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The Contribution’s Newest Single, “This Too Shall Pass” – Out 7/21

To Benefit BCEF (Breast Cancer Emergency Fund in SF Bay area)

Now Available on iTunes, Amazon, and Cdbaby

Since February, The Contribution have been living up to their name and giving back with each song. They have been releasing one single a month, as sort of a mid-month pick-me-up since February 2017 and have partnered with a variety of nonprofits to which 100% of the profits from each single (sold as a digital download) will go to a charity (hand-picked by members of the band) in perpetuity.

The Contribution is the brainchild of Tim Carbone of Railroad Earth (violin, guitar, vocals) together with Phil Ferlino (keyboards, vocals) and Jeff Miller (guitar, vocals) of New Monsoon. Keith Moseley (String Cheese Incident), has been the bass player from the band’s inception along with vocalist Sheryl Renee (The Black Swan Singers). The drum chair has been occupied by Jason Hann (String Cheese Incident), Matt Butler (Everyone Orchestra), and currently Duane Trucks (Widespread Panic). Both Matt Butler and Duane Trucks appear on the band’s new record, Wilderness And Space. The full ten song album will be released on vinyl this Fall on LoHi Records and reveals the group’s love of 60s pop and soul coupled with their ability to flat-out shred.

logoBCEFThey release their newest single “This Too Shall Pass” on Friday, July 21 and it will benefit BCEF, Breast Cancer Emergency Fund  in SF Bay area.

Co-founding member of The Contribution and resident of the Bay Area, Jeff Miller, says, “BCEF is a nonprofit that has special significance to me as my mother, Joann D. Miller, passed away in 2012 from breast cancer. My family and I found out when it was already stage 4, so we could do nothing but support her in her last months of life on this plane.”

Many people with breast cancer have inadequate or no health insurance. Most will be unable to work throughout their treatment, adding a huge financial toll to an already difficult struggle. BCEF’s fast and early intervention prevents financial deterioration and provides a sense of security during a devastating illness. BCEF helps people in need continue life-extending medical treatments, avoid utility shut-off, prevent eviction, and maintain stable housing while they battle breast cancer. BCEF is a tax-exempt non-profit organization and does not receive City, State or Federal funds. 100% of their funding is from private foundations, corporations, and individuals.

Miller continues, “The song ‘This Too Shall Pass’ was written as a reference to the cathartic idea that even in our darkest days, with a loved one passing, there is hope. In writing and recording this song, I forever have a way to remember my mom and bring her into being whenever the song is played… a true blessing.”

 

 

Tim Carbone tells Shows I Go To about how the nonprofits were selected, “I put it to the band at large and asked them, ‘What do you feel strongly about?’Tim says, “I wrote the words to ‘This Too Shall Pass’ for our guitar player Jeff after his mother passed away from breast cancer.” He says they did some searching and found BCEF, Breast Cancer Emergency Fund in SF Bay area, to pair up with that song.

The Delaware Riverkeeper Network is located nearby where Carbone is from and they do wonderful work in protecting the waterways, including the drinking water of nearly 17 Million people, throughout the entire Delaware River Watershed which includes Pennsylvania, New Jersey, Delaware, and New York.

Carbone continues, “Matt Butler said we should go for the Rex Foundation. Keith wanted Conscious Alliance, who I have also worked with before. Phil suggested Rock the Earth. I thought we would go with HeadCount because I am politically motivated. They don’t choose sides, they just encourage people to register to vote. When you don’t vote, bad things happen. I think we found that out.”

LoHi Records labelmate, Jim Brooks, suggested Piedmont Land Conservatory as he has held events to raise money for them in the past to preserve natural and scenic lands, farms, and open spaces in Piedmont North Carolina. All songs were written and produced by Tim Carbone, Phil Ferlino, and Jeff Miller.

“This Too Shall Pass” features Carbone on electric guitar, background vocals and percussion, Miller on electric guitars and background vocal, Ferlino on Wurlitzer electric piano, Hammond organ and background vocals with Sheryl Renee on lead vocals, Keith Moseley on bass, and Duane Trucks on drums. The song was recorded at Silo Sound Studio in Denver, CO and Engineered by Todd Divel. Additional recording by Don Sternaker at Mix-o-Lydian Studios in Delaware Water Gap, PA.

Carbone says, “We feel blessed to be able to make this music and have it help people in need… and we would like to empower those who share our passion and provide a resource for them to take action with us.”

All Released Singles Available Here → www.cdbaby.com/Artist/TheContribution

For more information, please visit www.TheContribution.net, www.facebook.com/TheContribution, www.twitter.com/thecontribution, and www.instagram.com/thecontribution.

