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TaylorMartin_SongDogs_CoverArt_2018

Taylor Martin Releases Song Dogs on November 16 on Little King Records
Produced by Amanda Anne Platt at Sound Temple Studios in Asheville, NC
Featuring Members of Amanda Anne Platt & The Honeycutters, Mountain Heart, and more


First Single: “Little Pictures” Available Now →  https://taylormartin.hearnow.com/little-pictures

More about Taylor Martin at https://about.me/songdogs

ASHEVILLE, NC — Taylor Martin brings you music with a beating heart; his raspy, emotion filled voice is instantly recognizable and his lyrics have an unflinching sincerity. Martin releases his third album, Song Dogs November 16, 2018 on Little King Records. On it, he spins tales of the highway, homes, lost love, love regained, redemption, and the overuse of cell phones. The Honeycutters’ Amanda Anne Platt took the lead as Music Producer (along with adding harmony vocals on a handful of songs) with the help of Co-Producer and Engineer, Robert George, and Martin’s visions for the album. The album was recorded at Sound Temple Studios in Asheville, North Carolina.

“Taylor Martin is a killer songwriter,” declares Platt. “He’s got a great sense of melody and an ability to write classic, accessible songs about things we all take for granted. It’s also to his credit that he hits all sides of the spectrum– there are toe tappers and tear jerkers on this album and everything in between. I’m a big fan of the saying, ‘Great songs produce themselves,’ I certainly found that to be true in working with Taylor.”

The album’s bluesy opener “Little Pictures” tips the brim to people like Professor Longhair while having a contemporary social commentary. The song is what Martin calls his, “observation of people being lost to reality and the death of empathy and the human experience. People being on cell phones too much are missing out on the beauty of the world.” It also invites the listener to put down their electronics and sink further into the experience of the album. Americana Highways premieres the official music video for “Little Pictures and write, “The song rings instantly familiar and simplifies a complex message in clear lyrical fashion, over catchy, punchy, piano-prominent rhythms.”

A resident of Asheville, North Carolina since 2004, Martin has been creating music since 1994. He blends musical styles: the approach to music he grew up with in Richmond, Virginia; the western spirit he experienced living five years in Paradise, Utah; and the sounds of southern rock, country, and rhythm n’ blues.

The album features some of the finest, most innovative musicians in acoustic music today including, not only The Honeycutters’ Amanda Anne Platt, but also their guitarist and pedal steel player, Matthew Smith. Mountain Heart’s Aaron Ramsey (mandolin, acoustic guitar) and Josh Shilling (Piano, B3, Wurlitzer) perform on much of the album along with Jon Stickley Trio’s Lyndsay Pruett on fiddle. Drummer Richie Jones [Ralph Roddenbery, Donna Hopkins Band] and bassist Matt Dufon perform on all eleven tracks. Asheville guitar legend, Aaron “Woody” Wood, takes the lead on acoustic and electric guitars on a handful of tracks, GRAMMY winner Debrissa McKinney (Secret Agent 23 Skidoo, Empire Strikes Brass) lends harmony vocals on a song and Phil Alley adds some texture with his Telecaster on a track.

“I was supported by mostly local musicians for Song Dogs, says Martin. “Josh came in from Nashville and Richie came from Atlanta, but other than that it’s all friends from Asheville. There’s a lot of love on this record. Having close friends record with you really helps the album go deeper.”

“Working on Taylor’s albums has always been an awesome process,” says Josh Shilling.  “His distinct melodies, chord progressions, and organic recording approach create a unique and extremely vibey song and sound. His ability to pull the perfect band together makes the recording sessions feel amazing, and I love that he’s seeking emotional, human performances more than perfect performances. There’s some grit and soul on this record that feels like it came from another time and place… perhaps an Allman Brothers or Leon Russell time and place.”

“I’ve always tried to write from the heart and to do that there just has to be a story underneath,” says Martin. From the catchy “Here Comes The Flood” to the mellow and rolling “Eden Colorado” (with Wood’s expansive guitar solo and the delicate interplay of Smith’s pedal steel) to the dreamlike “Second Sight (with it’s lucid surf tones and Pruett’s orchestral string arrangement) to the more pop-oriented “Hollywood” (featuring McKinney on harmony vocals), the album will have you hooked.

