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TaylorMartin_SongDogs_CoverArt_2018
Taylor Martin’s
Song Dogs Out Today, November 16, on Little King Records
Produced by Amanda Anne Platt at Sound Temple Studios in Asheville, NC
Featuring Members of Amanda Anne Platt & The Honeycutters, Mountain Heart, and more

Available Now To Stream and Purchase → https://taylormartin.hearnow.com
(Please note that this link takes you to the correct album on Spotify; however, it currently
attributes the album to the wrong Taylor Martin, working with Spotify to correct this)

More about Taylor Martin at https://about.me/songdogs

ASHEVILLE, NC — Taylor Martin’s Song Dogs is out now on Little King Records (11/16/18). Spinning tales of the highway, homes, lost love, love regained, redemption, and the overuse of cell phones, Martin’s soulful, relatable lyrics and raspy, emotion filled voice is instantly recognizable. The Honeycutters’ Amanda Anne Platt took the lead as Music Producer (along with adding harmony vocals on a handful of songs) with the help of Co-Producer and Engineer, Robert George, and Martin’s visions for the album. The album was recorded at Sound Temple Studios in Asheville, North Carolina.

“Taylor Martin is a killer songwriter,” declares Platt. “He’s got a great sense of melody and an ability to write classic, accessible songs about things we all take for granted. It’s also to his credit that he hits all sides of the spectrum– there are toe tappers and tear jerkers on this album and everything in between. I’m a big fan of the saying, ‘Great songs produce themselves,’ I certainly found that to be true in working with Taylor.”

The album features a number of special guests including Platt, Mountain Heart’s Aaron Ramsey and Josh Shilling, GRAMMY winning Secret Agent 23 Skidoo’s Debrissa McKinney, and Jon Stickley Trio’s Lyndsay Pruett on fiddle, among others.

To celebrate the album’s release, Martin shares a video for the album’s title track “Song Dogs which is full of stunning imagery. Taylor says, ”when I heard that the filmmaker Aladin Aathmani, was heading to Morocco, I jumped at the opportunity to have my musical vision put in a distant landscape. His emotional video interpretation of ‘Song Dogs’ is very moving and like nothing I imagined (in a great way).”

The piano driven, haunting title song comes last, inspired in part by coyotes howling (per cover art) to find each other at night,” writes Country Standard Times’ Jim Hynes of the song. He continues, “It may seem that it stands apart from the others in tone and style, but several listens to Martin will have you hearing an array of styles and influences. That’s what makes it so infectious. Each song stands apart.”

DSC04126.jpgA resident of Asheville since 2004, Martin has been creating music since 1994. He blends musical styles: the approach to music he grew up with in Richmond, Virginia; the western spirit he experienced living five years in Paradise, Utah; and the sounds of southern rock, country, and rhythm n’ blues.

Jeff Burger writes, “The North Carolina–based Taylor Martin, whose raspy vocals recall Levon Helm and, occasionally, Dr. John, features eight originals on this third album, along with three well-chosen covers: Bob Dylan’s ‘Sign on the Window,’ Neil Young’s ‘Music Arcade,’ and Merle Haggard’s ‘Kern River.’ Martin’s own lyrical subjects are all over the map: ‘Little Pictures,’ the funky opener, is about excessive cellphone use, for example, while ‘Hollywood’ references Marilyn Monroe, and the melancholy ‘Eden Colorado’ is about looking for a friend, a dream, and some hope. The music—sometimes funky, sometimes folky, sometimes poppy—is just as varied.”

Martin previously released a video for the album’s bluesy opener “Little Pictures,” which is a song that tips the brim to artists like Professor Longhair while having a contemporary social commentary. The song is what Martin calls his, “observation of people being lost to reality and the death of empathy and the human experience. People being on cell phones too much are missing out on the beauty of the world.” It also invites the listener to put down their electronics and sink further into the experience of the album. Americana Highways premiered the video and wrote “The song rings instantly familiar and simplifies a complex message in clear lyrical fashion, over catchy, punchy, piano-prominent rhythms.”

“Taylor Martin is a singer-songwriter who will remind you of everything good from Tom Waits to the Everly Brothers or the Avett Brothers with some surf rock thrown in. Well-sung, well-played, well-written and relevant…” writes Asheville Citizen Times.

Asheville’s veteran songwriter is just below the forty mark with a bright future as a songwriter and performer ahead of him. Although as jaded and bitter as some road worned heroes, Martin finds refuge in a good sense of humor. “I would have been a terrible dentist,” he laughs. “I’m here, music is why, this is Earth, let’s make more music.”


