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Posts Tagged ‘Music City Roots’

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Sarah Potenza Stirs The Pot on NBC’s The Voice

Nashville Singer-Songwriter Heats Things Up with Passion and Flare
Turning The Heads of All 4 Judges on The Voice

“Sarah Potenza, the bawdy rocker babe.” –The Huffington Post

“You [Sarah Potenza] gave this generation something they have never seen before.”
–Pharrell Williams

“Hannah Kirby and Sarah Potenza duel in the season’s most memorable battle”
–Hollywood Reporter

“I first heard Sarah sing at a gig in Chattanooga, and she blew the roof off the place, she reminds me of a modern Americana Janis Joplin…she brings it”
–John Oates

NASHVILLE, TN — Sarah Potenza hails from Rhode Island and currently lives in Nashville, TN. She’s one hard workin’ music lady with a passion for performing, authentic, heart-felt songwriting about real-life and that undeniable voice quickly put Music City on notice. In just over a year in the area, Potenza has earned a spot among East Nashville royalty, performing and and touring with the likes of Todd Snider, Elizabeth Cook, Jim Lauderdale, Kevin Gordon, and Derek Hoke while managing to land several coveted slots such as a feature performance at the historic and world renowned Bluebird Café and the globally broadcast Music City Roots program. MCR’s Executive producer, John Walker says, “From the first word I heard Sarah Potenza sing, I was an instant fan. Her voice is soulful and seasoned, and there is never any doubt that she means what she is singing. No Identity crisis here. Sarah knows who she is… and I’m anxious for the rest of the world to find out.”

And that is exactly what is starting to happen for Potenza. As she’s been touring and writing music for an upcoming release with her husband Ian Crossman, she also decided to audition for NBC’s The Voice. She performed a blind audition of the up-tempo rock classic, The Faces’ “Stay With Me.” By the time she ended, all four judges had turned their chairs, not being able to resist her soulfully rockin’ sounds, they had to see for themselves the person behind it.
You can watch it here →
https://youtu.be/3m0LiIOG-0I

The Tennessean reports, “‘This is weirdest day that I’ve ever had,’ she said as she faced Adam Levine, Pharrell Williams and fellow coaches Christina Aguilera and Blake Shelton. She ultimately decided to join Shelton’s ‘Team Blake’ — perhaps a sage choice, considering Shelton coached another Nashville singer (Craig Wayne Boyd) to a first-place finish last year.”

Being on Team Blake led her into a Voice Battle (or rather what Pharrell Williams called a “duel”) with fellow contestant Hannah Kirby duetting on the Rolling Stones’ “Gimme Shelter.” Again, all four judges were enthralled and gave them a standing ovation, with Aguilera calling Potenza “a force to be reckoned with.” Blake Shelton calls Potenza as the winner of the battle, saying “That’s probably the best battle I’ve ever been a part of.” Shelton goes on to say he went with Sarah because “there’s something so different about her.”
Watch it and see The Voice’s reaction here →
https://youtu.be/tis3Yo_zCt8

Hear from the woman herself in this fabulous interview about her inspirations and thoughts on participating with The Voice →

For more information and to stay up to date with Sarah on The Voice, please visit www.nbc.com/the-voice/artists/season-8/sarah-potenza

Sarah Potenza is well on her way for more of the world to hear her monster vocals and her honest reflective songwriting. Stay up to date with news and find out more about Sarah Potenza at www.sarahpotenza.net.

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Help Leftover Salmon Webcast ‘The Nashville Sessions’
Live From The Ryman on Sept 15th 

Pledge to Celebrate 15 Years Of The Nashville Sessions Live at the Ryman Auditorium.
Help Bring the Live Webcast of this Special Evening Into Your Home!

