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Acoustic Trio, Red June, will be release their new album “Beauty Will Come” next Tuesday, June 5th! To celebrate, they are offering fans a free download of the song “Soul’s Repair” off the new album!

RedJuneMusic.com

“Beauty Will Come by Red June just may be the most stunningly gorgeous country album in years. Everything about it: from the exquisite three-part harmonies and acoustic loveliness of the mandolin, fiddle, guitar and upright bass (no drums!) to the compositional prowess extolling home and hearth, family and true love ways. It’s natural, organic fresh air cool mountain stream music that strikes the right chord. It’s music meant to be played on the back porch at sundown while the coffee’s a ‘brewin’ and the soup is heatin’ up. This is the epitome of Americana and you probably won’t hear it on stupid ‘country’ radio” –Mike Greenblatt, Rant’n’Roll Aquarian Weekly

“Red June plays a hybrid of folk, country and bluegrass in many of its attendant forms. They can kick it with a reel, squeeze a country turnip until it bleeds, and tell a folk tale as well as most anybody, but where they really shine is their songwriting. All three have an innate feel for the music of the past and, without rehashing the formulas of the past, write in their own styles, fitting each song to their strengths. The main strength? Vocals. Vocals are not all they do, but they do them so well that you get lost in them at times. Three voices, blended yet individual, singing for harmonic joy or sadness or singing for the joy of singing itself.” –Frank Gutch, Jr., FAME Folk and Acoustic Music Exchange

“Will Straughan, John Cloyd Miller, and Natalya Weinstein possess a airtight harmony that will impress even the toughest critic. Listen to their vocal blend on “I’m Willing To Try,” and you may need to have your jaw surgically removed from the floor – they are that good!” –Chuck Dauphin, Music News Nashville

“I gotta say, this CD is INCREDIBLE!!! I loved it. It is full of wonderful songwriting, beautiful vocals and remarkable instrument work. John and Natalya and Will really have it going on with this recording. The tone of the recording itself is great. Not too much of this trick or that trick that folks sometimes think they need to use in the studio to make good music sound good.” –Riley Baugus

“With equal parts Celtic, old timey, trad country, and contemporary folk, Red June typifies what modern folk music is all about” –Steven Stone, AudiophileReview.com

“Perhaps the most admirable aspect of this album it the fact that with every track you listen to comes almost a totally different sub-genre or ‘form’ of Americana music. Ranging from folk, to bluegrass, to old-time, the sixth track of the album, ‘I’m Willing to Try’, is a brilliantly executed gospel number, done a capella, and strategically flows into a bluesy mid-tempo bluegrass tune, ‘Cloud of Dust’.  The album finishes out by continuing its theme of surprising the listener with each new track, (me anyway), and keeping things fresh. The final track that you will hear, ‘Red Sky Of Morn’,  is definitely their most folky on the album and seems to be an appropriate way to close it out. Awaiting the Flood

“The material on Beauty is almost all self-penned by the band, running the gamut of modern bluegrassy folk. From git-down instrumentals to lovely waltzes, even a set of Irish reels, every piece is played with confidence and soul. But on the singing is where they shine like the summer sun. With warm lilting three-part harmonies and instrumental prowess to match” Fiddle Freak

“There are shades of Tim O’Brien and Seldom Scene and Buck White & The Down Home Folks in the music, somehow. Not in the actual voices, but in the phrasing. It is a process, I think. They are processing well.” –Frank Gutch, Jr., FAME Folk and Acoustic Music Exchange

“undeniably charming” –JC, 3rd Coast Music

Red June looking out the the Cabin Stage window at Merlefest 2012. Photo by Tim Timberlake.

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Free Download of “I’m A River” From Sam Lewis’ Debut Self-Titled Album

Release Date Tuesday, March 13th!  

The album is NOW available on iTunes, Amazon and Bandcamp

samlewistunes.com

I’m a River has vocal echoes of a country cousin version of John Prine, backed by ethereal background vocals courtesy of Jonell Mosser” –Grant Britt, No Depression

When asked what inspired this song, Sam says, “Temptation. I was feeling a bit broke down when I wrote this. Sometimes I wish I could give more and take less. This song is a combination of admittance -that I can sometimes ‘bite off more than I can chew’, an acceptance- that ‘yes, I am aware of this’ and simply a warning.”

