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The Drunken Hearts Release Wheels of the City
October 18, 2019 on LoHi Records
Produced by Tim Carbone at Silo Sound Studios in Denver, Colorado

Out Now: https://distrokid.com/hyperfollow/thedrunkenhearts/wheels-of-the-city-4

DENVER, CO — The Drunken Hearts release Wheels of the City October 18 on LoHi Records. Produced by Tim Carbone (Railroad Earth), the album was recorded at Silo Sound Studios in Denver, Colorado, and mastered by Jim Wilson. On Wheels of the City, The Drunken Hearts deliver tales of adventure, love, risk, and realization. 

Kind Words about Wheels of the City:

“Powerhouse singer Andrew McConathy is commanding from the outset on ‘Fire in House’ as he proceeds to light up Wheels of the City… More than anything, Drunken Hearts will evoke little snippets of our nostalgic memories of our favorite country-rock and rock bands. Yet, their music, as stated, is a bit more complex, without the usual clichés. And, surely McConathy has one of the most memorable voices in roots music.”
Glide, Jim Hynes

“They bring positive proof of their sturdy existence in the form of Wheels of the City, a pulsating, ambitious, adventurous new record… Throughout an 11-song escapade, gutsy listeners might experience any number of thrilling sensations: the beauty of a string section on ‘Passchendaele’; a vibrant brass attack on ‘Wheels of the City’, the title cut inspired by Jack Kerouac’s essay ‘The Vanishing American Hobo’; and a psychedelic bridge on both ‘Two Hearts (On a Limb)’ and ‘Unrest’, the latter a lively folk tale about a weary man dying to go to sleep.” 
PopMatters (full-length album premiere stream), Michael Bialas

Made up of songs that emphasize positivity they start with ‘Fire in a House’ — a typical classic rock era swipe without sounding too retro. What’s commendable is the band maintains an absorbing pace… Rock & roll seeps into the fibers of ‘Unrest.’ It’s piano pounds as drums bop similar to The Beatles White Album years — quite impressive. This song is stellar.”
Americana Highways, John Apice

“This album is a rare and natural gem that embodies its beauty through its rawness… Unlike a sad whiskey shot, these are eleven tequila toasts in a row.”
Live Gig Source, Nathan M. Emerson

“Throughout the album, you hear examples of McConathy’s way of painting a picture with his words. The best example of that is in the title track. Over a gentle rhythm and a muted melody, he sings about someone who sleeps in a doorway, back to the wall. He goes on to sing, “Let’s build a bridge and not a wall. Something to bind us and not to divide us all.’ While the subject matter is heavy, the message is ultimately one of hope that is accented nicely with some horns at the end.”
Americana Highways, Gary Schwind

“Listening to The Drunken Hearts pending release, Wheels of the City, dispels the notion that they are a one dimensional entity. There is country, with pedal steel and banjo, as well as elements of soul, some of the classic Laurel Canyon sound, touches of rock comparable to Drive-By Truckers, and alt-country stylings reminiscent of Son Volt.”
NYS Music, Brian Cornish

More about The Drunken Hearts:

 

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The Drunken Hearts. Photo by Tobin Voggesser

Mixing their mountain-spirit with the twang of the south, this electrifying five-man band met and live in the Denver/Boulder area of Colorado. Acoustic guitarist and powerhouse lead singer, Andrew McConathy is originally from Shreveport, Louisiana, and is known for his compelling songwriting and distinct and expressive vocals. Joining him are pedal steel, dobro, and lap steel player Cody Russell and electric guitarist and vocalist Kory Montgomery, both from Arkansas, along with bassist Jon McCartan, from Upstate New York by way of Vermont, and, from the outskirts of Chicago, drummer Alex Johnson.

The band wanted to try something new for this album: to create and record a new song each day, and continue that model until an entire album was realized. The result is eleven full-fledged, living, breathing, musical time capsules that make up Wheels of the City.  

“I loved working on this record with The Drunken Hearts,” exclaims Tim Carbone, a partner in LoHi Records. “We did a song a day and except for some vocal overdubs, solo replacements and the strings and horns, that was how it all went down. I’d never worked that way before. It was an amazing stretch of hyper-creativity. I’m very proud of Wheels of the City!” 

With notable performances at Winter WonderGrass Steamboat (CO), Winter WonderGrass Squaw Valley (CA), Mumford & Sons Gentlemen of the Road Fest (CO), Electric Forest (MI), FloydFest (VA), Vertex (CO), Fayetteville Roots Fest (AR), Hangtown Music Festival (CA), Bohemian Nights at New West Fest (CO), Northwest String Summit (OR), Grandoozy (CO), Four Peaks Festival (OR), and the band’s very own Yarmony Music Festival (CO), the band is very much at home on the festival circuit. They have also supported Lukas Nelson & Promise of the Real, Greensky Bluegrass, Railroad Earth, Deer Tick, Leftover Salmon, String Cheese Incident, among others.

The band is touring the country from coast-to-coast, with stops at famed venues and festivals along the way and is set to perform a slew of shows with Yonder Mountain String Band during this album release cycle.

The Drunken Hearts Wheels of the City Tour Dates:

10/18 Fri – Norfolk, CT – Infinity Music Hall and Bistro*
10/19 Sat – Saratoga Springs, NY – Putnam Place*
10/30 Wed – Bend, OR – Volcanic Theatre Pub
10/31 Thu – Coos Bay, OR – 7 Devils Brewing Co.
11/1 Fri – Salem, OR – Governor’s Cup
11/2 Sat – Portland, OR – Private Party
11/13 Wed – Baltimore, MD – The 8×10*
11/14 Thu – Brooklyn, NY – Brooklyn Bowl*
11/15 Fri – Ardmore, PA – The Ardmore Music Hall*
11/16 Sat – Boulder, CO – The Fox Theatre
11/17 Sun – Woodstock, NY – Levon Helm Studios*
11/19 Tue – Greenfield, MA – Hawks & Reed PAC*
11/21 Thu – Portland, ME – Port City Music Hall*
11/22 Fri – Pawtucket, RI – The Met*
11/23 Sat – Boston, MA – Brighton Music Hall*
11/24 Sun – York, PA – The Capitol Theatre*

* supporting Yonder Mountain String Band

Wheels of the City Track Listing and Credits

  1. Fire in a House 4:02
  2. Shining Eyes 3:24
  3. Alive ‘n Free 3:47
  4. Run It All Together 3:09
  5. Unrest 3:42
  6. Wheels of the City 4:13
  7. Passchendaele 4:52
  8. Two Hearts (On a Limb) 3:15
  9. In the Middle 3:19
  10. Dream of Waiting 4:42
  11. The Cave 3:38

The Drunken Hearts:
Andrew McConathy – Acoustic & Electric Guitar, Vocals
Cody Russell – Pedal Steel, Lap Steel, Dobro
Jon McCartan – Electric Bass
Kory Montgomery – Electric & Acoustic Guitar, Vocals
Alex Johnson – Drums, Percussion

Special Guests:
Tim Carbone – Piano (tracks 1, 3, 5), Organ (3), Violin (3), Backing Vocals (7), Spoken Word (11), Percussion (1)
Sheryl Renee – Backing Vocals (tracks 7, 9)

Horn Section (track 6):
Sam Hoyt – Trumpet
Sam Burris – Trombone
John Devivo – French Horn
Jay Rattman – Alto Sax, Flute, Clarinet, and Arrangement 

String Section (track 7):
Stephanie Bell – Violin
Chris Souza – Violin
Marsha Cahn – Viola
David Moulton – Cello
Jay Rattman – Arrangement 

Produced by Tim Carbone / Engineered by Todd Divel / Recorded at Silo Sound Studios in Denver, CO
Mixed by Todd Divel with Tim Carbone / Mastered by Jim Wilson at Jim Wilson Mastering
Strings and Horns recorded by Don Sternecker at Mix-O-Lydian Recording
All songs arranged by The Drunken Hearts and Tim Carbone

For more information and updates from the road, please visit www.thedrunkenhearts.com, facebook.com/thedrunkenhearts, twitter.com/drunkenhearts, and instagram.com/thedrunkenhearts.