LEFTOVER SALMON
JOHN BELL ● SAM BUSH ● JEFF COFFIN ● ELIZABETH COOK ● JOHN COWAN ● COL. BRUCE HAMPTON ● JEFF HANNA ● TAJ MAHAL ● TODD PARK MOHR ● BILL PAYNE ● RANDY SCRUGGS ● JO-EL SONNIER ● SALLY VAN METER ● REESE WYNANS

To Find Out More and Pledge: http://bit.ly/LoSNashSess

Bring 15 Years Of The Nashville Sessions Live From The Ryman To Your Home. Help bring this historic night of live music to living rooms around the world! With your help, this one-of-kind concert experience could be webcast live from the legendary Ryman Auditorium in Nashville, TN. There are some exclusive items being offered to those who pledge. Our good friends at Music City Roots will be bringing their A-team along with full HD production to capture the night! By pledging, you could help make this live HD webcast a reality. In addition Leftover Salmon will be donating a portion of the funds raised to the Americana Music Association!

Celebrating 15 years of The Nashville Sessions Live At The Ryman Auditorium! On September 15th, Leftover Salmon will assemble an all-star cast which includes John Bell (of Widespread Panic), Sam Bush, Taj Mahal, Bill Payne (of Little Feat), Jeff Coffin (of Dave Matthews Band), Elizabeth Cook, and many more amazing musicians! 15 years ago LoS was joined in the studio by many of these musicians to record their most treasured album to date, The Nashville Sessions. Years later, they are excited to recreate this album in a live setting. Many music fans out there won’t be able to join in on this special evening in Nashville. This is why the band wants to bring the show to you!

At the Ryman, Leftover Salmon will also be releasing The Nashville Sessions [1999] on vinyl for the first time. A limited pressing of 1000 copies will only be available for purchase at the Ryman or by pledging. This double vinyl set includes a special track featuring Col. Bruce Hampton, which has been aging in the vault for the past 15 years!

You can be the first to download “Bluegrass Pines,” one of the new songs off Leftover Salmon’s forthcoming studio album for a pledge of $5. This track was written by Bill Payne of Little Feat and Grateful Dead lyricist Robert Hunter. Be the first to hear it!

Please join Leftover Salmon in helping make this webcast a reality. If the goal is reached, this unique performance will be broadcasted to the world. So, pick up one of these great offerings, and mark your calendar for a special night of entertainment on Monday, September 15th right from the living room for your home!

Vince Herman shares his thought on The Nashville Sessions:
Recording The Nashville  Sessions was like a musical fantasy island for us. We’d have Earl Scruggs come in the morning, Taj Mahal in the afternoon and Waylon Jennings the next day. We were loving it. It’s still dreamlike thinking about it years later. I sure treasure having had the chance to play with such iconic figures, especially those who have passed on, including our brother Mark Vann. I’m going to savor the chance to make music with the great cast of characters assembled at the Ryman that night. Life is short. Art is long. –Vince Herman

Thank you for supporting Leftover Salmon for the past 25 years!

For more information and complete tour dates for LoS, please visit and www.LeftoverSalmon.com. To find out more about the Ryman and the event, please visit www.Ryman.com.

Leftover Salmon with Bill Payne of Little Feat. Photo by Tobin Voggesser.

Leftover Salmon with Bill Payne of Little Feat. Photo by Tobin Voggesser.

 

 

 

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Donna The Buffalo is honored to Perform at this year’s
Americana Music Festival at Musicians Corner Centennial Park  
Saturday, September 21st at 3:15pm

More energized and focused than ever before in their near 25-year career, roots-music troubadours Donna the Buffalo debuted their first studio album (and 10th album) in five years, Tonight, Tomorrow and Yesterday, on June 18th via Sugar Hill Records. The album proves the band as a consistent steward of Americana music, their signature sound—traditional mountain music infused with elements of Cajun, rock, folk, reggae and country—an eclectic and extraordinary melting pot of such. It debuted at #5 on the Americana Music Charts and has remained within the top ten ever since.

