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Photo by John D Kurc

Tara Nevins
North Shore Point House Concerts 10 year Anniversary Show
Saturday, June 11th, 2011

8pm
The donation to the artist is $20.

Norfolk, Virginia

Anyone interested in attending should email jim@northshorepoint.com or visit www.northshorepoint.com

American roots traditionalist Tara Nevins recently released Wood and Stone, her first solo album since Mule to Ride in 1999. Wood and Stone showcases her ever-evolving repertoire as she journeys both back to her own “roots” and head-long into new territory. In support of the new album, Nevins will be performing at the ten year anniversary show for North Shore Point House Concerts on Saturday, June 11th at 8pm in Norfolk, VA.  Anyone interested in attending should email jim@northshorepoint.com or visit www.northshorepoint.com

North Shore Point’s first show in 2001 was with Dave Carter and Tracy Grammer (the second was with Steve Forbert). They’ve hosted well more than 60 shows over the years with folks like Jim Lauderdale, Eliza Gilkyson, Marshall Crenshaw, Jimmy LaFave, Kim Richey, Steve Forbert, Tom Russell, Dave Alvin, Chris Smither, Peter Case, Mary Gauthier, and dozens of others. It’s generally considered one of the more successful series in the country so come out and celebrate!

Fans of Nevins from her 21-year tenure with Donna the Buffalo are familiar with her versatile talents; she shares the vocal and songwriting responsibilities for the band and is a stellar musician on fiddle, guitar, and accordion. (She plays a mean scrubboard too.) Prior to DTB, Nevins was a founding member of the all-female, old time/Cajun band The Heartbeats. (They join her on two tracks here as well.) Wood and Stone delivers the musical expertise fans have come to expect and surprises with new perspectives.

“This album is personal and sort of revelatory,” Nevins says. “It’s an expression of recent emotional discovery within relationships lost and found, and how knowing the core of who we are is the real deal. There were so many elements I wanted to explore—to combine all the pieces of my personal musical puzzle–and then have it come together in a cohesive whole. I feel so fortunate to have had the opportunity to work with Larry Campbell. I am honored to have had him both produce and play on my record. He’s an amazingly talented and soulful musician. He has a very natural, down-to-earth approach and an instinctual insightfulness that I really appreciate; he really got what I was after. The whole experience was inspiring and challenging in a very positive way.”

Campbell is a much-sought-after musician/producer renowned for his work with Bob Dylan and still rolling from the success of Levon Helm’s two Grammy- winners, Dirt Farmer and Electric Dirt, which he produced. He found Nevins’s project immediately compelling. “I liked the feel of the project– her combination of old-time mountain music and original songwriting—and I was taken with Tara’s unique talent; she’s got a distinctive voice—there’s a kind of honesty that shines through.”

The record kicks off with the title cut “Wood and Stone,” and that “honest” element is readily apparent in this touching tribute to home and family. Old-timey acoustics are quickly joined by drums and steel guitars as Nevins sings about “the better part of me” regarding her upbringing and early influences. “It’s got that magical blend of music and lyrics,” Campbell says of it, “and it really paints a picture of where she comes from.”

Ten of the thirteen tracks are originals, and Nevins’ complexity gets a broad stage. She dispenses wit and wisdom with an atypical take on love and relationships through gritty songs such as “You’ve Got It All” and “You’re Still Driving That Truck,” then turns to wrenching hearts with songs like “Snowbird” (accompanied by Jim Lauderdale), a beautiful metaphorical ballad about the pain of loving someone unable to truly give back, and “Tennessee River,” a haunting, gripping song about the stranglehold love can have over a person’s whole existence. “Stars Fell on Alabama” sounds like it fell from her heart and pen too, but Nevins has the capacity to take a well-known standard like this, change the melody, and perform it so ingenuously that it fits in seamlessly to the whole groove of the record.

