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Posts Tagged ‘Fourchestra’

Jonathan Scales Fourchestra & Galen Kipar Project
Isis Restaurant & Music Hall

Saturday, March 15, 2014
www.isisasheville.com

Isis Music Hall in Asheville is proud to host an evening with Jonathan Scales Fourchestra and Galen Kipar Project on Saturday, March 15th. Both bands have been busy writing new music for upcoming albums and are excited to present some of the tunes at the show. Scroll to the bottom of this for a couple of videos of Jonathan Scales Fourchestra and Galen Kipar Project Performing live.

Doors are at 5pm if you would like to sit down for dinner prior to the show. The show starts at 9pmas and general admission tickets are $10 in advance and $12 at the door. There will be some balcony seating available. Call 828-575-2737 for dinner reservations or with questions. Isis Music Hall is located at 743 Haywood Road Asheville, NC 28806.

Jonathan Scales Fourchestra. Photo by Mike Morel.

Jonathan Scales Fourchestra. Photo by Mike Morel.

Jonathan Scales Fourchestra is heading into the studio in the middle-of-nowhere Virginia at Summit Sound to record the bands first TRIO record, no guests, not extra orchestration, just raw Jonathan Scales Fourchestra. This will be their most ambitious record for the band, inspired by Roy “Futureman” Wooten, the album will be their first real attempt to put together an “epic, long-form masterpiece.” The new release, Mixtape Symphony, is expected to drop in late spring through Ropeadope Records.

Jonathan Scales Fourchestra is an example of musical sincerity. Weaving together collective and individual influences without compromise, they are as much themselves as they are a unit—a crucial trait of landmark instrumental ensembles. Equally captivating is steel pannist and founder Jonathan Scales’ compositional skill as is his tasteful, avant-garde improvisational approach.

“Scales is to steel pans ….what Béla Fleck is to the banjo—an über innovator,” says Driftwood Magazine. Drummer and percussionist Phill Bronson drives the Fourchestra’s time-shifting, modern grooves with graceful polyrhythmic chops and the listening ability of a true master. (His talent has been praised by Victor Wooten, Oteil Burbridge, Ellie Mannette, and others.) Bassist Cody Wright rounds out the ensemble with a groundbreaking hybrid picking style stemming from his background as a highly practiced fusion guitarist. With gut-wrenching grooves and blistering, soulful melodic lines, Wright’s mix of flash and feel adds a unique depth to the Fourchestra.

Together, the group explodes onto stages with an indescribable sound that is as much felt as it is heard, and is said to have “a Thelonious Monk-like attitude with a Mozart creativity that works.” (Pan on the Net) The group’s self-titled debut collaborative album features unparalleled sonic density and envelope-pushing compositions. Guest collaborators include Grammy winning masters Victor Wooten and Howard Levy (Béla Fleck and the Flecktones) and is fully orchestrated with horns and strings.

For more about Jonathan Scales Fourchestra and tour dates, please visit www.jonscales.com.

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Galen Kipar Project. Photo by Folktography

Galen Kipar Project. Photo by Folktography

Galen Kipar Project has been on the rise since 2006, and are currently recording their fifth album at Echo Mountain Studio in Asheville, NC and at the Jefferson Center with Summit Sound’s engineer in Roanoke, VA. They will be launching a kickstarter campaign soon to help fund getting the new music out to the world and expect to release the album by the end of the year.

Crafting a fusion of folk, classical, jazz, and blues, Galen Kipar Project has been hailed as “complex yet accessible” and “cohesive and poignant” with “experimental folk masterpieces.” Based in Asheville, GKP is Lyndsay Pruett (violin/ vocals), Jeremy Young (Drums), Ben Portwood (upright bass/ vocals), Galen Kipar (guitar/ harmonicas and vocals), Aaron Ballance (lap steel guitar/ dobro) and Jon Morrow (8 string Novak guitar/bass).