Taylor Martin – Song Dogs Track Listing

  1. Little Pictures   3:34
  2. Here Comes the Flood    2:59
  3. Eden Colorado   3:17
  4. Music Arcade [Neil Young] copyright Silver Fiddle Music   4:25
  5. Second Sight   3:41
  6. Hollywood   3:41
  7. Our Memories   3:49
  8. Kern River [Merle Haggard] copyright Mt. Shasta Music   4:00
  9. Milk and Honey   3:22
  10. Sign on the Window [Bob Dylan] copyright Big Sky Music   3:39
  11. Song Dogs   4:49
     

     

MUSICIAN CREDITS
Taylor Martin – Lead Vocals, Acoustic Guitar (all)
Richie Jones – Drums, Aux Percussion (all)
Matthew Dufon – Bass (all) Harmony Vocals (2,10)
Aaron “Woody” Wood – Acoustic Guitar (3,8), Electric Guitar (5, 6,10)
Matthew Smith – Electric Guitar (1, 2), Pedal Steel (3,7,8,11)
Aaron Ramsey – Acoustic Guitar (2,4,7,9,10), Mandolin (9)
Josh Shilling – Piano (1,2, 6,7, 8,10,11), B3 (1,2,5,6,7,10), Wurlitzer (5)
Phil Alley – Telecaster (7)
Lyndsay Pruett – fiddle (4,5,7,8)
Amanda Anne Platt – harmony  vocals (2,4,7,9,10)
Debrissa McKinney – harmony vocals (6)

Recorded @ Sound Temple Studios in Asheville, NC
Recorded & Mixed by Robert George
Produced by Amanda Anne Platt
Co-Produced by Robert George & Taylor Martin

For more information and tour dates, please visit www.TaylorMartin.org and www.facebook.com/taylormartin.org and www.twitter.com/song_dogs.

 

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Amanda Anne Platt & The Honeycutters Play Salvage Station on Friday, July 20
opener tba
$15 adv/ $18 dos
468 Riverside Drive, Asheville, NC
www.salvagestation.com/events2/2018/7/21/amanda-anne-platt-and-the-honeycutters

ASHEVILLE, NC —  Lyrically driven, the songs of Amanda Anne Platt & The Honeycutters blend the band’s old-school country roots attitude with their shared influences of rock and folk. Based in Asheville, North Carolina, Amanda Anne Platt is a storyteller by nature with an incredible band backing her. Performing along Platt, The Honeycutters are Matt Smith on pedal steel and guitar, Rick Cooper on bass, Josh Milligan on drums and harmony vocals, and Evan Martin on keys and guitar.

There is an empathetic and charming wit ingrained in Platt’s songwriting. She has a knack for accessing a deep well of emotion and applying it to her story-telling, whether she is writing from her own experiences or immersing herself into the melody of emotions in another person’s life.

Music City Roots’ Craig Havighurst writes, “She’s soothing (even in the hurtin’ songs) and sobering (except for the drinkin’ songs) and nuanced in a way that I think tops even those rather famous ladies of the moment named Margo and Kacey… I’d be hard pressed to find a finer string of recordings from any band working in the classic country/mountain tradition in these last five years.”

A homegrown entity, the band is critically acclaimed locally, regionally, nationally, as well as overseas. Their most recent album Amanda Anne Platt & The Honeycutters [Organic Records 2017] placed #2 (sandwiched between Jason Isbell and Gregg Allman) in their regional radio station WNCW’s year end listeners poll for 2017! The station’s Music Director Martin Anderson said to No Depression, “Amanda Platt writes songs on par with Lucinda, Isbell, Lauderdale, Hank Sr. In my opinion, anyway.”

“This is a band that does everything right,” says Goldmine’s Mike Greenblatt. “Platt deserves all that might come to her over this, her fifth (and best) album. Backed by pedal steel, electric guitar, keyboards, bass, drums, percussion, and vocal harmony, it’s Platt’s show as she writes, sings and co-produces. Complete with lyrics of introspection with the kind of words you can chew on long after the album ends, it also works on a lighter level by dint of the fact that it just sounds so damn good. Go as deep as you want. It’s all good, as they say.”

Amanda Anne Platt & The Honeycutters received a shout out from Fodor’s Travel Magazine in a write-up about the band’s hometown of Asheville, NC, and a couple of years back they were also featured on XPN World Cafe’s Sense of Place series. In 2017, their music also placed into the Americana Music Association Year End Top 100 list of Americana Airplay for the second year in a row!

For the past ten years Amanda Anne Platt has been singing her original songs with her band The Honeycutters. In that time they have toured all over the United States and (parts of) Canada, as well as making their first trip overseas last summer, playing shows in England and Scotland garnering much praise and many sold out shows, and they made a lot of new friends and fans that they are excited to see again!

The UK’s American Roots’ Magazine Mike Morrison writes, “This is a band whose back catalogue is a match for anyone’s and yet still they’re improving. Modern country music really doesn’t get much better than the highly individual style of Amanda Anne Platt and the Honeycutters.”  

