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Andy Hall and Roosevelt Collier Release Let The Steel Play June 16, 2017
Sacred Steel Meets Bluegrass in this Exploration of the Slide Guitar

Andy Hall and Roosevelt Collier will be doing a Stageit show
Sunday, May 21 at 9:15pm ET/ 7:15pm MT to celebrate the upcoming release!
Tune in → www.stageit.com/andy_hall/andy_hall_and_roosevelt_collier/61242
The top 5 supporters will get a signed copy of the cd!

DENVER, CO — Andy Hall of The Infamous Stringdusters and Roosevelt Collier of the Lee Boys have come together on a new album, Let The Steel Play, which is set for independent release June 16, 2017. Let the Steel Play was born out of a love of slide guitar, and a friendship made through music. Andy Hall and Roosevelt Collier met in 2012 on Jam Cruise, and began playing music together when their paths would cross. Both are sought after sit-in players at festivals throughout the country and known for their dexterity, versatility, and intuitive knack for picking up rhythms and melodies.

Andy comes from the world of bluegrass, and cut his teeth in Nashville’s vibrant country and bluegrass scene having performed with Earl Scruggs, Ryan Adams, and Dolly Parton (who he is also on two albums with). Roosevelt “The Dr.” was born into the Sacred Steel sound, learning lap and pedal steel at a young age directly under his uncles and grandfather in the House of God church his family attended in Perrine, FL. Roosevelt has performed alongside BB King, Widespread Panic, The Allman Brothers, and Del McCoury Band.

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Andy Hall  & Roosevelt Collier. Photo by Jason Charme

Coming from different backgrounds and methods, yet brought together through slide guitar, Roosevelt and Andy have joined forces to create a musical bridge that emanates a freshness, yet honors both traditions.

The bluegrass tradition is highlighted by classics such as a haunting and melodic version of “A Maiden’s Prayer,” which was written initially for piano in Poland and made popular in the 1930’s in America by Bob Wills who arranged it on fiddle in a more Western Swing style and added lyrics; it was later recorded by Buck Owens and Willie Nelson. Let The Steel Play also includes the 1920’s folk song made popular by Flatts and Scruggs, “Reuben’s Train,” which is jazzed up even more in it’s evolution here.

The time-honored song “This Little Light Of Mine” is played in both bluegrass and gospel music. Andy says, “We chose it because it seemed like a natural bridge between our two styles, and it is just fun to play. Roosevelt’s unique way of playing bass parts on the steel is highlighted in the breakdown section.”

Power In the Blood” showcase the sounds of Sacred Steel. Written by Lewis E. Jones in 1899, the slides take on a very vocal style here; you can almost imagine yourself in church, feeling the holy spirit!

For a slightly more modern flair they also perform a version of the Grateful Dead’s “Crazy Fingers.” “When we recorded this album I had been playing quite a bit with Phil Lesh, and was doing Grateful Grass shows with Keller Williams, so I certainly had the Grateful Dead on the brain,” says Andy Hall, “‘Crazy Fingers’ has always been a closet favorite of mine. Amazing complex chords that work so well together. Yet the melody is so memorable. I play the melody throughout, and then Roosevelt soars on the intro riff that we repeat at the end.”

Additionally there are 5 originals that Andy and Roosevelt wrote together specifically for this project. From the uplifting “Rosebud” to the fast paced “Remington,” this record showcases not only exceptional slide work, but engaging songwriting. “The Darkest Hour” was written on Hall’s Weissenborn style guitar, which has a mellower, pretty sound and juxtaposes nicely with the gritty low sound of Roosevelt’s lap steel.

In the final song of the album, “Colfax Boogie,” Anders Beck of Greensky Bluegrass adds his Dobro prowess to make a slide guitar power trio. They co-wrote it while all together in the studio and had fun with three slides all taking turns and playing off each other, a perfect way to round out the project.

Let The Steel Play was recorded at Macy Sound Studios in Denver, CO, and produced by John Macy (The Nitty Gritty Dirt Band, Los Lobos). The mastering was done by Fred Guarino (he also recorded The Infamous Stringdusters’ 2015 album Undercover), at Tiki Recording.

Let the Steel Play is an instrumental offering that gives the listener something new, yet familiar. Where two traditions come together and form something new and relevant. The slide guitar is not all that common, but it’s certainly a treat to the ear and to the soul.

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Let The Steel Play Track Listing
1. This Little Light Of Mine 4:51
2. Maiden’s Prayer 3:48
3. Singing Steel 4:01
4. Crazy Fingers 4:40
5. Rosebud 3:04
6. Reuben’s Train 3:34
7. Remington 3:06
8. The Darkest Hour 4:05
9. Power In the Blood 3:50
10. Colfax Boogie (W/ Anders Beck) 4:46


.


Instruments & credits:
Andy Hall:
1929 National Style 2 Squareneck Tricone 1, 10
Beard Mahogany Belle Beard Model Resonator Guitar 2, 3, 4, 5, 6, 7, 9
Bear Creek Koa Weissenborn Style Guitar 8

Roosevelt Collier:
Asher Electro Hawaiian Lap Steel, 1, 2, 4, 5, 6, 7, 8, 9
Meredith Maple Resonator Guitar 3, 10

Anders Beck:
Meredith Mahogany Resonator Guitar 10
Websites:
www.artistworks.com/dobro-lessons-andy-hall
www.rooseveltcollier.net

Facebook:
www.facebook.com/andyhalldobro
www.facebook.com/RooseveltCollier

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Banjo Maestro Ned Luberecki’s Take Five OUT TODAY, March 31, 2017

Featuring Guest Musicians:
Dale Ann Bradley, Becky Buller, Amanda Smith, Missy Raines, Mike Compton, David Grier, Jeremy Garrett, Shad Cobb, Stephen Mougin, and Chris Jones & The Night Drivers


Buy it on iTunes, Amazon, cdbaby or directly from Ned at www.nedski.com/take-five

 Ned Luberecki’s new album, Take Five, is independently released TODAY, March 31, 2017. A master of his instrument and adept in multiple styles Ned recorded at The Rec Room, Ben Surratt’s studio in East Nashville this self produced, the 14-track album is a mix of originals and covers and clocks in at just under 45 minutes.