 

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The Drunken Hearts Release Wheels of the City
October 18, 2019 on LoHi Records
Produced by Tim Carbone at Silo Sound Studios in Denver, Colorado

The First Single “Unrest” Drops Friday 9/27 → https://distrokid.com/hyperfollow/thedrunkenhearts/unrest

Listen to “Unrest” at JamBase in this Exclusive Premiere www.jambase.com/article/drunken-hearts-unrest

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DENVER, CO — The Drunken Hearts found themselves entering Silo Sound Studios in Denver on April 1st, 2018 with friend and producer Tim Carbone (Railroad Earth)— just one day after the release of their then-brand new, self-produced album, The Prize. The band wanted to try something new for their next album: to create and record a new song each day, and continue that model until an entire album was realized, and the result is eleven full-fledged, living, breathing, musical time capsules that make up Wheels of the City. Mastered by Jim Wilson, the new album is out October 18 on LoHi Records.

Called, “Boulder’s Americana Heroes” by 303 Magazine who writes, “Since their inception as a trio [in 2012], the now rock ‘n’ roll quintet has gained quite the reputation. Their music is raw Americana-rock, with a touch of country and a sprinkle of folk, and the result is a steaming and raucous sound full of emotion and energy.”

 

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The Drunken Hearts   Press Shot Credit: Tobin Voggesser

Mixing their mountain-spirit with the twang of the south, this electrifying five-man band met and live in the Boulder/Denver area of Colorado. Acoustic guitarist and powerhouse lead singer, Andrew McConathy is originally from Shreveport, Louisiana, and is known for his compelling songwriting and distinct and expressive vocals. Joining him are pedal steel, Dobro, and lap steel player Cody Russell and electric guitarist and vocalist Kory Montgomery, both from Arkansas, along with bassist and vocalist Jon McCartan, from Upstate New York by way of Vermont, and, from the outskirts of Chicago, drummer Alex Johnson.

 

“The Drunken Hearts deliver an intimate perspective to a nostalgic rock and roll sound,” says Paul Hoffman (Greensky Bluegrass), “Passionate vocals that are reminiscent of Eddie Vedder and country flavored pedal steel are both familiar and a newfound discovery.”

On Wheels of the City, The Drunken Hearts deliver tales of adventure, love, risk, and realization. There’s an overarching feeling of positivity throughout the songs, yet they also contain undertones of the darkness that inhabits life. Aspen Daily News says, “The Drunken Hearts are magnetic, as they combine catchy beats with unique melodies to create a well-synced mixture of musical sensibilities.”

“I loved working on this record with The Drunken Hearts,” exclaims Carbone, a partner in LoHi Records. “Andrew sent me the acoustic demos of the songs and I sketched out the arrangements and instrumentation. The band essentially learned the songs and added their ideas the day we tracked them.”

Andrew says, “Once we got into the studio with Tim, ultimately Unrest,’ the first single, morphed into a rollicking piano-driven rock song topped off by a very psychedelic Pink Floyd-esque bridge with the lyrics, ‘Just getting up is getting me down… Gonna pull the string get my head unwound… Before I die I want to learn to live… Unrest is a state of mind’” Listen to “Unrest” at this exclusive premiere at JamBase → https://www.jambase.com/article/drunken-hearts-unrest

Carbone says, “We did a song a day and except for some vocal overdubs, solo replacements and the strings and horns, that was how it all went down. I’d never worked that way before. It was an amazing stretch of hyper-creativity. I’m very proud of Wheels of the City!”

The title track was inspired by Jack Kerouac’s “Vanishing American Hobo,” written in 1960. McConathy explains the song, ‘Wheels of the City’ examines the cultural paradigm between the homeless, health insurance-less citizens of America and an opposing population who seemingly wish to leave their brothers and sisters helpless, and build a wall to keep freedom and opportunity at bay and weak against the overbearing patriarchy who wishes to repress them.” He sings, “Build a bridge, and not a wall… Something to bind us, not divide us all…

The album features a horn section on the title track and Passchendaelebrings in a string section along with Sheryl Renee’s accompanying vocals to create a unique texture to the telling of a riveting tale of a soldiers love long ago that was lost upon returning from war. Renee also joins on “In the Middle” a song with poignant lyrics, “Here we are fightin’ in the middle, bleedin’ ‘n dying like fools… Here we are believin’ in the the middle, We got nothing but change for days… Here we are believin’ in the middle, I’m the only one that can change my ways…”

Carbone joins in on multiple instruments throughout the album including piano, organ, and violin. Cody Russell also brought two instrumentals to the table, one of which McConathy added words to (“Dream of Waiting”) and the other, “The Cave” to which Carbone added a spoken-word passage from ‘Plato’s Allegory of The Cave’ to create the intro.

Somehow with this ambitious “create and record one entire song per day” approach, the band was able to write and track eleven songs in eleven days, and the result was one of the more satisfying creative endeavors the band has ever taken on.

LoHi’s Vice President Chad Staehly (of Hard Working Americans) says, “We’ve known about The Drunken Hearts for years and it has been really cool watching their growth as artists and performers. This latest album Wheels of the City has an extra layer of depth and songwriting that is very engaging and emotive on a different level from anything they’ve done in the past.”

With notable performances at Winter WonderGrass Steamboat (CO), Winter WonderGrass Squaw Valley (CA), Mumford & Sons Gentlemen of the Road Fest (CO), Electric Forest (MI), FloydFest (VA), Vertex (CO), Fayetteville Roots Fest (AR), Hangtown Music Festival (CA), Bohemian Nights at New West Fest (CO), Northwest String Summit (OR), Grandoozy (CO), Four Peaks Festival (OR), and the band’s very own Yarmony Music Festival (CO), the band is very much at home on the festival circuit. They have also supported Lukas Nelson & Promise of the Real, Greensky Bluegrass, Railroad Earth, Deer Tick, Leftover Salmon, String Cheese Incident, among others.

The band is touring the country from coast-to-coast, with stops at famed venues and festivals along the way and is set to perform a slew of shows with Yonder Mountain String Band during this album release cycle.

The Drunken Hearts Wheels of the City Tour Dates:
10/5 Sat – Denver, CO – Cervantes Other Side
10/10 Thu – Omaha, NE – The Waiting Room Lounge*
10/11 Fri – Des Moines, IA – Wooly’s*
10/12 Sat – TBA
10/13 Sun – Louisville, KY – Mercury Ballroom*
10/16 Wed – Buffalo, NY – Tralf Music Hall*
10/17 Thu – Homer, NY – Center for the Arts*
10/18 Fri – Norfolk, CT – Infinity Music Hall and Bistro*
10/19 Sat – Saratoga Springs, NY – Putnam Place*
10/30 Wed – Bend, OR – Volcanic Theatre Pub
10/31 Thu – Coos Bay, OR – 7 Devils Brewing Co.
11/1 Fri – Salem, OR – Governor’s Cup
11/2 Sat – Portland, OR – Private Party
11/13 Wed – Baltimore, MD – The 8×10*
11/14 Thu – Brooklyn, NY – Brooklyn Bowl*
11/15 Fri – Ardmore, PA – The Ardmore Music Hall*
11/16 Sat – Boulder, CO – The Fox Theatre
11/17 Sun – Woodstock, NY – Levon Helm Studios*
11/19 Tue – Greenfield, MA – Hawks & Reed PAC*
11/21 Thu – Portland, ME – Port City Music Hall*
11/22 Fri – Pawtucket, RI – The Met*
11/23 Sat – Boston, MA – Brighton Music Hall*
11/24 Sun – York, PA – The Capitol Theatre*