The band is thrilled to have another overseas tour booked for this summer which will take them back to England and Scotland as well as to Ireland, Spain, and The Netherlands from late August through the end of September! They have an Indiegogo campaign currently running to help raise funds to cover the travel costs associated with the trip including round trip airfare to Dublin from the US for 5, internal flights, van and backline (amps, drums) rental, lodging (travelodges, tents, etc), and fuel with a goal aiming to raise $9000 by June 25 which they just surpassed today!

Everyone who donates will gain access to an exclusive (ooo!) tour blog (ahh!) featuring updates and anecdotes from Amanda, as well as photo and video documentation of the band as they experience some inevitable culture shock. Other perks include limited edition tee shirts, handwritten lyrics to an AAP song of your choice, pet portraits (Amanda says, “I don’t claim to be good at drawing, but it will be unique. I can guarantee that.”), CD packages, stickers, drink koozies, and a private House Concert.

Amanda says, “In these crazy days we live in it’s easy to forget that when a song comes on the radio and makes your day a little easier, there were a lot of people involved in getting that song there. However you support the arts, you are making it possible for working artists to keep creating. And when you do that, you are ensuring that this world will continue to have a thriving stream of original art and music. And we all need that!”

Amanda Anne Platt & The Honeycutters are a diamond in the rough, and through their music, travels, the friendships they make along the way, they will continue to bring music straight from the heart to the world.

Watch the official music video for “Birthday Song” https://youtu.be/K168ib7ltTc

Watch the official music video for “Jukebox” → https://youtu.be/T87FD97QNRU

More information at www.TheHoneycutters.com, www.facebook.com/Honeycutters, and www.twitter.com/thehoneycutters.

 

 

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HoneyCov2

Amanda Anne Platt & The Honeycutters New Album
Out June 9 on Organic Records

Country Roots Band from Asheville, North Carolina

Stream or purchase today at all outlets –> https://clg.lnk.to/Lj4Wo

“’Learning How To Love Him’ is a prime example of the new intimacy Platt shares with her audience. Her voice, rising and falling above a simple, spare guitar line, is on display in a way it never has been before.” –Elena See
LISTEN to the song premiere on NPR’s Folk Alley

A coming-of-age song of sorts, ‘Diamond in the Rough’ is a rock-tinged, rootsy track”–Amy McCarthy
LISTEN to the Song Premiere on The Boot

ASHEVILLE, NC — Amanda Anne Platt & The Honeycutters new self-titled album is out today, June 9, on Organic Records. “We’re switching things up a little. After four albums I’ve decided to step out and start using my own name. It’s something that a lot of people have encouraged me to do over the years, and I guess that 2017 just felt right.” says Amanda. “We’re keeping The Honeycutters too because we don’t want to confuse people… really, we’ve always been Amanda Anne Platt & The Honeycutters. I think I’ve just gotten to a place where I feel comfortable enough to be in the spotlight.”

Based in Asheville, North Carolina, Amanda is a storyteller by nature with an incredible band backing her. Performing along with Amanda Anne Platt, The Honeycutters are Matt Smith on pedal steel and Stratocaster, Rick Cooper on bass, Josh Milligan on drums and harmony vocals, and Evan Martin on keys and Telecaster. Lyrically driven, the songs on Amanda Anne Platt & The Honeycutters blend the band’s old-school country roots attitude with their shared influences of rock and folk.

Amanda Anne Platt & The Honeycutters will tour extensively in US this year and are traveling to Europe for the first time this summer. Tour dates and more information at www.TheHoneycutters.com.

Critical Acclaim for Amanda Anne Platt & The Honeycutters:

“Writing with a maturity that belies her early thirties age, Amanda pens tunes about a couple with a 40-year relationship, reflections of a spouse with a terminally ill husband, break-up, strangers, leaving, the music industry, and, of course, love. Platt is as good a songwriter as anyone with an Americana label by their name and that includes Isbell and Lucinda to name just two of them… You will need to listen repeatedly as the album is lengthy and Platt’s lyrics are so damn real and relatable on so many levels.”
Elmore, Jim Hynes

“They… deliver a feisty, witty, hard-knock life realism on their records and this eponymous release, their fifth, is like the continuation of a classic serial novel you just can’t put down… My favorite track is ‘Eden’ and I must have listened to it at least five times because it’s just bloody brilliant, cheeky and slightly heart-wrenching all at once: ‘Don’t keep a TV ’cause the news is always bad and it teaches us to want all the things we’ll never have’ and then the storyteller asks to be let ‘back inside that garden, I won’t eat anything that’s fallen from that goddamn tree.’ —That Mag, Jane Roser

“Platt can find a tune and express it exquisitely with a distinctive voice and a sympathetic band… Her wonderful lyrics seem to be an assessment of the people and circumstances that surround her to find the good bits.”
Americana Music Show, Tony Ives