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MCRThumbHear Donna the Buffalo LIVE on Music City Roots on Wed, Sept 11th, 7pm CST
“Donna The Buffalo is from central New York state, not Louisiana, but this widely loved quintet has woven that joyful, hip-shaking zydeco pulse into the DNA of its sound, and leaders Jeb Puryear and Tara Nevins have wrapped that core vibe with hopeful, mellow lyrics.” — Music City Roots, Craig Havighurst
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hdrJamBase recently hosted Donna the Buffalo in their San Francisco offices.  See their exclusive videos of “Don’t Know What We’ve Got,” “One Day At A Time” and “All Aboard” → http://bit.ly/1dZO5Lf
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Kind Words About Tonight, Tomorrow and Yesterday:

 

“This set…highlights everything this consistent band does, and it has a warm, live-sounding production… The end result is one of Donna the Buffalo’s best outings…This is what 21st century Americana sounds like, a little bit of this and that from anywhere wrapped up into a poignant, jamming dance reel, a place where the past and history meet easily in the immediate now and everybody feels like dancing.” —All Music“Multi-instrumentalist Tara Nevins and Jeb Puryear, both ace guitarists, split vocals and writing for this band that’s country, old-timey, rock and roll, and well, just all around great. Best tune? Pick any one. Here’s a disc well worth your entertainment dollar.” —Vintage Guitar

“…This new effort revels in the kind of rousing enthusiasm that’s made the Donnas such festival favorites in recent years. The uninitiated ought to take note –Tonight, Tomorrow and Yesterday is as its title implies, the kind of album destined to make an everlasting impression.” —The Bluegrass Situation

“Herd of ’em?  One of our favorite bands, with what might be one of our favorite albums of theirs” —WNCW, Martin Anderson

“Toe-tapping country music” —Washington Post

“We’ve all had this experience. You’re in a park or at a music festival, with song in the air.  You look around and there’s some giant of  a man dancing with a tiny child.  All their cares in the world being twirled away into the sunshine.  You just grin, whether at the silliness of the adult or the carefree nature of the child.  That’s the kind of emotion the latest album from Donna the Buffalo, Tonight, Tomorrow, and Yesterday, elicits.” —Twangville, Shawn Underwood

“Tonight, Tomorrow and Yesterday” goes beyond being a good album, it captures all that makes Donna The Buffalo one of the most fun and electrifying bands on the concert circuit today.”–Wildman Steve Radio

“They’ve got some real chops in just about every department.” —The Nashville Scene, Jon Weisberger

“Next time Donna the Buffalo throws a house party, I definitely want to go. After decades on the festival scene, this energetic band has acquired a super-dedicated fan base known as the Herd — and at some point…I would love to see them all bopping along with [I Love My Tribe’s] irresistible chorus.” —CMT Edge, Craig Sheburne
WATCH Official Music Video for “I Love My Tribe” on CMT Edgehttp://bit.ly/12r9phN

More information and tour dates can be found at www.donnathebuffalo.com

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Like their namesake heirloom apple variety, Red June has strong roots in the Appalachian tradition while constantly forging new ground in Americana music.

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Red June is an acoustic trio based in Asheville, NC who creates and performs beautifully distilled Americana music. They are making waves with their dynamic, yet refined sound that features striking 3-part harmonies, tasteful instrumental work and honest, soulful songwriting that seamlessly blends old-time, bluegrass, roots rock and traditional country music. Poised to release their second full-length album, Beauty Will Come, on June 5th, 2012, listeners can expect an album to fall in love with. “The record is a brilliant integration of old-time, bluegrass, and beyond, and feels like a holding of hands… the blend is beautiful,” says singer/songwriter Kari Sickenberger of Polecat Creek.