 

 

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We Love Debrissa ❤

Debrissa McKinney. Photo By Lori Sky Twohy/ LST Images

The Heal Everyone & Love Everyone Festival is an event dedicated to Debrissa Mckinney. This is a free event and has been put together in order to raise money in order to help Debrissa pay for her medical expenses. Debrissa has recently fought a battle with Hodgkins Lymphoma and now is fighting another battle with her medical bills.

H.E.A.L.E. Festival

Saturday, August 25th

11am- 7pm
2010 Brevard Road in Arden, NC.

Silent auction, Kids Area, Food, Beer & lots more!

FREE! Donations are welcome ❤

Donation checks for Debrissa can be made out to “HEALE FEST”
The address to send checks to is:
HEALE FEST
PO BOX 8051
Asheville, NC 28814

Yo Mama’s Big Fat Booty Band
Secret Agent 23 Skidoo
Duende Mountain Duo
Secret B-Sides
Kung Fu Dymamite
and more!

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Songsmith Gathering at the Porter Center in Brevard on Sat, May 19th
Features Sarah Siskind, Moses Atwood, Jill Andrews & Chris Rosser

Fundraiser for SAFE: a non-profit offering programs and services to victims of domestic violence and sexual assault in Transylvania County

Beer/Wine for sale
There will also be a Raffle and Silent Auction for SAFE!
Doors 6pm for a Happy Hour; Show 7:30pm
828-243-3496
One Brevard College Drive, Brevard, NC 28712
Purchase Tickets online

Mountain Song Productions in association with SAFE, Inc, announces the 3rd Annual Songsmith Gathering: An Evening of Song on May 19, 2012 at the Porter Center for Performing Arts on the campus of Brevard College. Doors open at 6pm for a Happy Hour and Raffle* and the show starts at 7:30pm.

2012’s Songsmith Gathering features dynamic and prolific songwriters Sarah Siskind, Moses Atwood, Jill Andrews and Chris Rosser and helps provide funding for SAFE, Inc, a non-profit offering programs and services to victims of domestic violence and sexual assault. SAFE has served Transylvania County’s victims of domestic and sexual violence for over 25 years, averaging over 350 clients a year with programs that provide support and education for victims and their families as well as a Domestic Violence Intervention Program.

Event host and producer, John Felty of Looking Glass Entertainment said, “Out of all the events that I produce, this is one of my favorites. Hosting the show and doing live interviews and dialog on stage with the artist adds spontaneity and allows the audience a more in depth appreciation for the artists, who they are as people and where the songs come from. It gives me the chance to introduce some great artists to the community in a venue that is superb for songwriters.” Felty is also the producer of Mountain Song Festival, 2013’s inaugural Mountain Song at Sea Bluegrass Cruise in February, The White Squirrel Festival and co-producer of Music on the Mountaintop.

Songsmith Gathering raffle tickets can be purchased in advance and you need not be present to win. More details about the raffle are below and tickets are available at SAFE’s Attic and Attic Interiors stores. Tickets for Songsmith Gathering are $20-$25 plus service fees and can be purchased online or at Rockin Robin Records in the college plaza. For more information call 828-243-3496 or visit theportercenter.org. Local sponsors include Comporium, Transylvania Regional Hospital, Everett Farms, UPS and Elements Spa.

About the Performers:

Sarah Siskind has been called “the best female singer/songwriter in America today” by Steve Binder, legendary TV director/producer and Nashville’s “Best New Voice” by Southern Living. She has toured with Bon Iver who also famously covered her “Lovin’s For Fools” and The Swell Season. She has written songs for Randy Travis and Alison Krauss including Grammy nominated “Simple Love.” Sarah has performed live on NPR’s Tiny Desk, World Cafe with David Dye and her music has been featured on NPR’s All Songs Considered and NPR’s Song Of The Day. Her previous album “Say It Louder,” was called “a masterpiece” by Bonnie Raitt. Americana Songwriter says, “Her music is an unlikely but riveting amalgam of folk-rock and jazz fusion; her spectacular voice reveals Appalachian, Celtic and gospel influences”

Siskind’s most recent album “Novel” was released in 2011 and features her powerful voice while utilizing traditional instruments, including her beloved Gibson, as well as salt canisters, dry rice, and oatmeal boxes as a percussion section. She made a snare out of a storage box with sheets of paper taped to the top. Swept away by the muse, Sarah would continue to record the rest of the songs this way, finishing it with just one microphone, several guitars (including her beloved Gibson, Larry), and “found sounds” from her home back in Nashville. Sarah engineered, tracked and produced “Novel” with no boundaries, no one else in the room, on her own.

