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The Contribution’s Newest Single, “Dream Out In The Rain” – Out 6/16
To Benefit The Delaware Riverkeeper

The Contribution Release New Music Throughout 2017

Singles to be released for seven months, with 100% of proceeds going to nonprofits
Rex Foundation, Conscious Alliance, HeadCount, Rock the Earth, The Delaware Riverkeeper Network, BCEF (Breast Cancer Emergency Fund in SF Bay area), and Piedmont Land Conservatory

Listen to the Exclusive Stream Premiere of “Dream Out In The Rain” at NJArts.net

Released Singles Available Here → www.cdbaby.com/Artist/TheContribution

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Since this February, The Contribution have been living up to their name and giving back with each song. They have been releasing one single a month, as sort of a mid-month pick-me-up since February 2017 and have partnered with a variety of nonprofits to which 100% of the profits from each single (sold as a digital download) will go to a charity (hand-picked by members of the band) in perpetuity.

They release their newest single “Dream Out In The Rain” on Friday, June 16 and it will benefit The Delaware Riverkeeper Network. This is a song about having the courage to dream and believing in yourself, with the lyrics “Don’t wait to start… Today’s the new tomorrow… Open your heart… And your story will follow.” Listen to the Exclusive Stream Premiere of “Dream Out In The Rain” at NJArts.net.

The Contribution is the brainchild of Tim Carbone of Railroad Earth (violin, guitar, vocals) together with Phil Ferlino (keyboards, vocals) and Jeff Miller (guitar, vocals) of New Monsoon. Keith Moseley (String Cheese Incident), has been the bass player from the band’s inception along with vocalist Sheryl Renee (The Black Swan Singers). The drum chair has been occupied by Jason Hann (String Cheese Incident), Matt Butler (Everyone Orchestra), and currently Duane Trucks (Widespread Panic). Both Matt Butler and Duane Trucks appear on the band’s new record, Wilderness And Space. The full ten song album will be released on vinyl this Fall on LoHi Records and reveals the group’s love of 60s pop and soul coupled with their ability to flat-out shred.

Tim Carbone tells Shows I Go To about how the nonprofits were selected, “I put it to the band at large and asked them, ‘What do you feel strongly about?’ The Delaware Riverkeeper Network is located nearby where Carbone is from and they do wonderful work in protecting the waterways, including the drinking water of nearly 17 Million people, throughout the entire Delaware River Watershed which includes Pennsylvania, New Jersey, Delaware, and New York.

Carbone continues, “Matt Butler said we should go for the Rex Foundation. Keith wanted Conscious Alliance, who I have also worked with before. Phil suggested Rock the Earth. I thought we would go with HeadCount because I am politically motivated. They don’t choose sides, they just encourage people to register to vote. When you don’t vote, bad things happen. I think we found that out.”

Tim says, “I wrote the words to ‘This Too Shall Pass’ for our guitar player Jeff after his mother passed away from breast cancer.” He says they did some searching and found BCEF, a Breast Cancer Emergency Fund in SF Bay area, to pair up with that song. LoHi Records labelmate, Jim Brooks, suggested Piedmont Land Conservatory as he has held events to raise money for them in the past to preserve natural and scenic lands, farms, and open spaces in Piedmont North Carolina. All songs were written and produced by Tim Carbone, Phil Ferlino, and Jeff Miller.

“Dream Out In The Rain” features Carbone, Miller, Ferlino with Sheryl Renee on background vocals, Keith Moseley on bass, and Matt Butler on drums. They also have a handful of special guests including Jay Rattman on saxophones and horn arrangement, Rick Chamberlain on trombone, Sean McAnally on trumpet. The song was recorded at Silo Sound Studio in Denver, CO and Engineered by Todd Divel. Additional recording by Don Sternaker at Mix-o-Lydian Studios, Delaware Water Gap, PA.

Carbone says, “We feel blessed to be able to make this music and have it help people in need… and we would like to empower those who share our passion and provide a resource for them to take action with us.”

Released Singles Available Here → www.cdbaby.com/Artist/TheContribution

For more information, please visit www.TheContribution.net, www.facebook.com/TheContribution, www.twitter.com/thecontribution, and www.instagram.com/thecontribution.

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Andy Hall and Roosevelt Collier Release Let The Steel Play June 16
Sacred Steel Meets Bluegrass in this Exploration of the Slide Guitar

two noted masters of the slide guitar” –Andrew O’Brien
Listen to the Song Premiere of “This Little Light Of Mine” at Live For Live Music

This is Hall’s Music City dobro meeting Collier’s Sacred Steel from the Deep South in an all-instrumental record, and the result is a full-bodied, highly conversational sound that you will not want to put down.” –Richard Oakley, Listen to the Song Premiere of their version of “Crazy Fingers” at The Poke Around

Available now:
iTunes | Amazon | CD Baby | Spotify

DENVER, CO — Andy Hall of The Infamous Stringdusters and Roosevelt Collier of the Lee Boys released Let The Steel Play today, June 16, 2017. “This album is the perfect example of something you do strictly for the joy of the music. We shared songs that highlight our slide guitar history, but we also wrote some super cool modern tunes together. We came together through our love of slide and have become close musical partners,” says Andy, “It was engineered by a great slide guitarist in his own right, John Macy (The Nitty Gritty Dirt Band, Los Lobos) in Denver CO. So it’s slide top to bottom!”

