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Amy McCarley Launches MECO, Her 3rd Album, February 8, 2019
Co-produced by Kenny Vaughan & George Bradfute

Kenny Vaughan & Chris Scruggs Join McCarley on the Entire Album
Featuring special guests:
Pat Alger, Marty Stuart, Kenny Lovelace, Harry Stinson, and George Bradfute

Available Now To Stream & Purchase→  http://radi.al/MECOAmyMcCarley

MECO_ALBUM_COVERARTHUNTSVILLE, AL —  With poignant and thought provoking lyrics, Amy McCarley finds balance in a new perspective with the launch of MECO, her 3rd studio album, out February 8, 2019. After collaborating in writing new songs with Bluebird Cafe round-mate and Nashville Songwriters Hall of Famer, Pat Alger, McCarley returned to the studio with esteemed colleagues, co-producers Kenny Vaughan & George Bradfute to work on MECO, her highly anticipated follow up to 2014’s Jet Engines. MECO was recorded and mixed by Bradfute in his Tone Chaparral Studios in Madison, Tennessee and mastered by Jim DeMain at Yes Master Studios in Nashville.

An acronym borrowed from the Space Shuttle program that stands for Main Engine Cut Off, MECO occurred for the shuttle when onboard propulsion systems were disengaged at an altitude where velocity could be maintained by the power of an innate force at work in the universe with periodic adjustments from the vehicle. The album traces McCarley’s experience of what it’s been like leaving life as a NASA contractor to pursue a career in music.

Featuring two of Marty Stuart’s Fabulous Superlatives on the entire album including Vaughan on guitar and multi-instrumentalist Chris Scruggs on drums, percussion, bass, and steel guitar; it is only fitting that Harry Stinson joins in on backing vocals on a track and Stuart himself plays mandolin onNever Can Tell.”

The ten tracks of all original material feature McCarley’s yearning vocals, acoustic guitar, and harmonica. Alger, who co-wrote half of the songs on MECO says of McCarley, “Super, super intense guitar style. And I was so fascinated by it. Everything she did was real. Super intense. She’s just a different kind of performer.”  Alger describes the series of events leading to a co-writing partnership that yielded half the songs on MECO in this video cliphttps://youtu.be/oY3V2ZZwTXU

Uniquely relatable, this northern Alabama native’s music is embraced by Americana fans across the country and abroad. Vaughan says, “I think all of her songs come from a personal experience. Each song is about something she’s gone through, which is good because it gives her a little edge on the delivery. The emotional content kinda comes through in there.”

What Folks Are Saying:

MECO demonstrates beyond doubt that Amy McCarley has established a clear flightpath in Americana music with her blend of country rock sung with a world weariness that immediately brings to mind Lucinda Williams… in MECO she has reached an elevation that deserves a wider acclaim to propel her musical voyage.”
Americana Music Show, Lyndon Bolton,
Listen in to Lyndon Bolton’s podcast interview with McCarley on Americana Music Show

“Not only can McCarley write songs, sing them and play a mean acoustic guitar, she has an astute sense for musical support…. this is a can’t miss effort.”
Country Standard Time, Jim Hynes

“With any luck, the record should propel McCarley into the big time at least as quickly as a NASA rocket launches a capsule into space. It combines mainstream accessibility with the sort of authenticity and depth you’d associate with artists like Lucinda Williams.”
The Morton Report, Jeff Burger

“Marshall Chapman, Lucinda Williams, and (delightfully) Linda McRae come to mind as McCarley utilizes various aspects of her lithe voice, the result entirely her own with soulful shades of her Alabama roots apparent.” 
Fervor Coulee, Donald Teplyske

“It is superb… She possesses a strong and expressive voice that can display presentiment and positivity equally… Vaughan and Bradfute’s production is spot on, never overwhelming the vocal or getting in the way of the song.” 
Lonesome Highway, Stephen Rapid

“… there’s a reflective spirit and emotional honesty that’s very transparent on the listen, as each song is carefully crafted and delivered with a pensive, gorgeous timelessness.”
Take Effect Reviews, Tom Haugen

More About MECO:

With Scruggs’ wild driving rhythm and Vaughan’s insane blazing solo, the album opens with  “A Clue,” a determined revelatory song started in McCarley’s days at NASA. A song of finding strength in perseverance, “Clarksdale Blues” features Bradfute on slide guitar and gives a sense of those wide open blue skies in the Mississippi Delta, the location of the song’s inspiration.

Jerry Lee Lewis band leader, Kenny Lovelace, plays fiddle on the upbeat and breezy tune “Ain’t Life Funny” which muses about how life can tell a joke, “Just when we think that things are humming… Ain’t it funny how it all goes up in smoke.” McCarley says, “He cranks it all up to where either a square dance or hippie jig seem equally appropriate to me.”

Triumphant and joyful, “High Wire” is about survival. McCarley says, “Kenny and Chris brought the emotion in ‘High Wire’ to full impact during the instrumental break right after I sing ‘A little bird perched on a limb / In a wild storm in the wind / I will sway I will bend / With eyes wide open / And drink it in.” Other songs demonstrate a cathartic release in a new perspective such as “Everything Changed,” “Happy,” and “Farewell Paradise.

Sorrow and gratitude go hand in hand on the dream-like “Days” which features McCarley’s co-writer Pat Alger playing lead acoustic guitar and recalls treasured moments with loved ones which can go by so quickly. “Never Can Tell” is a song about finding meaning amidst uncertainty and “How You Do” is more plaintive in nature.

McCarley’s trajectory is defined by her personal strength as an artist and her ability to learn through the enormous collaborative power of connecting with other stellar talents. She says, “It has taken everything I have plus the guiding unseen hands of time and chance together with support from some incredibly talented generous souls in order for this album to be made and on its way to listeners.”

