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Here’s a great review of Dehlia Low’s New Album ~ LIVE. Check out the album for yourself: https://www.cdbaby.com/cd/dehlialow3

Dehlia Low and Firefly Soda

Hot tracks for chilly days

by Sanuk D. in Vol. 17 / Iss. 24 on 01/04/2011

When the weather turns cold and the leaves fall off the trees, it takes a little something extra to warm you up inside. Few things do the trick better than a well-hit Dobro lick. It will sort of explode in your chest and creep out to the ends of your phalanges, making them tingle with the spirit. If you don’t have a Dobro handy, you could always try some corn liquor, but ever since Popcorn passed, the warmth has been more reliably communicated by string bands like Dehlia Low. Warm, in fact, is an understatement for this hot quintet that has become a staple of the festival scene. Even over the melee of last year’s Brewgrass, Dehlia Low broadcast not only their individual talents, but also their collective synchronicity.

So their newly minted live album (simply titled Live) carries with it high expectations for anyone who has seen them perform. Dehlia Low does not disappoint, displaying its own blend of traditional and new hillbilly styles in its natural environment. The music is so well captured that, from time to time, one can forget that it’s being played live. This might be a credit to some fantastic sound engineering, but it also means that listening to the record doesn’t give one the feeling of being at a show in the way Nanci Griffith’s One Fair Summer Evening does.

Not that we were talking about summer. With the wind howling outside the cabin door, high lonesome songs about going home are easy to relate to. Most of these songs, which sound like classic tunes, are originals written by the band. When they are really cranked up, Dehlia Low all seem to be taking solos at the same time, without stepping on one another.  Instead they form a locomotive with each instrument trading position as the drive wheel. If all this motion is not enough to heat you up, you’re going to have a long, cold winter.

— Read more about albums, Asheville and life at Saunk D’s website, http://www.sanukd.com.
READ THE FULL ARTICLE AND ABOUT FIREFLY SODA’S NEW ALBUM HERE: http://www.mountainx.com/ae/2011/010511dehlia-low-and-firefly-soda

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WNCW’s Top 100 2010 CDs

#37 Keller and the Keels – Thief


#51 Galen Kipar Project – The Scenic Route


#56 Dehlia Low – Live


 

WNCW’s Top 20 Regional CDs of 2010

#4 Dehlia Low – Live

#12 Galen Kipar Project – The Scenic Route

 

For the complete list visit: http://www.wncw.org/Top100_2008.html (says 2008 in the url, but it is 2010 )

 

__________________________________________________________________

 


Dreamspider Publicity
Dreamspider@gmail.com
www.dreamspider.net
www.twitter.com/dreamspiderweb
www.facebook.com/DreamspiderPublicity 

Representing diverse clientele that value uniqueness with a funky edge  ///  Donna the Buffalo, Larry Keel & Natural Bridge, Acoustic Syndicate, Mad Tea Party, Galen Kipar Project, Dehlia Low, the Lexington Ave Arts and Fun Festival (LAAFF) and more!

 

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Dehlia Low officially release Dehlia Low – Live tonight (Nov 5th) at the Get Down in West Asheville! Check out this excerpt of an interview with them in the Asheville Citizen Times’ Take Five:

Dehlia Low celebrates live CD with West Asheville show
by Michael Flynn • published November 5, 2010

ASHEVILLE – At traditional bluegrass gatherings, people sometimes ask members of Asheville’s Dehlia Low why the five-person string band has no banjo player. Guitarist and singer Stacy Claude has come up with an answer.

“I tell people that we had only five seats in the van,” she says with a laugh, “so someone had to go.”

Judging by the band’s growing audience and recognition, Dehlia Low’s blend of bluegrass, country and Americana music sounds just right as is.

The band is playing tonight at West Asheville’s new Get Down to celebrate its latest release, a live album that includes songs from a May gig at The Grey Eagle.

“We’ve been talking about it for a while,” Claude says about recording live. “We feel our studio albums are different than our live performances, and we wanted to capture some of that live energy.”

Along with Claude, the band features vocalist and fiddler Anya Hinkle, dobro player Aaron Ballance, mandolin picker Bryan Clendenin and upright bassist Greg Stiglets. The group came together about three years ago, sparked by connections from Jack of the Wood’s Celtic jam sessions.

The members’ blend of vocal harmonies, acoustic picking and country dobro creates a classic Asheville take on traditional music.

“We like to say we have a foot in bluegrass and a foot in Americana and roots music,” Claude says.

… … …
Look for the group to continue to grow its fan base next year, with more touring and another album written and ready to record. Asheville, Claude says, is the perfect launching pad for the band.

