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Springfest2015_4x6_012715

Suwannee Springfest Additions Include Lucinda Williams, John Hiatt,
Del McCoury & David Grisman, Hot Rize, Jeff Austin, The Duhks, Pgrass

Suwannee Springfest March 19-22, 2015
at The Spirit of Suwannee Music Park in Live Oak, FL


Suwannee Springfest 2015 Lineup Additions:
Lucinda Williams
John Hiatt
Del McCoury & David Grisman
Hot Rize with Red Knuckles and the Trailblazers
Jeff Austin
The Duhks
Pgrass
Virginia Dare Devils
Whetherman
Flagship Romance
The Applebutter Express
Big Cosmo
Canary in the Coalmine
Acoustic Ensemble

In addition to the already announced line-up of:
The Wood Brothers, Shovels and Rope, Keller Williams and The Travelin’ McCourys, The Infamous Stringdusters, Blind Boys of Alabama, Donna The Buffalo, Larry Keel Experience

www.suwanneespringfest.com

Live Oak, FL — On March 19-22, 2015, the 19th annual Suwannee Springfest kicks off the spring festival season at The Spirit Of Suwannee Music Park in Live Oak, FL. A gem of a festival with beautiful early spring weather in a stunning natural setting, Suwannee Springfest is thrilled to announce a few additions to the already stellar lineup. Additions include Lucinda Williams, John Hiatt, Del McCoury & David Grisman, Hot Rize with Red Knuckles and The Trailblazers, Jeff Austin, The Duhks, Pgrass, Virginia Dare Devils, Whetherman, Flagship Romance, The Applebutter Express, Big Cosmo, Canary in the Coalmine, and Acoustic Ensemble.

Bands that have already been announced to perform are The Wood Brothers, Shovels and Rope, Keller Williams and The Travelin’ McCourys, The Infamous Stringdusters, Blind Boys of Alabama, Donna The Buffalo, Larry Keel Experience, Cabinet, Jim Lauderdale, Verlon Thompson, The Seth Walker Band, Fruition, Town Mountain, Joe Craven, amongst others.

Festivalgoers experience four days of superb music in the midst of a friendly, family-style environment with good times including music from usual festival favorites, as well as lots of talented new faces in Bluegrass & Newgrass, Acoustic Blues, Roots Rock, Singer/Songwriter, Cajun/Zydeco, New & Traditional Folk and other forms of American Roots music.

Along with the camping, there are nearly 12 miles of trails suitable for hiking, biking, horseback riding and nature exploring. For RV hook ups, cabin rentals and golf cart rentals, please call SOSMP at (386)364-1683. SOSMP is located between Jacksonville, Florida & Tallahassee, Florida about 30 minutes south of the Georgia State line, about 45 minutes north of Gainesville and is host to  a variety of events including Wannee, Magnolia Fest, Bear Creek Music and Arts Festival, Hulaween, and Aura Music Festival amongst others. Please visit the park’s web site at www.musicliveshere.com or call them at 386-364-1683 for information.

Get your tickets in advance for Suwannee Springfest and save for $160 until February 28th; $175 from March 1st through March 18th; and $200 at the gate. Individual day tickets are also available. Student / Military Ticket $150 Advance. Tickets are inclusive of all taxes and fees, and include 4 days of primitive camping and music Thursday – Sunday nights. Kids under 12 are invited to join for free. Attendees can also upgrade for a VIP Experience which includes a four-day ticket with primitive camping, dinners Thursday – Saturday evenings, a VIP Laminate, a swag bag with the festival poster, a cap, and other goodies for $300 through February 15th ($350 from 2/16 on and at gates. If you purchase a VIP Ticket you will be entered into a drawing for a pair of upgraded All Access Passes. Please visit SuwanneeSpringfest.com for ticketing and other information.

Suwannee Springfest Final 2015 Lineup
Lucinda Williams
John Hiatt
Del McCoury & David Grisman
The Wood Brothers
Shovels and Rope
Hot Rize with Red Knuckles and The Trailblazers
Keller Williams and The Travelin’ McCourys
The Infamous Stringdusters
Jeff Austin
Blind Boys of Alabama
Donna The Buffalo
Larry Keel Experience
Cabinet
Jim Lauderdale
The Duhks
Verlon Thompson
The Seth Walker Band
Fruition
Town Mountain
Joe Craven
Dread Clampitt
Pgrass
Shinyribs
Jon Stickley Trio
The Shook Twins
Taylor Martin’s Acoustic Band
Ralph Roddenbery Band
Grandpa’s Cough Medicine
Virginia Dare Devils
Whetherman
Flagship Romance
The Applebutter Express
Sloppy Joe
Nikki Talley
Big Cosmo
Canary in the Coalmine
Grits & Soul
Quartermoon
The Josh Daniel/Mark Schimick Project
Steve Pruett’s Back from the Brink
Oak Hay
Short Straw Pickers
Sarah Mac Band
Acoustic Ensemble

Further information can be found at suwanneespringfest.com.
Also visit us at facebook.com/suwanneespringfest, twitter.com/SuwanneeSpring and instagram.com/SuwanneeSpringfest.