Take Five is a reflection of Ned’s musical diversity, presenting fiddle and banjo tunes, instrumentals, and traditional bluegrass interspersed with jazz standards, classic Buck Owens, and even the theme to Star Trek. Many of Ned’s musical friends from all walks of bluegrass make appearances, making Take Five a sort of retrospective, reminding us that however we know Ned Luberecki – sideman, teacher, on-air radio personality – that he is respected as both a traditional and progressive player with a style perfectly his own – a harlequin combination of the diverse artists, musicians, and genres he’s ingested.

Take Five is stacked with a remarkable lineup of guest musicians including Missy Raines and the New Hip, Jeremy Garrett of The Infamous Stringdusters, Becky Buller, The Helen Highwater Stringband (Mike Compton, David Grier, Missy Raines, and Shad Cobb), Chris Jones and The Night Drivers, Dale Ann Bradley, and Amanda Smith. Also appearing on the album, Stephen Mougin, guitarist of Sam Bush Band and the other half of Nedski & Mojo, calls it “a sonic glimpse inside the mind of Nedski [that] showcases Ned’s brilliant banjo skills in a diverse range of material, from old-time to bluegrass to jazz and beyond. Way beyond!”

take-five-coverWhat Folks are Saying about Take Five

“An absolutely joyous, riveting, beautifully syncopated example of the beauty of the banjo.  From the traditional to the unexpected, the banjo sings.” —Steve Martin (Actor, banjo player)

“Taken as a whole, Take Five demonstrates Luberecki’s mastery of the five-string. From the opening notes of his own tune, Night Driver to the familiar phrasings of Thelonious Monk’s Blue Monk, Luberecki is making a strong case for IBMA banjo player of the year.” —Bluegrass Today, David Morris   

“Journeying across times and genres on this disc, Luberecki’s impeccable playing, adventurous spirit and irrepressible good humor shine throughout.” —International Bluegrass (IBMA Magazine)

“Ned Luberecki is a true ‘master of the five’! This solo recording is a testimony to the incredible breadth of his playing, which I have always admired.”  —Greg Cahill (Special Consensus, former IBMA Chairman)

“His playing oozes with personality and character, and this record perfectly encapsulates that. It’s 100% Ned, and I, for one, am not afraid! Ned’s tunes are a joy to hear and his playing is better than ever.” —Noam Pikelny

“If you were introducing someone to the beauty and versatility of the banjo using 2017 releases, there’s only one choice that can accomplish that goal perfectly, Ned Luberecki’s Take Five. From bluegrass to jazz and from progressive to old-time, this album shows what the banjo is capable of. And just as importantly, it shows that tradition and a fresh energetic approach are still an easy pairing in the bluegrass world.” —Lonesome Banjo Chronicles, Brian Swenk

“‘Adams County Breakdown’ is a rollicking freight train from the other end of the spectrum, a triumph of the five-string banjo that cements Luberecki as a world-class musician.” –Grateful Web, Emerson Kerwin

“… the cover artwork for this CD reminds me of the artwork for Time Out, the 1959 Dave Brubeck Quartet album to feature ‘Take Five.’ I could listen to this track for hours, just as I could spend hours listening to Dave Brubeck’s rendition (and have done, actually).” —Michael Doherty

“… the interplay between the fiddle and banjo is hypnotic (See ‘Cleveland Park’). Finally, and most importantly, the album is as varied as possible.” —Wine Compass, Todd Godbout

“Bluegrass, on it’s own, is a fun genre of folk music to get into, but with the humor and other genre infusions Luberecki brings here, it wouldn’t surprise at all if he made a few more fans along the way.” —NYS Music, Rob Creenan

“The backing musicians, compositions, and production are all at the highest levels here and Ned has done himself proud with this widely varied and irresistible project.” —Tony Trischka

“With skill, tone, and taste he comfortably transverses styles of bluegrass, jazz, celtic and more making this a seamless and satisfying set of music.” —Missy Raines (7 Time IBMA Bass Player of the Year, Missy Raines & The New Hip)

“… a full course five-string feast, with savory bluegrass, tasty fiddle tunes, tangy jazz and more. It’s all presented with sumptuous tone, timing that’s just right and a dash of Ned’s irrepressible humor. This is state-of-the-art five-string banjo, cooked up with virtuosity and creativity,” —Bill Evans (banjo player, banjo instructor, and author)

“Ned Luberecki is surely among the most talented and creative artists we have in bluegrass music. It doesn’t matter if he is driving the banjo right through the Becky Buller Band, sharing clever stories from the stage, or hosting one of his programs on SiriusXM’s Bluegrass Junction, Ned’s wit and wisdom always shine through… ” —Bluegrass Today, John Lawless

Listen to Bluegrass Today “Night Driver” at Bluegrass Today → www.bluegrasstoday.com/nightdriver-from-ned-luberecki

Listen to  “Higher Ground” at The Bluegrass Situation →  www.thebluegrasssituation.com/read/listen-ned-luberecki-higher-ground

For more information, please visit www.nedski.com, www.facebook.com/MoreBanjo, Twitter: @NedLuberecki, and Instagram: nedluberecki

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Bill Scorzari’s
Through These Waves, Produced by Jonah Tolchin, Released March 10

Bringing Together a Cast of Fine Musicians,
Scorzari Explores Impassioned & Thoughtful Landscapes

Available now on iTunes, Bandcamp, Spotify, and CD Baby

Huntington, NY — New York native, Bill Scorzari independently releases his sophomore album, Through These Waves, Today, March 10, 2017. Produced by Jonah Tolchin (Yep Roc) and engineered, mixed, and mastered by Billy Bennett, the album of all original material was recorded over twelve days at the famed Bomb Shelter in East Nashville through the studio’s 1970’s MCI console and mixed to tape. In a recent interview with No Depression, Tolchin calls Bill Scorzari, “one of the greatest songwriters I’ve ever heard.” With sincere and robust lyrics, Scorzari’s raspy vocals usher the listener breezily into his world.