Red June is made up of Will Straughan on resonator guitar, vocals and guitar, John Cloyd Miller on mandolin, vocals and guitar, and Natalya Weinstein on fiddle and vocals. The three have been longtime friends and first jammed together at a pickin’ party in Asheville in 2005. In late 2008 they formed Red June and went on to release their debut album Remember Me Well in 2010. Remember Me Well was voted the #1 regional release of 2010 by the listeners of the southeast’s premier independent radio station WNCW. “For those who seek well-crafted songwriting and impeccable musicianship, you just can’t go wrong with the acoustic instrumentation and powerful harmonies of Red June’s Remember Me Well. It’s an exciting debut from a collective of outstanding performers,” writes Chris Mateer in No Depression.

Beauty Will Come was recorded and mixed in late 2011 at Hollow Reed Arts Studio in Asheville by musician/engineer extraordinaire Chris Rosser, who co-produced the record along with Red June. The innovative young graphic artist, Peter Gaillard, designed the album art using an old lithograph of a Mourning Cloak butterfly. The image resonates with the album’s themes of transition, hope, loss and renewal.

More personal than their debut album, Beauty Will Come begins with an uplifting song by Straughan titled “These Old Chains.” “Every Hard Mile”, by Miller, is an expansive song featuring the band’s signature 3-part harmonies. Track three is an exciting old-time inspired fiddle tune written by Weinstein & Miller titled “Piney Branch Breakdown.” Straughan then brings us “All that the Fall Leaves,” a playful waltz about the search for true love.

“Bittersweet” is a pensive song from Weinstein, and is the song from which the album title was drawn. Next is the only cover song on the record, a gospel a capella originally recorded by Ralph Stanley called “I’m Willing to Try.” Following, is John’s nod to his bluegrass heritage with “Cloud of Dust.” Straughan’s beautiful and powerful “Soul’s Repair” follows and Miller then brings us the light-hearted “Foolish Me.” Next is a set of Irish reels, “Scott’s/Connors” penned by Straughan and named after his young guitar student and student’s brother. The final track on the album “Red Sky of Morn” is a collaborative song written by all three band members along with Laurelyn Dossett.

Red June is already well underway to becoming a longtime southern favorite, akin to the Appalachian heirloom apple variety from which they gleaned their name. Ripening early with a full balance of flavors, Red June is touring across the country and has performed at the renowned Music City Roots live radio show in Nashville as well as the Bristol Rhythm & Roots Reunion, Shakori Hills Grassroots Festival and Suwannee Springfest. They will also be performing three days at the 25th anniversary MerleFest in April of 2012. As acclaimed songwriter & musician Joe Newberry says, “Red June is one of our truly great bands. They never fail to talk the talk and walk the walk.” Red June is sure to capture eyes and ears with their new release, Beauty Will Come.

WATCH “Soul’s Repair” live from Music City Roots
WATCH “Cloud Of Dust” from the Rooster’s Wife in Aberdeen, NC
WATCH “Bittersweet” from the Rooster’s Wife in Aberdeen, NC

Spring/Summer Tour Dates

4/27 – 4/29 MerleFest, N. Wilkesboro NC
5/5 French Broad River Fest, Hot Springs NC
5/12 Pinecone Concert Series, Cary NC
5/19 Opening for the Steep Canyon Rangers
at Pisgah Brewing in Black Mountain NC
6/7 Reynolda House, Winston-Salem NC
6/8 Hickory Unitarian Church, Hickory NC
6/9 Mountain Home Music, Blowing Rock NC
6/14 Whitewater Center, Charlotte NC
6/15 Altamont Theatre, Asheville NC
6/21 Marsh Woodwinds Upstairs, Raleigh NC
6/22 Ashland Coffee & Tea, Ashland VA
6/23 The Mainstay, Rock Hall MD
6/26 The Living Room, NYC
6/27 Johnny D’s, Boston MA
6/30 Wesley United Methodist Church, Amherst MA
7/1 Firebox TrueGrass Bluegrass Series, Hartford CT
7/21 Gallivan Center Folk & Bluegrass Festival,
Salt Lake City UT
7/22 Mountain Town Music, Park City UT
7/24 Cardiff Schoolhouse, Glenwood Springs CO
7/28 Cooper Creek Square Concerts, Winter Park CO
7/29 Fiddles, Vittles & Vino Festival, Colorado Springs CO
8/1 Poudre River Library, Fort Collins CO
8/4 Beartrap Summer Festival, Casper WY
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Sam Lewis Debuts Self-Titled Americana/Country/Soul Album Featuring Kenny Vaughan and Co. March 13th