MECO Track Listing & Credits:
1. A Clue (4:41)*
2. Clarksdale Blues (4:18)*
3. Everything Changed (5:28)
4. High Wire (4:20)
5. Days (3:13)*
6. Never Can Tell (2:39)
7. How You Do (4:32)
8. Happy (4:12)*
9. Ain’t Life Funny (3:04)*
10. Farewell Paradise (3:57)

Amy McCarley — vocals, acoustic guitar (all), harmonica (7)
Kenny Vaughan — electric guitar, acoustic guitar (all)
Chris Scruggs — drums, percussion, and bass (all), steel guitar (5,10), backing vocals (10)
George Bradfute — slide guitar (2), fiddle (6), viola and cello (7), fiddle and mandolin (8)
Pat Alger — acoustic guitar (5)
Marty Stuart — mandolin (6)
Kenny Lovelace — fiddle (9)
Harry Stinson — backing vocals (10)

Producers — Kenny Vaughan & George Bradfute
Audio & mix engineer — George Bradfute (Tone Chaparral)
Mastering engineer — Jim DeMain (Yes Master Studios)

*Indicates a song written by Amy McCarley & Pat Alger

© 2019 McCarley Publishing (BMI) & Algerhythms (ASCAP)
All other songs written by Amy McCarley © 2019 McCarley Publishing


For more information, please visit  www.amymccarley.com, www.facebook.com/amymccarleymusic, www.twitter.com/amy_mccarley,  www.instagram.com/amymccarleymusic.

 

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TheseThings

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‘Tis the Season and the end of the year! Here’s a rundown of the albums that Dreamspider Publicity publicized in 2018 in order of release date. Please do keep listening to and supporting live and recorded music! THANK YOU to all the artists, writers, DJs, listeners, and concert goers!!

Cheers and have a fantastic Holiday Season!


~Erin Scholze, Dreamspider Publicity
These Things Just Don’t Happen By Themselves… 

LoveCanonCov13e

Love Canon – Cover Story
Released on Organic Records: July 13
www.lovecanonmusic.com

“Charlottesville, VA’s Love Canon have established themselves as prodigious interpreters of others’ songs. Their latest is chock full of circa 1980’s classics, each imbued with an acoustic charm. In some ways it speaks to the flexibility of the underlying song… In others it speaks the group’s ability to transform the song.” —Twangville, Mayer Danzig

“A guest-filled ride through familiar old favorites, interpreted not as party reboots but as thoughtful reimaginations. Songs from an era known for indulgent electric sheen get broken down and rebuilt with serious bluegrass chops… Throughout the record, the band dips into its deep rolodex of musical friends, tapping quirky troubadour Keller Williams to sing lead on R.E.M.’s ‘Driver 8,’ which features blazing solos and an extended reggae breakdown. Ace fiddler Michael Cleveland and singer Aoife O’Donovan also show up for one of the album’s best tracks, a mountain-hop version of Paul Simon’s ‘Graceland.’ Bluegrass has always been about passing songs down the line and sharing them with friends; Love Canon is toying with that tradition in a good way.” Blue Ridge Outdoors, Jedd Ferris

“Stripped of its slick ’70s country production and replaced with upbeat horns and killer harmonies, ‘Islands in the Stream’ is a perfect laid-back love ballad when performed by Love Canon. The band’s friend Lauren Balthrop evokes Parton in the high harmonies, and Bobby Read and John D’Earth provide a little bit of funk on the saxophone and trumpet, respectively.–The Boot, Amy McCarthy

HBR_LonesomePanoramic_600px_lo-res
Hot Buttered Rum –
Lonesome Panoramic
Independently Released: July 20
www.hotbutteredrum.net

“Tight Tunes and Whispers of Tom Petty: Lurking behind each song is a rhythmic urgency that’s less prog-bluegrass and more rock oriented… Over its 15-plus-year career, the band has proven itself capable of pulling together strands of country, folk, bluegrass, and jam music into an energetic, good-time experience. But with the batch of well-crafted, sharply performed tunes they cooked up on Lonesome Panoramic, Hot Buttered Rum has managed to blend its ragged charms with that of a well-oiled musical machine.” —No Depression, Jim Shahen

“Ultimately, Lonesome Panoramic reflects the work of a talented group of close-knit colleagues who know how to share their skills and play in sync, with no one individual eager to overshadow the others. The band emphasize subtlety over sizzle, finesse as opposed to frenzy, and a confidence and assurance that makes melody the primary focus. It’s a decided skill set to be sure…” —Bluegrass Today, Lee Zimmerman

“Probably best described as a tangling of jam, country, folk, and bluegrass that results in a timeless energy and easily enjoyable spirit, this is a criminally underappreciated outfit and a fantastic album.” —The Daily Vault, Tom Haugen

CF_LiveAlbumCover_2018_CreditKeithBersonPhotography
Chicago Farmer –
Quarter Past Tonight  – Live Double Disc Album
Independently Released: August 3
www.chicagofarmer.com

“I’d never heard of transplanted son of the soil Cody Diekhoff and you probably haven’t either. But this tenth-anniversary double-live, 24 songs and eight spoken bits that include a tribute to his heroically supportive wife entitled ‘Benefits’… he’s funny, he’s kind, and he’s preparing an instructional video about ‘how do you get that drawl that you do—it’s kind of a mix between a small-town big-city kind of a northernly southernly easterly westerly stuck-in-the-middle type of a drawl.’”  Noisey, Robert Christgau

You don’t hear many albums these days like this two-CD set, which hearkens back to a time when solo folk artists like Tom Paxton and Arlo Guthrie strode onstage offering nothing but their voices, guitars, harmonicas, visions, and wit.”  The Morton Report, Jeff Burger

“A great example of his songwriting and performing chops is ‘I Need a Hit,’ the first song off disc one. It’s about a road-worn troubadour dreaming about a John Hartford scenario — meaning he’d have a money-maker like ‘Gentle on My Mind’ funding his traveling circus.” —Wide Open Country, Bobby Moore

RestHeavyCover_WEB
Chad Elliott & The Redemptions –
Rest Heavy: The Sun Studio Sessions
Independently Released: August 10
www.chadelliott.net