“Platt opens with the reflective ‘Birthday Song’, warmed in among other things, tasty piano the album is immediately up and running on greased wheels. Blending country with folk and country pop you have Americana music with a capital ‘A’ and it is good!” —Flying Shoes Review (UK), Maurice Hope

“Platt sings like she means it on this country-tinged folk album, and whether or not her nuanced lyrics are drawn directly from real life, they sure sound as if they are… Platt’s vocals convey joy and tenderness and her band provide amiable backup. At its best, this music is on a par with Lucinda Williams’s, which is saying a lot.” —The Morton Report, Jeff Burger

“There is, as with the two before, an easygoing warmth to the album, and a certain kind of knowing. The kind from that comes from being a keen and empathetic observer. From the upbeat ‘Diamond in the Rough’ to the poetic ‘Eden’ to the solemn ‘Long Ride,’ Platt and her band flesh out all that’s real and been missing in country music for lo these many years.”  —No Depression, Amos Perrine

“a gem of an album… The collection combines sharp and emotive songwriting with crisp production values. A successful blend of country roots and honky-tonk, but with a defining Appalachian twist. Above it all hovers Platt’s voice – laconic, sultry, pitch perfect and ultimately charming.” —Listening Through The Lens, Rob Dickens

“Amanda Anne is one of the best songwriters I have ever heard – and I have been listening carefully to music for about 55 years. She writes with her heart and her brain and her observations on life, love and other matters of importance are sparkling …
Her songs get into your blood and become a part of you.”
letter from David Whittaker who commissioned the song “Rare Thing” for his wife Holly

“Amanda is so good it’s ridiculous. I don’t even know what words to use. Her singing, songwriting and presence is unmatched in Americana, Country, Pop… Simply breathtaking.” — Saul Davis: producer (Percy Sledge), manager (Gene Clark, Carla Olson, Phil Seymour).

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Amanda Anne Platt & The Honeycutters Track Listing

1. Birthday Song 4:15
2. Long Ride 3:47
3. What We’ve Got 4:46
4. Diamond In The Rough 4:37
5. Eden 5:33
6. The Guitar Case 4:18
7. Learning How To Love Him 4:17
8. Brand New Start 3:14
9. Late Summer’s Child 3:57
10. The Good Guys (Dick Tracy) 4:38
11. Rare Thing 4:43
12. The Things We Call Home 2:39
13. The Road 2:40

Produced by Amanda Anne Platt and Tim Surrett

Mixing and Mastering by Recording Engineer Scott Barnett at Crossroads Studios in Arden, NC

Stream or purchase Amanda Anne Platt & The Honeycutters here →  https://clg.lnk.to/Lj4Wo

More information at www.TheHoneycutters.com, www.facebook.com/Honeycutters, and www.twitter.com/thehoneycutters.

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Mobile-LogoMErlefest.pngThis year at MerleFest, Donna the Buffalo plays sets on multiple stages:
Watson Stage Saturday Night Jam with Donna the Buffalo and Special Guests!
Sets on the Americana Stage, The Dance Tent, and The Hillside Stage.

Tara Nevins and Jeb Puryear also make an appearance in the Walker Center Stage as part of Docabilly Blues Blowout with Mitch Greenhill, T. Michael Coleman, Jeff Little, Jorma Kaukonen, Jim Avett, and Pat McInerney.
See DtB’s Full MerleFest Schedule Below

www.donnathebuffalo.com
www.merlefest.org

Known as one of the most dynamic and determined bands continuously touring America for nearly thirty years, Donna the Buffalo has created a community environment at their shows through their distinctive, groove-heavy, and danceable music. With roots in old time fiddle music that evolved into a soulful electric American mix infused with elements of cajun/ zydeco, rock, folk, reggae, and country, Donna’s music often contains social and moral responsibility as core beliefs, and they are just simply fun to get out and celebrate life with.

DtB_2013_byBillDavis

“Donna the Buffalo… amazing swirl of squeezebox, Hammond organ, fiddle and pulsing electric guitar… Their hippified Zydeco sound first reached my eager ears at MerleFest ages ago when they were stirring the Dance Tent into a swirl of sweat and energy,” says Music City Roots’ Craig Havighurst. “They’re as fine a band for close listening as they are for a party – a sound that’s been honed and practiced since 1989. Jeb Puyear and Tara Nevins share vocal and songwriting duties with he on Stratocaster and she on fiddle or sometimes Cajun rubboard. They don’t make news very often; they just play and tour and play and tour.

Donna the Buffalo first started playing MerleFest in 1994. It was the year the entrance was moved to it’s current location and new stages (like the Dance Tent) were added to help the growing festival. Learn more about the event’s history at Wilkesboro Journal-Patriot in their 2012 History of MerleFest series.

