There is a Kickstarter Campaign running now through June 18th to finish the post-production of the film, Mother’s Red Dress.
The film experience is one of the few art forms that exist where people’s lives can be emotionally affected on a personal level. Films like the Academy Award nominated PRECIOUS show us a dark world but at the same time carry a message of hope that inspires.
Latino writer/directorEdgar Michael Bravo and John Paul Rice formed No Restrictions Entertainment because they enjoy telling stories that are both entertaining and deal with social issues.
They are seeking funds to finish MOTHER’S RED DRESS a social issue feature film now in post-production.
The film deals directly with the effects of domestic violence, childhood abuse and mental illness – issues we feel are important to shed light on – for the positive change that can come from awareness and action in our communities.
The story is inspired by people they know and from their own personal experiences.
Their motivation to tell the story of MOTHER’S RED DRESS comes from an understanding that far too often abuse goes unreported for years and is kept secret either willfully or with a great measure of denial but when addressed and stopped, there is hope for the victims.
I am pleased to introduce Hand Me Down: Bestowing Our True Inheritance through Life, Lessons and Legacy, a production of Barrie Barton’s Community Choreography, taking take place at the Diana Wortham Theatre on Friday, April 15th and Saturday, April 16th, 2011. A portion of the proceeds will be donated to the Bereavement Center at CarePartners Hospice and Pallative Care.
Hand Me Down, Bestowing Our True Inheritance Through Life Lessons and Legacy, a production by the Community Choreography Project, is a collage of personal stories woven around themes of “home” and “legacy.” As Barrie Barton, choreographer of the production, puts it: Hand Me Down is a showcase of movement theater that strives to “take artistic expression away from the experts and give it back to all of us.”
The theme for the show was inspired after Barton left her job of 22 years, working as a dance teacher with Buncombe County Schools, and after she turned 50. “It seemed like a time to look at what I had contributed to my community,” she says, reflecting on the thought that set her fourth community production into motion.
Photo by Doc Klein
Working closely with a cast of 16 — with actors ranging from age 34 to 64 — Barton asked everyone to consider a set of questions: Where do you come from? What is home? What do you carry through this world? What do you hope to leave behind? From here, a community dialogue was sparked — providing a foundation for the production as a whole.
Creating an original score as a team, and thinking deeply about these questions, however, is no easy task. For the past seven months, the cast has been hard at work examining these ideas through creative writing, conversation and free-form movement, trimming material down as they go and pairing it with expressive dance and spoken-word/prose poetry.
“Legacy,” for example, explores the meaning of names. “There is a lot of significance around our names,” says Barton. “Some people are juniors and some are seniors; some people are given a family name. I’m Jewish, so I was given a Hebrew name. Names are changed when we marry and when we divorce.”
As she speaks, Barton looks to a dancer moving through the rehearsal space at Jubilee Community Church. The dancer lifts her arms quickly and lets them fall slowly back to her side. “This woman has gone through multiple divorces, and talks about her family tree as if it’s been hit by lighting — splitting into all these [fractured] sections,” Barton says. “But, when you sew all of these stories together, it [creates a] quilt, a beautiful collage of stories.”
The hope is that audience members will recognize a piece of their life story, home or legacy when watching these vignettes. As Barton says of her experience guiding this production: “People have these stories — these experiences in their life that they think only happen to them, and there’s this liberating feeling when realizing they are not alone.”
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Hand Me Down promises to create a space where people can see themselves — their struggles, hopes, aspirations and fears — through the stories and lessons shared by others. “These common themes will unite us,” says Barton. “Here, you come to watch yourself.”
FOAM and HATCH Present the 4th annual MUSIC VIDEO ASHEVILLE to showcase the pairing of Asheville musicians and filmmakers. We are thrilled to announce this year’s Music Video Asheville is presented by HATCH and sponsored by Music Allies, Creative Allies, Echo Mountain Recording, and fiscal sponsor The Media Arts Project. The MVA Mission is to increase the awareness and appreciation of Asheville musicians and filmmakers/ videographers by showcasing their collaborative works in a public event. The MVA screening is open to the public and takes place on Wednesday, April 13th, 2010 at the Fine Arts Theater in downtown Asheville starting at 7pm. Tickets are available now for $6 each at the Fine Arts Theater, Mamacitas, Static Age, Harvest Records, and Orbitz DVD.
Music Video Asheville will be highlighting the music video achievements of Ben Lovett and featuring amazing animation video “Eye of the Storm” (See below). MVA is honored to have Lovett give a Q&A session during the event. MVA has invited the producers of his three videos to come and speak as well.
MVA’s partnership with HATCH and Music Allies has landed MVA some exciting judges for the “Best of Music Video Asheville 2011 Award.” MVA’s guest panel will include the following mentors from HATCH: Malcolm Campbell – Publisher of Spin, Sean O’Connell – Founder of Music Allies and Creative Allies, Crissa Requate – Director of Publicity Music Allies, and Tor Hansen – Founder Red Eye Distribution / Yep Roc Records. All their bios are on the hatchexperience.com site.
Music Allies has generously offered a $500 cash prize for the Best of MVA winner and Echo Mountain Recording Studio has offered a full day in the studio for the runner up. The other big prize is the “Crowd Favorite Award” which will receive a large portion of the ticket sales to the event! The MVA Submission Board will give a series of honorable mention trophies for outstanding work as well.
Artists that have submitted to this year’s MVA include: Ben Lovett, Acoustic Syndicate, Agent 23 Skidoo, Aaron Woody Wood, Stephanie’s id, Mad Tea Party, Jar-e, Jonathan Scales Fourchestra, Rock Eblen, Enemy Lovers, Alisa Kumba, Kovacs and the Polar Bear, Jen and the Juice, Brian McGee, Juan Holiday, Chompin at the Bit String Band, Now You See Them, Ten Cent Poetry, Quetzatl, GalaxC Girl , Serious Clark, and many more… See them all on the big screen…
More info about film mentor, Ben Lovett’s ‘Eye of the Storm’:
“The self-released first single, “Eye of the Storm,” showcases Lovett’s uncanny knack for storytelling and production with its haunting vocals and acoustic guitar expertly melded with somber cello and violin into a lush watercolor of sound. The song’s visual counterpart, directed by Chris Alender of Soapbox Films, is a stunning steampunk masterpiece that became a viral sensation, generating over 2 million plays in its first month.” ~ http://themusebox.net/lovett:
“Set in a visually arresting steampunk world, ‘Eye of the Storm’ is the epic tale of a lonely sky captain who must literally and figuratively brave a raging tempest in order to find his salvation on the other side. Featuring the music by Lovett” ~ http://atlanta.bside.com/2011/films/eyeofthestorm_christopheralender_atlanta2011
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