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“The album is no doubt a presentation of the artist, but the subject matter weaves a patchwork and tells a story that is relevant to all and the human condition.” –Travis Swann, Mufreesboro Post

“The incredible storytelling … really blossoms into something personal and soulful in I’m a River… shows the depth Lewis went into in creating these 10-songs, never skimping on details, but at the same time never overwhelming listeners with too much, creating an emotional imagery that isn’t too common today. The realness packed into this track, along with the others, instantaneously creates a link between Lewis and other famous singer/songwriters like Amos Lee, John Prine and Henry McCullough.” —Fishbowl Records, Greenberry Taylor

~~~ ~~~ ~~~

Lyrics:  I’m A River

There’s a valley not far from here, beyond the dam where all the water runs real clear you’ll find everything you’ve been looking for, there was a time when I could offer you much more, would you believe it if ever you were told once I was worth more than my weight in gold, where dreams and promises once flowed with such grace, have all been washed up and dried on these banks

you’d run into me and I’d save your life, I’d have you singing I saw the light, but I’m a river full of heart ache that you’ll never swim, take one step closer and I’ll pull you in I’ve seen trouble and I’ve seen pain, I got beat by the sun and I have drowned in the rain and I’ve found it hard to look straight ahead, all I’ve wanted lies on this riverbed, it’s the gospel I heard a man say, you can’t get back what you don’t give away, with every seed I’ve sewn and love I’ve made stay lord knows that I’m ready for the levy to give way

PRE-ORDER  & Listen to the First 3 Tracks:

samlewis.bandcamp.com

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Newly signed to Rebel Records, Dehlia Low echoes the sounds of early country with a strong bluegrass flavor, crafting a fresh originality that feels like home in the flourishing roots music soundscape. Their new release ‘Ravens and Crows’ was produced by the Infamous Stringdusters’ Travis Book and hits the streets on August 2nd…

Dehlia Low’s vocal harmony and instrumentation reflect a deep connection to traditional music with modern arrangements and relevant, smart songwriting. The band combines their gripping, rustic-flavored vocal style with extraordinary instrumental prowess in original songs that feel at once both old and new pushing their sound into the emerging Americana genre. The group’s sound is focused on original music rooted in bluegrass but with a distinctive country/folk feel true to their southern Appalachian roots.

Dehlia Low’s eagerly-anticipated Rebel Records debut ‘Ravens & Crows’ is released August 2nd. Produced by Travis Book of The Infamous Stringdusters, this album helps to firmly establish Dehlia Low as one of the most compelling and distinctive young groups on the acoustic music scene today. With their tasteful, sometimes moody blending of different styles, the group has created a unique sound that already seems fully mature and established.

Dehlia Low formed in late 2007 as part of Asheville, North Carolina’s roots music renaissance. Singers Anya Hinkle (from Blacksburg, VA on fiddle) and Stacy Claude (from Atlanta, GA on guitar) pulled together a group of talented pickers from the region: Aaron Ballance on Dobro (Winston-Salem, NC), Bryan Clendenin on mandolin (Hurricane, WV) and Greg Stiglets on bass (Jackson, MS).

Here is what the press is saying about Dehlia Low’s Ravens and Crows:

“The group has taken off like a skyrocket…and deservedly so: in a musical world that doesn’t always treasure creativity, Dehlia Low has staked out a good piece of ground all its own.” ~ Nashville Scene, Jon Weisberger
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“Dehlia Low’s “Ravens & Crows” is carefully crafted to lure traditional, country, bluegrass and Americana fans. They are generally appealing to all of these genres without alienating anyone, which is hard to do.” ~ Boone Mountain Times, Ashley Wilson
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“Heavenly lead & harmony vocals…superb original songs…musical prowess.” ~ Al Shusterman, Backroads Bluegrass on KCBL
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“…bittersweet vocal harmonies and spirited picking…Dehlia Low promises to bring the sounds and soul of the Blue Ridge Mountains …” ~ Art News New Orleans
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“…relying on the warm tones of acoustic guitar, mandolin, upright bass, slide guitar, and not to mention fiddle thumpin’, strummin’ and pickin’ underneath honeysuckle vocal harmonies — the Asheville, N.C., quintet seems like it has rolled straight off a mountainside and right onto a wraparound wooden porch in some summer-grass valley.” ~ Style Weekly, Mike Hilleary