In 2000, MTV.com wrote, “Along with such true-bluegrass names as Ralph Stanley & the Clinch Mountain Boys, Sam Bush, and Laurie Lewis & Her Bluegrass Pals, some odd monikers show up on the schedule for this weekend’s MerleFest in Wilkesboro, NC… Odd as in Donna the Buffalo… Bands such as Donna the Buffalo… have often found themselves at odds with folk purists, but they’ve been accepted over the years at MerleFest and are just now finding summer homes at other festivals.”

“I think the festivals have broadened their scope. MerleFest was always pretty broad,” Donna the Buffalo frontwoman Tara Nevins said to MTV in 2000. “They’re having us this year for the dance [stage]… we fit because they’re broadening, but we also fit because we have a lot of roots stuff right in there… I feel there’s a thread between all that, whether it’s country, old time — the roots. So it’s exploring the thread between the idea of one world, one music community, one roots thing.”

Mountain Times’ Derek Halsey wrote in 2016, “Donna The Buffalo became a perennial favorite at MerleFest long ago. The rootsy and diverse jamband, based in upstate New York, has made a point of being a part of the North Carolina festival scene over the years and their appearance in North Wilkesboro every April has become a tried and true tradition.”

We love playing in the Dance Tent as it is a fun set,” Nevins said in the interview with Halsey. “It has been a very long time. I can’t remember the first year that we played at MerleFest… We definitely feel like we’re a part of the MerleFest family and we love the festival and always look forward to it.” In 2016 Donna the Buffalo was honored to host the late-night Saturday night Midnight Jam for the first time (Mipso hosts in 2017).

Now, in 2017, this broad range of talent shines through honoring MerleFest’s roots and branches with a stellar lineup that includes, Transatlantic Sessions (hosted by Jerry Douglas and Aly Bain with special guests James Taylor, Sarah Jarosz, John Doyle), The Avett Brothers, Zac Brown Band, Bela Fleck, Marty Stuart & His Fabulous Superlatives, Del McCoury Band, Leftover Salmon, Sam Bush Band, The Earls of Leicester featuring Jerry Douglas, Peter Rowan, Steep Canyon Rangers, The Kruger Brothers, Jorma Kaukonen, The Steel Wheels, Mipso, Scythian, Chatham County Line, Sierra Hull, I Draw Slow, Jim Lauderdale, Bryan Sutton Band, Donna the Buffalo, The Waybacks, David Holt, Pete and Joan Wernick, Chris Jones & The Night Drivers, Claire Lynch, Front Country, The Stray Birds and lots more!

This year at MerleFest, Donna the Buffalo is stacked with sets on multiple stages including closing out the Watson Stage for a Saturday Night Jam with Donna the Buffalo and Special Guests! They also have sets on the Americana Stage, The Dance Tent, and The Hillside Stage. Tara Nevins and Jeb Puryear also make an appearance in the Walker Center Stage as part of Docabilly Blues Blowout with Mitch Greenhill, T. Michael Coleman, Jeff Little, Jorma Kaukonen, Jim Avett, and Pat McInerney.

Donna the Buffalo is Jeb Puryear (vocals, electric guitar) and Tara Nevins (vocals, guitar, fiddle, accordion, scrubboard) joined by David McCracken (Hammond organ, Hohner Clavinet & piano), Kyle Spark (bass) and Mark Raudabaugh (drums). “It’s been really fun with this lineup,” Puryear says. “You get to the point where you’re playing on a really high level, things are clicking and it’s like turning on the key to a really good car. It just goes.”

Their old school purple Eagle tour bus, however, was something that just wouldn’t “go.” Well known to The Herd across the country as the band travels spends over half of each year on the road, they put 1 million miles on the original engine traveling from coast to coast; from their home in Trumansburg on down to Suwannee, from MerleFest to Mcdowell Mountain, from Blue Heron to Grand Targhee, and every fine venue in between. Over mountains, through valleys, across plains, and desert, their bus enables Donna the Buffalo to share their music with you all.

Earlier this year, they successfully funded a new tour bus through GoFundMe raising over $85,000 in just a few weeks. “We thank you all for your continued support, love, and friendship. It means the world to us. We can’t do this without you and we can’t thank you enough. Peace and Love Always,” says Donna the Buffalo.

With their new bus equipped for the road, they have embarked on tour throughout the states and are thrilled to be returning to MerleFest in 2017!

