Dreamspider Interviews with Jonathan Scales Fourchestra on Lingua Musica

New Lingua Musica Episode: Erin Scholze from Dreamspider Publicity talks with Jonathan Scales Fourchestra at The Musicians Workshop on Merrimon Ave. in Asheville, NC in July 2011. Daniel Judson filmed and edited this video which is copyright Luminescence LLC 2011 and may be used as long as proper credit is given.

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Jonathan Scales has been called a “…rising star of the steel drums…” by Traps Magazine and “The Real Deal” by Pan on the Net and as having “A Thelonius Monk-like attitude with a Mozart creativity that works.” Premier Steel Pan magazine, When Steel Talks states , “At the end of the day, Scales is going to be a major play in rewriting the books on steelpan music outside of the box.”

In this episode of Lingua Musica, Jonathan Scales discusses how he came about his style of Steel Pan. Also hear more about his new album, Character Farm & Other Short Stories, which is a 45-minute dive deeper into the compositionally-twisted work. There are nine original instrumental “stories” on the album which transport listeners from the primal Jam We Did to the lush Hallucinations of the Dream Chasers. The title track Character Farm brings the audience into a chilled, ‘worldly’ ride after the frantically emotional The Longest December. Guest appearance on the record include Jeff Coffin (of Dave Matthews Band / Bela Fleck & the Flecktones), Yonrico Scott and Kofi Burbridge (of Derek Trucks Band fame) and the dazzling work of fiddle virtuoso Casey Driessen.  Also, you will meet the cast of Characters that make up the Fourchestra: classically trained composer turned steel pan maestro and front man of the Fourchestra, Jonathan Scales, is heavily influenced by the complexity of banjo virtuoso Bela Fleck to the hustle of Jay-Z. Gritty blues guitarist, Duane Simpson, and fusion-chops bassist, Cody Wright, provide the harmonic support for Scales’ sound; while jazz/hip-hop drummer, Phill Bronson, drives the time-shifting, modern grooves. 

Scales, along with fimmaker Daniel Judson, produced an insightful Music Video for the song Muddy Vishnu; snippets of the music video are shown in the interview. Watching Muddy Vishnu is “almost like a Being John Malkovich set inside Scales’ own world of found rhythms, visions, colors, friends, inspirations and rare silence,” writes Asheville’s Mountain Xpress.

In this episode of Lingua Musica, Scales’s also talks about the album’s comic book-inspired images, designed by Gregory Keyzer, that tie together the musical fusion of his Fourchestra. “There’s a different illustration for every song,” Scales says in an interview with Robin Tolleson in Bold Life. “It’s cool because you can kind of put a visual image with each piece. The album is packaged like a book of short stories, but there’s an overlying theme. The sonic tapestry, mixed with the congruent artwork, really ties the whole thing together. The pictures help people make their judgments about what it’s about and how they feel about it. It’s not complete long form, but it’s closer.”

Character Farm, along with a glossy 19 x 13 poster depicting the custom designed comic book graphics illustrating each song are available at www.jonscales.com.

This video was brought to you by Lingua Musica: Where Music is the Universal Language…

www.jonscales.com

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Innovative Steel Pannist Jonathan Scales on tour this April in Pensacola; New Orleans; Austin; Starksville, MS; Atlanta; and Hot Springs, NC!

Artwork by Gregory Keyzer

I am excited to announce Asheville’s Steel-Pannist Jonathan Scales Fourchestra is touring around their CD release with a stops in Pensacola; New Orleans; Austin; Starksville, MS; Atlanta; and Hot Springs, NC! The new album is called “Character Farm & Other Short Stories” and features guest appearances by Jeff Coffin (of Dave Matthews Band/Bela Fleck & the Flecktones), Yonrico Scott & Kofi Burbridge (of Derek Trucks Band), and fiddle virtuoso Casey Driessen.

Scales’ created a wonderful  Music Video for the song “Muddy Vishnu” from the album, which is posted below. The album is also available to purchase on www.jonscales.com along with fun new merch including a glossy 19 x 13 poster depicting above with the custom designed comic book graphics illustrating each song with artwork by Gregory Keyzer.

Jonathan Scales Fourchestra April Tour Dates

Friday, April 22
Vinyl Music Hall
Opening for Soul Rebels Brass Band and Honey Island Swamp Band
Pensacola, FL

Saturday, April 23rd
12 Bar
New Orleans, LA

Sunday and Monday, April 24th & 25th
McCallum Theater (at McCallum High School)
Austin, TX

Tuesday, April 26th
Dave’s Dark Horse Tavern
Starkville, MS

Thursday, April 28
The Five Spot
w/ Jonathan Lloyd’s Rocksteady Review opening the show
Atlanta, GA

Saturday, April 30
French Broad River Festival
Hot Springs, NC

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Archive: ‘Building Character’ Jonathan Scales Fourchestra releases new album!

Jonathan Scales had an amazing album release event this past weekend in Asheville at the Emerald Lounge.  The new album, Character farm and Other Short Stories, is now available on his website and i-tunes. Bold Life did a great interview with Jonathan Scales and below are some excerpts:

Building Character

BY ROBIN TOLLESON in Bold Life www.boldlife.com

For his third album, Character Farm And Other Short Stories, steel drumming frontman Jonathan Scales wanted to imitate long form. “Back in the day the great composers like Wagner wrote complete works from top to bottom as opposed to just a bunch of songs mixed together,” he says. “An epic saga that takes you through all the movements.”