* supporting Yonder Mountain String Band

Wheels of the City Track Listing and Credits

  1. Fire in a House 4:02
  2. Shining Eyes 3:24
  3. Alive ‘n Free 3:47
  4. Run It All Together 3:09
  5. Unrest 3:42
  6. Wheels of the City 4:13
  7. Passchendaele 4:52
  8. Two Hearts (On a Limb) 3:15
  9. In the Middle 3:19
  10. Dream of Waiting 4:42
  11. The Cave 3:38

 

The Drunken Hearts:

Andrew McConathy – Acoustic & Electric Guitar, Vocals
Cody Russell – Pedal Steel, Lap Steel, Dobro
Jon McCartan – Electric Bass
Kory Montgomery – Electric & Acoustic Guitar, Vocals
Alex Johnson – Drums, Percussion

Special Guests:
Tim Carbone – Piano (tracks 1, 3, 5), Organ (3), Violin (3), Backing Vocals (7), Spoken Word (11), Percussion (1)
Sheryl Renee – Backing Vocals (tracks 7, 9)

Horn Section (track 6):
Sam Hoyt – Trumpet
Sam Burris – Trombone
John Devivo – French Horn
Jay Rattman – Alto Sax, Flute, Clarinet, and Arrangement

String Section (track 7):
Stephanie Bell – Violin
Chris Souza – Violin
Marsha Cahn – Viola
David Moulton – Cello
Jay Rattman – Arrangement

Produced by Tim Carbone / Engineered by Todd Divel / Recorded at Silo Sound Studios in Denver, CO
Mixed by Todd Divel with Tim Carbone / Mastered by Jim Wilson at Jim Wilson Mastering
Strings and Horns recorded by Don Sternecker at Mix-O-Lydian Recording
All songs arranged by The Drunken Hearts and Tim Carbone

Press Shot Credit: Tobin Voggesser
Album Artwork Credit: John Westmark

For more information and updates from the road, please visit www.thedrunkenhearts.com, facebook.com/thedrunkenhearts, twitter.com/drunkenhearts, and instagram.com/thedrunkenhearts.

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Bill Scorzari Releases His 3rd Studio Album, Now I’m Free, September 20, 2019

Produced by Neilson Hubbard at Skinny Elephant Recording,With Performances by Erin Rae, Will Kimbrough, Eamon McLoughlin, Michael Rinne

Out Now →   https://nowimfree.hearnow.com

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Huntington, NY —  With a raw and gritty sound, along with a stellar ear for lyrics and composition, New York native Bill Scorzari independently releases his third full-length album of all original music, Now I’m Free, on September 20. Produced by Neilson Hubbard (Orphan Brigade), Now I’m Free was recorded and mixed by engineer Dylan Alldredge at Skinny Elephant Recording in Inglewood, TN and mastered by Jim DeMain at Yes Master Studios.

Hubbard says, “Bill tears himself open on these 15 songs and leaves it all out there in plain sight. He is an open book delivering a record of astonishing intimacy… and the gravel and whispers in his voice carry a true knockout punch.”

Scorzari’s songs transition through a multitude of emotions centered on the experiences of the human condition and are, at times, downright sad. Of his music, some say it’s spoken word, and others, an amalgam of the voice of Tom Waits, the delivery of Sam Baker, and the soul of Kris Kristofferson. In his lyrics, there is a poetic grace, a calming and resigned wisdom of acceptance that shines through the wistful melancholy of hope, and breaks free. 

Bill says of the record, “During the past three years and beyond, I found myself in a place that demanded prolonged introspection and profound healing to be able to navigate through and journey past. This record is a journal of some of the lessons and discoveries that I’ve encountered along the way.”

Kind Words About Now I’m Free:

delicately nuanced” with “detailed arrangements”
Billboard, Gary Graff, Exclusive Interview and Full Album Stream

“There are poets, there are songwriters, there are painters of fine art, and there’s Bill Scorzari. The new album, Now I’m Free is a bold and delicate balance of each. To say it is a thing of beauty is an understatement… To compare Now I’m Free to the other albums released at this time would be unfair to the industry. Perhaps Dylan or Townes could go toe to toe, but my money’s on Scorzari. He makes me want to be a better writer. His writing is vivid and succinct.” —Making A Scene!, Viola Krouse

There may be a handful of songwriters as good as Scorzari but no one else could deliver these stunning songs. It’s even deeper and every bit as good as his last one. Bigger names will get more recognition but Scorzari’s getting there. He did play the Newport Folk Festival this year. He has my vote for Americana Album of the Year.” —Glide, Jim Hynes

This new album simply blows me away… you might want to think about Tom Waits a little, but better… The thing that impresses me is, of course, is the fact that [Bill’s] voice is very distinctive, there is no question about the fact, that if someone hears this, hears this music, hears your new album, they are gonna know: this is Bill Scorzari, because there’s not many people that have this voice and evoke this kind of emotion.
Mostly Folk, WIOX Catskills Cafe, Artie Martello

Bill says “I could feel some of the old 1970s ‘country rock’ (Marshall Tucker Band, Charlie Daniels Band…) influences from my youth welling up and flowing out and that made writing this song a whole lot of fun.”
The Bluegrass Situation premiered the uptempo “Treat Me Kind”

“A stunning work. Bill’s poetic lyrics are a frozen rope to the heart.”
Podcast interview on The Marinade with Jason Earle

“With a somber musical style and a hushed, gritty vocal that rises like the morning mist to mingle with Erin Rae’s grounded tones, ‘It All Matters’ is just outright pretty. Now I’m Free should be nominated for awards this year with its depth of grace and innovative tones; Scorzari taps into a nexus between the familiar and the uncanny.”
Americana Highways Song Premiere of “It All Matters,” Melissa Clarke

“Like the songs on his last CD… the ones here are all original, deeply personal and affecting; and Scorzari’s earthy vocals, which are just a bit less sandpapery than Dave Van Ronk’s, drive them home. With any luck, this guy is going places, and chances are, you’ll want to follow along for the ride.”  
The Morton Report, Americana Highways, Jeff Burger

Like singer-songwriters, Kris Kristofferson, Leonard Cohen, and Tom Waits, Bill’s raspy baritone snarls, hisses, and whispers through his heartfelt lyrics. Sometimes leaving the melody and just speaking the words, he comes off like a modern-day Rod McKuen, sweeping us up in his narratives and wringing out their plaintive content.
WTCA 106.1 FM & 1050 AM, South Bend Tribune, Kathy Bottorf

“Fans of Bob Dylan, Leonard Cohen, Neil Young and anyone who likes quality song writing will dig this” Live Music News and Review, Phil Simon

“A superb singer/songwriter with an outlaw rasp and a heavy-hearted soul”
The Ripple Effect

“Wonderfully gruff and oozing with emotion and raw honesty.”
Listening Through The Lens, Rob Dickens

Singer-songwriter Bill Scorzari skates in the ether with a sort of Ry Cooder ambient dream. But his voice is absolutely of the earth with its whiskey-borne rasp. Scorzari sings in the folk tradition of those who aren’t afraid to jerk a few tears but doesn’t mask his intentions or pull any punches. Sometimes the man gets mean.”
Rochester City Newspaper, Frank De Blase

______________________________________

More about Bill Scorzari and Now I’m Free:

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Bill Scorzari. Photo by Jim Marchese

The album was performed live in the studio by Scorzari and a long list of critically acclaimed and otherwise notable musicians including, Hubbard on drums/percussion and piano, multi-instrumentalist Will Kimbrough, vocalist Erin Rae (Americana Music Association nominee for Best Emerging Artist of 2019), fiddler/strings Eamon McGloughlin (AMA nominee for Best Instrumentalist of 2019), upright and electric bass player Michael Rinne (AMA nominee for Best Instrumentalist of 2019), Brent Burke on Dobro, Juan Solorzano on electric guitar and lap steel, lap steel player and vocalist Megan McCormick, Greg Krockta on harmonica, and vocalist Mia Rose Lynne.