Donna the Buffalo Full MerleFest Schedule:

Friday: Americana Stage: Donna the Buffalo
1:30 PM – 2:15 PM

Friday: Walker Center Stage: Docabilly Blues Blowout with Mitch Greenhill, T. Michael Coleman, Jeff Little, Jorma Kaukonen, Jim Avett, Tara Nevins, Jeb Puryear, and Pat McInerney
3:45 PM – 4:30 PM

Friday: Dance Tent: Freestyle Dance with Donna the Buffalo
5:15 PM – 6:00 PM

Saturday: Autograph Booth: Autograph Session with Donna the Buffalo
12:00 PM – 12:30 PM

Saturday: Creekside Stage: Tara Nevins is joining in on Memories of The Watson Family hosted by T. Michael Coleman with Watson Family Friends
12:00 PM-1:30 PM

Saturday: Dance Tent: Saturday Night Dance Party with Donna the Buffalo
7:00 PM – 8:15 PM

Saturday: Watson Stage: Saturday Night Jam with Donna the Buffalo and Special Guests
9:45 PM – 11:15 PM

Donna the Buffalo will also be part of the Midnight Jam on Saturday in The Walker Center, hosted by Mipso.

Sunday: Hillside Stage: Donna the Buffalo
11:15 AM – 12:00 PM

MerleFest has unveiled the 2017 MerleFest mobile app, now available for download for free. It features the MerleFest lineup and stage schedules, artist biographies, map, announcements, social media links and more.

The app allows users to plan for their entire MerleFest experience. A bonus for MerleFest fans: once downloaded, the app will be fully functional without having connection to phone service. Just visit your app store and search MerleFest and you can have the schedule in your hands before you even get on site!

For more information and tour dates, please visit www.donnathebuffalo.com
facebook.com/donnathebuffalo and twitter.com/donnathebuffalo.

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The Infamous Stringdusters Added To Jam In The Trees This August!

Joining the already stellar lineup:
Acoustic Syndicate, Peter Rowan, Larry Keel, Tim O’Brien, Jim Lauderdale,
Underhill Rose, Ken Tizzard

Friday Night Schedule Announced!

Fri-Sat Aug 25-26, 2017 at Pisgah Brewing Company in Black Mountain, NC
150 Eastside Drive, Black Mountain, NC 28711 | Phone 828.669.0190
Tickets:  www.eventbrite.com/e/jam-in-the-trees-tickets-29283448583

ASHEVILLE, NC — The 2nd Annual Jam In The Trees is thrilled to announce the addition of The Infamous Stringdusters to the lineup which includes some incredible acts that have already been annonced: Acoustic Syndicate, Peter Rowan, Larry Keel, Tim O’Brien, Jim Lauderdale, Underhill Rose, and Ken Tizzard. The 2017 event takes place Friday and Saturday, August 25-26th at Pisgah Brewing Company in Black Mountain, NC. More artists TBA!

Bluegrass virtuosos The Infamous Stringdusters are no stranger to WNC and are excited to return with their new album LAWS OF GRAVITY, which debuted at #3 on iTunes Country Chart and #1 on the Amazon Bluegrass Chart. As first revealed on Rolling Stone Country, the new album marks a return to form for the Grammy-nominated acoustic five-piece. LAWS OF GRAVITY is all new original Dusters music–perhaps the most “Infamous” record they’ve done in their decade together.

Jam in the Trees has also announced the Friday schedule which starts with Ken Tizzard, followed by Underhill Rose, then Larry Keel. Doors at 7, show starts at 8pm, all on the indoor stage.

Gates open Saturday at 12pm, with music starting at 1pm throughout the day until 11pm on the beautiful Pisgah Brewing Outdoor Stage, followed by an “After Hours Jam” on the indoor stage.

Early Bird Tickets available while supplies last. VIP tickets are available for $100 and include Meet & Greets with the bands, a guided brewery tour and tasting, preferred parking, a commemorative event poster and more! Hotel and shuttle information coming soon. Stay tuned to the festival’s new website www.jaminthetrees.com for more information and updates.

JITT is a benefit for Wild Forests & Fauna (WildFF) and last year’s inaugural event raised $5000 to protect, restore and support threatened forests and wildlife in Western North Carolina. Relive some of the wonderful moments of 2016 through photos of the event by David Simchock Photography at www.frontrowfocus.com.

“At WildFF, our Big Tree Project that leverages outreach education and reforestation to protect forests in Western North Carolina and around the globe,” WildFF’s Executive Director Benjamin Colvin says, “Since JITT, the Big Tree Project has grown and has even sparked a relationship with ABTech and local company ArborZen to restore a razed site with over 500 native trees. We are thrilled to be a part of this and can not wait for Jam in the Trees 2017!”

JITT is now accepting art vendor applications for Jam In The Trees 2017. JITT is booking non-food vendors only; if you are a food vendor interested in being a part of JITT, please contact Pisgah Brewing directly. Here is the link to the Art Vendor Application: http://bit.ly/JITT_ArtVendorApp_2017.

Lifelong resident of Asheville and President of Jam In The Trees, LLC, Laurel York, says, “We hope the ‘jamsters’ will come out again in 2017 for an even better event than last year and show their support for their great cause!”