“Iowa suggests such names as Greg Brown, Bo Ramsey, and Pieta Brown among others but now singer-songwriter, artist and author, Chad Elliott can join their esteemed company with Rest Heavy. Even if you didn’t know that these tracks were recorded at Sun Studios in Memphis, you’d still sense a bit of that Elvis Presley style in Elliot’s mix of roots-rock, soul, blues and modern gospel… This album just oozes soul, truth, and seems rather timeless as it could have been recorded almost any time in the last fifty-sixty years.” –Elmore, Jim Hynes

“Rest Heavy… opens with an arpeggiated piano riff and cymbal crash before launching into a leaned-back, eyes-closed, soulful-howl gospel-blues tune of which Sam Cooke would have approved… As he croon-wails his way through tracks that range from hardscrabble stories and ain’t-life-like-that tunes to songs of somber reflection, his constellation of influences is clear, with stylized moments and melodic arrangements that evoke the likes of Tom Waits, Eric Clapton, Bruce Springsteen and Doc Watson.”
Little Village Magazine, Lucas Benson

“ … there is a timeless feel all along the tracks that tell his talent.. roots rock, gospel, soul, blues in a perfect spirit… I would even say this album is the perfect tribute to the spirit of the Sun Studios. I already listened at least 10 times to it and these songs take me with them…” ISA Radio, Mike Penard, France

coverimage
Rudi Ekstein –
Carolina Chimes: Rudi Ekstein’s All Original Bluegrass Instrumental Showcase Featuring Stuart Duncan, Jeff Autry, Mark Schatz
Independently Released on Foxfire Recording: October 5
www.carolinachimes.com

“The bulk of [the songs] are flat-out, hold-on-to-your-hat wild rides that he takes you on… The entire album brings back many great memories to me of John Hartford’s many musical excursions through the years, jam sessions with Mike Marshall down in Florida back in the ’70’s and all sorts of good stuff... I would suggest the best way to listen to this CD is on a nice drive through the country or anywhere.” Elmore, Ken Spooner

“These twelve original numbers flow brilliantly, a set of mandolin-based bluegrass the likes we haven’t experienced in a number of years. I’ve hit ‘repeat’ more than once listening to the set, the minutes passing by much too quickly…. An absolute stunner of a bluegrass album.” –-Fervor Coulee, Donald Teplyske

“This is some serious, hard core bluegrass played with a lot of fire… Good stuff.” —Mandolin Cafe

EDA Butterfly cover 2CD Cover
Edward David Anderson –
Chasing Butterflies
Independently Released on Black Dirt Records: October 18
www.edwarddavidanderson.com

“Key tracks are the disturbing epic tale of race and injustice (with majestic, swirling fiddle) in ‘The Ballad of Lemuel Penn’, the brutally honest ‘Bad Tattoos’ (‘The story of my life’s written on my skin’) and the hypnotic ‘Crosses’ with its rousing and extended instrumental section closing out the track… On Chasing Butterflies, Edward David Anderson commands our attention with his accomplished songwriting and sublime presentation. He certainly has mine. It’s a triumph.” —Listening Through The Lens, No Depression, Rob Dickens

“…nothing here is overplayed: the sound is light, mainly acoustic and upbeat… Judging by his self-penned songs, Anderson observes his world and writes what comes to mind. On his second solo release he covers family, misspent youth (tattoos), dogs, inspirational friends, bleak Montana landscapes and injustices… All in all an interesting outing that explains his wide fanbase.” –Americana Music Show, Tony Ives

“The quality of songwriting here is exemplary. Without exception we are treated to consistently strong melodies with memorable hooky choruses that will live with you after only a few listens. There is a very strong and diverse lyrical theme to these songs while the musicianship on the record is outstanding throughout.” —AmericanaUK, Mark Hegarty

RECKLESS-SAINTS---COVER-artDESAT
Roy Schneider & Kim Mayfield –
Reckless Saints
Independently Released on Shiny Gnu Records: Nov 2
www.RecklessSaints.com

“This husband and wife team runs the gamut from engaging acoustic folk to driving bluesy tunes, with hints of twang sprinkled in… The ringing impression from this offering is the seamless blending of so many forms of roots music, combined with meaningful and often insightful lyrics. It works beautifully.”
Making A Scene, Jim Hynes

“Reckless Saints is an acoustic duo comprised of Roy Schneider Music on guitar, harmonica, dobro, drums, banjo and bass with wife Kim Mayfield on guitar, baritone ukulele, mandolin and piano. They both sing and they both write. Their self-titled debut only has one cover: “Election Day” by the late Blaze Foley (the subject of Ethan Hawke’s new movie, Blaze.) Bonnie Raitt bassist Freebo is on hand as is the legendary Nashville harmonica player Charlie McCoy and fiddler Keven Aland. It all amounts to an Americana gem that fans of real pure mountain-stream country will love.” —The Aquarian Weekly, Mike Greenblatt

“Enlisting Blaze Foley’s old musical partner Gurf Morlix for help, Schneider and Mayfield cover Foley’s classic ‘Election Day’ with rough passion, but the beautifully rendered ‘If I Die Tomorrow’ and ‘Poison Arrow’ swoon in their arms. All who cry out for salvation from Reckless Saints might experience the same effect.”
Elmore Magazine, Peter Lindblad

TaylorMartin_SongDogs_CoverArt_2018
Taylor Martin –
Song Dogs
Released on Little King Records: Nov 16
www.taylormartin.org

“Indeed, Martin, an Asheville, NC resident, delivers a stunning work of eight original and three covers all done in a sometimes rock, sometimes blues, sometime ballad and sometimes folk style. His cover of Neil Young’s ‘Music Arcade’ is definitely a Cajun themed sound. Martin’s voice is rather gravelly sounding and is surprisingly easy to listen to for an entire CD… All in all, Song Dogs is an excellent release of music to which almost any listener can relate. Lets face it, maybe some of us can’t relate to love lost or being on the highway. But seriously, who among us can’t claim overuse of a cell phone, at least at some point in time. This is just great music. Highly recommended.” —Audiophile Voice, Paul Wilson

“The piano driven, haunting title song comes last, inspired in part by coyotes howling (per cover art) to find each other at night… It may seem that it stands apart from the others in tone and style, but several listens to Martin will have you hearing an array of styles and influences. That’s what makes it so infectious. Each song stands apart.” Country Standard Times, Jim Hynes

“The song [‘Little Pictures’] rings instantly familiar and simplifies a complex message in clear lyrical fashion, over catchy, punchy, piano-prominent rhythms.” —Americana Highways, Melissa Clarke

NEW FOR 2019!