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The Honeycutters Release NEW Album “When Bitter Met Sweet”

The Grey Eagle
Saturday, May 5th
Moses Atwood Opens
Doors 7pm, Show starts at 8pm
$8 adv/ $10 at door
185 Clingman Ave. 28801
828-232-5800

In a world that is becoming increasingly digitalized and impersonal, the Honeycutters are building a reputation based on live performance and songs that tend to stick with you. Fitting into Americana realm, Mountain Xpress’s Alli Marshall calls The Honeycutters’ sound, “Old school country in the truest sense… free of twang and ten-gallon hats but full of real emotion, family history, quick wit and strong liquor.”

In an interview with the Folk to Folk Blog, Amanda says that part of the Honeycutters appeal is that their sound harkens back to simpler, more honest times. “In times like these, people want something real,” she said. “They’re just really craving something that’s just going to connect them to that basic human pool of emotion.”

The Honeycutters are excited to introduce their second full length studio release, When Bitter Met Sweet on June 5th, 2012. They are hosting their Asheville CD release show at the Grey Eagle on Saturday, May 5th. Copies of the album will be available at the show. Moses Atwood opens the show, which starts at 8pm sharp. The Honeycutters will also be making an appearance on WNCW’s Studio B during the 11 o’clock AM hour on Thursday, May 3rd… tune in at http://wncw.org.

Like their first release, Irene, When Bitter Met Sweet features singer/songwriter Amanda Anne Platt, who has been hailed as “one of the best songwriters coming out of WNC these days” by WNCW programming director Martin Anderson. Peter James accompanies her on lead and rhythm guitar as well as harmony vocals. They are backed up by Tal Taylor’s signature mandolin playing, Ian Harrod on bass, and Jon Ashley on drums creating an original brand of Americana that has proved equally appealing to both the musician and the music lover, the country and the city, and the old and the young.

Platt’s songs are shaped by a raw honesty that comes straight from the heart and emits a sort of melancholy happiness. The album features 11 tracks that touch upon childhood and loss of innocence, finding a sense of belonging and one’s voice, truth, love and patience, traveling and embarking on new life-journeys (and the fears that go along with these), and the understanding that comes about when life’s circumstances come full circle.

The title track, “When Bitter Met Sweet” is a song about the end of love looking back at the beginning.  Platt says, “I think it’s important not to lose sight of what was good about something even if it is ending.” “For Eleanora,” was inspired after reading a biography of Billie Holiday and reflects on a similar thought of polarities that, “It seems like so often the partners of extreme talent and specialness are self-destruction and doubt.”

The song “90 Miles (The Tennessee Song)” is featured on Blue Ridge Outdoors Trailmix for 2012 Merlefest Artists. It was written after her first trip to International Folk Alliance in 2010, an event that can be quite overwhelming at first. An admitted introvert, Amanda was faced with the challenges of how to be heard amongst all of the activity of events such as these. And make herself heard is exactly what she went on to do; becoming a finalist at 2011 Merlefest’s Chris Austin songwriting contest for her song song “Little Bird” (unrecorded). She was asked to return as a guest judge for the contest, along with Jim Lauderdale, for the 2012 Merlefest (Where The Honeycutters will also be performing a few sets this year). The same song won first place in the Great Lakes Song Contest in February 2012.

“All I Got, ” is a song Amanda calls, “a love song I wrote a long, long time ago, before I had actually ever been in love” and was selected for WNCW’s 2010 Crowd Around the Mic Vol. 14.

“Fancy Car” features Platt’s father on harmonica. He also sits in on “Not Over Yet”  which she says that when she sings it she imagines a child leaving home for the first time, wanting freedom but scared of what it might cost.

When Bitter Met Sweet was co-produced by Amanda and Peter with the assistance of Aaron Price, and was recorded at Echo Mountain Studios in Asheville, NC after securing funding through a successful Kickstarter campaign. Along with the full band, many special guests make appearances on the album including Matt Smith (pedal steel and dobro), Nicky Sanders (fiddle), Mark Platt (harmonica), Je Widenhouse (coronet), and on drums Mike Rhodes and Richard Foulk and for various songs. The album was engineered (and partially mixed) by Jon Ashley with the assistance of Julian Dreyer, mixed by John Keane and mastered by Dave Harris at Studio B Mastering in Charlotte, NC.

Their first full length studio release Irene, released in May 2009, has landed them in Ian Hughes’ NoDepression Podcast’s Top 20 of 2009, Fret Knot Radio Hour’s “Nine you need to know from ’09”, and #32 in WNCW’s listener voted Top 100 of 2009.