Andy Hall and Roosevelt Collier met in 2012 on Jam Cruise, and began playing music with one another when their paths would cross. Both are sought after sit-in players at festivals throughout the country and known for their dexterity, versatility, and intuitive knack for picking up rhythms and melodies.

Andy comes from the world of bluegrass, and cut his teeth in Nashville’s vibrant country and bluegrass scene having performed with Earl Scruggs, Ryan Adams, and Dolly Parton (who he is also on two albums with). Roosevelt “The Dr.” was born into the Sacred Steel sound, learning lap and pedal steel at a young age directly under his uncles and grandfather in the House of God church his family attended in Perrine, FL. Roosevelt has performed alongside BB King, Widespread Panic, The Allman Brothers, and Del McCoury Band.

Let the Steel Play is an instrumental offering that gives the listener something new, yet familiar. Where two traditions unite and form something new and relevant. The slide guitar is not all that common, but it’s certainly a treat to the ear and to the soul.

What people are saying about Let The Steel Play:

“Music so beautiful, you could imagine angels in heaven playing steel guitar instead of harps” —Honest Tune, Kyler Klix

“Different musical worlds bridged by steel strings and glass slides. The resulting sound is a perfect blend of the heavenly and the down home, a religious experience happening casually from the porch of a country home.”
NYS Music, Eli Stein

“The pair add their own spin to such traditional songs as ‘This Little Light Of Mine,’ ‘Power In The Blood’ and ‘Reuben’s Train’ as well as an inventive cover of the Grateful Dead’s ‘Crazy Fingers’ and more… their playing comes together in a fresh and enjoyable way.” —Jambase

“‘Singing Steel’ has all the hallmarks of what is good about the respective instruments, when played by such stellar craftsmen. They make the strings really pop.” —Flying Shoes Review (UK), Maurice Hope

This recording feels live; it has that fresh, immediate vibe, like they got one chance at it, and everything worked out beautifully.”
Michael’s Music Log, Michael Doherty

LetTheSteelPlay_CoverLet The Steel Play Track Listing
1. This Little Light Of Mine 4:51
2. Maiden’s Prayer 3:48
3. Singing Steel 4:01
4. Crazy Fingers 4:40
5. Rosebud 3:04
6. Reuben’s Train 3:34
7. Remington 3:06
8. The Darkest Hour 4:05
9. Power In the Blood 3:50
10. Colfax Boogie (W/ Anders Beck) 4:46

Instruments & credits:
Andy Hall:
1929 National Style 2 Squareneck Tricone 1, 10
Beard Mahogany Belle Beard Model Resonator Guitar 2, 3, 4, 5, 6, 7, 9
Bear Creek Koa Weissenborn Style Guitar 8

Roosevelt Collier:
Asher Electro Hawaiian Lap Steel, 1, 2, 4, 5, 6, 7, 8, 9
Meredith Maple Resonator Guitar 3, 10

Anders Beck:
Meredith Mahogany Resonator Guitar 10

Websites:
www.artistworks.com/dobro-lessons-andy-hall
www.rooseveltcollier.net

Facebook:
www.facebook.com/andyhalldobro
www.facebook.com/RooseveltCollier

Watch the video promo for Let The Steel Play

 

 

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Passengers Of Darkness

The Contribution Release New Music Throughout 2017
Singles to be released for seven months, with 100% of proceeds going to nonprofits

Rex Foundation, Conscious Alliance, HeadCount, Rock the Earth, The Delaware Riverkeeper Network, BCEF (Breast Cancer Emergency Fund in SF Bay area), and Piedmont Land Conservatory

****** ***  ******

The Contribution has been living up to their name and giving back, they released their third single from their Wilderness And Space project April 21, benefiting HeadCount. Listen to the Exclusive Stream Premiere of “Passengers of Darkness” at Live For Live Music.

Since this February, The Contribution has been releasing one single a month, as sort of a mid-month pick-me-up, partnering with a variety of nonprofits to which 100% of the profits from each single (sold as a digital download) go to a charity (hand-picked by members of the band) in perpetuity.