The record is “framed” by another nostalgic piece, “The Beauty of the Days Gone By” (by Van Morrison), bringing the record full-circle and serving as a sort of catharsis for the dark tone of “Tennessee River”. “I wanted to end the record with it,” Nevins explains, “because I love the sentiment of the song and it’s kind of like ‘the sun always comes back out’ kind of thing. We grow and learn and take our relationships with us for better and for worse and that’s life in all its beauty and glory.”

Nevins’ rare blend of enormous talent coupled with genuine down-home humbleness has won the hearts of fans and colleagues alike. “Tara has this worldly awareness combined with a fragile innocence,” Larry Campbell notes, “which makes her songwriting and music very accessible…very appealing.” Wood and Stone is sure to add to that appeal. Visit Nevins’ website at http://taranevins.com to read the song lyrics, see a photo gallery, listen to the songs and more.

North Shore Point House Concerts

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Celebrated Donna the Buffalo artist, Tara Nevins, will be performing at Levon Helm’s Midnight Ramble on Saturday, May 28th
! Release of Introspective Solo Album “Wood and Stone” produced by Larry Campbell

Tara Nevins
Midnight Ramble

Levon Helm Studios
Saturday, May 28, 2011

Gates open at 6pm, studio doors open at 7pm and the show starts at 8pm
STANDING ROOM ONLY!!

160 Plochmann Lane
Woodstock, NY 12498
845.679.2744
http://levonhelm.com/midnight_ramble.htm

For ticket rates and to order, visit: http://levonhelm.com/store/page4.html
***************************************************
Buy the album:
Itunes: http://www.itunes.com/taranevins
Amazon: http://amzn.to/lcEglg
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American roots traditionalist Tara Nevins releases an exploration of her own heritage, musical and otherwise, in Wood and Stone, her first solo album since Mule to Ride in 1999, both on Sugar Hill Records. Wood and Stone showcases her ever-evolving repertoire as she journeys both back to her own “roots” and head-long into new territory. Set for a May 3rd release, the album was produced by Larry Campbell and recorded at Levon Helm Studios in Woodstock, NY, the home of the Ramble! Featured guests on the album include Levon Helm, Jim Lauderdale, Allison Moorer, Teresa Williams, The Heartbeats, along with the core band of Larry Campbell, Justin Guip, and Byron Isaacs.

Nevins will be performing a set of music from the new album at the Midnight Ramble on Saturday, May 28th. Joining Tara on stage will be Larry Campbell, Justin Guip, Byron Isaacs, Teresa Williams, and The Heartbeats. Shows at the Ramble are personal and intimate, casual and friendly, and always very special. Levon Helm and his fellow musicians play with such joy, energy and enthusiasm at each Ramble, you will find it difficult not to fly out of your seat!

Fans of Nevins from her 21-year tenure with Donna the Buffalo are familiar with her versatile talents; she shares the vocal and songwriting responsibilities for the band and is a stellar musician on fiddle, guitar, and accordion. (She plays a mean scrubboard too.) Prior to DTB, Nevins was a founding member of the all-female, old time/Cajun band The Heartbeats, who also join her on two tracks of the album. Wood and Stone delivers the musical expertise fans have come to expect and surprises with new perspectives.

“This album is personal and sort of revelatory,” Nevins says. “It’s an expression of recent emotional discovery within relationships lost and found, and how knowing the core of who we are is the real deal. There were so many elements I wanted to explore—to combine all the pieces of my personal musical puzzle–and then have it come together in a cohesive whole. I feel so fortunate to have had the opportunity to work with Larry Campbell. I am honored to have had him both produce and play on my record. He’s an amazingly talented and soulful musician. He has a very natural, down-to-earth approach and an instinctual insightfulness that I really appreciate; he really got what I was after. The whole experience was inspiring and challenging in a very positive way.”