Joining Scorzari on the album are Joachim Cooder (drums, percussion), Laur Joamets (electric guitar, slide guitar), Chris Scruggs (steel guitar), Will Kimbrough (mandolin, piano), Eamon McLoughlin (fiddle, viola, cello), Jon Estes (upright bass, guitar, organ), Kim Richey (vocals), Brent Burke (dobro) and more.

Bill has a scruffy sentimentality that was comforting to behold.” Billy Bennett comments on the recording sessions, “There were humbling moments of marvel for me during the process, as the tremendous cast of musicians populated Bill’s emotional landscapes beautifully. I was privileged to have played a part.”

“One of the most idiosyncratic voices I’ve ever come across,” Laur Joamets expresses. “Bill’s timbre is one-of-a-kind. It’s a great record. I’m proud to be on it.”

Even through all of the chaos in the world, every time you are let down, or hurt, or feel broken, there is a softness within our hearts that will help us to come through and rise above anything that life deals us, without hardening our spirit. There’s a solemn, yet uplifting and gracious feel to Through These Waves, a gentle roll of energy in the songs and the recording experience that is emphasized in the musical collaboration that came about when the musicians entered the studio.

Will Kimbrough says, “I enjoyed playing on Bill Scorzari’s record… Boy, did it turn out fine — thoughtful, soulful songs, with -by God- real music to back them up. Top notch.”

From the Critics:

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Bill Scorzari. Photo by Lauren Jahoda

“One of 2017’s best albums so far… The crisp, organic interplay of both acoustic and electric instruments perfectly frame Scorzari’s weathered, raspy voice that many have described as ‘singular’ or ‘idiosyncratic.’ Just to give you some clues, head in the direction of Tom Waits or Malcolm Holcombe. Scorzari’s voice is in that neighborhood but still stands apart. And, then there are his thoughtful, cinematically shaped songs that continue to resonate after repeated listens. Yes, this is a ‘must hear’ for singer-songwriter aficionados.” —Elmore, Jim Hynes

“…once in awhile… just once in awhile… you find one and, man, it’s a rush. Case in point, a compact disc by Bill Scorzari titled Through These Waves…Bill Scorzari is a force. His songwriting is stellar, his picking above par and his voice fits his songs perfectly. The album itself is a knockout… performances are topnotch all-around…I give this a solid A, top to bottom. I give ‘Hound Dog Diggin” an A+ for the groove alone.” —No Depression, Frank Gutch Jr.

“Bill Scorzari has a lived-in voice that says, ‘Listen to these songs.’ They spring from the earth and the ocean with an open heart and the wisdom of experience.” –WFUV’s John Platt. Listen in to Bill’s recent interview in WFUV’s Sunday Supper → www.wfuv.org/content/susan-kane-and-bill-scorzari

“Scorzari’s songs are consistently profound, poetic, and emotional; and his voice—as gravelly and compelling as Tom Waits’s—is counterpointed beautifully with strings and, on the gorgeous ‘More of Your Love,’ a female vocalist. This is one of the most compelling albums by a little-known artist that I’ve heard in a while.”  The Morton Report, Jeff Burger

“Scorzari’s songs are often about seeking a kindred soul and in that finding solace. There is a poetic grace that makes them worth listening to and reading.” —Lonesome Highway, Stephen Rapid

“An album that is serene, uplifting, and powerful, Through These Waves is a gem waiting to be discovered.” —The Daily Country, Tara Joan

“Scorzari sings, but his version of singing is more of the spoken poetry with a pulsating vibration timbre that Sam Baker has perfected over the course of four albums and innumerable gigs. He connects with listeners by creating soundscapes that reveal descriptions of mood and atmosphere more than character. You listen and think, Yes—I’ve felt that…” —Fervor Coulee, Donald Teplyske

“… he’s a songwriter of the highest order with a three pack a day voice that sounds nothing like that during every day conversation. When he’s on stage though, that voice will make you pay attention to lyrics that can turn a phrase, make you think or make you thankful that there’s someone out there to relate to.” —Medium, Thomas Gerbasi

“…Scorzari has struck gold on what is only his second album, Through These Waves…His style of music occasionally reminds me of Sam Baker, the wistfulness and precise nature of the songs and wondrous beauty, and arguably his greatest attribute honesty the record is one of the finest I have stumbled across in a long time.”  —Flying Shoes Review (UK) Maurice Hope

Through These Waves Track Listing:
1. A Dream of You (5:48)
2. A Brand New Deal (3:12)
3. Shelter From the Wind (5:28)
4. Hound Dog Diggin’ (3:27)
5. More of Your Love (5:23)
6. Holy Man (3:26)
7. She Don’t Care About Auld Lang Syne (4:21)
8. For When I Didn’t See (3:56)
9. Loser at Heart (4:33)
10. I Can Carry This (4:32)
11. It’s Time (3:30)
12. Riptide (4:38)

Musician Credits (alphabetical order):
Brent Burke: Dobro
Joachim Cooder: Drums, Percussion
Jon Estes: Upright Bass (Tracks 2, 3, 5, 8, 11), Second Acoustic Guitar (Track 5), Organ (Track 10), Percussion (Track 8)
Laur Joamets: Electric Guitars (Track 4), Slide Guitar (Track 6)
Annie Johnson: Second Vocal (Track 5)
Will Kimbrough: Mandolin, Piano
Marie Lewey: Background Vocals (Tracks 4, 10)
Eamon McLoughlin: Fiddle, Viola, Cello
Matt Murphy: Upright Bass (Tracks 1, 4, 6, 9, 10, 12)
Kim Richey: Second Vocal (Track 6)
Danny Roaman: Slide Guitar (Tracks 3, 4, 9)
Bill Scorzari: Acoustic Guitar, Vocals, Chair
Chris Scruggs: Steel Guitar
Jonah Tolchin: Electric Guitar (Tracks 1, 6, 11, 12), Lap Steel (Tracks 1, 10, 11)
Kyle Tuttle: Banjo
Cindy Walker: Background Vocals (Tracks 4, 10)

For more information and updates, please visit www.billscorzari.com, www.facebook.com/billscorzari , and www.twitter.com/BillScorzari.