Jam in The Trees 2017:
The Infamous Stringdusters
Acoustic Syndicate
Peter Rowan
Larry Keel
Tim O’Brien
Jim Lauderdale
Underhill Rose
Ken Tizzard

More information about Jam in The Trees can be found at www.jaminthetrees.com, www.facebook.com/JamInTheTrees, www.twitter.com/jaminthetrees, and www.instagram.com/jaminthetrees.

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The 2nd Annual Jam in The Trees Announced Initial Lineup:

Acoustic Syndicate, Peter Rowan, Larry Keel, Tim O’Brien,
Jim Lauderdale, Underhill Rose, Ken Tizzard


Fri-Sat Aug 25-26, 2017 at Pisgah Brewing Company in Black Mountain, NC
150 Eastside Drive, Black Mountain, NC 28711 | Phone 828.669.0190
Tickets:  www.eventbrite.com/e/jam-in-the-trees-tickets-29283448583

ASHEVILLE, NC — The 2nd Annual Jam In The Trees is thrilled to welcome Acoustic Syndicate, Peter Rowan, Larry Keel, Tim O’Brien, Jim Lauderdale, Underhill Rose, Ken Tizzard to the stage for the 2017 event taking place Friday and Saturday, August 25-26th at Pisgah Brewing Company in Black Mountain, NC. More artists TBA!

Early Bird Tickets available while supplies last. VIP tickets are available for $100 and include Meet & Greets with the bands, a guided brewery tour and tasting, preferred parking, a commemorative event poster and more! Doors open at 7pm on Friday for shows on the indoor stage. Gates open Saturday at 12pm, with music starting at 1pm throughout the day until 11pm on the beautiful Pisgah Brewing Outdoor Stage, followed by an “After Hours Jam” on the indoor stage. Hotel and shuttle information coming soon. Stay tuned to the festival’s new website www.jaminthetrees.com for more information and updates.

JITT is a benefit for Wild Forests & Fauna (WildFF) and last year’s inaugural event raised $5000 to protect, restore and support threatened forests and wildlife in Western North Carolina. Relive some of the wonderful moments of 2016 through photos of the event by David Simchock Photography at www.frontrowfocus.com.

“At WildFF, our Big Tree Project that leverages outreach education and reforestation to protect forests in Western North Carolina and around the globe,” WildFF’s Executive Director Benjamin Colvin says, “Since JITT, the Big Tree Project has grown and has even sparked a relationship with ABTech and local company ArborZen to restore a razed site with over 500 native trees. We are thrilled to be a part of this and can not wait for Jam in the Trees 2017!”

“Jam in the Trees fit like a glove in our beautiful amphitheater, and we couldn’t be more excited to partner with this organization again in support of our most precious forests and natural resources in 2017. It’s a real win-win!” says Benton Wharton, Events/PR Director for Pisgah Brewing.

JITT is now accepting art vendor applications for Jam In The Trees 2017. JITT is booking non-food vendors only; if you are a food vendor interested in being a part of JITT, please contact Pisgah Brewing directly. Here is the link to the Art Vendor Application: http://bit.ly/JITT_ArtVendorApp_2017.

“We are incredibly excited to be working in 2017 in support of our mission of philanthropy, music, and community as we bring Jam In The Trees back to Pisgah Brewing with a portion of the event proceeds once again going to Wild Forests and Fauna.” Lifelong resident of Asheville and President of Jam In The Trees, LLC, Laurel York, continues, “We hope the ‘jamsters’ will come out again in 2017 for an even better event than last year and show their support for their great cause!”

Jam in The Trees 2017 Initial Lineup:
Acoustic Syndicate
Peter Rowan
Larry Keel
Tim O’Brien
Jim Lauderdale
Underhill Rose
Ken Tizzard

More information about Jam in The Trees can be found at www.jaminthetrees.com, www.facebook.com/JamInTheTrees, www.twitter.com/jaminthetrees, and www.instagram.com/jaminthetrees.

 

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Out Today 11.11 Balsam Range Casts Acoustic Spells with ‘Mountain Voodoo’
Get it at iTunes, Amazon, and morehttps://clg.lnk.to/3OSAZ

Stream the album at The Bluegrass Situation www.thebluegrasssituation.com/read/stream-balsam-range-mountain-voodoo

Asheville, NC — Casting Acoustic spells, Balsam Range releases their sixth album, Mountain Voodoo, on November 11, 2016 on Mountain Home Music Company. The band thoughtfully and respectfully adopted the name of a majestic range of mountains that surrounds part of their home county of Haywood, NC where the Smokies meet the Blue Ridge, the Balsam Range. Mountain Voodoo is like the book of life “Chapter Six” for the band; 13-tracks filled with songs of journey, home, sense of place, hardcore drive, and longing.

