Get the Albums Today:

Ben Sollee Inclusions

Jonathan Scales Character Farm and Other Short Stories



Read Full Post »

Called the “SteelPan Jazz Rock Star” by the Caiso Steel Band, Jonathan Scales is brings this traditional Caribbean instrument into the uncharted territories filled with jazz/rock metric complexities for the modern ear. Fresh into a new release of his third album, Character Farm & Other Short Stories, Jonathan Scales tours in Tennessee this May!

The Jonathan Scales Fourchestra is fronted by classically trained composer turned steel pan maestro, Jonathan Scales, who is heavily influenced by the complexity of banjo virtuoso Bela Fleck to the hustle of Jay-Z. Gritty blues guitarist, Duane Simpson, and fusion-chops bassist, Cody Wright, provide the harmonic support for Scales’ sound, while jazz/hip-hop drummer, Phill Bronson, drives the time-shifting, modern grooves. The cast of Characters hold this mind-bending concoction together with jazz edge and classical sensibility.

Come to the Fourchestra’s free ‘teaser’ set at The Basement on Tuesday, May 17th and let yourself boil over in anticipation for Friday the 20th’s show at the French Quarter Cafe, where they play a double bill with Nashville’s own steel pan master, Tony Hartman, and his band The Great Barrier Reefs. The Fourchestra also plays just 45 minutes away in Mufreesboro on Thursday, May 19th.
Character Farm solidifies Jonathan Scales’ place as one of western North Carolina’s most innovative and creative artists. Not only as a performer, but as the composer of all the music on the album, Scales is a groundbreaker,” states The Boone Mountain Times.

The album is a 45-minute dive deeper into the compositionally-twisted work of steel pannist Jonathan Scales. The nine original instrumental “stories” on the album take listeners from the primal Jam We Did to the lush Hallucinations of the Dream Chasers. The title track Character Farm takes the audience into a chilled, ‘worldly’ ride after the frantically emotional The Longest December. Guest appearance on the record include Jeff Coffin (of Dave Matthews Band / Bela Fleck & the Flecktones), Yonrico Scott and Kofi Burbridge (of Derek Trucks Band fame) and the dazzling work of fiddle virtuoso Casey Driessen.

“Through the album’s countless turns, Scales manages to blend in the very particular sound of steel pan seamlessly with everything from a flute, horn and saxophone to the oft-accompanying electric guitar, all while showing off the easily stereotyped instrument in a new light,” declares Kevin Jones from Exclaim.CA.

Show Details at a Glance:

Tues, May 17 ~ The Basement ~ Nashville

Thurs, May 19 ~ Liquid Smoke ~ Murfreesboro

Fri, May 20 ~ The French Quarter Cafe w/ The Great Barrier Reefs ~ Nashville

******************************

Scales’ created a wonderful  Music Video for the song “Muddy Vishnu” from the album:

“…the visual for steel pan player Jonathan Scales’ “Muddy Vishnu” is almost like a Being John Malkovich set inside Scales’ own world of found rhythms, visions, colors, friends, inspirations and rare silence.” – Alli Marshall, Asheville’s Mountain Xpress


Read Full Post »

Steel Pannist, Jonathan Scales recently released a new album entitled “Character Farm and Other Short Stories”. Here are a few reviews that have come in…

Kevin Jones with Exclaim.CA wrote:

Admittedly, the idea of a steel pan virtuoso likely conjures up images of a human carnival dynamo setting festivals ablaze with a mesmerizing display of some hot, hot island heat. Thusly hailed pannist Jonathan Scales, however, offers none of this, instead delivering a far more impressive collection of heady, multi-directional jazz soundscapes that bristle as his Fourchestra bandmates flip, slip and slide through the myriad tempo twists and compositional turns that make up Character Farm & Other Short Stories. Scales showcases his dexterity with a searing torrent of par runs on the devious, guitar-tinged “The Longest December,” while the epic tale told on “Complete,” with its double-time jazz opening descending into a tense, cavernous midsection, and the unconventional, shape-shifting “Science Fair Project” offer a scattershot glimpse at the gathered musicians’ fertile minds at work. Through the album’s countless turns, Scales manages to blend in the very particular sound of steel pan seamlessly with everything from a flute, horn and saxophone to the oft-accompanying electric guitar, all while showing off the easily stereotyped instrument in a new light.

See the post here: http://exclaim.ca/Reviews/SoulFunkAndWorld/jonathan_scales_fourchestra-character_farm_other_short_stories

MyJoog.com wrote:

Just in time for Spring Break, we received Jonathan Scales – Character Farm & Other Short Stories. Scales plays the steel pan – an instrument associated with Trinidad & Tobago, but this is nowhere near conventional Island music. I love this CD, particularly “The Trap” which includes fiddler  Casey Driessen. Other guest artists include Jeff Coffin, Yonrico Scott and Kofi Burbridge. “Hallucinations of the Dream Chasers ” is hypnotic while “Muddy Vishnu” gets rockin’. The title track is as close as you get to an Island sound – can’t wait to listen on the beaches in south Florida with a bottle of rhum.