Throughout the entire album, Bill’s authenticity as a songwriter moves you through his music breath by breath. Profound and poetic, Scorzari’s emotionally charged and introspective compositions are sung with a knowing tenderness of heart. 

Bill transformed his life at a later age from being a New York trial lawyer turned full-time musician. In 2008, he stumbled upon a Live-at-Paste recording of Justin Townes Earle performing “Mama’s Eyes.” The song resonated within his soul and sparked the kind of life-altering moment that you hear a person speak of, that singular moment when everything changed. Although he picked up his first guitar at just 8 years old, it wasn’t until 2011 that he was able to give his artistry the attention it deserves. 

The passing of Bill’s father and role-model, whose footsteps he had followed into the practice of law, marked a time of profound change and opened a new chapter – one that required a giant leap towards pursuing a passion that had long been tucked away in Bill’s heart. Bill put out his first album, Just the Same, in 2014, followed by Through These Waves (produced by Jonah Tolchin) in 2017. The three albums (and their titles) that he created thereafter, represent the narrative and catharsis of his journey: past, present and future.

The success of his first two records allowed Bill to share stages with Sarah Jarosz, Sam Outlaw, The Dustbowl Revival, Tall Tall Trees, Seldom Scene, Billy Strings, Frank Fairfield, Tom Marion, Zak Sokolow, Jonah Tolchin, Jenni Lyn Gardner (Della Mae), Jeff Scroggins and Colorado, Twisted Pine, Whiskey Myers, Big Country, and others. In July of 2019, Bill became “One of the folk,” with his inaugural performance at the Newport Folk Festival.

This third installment in his discography, Now I’m Free, offers a deeper and unguarded look into Scorzari’s soul, weathered and bared, and rooted in the present moment while moving freely into the unspoken promises of the future.

For more information, up-dates and news, please visit www.billscorzari.com, www.facebook.com/billscorzari, www.twitter.com/BillScorzari, and www.instagram.com/billscorzari.

Now I’m Free Track Listing:

  1. Into the Light of the Day (5:07)
  2. Over Again (4:40)
  3. Now I’m Free (3:44)
  4. It All Matters (4:35)
  5. One More Time (4:07)
  6. When Will My Time Come Along (3:58) 
  7. Treat Me Kind (3:23)
  8. San Miguel County (4:36)
  9. It’s Just What I Know (4:47)
  10. Steel Wheels (4:48)
  11. You’re Gonna Miss Me When I’m Gone (2:59)
  12. Yes I Will (10:51)
  13. Cypress Tree (3:37)
  14. Don’t You Ever Go Away From Me (4:20)
  15. New Mexico (I to Mine) (7:20)

PERFORMANCE CREDITS BY MUSICIAN
Bill Scorzari: Vocals and Acoustic Guitar
Erin Rae: Harmony Vocal (Track 4)
Mia Rose Lynne: Harmony Vocals (Tracks 2, 14)
Will Kimbrough: Electric Guitar (Tracks 5, 7, 10, 15), Slide Guitar (Track 7), Mandolin (Track 11), Cigar Box Guitar (Track 14), Piano (Track 5)
Juan Solorzano: Electric Guitar (Tracks 1, 4, 7, 9, 10, 12), Lap Steel Guitar (Tracks 2, 8, 9, 11), 2nd Acoustic Guitar (Tracks 4, 15)
Megan McCormick: Lap steel (Tracks 1, 3, 4, 6, 13), Harmony Vocal (Track 6)
Brent Burke: Dobro
Greg Krockta: Harmonica
Michael Rinne: Upright Bass & Electric Bass
Neilson Hubbard: Drums/Percussion, Piano (Track 14)

All songs, lyrics and music written, arranged and performed by Bill Scorzari

For more information, up-dates and news, please visit www.billscorzari.com, www.facebook.com/billscorzari, www.twitter.com/BillScorzari, and www.instagram.com/billscorzari

 

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Bill Scorzari Releases His 3rd Studio Album, Now I’m Free, September 20, 2019

Born of the past three years’ introspection and contemplation of the human condition, Scorzari writes some of his most compelling compositions to date

Produced by Neilson Hubbard at Skinny Elephant Recording,
With Performances by Erin Rae, Will Kimbrough, Eamon McLoughlin, Michael Rinne, and more

First Single “It All Matters” Out Now →  https://itallmatters.hearnow.com

 

With a somber musical style and a hushed, gritty vocal that rises like the morning mist to mingle with Erin Rae’s grounded tones, ‘It All Matters’ is just outright pretty. Now I’m Free should be nominated for awards this year with its depth of grace and innovative tones; Scorzari taps into a nexus between the familiar and the uncanny.Americana Highways

Pre-order with “It All Matters” available now on iTunes

(Huntington, NY) —  On September 20, New York native, Bill Scorzari, independently releases his third full-length album of all original music titled, Now I’m Free. His sound is gritty, raw and at times, downright sad. His songs transition through a multitude of emotions, with themes centered on the experiences of the human condition. Of his music, some say it’s spoken word, and others, an amalgam of the voice of Tom Waits, the delivery of Sam Baker, and the soul of Kris Kristofferson. In his lyrics, there is a poetic grace, a calming and resigned wisdom of acceptance that shines through the wistful melancholy of hope, and breaks free. No Depression wrote, “Bill Scorzari is a force. His songwriting is stellar, his picking above par and his voice fits his songs perfectly.”

Bill says of the record, “During the past three years and beyond, I found myself in a place that demanded prolonged introspection and profound healing to be able to navigate through and journey past. This record is a journal of some of the lessons and discoveries that I’ve encountered along the way.”

Produced by Neilson Hubbard (Orphan Brigade), Now I’m Free was recorded and mixed by engineer Dylan Alldredge at Skinny Elephant Recording in Inglewood, TN and mastered by Jim DeMain at Yes Master Studios. Hubbard says, “Bill tears himself open on these 15 songs and leaves it all out there in plain sight. He is an open book delivering a record of astonishing intimacy… and the gravel and whispers in his voice carry a true knockout punch.”

The album was performed live in the studio by Scorzari and a long list of critically acclaimed and otherwise notable musicians including, Hubbard on Drums/Percussion, Multi-Instrumentalist Will Kimbrough, Vocalist Erin Rae (Americana Music Association nominee for Best Emerging Artist of 2019), Fiddler/Strings Eamon McGloughlin (AMA nominee for Best Instrumentalist of 2019), Upright and Electric Bass player Michael Rinne (AMA nominee for Best Instrumentalist of 2019), Brent Burke on Dobro, Juan Solorzano on Electric Guitar and Lap Steel, Lap Steel player and Vocalist Megan McCormick, Greg Krockta on Harmonica, and Vocalist Mia Rose Lynne.

 

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Bill Scorzari. Photo by Jim Marchese

Throughout the entire album, Bill’s authenticity as a songwriter moves you through his music breath by breath. Profound and poetic, Scorzari’s emotionally charged and introspective compositions are sung with a knowing tenderness of heart.

 

The album opens with “Into the Light Of the Day,” of which Scorzari says, “Faith and trust are so important. When they are called into question, for whatever reason, it becomes difficult to see things clearly. We become distressed, and our distress makes it even harder to find clarity… Nothing can resolve until we look directly at it and confront the full depth of it all. The first step toward doing that is both the most difficult and the most liberating step, taking what troubles you into the light of the day.” 

This is fitting to describe Bill’s music in general and his approach of digging deeper into his own depth and bringing his thoughts and experiences honestly and authentically into the light through the medium of music.

He writes in the title track, “Now I’m Free,” “So, I stood there by the waterfall flowing from the bridal veil, with an angel dressed in rags. She said, ‘To hell you ride.’ And, to hell we sailed. And, we never did look back. And, she said, ‘Every word I say is true and someday you will see, spending all of our time always tryin’ to break through, leaves us no time for tryin’ to break free, and it’s time to break free.’”