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“The real highlight on Ravens and Crows is the vocal harmony. Lead singer Anya Hinkle, guitarist Stacy Claude, and bassist Greg Stiglets’ voices blend beautifully on songs like the album’s title track.“ ~ Americana Music Examiner, Chris Griffy
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“…really special. I have added them to my “must see” list permanently.” ~ The Bluegrass Blog, Diane Farineau
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In 2011, Dehlia Low will be taking their “Appalachiagrassicana” sound across the U.S. in support of the new album:

Sun, July 24th – Mast Farm Inn – Banner Elk, NC
Fri, July 29th – North Columbia Schoolhouse Cultural Center – Nevada City, CA
Sat, July 30th – Sutter Creek Theatre – Sutter Creek, CA
Sun, July 31st -Freight & Salvage – Berkeley, CA
Tues, August 2nd – House Concert – Bear Valley, CA
Wed, August 3rd -The Abbey at Hopmonk Tavern – Sebastopol, CA
Thurs, August 4th – The Red Fox Tavern – Eureka, CA
Fri, August 5th – Dead on the Creek Festival – Willits, CA
Sat, August 6th – Oaksong Music Society at Gray Pine Farm – Oak Run, CA
Sunday, August 7th – House Concert | Berkeley, CA
Sat, August 13th- Stecoah Valley Center -Robbinsville, NC
Mon, August 15-21st – Northern Lights Bluegrass Festival |- Big River, SK
Fri, August 26th – Bacchus Bistro – Marshall, NC
Sat, September 3rd – The Station Inn – Nashville, TN
Thurs, September 8th – The Evening Muse – Charlotte, NC
Sat, September 10th – Mountain Song Festival – Brevard, NC
Fri, September 23rd – Hendershots Coffee Bar – Athens, GA
Sat, September 24th – Jammin’ at Hippie Jack’s – Crawford, TN
Mon, September 26th Abbeville County Career Center – Abbeville, SC
Tues, September 27th – The Basement – Nashville, TN
Sat, October 1st – The Blue Ridge Parkway Visitor Center – Asheville, NC
Sat, October 8th – Shakori Hills Grassroots Festival – Silk Hope, NC
Fri, October 14th – Private Event – Seneca, SC
Sat, October 15th – Private Event – Candler, NC
Sun, October 16, 2011 – Poplar Knight Spot – Aberdeen, NC
Thurs, October 20th – Cafe Nola – Frederick, MD
Fri, October 21st – The Purple Fiddle – Thomas, WV
Sat, October 22nd – Elk Creek Café – Millheim, PA
Sun, October 23rd – Puck Live – Doylestown, PA
Sat, November 12th – The Grey Eagle – Asheville, NC
Fri, November 18th – Ashland Coffee & Tea – Ashland, VA
Sat, November 19th – Southern Cafe and Music Hall – Charlottesville, VA
Tues, December 6th – Wilbert’s | Cleveland, OH
Wed, December 7th – Circus – Ann Arbor, MI
Thurs, December 8th – Salt of the Earth – Fennville,MI
Stay tuned to DehliaLow.com for more tour dates TBA!

Dehlia low on the web:
www.dehlialow.com
twitter.com/dehlialow
www.reverbnation.com/dehlialow
www.facebook.com/pages/Dehlia-Low

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Jonathan Scales is offering a free download of a song off his new album “Character Farm and Other Short Stories.”

Character Farm is available at http://www.jonscales.com along with a glossy 19 x 13 poster depicting the custom designed comic book graphics illustrating each song with artwork by Gregory Keyzer.

Jonathan Scales: “The Trap” featuring Casey Driessen

Scales states, “I wrote ‘The Trap’ for a performance that I felt obligated to do (hence the name). I didn’t know all the details about the event but they asked me to compose a piece using those first 8 notes. In hindsight, the jaggedness of the melody was probably a hidden form of rebelling against this show that I didn’t initially want to do. But we played ‘The Trap’ at the event and got a standing ovation! At that point I went into the studio and recorded the track to be added to the album. Glad it all happened!”

Artwork for "The Trap" by Gregory Keyzer.

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Multi-instrumentalist and Producer Larry Campbell sits down with Tara Nevins (Donna the Buffalo) to discuss her upcoming solo album “Wood And Stone”. Hear music and download the song “Snowbird” for free at http://www.facebook.com/TaraNevins. To order the new album head over to www.funkyside.com.

“This album is personal and sort of revelatory,” Nevins says. “It’s an expression of recent emotional discovery within relationships lost and found, and how knowing the core of who we are is the real deal. There were so many elements I wanted to explore—to combine all the pieces of my personal musical puzzle–and then have it come together in a cohesive whole. I feel so fortunate to have had the opportunity to work with Larry Campbell. I am honored to have had him both produce and play on my record. He’s an amazingly talented and soulful musician. He has a very natural, down-to-earth approach and an instinctual insightfulness that I really appreciate; he really got what I was after. The whole experience was inspiring and challenging in a very positive way.”