“Balsam Range can lay down that stomping bluegrass as well as any band but the ballads clearly set them apart. They also add just the right touch of contemporary to their sound, separating them from so many who play that old-timey sound.” Elmore Magazine’s Jim Hynes continues, “The spirit and ambience of the mountains, as seen in CD cover art with the smoky haze set against the fir trees, not only imbues their sound but seems to create a kind of magical intrigue when you listen to ‘I Hear the Mountains’ and some of the others.”
Since the band’s inception in 2007, they have left a trail of success towards the top of the Bluegrass World. One of the genre’s most award winning artists in recent years garnering ten International Bluegrass Music Association Awards to date with five critically acclaimed albums, Balsam Range have made multiple Grand Old Opry appearances, were presented by the Governor of North Carolina the NC Order of the Long Leaf Pine in 2015 for a “proven record of extraordinary service to the state, and extra effort in their careers”, and were the first band to play at the NASCAR Hall of Fame in Charlotte, NC in 2010. They have left audiences spellbound, and now Balsam Range is offering something that is sure to continue to mesmerize fans of Bluegrass and beyond with Mountain Voodoo.

“To be sure, Balsam Range fronts a traditional bluegrass sound, but Mountain Voodoo displays depth and texture not found in contemporary straight-ahead bluegrass groups.” Country Standard Time’s Fred Smith says, “They wear it well, and Mountain Voodoo is a fine snapshot of Balsam Range today.

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Balsam Range. Photo by David Simchock

Balsam Range is comprised of five gifted friends who all hail from Western North Carolina. Tim Surrett delivers entertaining MC work as well as seasoned lead and harmony singing. Tim plays bass and he will occasionally share his talents on the resonator guitar. He charms with spontaneity, wit and professionalism. A stellar fiddler, Buddy Melton is also one of the most gifted tenor voices in Bluegrass and Americana today. His range and tone give Balsam Range its identifying sound. With his envied guitar style, Caleb Smith has been called “one of the top young guns of guitar.” He sings with both power and control, delivering a high energy song or a tender ballad with equal vocal skill. Darren Nicholson is a gifted mandolin player and harmony singer with tremendous enthusiasm for American heritage music. That twinkle in Darren’s eye says it all. He is usually up to something! Grammy Award winner, Dr. Marc Pruett brings more than 40 years of entertainment experience to the group. He brilliantly complements the ensemble with the intuitive, traditional three finger style that has made him one music’s most admired banjo players.

“They kick the album off with a bang.” No Depression’s Frank Gutch Jr. says, “Pure (what they at one time called) Newgrass, the kind of stuff on which Tony Rice and Ricky Skaggs based their reputations. Acoustic guitar (mostly picked), bass, mandolin, fiddle and banjo, and voices. The voices are crucial. You can jig and reel and you can breakdown without vocals but you cannot have the best of what bluegrass offers without voices. Think Seldom Scene and Doyle Lawson. Think harmonies sung by angels. Think harmonies stacked to the ceiling.”

There are multiple songs written by Balsam Range “staff writer” Milan Miller, including the catchy opening track, “Something ‘Bout That Suitcase,” which Miller penned along with Beth Husband. Buddy Melton, a longtime fan of lyrics that make you think, says, “‘Suitcase’ is a song we can all relate to and one that will at least have you looking around the airport terminal with curiosity the next time you fly the friendly skies.”

Mountain Voodoo is thematic of life in Western North Carolina, from the harmonically sentimental melodic “I Hear the Mountains” [Milan Miller, Davis Raines], to the the mystical deep jam of “Voodoo Doll” [Jeb Stuart Anderson], to the Honky Tonk of “Hello Heartache” [Milan Miller, Glenn Simmons], to the rip-roaring banjo led “Chain Gang Blues” [Marvin C. Davis] the sacred and soothing “Rise and Shine” [Mark Bumgarner, Aimee Bumgarner] the Gospel inspired and powerful “Wish You Were Here” [James M Stover, Michael C Williams], the vividly picturesque “Eldorado Blue” [James Ellis, Milan Miller], to the groovy “The Girl From The Highlands” [Milan Miller, Thomm Jutz], and the emotionally powerful “Lines In The Sand” [Craig Market, Barry Bales].

“’Blue Collar Dreams [is] a hard-luck, hard-workin’ song from Aaron Bibelhauser, sung as a duet by Caleb Smith and Buddy Melton. And in true bluegrass style, this workin’ man’s blues is presented with a cheerful, upbeat sound,” says John Lawless with Bluegrass Today. Watch a video of Balsam Range performing the song in studiohttp://bluegrasstoday.com/blue-collar-dreams-video-from-balsam-range/

Elements of jazz, country, gospel, swing, and old-time music are all infused into the fresh sound of this unique Southern band. It’s five distinct personalities creating one remarkable musical experience. It’s the award-winning Balsam Range and they are excited to bring Mountain Voodoo to the world.

For more information, tour dates, and more, please visit www.balsamrange.com.
Stay up to date with current news on
www.facebook.com/balsamrange, www.twitter.com/BalsamRange, and www.instagram.com/balsamrange.

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