Our Memories” is a lonesome duet that reflects on remaining in a home after the love has moved out and the remnants are left behind; Martin and Platt’s vocals intermingle with the sultry fiddle and pedal steel melodies of Pruett and Smith. Another duet with Platt, “Milk and Honey” features Aaron Ramsey on mandolin and is a love song that written over the course of many years to express that even in this numbing technological age people can still be in love in the land of milk and honey.

There are three covers on the album including Bob Dylan’s nostalgic “Sign on the Window [New Morning], an upbeat and slightly cajun version of Neil Young’s poignant “Music Arcade[Broken Arrow], and Merle Haggard’s song of tragic loss, “Kern River.”

The album’s title track, “Song Dogs,” lands as the final track and features Shilling on piano paired with Smith’s pedal steel. Martin says, “I spend a ridiculous amount of time in the woods alone. Usually right before dark the coyotes will begin to howl to find each other for the nights hunt. One such evening I wrote these lyrics about the loneliness of the modern age and how difficult it is to ‘stay’ when your heart is restless. And the remorse after you’ve gone too far… I sure do identify with those animals at dusk.”

“Taylor Martin is a singer-songwriter who will remind you of everything good from Tom Waits to the Everly Brothers or the Avett Brothers with some surf rock thrown in. Well-sung, well-played, well-written and relevant…” writes Asheville Citizen Times.

Asheville’s veteran songwriter is just below the forty mark with a bright future as a songwriter and performer ahead of him. Although as jaded and bitter as some road worned heroes, Martin finds refuge in a good sense of humor. “I would have been a terrible dentist,” he laughs. “I’m here, music is why, this is Earth, let’s make more music.”

Taylor Martin – Song Dogs Track Listing

  1. Little Pictures   3:34
  2. Here Comes the Flood    2:59
  3. Eden Colorado   3:17
  4. Music Arcade [Neil Young] copyright Silver Fiddle Music   4:25
  5. Second Sight   3:41
  6. Hollywood   3:41
  7. Our Memories   3:49
  8. Kern River [Merle Haggard] copyright Mt. Shasta Music   4:00
  9. Milk and Honey   3:22
  10. Sign on the Window [Bob Dylan] copyright Big Sky Music   3:39
  11. Song Dogs   4:49

    MUSICIAN CREDITS
    Taylor Martin – Lead Vocals, Acoustic Guitar (all)
    Richie Jones – Drums, Aux Percussion (all)
    Matthew Dufon – Bass (all) Harmony Vocals (2,10)
    Aaron Woody Wood – Acoustic Guitar (3,8), Electric Guitar (5, 6,10)
    Matthew Smith – Electric Guitar (1, 2), Pedal Steel (3,7,8,11)
    Aaron Ramsey – Acoustic Guitar (2,4,7,9,10), Mandolin (9)
    Josh Shilling – Piano (1,2, 6,7, 8,10,11), B3 (1,2,5,6,7,10), Wurlitzer (5)
    Phil Alley – Telecaster (7)
    Lyndsay Pruett – fiddle (4,5,7,8)
    Amanda Anne Platt – harmony  vocals (2,4,7,9,10)
    Debrissa McKinney – harmony vocals (6)

    Recorded @ Sound Temple Studios in Asheville, NC
    Recorded & Mixed by Robert George
    Produced by Amanda Anne Platt
    Co-Produced by Robert George & Taylor Martin

    For more information and tour dates, please visit www.TaylorMartin.org and www.facebook.com/taylormartin.org and www.twitter.com/song_dogs.

 

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TaylorMartin-PhotoByScottWoody2 Taylor Martin’s Album Release Celebration at Isis on Sat, Jan 10, 2015
8:30 PM show/ 5pm doors; $8 Advance / $10 At the Door
General Admission Seated Show :: Limited Tables Available with Dinner Reservations.
There will also be theater-style & balcony seating and standing available on a first come first serve basis

Isis Music Hall
828-575-2737
743 Haywood Road Asheville, NC 28806
http://isisasheville.com/events/taylor-martin-cd-release-celebration/

Taylor Martin’s Album Heartache or Bust Features Stuart Duncan, Cody Kilby, Aaron Ramsey & more
Honest and Raw Tales of Love, Barroom Nights & Heartache
Overlaid Onto a Tapestry of Stringed Instruments along with B3 Hammond, Drums & Horns

For the past ten years in Asheville’s own Taylor Martin has been one of the area’s premier singer-songwriters. His raspy, emotion filled voice is instantly recognizable and his lyrics have an unflinching sincerity. Taylor has released a new record — Heartache or Bust — featuring Grammy winning artists Stuart Duncan and Cody Kilby as well as members of bluegrass supergroup, Mountain Heart.