Campbell is a much-sought-after musician/producer renowned for his work with Bob Dylan and still rolling from the success of Levon Helm’s two Grammy- winners, Dirt Farmer and Electric Dirt, which he produced. He found Nevins’s project immediately compelling. “I liked the feel of the project– her combination of old-time mountain music and original songwriting—and I was taken with Tara’s unique talent; she’s got a distinctive voice—there’s a kind of honesty that shines through.”

The record kicks off with the title cut “Wood and Stone,” and that “honest” element is readily apparent in this touching tribute to home and family. Old-timey acoustics are quickly joined by drums and steel guitars as Nevins sings about “the better part of me” regarding her upbringing and early influences. “It’s got that magical blend of music and lyrics,” Campbell says of it, “and it really paints a picture of where she comes from.”

Nevins’s rare blend of enormous talent coupled with genuine down-home humbleness has won the hearts of fans and colleagues alike. “Tara has this worldly awareness combined with a fragile innocence,” Larry Campbell notes, “which makes her songwriting and music very accessible…very appealing.” Wood and Stone is sure to add to that appeal and the Midnight Ramble on May 28th will be a wonderful place to hear it live where it was recorded nestled in the Catskill Mountains.

For Midnight Ramble information, showtimes, and tickets go to http://levonhelm.com/midnight_ramble.htm

For more information on Tara Nevins and Wood and Stone go to www.facebook.com/TaraNevins or www.SugarHillRecords.com
To watch a video interview with Nevins and Larry Campbell discussing the making of the album, visit: http://www.youtube.com/watch?v=uNjzbzzphNE

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Ready for some new music from Tara Nevins? Download a free mp3 of “Snowbird” (accompanied by Jim Lauderdale) from the new album Wood and Stone, out May 3rd. Share the widget and make a comment here: http://on.fb.me/e3lYgj for a chance to win a signed vinyl copy of the album.

Please share the widget wherever you can! No email is required for the download.

American roots traditionalist Tara Nevins releases an exploration of her own heritage, musical and otherwise, in Wood and Stone, her first solo album since Mule to Ride in 1999. Wood and Stone showcases her ever-evolving repertoire as she journeys both back to her own “roots” and head-long into new territory. Set for a May 3rd release through Sugar Hill Records, the album was produced by Larry Campbell and recorded at Levon Helm Studios in Woodstock, NY, the home of the Ramble (Where she will be performing songs from the record on May 27th)! Featured guests on the album include Levon Helm, Jim Lauderdale, Allison Moorer, Teresa Williams, The Heartbeats, along with the core band of Larry Campbell, Justin Guip, and Byron Isaacs.

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Have you Herd? Donna The Buffalo plays Colorado

Thursday – Saturday: The Sandbar Vail (4-14), The Bluebird Theatre (4-15) and The Fox (4-16)

Whitewater Ramble and The Believers open the evenings

Photo by Jim Gavenus

Sandbar Vail ~ Thursday, April 14th
970-476-4314
2161 North Frontge Road
Vail, Co 81657
~~~

Bluebird Theater ~ Friday, April 15th
(303) 377-1666
3317 E. Colfax Ave
Denver, CO 80206

~~~

Fox Theatre ~ Saturday, April 16th
(303) 447-0095
1135 13th Street
Boulder, CO 80302

Photo by Richard Allen

Donna the Buffalo’s feel-good, groove-oriented, danceable and often socially conscious music all began over twenty years ago with roots in old time fiddle music that evolved into a soulful electric Americana mix infused with elements of cajun/ zydeco, rock, folk, reggae, and country. Donna the Buffalo is known for touring the country remaining fiercely independent as one of the industry’s most diverse roots-music bands and has “earned a reputation as one of the most respected, eclectic and hardest-working acts today,” praises Encore.

