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Posts Tagged ‘harmonies’


Tickets available for each show individually ($8), or purchase the 3-Show Bonus Package & come see all 3 shows, plus get a signed poster and a live recording of one of the shows ($24)!

www.themagneticfield.com

Glen Rock Depot, at 372 Depot Street, in the River Arts District of Asheville, NC.


Dehlia Low formed in late 2007 as part of Asheville, North Carolina’s roots music renaissance. Singers Anya Hinkle (from Blacksburg, VA on fiddle) and Stacy Claude (from Atlanta, GA on guitar) pulled together a group of talented pickers from the region: Aaron Ballance on Dobro (Winston-Salem, NC), Bryan Clendenin on mandolin (Hurricane, WV) and Greg Stiglets on bass (Jackson, MS).

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“The group has taken off like a skyrocket…and deservedly so: in a musical world that doesn’t always treasure creativity, Dehlia Low has staked out a good piece of ground all its own.” ~ Nashville Scene, Jon Weisberger

“Dehlia Low is going to be a force to be reckoned with in the musical world for some time to come!” ~ Music News Nasheville, Chuck Dauphin

Dehlia Low is a band riding high on a wave of musical accomplishment and heartfelt performance. Fans of Americana, bluegrass, or just good country-tinged music would do well to seek them out” ~ Pop Matters, David Maine

“…relying on the warm tones of acoustic guitar, mandolin, upright bass, slide guitar, and not to mention fiddle thumpin’, strummin’ and pickin’ underneath honeysuckle vocal harmonies — the Asheville, N.C., quintet seems like it has rolled straight off a mountainside and right onto a wraparound wooden porch in some summer-grass valley.” ~ Style Weekly, Mike Hilleary

“Dehlia Low’s “Ravens & Crows” is carefully crafted to lure traditional, country, bluegrass and Americana fans. They are generally appealing to all of these genres without alienating anyone, which is hard to do.” ~ Boone Mountain Times, Ashley Wilson

Dehlia low on the web:
www.dehlialow.com
twitter.com/dehlialow
www.reverbnation.com/dehlialow
www.facebook.com/pages/Dehlia-Low

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Video of  Dehlia Low’s “Away” performed in Bear Valley, CA 8/2 filmed by Tom Novak!

“Heavenly lead & harmony vocals…superb original songs…musical prowess.” ~ Al Shusterman, Backroads Bluegrass on KCBL

“The group has taken off like a skyrocket…and deservedly so: in a musical world that doesn’t always treasure creativity, Dehlia Low has staked out a good piece of ground all its own.” ~ Nashville Scene, Jon Weisberger

“…bittersweet vocal harmonies and spirited picking…Dehlia Low promises to bring the sounds and soul of the Blue Ridge Mountains …” ~ Art News New Orleans

“…relying on the warm tones of acoustic guitar, mandolin, upright bass, slide guitar, and not to mention fiddle thumpin’, strummin’ and pickin’ underneath honeysuckle vocal harmonies — the Asheville, N.C., quintet seems like it has rolled straight off a mountainside and right onto a wraparound wooden porch in some summer-grass valley.” ~ Style Weekly, Mike Hilleary

“Dehlia Low’s “Ravens & Crows” is carefully crafted to lure traditional, country, bluegrass and Americana fans. They are generally appealing to all of these genres without alienating anyone, which is hard to do.” ~ Boone Mountain Times, Ashley Wilson

“The real highlight on Ravens and Crows is the vocal harmony. Lead singer Anya Hinkle, guitarist Stacy Claude, and bassist Greg Stiglets’ voices blend beautifully on songs like the album’s title track.“ ~ Americana Music Examiner, Chris Griffy

“…really special. I have added them to my “must see” list permanently.” ~ The Bluegrass Blog, Diane Farineau

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Newly signed to Rebel Records, Dehlia Low echoes the sounds of early country with a strong bluegrass flavor, crafting a fresh originality that feels like home in this new album produced by the Infamous Stringdusters’ Travis Book…

Dehlia Low pushes bluegrass squarely into the Americana genre, combining their tenacious, authentic vocal style with extraordinary instrumental prowess in original songs that feel at once old and new.  Their newest project Ravens and Crows will be their first release on the venerable Rebel Records label (Ralph Stanley, Steep Canyon Rangers) on August 2, 2011.

The vocal harmony and instrumentation on the album reflect a deep connection to traditional music with modern arrangements and relevant, smart songwriting.  Fans of Dehlia Low immediately latch onto the compelling, nostalgic vocals of Anya Hinkle, the group’s lead singer and fiddler, uniquely paired with guitarist Stacy Claude’s clear, unyielding singing.  Greg Stiglets, on bass, has the edgy country vocals reminiscent of Steve Earle’s early days.  Aaron Ballance frames their sound through his virtuosic and expressive resophonic guitar playing that is punctuated and textured by Bryan Clendenin’s inventive and powerful mandolin.