Sam Lewis is connecting the dots. Whether crossing genres or state lines, he has pieced together a story people need to hear. His self-titled debut, which releases March 13th, pulls together some of Nashville’s most seasoned musicians, who have helped put the breath into a body of songs that are as straight-forward and captivating as the man who sings them.

Five years of constant writing, performing and touring have become the nexus of Lewis’ self-titled debut. Along with co-producer Matt Urmy, Sam has woven ten songs into a conversation, between himself, the band, and his listeners. Urmy, himself an accomplished singer/songwriter, assembled a group made up of Nashville’s top session and touring players, including guitarist Kenny Vaughan, keyboard player Reggie Bradley Smith, Derek Mixon on drums and bass player Dave Jacques. “It was amazing”, says Lewis, “because I had never played these songs with anybody before, and especially with those type of guys: professional, but also really seasoned musicianship.” Making a surprise appearance on the album is soul chanteuse Jonell Mosser, providing backing vocals on “I’m A River”.

Kicking off with the thick groove of “The Cross I Wear”, every track strikes a balance between light and dark, from the push/pull of Smith and Vaughan, to the way Lewis’ voice melts over the top of the band. “I just fell in love with his music; his delivery and his whole thing,” says Vaughan. “I thought, ‘Man, this guy has really got it going on’, which is very unusual for hardened, grim professionals like us to be impressed by somebody like that. It’s one-in-a-million. It hardly ever happens.”

The combination of Mosser’s and Lewis’ vocals bring “I’m a River” to an almost spiritual level. Every word on the album is a product of Lewis’ careful attention to detail, whether it be the fictional “Bluesday Night” or the autobiographical “Southern Greek Tragedy”. According to Steve Wildsmith, of The Daily Times, Lewis’ writing “conveys the weight of a heavy heart with well-turned phrases and searing images usually reserved for such luminaries as John Prine” that “sets him down a path well worn by contemporaries like Guy Clark and John Hiatt.” He is able to tell the story with only the necessary lyrics, leaving the rest to nuance, and the listeners own discretion.

Recording began in March of 2010, at Eric Fritsch’s Eastwood Studio, in Nashville, TN, with a final day of tracking scheduled for January of 2011. Once complete, it was put into the hands of two-time Grammy nominee engineer Brandon Bell, who mixed everything together. Following a December 2011 appearance on Nashville’s Music City Roots, Craig Havighurst noted, “Beyond the honeyed voice and sparking band (guitar hero Kenny Vaughan included), Sam stood out for his songs, which had that been-here-forever quality. It’s no wonder this guy’s generating buzz… He sings a little like Van Morrison, making it Americana with a groovy twist. Welcome to Nashville. More of this please.”

Music was one of the few constants in Sam’s life. His family never stayed anywhere for long, which meant that friendships were forged between himself and the music he absorbed, from Roy Orbison to Van Morrison to Willie Nelson. The influence of Ray Charles can be felt from the first note to the last beat, making Sam’s debut a complimentary companion to Charles’ own,  two-volume Modern Sounds in Country and Western Music. Leaving home as soon as the opportunity arrived, Sam landed in Knoxville, and later Nashville.