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DannyBarnes_StoveUp_frontcover.pngDanny Barnes Releases All Acoustic Homage to Don Stover, Stove Up, on March 3, 2017
Featuring Danny Barnes along with Jason Carter, Chris Henry, Mike Bub, and Nick Forster

Danny Barnes is already known as an iconic American musician, a banjo playing innovator who’s earned high praise from everybody from Bill Frisell and Dave Matthews to Steve Martin, who presented Danny with the Prize for Excellence in Banjo in 2015. From the days with his groundbreaking Austin band, the Bad Livers, to his two decade solo career experimenting with electronic music, jazz, old time string band music and more, he’s a genre bending, rule breaking original who prefers to color outside the lines.

Now, with Stove Up, out March 3, 2017, he’s showing us that it was always a choice, that he’s always had the chops to play straight ahead bluegrass banjo with the best of them. With a top-flight band backing him up, Danny turns in an amazing set of tunes that demonstrate his respect for tradition and his commitment to his own musical voice.

“Happily, with Stove Up, our five-string hero steps out of the lab and into the sunlight where his pre-war Gibson can really shine,” says Tim O’Brien. “Producer and guitarist Nick Forster wisely loosens the reins and lets his pack of thoroughbreds set a fast pace around the bluegrass track. Mandolinist Chris Henry, with his bone-dry tone and expanded traditional approach, is a particularly inspired foil to Barnes. Along with Forster, much decorated fiddler Jason Carter, and everyone’s favorite bassist, Mike Bub, they cut through some beautiful territory, including two Don Stover’s compositions—”Black Diamond” and “Rockwood Deer Chase.” Three vocal tracks peek through the instrumentals and give new listeners a look into the quirky mind of Barnes… These are live and lively performances where you can almost hear the musicians smile.”

Recorded in eTown Studios in Colorado, Stove Up was produced by Nick Forster and engineered by James Tuttle. The mixing and editing were done by the great banjo player Scott Vestal and it was mastered by David Glasser at Airshow.

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Danny Barnes. Photo by Monica Frisell

Danny says, “After 45 years of practicing, this is the first acoustic bluegrass record I’ve ever made. Nick, Mike, Jason, and Chris are bluegrass royalty! It was a sure enough honor to be able to make Stove Up, a loving homage to the great Don Stover.”

One of his banjo heroes, Don Stover, was the inspiration for this project simply because Don knew how to play bluegrass banjo in a way that fit the style, showed respect for Earl Scruggs and others, but it still sounded like him, had his own voice. Danny delivers on all fronts here, from scorching banjo fiddle duets with Jason Carter (“Paddy on the Turnpike,” “John Hardy,” and “Bill Cheatum”) to faithful versions of Scruggs (“Flint Hill Special” and “Fireball”), or a Grandpa Jones tune (“Eight More Miles To Louisville”) to a reinterpreted Rolling Stones song (“Factory Girl”) or his own originals (“Isotope 709,” “Charlie,” and “Get It While You Can”). This generous set of music sounds like what it is – great musicians having fun playing music in real time.

Danny says, “All these tunes on here (except the ones I made up), I’ve been playing and working on since I was a young boy. I’m STILL working on this stuff. My plan = never give up.”

If you’re looking for an antidote to the world’s problems, go find Stove Up, this new Danny Barnes record, and turn it up loud. It’s a thing of joy and beauty!

Kind words about Danny and Stove Up

“My friend Danny. The truth. This is the thing that struck me most strongly when I first heard Danny Barnes and is something that continues to grow stronger and clearer. What we hear from Danny is true. It can be coming from no one else. His story. Whether it’s the songs he writes himself or those he chooses to play. He has lived it. He’s not playing ‘at’ it. He ‘is’ it… Danny’s love of, connection to, and history with this music is long and deep. What a joy now to listen to these songs transformed through his lifetime of experience. It is a wonderful thing… Thank you Danny. Sincerely.” —Bill Frisell

“Danny Barnes represents all that is good about heartfelt music. He has deep passion, exemplary technique, great abilities as a songwriter, richly burnished vocals, and the fearsome desire to break through boundaries while still staying solidly rooted in tradition. He’s as fine as they come.”  —Tony Trischka

“For years I’ve said Danny Barnes is the world’s greatest banjo player. It’s the truth, but now with fake news and all the puffery, words have lost their meaning. But that’s okay because the truth is in the music. Listen to DB’s banjo if you wanna hear the truth.” —Robert Earl Keen

“Like Superman squeezing a lump of coal, Danny Barnes can transform crumbling musical remnants into cutting edge innovations, but avid fans have long known that Barnyard Electronics’ chief engineer has some serious traditional banjo chops.” —Tim O’Brien