The dynamic songwriting tandem of vocalists Jeb Puryear and Tara Nevins have penned over 150 songs in their collaboration with DTB and have many more in the making. Although never writing a set list for live show, the Erie Times notes, “they stick to a pattern…usually alternating between Puryear’s rhythmic, Dylan-influenced, guitar-centered songs and Nevins’ breezy, melodic, accordion-driven gems like the folksy Tides of Time and infectious Locket and Key.” As of late, Nevins and Puryear have also been known to perform as a duo on air and at live shows, which is always enjoyable to the fans to hear their favorite DtB songs in stripped down arrangments. The band’s 2008 release Silverlined, on Sugar Hill Records, rose to #8 on the Americana Music Chart and they are heading in studio this spring to work on their 10th album with the current band lineup of Puryear on guitar, Nevins on fiddle, guitar, accordion, and scrubboard, keyboardist Dave McCracken, bassist Kyle Spark, and drummer Vic Stafford.

Nevins & Larry Cambell. Photo by John D Kurc.

Co-DtB bandleader and American roots traditionalist, Tara Nevins, releases an exploration of her own heritage, musical and otherwise, in Wood and Stone, her first solo album since Mule to Ride in 1999 on Sugar Hill Records. Wood and Stone showcases her ever-evolving repertoire as she journeys both back to her own “roots” and head-long into new territory. Set for a May 3, 2011 release date, the album was produced by Larry Campbell with guests including Levon Helm, Jim Lauderdale, Allison Moorer, Teresa Williams and more.

Donna the Buffalo’s fervent fan base, self-named The Herd, follows the band with zeal and has created a unique and supportive community online and at DTB shows across the nation. Puryear declares, “The main thing I like to say about The Herd is that you don’t have to do anything to be a member. You just have to like a song.” In an interview with The Roanoke Times, Nevins conveys, “It’s a great feeling to promote such a feeling of community, like you’re really part of something that’s happening, like a movement or a positive force…All those people that come and follow you and you recognize them and you become friends with them — you’re all moving along for the same purpose. It is powerful. It’s very powerful, actually.” When asked in an interview with the Weekender in PA what new people should look forward to experiencing at a show, Nevins replied “a really friendly, comfortable crowd, and a real community-oriented, positive experience.”

***   ***   ***

The Believers

THE BELIEVERS have a serious love for old school country music. They can’t help it if they were raised on punk rock & metal. Founding members Craig Aspen & Cyd Frazzini formed THE BELIEVERS ten years ago in Seattle amid the Alt. Country- No Depression boom of that time and have been recording and performing ever since. Three albums and a decade later they’ve stayed true to their Country/ Rock /Soul sound that has earned them praise from contemporaries like Buddy Miller, Jim Lauderdale and the BBC Radio’s Bob Harris who declared them simply, “Brilliant.”

***   ***   ***

Self-described as “High-Octane Rocky Mountain DanceGrass”, WhiteWater Ramble uses a simple recipe to craft it’s sound – bluegrass instrumentation, add drums, and a boundary-less approach to grassing-up everything from disco house grooves to roots Americana. The Colorado-bred quintet combines the elements of Mandolin, Fiddle, Acoustic Guitar, Upright Bass, Drums and Vocals to explore the musical boundaries of multiple genres to fuel their own mixture of original music and innovative cover song interpretations. Whether playing an intimate encore, acoustic and unplugged in the crowd, or surfing on top of the upright bass, WhiteWater Ramble delivers a powerful and memorable live performance.

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Celebrated Donna the Buffalo artist releases introspective solo album produced by Larry Campbell with guests including Levon Helm, Jim Lauderdale, Allison Moorer, Teresa Williams and more…

Nashville, TN—March 7, 2011 – American roots traditionalist Tara Nevins releases an exploration of her own heritage, musical and otherwise, in Wood and Stone, her first solo album since Mule to Ride in 1999. Wood and Stone showcases her ever-evolving repertoire as she journeys both back to her own “roots” and head-long into new territory.