Sam has spent hours, in fact years, collecting and arranging the relationships and experiences he has forged. To the average person, they seem like an amalgamation of time and happenstance, but to him, they are the moral of the story. “I never once felt, in this whole process that someone just kind of pointed. No one took me by the hand, but almost every single one of these connections were very personal. I was introduced to these people that helped make this record. These are gonna be people that I’m going to know the rest of my life.” Lewis has drawn us a clear picture of where he’s going, and thankfully, he has invited us along for the ride. ~ Bio written by Samantha Harlow.

 

Upcoming Shows:
2/6 CD Release Show ~ Nashville, TN ~ The Basement
with RB Morris, Kenny Vaughan Trio and Matt Urmy
2/10 CD Release Show ~ Knoxville, TN ~ Barleys Taproom
with RB Morris and Kenny Vaughan Trio
5/24-25 Crawford, TN  ~ Jammin’ at Hippie Jacks
5/18  Johnson City, TN ~ Studio One ~ Johnson City Radio ~
9/14-15 Bristol, TN  ~ Bristol Rhythm and Roots Festival
More dates tba

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Donna the Buffalo made an appearance on Music City Roots in Nasheville on Wednesday, Jan 26th. Others appearingont he episode were  Catie CurtisThe CleverlysThe Black LilliesDonna The BuffaloRayland BaxterJim Lauderdale – Host

You can view the video here: livestream.com/musiccityroots

Catie CurtisThe CleverlysThe Black Lillies
Donna The BuffaloRayland Baxter
Music City Roots airs live on Wednesday’s from the Loveless Barn in Nashville,TN on The Lightning 100.

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Donna the Buffalo is on for a great weekend heading through Nashville, Greensboro, and Asheville. There are lots of great interviews for the shows which are posted below. Co-band leader, Tara Nevins, kicked of the day yesterday with a solo studio session on the Lightning  100 with Lt Dan. Then the band went over to the Loveless Barn for a Music City Roots performance with other amazing artist including  Catie Curtis, The Cleverlys, The Black Lillies, and Rayland Baxter. Check out some wonderful pics from the night here.

DtB will be playing on Cannery Street tonight in Nashville at the Mercy Lounge with the Roy Jay Band, who is on the road with DtB for several shows this winter. Here’s a nice writeup in the Nashville Scene by Edd Hurt about the show:

Photo by Jim Gavenus

Folkies with a superior sense of rhythm are rare enough, but folkies with a good beat and a healthy disrespect for eclectic clichés are a national treasure. Hailing from the metropolis of Trumansburg, N.Y., Donna the Buffalo began playing their mixture of country, soul, zydeco and folk 20 years ago, and they’ve never sounded better. On their 2008 full-length Silverlined, songwriters Tara Nevins and Jeb Puryear came up with such great songs as “Biggie K,” which may be the finest tune ever written about childbirth: “Though her stomach’s stretched and pulled / She’s never been more beautiful.” The quintet’s easy way with American roots music suggests a fusion of Brinsley Schwarz and The Holy Modal Rounders, and they make music that’s beautiful but never prettified. They say they have a couple of projects in the works, including a full-band effort and a solo record by Nevins.  Read the original post at nashvillescene.com.

On Friday, January 28th, they head on over to Greensboro, NC to play at the new Blind Tiger. David McCracken, DtB’s B3 Hammond player, grew up in Greensboro and did this great interview with Eddie Huffman from GoTriad.com:

photo by Jim Gavenus

From the moment Greensboro native Dave McCracken first saw Donna the Buffalo play live, at MerleFest in 1997, he knew he belonged in the band.

“I watched them for the first time, and I remember I saw them move the organ across the stage,” McCracken says, speaking by phone from his mother’s house in Liberty. “I said out loud, ‘Man, that should be me.’ Ten years later — 10 years later! — it’s me. I swear, I don’t even know how that happened. I just knew it should be me for some reason.”