The Contribution is the brainchild of Tim Carbone of Railroad Earth (violin, guitar, vocals) together with Phil Ferlino (keyboards, vocals) and Jeff Miller (guitar, vocals) of New Monsoon. Keith Moseley (String Cheese Incident), has been the bass player from the band’s inception along with vocalist Sheryl Renee (The Black Swan Singers). The drum chair has been occupied by Jason Hann (String Cheese Incident), Matt Butler (Everyone Orchestra), and currently Duane Trucks (Widespread Panic). Both Matt Butler and Duane Trucks appear on the band’s new record, Wilderness And Space. Although the band is comprised of some of the scene’s heavy hitters, the first listen to their music reveals their love of 60s pop and soul coupled with their ability to flat-out shred. The full ten song album will be released on vinyl this Fall on LoHi Records.

Tim Carbone tells Shows I Go To about how the nonprofits were selected, “I put it to the band at large. What do you feel strongly about? Matt Butler said we should go for the Rex Foundation. Keith wanted Conscious Alliance, who I have also worked with before. Phil suggested Rock the Earth. I thought we would go with HeadCount because I am politically motivated. They don’t choose sides, they just encourage people to register to vote. When you don’t vote, bad things happen. I think we found that out.”

Tim says, “I wrote the words to ‘This Too Shall Pass’ for our guitar player Jeff after his mother passed away from breast cancer.” He says they did some searching and found BCEF, a Breast Cancer Emergency Fund in SF Bay area, to pair up with that song. LoHi Records labelmate, Jim Brooks, suggested Piedmont Land Conservatory as he has held events to raise money for them in the past to preserve natural and scenic lands, farms, and open spaces in Piedmont North Carolina. The Delaware Riverkeeper Network is located nearby where Carbone is from and they do wonderful work in protecting the waterways, including the drinking water of nearly 17 Million people, throughout the entire Delaware River Watershed which includes Pennsylvania, New Jersey, Delaware, and New York.

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The Contribution. Photo by Erin Mills

The newest single release “Passengers of Darkness” explores trauma suffered in a relationship, with two people confronting challenges to their love and trust. Carbone says, “It could also be a metaphor [in retrospect] for the trauma some people are feeling over our recent presidential election. The lack of transparency and trust in an election, as well as a relationship, can be destructive and almost always leads to chaos.”

How fitting to pair the song up with HeadCount, an organization that works with musicians to promote participation in democracy. HeadCount is best known for registering voters at concerts – having signed up 450,000 voters since its launch in 2004 – and for the Participation Row social action villages at concerts and festivals which have raised over $1 million for various nonprofit organizations.

“The Contribution is a brilliant concept and we were honored when Tim asked HeadCount to participate. Seeing Tim and The Contribution elevate and amplify the voices of so many incredible organizations is a real example of how music can change the world,” says Andy Bernstein, HeadCount’s Executive Director.

The first single “Back This Way” came out in February with proceeds going to Rex Foundation. Created in 1983 by the Grateful Dead and Family, Rex Foundation aims to help secure a healthy environment, promote individuality in the arts, provide support to critical and necessary social services, assist others less fortunate than ourselves, protect the rights of indigenous people and ensure their cultural survival, build a stronger community, and educate children and adults everywhere. Rex Foundation has granted $8.9 million to over 1,200 recipients.

“For more than 30 years, the Rex Foundation has funded organizations most people might never have heard of, but all of whom do meaningful work that we find important. I believe that these same groups need all of us now more than ever, and I doubt there could be any better way to celebrate their work than by coming together with songs in the air and spirits held high,” says Rex Foundation Executive Director Cameron Sears.

March’s release unveiled “The Great Boot” to benefit Conscious Alliance. Live Music News and Review’s Miles Hurley spoke with Conscious Alliance’s Executive Director Justin Levy about their work to help solve the hunger crisis in America since 2002. He writes, “… one of the organization’s really successful efforts in the music world has been Art That Feeds, a project that has touring bands’ artists creating posters and other art that fans can donate food to purchase. As Justin tell us, it’s the fan bases that are a fundamental part of the organization’s mission. “People do want to contribute, people do want to give back locally. It’s about making it easy and accessible, and effective for folks,” he says.

“The idea,” Justin explains, “is to engage people in the middle of their good time, and provide them an outlet to give back locally in each city where the music plays. Tim Carbone has been a huge supporter of Conscious Alliance for many years,” Justin says. “[He] reached out to us as they were getting ready to launch, and said ‘We love Conscious Alliance, and we’d love to continue the support through this program.’”

Hurley says “The Great Boot” is “a doozy of a track, echoing both the epicness of something like ‘Terrapin Station,’ and the folky, rich tones of a Railroad Earth tune. The last few minutes launches the song into a powerful climax, fronted by some inspired fiddle playing from band leader Tim Carbone.”

“It’s a pretty special collaboration and we’re very lucky and honored to be involved,” says Levy.

Hurley writes, “Purchasing a wicked cool new track, and getting to contribute to an amazing cause while doing so? It’s a definite win-win all around.”

