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Posts Tagged ‘post-apocalyptic’

Tara Nevins is sharing the song “Stars Fell on Alabama” from the new album Wood and Stone. This is Nevins’ version of the jazz classic. She was commissioned to rewrite this song for the soundtrack to “20 Years After” a post-apocalyptic movie directed by Jim Torres in Huntsville, Alabama.

“‘Wood and Stone’ is strangely hypnotic at times, with its mesmerizing rhythms and Nevins’ relaxed but commanding delivery. The beautifully dark “Tennessee River” and her cover of the jazz standard, ‘Stars Fell On Alabama,’ are entrancing and highlight Nevins’ beautiful voice” – Boone Mountain Times

Listen to “Stars Fall on Alabama”

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“Opening with a mournful fiddle and Rose Sinclair’s poignant banjo and even though I am familiar with at least two dozen other renditions of the song, it’s as though I heard it for the first time. It is stunning in its quietness.” – Amos Perrine, No Depression

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TaraNevins.com

You can also find Tara on facebook  facebook.com/TaraNevins

and DonnaTheBuffalo.com


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Wood and Stone is available at:
iTunes: http://www.itunes.com/taranevins
Amazon: http://amzn.to/lcEglg

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“Larry has taken Tara’s music to an entirely higher level, if this doesn’t turn into an award winner they’ll have been cheated!” – Hudson Valley Bluegrass Association “as invigorating as it is mesmerizing.” – Amos Perrine, No Depression

“Campbell and Nevins work some real magic here”  – Hyperbolium

“The sound is both loose and tight at the same time; the band knows how to walk that line and let Nevins be herself. To put it simply, it just plain works.”  – Brian Robbins, Jambands.com

“As much as I have listened to “Mule to Ride” during the past twelve years, I, like many other Donna fans,  have also yearned to hear Tara in her own voice, on her own terms. The new album is just that — and more.” – Amos Perrine, No Depression

“‘Stars Fell On Alabama’ is Tara’s version of an old standard, while ‘Tennessee River’ sounds like she’s written a new standard.” – Hudson Valley Bluegrass Association

“The pedigree of the album is staggering.  Start with Nevins, who has been an integral member of DTB since its formation in 1987, and add producer Larry Campell along with guest performers Levon Helm, Jim Lauderdale, Allison Moorer, and Teresa Williams, and you get a record that is as solid as the building materials mentioned in the title.” – Fifty Cent Lighter Blog

“‘What Money Cannot Buy’ and ‘The Wrong Side’ are two different versions on ‘I’ve been wronged”’ songs, the latter being one of the most upbeat sounding takes on breaking up that I’ve ever heard.” – Hudson Valley Bluegrass Association

“But even that great track [The Wrong Side] did not prepare me for what comes next, the only song Tara did not write, the jazz vocal standard, “Stars Fell on Alabama.” Opening with a mournful fiddle and Rose Sinclair’s poignant banjo and even though I am familiar with at least two dozen other renditions of the song, it’s as though I heard it for the first time. It is stunning in its quietness.” – Amos Perrine, No Depression

“If you like the fiddle, in almost all it’s various forms, and want to wade into something with country, old time, zydeco, cajun, and maybe even some bluegrass touches, you couldn’t do better than to start with this CD.” – Hudson Valley Bluegrass Association

“her songs stretch out across all her influences, including fiddle- and steel-lined country, second line rhythms and the Cajun sounds of her earlier band, the Heartbeats.”  – Hyperbolium

“… her music takes on the spirit of the [Levon Helm] Barn like a well-worn and cozy Gypsy jacket that was tailored to her shoulders.” – Brian Robbins, Jambands.com

“Producer Larry Campbell fits each song with a unique groove and adds superb electric and pedal steel guitar. The girlishness in Nevins’ voice and the layering of double-tracked vocals add a hint of the Brill Building, which is a terrific twist on the rustic arrangements.”  – Hyperbolium

“… Riding high from producing two Grammy Award winners for Helm, Campbell keeps things bright and tight without giving up intimacy.  And, that’s the charm of this album, the sense of getting a peek into Nevins’ splendid soul and her vast woodsy song repertoire.” –Billing Gazette

“soulful country groove” – Hyperbolium


“‘Wood and Stone’ is strangely hypnotic at times, with its mesmerizing rhythms and Nevins’ relaxed but commanding delivery. The beautifully dark “Tennessee River” and her cover of the jazz standard, ‘Stars Fell On Alabama,’ are entrancing and highlight Nevins’ beautiful voice” – Boone Mountain Times

“The lyrics cast an eye on relationships that refuse to live up to their potential, with music that underlines the certainty of a woman who will no longer suffer others’ indecision, inaction or infidelity.”  – Hyperbolium

“‘Wood and Stone’ is not emotionally-wrenching, rather it is a wise retrospective of the joys and sorrows of love. Nevins’ writing isn’t that of an angry divorcee, so don’t expect the album to be a diatribe on men. Her writing is a reflection of experiences to which anyone can relate.”  – Boone Mountain Times

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