See the review here: http://myjoog.blogspot.com/2011/04/trying-to-find-room-on-ipod.html?spref=tw

Ashley Wilson with the Mountain Times in Boone writes:

To come across a band with a full-time steel pannist is rare. To come across a band with the steel pan as the central instrument is even more rare.

. . .   . . .    . . .  In April 2011, Scales releases his third album “Character Farm and Other Short Stories.”

“Character Farm” is a collection of nine instrumental “stories.” The album is accompanied by a comic book design sleeve. Scales is depicted on the cover as a superhero wielding pansticks. Inside, artist Gregory Keyzer provides graphic interpretations of each song. With Scales’ music being entirely instrumental, the visual aids are a nice touch that may help listeners better understand his vision.

Scales considers his music “jazz fusion.” The steel pan is not traditionally associated with jazz, but he has adapted well to the style. Scales credits innovative banjoist Bela Fleck with inspiring him to disregard the imaginary boundaries placed on instruments.

The members of the Fourchestra, guitarist Duane Simpson, drummer Phill Bronson and bassist Michael Libramento, are excellent at jazz craft and assist Scales in achieving his distinct sound. The lengthy opener, “Jam We Did,” is an excellent example of the camaraderie of the performers, with Scales opening the floor for everyone to have a solo. Another jam on the album, “Complete,” showcases the members’ jazz abilities and serves as proof that the steel pan can indeed be considered a jazz instrument.

Jonathan Scales does not limit himself to a strict jazz regimen. His penchant for experimentation is most obvious in the last two songs of “Character Farm.” The appropriately titled “Science Fair Project” incorporates the flute of Kofi Burbridge, from the Derek Trucks Band. “The Trap,” with guest Casey Driessen, could very well be the first time a fiddler and steel pannist have performed on the same song.

Other guests on “Character Farm” include Dave Matthews Band saxophonist Jeff Coffin and Derek Trucks Band percussionist Yonrico Scott. They join the Fourchestra on “Hallucinations of the Dream Chasers.” The combination of steel pan, African percussion and the saxophone make it the most diverse song of the album.

Scales is promoting “Muddy Vishnu” as the first single from “Character Farm.” The title is a cross between Muddy Waters and the Mahavishnu Orchestra, a 1970s jazz fusion group. Verging on urban hip-hop territory, it furthers the idea that for Scales, the steel pan has no bounds. He has released a colorful video online, which is well worth checking out.

“Character Farm” solidifies Jonathan Scales’ place as one of western North Carolina’s most innovative and creative artists. Not only as a performer, but as the composer of all the music on the album, Scales is a groundbreaker.

READ THE FULL ARTICLE HERE: http://www2.mountaintimes.com/entertainment_focus/Jonathan_Scales_Fourchestra_id_003326

To find out more about Jonathan Scales and get the album, visit: www.JonScales.com

Live footage from the Album Release show in Asheville:


Read Full Post »

Artwork by Gregory Keyzer

I am excited to announce Asheville’s Steel-Pannist Jonathan Scales Fourchestra is touring around their CD release with a stops in Pensacola; New Orleans; Austin; Starksville, MS; Atlanta; and Hot Springs, NC! The new album is called “Character Farm & Other Short Stories” and features guest appearances by Jeff Coffin (of Dave Matthews Band/Bela Fleck & the Flecktones), Yonrico Scott & Kofi Burbridge (of Derek Trucks Band), and fiddle virtuoso Casey Driessen.

Scales’ created a wonderful  Music Video for the song “Muddy Vishnu” from the album, which is posted below. The album is also available to purchase on www.jonscales.com along with fun new merch including a glossy 19 x 13 poster depicting above with the custom designed comic book graphics illustrating each song with artwork by Gregory Keyzer.

Jonathan Scales Fourchestra April Tour Dates

Friday, April 22
Vinyl Music Hall
Opening for Soul Rebels Brass Band and Honey Island Swamp Band
Pensacola, FL

Saturday, April 23rd
12 Bar
New Orleans, LA

Sunday and Monday, April 24th & 25th
McCallum Theater (at McCallum High School)
Austin, TX

Tuesday, April 26th
Dave’s Dark Horse Tavern
Starkville, MS

Thursday, April 28
The Five Spot
w/ Jonathan Lloyd’s Rocksteady Review opening the show
Atlanta, GA

Saturday, April 30
French Broad River Festival
Hot Springs, NC

Read Full Post »

Older Posts »