Be on the lookout for a new book about Leftover Salmon in February entitled Leftover Salmon: Thirty Years of Festival! Written by Tim Newby

New albums in early 2019:
Amy McCarley
MECO  – (Feb 8, 2019)

Reed Foehl
Lucky Enough – (Feb 1, 2019)

 

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RestHeavyCover_WEB
Chad Elliott & The Redemptions Release
Rest Heavy on August 10, 2018
Bluesy, Rockin’ and Soulful Original Music
Recorded at Sun Studio in Memphis


Available now on all outlets → https://chadelliottrestheavy.hearnow.com

LAMONI, IAIowa singer-songwriter, artist and author, Chad Elliott, independently releases Rest Heavy: The Sun Studio Sessions TODAY, August 10, 2018. With Rest Heavy, Elliott shows his love of roots-rock, soul, and blues music with a rocking band behind his artfully crafted songs and gravelly delivery. The self-produced album was recorded by Ples Hampton at the famed Sun Studio in Memphis, TN. Hampton said, “It was honestly one of the best sessions I’ve ever had up here. This is gold.”

Elliott’s writing weaves love, loss and forgiveness into well-worn lyrics with timeless melodies. “Low, loose, and full of juice. This album’s got a lot of life to it,” said acclaimed Iowa singer-songwriter Greg Brown.

Elliott, performing on acoustic guitar and harmonica, is joined by his full band, The Redemptions, which includes Tommy Lewis (electric guitar, harmonica, background vocals), Travis McFarlane (piano, B3 organ, keys), Kevin Boehnke (acoustic guitar, trumpet), Joseph Cafaro (upright bass), and Jim Van Dorn (drums).

Chad Elliott_PR1_creditMichaelGruich_WEB“I could, literally, feel the shift in the music just by walking through the doors at Sun Studio. The room seemed to have its own electric currency running through it and it made the songs come alive. We walked away feeling like we had an out of body experience. There were times I would just sit in the corners and look into the air of the room to see if that legendary music was still floating there, mixing with ours,” Elliott said.

Elliott performs more than 200 shows each year and is lauded as “Iowa’s Renaissance Man” by Culture Buzz. He has cultivated over 1,000 songs in his career while also honing his skills as a painter, sculptor, and children’s book author/illustrator (Wilderman’s Treetop Tales). He recently published a poetry book, Rumble & Flash.

What Folks Are Saying:

“Iowa suggests such names as Greg Brown, Bo Ramsey, and Pieta Brown among others but now singer-songwriter, artist and author, Chad Elliott can join their esteemed company with Rest Heavy. Even if you didn’t know that these tracks were recorded at Sun Studios in Memphis, you’d still sense a bit of that Elvis Presley style in Elliot’s mix of roots-rock, soul, blues and modern gospel… This album just oozes soul, truth, and seems rather timeless as it could have been recorded almost any time in the last fifty-sixty years.” Elmore, Jim Hynes

“Rest Heavy… opens with an arpeggiated piano riff and cymbal crash before launching into a leaned-back, eyes-closed, soulful-howl gospel-blues tune of which Sam Cooke would have approved… As he croon-wails his way through tracks that range from hardscrabble stories and ain’t-life-like-that tunes to songs of somber reflection, his constellation of influences is clear, with stylized moments and melodic arrangements that evoke the likes of Tom Waits, Eric Clapton, Bruce Springsteen and Doc Watson.”  Little Village Magazine, Lucas Benson

“ … there is a timeless feel all along the tracks that tell his talent.. roots rock, gospel, soul, blues in a perfect spirit… I would even say this album is the perfect tribute to the spirit of the Sun Studios. I already listened at least 10 times to it and these songs take me with them…” —Mike Penard, ISA Radio, France

Right out of the gates with the title track, ‘Rest Heavy,’ the listener knows they are about to take a journey” A Soulful Sound

“[‘Rest Heavy’ is] a modern gospel love song written on Easter Sunday that grabs your heart and soul with its classic harmonica-infused melody, tempered backbeat, and Elliott’s gravelly yet warm delivery that nods to the memory of the greats who made their mark at Sun.”  —The Daily Country premieres the title track “Rest Heavy”

Rest Heavy jumps right at you and doesn’t let go. The whole piece has an edge you can shave with.” —Rob Ellen, Medicine Show Radio (UK)

“Chad’s songs are inspired by real life and by real people. They’re not conjured up in a cookie cutter fashion designated by songwriting rules or regulations. He sings out loud and proud about the places he’s been, the things he’s seen, his life experiences and those of his family and friends.” —Bronson Herrmuth

Rest Heavy Track Listing:
1. Rest Heavy  (3:12)
2. Shy of Shameless  (5:23)
3. Hills of Tennessee  (3:29)
4. Shining Stars  (4:22)
5. Cadillac Problems, Buick Times  (4:56)
6. Alberta  (4:20)
7. Slow Again  (3:47)
8. Dirty River (Catfish Blues)  (3:45)
9. Embarcadero Street  (5:08)
10. Water Under the Bridge  (7:06)
11. St. James Infirmary  (6:21)

Chad Elliott – vocals, electric guitar, harmonica
Tommy Lewis – electric guitar, harmonica, vocals, track 10 chorus
Travis McFarlane – piano, B3 organ, keys, track 10 chorus
Kevin Boehnke – acoustic guitar, trumpet, track 10 chorus
Joseph Cafaro –  upright bass, track 10 chorus
Jim Van Dorn – drums (all), track 10 chorus
Roger D. Feldhans – track 10 chorus

All songs written by Chad Elliott except “St. James Infirmary” (Anonymous)

For more information, tour dates and news from Chad Elliott, please visit www.chadelliott.net, www.facebook.com/elliottmusic, www.twitter.com/chadelliottlive, and www.instagram.com/chadelliottmusic.