Galen Kipar Project has released four albums, the most recent being The Scenic Route in 2010. “The aptly titled effort is loaded with images of mountains, rivers, forests and streams, and backed by lush arrangements, fluid vocals and Appalachian instrumentation that bring to life what is essentially a musical portrait of Western North Carolina,” says the Mountain Xpress.

Songwriter and host of the Grateful Dead Hour, David Gans states about the album, “It’s like a collection of short stories, brilliantly constructed and with a unique and compelling literary voice. I keep coming back to each song, listening more deeply and being drawn more deeply in.” Gans says about Galen’s music, ” I was hooked right away… Strange, slightly other-worldly acoustic music sung in a sweet, slightly distracted voice. I think of it as a sort of American Primitive, with hits of Sandy Bull in the guitars, Brett Dennen in the voice, Donna the Buffalo in the rustic simplicity, and something altogether new in the wonderful orchestrations… In the words of Tina Fey, “When I hear the sounds of this nearby world, I want to go to there.'”

For more about Galen Kipar Project and upcoming shows, please visit www.galenkipar.com.

 

 

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New Video: Kiss From A Rose (Seal Cover) Jonathan Scales Fourchestra

Jonathan Scales Fourchestra performs Seal’s “Kiss From a Rose” on the streets of Asheville, North Carolina.

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“…rising star of the steel drums…” ~Traps Magazine

“The Real Deal [with] a Thelonius Monk-like attitude with a Mozart creativity that works.”Pan on the Net
“At the end of the day, Scales is going to be a major play in rewriting the books on steelpan music outside of the box.” ~
When Steel Talks



Classically trained composer turned steel pan maestro and front man of the Fourchestra, Jonathan Scales is heavily influenced by the complexity of banjo virtuoso Bela Fleck to the hustle of Jay-Z. Gritty blues guitarist, Duane Simpson, and fusion-chops bassist, Cody Wright, provide the harmonic support for Scales’ sound, while jazz/hip-hop drummer, Phill Bronson, drives the time-shifting, modern grooves. Based in Asheville, NC, the cast of Characters holds this mind-bending concoction together with jazz edge and classical sensibility as they tour around a new album, Character Farm & Other Short Stories.

“unique compositions which not only display the amiably quirky wit and charm of the likes of Theolonius Monk and Horace Silver, but also a level of complexity behind an entirely approachable manner…Scales’ steel drum propels the compositions forward through harmony more so than rhythm and that frees Bronson to attack his drum kit with unusual syncopation that manages to show elements of cocky, hip hop swagger and cool, bop jazz.” – William Helms – The Joy of Violent Movement

Show Details at a Glance:
Jonathan Scales Fourchestra

Thursday, September 22nd
Red Door

Free admission ($5-10 suggested donation), all ages, 8pm
443 i St. NW
Washington, DC
www.reddoorloft.tumblr.com

Friday, Sept 23rd
Rockwood Music Hall, Stage 1

1am, Free, 21+
196 Allen Street
NY, NY, 10002
212-477-4155
www.rockwoodmusichall.com

Saturday, Sept 24th
The Shrine

8:00 PM, Free, All Ages
2271 Adam Clayton Powell Jr. Blvd.
New York, NY 10030
(212) 690-7807
www.shrinenyc.com


Sunday, Sept 25th
Pantonic Steel Orchestra’s Panyard

Free, All Ages
2514 Albemarle Road (between Veronica Place & Lott Street)
New York, NY (Brooklyn)
www.pantonic.com

www.JonScales.com



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The 10th annual LAAFF is right around the corner in Downtown Asheville on Labor Day Weekend Sept 3-4th on Lexington Ave. 