Another standout track on the album is the first single, “It All Matters,” with Erin Rae adding vocal harmony. When asked about what the lyrics of this track mean to him, Scorzari says, “It’s so important to be attentive to each other. The way toward that goal, is to start to be more attentive to ourselves, to heal what needs to be healed in us and to find a path forward to our own better existence… It’s never too late to shine a light through the darkness... The big things are important, but so are the little things. It all matters.”

The nearly 11-minutes of “Yes I Will” were recorded in an unrehearsed, epic “first take” in which Bill sings, “And, I know these thoughts will come and that they will go again, and yes, I know, yes, I can still chase the harder days away with just some paper and a pen, the way the sun will rise and embrace the white moon in its own black skies, and then there’ll be no need to try to make me smile. Won’t you help me to more easily reveal my broken soul?...  I’m only distracted by my motion when I’m intent on standing still. And, if you let me have the time to just keep on tryin’ to break through, just to be human, well then, yes, I will.” 

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Bill Scorzari. Photo by Jim Marchese

There is a wide variety of soundscapes in Now I’m Free, ranging from the slow country waltz of “Over Again,” the catchy uptempo road song “Treat Me Kind,” the sleepy-slow, intoxicating, drunken-swaying groove in “San Miguel County,” the crushingly intimate and breathtaking “One More Time,” and the raging blues number, “Steel Wheels.”

When Will My Time Come Along” is a humble reminder of the seemingly endless struggles we must endure, and the importance of small accomplishments made along the way towards larger pursuits. It’s chord progression manifested easily in Scorzari’s mind, as did the lyrics for “It’s Just What I Know,” when he found himself in that “longed-for space where the words you’ve desperately searched for, and have been struggling with how to say, suddenly arrive as a gift in an unfettered moment of clarity.”

Although he picked up his first guitar at just 8 years old, it wasn’t until 2011 that he was able to give his artistry the attention it deserves. The passing of Bill’s father and role-model, whose footsteps he had followed into the practice of law, marked a time of profound change and opened a new chapter – one that required a giant leap towards pursuing a passion that had long been tucked away in Bill’s heart. The three albums (and their titles) that he created thereafter, represent the narrative and catharsis of his journey: past, present and future. 

The first two, Just the Same (2014) and Through These Waves (2017), were both released to critical acclaim. Waves, a spring release, made several best-album-of-2017 lists, including Folk Alley and Elmore Magazine. Jim Hynes, in his review of Waves in Elmore, says of Bill, “…his thoughtful, cinematically shaped songs that continue to resonate after repeated listens. Yes, this is a ‘must hear’ for singer-songwriter aficionados.” One such aficionado, WFUV’s John Platt, says, “Bill Scorzari has a lived-in voice that says, ‘Listen to these songs. They spring from the earth and the ocean with an open heart and the wisdom of experience.’” 

The success of his first two records allowed Bill to share stages with Sarah Jarosz, Sam Outlaw, The Dustbowl Revival, Tall Tall Trees, Seldom Scene, Billy Strings, Frank Fairfield, Tom Marion, Zak Sokolow, Jonah Tolchin, Jenni Lyn Gardner (Della Mae), Jeff Scroggins and Colorado, Twisted Pine, Whiskey Myers, Big Country, and many others. In July of 2019, Bill became “One of the folk,” with his inaugural performance at the Newport Folk Festival.

This third installment in his discography, Now I’m Free, offers a deeper and unguarded look into Scorzari’s soul, weathered and bared, and rooted in the present moment while moving freely into the unspoken promises of the future.

For more information, up-dates and news, please visit www.billscorzari.com, www.facebook.com/billscorzari, www.twitter.com/BillScorzari, and www.instagram.com/billscorzari 

Now I’m Free Track Listing:

  1. Into the Light of the Day (5:07)
  2. Over Again (4:40)
  3. Now I’m Free (3:44)
  4. It All Matters (4:35)
  5. One More Time (4:07)
  6. When Will My Time Come Along (3:58) 
  7. Treat Me Kind (3:23)
  8. San Miguel County (4:36)
  9. It’s Just What I Know (4:47)
  10. Steel Wheels (4:48)
  11. You’re Gonna Miss Me When I’m Gone (2:59)
  12. Yes I Will (10:51)
  13. Cypress Tree (3:37)
  14. Don’t You Ever Go Away From Me (4:20)
  15. New Mexico (I to Mine) (7:20)

PERFORMANCE CREDITS BY MUSICIAN
Bill Scorzari: Vocals and Acoustic Guitar
Erin Rae: Harmony Vocal (Track 4)
Mia Rose Lynne: Harmony Vocals (Tracks 2, 14)
Will Kimbrough: Electric Guitar (Tracks 5, 7, 10, 15), Slide Guitar (Track 7), Mandolin (Track 11), Cigar Box Guitar (Track 14), Piano (Track 5)
Juan Solorzano: Electric Guitar (Tracks 1, 4, 7, 9, 10, 12), Lap Steel Guitar (Tracks 2, 8, 9, 11), 2nd Acoustic Guitar (Tracks 4, 15)
Megan McCormick: Lap steel (Tracks 1, 3, 4, 6, 13), Harmony Vocal (Track 6)
Brent Burke: Dobro
Greg Krockta: Harmonica
Michael Rinne: Upright Bass & Electric Bass
Neilson Hubbard: Drums/Percussion, Piano (Track 14)

All songs, lyrics and music written, arranged and performed by Bill Scorzari

 

Bill Scorzari Tour Dates

8/24 Sat – Taste Budd’s Cafe’ – Red Hook, NY
8/25 Sun – Dogwood Bread Company – Wadhams, NY
8/26 Mon – Radio Bean – Burlington, VT
8/27 Tue – Abilene Bar and Lounge – Rochester, NY
8/30 Fri – Plain Folk Cafe’ Music & Coffee House – Pleasant Plain, OH
8/31 Sat – Over Yonder House Concerts – Toledo, OH
9/1 Sun – Visible Voice – Cleveland, OH
9/4 Wed – Uncommon Ground – Edgewater Listening Room – Chicago, IL
9/5 Thu – The Elbo Room – Chicago, IL
9/6 Fri –  Wild Rose Moon – Plymouth, IN
9/7 Sat – Wild Rose Moon – Plymouth, IN
9/8 Sun – Ca’d’Zan House Concerts – Cambridge, IL
9/13 Fri – Black Forest Community Center – Colorado Springs, CO
9/14 Sat – The Laughing Goat Coffee House – Boulder, CO
9/15 Sun – The Muse Performance Space – Lafayette, CO
9/21 Sat – Cafe Zippy – Everett, WA
9/22 Sun – Tim’s Tavern – Seattle, WA
9/27 Fri – Artichoke Music – Portland, OR
9/28 Sat – Crown Alley Irish Pub – Ocean Park, WA
10/3 Thu – Flynn’s Cabaret & Steakhouse – Felton, CA
10/5 Sat – The Shady Lady House Concert – Saratoga, CA
10/9 Wed – The Blue Guitar at The Arroyo Seco Golf Course – South Pasadena, CA
10/11-12 Fri-Sat – 16th Annual Far-West Conference – Woodland Hills, CA
10/25 Fri – Pecan Grove Store – Fredericksburg, TX
For more information, up-dates and news, please visit www.billscorzari.com, www.facebook.com/billscorzari, www.twitter.com/BillScorzari, and www.instagram.com/billscorzari.