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RestHeavyCover_WEB
Chad Elliott & The Redemptions Release
Rest Heavy on August 10, 2018
Bluesy, Rockin’ and Soulful Original Music
Recorded at Sun Studio in Memphis

LAMONI, IAIowa singer-songwriter, artist and author, Chad Elliott, independently releases Rest Heavy: The Sun Studio Sessions on August 10, 2018. Elliott’s writing weaves love, loss and forgiveness into well-worn lyrics with timeless melodies. “Low, loose, and full of juice. This album’s got a lot of life to it,” said acclaimed Iowa singer-songwriter Greg Brown.

With Rest Heavy, Elliott shows his love of roots-rock, soul, and blues music with a rocking band behind his artfully crafted songs and gravelly delivery. The self-produced album was recorded by Ples Hampton at the famed Sun Studio in Memphis, TN. Hampton said, “It was honestly one of the best sessions I’ve ever had up here. This is gold.”

Elliott, performing on acoustic guitar and harmonica, is joined by his full band, The Redemptions, which includes Tommy Lewis (electric guitar, harmonica, background vocals), Travis McFarlane (piano, B3 organ, keys), Kevin Boehnke (acoustic guitar, trumpet), Joseph Cafaro (upright bass), and Jim Van Dorn (drums).

Chad Elliott_PR1_creditMichaelGruich_WEB.jpg

Chad Elliott
Photo by Michael Gruich

“I could, literally, feel the shift in the music just by walking through the doors at Sun Studio. The room seemed to have its own electric currency running through it and it made the songs come alive. We walked away feeling like we had an out of body experience. There were times I would just sit in the corners and look into the air of the room to see if that legendary music was still floating there, mixing with ours,” Elliott said.

Elliott’s live performances, whether with a full band or solo, are a blend of engaging storytelling and memorable song lyrics that captivate audiences of all ages. He said, “Live performance is every bit as creative as the writing process. I love the energy created between performer and audience. It can be a heartbreaking solo ballad or a full band, foot-stomping blues song. When it connects there is no better feeling.”

The Daily Country premiered the title track, “Rest Heavy,” and says it, “grabs your heart and soul with its classic harmonica-infused melody, tempered backbeat, and Elliott’s gravelly yet warm delivery that nods to the memory of the greats who made their mark at Sun.”
Listen here http://bit.ly/TDC_RestHeavy_SongPremiere.

Rest Heavy ranges from modern gospel love songs like the title track (with its throwback soul sound) to the tale of unrequited love in “Alberta.” He delves into country soul with “Hills of Tennessee,” recalls early Tom Waits in the jazzy Cadillac Problems, Buick Times,” adds in some Parlor blues in “Slow Again,” and offers some bottom feeder blues with “Dirty River (Catfish Blues).”

An American ramble song that tips its hat to beat poets, musicians, and ramblers of the world, “Shy of Shameless” is a travel log of sorts. It depicts Elliott’s years of touring and wandering America, living out of a vehicle.

Embarcadero Street” has a raw feel to it with its slinky slide guitar, trashy drums, and the lyrics “Never would’ve guessed I was on the edge… Because I kept myself so clean… Shaved my beard up good and tight… Tried to wash away all the mean… Elliott said, “Years ago, Embarcadero Street in San Francisco was my stomping grounds during a difficult time in my life. I slept on park benches and abandoned piers. This song is like a brief journal entry for me.”

A deeply personal song, “Shining Stars” has a more ethereal sound, highlighting the acoustics of the room and the B3 organ, making this intimate song feel like a throwback to the 50s. Similarly, Water Under the Bridge” is a mending song with a serene groove. Elliott said, “Forgiveness for the sake of peace — that is what ‘Water Under the Bridge’ is about. Finding a place of atonement so one can move on past pain and fear.”

St. James Infirmary,” the only cover on the eleven-track album, is an old New Orleans flavored traditional. Elliott said, “We were in Memphis, so we picked up the tempo and did it in just one take as a bonus track. I have always loved the dark mystery of this song. It was an added bonus track and the entire band let loose.”

Elliott’s early career demonstrates a love of folk, roots, and singer-songwriter music. He has worked with many greats and shared the stage with artists of the highest caliber, including Odetta, Tom Paxton, Loudon Wainwright III, R.L. Burnside, Greg Brown, Ruthie Foster, Jimmie Vaughan, etc.

“Chad’s songs are inspired by real life and by real people,” said Bronson Herrmuth, “They’re not conjured up in a cookie cutter fashion designated by songwriting rules or regulations. He sings out loud and proud about the places he’s been, the things he’s seen, his life experiences, and those of his family and friends.”

Elliott has released 22 albums including The Den Sessions in 2010 which is a ten-volume set. His most recent being RINGGOLD (2017) and Wreck and Ruin (2015). He has been featured on Iowa Public Radio’s Java Blend (“rootsy, gravely growl and impressive, tasteful guitar work”), showcased at Folk Alliance International, composed and performed music for several IPTV documentaries, and won prestigious awards, such as the Woody Guthrie Song Contest (2009).

Elliott performs more than 200 shows each year and is lauded as “Iowa’s Renaissance Man” by Culture Buzz. He has cultivated over 1,000 songs in his career while also honing his skills as a painter, sculptor, and children’s book author/illustrator (Wilderman’s Treetop Tales). He recently published a poetry book, Rumble & Flash.

Rest Heavy jumps right at you and doesn’t let go,” said Rob Ellen of The UK’s Medicine Show Radio. “The whole piece has an edge you can shave with.”