Since putting out Irene the Honeycutters have shared the stage with such Americana favorites as Tony Rice, The Greencards, Jill Andrews, The Steep Canyon Rangers, Donna the Buffalo, and The Seldom Scene.  They have been voted Western North Carolina’s favorite local Americana act (2011 Mountain Xpress reader’s poll) and delighted audiences from upstate New York to Seattle, Washington. They are currently touring around the release of When Bitter Met Sweet.

Stay tuned to thehoneycutters.com for more news about the album and their tour.

What the Press is saying about The Honeycutters:

“I can see a day when her name is mentioned alongside Lucinda Williams, Mary Gauthier and Gillian Welch.  She’s just that good.” —The Real Southern

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“They’ve got a sound as classic as grits… I thought of those country songs that play on those diner jukeboxes you see in movies.” –Charlotte’s Creative Loafing

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“Amanda Platt’s striking, timeless vocals form the cornerstone of her often heart-wrenching songs, while producer Pete James’ understated guitar and gentle harmonies round out the duo’s saccharine-sweet mix.” –Dane Smith, Mountain Xpress

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“Amanda’s lyrics are both sardonic and sweet, which adds a contemporary element to their country twanged Americana sound [which] is more influenced by the harmonic tendencies of country singers like Johnny Cash and June Carter” —Folk to Folk Blog.

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“I recommend the Honeycutters not only because they’re some of the best my hometown of Asheville, NC, has to offer. Their music embodies a very catchy, accessible, optimistic sort of spirit so frequently lacking in folk circles (where brooding, hyper-analytical music reigns supreme). What’s more, like Carolina Story, they’re a great band replete with tasty harmonies.” –Kim Ruehl, Folk Music About.com

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“If anyone can make this old metalhead want to whip out the cowboy boots and hat, order a couple of Budweisers and spin my woman around the dance floor, the Honeycutters can.” –Brent Fleury, Bold Life Magazine

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“Amanda’s voice sings like Carolina farmlands after a rainstorm” –Harvey Robinson, Monkeywhale productions

www.thehoneycutters.com

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Intimate interview with Tara Nevins on the making of the song “Tennessee River” off the new album “Wood and Stone” (Sugar Hill 2011)

Filmed and produced by JAMerica‘s Peter Conners and Denver Miller


“‘Stars Fell On Alabama’ is Tara’s version of an old standard, while ‘Tennessee River’ sounds like she’s written a new standard.” – Hudson Valley Bluegrass Association

“The highlight of the record, though, might be “Tennessee River”, a song that again sees Nevins turning introspective as crunchy, distorted guitars creak in the background a la 1970s Neil Young. In fact, this song could easily be an outtake from Everybody Knows This Is Nowhere, with a different vocalist. Again, the disparate elements come together powerfully to provide a neat bookend for the hard-charging opening track. At five minutes, it’s the longest song on the album and one of its most satisfying. “ – David Maine, Pop Matters

“Two surprises on the album are “Stars Fell on Alabama,” in which Nevins turns the ‘30s jazz standard into a bleak, gothic soundscape, and “Tennessee River,” an even more desolate turn recalling the best of Lucinda Williams.” – Aaron Keith Harris, Lonesome Road Review

“‘Tennessee River,’ a dark and gripping song about love’s place in ones’ life, features Campbell’s harrowing, electric guitar wails.” – Bill Clifford – Relix

“If heroes and heroines of rock ‘n’ roll are defined by their uniqueness, they definitely broke the mold when they made Tara Nevins.” – Wildman Steve, The Corner News

“‘Wood and Stone’ is strangely hypnotic at times, with its mesmerizing rhythms and Nevins’ relaxed but commanding delivery. The beautifully dark “Tennessee River” and her cover of the jazz standard, ‘Stars Fell On Alabama,’ are entrancing and highlight Nevins’ beautiful voice” – Boone Mountain Times

“Tara channels swampy accordion and mountain fiddles through a set of songs about heartaches and a longing for the sanctity of family values and a simple home life. The chemistry between Nevins and Campbell cooks up a powerfully convincing sound through tracks like Down South Blues, The Wrong Side and You’re Still Driving That Truck as the duo’s varied strings entwine. But the star turn is the brooding Tennessee River with its big, fat, shimmering guitars and broken heart laid bare. Terrific.” – Properganda

“With the wonderful fiddle groove and vividly written lyrics, Nevins gives a glimpse into her roots. Stepping out for a rare solo record (beyond her beloved band, Donna the Buffalo), she meshes her Cajun influences, unique voice, drums and steel guitars for an intriguing look at her heritage.” – CMT

“A tour de force from start to finish” – Kay Cordtz, Elmore

Visit Tara Nevins website www.TaraNevins.com for more information about the album, a gallery of images, videos, music, and lyrics.

JAMerica is is dial book/ documentary film project that will tell the story of the roots and evolution of the Jam and Festival Scene. Visit www.jamerica.net

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