To recreate these recordings in a live setting as Taylor Martin’s Acoustic Band, Martin has assembled some of the finest instrumentalist in Western North Carolina. The Indomitable Lyndsay Pruett on fiddle, bluegrass ninja Drew Matulich on mandolin, and Rick Cooper (of The Honeycutters) on upright bass. They will be performing at Isis Music Hall in Asheville on Saturday, Jan 10, 2015 to celebrate the release of Heartache or Bust. Joining the band as special guest for the evening are also Josh Milligan (The Honeycutters) on drums, as well as other special guests. “Taylor’s songwriting and taste in good music definitely add strength to the reputation the Asheville area has for having one of the best music scenes in the country. Heartache Or Bust has got some great new songs on it” says WNCW’s Martin Anderson.

“After 2009’s Engine, I wanted to put out an album which would contain material that had a chance to mature through live performances.” Taylor Martin goes on to say, “The songs were coming fast and I wanted the recording to happen with the same intensity. With the help of my co-producer and engineer Eric Willson (Omni Records), I was able to gather some of my favorite local and national musicians and lay down the initial tracks in Echo Mountain Studio while they were feeling new and very inspired.” Much of the album was  recorded at Omni Artist Studios where the album was mastered and there is also one live track mixed in. There is one cover on the album “Once in a While” and was sung by Taylor’s grandfather Jack Baldwin. He recorded his vocals and piano in the late 1940s and Taylor decided to add some the instruments that would have been typically used in his day.

heartache_600-410x410In the release of Heartache or Bust, Taylor Martin has created a wonderfully written, beautifully played, and well-recorded mix of fresh original music. All twelve tunes are played by some of the finest, most cutting edge musicians in acoustic music today — Stuart Duncan on fiddle, Cody Kilby (Ricky Skaggs) on acoustic and electric guitars, and Aaron Ramsey (Mountain Heart) on bass guitar, bouzouki, banjo, mandolin and dobro. The album also features tracks with Acoustic Syndicate’s Jay Sanders on bass; John Gardner on drums (James Taylor, Don Williams); Josh Shilling on B3 hammond, piano, and vocals; Drew Matulich on guitar; as well as wonderful vocalists, Molly Cherryholmes and Rorey Carroll amongst other musicians.

Even with all that studio musician prowess, the recording avoids the common pitfalls of “music business slickness” and “corporately modified arrangements.” While the songs are simple, they’re not simplistic. Engaging melodies, lyrics, bass guitar lines, and sonic choices allow the songs to breathe and maintain their evident roots influences of folk-rock and newgrass, and are topped off with the sweet singer-songwriter delivery of Martin’s adept vocals. This record covers a wide range of emotions and tells a story throughout to give the listener something new to hear with each track.

The sound is big but never loud, an almost living room rock ensemble that could fill both a small club and large theatre; a sonic balance hard to achieve in an acoustic ensemble with drums, yet they’ve done it. That the music is played together in ensemble fashion creates a kind of mountain-top chamber orchestra feel to some of the tunes. Martin’s singing is about the song. His voice is tender, vulnerable, and honest in nature, never losing the “eye contact” in his vocal delivery, a quality that is his hallmark throughout the recording. Acclaimed banjoist, Jeff Mosier, calls the album “one of the most fresh, organic, and original collections…I have heard in a long time…”

The lyrics are modern, yet firmly rooted in the deep traditions of Martin’s extended Southern heritage. Though you can hear the influences of early pioneers like Bill Monroe, the music is definitely one of the most fresh, organic, and original collections of songs and arrangements that I have heard in a long time. It represents to me what is still yet to come from the ever growing world of new acoustic, progressive, and alternative Americana. Taylor Martin will make his mark with this terrific work of original acoustic music. Taylor Martin says the album is ,”an invaluable lesson in songwriting: rely more on personal experience than on imagination….it was a real artistic awakening for me.”

For more about Taylor Martin, please visit www.TaylorMartin.org

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