A handful of Dreamspider bands and friends are performing at the Fest:

  • Stephaniesid is doing their CD release at their show on Saturday Sept 3d at 7:30 on the main stage.
  • Galen Kipar Project plays on Sunday 2:45-3:30 pm on the main stage
  • Jonathan Scales Fourchestra on Sunday 5:45-6:30pm on the Mai Stage
  • Spork! on Sunday 1:15-2pm on the Main stage

Also, be sure to check out 23 Skidoo & The Family Band (Sat 11am Main Stage), Santos (Sat. 1pm bobo stage) , Paper Tiger (Sat 3:15 Main Stage), Vertigo Jazz Project (Sat 4:15 Main Stage), The Secret B-Sides (Sun 6pm bobo stage), Lotion (Sun 2:30-3:10 Mountain Xpress Walnut Stage), GFE (Sun 8:15 MX WaLnut Stage), Ten Cent Poetry (Sun 11:45- 12:30 Main Stage), Jeff Santiago y Los Gatos Negros (Sun 1:45- 2:30 main stage), Zansa (Sun 6:30-7:15 Main Stage), Moses Atwood Band (Sun 4:45-5:30 main Stage) and lots of oither great stuff.

For the full schedule and lots more fantastic Asheville bands check out the Mountain Xpress: http://www.mountainx.com/ae/2011/083111laaff-bandsschedule#.Tl-jfWoglIE

The Xpress also did this wonderful interview with Stephaniesid about their album release:

The new Stephaniesid album, Starfruit — despite its name-association with things tropical and celestial — was conceived in a dark basement. “A universe leapt out of the grayness,” says front woman Stephanie Morgan.

An advance listen of the album reveals lush pop, layered vocals, rich horn parts and a certain velvety darkness (perhaps it’s the snarl of baritone sax or echoes of reverb ). But even through an edge of bitterness (despite dance beats and bells, the track “Starf—ker” is not without teeth), the record is backlit by undeniable sparkle.

READ THE FULL ARTICLE HERE:http://www.mountainx.com/ae/2011/083111ripe-for-the-picking#.Tl-m_WoglIE

LAAFF is not only a music festival, it is also a arts and fun festival.. So be sure to wander around and stumble into many other fabulously freaky things that will happen both day! Here are some fantactic pics of last years LAAFF by local Photographer Lissy Whelan with Bright Life Photography:


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Here’s a great review of a recent Jonathan Scales Fourchestra show at the Rockwood Music Hall in NYC:

… I was able to catch the Asheville, North Carolina-based genre mashing act, the Jonathan Scales Fourchestra, who were ironically enough for this show at least, a trio, and not a quartet. Their material centered on rhythm and percussion as the band was comprised of a steel drummer, a drummer and a bassist. As Scales joked on more than one occasion, you weren’t going to hear some stereotypical calypso covers – or calypso-styled standards. Instead what we all heard was some jazz fusion that at time owed a heavy debt to bands such as Return to Forever, Mahavishnu Orchestra and several others but with a playful, goofy, mischievous air, while being quite funky. The steel drum played the unusual role of simultaneously setting the melody and rhythm, pulling the song forward, which allowed their drummer to play with unusual and angular jazz syncopation. And to be honest, it was truly novel (which is something I don’t say too often). When Scales mentioned that one of their original compositions was influenced by Mahavishnu Orchestra and Muddy Waters, I was probably the only one who actually knew who he was talking about, and in a way I found that kind of sad. (For some reason Mahavishnu Orchestra and Return to Forever have been mostly forgotten and I think that’s fucking shameful. But that’s another issue for another time.) On a certain level, I wasn’t completely convinced that the audience actually got them or their sound – you would be amazed by the lack of sophistication that occurs at live shows across the city – but they certainly won me over. I found myself intrigued by their unique sound and I hope to see them in town sometime soon.

READ THE FULL ARTICLE and SEE PHOTOS HERE: http://thejoyofviolentmovement.tumblr.com/post/8566415853/the-jonathan-scales-fourchestra-and-joe-fletcher-and

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Photo by Bren Dendy. Illustrations by Gregory Keyzer.

Jonathan Scales played the Elbo Room in Chicago last Saturday. Here is a review from SouthSide on the Town.