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Moses Atwood set sail with sophomore album “One Bright Boat” on March 30, 2012. The album was produced at Waking Studio, the new digs of Bill Moriarty (Dr. Dog) in Philadelphia. Running like a current through the record is Atwood’s talent for telling a story in fleeting images and washes of sound. These aren’t ballads but modern song-sketches of places longed for and passed through, people met and parted with, time passing. His music has been compared to Van Morrison and Randy Newman.

Atwood’s sound is rootsy with a hint of blues, but with a melodic sense that is more contemporary. Atwood studied classical guitar at the San Francisco Conservatory and has been called gregarious and open with a powerful voice contrasted yet complimented by his instrument of choice, guitar, resonator guitar or piano. Rare is it that we find an artist who can deliver this type of emotionality. His writing and his persona seem to come from a soul that is old; making it so when you look at this talented young artist, it makes you wonder if he hasn’t experienced a previous life. Atwood is a Damariscotta, Maine native who migrated south to explore the music that inspired him. He now resides in Asheville, NC and finds the area supportive and inspirational for him as a songwriter.

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Jill Andrews has been singing her whole life: as a little girl in Johnson City, Tenn., as a camp counselor plucking out three chords on an acoustic guitar under swaying pine trees, as one-half of The Everybodyfields—and, since 2009, as an increasingly formidable singer/songwriter making her way on her own. A smart, subtle tunesmith and a gently wise songwriter, the now Nashville-based Andrews crafts beguiling, startlingly intimate songs that merge her voice with her effortless, classic-pop sensibility and keen eye for human drama.

It starts with the her voice. Before you notice the words, before you detect the gently curling melodies tugging them along, this is what hits you first: It’s warm and rich and touched with a soft Southern twang, as likely to swing down into its earthy lower register as arch upwards into a hopeful trill; it’s steady and sure but flecked with a certain weary sadness that stops you dead, draws you near. It’s beautiful. It knows something.

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Chris Rosser is a multi-instrumentalist, singer-songwriter, composer and producer. As a solo singer-songwriter and as a member of the world-jazz instrumental trio Free Planet Radio, he plays a variety of instruments, including the Indian dotar, Turkish cumbus oud, guitars, melodica and piano. As a producer, he has produced about forty recordings for various artists in his Asheville, NC based studio Hollow Reed Studio including Beth Wood’s “Marigolds” which he also performed on many of the tracks.

He has won songwriting contests at the Rocky Mountain Folks and Merle Watson festivals, been selected as a New Folk Finalist. With the help of a 1999 WNC Regional Artists grant, he continued his studies of Hindustani classical music and the sarod (a 25-string fretless Indian lute) with world famous Indian musician Ali Akbar Khan in San Rafael, CA. He was awarded a 2003 Songwriter/Composer fellowship from the NC Arts Council.

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*More about the TLC Raffle:

As part of Songsmith, SAFE will be hosting The TLC Raffle (Travel, Love and Comfort). Three themed packages, each valued at close to or over $1000, will be up for grabs! You do not have to be present to win and raffle tickets are available at SAFE’s Attic and Attic Interiors stores.

The Travel package includes a week vacation with Wyndham Resorts, with travel accessories from Highland Books, Moosetracks and Main Street Limited.  A camera donated by Transylvania Regional Hospital to help document the trip!

The Love package includes a couple’s massage from Elements Spa, dinner for two at Falls Landing, a night at The Inn on Main, flowers from Floressence and his and her gifts from Stones and Lowes. Top it off with wine from Toxaway Wine & Cheese in a picnic tote and movie tickets to the Co-Ed!

The Comforts of Home package is headlined by a $400 Kaelee Denise photo sitting for the family, catered dinner for 8 with Will Ecker of TRH, interior and exterior design consultation by Camarilla Design and Fry Nursery, a full house cleaning from Edna Hensley and more outdoor goodies from Whistlin’ Dixie.  Raffle tickets for these amazing packages will be available for sale during the Songsmith Gathering as well as prior to the event during the happy hour.

For more information about Songsmith Gathering call 828-243-3496 or visit theportercenter.org.

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The following concerts are in conjunction with a benefit Larry Keel and Natural Bridge is hosting for an entire weekend for our good friend Billy Constable. Billy has been diagnosed with a brain tumor and has just had brain surgery and does not have insurance. LKNB will be accepting donations on his behalf, donating their merchandise sales and hosting a 50/50 raffle to raise money for Billy to offset his medical expenses.  
Visit www.billyconstable.com for more info.