Campbell is a much-sought-after musician/producer renowned for his work with Bob Dylan and still rolling from the success of Levon Helm’s two Grammy- winners, Dirt Farmer and Electric Dirt, which he produced. He found Nevins’s project immediately compelling. “I liked the feel of the project– her combination of old-time mountain music and original songwriting—and I was taken with Tara’s unique talent; she’s got a distinctive voice—there’s a kind of honesty that shines through.”

The record kicks off with the title cut “Wood and Stone,” and that “honest” element is readily apparent in this touching tribute to home and family. Old-timey acoustics are quickly joined by drums and steel guitars as Nevins sings about “the better part of me” regarding her upbringing and early influences. “It’s got that magical blend of music and lyrics,” Campbell says of it, “and it really paints a picture of where she comes from.”

Ten of the thirteen tracks are originals, and Nevins’ complexity gets a broad stage. She dispenses wit and wisdom with an atypical take on love and relationships through gritty songs such as “You’ve Got It All” and “You’re Still Driving That Truck,” then turns to wrenching hearts with songs like “Snowbird” (accompanied by Jim Lauderdale), a beautiful metaphorical ballad about the pain of loving someone unable to truly give back, and “Tennessee River,” a haunting, gripping song about the stranglehold love can have over a person’s whole existence. “Stars Fell on Alabama” sounds like it fell from her heart and pen too, but Nevins has the capacity to take a well-known standard like this, change the melody, and perform it so ingenuously that it fits in seamlessly to the whole groove of the record.

The record is “framed” by another nostalgic piece, “The Beauty of the Days Gone By” (by Van Morrison), bringing the record full-circle and serving as a sort of catharsis for the dark tone of “Tennessee River”. “I wanted to end the record with it,” Nevins explains, “because I love the sentiment of the song and it’s kind of like ‘the sun always comes back out’ kind of thing. We grow and learn and take our relationships with us for better and for worse and that’s life in all its beauty and glory.”

Nevins’ rare blend of enormous talent coupled with genuine down-home humbleness has won the hearts of fans and colleagues alike. “Tara has this worldly awareness combined with a fragile innocence,” Larry Campbell notes, “which makes her songwriting and music very accessible…very appealing.” Wood and Stone is sure to add to that appeal.

Hear music and download “Snowbird for free at http://www.facebook.com/TaraNevins. To order the new album head over to www.funkyside.com.

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TOKYO ROSENTHAL: FREE DOWN LOAD OF ECONOMIC DISTRESS SONG

“Mister Tell Me ‘Bout The Great Depression”

Lyrics:

Mister Tell Me ‘Bout The Great Depression

Wasn’t No Place To Hide

No Place To Sit Out The Ride

Seems Like We Hadn’t Learned Our Lesson

Mister Tell Me ‘Bout The Great Depression

Spent It All On War And Oil

Put Our Heads In The Mortgaged Soil

Enjoyed The Free Lunch And Asked For A Pension

Mister Tell Me ‘Bout The Great Depression

Did We Really Start That War

Super Power Ain’t Smart No More

Did They Really Lie About What For

Mister Tell Me ‘Bout The Great Depression

They Sat Before The Commission

Couldn’t Account For The Deception

Tried To Print More But Made No Impression

We Voted Them Our Public Trust

But They Turned It All To Rust

It Came After They Stole The Election

Mister Tell Me ‘Bout The Great Depression

Tell Me, Tell Me, Tell Me, Tell Me , Tell Me,

I Heard  Rumor They Could’ve Cured That Tumor

Mister Tell Me ‘Bout The Great Depression

Click here for a FREE DOWN LOAD OF “Mister Can You tell Me “Bout The Great Depression”

“Epic, this song has balls.” ~ AMERICANA UK

“There are songs that just hit at the right time” ~ Simon Barrett – USA TODAY/BNN

“A clear hint at the mistakes politicians and the economy leaders constantly make” ~Bruno Michel – CMJ

www.tokyorosenthal.com



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TOKYO ROSENTHAL: FREE DOWN LOAD OF ECONOMIC DISTRESS SONG

“Mister Tell Me ‘Bout The Great Depression”

“Epic, this song has balls.” ~ AMERICANA UK

“There are songs that just hit at the right time” ~ Simon Barrett – USA TODAY/BNN

“A clear hint at the mistakes politicians and the economy leaders constantly make” ~Bruno Michel – CMJ

“ ‘Did we really start that war… did they really lie about what for?’, Tokyo asks over a dramatic fusion of swirling fiddle and bombastic drums.” – COUNTRY MUSIC PEOPLE MAGAZINE