All songs written and produced by Tim Carbone, Phil Ferlino, and Jeff Miller. The songs from Wilderness And Space were recorded mainly at Silo Sound Studio in Denver, Colorado and engineered by Todd Dival with additional recordings at TRI Studios in San Rafael, California (engineered by Rick Vargas).

Carbone says, “We feel blessed to be able to make this music and have it help people in need… and we would like to empower those who share our passion and provide a resource for them to take action with us.”

Wilderness And Space Singles

2/17 — “Back This Way” benefits Rex Foundation
Listen to the Exclusive Stream Premiere at Relix Magazine

3/17 — “The Great Boot” benefits Conscious Alliance
Listen to the Exclusive Stream Premiere at Shows I Go To

4/21 — “Passengers Of Darkness” benefits HeadCount
Listen to the Exclusive Stream Premiere at Live For Live Music  

Further Release Dates:
5/19 — Ain’t No Sin” – Rock the Earth
6/16 — “Dream Out In The Rain” – The Delaware Riverkeeper Network
7/21 —  “This Too Shall Pass” – BCEF (Bay Area Breast Cancer Emergency Fund)
8/18 — “Wilderness And Space” – Piedmont Land Conservatory

Music available to buy here → www.cdbaby.com/Artist/TheContribution

For more information, please visit www.TheContribution.net, www.facebook.com/TheContribution, www.twitter.com/thecontribution, and www.instagram.com/thecontribution.

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Relix Magazine Premieres The Contribution’s “Back This Way”
All Proceeds Donated to Rex Foundation ~ OUT TODAY February 17, 2017

The Contribution is:
Tim Carbone
, Phil Ferlino, Jeff Miller, Keith Moseley, Sheryl Renee, Matt Butler, & Duane Trucks

On Sale Now at:
iTunes | Amazon | cdbaby.com
TheContribution.net | LoHiRecords.com | RexFoundation.org

The Contribution is pleased to release tracks from their upcoming LoHi Records album, Wilderness And Space, one song at a time over the course of seven months, with full proceeds of each single going to a different non-profit. The full ten-song album will be released on vinyl this Fall.

They kick off with the single “Back This Way” which will be available online on February 17, 2017 with all proceeds donated to Rex Foundation. This track was recorded at Bob Weir’s TRI Studios in San Rafael, CA and engineered by Rick Vargas. Head over to Relix Magazine to hear the World Premiere of “Back This Way” →  http://bit.ly/TheContributionRexPremiere_Relix.

The Contribution is the brainchild of Tim Carbone of Railroad Earth (violin, guitar, vocals) together with Phil Ferlino (keyboards, vocals) and Jeff Miller (guitar, vocals) of New Monsoon. Keith Moseley (String Cheese Incident), has been the bass player from the band’s inception along with vocalist Sheryl Renee (The Black Swan Singers). The drum chair has been occupied by Jason Hann (String Cheese Incident), Matt Butler (Everyone Orchestra), and currently Duane Trucks (Widespread Panic). Both Matt Butler and Duane Trucks appear on the band’s new record, Wilderness And Space.

When Relix magazine announced the The Contribution’s debut record, Which Way World [2010], and called them a “jamband supergroup,” they also recognized, “the band serves the songs first and foremost.” Although the band is comprised of some of the scene’s heavy hitters, the first listen to their music reveals their love of 60s pop and soul coupled with their ability to flat-out shred. It’s what makes the band appealing to music lovers from all walks of life.

Since they are in other touring bands and cannot really get on the road together that often, they came up with this unique idea; Carbone wanted to find a way to live up to the band’s name, which in itself provided the clue as to how, and this is what they cooked up as a way to keep it going and give back in the process. Individually the members of The Contribution have been advocates and activists for various environmental and social causes. Now they have thought of a way to meld the two worlds the band holds dear. They are The Contribution, after all.

The group selected a handful of organizations to partner with and are excited to kick things off with Rex Foundation. Created in 1983 by the Grateful Dead and Family, Rex Foundation aims to help secure a healthy environment, promote individuality in the arts, provide support to critical and necessary social services, assist others less fortunate than ourselves, protect the rights of indigenous people and ensure their cultural survival, build a stronger community, and educate children and adults everywhere. Rex Foundation has granted $8.9 million to over 1,200 recipients.

“For more than 30 years, the Rex Foundation has funded organizations most people might never have heard of, but all of whom do meaningful work that we find important. I believe that these same groups need all of us now more than ever, and I doubt there could be any better way to celebrate their work than by coming together with songs in the air and spirits held high,” says Rex Foundation Executive Director Cameron Sears.

Carbone says, “We feel blessed to be able to make this music and have it help people in need… and we would like to empower those who share our passion and provide a resource for them to take action with us.”

Back This Way” is a duet sung as a conversation between a man and a woman whose relationship is suffering because the man is always away from home. He could be a musician or a traveling salesman (kind of the same thing) or in the military. It’s an argument that somehow, through love, turns out well. Carbone and Renee take the lead on vocals, backed by Miller, Ferlino, and Mosely, with Matt Butler holding it down on the drums.