Tara Nevins. Photo by John D Kurc

Fans of Nevins from her 21-year tenure with Donna the Buffalo are familiar with her versatile talents; she shares the vocal and songwriting responsibilities for the band and is a stellar musician on fiddle, guitar, and accordion. (She plays a mean scrubboard too.) Prior to DTB, Nevins was a founding member of the all-female, old time/Cajun band The Heartbeats. (They join her on two tracks here as well.) Wood and Stone delivers the musical expertise fans have come to expect and surprises with new perspectives.

“This album is personal and sort of revelatory,” Nevins says. “It’s an expression of recent emotional discovery within relationships lost and found, and how knowing the core of who we are is the real deal. There were so many elements I wanted to explore—to combine all the pieces of my personal musical puzzle–and then have it come together in a cohesive whole. I feel so fortunate to have had the opportunity to work with Larry Campbell. I am honored to have had him both produce and play on my record. He’s an amazingly talented and soulful musician. He has a very natural, down-to-earth approach and an instinctual insightfulness that I really appreciate; he really got what I was after. The whole experience was inspiring and challenging in a very positive way.”

Campbell is a much-sought-after musician/producer renowned for his work with Bob Dylan and still rolling from the success of Levon Helm’s two Grammy- winners, Dirt Farmer and Electric Dirt, which he produced. He found Nevins’s project immediately compelling. “I liked the feel of the project– her combination of old-time mountain music and original songwriting—and I was taken with Tara’s unique talent; she’s got a distinctive voice—there’s a kind of honesty that shines through.”

The record kicks off with the title cut “Wood and Stone,” and that “honest” element is readily apparent in this touching tribute to home and family. Old-timey acoustics are quickly joined by drums and steel guitars as Nevins sings about “the better part of me” regarding her upbringing and early influences. “It’s got that magical blend of music and lyrics,” Campbell says of it, “and it really paints a picture of where she comes from.”

Ten of the thirteen tracks are originals, and Nevins’s complexity gets a broad stage. She dispenses wit and wisdom with an atypical take on love and relationships through gritty songs such as “You’ve Got It All” and “You’re Still Driving That Truck,” then turns to wrenching hearts with songs like “Snowbird” (accompanied by Jim Lauderdale), a beautiful metaphorical ballad about the pain of loving someone unable to truly give back, and “Tennessee River,” a haunting, gripping song about the stranglehold love can have over a person’s whole existence. “Stars Fell on Alabama” sounds like it fell from her heart and pen too, but Nevins has the capacity to take a well-known standard like this, change the melody, and perform it so ingenuously that it fits in seamlessly to the whole groove of the record.

The record is “framed” by another nostalgic piece, “The Beauty of the Days Gone By” (by Van Morrison), bringing the record full-circle and serving as a sort of catharsis for the dark tone of “Tennessee River”. “I wanted to end the record with it,” Nevins explains, “because I love the sentiment of the song and it’s kind of like ‘the sun always comes back out’ kind of thing. We grow and learn and take our relationships with us for better and for worse and that’s life in all its beauty and glory.”

Nevins’s rare blend of enormous talent coupled with genuine down-home humbleness has won the hearts of fans and colleagues alike. “Tara has this worldly awareness combined with a fragile innocence,” Larry Campbell notes, “which makes her songwriting and music very accessible…very appealing.” Wood and Stone is sure to add to that appeal.

www.sugarhillrecords.com

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Donna the Buffalo is on for a great weekend heading through Nashville, Greensboro, and Asheville. There are lots of great interviews for the shows which are posted below. Co-band leader, Tara Nevins, kicked of the day yesterday with a solo studio session on the Lightning  100 with Lt Dan. Then the band went over to the Loveless Barn for a Music City Roots performance with other amazing artist including  Catie Curtis, The Cleverlys, The Black Lillies, and Rayland Baxter. Check out some wonderful pics from the night here.