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Donna the Buffalo formed in 1989 in upstate New York but has made many N.C. connections in the years since — McCracken and North Wilkesboro’s MerleFest among them. The group signed with Sugar Hill Records, a fixture in Durham for more than two decades before the label moved its offices to Nashville, and the members of Donna the Buffalo founded the twice-yearly Shakori Hills Grassroots Festival of Music and Dance in rural Chatham County, now entering its eighth year.

. . .    . . .    . . .

Jam band fans already knew McCracken via Folkswaggin’, which started in Greensboro in 1994 and played at the Blind Tiger regularly.

“I really cut my teeth in that place,” he says. “That’s where I learned how to play keyboards. I’ve been playing there since ’97. I’ve gone through a lot of things in that place, and it means a lot to me. I’m looking forward to playing there again. It’s been a long time since I’ve been there.”

In recent years, McCracken has played at the Blind Tiger with Q-Bex, a version of the band Hobex which includes acclaimed drummer Jeff Sipe.

McCracken did a stint in Hobex about 10 years ago, and he played in a metal band called Perpetual Iniquity in Greensboro as a teenager in the late 1980s. But his musical ambitions go all the way back to his early childhood in the 1970s.

“Playing music for a living was seriously a dream I had when I was, like, 3,” McCracken says. “You know how Facebook reunites people so much? I reunited with somebody who was my friend until I was 5. He was like, ‘Wow, you’re playing music for a living.’ He said it wasn’t surprising at all because all I talked about back then was how I wanted to do it.”

. . .    . . .    . . .

Read the full article at gotriad.news-record.com

Tara Nevins also interviewed for the Blind Tiger show. She spoke with Laura Graff from the Winston-Salem Journal. Here is a bit of the article:

Photo by Lewis Tezak Jr

Donna the Buffalo’s music belongs on the festival circuit — it’s an engaging mix of roots, bluegrass, reggae, country and New Orleans-inspired zydeco. . .

. . .     . . .    . . .

“We just come from a base of traditional music,” said Tara Nevins, one of the band’s original members. Nevins formed the band with Jeb Puryear, and both play old-time fiddle.

“Over the years of playing fiddle music, we discovered other traditional music,” Nevins said. “We don’t do it on purpose, it’s just that we have a lot of music that we’ve been involved in over the years and that we love.”

Nevins, who started out playing the fiddle, bought an accordion about 20 years ago.

“That gave us a Louisiana flavor to our songs,” she said. “We just have a lot of musical influences, because of some of the different instruments we play, those flavors come out in our music.”

. . .    . . .    . . .

Nevins just finished work on a solo album, “Wood and Stone,” which will be released on Sugar Hill in April.”Wood and Stone” is her second solo album. The last, “Mule to Ride,” showcased the fiddle and was, Nevins said, more “old-time bluegrass.” This new album, she said, showcases her songwriting.

“I’ve written pretty much everything on the record,” Nevins said. “It’s not all about the fiddle the way the first one was.”

She said the band is planning to return to the studio in late February to work on a new album.

“It’s going to be a collaboration,” Nevins said. “We’re inviting other artists that we’ve played at with festivals over the years — artists we admire.”

Read the full article at www2.journalnow.com

On Saturday, the band jumps on the bus over to Asheville to play the Orange Peel. The Mountain Xpress wrote a nice little blurb about the show and some of DtB’s Asheville connections:

Kyle Spark. Photo by Lewis Tezak Jr.

For years, upstate N.Y.-based, self-desribed “Cajun/ zydeco, rock, folk, reggae and country” band Donna the Buffalo has long had an Asheville connection through it’s bassist. First it was Bill Reynolds (Band of Horses) then Jay Sanders (Acoustic Syndicate). Now DTB has Massachusetts bassist Kyle Spark but the group (who has toured for 21 years) still makes its semi-annual trek South (DTB is likely to pop up at regional warm-weather festivals). . .

Read the original post at: mountainx.com

Great weekend in store. We hope to see lots of the Herd around for these SouthEast shows!



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