[Jonathan Scales] combined the best of two music worlds – the ultra smooth sounds of jazz rhythms and vibrant energy of rock with the cool taste of the Caribbean into a deliciously sounding performance. This unique attraction not only captivated this reviewer’s attention but the entire audience as well. Steel pannist Jonathan Scales brought his rockin’ Fourchestra band (however it was a trio for his Elbo Room appearance) and its rockin’ music that featured intricately woven melodies and notes off his steel drums and the lively momentum of rock and jazz together. Throughout the opening set, this oddly mesh of sounds and rhythms retained a pleasurable vibe as well as a danceable groove for anyone adventurous enough to do so.

SouthSide thoroughly enjoyed hearing such creative floetry within Jonathan’s epic yet poetic compositions in which, if listened closely, one could hear the fierce intensity (and at times, emotionally charged) “vocals” within the lyrics even though there weren’t any actual lyrics to be humanly sung. That was, in SouthSide’s opinion, the beauty of this artist’s music. It was an awe-inspiring experience for this reviewer to hear the “lyrics” spoken directly (and indirectly) amongst the instruments during certain points of his songs. For example, during one particular song, she could vividly hear the fiery “spoken” words between the drum kit versus the steel drums and bass combined and then vice versa drums (steel and percussion) versus bass.

She also enjoyed another particular song featuring an interesting combination of sudden/abrupt dramatic bursts and pauses that grabbed her immediate attention. Jonathan’s rhythmic island/jazz/rock sound was dazzling …spellbounding that no one in the basement lounge dared move a muscle until the performance concluded.

SouthSide highly recommends spending your warm summer nights amidst the cool rockin’ sounds of this island-jazz breeze by Jonathan Scales. And just a small reminder, blogspot readers, he doesn’t do Jimmy Buffet songs. Visit http://www.jonscales.com for more information and music by this artist and his Fourchestra.

Read the full review here: http://southsideonthetown.blogspot.com/2011/07/02-jul-11.html

The band also interviewed on Fearless Radio before their show that evening. Listen to the full podcast of the interview at this link: http://fearlessradio.com/index.php/new-music-binge/2832-jonathon-scales-fourchestra-070211.html

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I am thrilled to announce jazz/ rock Steel-Pannist Jonathan Scales is touring around his album release with a few shows opening up for classically trained pop cellist Ben Sollee this June!

Ben Sollee is a genre-bending cellist and vocalist who released his new album “Inclusions” on May 10th. Armed with a cello, Sollee is canvassing the country, sometimes by bicycle, imploring folks to rediscover the connections between music, art, film, dance, their community, and personal relationships. American Songwriter states, “Inclusions is a thoughtful and thoroughly imaginative album about what a huge and complicated undertaking it is to truly relate to other human beings, what with all our mismatches in expectations and differences in background, experience and belief.”

Jonathan Scales has been called a “…rising star of the steel drums…” by Traps Magazine, while Pan on the Net refers to him as “the Real Deal” and having “A Thelonius Monk-like attitude with a Mozart creativity that works.”  When Steel Talks sums it up with, “At the end of the day, Scales is going to be a major play in rewriting the books on steelpan music outside of the box.” Like Sollee, Scales is also touring around a new release “Character Farm & Other Short Stories” which features guest appearances by Jeff Coffin (of Dave Matthews Band/Bela Fleck & the Flecktones), Yonrico Scott & Kofi Burbridge (of Derek Trucks Band), and fiddle virtuoso Casey Driessen. “Through the album’s countless turns, Scales manages to blend in the very particular sound of steel pan seamlessly with everything from a flute, horn and saxophone to the oft-accompanying electric guitar, all while showing off the easily stereotyped instrument in a new light,” declares Exclaim.CA.

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Jonathan Scales and his Fourchestra will be opening for Sollee on:

Friday, June 3 ~ Old Rock House ~ St. Louis, MO
Saturday, June 4 ~ White Rabbit Cabaret ~ Indianapolis, IN
Sunday, June 5 ~ 20th Century Theater ~ Cincinnati, OH

Click the Pics to Get the Albums Today:

Ben Sollee Inclusions

Jonathan Scales Character Farm and Other Short Stories



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