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The Contribution Colorado Album Release Shows This August!
Featuring Tim Carbone (Railroad Earth), Steve Adams (ALO), Jeff Miller (New Monsoon), Phil Ferlino (New Monsoon), Sheryl Renee (The Black Swan Singers), Will Trask (Great American Taxi, Analog Son)

Thursday, August 22 – Washington’s – Fort Collins, CO
Friday, August 23 – Ophelia’s Electric Soapbox – Denver, CO
Saturday, August 24 – KBUT Kampout – Gunnison, CO

The Contribution Release Wilderness And Space On August 23, 2019

When Relix magazine announced the The Contribution’s debut record, Which Way World (2010), and called them a “jamband supergroup,” they also recognized, “the band serves the songs first and foremost.” Although the band is comprised of some of the scene’s heavy hitters, the first listen to their music reveals their love of 60s pop and soul coupled with their ability to flat-out shred. It is what makes the band appealing to music lovers from all walks of life. In 2017, The Contribution released seven tracks from their upcoming LoHi Records album, Wilderness and Space, with full proceeds from each single going to a different non-profit organization. The full ten-song album will be out on all digital platforms on August 23.

The Contribution is the brainchild of Tim Carbone of Railroad Earth (violin, guitar, vocals) together with Phil Ferlino (keyboards, vocals), and Jeff Miller (guitar, vocals) of New Monsoon. Keith Moseley (String Cheese Incident) has been the bass player from the band’s inception, along with vocalist Sheryl Renee (The Black Swan Singers). The drum chair was previously occupied by Matt Butler (Everyone Orchestra), and Duane Trucks (Widespread Panic); both who appear on the album. Will Trask (Great American Taxi) will be performing for the album release shows in the summer of 2019. 

The first song was released in February 2017 with all proceeds donated to Rex Foundation. Consecutive songs came out monthly, each paired with unique artwork and all proceeds benefiting a different non-profit partner hand-picked by members of the band. Others taking part include Conscious Alliance, HeadCount, Rock the Earth, and a handful of other organizations that support the arts, environment, and health.

Releasing records and touring is a cycle that is a part of each member’s individual careers. Initially conceived as a studio project that would play select live shows, the emphasis for The Contribution was always on writing and recording. Rather than releasing a full record with expectations of touring to support it, Carbone wanted to find a way to live up to the band’s name and this is what they cooked up to keep going and give back in the process.

How could the creation of music be leveraged for the betterment of the world at large? A lofty goal. The band has never been about personal profit and individually the members have been advocates and activists for various environmental and social causes. Now they have thought of a way to meld the two worlds the band holds dear. They are The Contribution, after all. Carbone says, “We feel blessed to be able to make this music and have it help people in need… and we would like to empower those who share our passion and provide a resource for them to take action with us.”

Wilderness and Space will be released on LoHi Records, of which Carbone is one of the partners along with singer/songwriter and record producer Todd Snider, Hard Working Americans’ Chad Staehly, who is also with Gold Mountain Entertainment in Nashville, and entrepreneur and marketing veteran Jim Brooks. All songs written and produced by Tim Carbone, Phil Ferlino, and Jeff Miller.

IMG_0782-1500x1000_TheContribution_BySusanWeiandThe album opens with Dream Out In The Rain,” is a song about having the courage to dream and believing in yourself, with the lyrics “Don’t wait to start… Today’s the new tomorrow… Open your heart… And your story will follow.” 

Some of the songs are dark and dig into the psyche of shame, addiction, trauma, and regret (“It Ain’t No Sin,” “Passengers Of Darkness,” Somewhere On A Train,” and “Oh No”). While others bring a lighter attitude like “Back This Way,” a duet sung as a conversation between a man and a woman whose relationship is suffering because the man is always away from home (he could be a musician or a traveling salesman or in the military; it’s an argument that somehow, through love, turns out well.

The Great Boot” is about remembering to take the time to love and appreciate those that love you; scars to your soul can be the hardest to see and overcome. The title track, “Wilderness And Space”  signifies the epitome of what is learned through the album; it is a stream of consciousness tone poem about dealing with life like a compassionate warrior

Carbone says, “I wrote the words to ‘This Too Shall Pass’ for our guitar player Jeff after his mother passed away from breast cancer.” Miller says, “The song was written as a reference to the cathartic idea that even in our darkest days, with a loved one passing, there is hope. In writing and recording this song, I forever have a way to remember my mom and bring her into being whenever the song is played… a true blessing.”

So Long, Farewell” closes out the album and the whole song  is like a hallucination; a fever dream that ends with too many people talking and the room spinning. 

The Contribution is excited to have the full album out and the band hopes that you enjoy it as much as they have enjoyed the process of creating it.

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Wilderness And Space
Track Listing:

 

  1. Dream Out In The Rain
  2. It Ain’t No Sin 
  3. Passengers Of Darkness
  4. Back This Way
  5. The Great Boot
  6. Somewhere On A Train
  7. Oh No
  8. Wilderness And Space 
  9. This Too Shall Pass
  10. So Long, Farewell

 

 

For more information, please visit www.TheContribution.net, www.facebook.com/TheContribution, www.twitter.com/thecontribution, and www.instagram.com/thecontribution.

 

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ReedFoehl_LuckyEnough_13x13_cover
Reed Foehl Releases 5th Studio Album,
Lucky Enough, Feb 1, 2019

Recorded in Austin, TX with The Band of Heathens
Co-Produced by Reed Foehl with Gordy Quist and Ed Jurdi


Available Now On All Outlets to Stream and Purchase → http://hyperurl.co/3xm6td

POWNAL, VT — With the Feb. 1, 2019, release of Reed Foehl’s fifth solo album, Lucky Enough, fans will get a dose of powerful medicine, a cathartic collection of 10 songs that Foehl recorded with help from a mighty musical force, The Band of Heathens, at their Finishing School studio in Austin, Texas. It’s an album that will undoubtedly solidify his standing as one of the most compelling and vital Americana artists around.

On Lucky Enough, Foehl touches on a range of Americana styles, all with emotionally charged lyrics and can’t-get-out-of-your-head choruses, from somber folk elegies and gospel-tinged tunes to barroom country singalongs and jaunty calypso-flavored, country-infused pop. These are deeply personal songs for Foehl, and while they were written during some dark days, there’s a sense of optimism and gratitude, an overriding feeling that the hope outshines the heartbreak.

Lucky Enough is dedicated to the memory of Foehl’s mother — “the Queen of Everything” — and a keen sense of loss flavors the album. But there’s also a sense of hope, of forward momentum, change and a celebration of love, including not just the romantic variety but the kind a guy has for the oldest of old friends. For Foehl, creating Lucky Enough with The Band of Heathens has been a cathartic process. “If I can help myself, maybe I can help others,” he says. “You’ve got to keep moving forward. I think that’s the important thing. Live to fight another day.”

What People Are Saying:

“Certain songwriters have an innate gift for infectious songs that just linger for days on end. Reed Foehl is one of them. Each song on his fifth album, Lucky Enough, tells a story in his quietly understated way that somehow results in powerful imagery and emotions… This is as good as songwriting gets. Foehl’s lyrics are often astonishing and his relaxed, comforting approach works wonders.” —Glide, Jim Hynes

“His voice—smooth, companionable, and flavoured with a touch of palatable wisdom—is the first thing one is likely to notice. But the songs are masterfully constructed, some poetic and symbolic, most situational explorations brought to fruition with elegantly nuanced instrumentation… ‘Stealing Starlight’ and ‘American Miles’—both expansive, grandly produced three-minute epics, worthy entertainment for listeners who appreciate Josh Ritter, Fleet Foxes, or Vance Joy.” Fervor Coulee, Donald Teplyske

The Bluegrass Situation premiered “Stealing Starlight”

“Reed Foehl’s excellent album Lucky Enough takes the listener on an existential journey to fill life’s holes. Written at an impossibly difficult time in Foehl’s life, while he was caring for his mother who was battling cancer, Foehl would be understood for writing a melancholy record. Lucky Enough ducks expectation. It does not feel melancholy. It feels settled. Not resigned, but at peace with life’s challenges and tribulations.” The Marinade with Jason Earle, Listen in to a Podcast Interview