Rest Heavy Track Listing:
1. Rest Heavy  (3:12)
2. Shy of Shameless  (5:23)
3. Hills of Tennessee  (3:29)
4. Shining Stars  (4:22)
5. Cadillac Problems, Buick Times  (4:56)
6. Alberta  (4:20)
7. Slow Again  (3:47)
8. Dirty River (Catfish Blues)  (3:45)
9. Embarcadero Street  (5:08)
10. Water Under the Bridge  (7:06)
11. St. James Infirmary  (6:21)

Chad Elliott – vocals, electric guitar, harmonica
Tommy Lewis – electric guitar, harmonica, vocals, track 10 chorus
Travis McFarlane – piano, B3 organ, keys, track 10 chorus
Kevin Boehnke – acoustic guitar, trumpet, track 10 chorus
Joseph Cafaro –  upright bass, track 10 chorus
Jim Van Dorn – drums (all), track 10 chorus
Roger D. Feldhans – track 10 chorus

All songs written by Chad Elliott except “St. James Infirmary” (Anonymous)

For more information, tour dates and news from Chad Elliott, please visit, www.chadelliott.net, www.facebook.com/elliottmusic, www.twitter.com/chadelliottlive, and www.instagram.com/chadelliottmusic.

 

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(Left to right: David McCracken, Jeb Puryear, Tara Nevins, Mark Raudabaugh, Kyle Spark). Photo by Chris Mortenson from the band’s recent appearance on Jam in The Van

Distinctive, Groove-heavy, and Danceable,
Donna The Buffalo Recording New Album with Producer Rob Fraboni

 

Spring and Summer Tour Dates Announced!

ASHEVILLE, NC — Donna the Buffalo is joining forces with legendary Producer/ Engineer Rob Fraboni to record their next album February 2018 at Sonic Ranch in El Paso, TX. It is one of the world’s largest residential recording studios and is built around an 80-year-old hacienda and pecan orchard right along the border. Fraboni is well known for his work with Bob Dylan, The Band, Eric Clapton, The Rolling Stones, Tim Hardin, The Beach Boys, Joe Cocker, and Bonnie Raitt, and as Vice President at Island Records where he oversaw the remastering of the entire Bob Marley catalog. He produced the soundtrack on Martin Scorsese‘s groundbreaking concert movie, The Last Waltz, which included an all-star cast of famous rock and roll performers. He built and designed the legendary Shangri-La studios in Malibu to the specification of Bob Dylan and the Band. Referred to as a “genius” by Keith Richards in his bestselling autobiography Life.

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Rob Fraboni, Tara Nevins, and Jeb Puryer at Sonic Ranch. Photo by Bess Greenberg

Known as one of the most dynamic and determined bands continuously touring America since 1989, Pittsburgh City Paper says, “Though it will always be hard to pinpoint the key to an act’s staying power, distinctiveness and consistency surely can’t hurt. Donna the Buffalo has carved out a niche; it has weathered trends, and even made some of its own by being unapologetically itself.Donna the Buffalo is Jeb Puryear (vocals, electric guitar) and Tara Nevins (vocals, fiddle, guitar, accordion, scrubboard) joined by David McCracken (B3 Hammond organ, Hohner Clavinet & piano), Kyle Spark (bass) and Mark Raudabaugh (drums).

Donna the Buffalo drew their original inspiration from a cherished part of the American heritage: the old-time music festivals of the south that drew entire towns and counties together. Not only was it playing music at these events, it was the vibe and the togetherness that bonded the people that attended. The Erie Times says, They craft spirit-soaring songs with distinct sensibilities: Nevins’ songs are unfailingly melodic, brisk and buoyant, powered by her reassuring, wisdom-soaked vocals and ever-present fiddle and accordion. Puryear’s songs accentuate the groove, his exceptional guitar work and sly, Dylan-like way with lyrics.”

Donna the Buffalo’s fanbase, The Herd, will be excited to hear the news of the upcoming album since their most recent album, Tonight, Tomorrow and Yesterday, came out nearly five years ago in the spring of 2013. All Music Guide says of it, “This is what 21st century Americana sounds like, a little bit of this and that from anywhere wrapped up into a poignant, jamming dance reel, a place where the past and history meet easily in the immediate now and everybody feels like dancing.”

Donna the Buffalo has released ten albums and are affiliated with several others including  two solo albums from Nevins including 2011’s Wood and Stone (produced by Larry Campbell in Levon Helm Studios) and Mule to Ride in 1999,  Puryear’s 2007 solo album Hopes and Dreams, and a 2003 release, Wait Til Spring, with Jim Lauderdale. The band’s 2008 release, Silverlined, as well as the 2013 release, Tonight, Tomorrow and Yesterday, (both on Sugar Hill Records) did well on the Americana Music Chart, each placing well into the top ten.

Donna the Buffalo knows a thing or two about rhythm, says New Haven Register. “Cajun, zydeco and old-time rhythms. A bit of reggae rhythm. Various guitar and fiddle rhythms. The rhythm of traveling by bus year after year for more than a quarter-century now, criss-crossing America… over and over again.”

The band’s tour kicks back up in New York City at at the City Winery in mid-March before a show at Ransom Steele Tavern near their hometown in the Finger Lakes region of New York state. They’ll be sunny Florida for the Suwannee Spring Reunion in March and the Peace River Revival in early April. They’ve got a plethora of shows lined up including two festivals which they started and are still the driving force behind: Spring Shakori Hills GrassRoots Festival in Pittsboro in North Carolina in May and The Finger Lakes Grassroots Festival in Trumansburg, New York in July, as well as other great festivals like MerleFest, Old Settlers Music Festival, Edinboro Music & Arts Fest, Buttermilk Jamboree, Blue Heron Music Festival, and more!