To help tie together the musical fusion of his Fourchestra, Scales called upon the comic book-inspired artwork of Gregory Keyzer. “There’s a different illustration for every song,” Scales says. “It’s cool because you can kind of put a visual image with each piece. The album is packaged like a book of short stories, but there’s an overlying theme. The sonic tapestry, mixed with the congruent artwork, really ties the whole thing together. The pictures help people make their judgments about what it’s about and how they feel about it. It’s not complete long form, but it’s closer.”

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“Every time I put out a CD I want to get further along,” Scales says. “It takes a lot of planning to have a successful release. You work hard on the music, and you want people to hear it, so that’s when you have to kick in on the other side and try to get things rolling.” Scales planned a pre-release campaign to build some momentum. In February he released a behind-the-scenes video with footage from the recording session. And last month he released a full-length music video of his song “Muddy Vishnu.” “I’m trying to get people interested,” he says.

The Fourchestra recorded Character Farm at Diana Wortham Theatre in Asheville, in the fashion of classic jazz records. “We all played together,” Scales says. “We got enough separation that we could get some real good sounds, so it comes off like a studio album with a lot of energy, as a mixture between a live recording and a studio album, kind of like the best of both worlds. That was (sound engineer) Michael Hynes’ approach to the thing.

Character Farm features the churning 6/8 “Jam We Did,” the slightly-island strut of “Science Fair Project,” the breakneck steel-drum’n’bass of “The Longest December,” and “Muddy Vishnu,” a dynamic tune filled with plot twists reminiscent of The Flecktones’ classic “Sinister Minister.”

“This set has my same style, as far as some metric complexities and style changes. Different uses of rhythms and timbres and harmonies,” Scales explains. The music is solid, he says, because the lineup was solid. “My other two albums had streams of different people. This album is definitely more focused.”

Guitarist Duane Simpson, drummer Phill Bronson, and bassist Michael Libramento are the main backing cast on the album, with four guests, saxophonist Jeff Coffin, flutist Kofi Burbridge, percussionist Yonrico Scott, and fiddler Casey Driessen.

“Overall it has a pretty edgy sound,” Scales says. “It has highs and lows as far as dynamics and styles. ‘Muddy Vishnu’ is definitely on the more rockin’ side — my take on a mix between Muddy Waters and the Mahavishnu Orchestra. I wanted it to be a subtle thing to where if you understand or if you’ve never heard them, it’s not a big deal and you’ll still enjoy the song.”

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READ THE FULL ARTICLE HERE and find out more about Jonathan’s history and the rest of the Fourchestra:  http://www.boldlife.com/gyrobase/Content?oid=oid%3A18113

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Galen Kipar Project returns to Augusta April 9-10

Galen Kipar Project is performing a few shows in Augusta GA for masters week. The first is an early evening show on the Augusta Canal Cruise on Friday April 9th; GKP also has a 2 night residence at the Still Water Tap Room on Friday and Saturday, April 9-10th.

Here is what the Augusta Metro Spirit has to say about their recent interview with Galen:

All over the place:  The Galen Kipar Project returns to Augusta for a double dose of music at Stillwater and on the water

BY ALICE WYNN

AUGUSTA, GA – The Galen Kipar Project’s music is a mélange of sounds. With distinct elements of jazz, folk and a little bit of the blues thrown in, the result is quiet, yet intricate.

Last October, the band began recording their upcoming album, “The Scenic Route,” after finishing nine months of touring.

The band’s fourth release in five years, their latest endeavor was recorded at Echo Mountain Studios in Asheville, N.C., and is set for release this spring. Kipar admits the sound differs from previous efforts.

“The album from 2007 (‘Why It’s Needed’), it’s heavy on the production side; there’s a lot of texture and there’s a lot of instruments, lots of layers,” the former Augustan said. “Then the album from 2008 (‘Paper Sailer’) is the exact opposite. This one is sort of in the middle from those two approaches.”

Rather than touring and performing, it’s the recording and production aspects of music that Kipar finds himself drawn to the most.

“I feel that’s where more music is created and that’s where you get down to the meat of things, that’s where you really use your brain,” he said.

The touring aspect of music is a necessity, but the band has become more selective in how they pursue it.

“I think that, as each year goes by, we’re streamlining things and being picky about which places we play and just trying to be smarter about it,” he said. “Instead, we’re playing good ones and trying to focus on the positive.”

In addition to Kipar’s acoustic guitar and harmonica, he is joined by Jon Morrow on the eight-string guitar-bass and percussionist Jeremy Young. The trio is sometimes joined by rotating musicians.

“[The sound is] just a little bit more textured,” he said. “If it’s the trio, there’s more space to fill so that allows us to be a little bit busier. But when it’s four, five or six of us, each person has to step back and be more simple so that things don’t get cluttered.”

Making a name for themselves in the Southeast, the band has also garnered good response in San Francisco, the Washington, D.C. area and Philadelphia.

“My favorite part is meeting all the people that you normally wouldn’t run across, seeing the countryside and traveling,” he said. “When you get time to enjoy that, then it really makes it worthwhile. I’m really fortunate to travel with some great guys and we have a lot of fun, but we also keep a high standard for ourselves.”

Trading Augusta for Asheville, Kipar finds the diverse music scene in North Carolina conducive to creativity.

“It’s a great place to be influenced by other people and other artists. The area is very receptive, and I think the word is spreading and that’s why so many artists and musicians and whatever are moving here.”

READ the full article here: http://metrospirit.com/index.php?cat=1993101070588705&ShowArticle_ID=11010604104459290

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