“Reed has the ability to transport the soul, a true master. One of the great songwriters of our time.” —Gregory Alan Isakov. Isakov co-wrote the debut track, “American Miles,” a road song that was inspired by traveling and the great american landscape. Glide Magazine premiered “American Miles”

“Reed Foehl is like a brother to me, we’ve traveled a lot of miles on the road together, and I don’t think they make better singer-songwriters than him.” —Todd Snider  

“He starts out with the gentle strumming ‘Stealing Starlight’ and the quiet acoustics of ‘American Miles,’ which just excels into the beautiful landscape that Reed paints with his words. He begins to pick the tempo up with the steady rhythm of ‘If It Rains’ and ‘He’s On An Island,’ but sandwiched in-between is the piano ballad ‘Carousel Horses.’ Reed Foehl finishes up his new album with the pop/folk tone of ‘Wish I Knew’ and wonderfully, emotion-filled ‘Color Me In.’” JP’s Music Blog, Jim Pasinski

“I fell for this album just a few moments into its first track, ‘Stealing Starlight.’ There is something so sad and yet oddly comforting in Reed Foehl’s vocal delivery that worked on me immediately and pulled me in, so that I wanted to pay closer attention to every word, to see what this voice had to tell me.”
Michael’s Music Log, Michael Doherty

“Reed Foehl is a familiar voice in the wilderness calling you home.  His songs are part New England Folklore, told around an old wood stove in the midst of a winter’s blizzard and part Southern Charm, warm and inviting, like the spring breeze that welcome the magnolia blossoms.” —Ed Jurdi, The Band of Heathens

“Reed’s songs hit you in the heart, and everything else falls away” —Anais Mitchell

reed guitar hi res photo_ByKateDrewMiller

Reed Foehl. Photo By Kate Drew Miller

More About Reed Foehl & Lucky Enough:

Foehl certainly took an unexpected route in getting to Lucky Enough. Then again, he says, “I’ve always done things very unconventionally.”

A New England native who had long lived in Colorado, Foehl was making a big move, heading to Nashville to continue his craft as an artist and a songwriter. That made sense after co-writing the leadoff song (“Fly”) with up-and-coming country singer/songwriter Brent Cobb on Lee Ann Womack’s 2014 GRAMMY nominated album, The Way I’m Livin’.

On the way, he got a call from his mother, Linda. She had lymphoma, and she needed him. He didn’t hesitate, ditching his fully loaded car in Nashville and flying straight home to Massachusetts. “It put in perspective what life’s about,” he says. “This was important, definitely more than any of these records I’ve made.”

While he cared for his mother, Foehl kept at his songwriting, thanks to the sponsorship of a longtime friend and hockey teammate. Keeping the creative flames burning was vital. “It’s not just what I do, it’s who I am. I’m writing songs so people can hear them and so I can be OK. That’s really the gist of it,” he says.

After Foehl lost his mother in July 2017, he knew he had to keep moving forward and started thinking about recording an album. Although he launched his solo career with the release of Spark in 2001, he played in bands for years, notably fronting Acoustic Junction and then as a charter member of Great American Taxi. For his fifth solo album, he thought, why not go into the studio with a full-fledged band? “With all my records. I like to take leaps and chances and want to try different things,” he says. “I said, ‘What about doing it with The Band of Heathens?’”

Foehl had toured as an opener with The Band of Heathens, and he knew and loved their tones and sound and how they worked together. The Heathens, for their part, had really hit it off with Foehl on tour and were primed to help him make an album. “We really dug his stuff and felt like it would be a good match,” said Ed Jurdi, who co-produced Lucky Enough with Foehl and fellow Heathen Gordy Quist, with both Jurdi and Quist adding guitars and vocals on the album. “What I felt our job was, was to put him in a position where he could do his thing, just really make him comfortable. The record is about Reed and his songs, so how do we elevate that by adding what we can do? The idea as a producer is to both create a record the artist likes and making an album that the artist didn’t know they could make.”

The great thing about the Heathens, Foehl says, is they always knew when to hold back and when to let it rip, deftly embellishing the 10 songs on Lucky Enough. “They are very much chameleon-like,” Foehl said of the Heathens, “capable and talented enough to adapt and play any style of music.”

Foehl’s solo career has been bookended by loss, losing his father, Billy, in 2001 around the time Spark came out and then his mother preceding Lucky Enough, with three albums in between — 2007’s Stoned Beautiful, 2009’s Once an Ocean and 2014’s Lost in the West. Growing up in Dover, Mass., his parents were a huge influence for Foehl, filling the house with John Prine music and playing for decades together in a bluegrass/country band called The Centre Streeters. His parents encouraged him in his musical passion, regularly taking him to Boston, where he cut his teeth as a performer, busking at the Faneuil Hall Marketplace at the tender age of 11.

ReedFoehl_LuckyEnough_back.jpgLucky Enough Track Listing
1. Stealing Starlight (3:33)
2. American Miles (3:22)
3. If It Rains (4:48)
4. Takes a Long Time to Make Old Friends (3:18)
5. Carousel Horses (3:00)
6. He’s on an Island (3:26)
7. Running Out of You (3:46)
8. Wish I Knew (2:36)
9. Hello My Dear (4:12)
10. Color Me In (3:28)

Reed Foehl – lead vocals and acoustic guitar
Gordy Quist – guitars, background vocals
Ed Jurdi – guitars, background vocals
Trevor Nealon – keyboards, background vocals
Jesse Wilson – bass guitar, background vocals
Richard Millsap – drums, background vocals
Geoff Queen – pedal steel

Engineered and mixed by Steve Christensen
Mastered by Fred Kevorkian
Green Mountain Records

Reed Foehl On Tour Supporting Todd Snider!
3/13 Wed – The Gramercy Theatre – New York, NY
3/14 Thu – Ardmore Music Hall – Ardmore, PA
3/15 Fri – The Sinclair – Cambridge, MA
3/17 Sun – Infinity Music Hall & Bistro – Hartford, CT
3/18 Mon – The Birchmere – Alexandria, VA
3/20 Wed- The Beacon Theater – Hopewell, VA
3/22 Fri – Lincoln Theater – Raleigh, NC
3/23 Sat – The Ramkat – Winston-Salem, NC
3/24 Sun – The Orange Peel – Asheville, NC
5/2 Thu – The Jefferson Theater – Charlottesville, VA
5/3 Fri – The Rex Theater – Pittsburgh, PA
5/4 Sat – Rams Head On Stage – Annapolis, MD

For more information and updates, please visit www.reedfoehlmusic.com, www.facebook.com/ReedFoehl, www.twitter.com/reedfoehl, and www.instagram.com/reedfoehl.

 

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Reed Foehl To Release 5th Studio Album, Lucky Enough, Feb 1, 2019

Recorded in Austin, TX with The Band of Heathens
Co-Produced by Reed Foehl with Gordy Quist and Ed Jurdi

On Tour with Todd Snider in March!


POWNAL, VT —
With the Feb. 1, 2019, release of Reed Foehl’s fifth solo album, Lucky Enough, fans will get a dose of powerful medicine, a cathartic collection of 10 songs that Foehl recorded with help from a mighty musical force, The Band of Heathens, at their Finishing School studio in Austin, Texas. It’s an album that will undoubtedly solidify his standing as one of the most compelling and vital Americana artists around.

Other artists have long sung the praises of Foehl. As fellow songwriter Gregory Alan Isakov notes, “Reed has the ability to transport the soul, a true master. One of the great songwriters of our time.”

Isakov co-wrote the debut track, “American Miles,” a road song that was inspired by traveling and the great american landscape. Glide Magazine premiered the song and writes, “…the vocals in the beginning immediately conjure images of staring out the window of a car as it cruises along a lonesome highway at sunrise. Foehl keeps the instrumentation sparse, letting a lightly picked acoustic and the quiet thumb of a drum create the groove while the occasional flourish of a piano and a tambourine. His vocals have a dreamy folk quality that reflects the quietly reflective lyrics.”