Melting Point in Athens, GA 12/8
Legal Grounds in Rutherfordton, NC 12/9
Pour House in Charleston, SC 12/10

Billy has been diagnosed with a lump on the lower portion of his brain which has been causing increasingly frequent seizures. He is currently seeing medical specialists and gathering evaluations. The expense is certain to be high, and Billy is without medical insurance. We are coming together, as friends and fellow musicians, to help offset those costs.

Billy Constable grew up in a very musical family in Avery County, and he has been playing music for most of his life. Billy is part of Avery County’s Wiseman family, which includes a number of professional musicians including Scotty Wiseman, Lawrence Wiseman, David Wiseman, Fiddling Jimmy Wiseman, banjo picker Kent Wiseman, and Billy’s mother, Lois.

Billy began playing guitar professionally as a youngster with bluegrass great Charlie Moore, who had married Billy’s mother. He also played in Douglas Dillard’s newly formed “post Dillards” bluegrass band The Doug Dillard Band from Hollywood, which also featured Byron Berline and occasional guests like Vassar Clements and Sam Bush.

Billy’s approach to the banjo is firmly rooted in Appalachian string music, but it can be deceptively eclectic. His influences begin at home and with his family, but Billy’s repertoire is vast, and he is comfortable in most musical situations. In addition to banjo, Billy is also an accomplished musician on the guitar, mandolin and violin.

Travers Chandler writes in Bluegrass Today, “I was well aware of what a musical giant Billy Constable was. He had spent time with The Doug Dillard Band, toured with Kenny Baker and Josh Graves, and later worked with envelope-pushers like Larry Keel, Leftover Salmon, and String Cheese Incident on both banjo and guitar.  It wasn’t until I had moved to Asheville in 2010, though, that I became aware of what a rare human being he was – both as a friend, and a brother in the order of acoustic music. We had spoken a time or two during my research on Charlie, and I knew of his prowess and ability to play all kinds of acoustic music: jamband, gypsy, rock and roll… The guy is a genius.”

“He was a mentor to all of us,” Jon Jon Davis said [in an interview in the Boone Mountain Times with Frank Ruggiero],“and he’s played with everybody.”

LKNB’s Mark Schimick says in the same interview, Billy Constable was the main bluegrass teacher for Jon Jon and myself,” he said. “When he first heard us play, he heard a bunch of green musicians, as far as bluegrass is concerned, but he heard how we knew to play the rhythm to it,” Schimick said.

During the next couple years, Constable became their bluegrass mentor, teaching them how to play solos, sing the parts and behave on the road. “In a lot of ways, he helped us all get started on how to become professional musicians,” Schimick said. “Playing with him is like playing with family,” Schimick said. “He’s just as down to earth playing on stage as he is hanging out.”

For more information about Billy Constable and for updates on his medical situation, please visit:  www.billyconstable.com.

If people would prefer to mail a donation, please mail to:
Dave Ruch
155 St James Place
Buffalo NY 14222
dave@daveruch.com
716-884-6855


myspacelogologo_reverbnation

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This is great news! Music on the Mountaintop in Boone, NC raised $5000 for Appalachian Voices this year. Frank Ruggiero with the Mountain Times reports:

Organizers of Boone’s annual Music on the Mountaintop agree this year’s festival was a rousing success.

With attendance between 5,000 and 6,000, it was what founder Jimmy Hunt called “good, successful and exciting.”

Area environmental advocacy group Appalachian Voices would agree, to the tune of $5,500.
With community outreach a key facet of the festival, Hunt has ensured that portions of proceeds benefit a different nonprofit organization each year. This year, Appalachian Voices stood to benefit with a 10 percent increase in donation from last year.

“Even with the economy down, there are still positive events trying to get us back,” Hunt said. “It makes sense. If people can have a good time and dance and, at the end of the day, realize their ticket made a difference, that’s pretty awesome.” . . . .

. . . “But what really blew my mind was the amount of positive response we got from the artists – Larry Keel, Toubab Krewe, Railroad Earth, even Keller (Williams),” he said. “They all tried to come find me, not just to say ‘thank you,’ but a very personal, sincere ‘thank you.’ Toubab has been all over the world and said this was such a breath of fresh air, coming back and playing in front of people who genuinely like music.

“That’s a testament to our town and fans, what Music on the Mountaintop is, and that it’s, hopefully, always going to be here.”

READ THE FULL ARTICLE HERE: http://www2.mountaintimes.com/MOTM

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