Other organizations which will be featured include Conscious Alliance and HeadCount, as well as a handful of others that support the arts, environment, and health. Wilderness And Space will be released on LoHi Records, of which Carbone is one of the partners along with Hard Working Americans’ Todd Snider and Chad Staehly (Gold Mountain Entertainment), and entrepreneur/marketing veteran Jim Brooks.

For more information and music, stay tuned to www.TheContribution.net, www.facebook.com/TheContribution, www.twitter.com/thecontribution, and www.instagram.com/thecontribution.

Hear more about the Wilderness And Space project from Tim Carbone →  https://youtu.be/_6qfJzD97Ak.

Read a great interview with Carbone at Shows I Go To →  http://showsigoto.com/the-contribution-new-music/

Listen in to a podcast interview with Carbone at Ragin’ Randy Entertainment http://raginrandyentertainment.com/interview-tim-carbone-the-contribution/

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DannyBarnes_StoveUp_frontcover.pngDanny Barnes Releases All Acoustic Homage to Don Stover, Stove Up, on March 3, 2017
Featuring Danny Barnes along with Jason Carter, Chris Henry, Mike Bub, and Nick Forster

Danny Barnes is already known as an iconic American musician, a banjo playing innovator who’s earned high praise from everybody from Bill Frisell and Dave Matthews to Steve Martin, who presented Danny with the Prize for Excellence in Banjo in 2015. From the days with his groundbreaking Austin band, the Bad Livers, to his two decade solo career experimenting with electronic music, jazz, old time string band music and more, he’s a genre bending, rule breaking original who prefers to color outside the lines.

Now, with Stove Up, out March 3, 2017, he’s showing us that it was always a choice, that he’s always had the chops to play straight ahead bluegrass banjo with the best of them. With a top-flight band backing him up, Danny turns in an amazing set of tunes that demonstrate his respect for tradition and his commitment to his own musical voice.

“Happily, with Stove Up, our five-string hero steps out of the lab and into the sunlight where his pre-war Gibson can really shine,” says Tim O’Brien. “Producer and guitarist Nick Forster wisely loosens the reins and lets his pack of thoroughbreds set a fast pace around the bluegrass track. Mandolinist Chris Henry, with his bone-dry tone and expanded traditional approach, is a particularly inspired foil to Barnes. Along with Forster, much decorated fiddler Jason Carter, and everyone’s favorite bassist, Mike Bub, they cut through some beautiful territory, including two Don Stover’s compositions—”Black Diamond” and “Rockwood Deer Chase.” Three vocal tracks peek through the instrumentals and give new listeners a look into the quirky mind of Barnes… These are live and lively performances where you can almost hear the musicians smile.”

Recorded in eTown Studios in Colorado, Stove Up was produced by Nick Forster and engineered by James Tuttle. The mixing and editing were done by the great banjo player Scott Vestal and it was mastered by David Glasser at Airshow.

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Danny Barnes. Photo by Monica Frisell

Danny says, “After 45 years of practicing, this is the first acoustic bluegrass record I’ve ever made. Nick, Mike, Jason, and Chris are bluegrass royalty! It was a sure enough honor to be able to make Stove Up, a loving homage to the great Don Stover.”

One of his banjo heroes, Don Stover, was the inspiration for this project simply because Don knew how to play bluegrass banjo in a way that fit the style, showed respect for Earl Scruggs and others, but it still sounded like him, had his own voice. Danny delivers on all fronts here, from scorching banjo fiddle duets with Jason Carter (“Paddy on the Turnpike,” “John Hardy,” and “Bill Cheatum”) to faithful versions of Scruggs (“Flint Hill Special” and “Fireball”), or a Grandpa Jones tune (“Eight More Miles To Louisville”) to a reinterpreted Rolling Stones song (“Factory Girl”) or his own originals (“Isotope 709,” “Charlie,” and “Get It While You Can”). This generous set of music sounds like what it is – great musicians having fun playing music in real time.

Danny says, “All these tunes on here (except the ones I made up), I’ve been playing and working on since I was a young boy. I’m STILL working on this stuff. My plan = never give up.”

If you’re looking for an antidote to the world’s problems, go find Stove Up, this new Danny Barnes record, and turn it up loud. It’s a thing of joy and beauty!