“Living in a community with so many acoustic musicians of this caliber keeps you on your toes,” she says.

“It’s an amazing place to be a musician.”

Michael Flynn writes about entertainment for take5. E-mail him at mickfly@bellsouth.net.

READ THE FULL ARTICLE HERE: http://www.citizen-times.com/article/20101105/ENT/311050017/1291/ADVERTISING

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Dehlia Low CD release parties:

The Get Down ~ West Asheville
Friday, November 5th, 2010

The Garage ~ Winston Salem, NC
Friday, November 12th, 2010
w/ local openers Porch Dog Revival

The Evening Muse ~ Charlotte, NC
Saturday, November 13th, 2010
w/ Belleville Outfit

Emerging out of Asheville, North Carolina’s roots renaissance, Dehlia Low echoes the sounds of early country with a strong bluegrass flavor, crafting a fresh originality that feels like home.

Since the release of their second studio album “Tellico” in 2009, Dehlia Low has traveled across the U.S. in support of the album, including appearances at Merlefest, Gettysburg Bluegrass Festival, Appalachian Uprising, Pickathon, Jammin’ at Hippie Jack’s, Durango Meltdown and Bristol Rhythm & Roots. Dehlia Low’s most recent release “Dehlia Low – Liveshowcases the group’s exceptional songwriting talent and outstanding vocal and instrumental performances recorded during the 2010 season at notable venues in the southeast including the Grey Eagle, Down Home and Mockingbird.

Dehlia Low’s had great success with their first two albums; both being listed within the top 20 of 100 releases in 2008 and 2009 on WNCW. They are also featured on a Live MerleFest compilation for 2010 for the Bluegrass trust fund.

“…one of those kinds of bands that I just really fall in love with. They’re called Dehlia Low and at the bare bones, they’re a string band, but…in a way string bands used to be when there wasn’t such a genre splint of what country music was and what bluegrass music was and what blues music was. It’s where those points converge for me. They’re primarily writing their own material, very strong material, and they’re one of those bands that you’re going to start hearing a lot more of.” ~ Iaan Hughes, No Depression

Dehlia low on the web:
www.dehlialow.com
twitter.com/dehlialow
www.reverbnation.com/dehlialow
www.facebook.com/pages/Dehlia-Low
www.myspace.com/dehlialow

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Jeb Puryear. Photo by Monty Chandler.

Check out this review of Donna the Buffalo from their show at Infinity Hall.

Review: Donna the Buffalo at Infinity Music Hall

By Eric R. Danton on August 27, 2010

blogs.courant.com

Sometimes all it takes is a niche, and the members of Donna the Buffalo have certainly found theirs.

With easygoing songs and a low-key peace-love vibe honed over the past 17 years, the western New York folk-rock band can essentially play as many intimate halls and small festival gigs as it wants — Infinity Music Hall in Norfolk, for example, where the band performed Thursday night.

It was a generous set, spread over more than two hours, with guitarist Jeb Puryear and violinist/guitarist Tara Nevins alternating on lead vocals on songs drawn from folk, country, rock and Cajun traditions.

Backed by drums, bass and keyboards, the co-leaders had an easy rapport with each other, and with the crowd, which occasionally stood to dance in the aisles. Puryear sang with the same mellow inflection as Willie Nelson, though the former’s voice isn’t quite as rich, and he played his Stratocaster guitar without a pick, coaxing a smooth, buttery tone from the instrument.

Nevins, who also played accordion and washboard on the thrumming, bayou-flavored “Part-Time Lover,” has a pretty, slightly frayed voice that sounded wistful on the countrified “Locket and Key” and bobbed lightly on “Blue Sky,” an easy flowing rock song with Puryear’s electric guitar cascading over Nevins’ sturdy acoustic strumming.

The band often stretched out, steering songs into light jams. The electric guitar and violin each sounded in turn as though they were straining toward the heavens during an extended middle section on “Let Love Move Me,” and the rest of the band left Puryear and Nevins alone on stage to finish the aptly named “Funky Side” themselves, locked together on the riff that drove the song.

After finishing the main set with Nevins singing the acoustic country-ish song “No Place Like the Right Time,” she and Puryear started the encore as a duo as she played a mournful violin line over a plucked guitar groove.

The rest of the band emerged quietly to join them on the end of the song, before diving back into a good-natured jam on the next song.

READ THE FULL ARTICLE HERE: http://blogs.courant.com/eric_danton_sound_check/2010/08/review-donna-the-buffalo-at-in.html


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