DtB will be playing on Cannery Street tonight in Nashville at the Mercy Lounge with the Roy Jay Band, who is on the road with DtB for several shows this winter. Here’s a nice writeup in the Nashville Scene by Edd Hurt about the show:

Photo by Jim Gavenus

Folkies with a superior sense of rhythm are rare enough, but folkies with a good beat and a healthy disrespect for eclectic clichés are a national treasure. Hailing from the metropolis of Trumansburg, N.Y., Donna the Buffalo began playing their mixture of country, soul, zydeco and folk 20 years ago, and they’ve never sounded better. On their 2008 full-length Silverlined, songwriters Tara Nevins and Jeb Puryear came up with such great songs as “Biggie K,” which may be the finest tune ever written about childbirth: “Though her stomach’s stretched and pulled / She’s never been more beautiful.” The quintet’s easy way with American roots music suggests a fusion of Brinsley Schwarz and The Holy Modal Rounders, and they make music that’s beautiful but never prettified. They say they have a couple of projects in the works, including a full-band effort and a solo record by Nevins.  Read the original post at nashvillescene.com.

On Friday, January 28th, they head on over to Greensboro, NC to play at the new Blind Tiger. David McCracken, DtB’s B3 Hammond player, grew up in Greensboro and did this great interview with Eddie Huffman from GoTriad.com:

photo by Jim Gavenus

From the moment Greensboro native Dave McCracken first saw Donna the Buffalo play live, at MerleFest in 1997, he knew he belonged in the band.

“I watched them for the first time, and I remember I saw them move the organ across the stage,” McCracken says, speaking by phone from his mother’s house in Liberty. “I said out loud, ‘Man, that should be me.’ Ten years later — 10 years later! — it’s me. I swear, I don’t even know how that happened. I just knew it should be me for some reason.”

. . .    . . .    . . .

Donna the Buffalo formed in 1989 in upstate New York but has made many N.C. connections in the years since — McCracken and North Wilkesboro’s MerleFest among them. The group signed with Sugar Hill Records, a fixture in Durham for more than two decades before the label moved its offices to Nashville, and the members of Donna the Buffalo founded the twice-yearly Shakori Hills Grassroots Festival of Music and Dance in rural Chatham County, now entering its eighth year.

. . .    . . .    . . .

Jam band fans already knew McCracken via Folkswaggin’, which started in Greensboro in 1994 and played at the Blind Tiger regularly.

“I really cut my teeth in that place,” he says. “That’s where I learned how to play keyboards. I’ve been playing there since ’97. I’ve gone through a lot of things in that place, and it means a lot to me. I’m looking forward to playing there again. It’s been a long time since I’ve been there.”

In recent years, McCracken has played at the Blind Tiger with Q-Bex, a version of the band Hobex which includes acclaimed drummer Jeff Sipe.

McCracken did a stint in Hobex about 10 years ago, and he played in a metal band called Perpetual Iniquity in Greensboro as a teenager in the late 1980s. But his musical ambitions go all the way back to his early childhood in the 1970s.

“Playing music for a living was seriously a dream I had when I was, like, 3,” McCracken says. “You know how Facebook reunites people so much? I reunited with somebody who was my friend until I was 5. He was like, ‘Wow, you’re playing music for a living.’ He said it wasn’t surprising at all because all I talked about back then was how I wanted to do it.”

. . .    . . .    . . .

Read the full article at gotriad.news-record.com

Tara Nevins also interviewed for the Blind Tiger show. She spoke with Laura Graff from the Winston-Salem Journal. Here is a bit of the article:

Photo by Lewis Tezak Jr

Donna the Buffalo’s music belongs on the festival circuit — it’s an engaging mix of roots, bluegrass, reggae, country and New Orleans-inspired zydeco. . .

. . .     . . .    . . .

“We just come from a base of traditional music,” said Tara Nevins, one of the band’s original members. Nevins formed the band with Jeb Puryear, and both play old-time fiddle.

“Over the years of playing fiddle music, we discovered other traditional music,” Nevins said. “We don’t do it on purpose, it’s just that we have a lot of music that we’ve been involved in over the years and that we love.”