Listen to “American Miles”→ http://bit.ly/AmericanMiles_GlidePremiere.

Todd Snider, whom Foehl will be touring with in March 2019, says, “Reed Foehl is like a brother to me. We’ve had a lot of miles on the road together, and I don’t think they make better singer-songwriters than him.”

Ed Jurdi of The Band of Heathens, a fellow native of Massachusetts, was downright poetic in his expression of admiration for Foehl, “Reed Foehl is a familiar voice in the wilderness calling you home. His songs are part New England folklore, told around an old wood stove in the midst of a winter’s blizzard and part Southern charm, warm and inviting, like the spring breeze that welcome the magnolia blossoms.”

On Lucky Enough, Foehl touches on a range of Americana styles, all with emotionally charged lyrics and can’t-get-out-of-your-head choruses, from somber folk elegies (“Stealing Starlight” and “American Miles”)  and gospel-tinged tunes (“Carousel Horses”) to barroom country singalongs (“Long Time to Make Old Friends”) and jaunty calypso-flavored, country-infused pop (“Wish I Knew”). These are deeply personal songs for Foehl, and while they were written during some dark days, there’s a sense of optimism and gratitude, an overriding feeling that the hope outshines the heartbreak.

The uncannily cinematic album takes its title from the chorus of “If It Rains,” on its surface a Dust Bowl ballad about persistence in the face of the vagaries of nature. “If it don’t shed a tear, we wait ’til next year, heartbroken but lucky enough,” Foehl sings in the unforgettably melodic chorus. With the final verse, it’s clear the song digs deeper than drought when he sings, in a voice worn and weary but warm:

With the cold came the snow

On our favorite place to go

I carved the slated path

Just thought you should know

And built a wooden bench

Then laid it in cement

Out of love and in memory of.”

Foehl certainly took an unexpected route in getting to Lucky Enough. Then again, he says, “I’ve always done things very unconventionally.”

A New England native who had long lived in Colorado, Foehl was making a big move, heading to Nashville to continue his craft as an artist and a songwriter. That made sense after co-writing the leadoff song (“Fly”) with up-and-coming country singer/songwriter Brent Cobb on Lee Ann Womack’s 2014 GRAMMY nominated album, The Way I’m Livin’.

On the way, he got a call from his mother, Linda. She had lymphoma, and she needed him. He didn’t hesitate, ditching his fully loaded car in Nashville and flying straight home to Massachusetts. “It put in perspective what life’s about,” he says. “This was important, definitely more than any of these records I’ve made.”

While he cared for his mother, Foehl kept at his songwriting, thanks to the sponsorship of a longtime friend and hockey teammate. Keeping the creative flames burning was vital. “It’s not just what I do, it’s who I am. I’m writing songs so people can hear them and so I can be OK. That’s really the gist of it,” he says.

After Foehl lost his mother in July 2017, he knew he had to keep moving forward and started thinking about recording an album. Although he launched his solo career with the release of Spark in 2001, he played in bands for years, notably fronting Acoustic Junction and then as a charter member of Great American Taxi. For his fifth solo album, he thought, why not go into the studio with a full-fledged band? “With all my records. I like to take leaps and chances and want to try different things,” he says. “I said, ‘What about doing it with The Band of Heathens?’”

Foehl had toured as an opener with The Band of Heathens, and he knew and loved their tones and sound and how they worked together. And The Heathens had just opened their own studio in Austin, christening it by recording an update of the entire landmark Ray Charles album, A Message from the People. “These guys are really good,” Foehl says. “If I hire them, it’s a built in sound. They’ve been playing together forever.”

The Heathens, for their part, had really hit it off with Foehl on tour and were primed to help him make an album. “We really dug his stuff and felt like it would be a good match,” said Ed Jurdi, who co-produced Lucky Enough with Foehl and fellow Heathen Gordy Quist, with both Jurdi and Quist adding guitars and vocals on the album. “What I felt our job was, was to put him in a position where he could do his thing, just really make him comfortable. The record is about Reed and his songs, so how do we elevate that by adding what we can do? The idea as a producer is to both create a record the artist likes and making an album that the artist didn’t know they could make.”

The great thing about the Heathens, Foehl says, is they always knew when to hold back and when to let it rip, deftly embellishing the 10 songs on Lucky Enough. “They are very much chameleon-like,” Foehl said of the Heathens, “capable and talented enough to adapt and play any style of music.”

Quist even pitched in on the writing of “Wish I Knew,” helping Foehl take the song in a direction he would never have thought to go. Musically, it playfully moves along at a frisky pace, while lyrically Foehl wrestles with some of the life’s big questions:

If the choices were just black and white

I’d a half a chance to get things right

How to make it through the dark of night

Only wish I wish I knew

In addition to Quist and Jurdi, the other Heathens playing on the album include Trevor Nealon (keyboards), Jesse Wilson (bass guitar), and Richard Millsap, (who played drums as well as electric guitar), along with Geoff Queen on pedal steel. Lucky Enough, which will be released on Green Mountain Records, was engineered and mixed by Steve Christensen and mastered by Fred Kevorkian.

Foehl’s solo career has been bookended by loss, losing his father, Billy, in 2001 around the time Spark came out and then his mother preceding Lucky Enough, with three albums in between — 2007’s Stoned Beautiful, 2009’s Once an Ocean and 2014’s Lost in the West. Growing up in Dover, Mass., his parents were a huge influence for Foehl, filling the house with John Prine music and playing for decades together in a bluegrass/country band called The Centre Streeters. His parents encouraged him in his musical passion, regularly taking him to Boston, where he cut his teeth as a performer, busking at the Faneuil Hall Marketplace at the tender age of 11.

Lucky Enough is dedicated to the memory of Foehl’s mother — “the Queen of Everything” — and a keen sense of loss flavors the album. But there’s also a sense of hope, of forward momentum, change and a celebration of love, including not just the romantic variety but the kind a guy has for the oldest of old friends. For Foehl, creating Lucky Enough with The Band of Heathens has been a cathartic process. “If I can help myself, maybe I can help others,” he says. “You’ve got to keep moving forward. I think that’s the important thing. Live to fight another day.”

Reed Foel Holiday Shows This December with Gregory Alan Isakov
12/22-22 Fri-Sat – Gold Hill Inn, Boulder, CO

reed guitar hi res photo_ByKateDrewMiller

Reed Foehl
Photo by Kate Drew Miller

Reed Foehl On Tour Supporting Todd Snider March 2019!
3/13 Wed – The Gramercy Theatre – New York, NY
3/14 Thu – Ardmore Music Hall – Ardmore, PA
3/15 Fri – The Sinclair – Cambridge, MA
3/17 Sun – Infinity Music Hall & Bistro – Hartford, CT
3/18 The Birchmere – Alexandria, VA
3/20 Wed- The Beacon Theater – Hopewell, VA
3/22 Fri – Lincoln Theater – Raleigh, NC
3/23 Sat – The Ramkat – Winston-Salem, NC
3/24 Sun – The Orange Peel – Asheville, NC

Lucky Enough Track Listing
1. Stealing Starlight (3:33)
2. American Miles (3:22)
3. If It Rains (4:48)
4. Takes a Long Time to Make Old Friends (3:18)
5. Carousel Horses (3:00)
6. He’s on an Island (3:26)
7. Running Out of You (3:46)
8. Wish I Knew (2:36)
9. Hello My Dear (4:12)
10. Color Me In (3:28)

Reed Foehl – lead vocals and acoustic guitar
Gordy Quist – guitars, background vocals
Ed Jurdi – guitars, background vocals
Trevor Nealon – keyboards, background vocals
Jesse Wilson – bass guitar, background vocals
Richard Millsap – drums, background vocals
Geoff Queen – pedal steel

For more information and updates, please visit www.reedfoehlmusic.com, www.facebook.com/ReedFoehl, www.twitter.com/reedfoehl, and www.instagram.com/reedfoehl.

 

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