Kind words about Danny and Stove Up

“My friend Danny. The truth. This is the thing that struck me most strongly when I first heard Danny Barnes and is something that continues to grow stronger and clearer. What we hear from Danny is true. It can be coming from no one else. His story. Whether it’s the songs he writes himself or those he chooses to play. He has lived it. He’s not playing ‘at’ it. He ‘is’ it… Danny’s love of, connection to, and history with this music is long and deep. What a joy now to listen to these songs transformed through his lifetime of experience. It is a wonderful thing… Thank you Danny. Sincerely.” —Bill Frisell

“Danny Barnes represents all that is good about heartfelt music. He has deep passion, exemplary technique, great abilities as a songwriter, richly burnished vocals, and the fearsome desire to break through boundaries while still staying solidly rooted in tradition. He’s as fine as they come.”  —Tony Trischka

“For years I’ve said Danny Barnes is the world’s greatest banjo player. It’s the truth, but now with fake news and all the puffery, words have lost their meaning. But that’s okay because the truth is in the music. Listen to DB’s banjo if you wanna hear the truth.” —Robert Earl Keen

“Like Superman squeezing a lump of coal, Danny Barnes can transform crumbling musical remnants into cutting edge innovations, but avid fans have long known that Barnyard Electronics’ chief engineer has some serious traditional banjo chops.” —Tim O’Brien

Danny Barnes on Tour 2017*
2/16 Thu – The Big Easy – Petaluma, CA
2/17 Fri – The Crepe Place – Santa Cruz, CA
2/18 Sat – The Back Room – Berkeley, CA
2/19 Sun – Moe’s Original BBQ – Tahoe City, CA
2/22 Wed – Applegate Lodge – Applegate, OR
2/23 Thu – HiFi Lounge – Eugene, OR
3/9 Thu – Cervante’s Other Side – Denver, CO %
3/10 Fri – Barkley Ballroom – Frisco, CO %
3/12 Sun – The Stanley Hotel – Estes Park, CO %
3/16 Thu – White Eagle Saloon – Portland, OR
3/17 Fri – Rock Creek Tavern – Hillsboro, OR
3/18 Sat – McMennamins Grand Lodge – Forest Grove, OR
4/19 Thu – Club Passim – Cambridge, MA ^
4/20 Thu – Caffe Lena – Saratoga Springs, NY ^
4/21-22 Fri-Sat – Durango Bluegrass Meltdown – Durango, CO ^
4/25 Tue – Cabaret at Germano’s – Baltimore, MD ^
4/26 Wed – C-ville Coffee – Charlottesville, VA ^
4/27 Thu – Hill Country Live – Washington, DC ^
4/28 Fri – Milkboy – Philadelphia, PA ^
4/29 Sat – Hill Country Live – New York, NY ^
4/30  Sun – Elk Creek Cafe – Millheim, PA ^
5/4-6 Thu-Sat – Adrift Hotel – Long Beach, WA
5/7-13 Sun-Sat – Al’s Den at Crystal Hotel – Portland, OR
7/13-16 Thu-Sun – Northwest String Summit – North Plains, OR

* All Dates are Danny Barnes solo unless otherwise noted
% Danny with Jeremy Garrett and Andy Falco
^ Danny with Grant Gordy and Joe K Walsh
More dates TBA!

Stay up-to-date with news from Danny Barnes at www.dannybarnes.com, twitter.com/Wildknees, and Facebook.com/DannyBarnesBanjo.  

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The Contribution To Release New Music Throughout The Year
Tim Carbone, Phil Ferlino, Jeff Miller, Keith Moseley, Sheryl Renee, Matt Butler, & Duane Trucks, Join Musical Forces To Release Their 2nd Album, Wilderness And Space, on LoHi Records

Singles to be released for seven months, with 100% of proceeds going to non-profits and the first single paired with Rex Foundation to come out February 17, 2017

When Relix magazine announced the The Contribution’s debut record, Which Way World [2010], and called them a “jamband supergroup,” they also recognized, “the band serves the songs first and foremost.” Although the band is comprised of some of the scene’s heavy hitters, the first listen to their music reveals their love of 60s pop and soul coupled with their ability to flat-out shred. It’s what makes the band appealing to music lovers from all walks of life and they are pleased to release tracks from their upcoming LoHi Records album, Wilderness And Space, one song at a time over the course of seven months, with full proceeds of each single going to a different non-profit with each track.

The Contribution is the brainchild of Tim Carbone of Railroad Earth (violin, guitar, vocals) together with Phil Ferlino (keyboards, vocals) and Jeff Miller (guitar, vocals) of New Monsoon. Keith Moseley (String Cheese Incident), has been the bass player from the band’s inception along with vocalist Sheryl Renee (The Black Swan Singers). The drum chair has been occupied by Jason Hann (String Cheese Incident), Matt Butler (Everyone Orchestra), and currently Duane Trucks (Widespread Panic). Both Matt Butler and Duane Trucks appear on the band’s new record, Wilderness And Space.

The first song will be released on February 17, 2017 and all proceeds will be donated to Rex Foundation. Consecutive songs will come out each month, each paired with it’s own art and a different non-profit partner. Others taking part include Conscious Alliance, HeadCount, and a handful of other organizations that support the arts, environment, and health. The full ten song album will be released on vinyl this Fall.