Danny Barnes on Tour 2017*
2/16 Thu – The Big Easy – Petaluma, CA
2/17 Fri – The Crepe Place – Santa Cruz, CA
2/18 Sat – The Back Room – Berkeley, CA
2/19 Sun – Moe’s Original BBQ – Tahoe City, CA
2/22 Wed – Applegate Lodge – Applegate, OR
2/23 Thu – HiFi Lounge – Eugene, OR
3/9 Thu – Cervante’s Other Side – Denver, CO %
3/10 Fri – Barkley Ballroom – Frisco, CO %
3/12 Sun – The Stanley Hotel – Estes Park, CO %
3/16 Thu – White Eagle Saloon – Portland, OR
3/17 Fri – Rock Creek Tavern – Hillsboro, OR
3/18 Sat – McMennamins Grand Lodge – Forest Grove, OR
4/19 Thu – Club Passim – Cambridge, MA ^
4/20 Thu – Caffe Lena – Saratoga Springs, NY ^
4/21-22 Fri-Sat – Durango Bluegrass Meltdown – Durango, CO ^
4/25 Tue – Cabaret at Germano’s – Baltimore, MD ^
4/26 Wed – C-ville Coffee – Charlottesville, VA ^
4/27 Thu – Hill Country Live – Washington, DC ^
4/28 Fri – Milkboy – Philadelphia, PA ^
4/29 Sat – Hill Country Live – New York, NY ^
4/30  Sun – Elk Creek Cafe – Millheim, PA ^
5/4-6 Thu-Sat – Adrift Hotel – Long Beach, WA
5/7-13 Sun-Sat – Al’s Den at Crystal Hotel – Portland, OR
7/13-16 Thu-Sun – Northwest String Summit – North Plains, OR

* All Dates are Danny Barnes solo unless otherwise noted
% Danny with Jeremy Garrett and Andy Falco
^ Danny with Grant Gordy and Joe K Walsh
More dates TBA!

Stay up-to-date with news from Danny Barnes at www.dannybarnes.com, twitter.com/Wildknees, and Facebook.com/DannyBarnesBanjo.  

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Jon Stickley Trio. Photo by Heather Hambor


Jon Stickley Trio Releases New EP, Announces Kickstarter for Next Full Length
Album to be Produced by Dave King (The Bad Plus) at Echo Mountain Studios

Pre-Order the New Album Now & Receive the New EP, Triangular, the day the goal is reached!

KICKSTARTER → http://kck.st/2e0lTzL  

Live For Live World Premiere of  “Blackburn Brothers” from Triangular
http://bit.ly/JS3_L4LM_BlackburnBrothersPremiere

Donate over $5 and get that song immediately

ASHEVILLE, NC – It’s been a whirlwind year for the Jon Stickley Trio! On the tail of their 2015 fan funded and independent release, Lost at Last, they have just announced a brand new 5-song EP, Triangular, and a Kickstarter Campaign to help them head back into Echo Mountain Recording Studio with Producer Dave King (Of The Bad Plus) to record a new full length album. King also produced Lost At Last which garnered praise from The New York Times, NPR’s Heavy Rotation, NPR’s World Cafe, Premier Guitar Magazine, Acoustic Guitar Magazine, and many others.

Lost At Last made it into rotation on radio stations both nationally and internationally, the Trio performed at over 100 festivals and venues across the country (Including the Kennedy Center in Washington, DC), attracted attention of thousands of new fans, and landed a top notch booking agent. All of this interlocks, proving that the release of a recording can translate directly into touring traction and financial returns that propel the band into the future. Jon Stickley Trio heads into the studio in early December to record the yet unnamed full length album.

“Asheville, NC’s Jon Stickley has been playing in bluegrass bands for years, and is known as a progressive and adventurous flatpicker, but his musical roots and influences range widely to include rap, grunge, punk and more.” Linda Fahey with FolkAlley says for NPR’s Heavy Rotation. “When he teamed up with fiddler Lyndsay Pruett and drummer Patrick Armitage — originally as a lighthearted side project — the end result is a wonderfully unique sound that defies easy categorization.”

Jon Stickley Trio is looking to raise $28,000 and launched the Kickstarter campaign on 10/10; Folks can get involved until it ends on 11/11. They say, “We’ve set our goal at $28,000 which is substantially less than what the realistic costs add up to, because we understand that this is a group effort, and we are a part of that group!”

js3_traingular_ep_artdesign2016Anyone that donates $5 or more toward the new full length album will get one song from the new 5-song EP, Triangular, as an immediate download. The track is called “Blackburn Brothers” and it is a funky trio version of a tune Jon originally wrote with his brother Jeff while down at the Carolina coast. It features expressive solos by Jon and Lyndsay, that sync up with their signature, on point unison melody playing at the end. The song also highlights a danceable, somewhat latin drum beat.

Head on over to Live For Live Music to listen to the World Premiere of “Blackburn Brothers.” →  http://bit.ly/JS3_L4LM_BlackburnBrothersPremiere.

Anyone that donates $10 or more will get Triangular as soon as the goal is reached. The EP was recorded at Blue Sprocket Sound in Harrisonburg, VA this summer. Other packages include private house concerts, a day at the studio with the band when they record the new album, music lessons with each member, limited edition “Individual Person” t-shirts of each member of the band (only available through the Kickstarter campaign), the new yet un-named album,  an ultra-special limited Vinyl edition of Triangular (only available through the Kickstarter campaign), previous recordings, and more!

This budget figures in the recording, mixing, mastering and pressing of the new full length album. A portion of the budget is also dedicated to promotion of the new album as well as the EP, this includes print and radio. Jon Says, “This was such a huge part of the success of Lost at Last and since we didn’t plan for it last time we added it in this time around.” They’ve also budgeted in album art, photos and graphic designs that will all be a part of the new album as well.

Who is this Dave King character?
Dave King is the drummer of The Bad Plus, also a trio, whose music combines elements of modern avant-garde jazz with rock and pop influences. “The Bad Plus, also a mainly instrumental group, has had an influence on our band since the start.” Jon Stickley continues, “We all loved Dave King independently and when we found out one day he used to be Patrick’s drum teacher we freaked out. Dave’s presence on the last album was unmistakable. His sometimes subtle guidance, and other times obvious counsel made Lost at Last what it was. We’re so excited about going into the studio with him for a second time around, now that we’ve gotten to know him and are less fan-girly.”

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Jon Stickley Trio with Dave King

The band’s drummer, Patrick Armitage, has deep roots to Minneapolis, where King is from. He says, “I was lucky enough to study under Dave King for 6 years. Now I get to work with him professionally. That’s an honor. With Dave producing our last record and my drumming it’s nice to know there is a little bit of Minneapolis sneaking it’s way into The Jon Stickley Trio.”