Donna the Buffalo on Tour
3/16 Fri – City Winery – New York, NY
3/17 Sat – Ransom Steele Tavern – Apalachin, NY
3/24-25 Sat-Sun – Suwannee Spring Reunion – Live Oak, FL
4/6 Fri – Terra Fermata – Stuart, FL
4/7 Sat – Peace River Revival – Punta Gorda, FL
4/14 Sat – Loaded Up and Truckin @ Oskar Blues Brewery – Hendersonville, NC
4/19-20 Thu-Fri – Old Settlers Music Festival – Driftwood, TX
4/21 Sat – Blue Moon Saloon and Guest House – Lafayette, LA
4/26-29 Thu-Sun – MerleFest – Wilkesboro, NC
5/3-6 Thu-Sun – Spring Shakori Hills GrassRoots Festival – Pittsboro, NC
5/11 Fri – The Dock – Ithaca, NY
5/12 Sat – Narrows Center for the Arts – Fall River, MA
5/13 Sun – Infinity Hall – Norfolk, CT
5/17 Thu – Edinboro Music & Arts Fest – Edinboro, PA
5/18 Fri – The Ardmore Music Hall – Ardmore, PA
5/19 Sat – The State Theatre – Falls Church, VA
5/20 Sun – Edinboro Music & Arts Fest – Edinboro, PA
6/16 Sat – Buttermilk Jamboree – Delton, MI
7/6-8 Fri-Sun – Blue Heron Music Festival – Sherman, NY
7/19-22 Thu-Sun – Finger Lakes GrassRoots Festival – Trumansburg, NY
8/16 Thu – Daryl’s House Club – Pawling, NY
8/17 Fri – Green Mountain Bluegrass & Roots Festival – Manchester, VT
8/18 Sat – Hickory Festival – Wellsboro, PA
8/24 Fri – Evanston SPACE – Evanston, IL
8/25 Sat – Porcupine Mountains Music Festival – Ontonagon, MI
9/15 Sat – Harwich Cranberry Jam – Harwich, MA

 

“Swing That Thing” Live on Jam in The Van –> 

For more information and tour dates, please visit www.donnathebuffalo.com
www.facebook.com/donnathebuffalo and www.twitter.com/donnathebuffalo

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Groove-heavy and Danceable,
Donna The Buffalo Announce Fall, NYE, and Winter
Tour!

Music Video For “Across The Way” Unveiled


This is what 21st century Americana sounds like, a little bit of this and that from anywhere wrapped up into a poignant, jamming dance reel, a place where the past and history meet easily in the immediate now and everybody feels like dancing.” —All Music Guide

ASHEVILLE, NC — Donna the Buffalo is delighted to release a music video for their original song “Across The Way” along with a slew of tour dates for this Fall and Winter! The song breathes fresh air with lyrics written by Jeb Puryear, Do you think that a smile matters… Do you think a song can change the world… If you do then let it play… All these things happen… Across the way… Do you believe in magic… I do… Every day… It’s right where you’re standing… Across the way.”

Known as one of the most dynamic and determined bands continuously touring America for nearly thirty years, Donna the Buffalo has created a community environment at their shows through their distinctive, groove-heavy, and danceable music. With roots in old time fiddle music that evolved into a soulful electric American mix infused with elements of cajun/ zydeco, rock, folk, reggae, and country, Donna’s music often contains social and moral responsibility as core beliefs, and they are just simply fun to get out and celebrate life with.

Donna the Buffalo is Jeb Puryear (vocals, electric guitar) and Tara Nevins (vocals, guitar, fiddle, accordion, scrubboard) joined by David McCracken (Hammond organ, Hohner Clavinet & piano), Kyle Spark (bass) and Mark Raudabaugh (drums).

Donna the Buffalo is excited to announce their Fall and Winter upcoming tour dates. They’ll be in the NorthEast in mid-September before heading south for a few shows including a performance at the historic Bijou Theatre in Knoxville, Tennessee and Deep Water Soul Fest in Hot Springs, North Carolina and their very own Shakori Hills GrassRoots Festival in Pittsboro, North Carolina. In mid-October they return to Spirit of Suwannee Music Park in northern Florida for the Suwannee Roots Revival before returning north for shows in Binghamton and Tarrytown, New York.

In November they bring their new bus out west for shows in Fort Collins and Nederland, Colorado, then on to the Moab Folk Festival in Utah, as well as appearance at the Musical Instruments Museum in Phoenix, Arizona. They’ll travel up the coast of California for six shows including Pappy and Harriet’s in Pioneertown and the Great American Music Hall in San Francisco. Mid-month on they explore the NorthWest a bit more with shows in Eugene, Seattle, Portland, and Missoula. The band returns home and has a few shows in New York State in early December, along with a show at the new Boston City Winery!

Donna the Buffalo’s New Year’s run brings them back to Florida starting off December 29 at Ponte Vedra Concert Hall and then two nights (Including New Year’s Eve) at Skipper’s Smokehouse in Tampa. After a day of rest on New Year’s Day, they loop through Key West, Boca Raton, Orlando, Charleston, and Saxapahaw, NC.

Their Winter tour has more to be announced and already includes shows in Washington DC, Charlottesville, Atlanta, Charlotte, Saranac Lake, Buffalo, and Pittsburgh. Stay tuned for more dates to be added →  www.donnathebuffalo.com/on-the-road.

Donna the Buffalo Fall / Winter Tour
9/14 Thu – Infinity Hall – Hartford, CT
9/15 Fri – New Hope Winery – New Hope, PA
9/16 Sat – Harwich Cranberry Arts & Music Festival – Harwich, MA
9/22 Fri – Bijou Theatre – Knoxville, TN
9/23 Sat – Deep Water Soul Fest – Hot Springs, NC
10/5-8 Thu-Sun – Shakori Hills GrassRoots Festival – Pittsboro, NC
10/13-15 Fri-Sun – Suwannee Roots Revival – Live Oak, FL
10/20 Fri – Touch of Texas – Binghamton, NY
10/21 Sat – Tarrytown Music Hall – Tarrytown, NY
11/2 Thu –  Hodi’s Half Note – Fort Collins, CO
11/3 Fri – The Caribou Room – Nederland, CO
11/4 Sat – Moab Folk Festival – Moab, UT
11/5 Sun – Musical Instruments Museum – Phoenix, AZ
11/8 Wed – Saint Rocke – Hermosa Beach, CA
11/9 Thu – Pappy and Harriet’s – Pioneertown, CA
11/10 Fri – Great American Music Hall – San Francisco, CA
11/11 Sat – The Catalyst Atrium – Santa Cruz, CA
11/12 Sun – Hopmonk Tavern – Sebastopol, CA
11/14 Tue – Humboldt Brews – Arcata, CA
11/15 Wed – WOW Hall – Eugene, OR
11/16 Thu – Tractor Tavern – Seattle, WA
11/17 Fri – Mississippi Studios – Portland, OR
11/18 Sat – Top Hat Lounge – Missoula, MT
12/1 Fri – Cohoes Music Hall – Cohoes, NY
12/2 Sat – City Winery – Boston, MA
12/8 Fri – The Westcott Theater – Syracuse, NY
12/9 Sat – Anthology – Rochester, NY
12/29 Fri – Ponte Vedra Concert Hall – Ponte Vedra, FL
12/30-31 Sat-Sun – Skipper’s – Tampa, FL
1/2/18 Tue – Green Parrot – Key West, FL
1/3 Wed – The Funky Biscuit – Boca Raton, FL
1/4 Thu – The Social – Orlando, FL
1/5 Fri – The Charleston Pour House – Charleston, SC
1/6 Sat – Haw River Ballroom – Saxapahaw, NC
1/19 Fri – The Hamilton Live – Washington, DC
1/20 Sat – Jefferson Theater – Charlottesville, VA
1/26 Fri – City Winery – Atlanta, GA
1/27 Sat – Neighborhood Theater – Charlotte, NC
2/8 Thu – The Waterhole – Saranac Lake, NY
2/9 Fri – Tralf Music Hall – Buffalo, NY
2/10 Sat – Rex Theater – Pittsburgh, PA