SONY DSCReleasing records and touring is a cycle that is connected and a part of each member’s individual careers. Initially conceived as a studio project that would play select live shows, the emphasis for The Contribution was always on writing and recording. Rather than releasing a full record with expectations of touring to support it, Carbone wanted to find a way to live up to the band’s name, which in itself provided the clue as to how, and this is what they cooked up as a way to keep it going and give back in the process.

How could the creation of music be leveraged best for the betterment of the world at large? A lofty goal. The band has never been about personal profit and individually the members have been advocates and activists for various environmental and social causes. Now they have thought of a way to meld the two worlds the band holds dear. They are The Contribution, after all.

Carbone says, “We feel blessed to be able to make this music and have it help people in need… and we would like to empower those who share our passion and provide a resource for them to take action with us.”

All songs written and produced by Tim Carbone, Phil Ferlino and Jeff Miller. The songs from Wilderness And Space were recorded mainly at Silo Sound Studio in Denver, Colorado and engineered by Todd Dival with additional recordings at TRI Studios in San Rafael, CA, (engineered by Rick Vargas). The full ten-song album will come out on vinyl in the Fall of 2017.

Wilderness And Space will be released on LoHi Records, of which Carbone is one of the partners along with singer/songwriter and record producer Todd Snider, Hard Working Americans’ Chad Staehly, who is also with Gold Mountain Entertainment in Nashville, and entrepreneur and marketing veteran Jim Brooks.

Hear more about the Wilderness And Space project from Tim Carbone →

For more information, please visit www.TheContribution.net, www.facebook.com/TheContribution, www.twitter.com/thecontribution, and www.instagram.com/thecontribution.

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Jon Stickley Trio’s New EP, Triangular, Out Now!
“Pure Joy Through Music”

Get Triangular now on iTunes, Amazon, and CDbaby

Js3 Announces Plans to Record Next Full Length Album, Produced by Dave King (The Bad Plus) at Echo Mountain Studios in Asheville NC after Successful Kickstarter Campaign

ASHEVILLE — On the tail of their critically acclaimed 2015 album, Lost at Last, Jon Stickley Trio independently releases a brand new 5-song EP, Triangular, on December 2,2016. With roots in gypsy jazz, bluegrass, and hip-hop in an “exhilarating all-acoustic swirl” (Acoustic Guitar Magazine), Jon Stickley Trio combines Jon Stickley’s rapid-fire flatpicking guitar with the sultry and wild, yet refined, melodies of Lyndsay Pruett on violin set over the deep groove of Patrick Armitage on drums.

In a time when a lot of instrumental music feels more like math than art, Jon Stickley Trio’s Triangular reminds us of the pure joy that can be created and shared through music,” says Greensky Bluegrass’ Anders Beck.

Jon Stickley Trio is on tour this winter with shows in the southeast this December in Knoxville, Kingsport and Charlotte. Jon also has a couple of shows booked with Andy Thorn (Leftover Salmon) and Travis Book (The Infamous Stringdusters) in North Carolina mid-month. On December 30th, the Trio pops up north to Richmond, Virginia to open for The Infamous Stringdusters before heading home to Asheville for a special New Year’s Eve Celebration with The Honeycutters on Dec 31st. In early January, Jon Stickley travels to Denver to play two nights as a part of the Bluegrass Generals featuring members of The Infamous Stringdusters, Greensky Bluegrass, and more. The Trio joins up again in Wray, Colorado on the 21st with some surprise mystery dates out west TBA. There’s a scattering of other dates announced including WinterWonderGrass in California in the spring and FloydFest in the summer in Virginia. More to come!

The EP, Triangular, was recorded at Blue Sprocket Sound in Harrisonburg, VA this summer and was sent early to anyone that donated $10 or more to their recent successful Kickstarter Campaign to help them head back into Echo Mountain Recording Studio this winter with Producer Dave King (Of The Bad Plus) to record a yet un-named new full length album due out in 2017. The band surpassed their goal and reached $29,120 and is currently in studio recording..

nye-shot-cred-heather-hambor“I like to think of music as a two way street, a reciprocal experience between musician and audience,” says Lyndsay Pruett. “The Kickstarter campaign really affirms my view on that. And it truly becomes about more than the money. Money is the thing we all know we need to make the world go around, but this process allows people to have an extra level of personal involvement. We have conversations with people we’ve met at shows from all over the country, and they become involved in the next record. Then when we go back to those places to play the music for them the experience is more substantial, and more fun, of course.”

Triangular features five songs leading out with with “Blackburn Brothers”, of which Beck says, “While the opening notes remind the listener of Tony Rice’s Manzanita (one of the greatest acoustic guitar albums of all time), one is suddenly catapulted into Jackson 5 territory a few minutes later in the same song. Sure, comparisons to previous musicians are a good way to explain a new artist to the masses, but to do so is to cheat Stickley of what he really is: a damn genius, a musical mastermind, and one of the most unique, creative, and inventive guitar players I’ve ever heard.”