Nevins, who started out playing the fiddle, bought an accordion about 20 years ago.

“That gave us a Louisiana flavor to our songs,” she said. “We just have a lot of musical influences, because of some of the different instruments we play, those flavors come out in our music.”

. . .    . . .    . . .

Nevins just finished work on a solo album, “Wood and Stone,” which will be released on Sugar Hill in April.”Wood and Stone” is her second solo album. The last, “Mule to Ride,” showcased the fiddle and was, Nevins said, more “old-time bluegrass.” This new album, she said, showcases her songwriting.

“I’ve written pretty much everything on the record,” Nevins said. “It’s not all about the fiddle the way the first one was.”

She said the band is planning to return to the studio in late February to work on a new album.

“It’s going to be a collaboration,” Nevins said. “We’re inviting other artists that we’ve played at with festivals over the years — artists we admire.”

Read the full article at www2.journalnow.com

On Saturday, the band jumps on the bus over to Asheville to play the Orange Peel. The Mountain Xpress wrote a nice little blurb about the show and some of DtB’s Asheville connections:

Kyle Spark. Photo by Lewis Tezak Jr.

For years, upstate N.Y.-based, self-desribed “Cajun/ zydeco, rock, folk, reggae and country” band Donna the Buffalo has long had an Asheville connection through it’s bassist. First it was Bill Reynolds (Band of Horses) then Jay Sanders (Acoustic Syndicate). Now DTB has Massachusetts bassist Kyle Spark but the group (who has toured for 21 years) still makes its semi-annual trek South (DTB is likely to pop up at regional warm-weather festivals). . .

Read the original post at: mountainx.com

Great weekend in store. We hope to see lots of the Herd around for these SouthEast shows!



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Donna the Buffalo’s Tara Nevins has a new album in the works at Levon Helm Studios. The album is being produced by Larry Campbell who will also be performing on the album. The new album will be put out through Sugar Hill Records.

Multi-instrumentalist, Larry Campbell is the Producer of two Grammy winning albums with Levon Helm: Dirt Farmer and it’s followup album Electric Dirt. Campbell also toured with Bob Dylan for eight years. Since Larry’s departure from Bob Dylan’s band, he has continued to make guest appearances with various artists including Elvis Costello, Emmylou Harris and Rosanne Cash. He presently tours regularly with Levon Helm and Phil Lesh and hosts Midnight Rambles several times a month at his studio in Woodstock, NY. In 2008, Larry was awarded a Lifetime Achievement Award for his instrumental work from the Americana Music Association.

Check out this video of Larry Campbell with Levon Helm joining in:

As one of the Donna the Buffalo‘s primary singers and songwriters, Tara Nevins is known for rich, mellow singing voice and socially conscious songwriting blended with her acoustic guitar, accordion, and fiddle playing. Nevins has become renowned in folk-rock circles across the country. To begin to understand Tara’s passion for music, one must first look to the Old-time musical community where Tara has spent over 20 years playing the fiddle. She is a regular at the  Mt Airy fiddlers’ convention where she has been known to play upwards of 27 hours of fiddle tunes in 3 days time!

Beyond her time with DTB, Tara has also spent years playing with the all-female Cajun/Old-time band, The Heartbeats. In 1999 Tara debuted her solo album, Mule to Ride. Her love of Zydeco is equally as influential. While evident in her accordion playing, she has also expressed her love of Louisiana culture by producing a documentary on the late Carlton Frank (Preston’s Frank uncle) in 2005. Nevins expanded her repertoire even furthur when In the summer of 2009 she went on the road with the Grateful Dead drummer Bill Kreutzmann’s BK3.  This year also marks the 20th year anniversary of the Finger Lakes GrassRoots Festival of Music and Dance in Trumansburg, NY; which DtB’s started towards the beginning of the band’s inception and are still the driving force behind.

Here’s a couple great videos with Nevins:

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