More shows to be announced at www.donnathebuffalo.com/on-the-road

 

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The Contribution’s Newest Single, “Wilderness And Space” Released on LoHi Records August 18
Benefiting Piedmont Land Conservancy


Available now →  cdbaby.com | iTunes | Amazon

The Contribution is:
Tim Carbone, Phil Ferlino, Jeff Miller, Keith Moseley, Sheryl Renee, Matt Butler, and Duane Trucks

Since this February, The Contribution have been living up to their name and giving back with each song. They have been releasing one single a month, as sort of a mid-month pick-me-up since February 2017 and have partnered with a variety of nonprofits to which 100% of the profits from each single (sold as a digital download) will go to a charity (hand-picked by members of the band) in perpetuity. Nonprofits involved include Rex Foundation, Conscious Alliance, HeadCount, Rock the Earth, The Delaware Riverkeeper Network, BCEF, and Piedmont Land Conservatory.

The Contribution is the brainchild of Tim Carbone of Railroad Earth (violin, guitar, vocals) together with Phil Ferlino (keyboards, vocals) and Jeff Miller (guitar, vocals) of New Monsoon. Keith Moseley (String Cheese Incident), has been the bass player from the band’s inception along with vocalist Sheryl Renee (The Black Swan Singers). The drum chair has been occupied by Jason Hann (String Cheese Incident), Matt Butler (Everyone Orchestra), and currently Duane Trucks (Widespread Panic). Both Matt Butler and Duane Trucks appear on the band’s new record, Wilderness And Space. The full ten song album will be released on vinyl this Fall on LoHi Records and reveals the group’s love of 60s pop and soul coupled with their ability to flat-out shred.

They release their newest single “Wilderness And Space” on Friday, August 18, 2017 and it will benefit Piedmont Land Conservatory. The song is a stream of consciousness tone poem about dealing with life like a compassionate warrior. What a fitting song as Piedmont Land Conservancy protects the region’s natural lands, farms and waters for present and future generations. To date, PLC has protected nearly 23,000 acres of North Carolina’s Piedmont.

Tim Carbone tells Shows I Go To about how the nonprofits were selected, “I put it to the band at large and asked them, ‘What do you feel strongly about?’LoHi Records labelmate, Jim Brooks, suggested Piedmont Land Conservatory as he has held events to raise money for them in the past.

Brooks says, “When Tim approached me about LoHi releasing The Contribution I loved the idea of combining great music to support great causes. By way of Piedmont Land Conservancy’s annual LandJam concert featuring the very best names in live Americana roots music (this year’s event features Bela Fleck and Abigail Washburn) to further its cause of protecting the Piedmont’s treasured natural spaces, it was a no brainer. I mean, the title, ‘Wilderness and Space,’ couldn’t be a better fit for PLC’s mission and legacy, right? I appreciate Tim inviting PLC to be part of such a unique and worthy musical endeavor.”

Carbone continues about the non-profits involved, “Matt Butler said we should go for the Rex Foundation. Keith wanted Conscious Alliance, who I have also worked with before. Phil suggested Rock the Earth. I thought we would go with HeadCount because I am politically motivated. They don’t choose sides, they just encourage people to register to vote. When you don’t vote, bad things happen. I think we found that out.”

The Delaware Riverkeeper Network is located nearby where Carbone is from and they do wonderful work in protecting the waterways, including the drinking water of nearly 17 Million people, throughout the entire Delaware River Watershed which includes Pennsylvania, New Jersey, Delaware, and New York.

Tim says, “I wrote the words to ‘This Too Shall Pass’ for our guitar player Jeff after his mother passed away from breast cancer.” He says they did some searching and found BCEF, Breast Cancer Emergency Fund in SF Bay area, to pair up with that song. All songs were written and produced by Tim Carbone, Phil Ferlino, and Jeff Miller.

The song “Wilderness And Space” features Carbone on lead vocals, electric guitar and oramics machine, Miller on electric guitars and background vocals, Ferlino on piano, organ, synthesizers and background vocals,  Sheryl Renee on background vocals, Keith Moseley on bass, and Duane Trucks on drums. The bring in guest additions of Linda Kistler and Christopher Souza on violin, Marsha Cahn on viola, Agnieszka Rybska on cello, and Jay Rattman for the string arrangement and as the conductor. The song was recorded at Silo Sound Studio in Denver, CO and Engineered by Todd Divel. Additional recording by Don Sternaker at Mix-o-Lydian Studios in Delaware Water Gap, PA.

Carbone says, “We feel blessed to be able to make this music and have it help people in need… and we would like to empower those who share our passion and provide a resource for them to take action with us.”

Released Singles Available Here → www.cdbaby.com/Artist/TheContribution

For more information, please visit www.TheContribution.net, www.facebook.com/TheContribution, www.twitter.com/thecontribution, and www.instagram.com/thecontribution.

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