Award winning singer/songwriter Tokyo Rosenthal announced today that in light of the hard economic times the world over that he would offer free downloads of his original recording, “Mister Tell Me ‘Bout The Great Depression”. This is being done in conjunction with Rosenthal’s record label, Rock & Sock Records and is available on Rosenthal’s web site www.tokyorosenthal.com. The song also appears on Tokyo’s latest CD, “Ghosts“, which recently was #5 on The Euro Americana Chart, and has received rave reviews and airplay the world over.

Rosenthal’s tune documents the causes for the economic turmoil that has become a global phenomenon. “It was inspired by the stories my grandfather, ‘Poppy Jack‘, used to tell me about the 1929-1939 Depression,” said Rosenthal. “But this song is about now. And it’s futuristic. Picture a young man sitting on the door step of his neighbor asking what happened back in 2009-2010. Hopefully he’s not saying 2009-2019!”

Critics such as No Depression said, “It’s a song for these times, for all time, and big thanks to him for writing it.” Americana UK was even more direct as they said,”Epic!, This song truly has balls”.

Rosenthal felt that offering the tune at no charge was the best way to get his message across and at the same time make it affordable to all who want to have it and pass it on. “I hope people the world over take advantage of this opportunity and both like the song musically and relate to some if not all of what I’m saying,” Tokyo added.

Rosenthal, along with Charlie Chamberlain on mandolin and guitar, just completed his fourth tour of the United Kingdom and his planning a 40 city US Tour beginning in late August. For more information log on to www.tokyorosenthal.com and www.myspace.com/tokyorosenthal.

“‘Mister Tell Me’ why this next song shouldn’t be a miracle of a cross over hit, just enough rough, just enough dirt, the smile this induces, is an intimate thing.” ~ THE NEXT BIG THING

“Rosenthal can draw you into his lyrics much the same way that James Taylor and Don Henley can”.

“Take Jackson Brownes’ personal confessions and wrap them in Kris Kristofferson’s world weary tales of broken relationships and you have an idea of what to expect from Tokyo Rosenthal.”

“This is Americana with real teeth in the lyrics”

This and more is what the critics are saying about Tokyo Rosenthal. But it wasn’t an overnight trip. Hardly, as “Toke” has spanned the music scene for three decades. But it was in 2007 when recognition finally reached him through the recording of his CD, “One Score And Ten”.

In a career that started with the country rock boom, Rosenthal has honed his craft and “rootsy/ Americana with a little blues thrown in” sound to perfection. His recent move to Chapel Hill, North Carolina has allowed him to team up with the famed producer and recording star Chris Stamey in the studio.

While content to let the critics compare his style to others Tokyo doesn’t hesitate to point out his influences, who include The Band, The Byrds, The Indigo Girls, Gene Clark, Emmylou Harris, and believe it or not Janis Joplin. Toke’s version of “Piece Of My Heart” always sets off a crowd reaction.

In 2008 Rosenthal released a new CD entitled “Love Won Out”, that featured the single “St. Patrick’s Day”, to critical acclaim. This CD broke into the charts reaching #11 on the Euro Americana Chart, #14 on the Far Chart and #10 on the North Carolina Roots chart. He completed a Northeast US tour in March and a UK tour in April of that year. In August of that year he toured Japan and debuted in The Netherlands in October. In November Toke was back in New York City followed by Woodstock and Boston and then made a “Heartland” tour from North Carolina to Texas and back, headlining along the way at the World Music United Festival in San Marcos.

He began 2009 with the release of the timely and moving single, “Mister Tell Me ‘Bout The Great Depression”. Then he returned to Holland and Scotland for two weeks in February for a radio concert tour. This was followed by Germany in the spring and another tour of the UK in the fall. And of course he played all over North Carolina while recording his next album, “Ghosts”, that was released in January 2010. His most successful release to date, “Ghosts”, reached #5 on the Euro Americana Chart and the critical acclaim and US airplay was overwhelming. “Toke” then once again toured the North East U.S. with the highlight being his headlining at the world famous Bitter End in New York City. Toke then completed “UK Tour IV”. Extensive US touring is on the agenda for the balance of 2010. Always writing and always gigging, his musical journey continues.

www.tokyorosenthal.com



“This is a killer sound track”MUSIC STREET JOURNAL

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