The rest of the band first met King the evening before hitting the studio to make Lost at Last. In a way, that session was a “getting to know you” experience for all of them. They became fast friends, and clicked musically in the studio, but in the end it left the band wondering what they could accomplish if they were to have the same opportunity again. The exciting prospects led them to decide to work with him on this upcoming record in the same studio.

“Echo Mountain was the perfect fit for us because the setting of the old church, the creakiness of the wood, the vintage hum of the gear, and the discerning ear of Julian Dryer added an audible realness and character to the recording that was totally complimentary to our improvisational, original instrumental music, “ says Jon Stickley.

Since the recording and release of Lost at Last, Jon Stickley Trio has traveled over 50,000 miles, played shows in new territories all over the country, and evolved into a fully formed, musical identity that was just beginning to take shape on the first record. Stickley realizes, “Our musicality has matured individually, and collectively to the extent that we can read each other, and respond to each other in a completely intuitive and natural way. We can’t wait to take our matured sound back into Echo Mountain with our mentor and producer, Dave King.”

Jon Stickley Trio On Tour 2016
10/8 Sat – The Festy – Arrington, VA
10/14 Fri – PLC Land Jam @ Carolina Theatre – Greensboro, NC*
10/15-16 Sat-Sun Suwannee Roots Revival – Live Oak, FL
10/17 Mon – Beaches Museum History Park Chapel – Jacksonville, Fl
10/20 Thu – NC State Fair – Raleigh, NC
10/21 Fri – House Concert – Durham, NC
10/22 – Cat’s Cradle- Carrboro, NC
11/2 Wed – 1904 Music Hall – Jacksonville, FL
11/3 Thu – The Ale & The Witch – St. Petersburg, FL
11/4 Fri – Fogarty Community Media and Arts Center – Sarasota, FL
11/5 Sat – Arts Garage – Delray Beach, FL
11/9 Wed – Guanabanas – Jupiter, FL
11/10 Thu – Terra Fermata – Stuart, FL
11/11 Fri – Point Ybel Brewing – Fort Myers, FL
11/12 Sat – The Funky Buddha – Boca Raton, FL
11/13 Sun – Fifth and Thomas Kitchen – Tallahassee, FL
12/7 Wed – WDVX Tennessee Shines @ Boyd’s Jig & Reel – Knoxville, TN
12/30 Fri – The National – Richmond, VA ^
12/31 Sat – Isis Music Hall – Asheville, NC #

* w. Ricky Skaggs
^ w. The Infamous Stringdusters
# w. The Honeycutters

For more information, updates from the road, and more, please visit www.jonstickley.com, www.facebook.com/JonStickleyTrio, www.instagram.com/JonStickleyTrio , and www.twitter.com/StickleyMusic.

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MidwestSideStories_Front_FINAL-03

Singer/Songwriter, Chicago Farmer Releases Midwest Side Stories Out TODAY 9.30
Get it now at iTunes, Amazon, and CD Baby

Head on over to Live For Live Music (L4LM) for the world premier of “9pm to 5”
“…Cody is fully present, as the subtle and not so subtle jokes and metaphors he employs to such ingratiating effect are fully evident”
Listen in here→ http://bit.ly/ChicagoFarmer_9pmto5_L4LM_Premier

BLOOMINGTON, IL — Chicago Farmer, the moniker Bloomington, Illinois’ Cody Diekhoff performs and writes under, independently released his 7th album, Midwest Side Stories, September 30, 2016. Midwest Side Stories is about hope, depression, job loss, meth, skateboards, a divided nation, used cars, the late shift, farms, factories, the destruction of our environment, and still being around to sing about it. The new release contains ten tracks all of which were written by Diekhoff (pronounced dee-cough), with the exception of the John Hartford classic “I’m Still Here.”

Folk hero Todd Snider says, “I love Chicago Farmer’s singing and playing and songs, but it’s the intention behind the whole of his work that moves me to consider him the genuine heir to Arlo Guthrie or Ramblin’ Jack Elliott. He knows the shell game that goes on under folk music… which is sacred to me. Chicago Farmer is my brother; if you like me, you’ll love him.”

Diekhoff co-produced Midwest Side Stories, with engineer Chris Harden at I.V. Labs Studios in Chicago, Illinois. Harden also played Glockenspiel and harmonized vocals on select tracks. Others on the album include vocalist and guitarist Ernie Hendrickson, drummer Darren Garvey, vocalist Heather Horton, and a handful of other Midwestern mainstays.

What folks are saying about Chicago Farmer’s Midwest Side Stories:

“At heart, Diekhoff is a protest singer, who in this election year paints a rather dark picture of the country. Unfortunately, many of the subjects he sings about ring true, but Diekhoff is smart enough to offer hope and some solutions too. Besides the hope, we find tales of depression, job loss, meth, skateboards. A divided nation, used cars, the late shift, farms, factories, the destruction of our environment and the gift of still being here with a chance to effect change.” —Elmore Magazine, Jim Hynes

“Previously, frequent comparisons to the works of famed folk troubadour Arlo Guthrie have been spot on. With this impressive step forward in song craft and dimension, Chicago Farmer has moved beyond any previous limitations and associations. Storyteller, humorist and heartfelt proponent of the core values of humanity itself, Chicago Farmer has always had a message of compassion that the world truly needs to hear. Thanks to the added power backing his insight and infectious spirit he is ready to take his message farther than ever before, as he does to wonderful effect on Midwest Side Stories.” —Live For Live Music (L4LM), Rex Thomson

“[Chicago Farmer] has a style that reminds me of the country/folk pop singers of the early 70s—the R. Dean Taylors, John Denvers, and Ray Matericks of the day. Earnest. Bold. Honest.” —Fervor Coulee, Donald Teplyske

Midwest Side Stories begins with the Neil Young-like ‘Umbrella.’ With a strumming guitar and lyrics such as, ‘I want to sing you a sad, sad song that I hope will make you smile,’ the resemblance between Diekhoff and Young is unmistakable — and undeniable. But, he is no mere imitator. He springboards from that auspicious beginning to songs generally about the current state of the formerly industrious Midwest, offset with its many rural areas, and their many problems: job loss, meth, farms, shift-work factories, social divisions, etc.” —No Depression, Amos Perrine

“And that is where Diekhoff shines, as a phenomenal storyteller in the vein of Prine, Earle, and his somewhat mentor, Todd Snider (who provided a glowing recommendation in the liner notes of the record).