The project, their fourth record to date, was recorded and mixed close to home in Asheville, NC at Echo Mountain Recording.  “We were thrilled to get into the studio and get these songs recorded, and grateful to the wonderful folks at Rebel for making the record possible,” said Hinkle.  “Each song has a story behind it that is personal for each one of us.  For me, it is a privilege to be able to share my thoughts, the melodies that run through my head, and my influences as a reflection of those who inspire me in this record.  To stand in front of the incredible mics at Echo thinking about sharing those songs with the world was very emotional for me.  After laying down “Living is Easy” at around midnight on a cold March evening with the rest of the band in the booth, I could hardly sleep.  I felt like I was already dreaming anyway.”

The album was produced Travis Book, a member of the International Bluegrass Music Association multi-award winners and Grammy-nominated The Infamous Stringdusters.  A singer, songwriter, bass player and lifelong “band guy,” Book was the perfect fit.  “The stars really aligned to have Travis come out to Asheville and work on this project during a break in the Dusters’ busy touring schedule,” said Claude.  “He has a terrific ear and tremendous experience with arranging music in the studio.  He was on the same page with us immediately in developing the songs and arrangements we brought to the project.  His positive energy made all the details fall into place.  The whole experience was a great lesson in faith and fun, and you can really hear that on the album.”

About the record, Book says, “the band and I are traveling the same path, creating music with friends that speaks from our experience, ignoring convention and following our ears.  The traditional aesthetic and down-to-earth nature of the music initially drew me to the project, but the raw creativity and uniqueness of the members and the seamless integration of their influences and biases were what made this project really special.”

The record is the latest release on Rebel Records.  Rebel’s president Mark Freeman says, “Rebel Records is thrilled to have Dehlia Low as a part of the Rebel family. The Asheville, North Carolina-area has seen the emergence of a number of amazing roots-oriented groups over the last few years and Dehlia Low is certainly one of those bands at the forefront of the scene!  They project a highly energetic, contemporary sound that is fresh yet still very much rooted in tradition.  I have no doubt their distinctive singing and original material will quickly win over new audiences everywhere.”

The ten original songs are filled with compelling poetry that conveys a sense of time and place wholly familiar yet hard to categorize.  Hinkle’s songwriting ranges from a coming-of-age gallop in “State of Jefferson,” to southern sounds and mythology in “Goin’ Down” and “Ravens and Crows,” to the mesmerizing, bluesy “Drifting on a Lonesome Sea.”  Stiglets’s wordplay and cadence are Dylanesque in “Thunder,” while his imagery and melody are both intriguing and heartbreaking in “Ride” and “Better Left Unsaid”– all in sharp contrast to the hard-edged, bluegrassy “$40 Chain.”   Clendenin’s “Change Up” showcases the instrumental work of the group.  Of the two covers on the album, the band swings Willie Nelson’s “What Do You Think Of Her Now” behind Claude’s vocals, while taking “Cannonball Blues” to bare bones.

Ravens and Crows follows two previous studio albums and one live album that have been released since the band formed in 2007.  Their inaugural EP Dehlia Low and full-length studio album Tellico both scored in the top 20 of WNCW 88.7FM’s top 100 new releases of 2009 and 2010, respectively, and garnered praise from Bluegrass Unlimited, SingOut!, No Depression and others.  The buzz led to an exciting tour in 2010 in support of Tellico, with appearances some of the most prestigious festivals in the U.S., including Merlefest and the Gettysburg Bluegrass Festival, where they shared the stage with the Stringdusters, Seldom Scene, and Alison Krauss and Union Station.  In 2011, Dehlia Low will be taking their “Appalachiagrassicana” sound across the U.S. and Canada in support of the new album.

Photos by Sandlin Gaither

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Two amazingly talented acts will be performing at The Evening Muse this Thursday, February 24th in Charlotte, NC: Cathie Ryan and Larry Keel & Natural Bridge.

Traditional Irish vocalist Cathie Ryan (Cherish the Ladies) is suberbly talented and has receive the award of “Female Vocalist of the Decade” by liveireland.com. Cathie will be accompanied on guitar and vocals by Ireland native Patsy O’Brien whose guitar playing moves from driving rhythm to delicate and melodic finger picking. The New Haven Advocate writes, “His music is stomping and ocean breezy – sure footed and fragile …”. Cathie will also be accompanied by on fiddle by New York born Matt Mancuso, who was the star fiddle player in Lord of the Dance – performing to sell out crowds throughout the world; a founding member of the rousing ensemble The Mickey Finns, and has taken star turns in tours with Irish super-group Grada. Cathie Ryan starts the evening off at 8pm.