Plain Sight” was penned by Jon after the mass shooting at a concert in Paris. ”It’s as much an angry response to the perpetrators as it is a mournful tribute to the victims,” says Stickley. The music features Lyndsay’s delicate pizzicato violin plucking, Patrick’s breakbeat drum vibes, and Stickley’s signature high speed shredding. The third phase of the tune breaks down to a gentle trading of melodic lines by Jon and Lyndsay.

Palm Tree” is a tropically themed dance tune has become a staple of the band’s live shows. It changes time signatures between 5/4 and 6/8, but remains danceable and accessible. The purpose of “Palm Tree” is to jam out and have fun, and that’s what the Trio does on this track. You can hear Jon and Lyndsay pushing each other while Patrick “cooks” underneath, heating up the skillet till its HOT.

Echolocation”’ is a tribute to whales and the beautiful songs they sing underwater. The most evocative of the songs on the record, it features the cello-like longbows of Lyndsay’s violin that mimic the whales’ songs. Patrick’s epic drum solo over Lyndsay and Jon’s unison arpeggios is a climactic moment that is one of the band’s most dazzling recorded moments to date.

Manzanita” is a classic composition by Jon’s hero, guitarist Tony Rice, is arguably one of the most important pieces of music in Newgrass history. The Trio recorded this song as a tribute to those who came before and took musical risks that changes the history of music.

“Since bluegrass players started delving into jazz, they’ve been composing progressive acoustic music, but so much of it has lacked the comfort in its own skin that Stickley’s songs possess.” Anders Beck says of Stickley’s style,“I could go on and on about how amazing it is that his twisty and turny songs don’t feel forced, and always bob and weave at the right time; or how Stickley’s guitar playing shares as much in common with the flow of the greatest rappers of all time as it does with his flatpicking heroes... I think you get my point. Stop reading this and go listen to his new EP.”

With the success of Lost At Last making it into rotation on radio stations both nationally and internationally, the Trio has traveled over 50,000 miles, performing at over 100 festivals and venues across the country in 2016 (Including the Kennedy Center in Washington, DC), attracted attention of thousands of new fans, and teamed up with a national booking agency. Jon Stickley Trio heads into the studio in early December to record the yet unnamed full length album with Dave King, who also produced Lost At Last which garnered praise from The New York Times, NPR’s Heavy Rotation, NPR’s World Cafe, Premier Guitar Magazine, Acoustic Guitar Magazine, and many others.

Jon Stickley Trio has evolved into a fully formed, musical identity that was just beginning to take shape on the first record. Stickley realizes, “Our musicality has matured individually, and collectively to the extent that we can read each other, and respond to each other in a completely intuitive and natural way. We can’t wait to take our matured sound back into Echo Mountain with our mentor and producer, Dave King.”

All of this interlocks, and is propelling the band into the future. Music City Roots’ Craig Havighurst says “A new generation of bluegrass-reared instrumental explorers is coming into its own, and the Stickley Trio is in the vanguard.” While the group does their thing in the studio, they are happy to share Triangular with the world now!

Jon Stickley On Tour
12/7 Wed – Knoxville, TN – WDVX Tennessee Shines @ Boyd’s Jig & Reel
12/8 Thu – Kingsport, TN – Sleepy Owl Brewery
12/10 Sat – Charlotte, NC – The Rabbit Hole *co-Bill with Billy Strings
12/15-16 Thu-Fri – Asheville, NC – Isis Music Hall *Stickley / Thorn / Book support for Travelin’ McCourys
12/17 Sat – Morganton, NC – Winter Music Fest *Stickley / Thorn / Book
12/30 Fri – Richmond, VA – The National  *support for The Infamous Stringdusters12/31/16 Sat – Asheville, NC – Isis Music Hall *w/ The Honeycutters

1/6-7/17
Fri-Sat – Denver, CO – Cervantes *Jon Stickley as a part of the Bluegrass Generals feat. members of The Infamous Stringdusters, Greensky Bluegrass, etc.
1/20 Fri – Abilene, KS – Great Plains Theatre
1/21 Sat – Wray, CO – 4th and Main Grille
3/30 Thu – San Francisco, CA – Neck of the Woods
3/31 Fri – Squaw Valley, CA – WinterWonderGrass
7/26-30Floyd, VA – FloydFest

* All dates are Jon Stickley Trio unless otherwise noted.

WATCH Jon Stickley Trio Perform ‘Echolocation’ on Music City Roots →

Head on over to Live For Live Music to listen to the World Premiere of “Blackburn Brothers.” →  http://bit.ly/JS3_L4LM_BlackburnBrothersPremiere.

For more information, updates from the road, and more, please visit www.jonstickley.com, www.facebook.com/JonStickleyTrio, www.instagram.com/jonstickleytrio, and www.twitter.com/StickleyMusic.

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