Midwest Side Stories is strong from start to finish.” —No Depression, The Broken Jukebox, Adam Dawson

“Midwest Side Stories is full of great lyrics and wonderful music. It doesn’t matter if you live in the American Midwest or somewhere else. These songs will speak to you in a language the is easy to understand. If you are a regular person who works for a living, you will find yourself absorbed into the stories. In other words, if you are an earthling you will get great enjoyment by listening to Midwest Side Stories by Chicago Farmer.” –Independent Midwest Music

“Chicago Farmer’s songs have always been thoughtful, and there is definitely a somber tone at the start of opening track ‘Umbrella’. However, it does quickly establish the singalong vibe that has more and more people heading to Chicago Farmer shows. The hard-rocking ‘Revolving Door’, with its Decemberists-esque harmonica intro, really pulls you in and demands your attention, with a backing band of music scene friends contributing to the down-by-the-water feel before heading into an outro that just gets stuck in your head for days.” —News Gazette, Andrew Howie

“Songs like ‘Revolving Door’, ‘9pm to 5’, ‘Farms & Factories’, and ‘Rocco and Susie’ all paint the picture of life in a Central Illinois town from the perspective of the 3rd shift clock puncher, families getting squeezed, or the couple losing their dream and their sanity along the way. Warts and all.” —Tomorrow’s Verse, Kevin Foss

“He calls each song, each ‘Midwest Side story,’ a chapter in the album’s book of life as he sees it. The tone can waver from the plaints of ‘Revolving Door,’ about the loss of manufacturing jobs hereabouts, to the darkness of ‘Rocco N’ Susie,’ which grapples with meth addiction.” —Pantagraph, Dan Craft

“Chicago Farmer, aka Cody Diekhoff, is neither a farmer nor – any longer – a Chicagoan, but his family history in rural farming communities runs through all his work. Fellow folk journeyman Todd Snider calls him ‘the genuine heir to Arlo Guthrie or Ramblin’ Jack Elliott’ and he’s the perfect person to honor his fellow Midwesterner John Hartford.” Stream Chicago Farmer’s version of John Hartford’s “I’m Still Here at  Cover Me Songs www.covermesongs.com/2016/09/chicago-farmer-covers-john-hartford.html

Further information can be found at www.chicagofarmer.com, www.facebook.com/chicagofarmer, and twitter.com/chicagofarmer.

Chicago Farmer Midwest Side Stories Tour Dates

Full Band
9/30 Fri – Redstone Room – Davenport, IA
10/1 Sat – Castle Theatre – Bloomington, IL
10/2 Sun – The Bootleg – St. Louis, MO

Solo Shows
10/5 Wed – Woodlands Tavern – Columbus, OH
10/6 Thu – Steiner’s Tavern – Chillicothe, OH
10/7 Fri – Southgate House Revival – Newport, KY
10/8 Sat – Radio Radio – Indianapolis, IN
10/11 People’s Brewing CO. – LaFayette, IN
10/13 Thu – Knuckleheads Retro Lounge – Kansas City, MO
10/14 Fri – Blue October – Hannibal, MO
10/15 Sat – Bar None – Springfield, IL
10/20 Thu – The Walnut Room – Denver, Co
10/21 Fri – Lazy Dog Saloon – Boulder, CO
11/3 Thu –  Five Spot – Nashville, TN
11/4 Fri – Paducah Beer Werks – Paducah, KY
11/5 Sat – Hangar 9 – Carbondale, IL
11/9 Wed – The Cedar Cultural Center – Minneapolis, MN
11/10 Thu – The Root Note – LaCrosse, WI
11/11 Fri – Lincoln Hall – Chicago, IL

Midwest Side Stories Track Listing
1. Umbrella 4:32
2. Revolving Door 5:09
3. Rocco N’ Susie 6:00
4. Skateboard Song 3:03
5. Two Sides of the Story 5:19
6. New Used Car 4:05
7. 9pm to 5 3:33
8. Farms & Factories 4:07
9. Homework 4:01
10. I’m Still Here 5:57

*All songs by Chicago Farmer except #10 “I’m Still Here” by John Hartford

Album Cover by Jay Miller at Reverb Soul
Album design layout by Jon Griffin

Further information can be found at www.chicagofarmer.com, www.facebook.com/chicagofarmer, and twitter.com/chicagofarmer.

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MarchFourth Releases First Studio Album of Original Material in Five Years,
MAGIC NUMBER

OUT TODAY!
Get it at  iTunes and Bandcamp

Produced by Ben Ellman of Galactic = Irresistible NOLA Magic

MarchFourth: A SteamFunk Rock-n-Roll Circus Party!

Head on over to Live For Live Music for the Premiere of “Push It Back”
MarchFourth continues to host some of the most exciting live performances today, as the giant band of 20 musicians, stilters, acrobats and more never ceases to amaze.”
Featuring Stanton Moore on drums → http://bit.ly/L4LM_MarchFourth_PushItBack

Portland, OR — Fifteen MarchFourth musicians traveled to New Orleans and spent ten days recording at The Parlor Recording Studio, making their fourth studio album, MAGIC NUMBER, their first in over five years. With Producer Ben Ellman (Galactic) and Engineer/Producer Mikael “Count” Eldridge (DJ Shadow, Tycho, Galactic, Trombone Shorty) at the helm, this album is full of the captivating grooves and brassy swagger you have come to expect from M4, plus a healthy dose of New Orleans magic, with guest appearance by Trombone Shorty, Stanton Moore (drums), and Matt Perrine (sousaphone).The album was fan-funded through Kickstarter and is out today!