Alternative Bluegrass ensemble Larry Keel and Natural Bridge have a show in the late evening slot, beginning at 10:30pm.  Larry Keel is award winning flatpicker that is well known for his gravelly voice and lightning fast licks. Keel is backed by his band, Natural Bridge made up of the vastly talented Mark Schimick on mandolin and vocals, Larry’s life-long picker pal (and fishing phenom) Will Lee on soulful, blues-grass style 5-string banjo and penetrating lead vocals, and wife Jenny Keel with her impeccable timing and solid, yet imaginative bass lines as well as tenor vocal harmonies.

Cathie Ryan


Irish American singer-songwriter, Cathie Ryan, has been called a “thrilling traditional vocalist,” by the Boston Globe. Billboard Magazine says her voice is, “enchanting.” and The Irish Echo says her singing is “mature, masterful, at times magnificent.” Since her acclaimed seven year tenure as lead singer of Cherish the Ladies, Cathie has released 4 critically acclaimed CDs on Shanachie Records: Cathie Ryan, The Music of What Happens, Somewhere Along the Road, and her latest, The Farthest Wave. She is featured on more than forty compilations of Celtic Music worldwide, including the renowned A Woman’s Heart – A Decade On.

Cathie tours internationally, headlining at performing arts centers, folk festivals, and guest starring with symphony orchestras. A captivating performer, Cathie’s shows are renowned for their blend of song, story, and the virtuoso playing of her award-winning band. “Anyone wondering what constitutes excellence in Irish American singing today, need only attend a Cathie Ryan concert…” The Wall Street Journal.

“There is a powerful sweetness in Cathie Ryan’s voice, as well as a Celtic intensity that can be felt in all the songs she writes and sings–songs of place, songs of memory, poignant songs of the heart,” state Billy Collins, Former U.S. Poet Laureate.

Larry Keel and Natural Bridge


“With an unofficial title of ‘Bluegrass Legend and Master Fisherman’, Larry Keel is considered one of the best flatpickers on the planet. Steeped in the old-timey and with a gravelly voice as deep and rich as moonshine on a riverbank… Larry’s flat-picking style is as seamless as it is gymnastic and he’s a master at simulating banjo rolls, mandolin runs or even parts that you would normally hear played on a fiddle,” touts Mousike Magazine.

John Patrick Gatta from Jambands.com depicts, “It’s the approach to the material that makes all the difference here, a hybrid of bluegrass with folk, country and jazz that tweaks the arrangements in subtly, shifting ways to grab one’s attention. Keel dubs it New Mountain Music, and that’s good enough for me. It feels like sunshine peaking through a thick forest or a sunrise with the grass caked by morning dew.”

Keel has weathered the changing tides of traditional bluegrass, country, jam rock, roots reggae, and even the currently emerging indie-alt scene always honoring the pioneers that introduced Bluegrass and Mountain Music into popular culture. Throughout his career, Keel has released 13 albums and is featured on 10 others. He is an ever-evolving musical force that stands in ongoing defiance to all genre expectations. And his fierce, high-spirited energy also appeals to young rockers, jammers and alt country pickers and fans who are equally drawn to Keel’s deep rumbling voice, his earthy and imaginative song-writing, and his down-home-gritty-good-time charm.

Guitar Player Magazine states, “When bluegrass guitar greats Tony Rice, Norman Blake, and Beppe Gambeta sing your praises, you must be good.”

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Show Details:

The Evening Muse
Thursday, February 24, 2011

8pm Cathie Ryan $8 adv/ $10 dos
10:30pm Larry Keel & Natural Bridge  $12 adv/ $14 dos

704-376-3737
3227 N. Davidson Street
Charlotte, NC

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Amelia's Mechanics

Amelia’s Mechanics is pleased to announce “An Evening with Amelia’s Mechanics” at the Jack of the Wood on Saturday, August 28th.

Amelia’s Mechanics is: Molly McGinn (vocals, acoustic guitar, lap steel), Molly Miller (vocals, electric guitar, ukulele), and Kasey Horton (viola)

Despite what the oil-and-iron name might suggest, the women of Amelia’s Mechanics swap that toughness for a more urban, sophisticated take on Americana music, using luxuriating harmonies and classical swells to temper their lyrical frustrations with love and life. The instrumentation and vocal harmonies of Amelia’s Mechanics result in a genre-busting sound best described as “vintage country with a moonshine concerto.”

The band released their debut album “North, South,” produced by Jim Avett (father, The Avett Brothers,) in February of 2010 to critical acclaim and embarked on an inaugural spring tour to the delight of audiences all across the southeastern United States. Amelia’s Mechanics is currently working on their second album (at Echo Mountain Studios) to be released Spring 2011.

LINKS TO THE MUSIC:
iTunes: http://bit.ly/bmP0aX
Show Details at a Glance:

Amelia’s Mechanics
Jack of the Wood
Saturday, August 28th, 2010

doors 7pm
95 Patton Avenue
Asheville, NC‎ 28801
(828) 252-5445 ext 105
http://www.jackofthewood.com
www.ameliasmechanics.com

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