m4 cover art_magic number_FOILWhat folks are saying about MarchFourth’s Magic Number:

“If for some reason you’re not yet familiar with the brilliant multimedia assault [of MarchFourth], picture a multiplied Tower of Power—9 horns! 5 percussionists! 2 guitars!—dressing up like some alternate-universe high school outfit and performing with a less pretentious, burlesque Cirque du Soleil. It’s a perfect assault on the senses, one that’s been garnering them fans all over this great country.” —Offbeat, Robert Fontenot

“MarchFourth — Far from your average band” —Medium, Thomas Gerbasi

“Mighty, Explosive, Carnivalesque Brass Band Funk” —New York Music Daily

“The tunes are captivating and grow more infectious with each listen. Although you can sense the fun they are having, it is also clear that these musicians have had plenty of training and formal practice. I find it difficult to compare this to anything else I’ve heard except perhaps the aforementioned Sun Ra’s unit doing their improvisational versions of traditional jazz tunes like ‘King Porter’s Stomp.’ March Fourth, though, writes totally original material which further adds to the intrigue. You’re never sure where the song is going, but somehow the album stays focused and cohesive —Elmore Magazine, Jim Hynes

“Just when you think you’ve heard it all, suddenly a band crosses paths with your ears and changes everything… Full of auditory goodness…” —NYS Music, Sarah Bourque

“There’s something cool and sneaky about this one [“The Quarter”], like a spy going about his work. It begins as an instrumental, and then halfway into the track, the vocals come in. ‘Sitting in the window seat, the city in your sight.’ But it’s those horns during the next section that I especially love. Bloody wonderful! This song then breaks through to a bright, magnificent section, before returning to that cool opening section again.” —Michael Doherty

“It was groovy funk to start with a Caribbean bit tucked in there. All of the horns were beautifully synced and perfect. Everything had that old school big band feel. However, with their clothing and animated dances, they made sure to take it to another level. They honestly were in a world primarily their own. Jazz-funk was another of their genres as the trio of percussionists maintained a steady and addictive beat. Each horn had their moment to shine as each musician added their particular taste to the instrument. Whether it was the trombone, flute, sax, trumpet or beyond, they were quick on the feet. Their fingers and puffs of notes were sublimely fast and suave.” —Punchland, Myles Hunt, Review of a live show about The Jewel Rocks Off Concert Cruise in NYC

More about the Album:

MAGIC NUMBER represents a shift in the band’s musical evolution, featuring more vocals and guitar than our previous records.” Founding member and band leader, John Averill, who also sings and plays electric bass says,It is also the first record by ‘MarchFourth’ (Formerly MarchFourth! Marching Band; we officially dropped the “Marching Band” from our name).”

“Unlike M4’s previous albums, recorded over weeks and months in our hometown of Portland, Oregon, getting the band to NOLA for a ten-day recording session really created an intensity and electricity you can feel throughout MAGIC NUMBER. Founding member, cymbal player, singer, and tour manager Dan Stauffer recalls, “After long days at The Parlor, the band members would go out to party on Frenchman Street and sit in on sets all over the city, meanwhile the producers, Ben and Count, would create mixes late into the night: that’s the mojo you can hear, everything going off for ten days straight.

Working with a large group of talented songwriters and musicians in M4 made the project go really smoothly. Wherever the band goes they sort of set up camp… that led to a really creative working communal environment.” Producer Ben Ellman states, “It’s always exciting to work with a band that is open to experimentation and different possibilities. MarchFourth came in wanting to expand their sonic pallet from what they’ve done previously.”

Ellman attests, “The individual songwriters all had a clear vision of where the song should end up… there are different styles on the record, but as a whole it’s very cohesive. Very MarchFourth.” Four of the band’s members wrote the eleven songs on MAGIC NUMBER including John Averill, trombonist and singer Anthony Meade, trumpet player and singer, and project manager Paul Theodore Chandler, and electric guitarist and baritone sax Taylor Aglipay.

Stanton Moore makes a guest appearance on drums on the song “Push It Back” carrying the listener off on a royal litter of afro funk. Trombone Shorty blows a fiery solo on “Inventing the Wheel,” a musical journey into a heavy hypnotic groove; the track also features Ben Ellman on harmonica. Matt Perrine of Bonerama plays sousaphone on the uplifting and soul searching “Science (Free Your Mind)” which radiates all the energy of a street party in a full-on brassy explosion.

MarchFourth will continue to tour all over the United States in support of this album through the fall and into 2017 with their colorful stage show full of energy and groove. Widely recognized for the allure of their live show, MarchFourth breaks ground with their music in the forefront on MAGIC NUMBER.

Check out the behind the scenes footage of the making of MAGIC NUMBER at  https://youtu.be/Appen5B33pk

For more information, tour dates, and news from the road, visit M4 at www.MarchFourthBand.com, instagram.com/m4mb, facebook.com/marchfourthmarchingband, twitter.com/m4mb, and on YouTube.

MarchFourth’s ‘Magic Number’ Tour Dates
9/30-10/1 Fri-Sat – Sierra Nevada Brewing Co’s Oktoberfest – Chico, CA
10/4 Tue – Harlow’s – Sacramento, CA
10/5 Wed – Don Quixote’s International Music Hall – Felton, CA
10/6 Thu – Great American Music Hall – San Francisco, CA
10/7-8 Fri-Sat – Sierra Nevada Brewing Co’s Oktoberfest – Chico, CA
10/15 Sat – Fed Up Fest – Kansas City, MO
10/28 Fri – Revolution Hall (2 shows!) – Portland, OR
12/14 Wed – Domino Room – Bend, OR
12/15 Thu – The Egyptian Theater – Boise, ID
12/16 Fri – The Hive – Sandpoint, ID
12/17 Sat – Winthrop Barn Auditorium – Winthrop, WA
1/20/2017 Fri – Broadway Center for the Performing Arts – Tacoma, WA
1/21/2017 Sat – Vern Burton Center – Port Angeles, WA

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