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Chatham County Line Announces Fall Tour 2014
Performing at IBMA’s World of Bluegrass

New Album, Tightrope, Released Through Through Yep Roc Records

“Chatham County Line is much more than your average banjo-playing, fiddle-fueled combo… they infuse their music with a seemingly effortless accessibility capable of connecting them with a broader Americana audience.”
–Blurt Magazine, Lee Zimmerman

Chatham County Line on Tour:
9/13 Sat – Mountain Song Festival – Brevard, NC
9/26 – Fri – Greenfield Lake Amphitheatre – Wilmington, NC
9/27 Sat – Charleston Music Hall –  Charleston, SC
10/1-3 Wed-Fri – IBMA World of Bluegrass – Raleigh, NC
10/10 Fri – Neighborhood Theatre – Charlotte, NC
10/11 Sat – Terminal West – Atlanta, GA
10/14 Tue – Rockwood Music Hall – New York, NY
10/15 Wed – The Parlor Room –  Northampton, MA
10/16 Thu – Infinity Hall – Norfolk, CT
10/17 Fri – The Press Room – Portsmouth, NH
10/18 Sat – Brighton Music Hall – Boston, MA
11/14-23 European Tour
www.chathamcountyline.com

Entering their second decade as an ensemble, Chatham County elegantly reconcile the past and future, tradition and innovation, on the fittingly titled Tightrope, released May 20, 2014 on Yep Roc Records. The sixth studio album from the Raleigh-based four-piece follows 2010’s winsome, soulful Wildwood and the career-spanning concert album and film undertaking Sight & Sound, which was released in 2012. “With anything you’ve done for a while,” Wilson explains, “a period of reflection helps you identify your strengths. Doing the live album did that, and in a way, we do that every night with the songs we choose to play at a live show. We usually don’t use set lists, we just play the songs that come to mind. That really helped us prepare for this record.”

Chatham County Line is currently on tour with Tightrope and will be performing at Steep Canyon Rangers’ Mountain Song Festival this weekend before embarking on the Fall 2014 later in September. The Fall tour kicks off on the East Coast with shows at the Greenfield Lake Amphitheater (Wilmington, NC) and Charleston Music Hall (SC). In early October they perform in their hometown of Raleigh, NC for IBMA’s World of Bluegrass before shows at Neighborhood Theatre (Charlotte, NC) and Terminal West (Atlanta, GA). In mid-October they travel North to Rockwood Music Hall (New York City) and The Parlor Room Northampton, MA. The tour finale is at Brighton Music Hall (Boston, MA). In November Chatham County Line flies overseas for a two week European Tour.

As part of the band’s unbridled excitement for year two of IBMA in their hometown of Raleigh, they have made a video for their song “Living in Raleigh Now.” The song will be available September 23rd on all digital platforms and they will have a special Cassette/Download package available at upcoming shows.

CCL_Tightrope_300Stirring, provocative, and disarmingly poignant, Tightrope was born out of a year’s worth of intense focus, during which the band examined their own legacy while carefully honing new material. All the while, the band’s four members – Dave Wilson (guitar), John Teer (mandolin, fiddle), Chandler Holt (banjo), and Greg Readling (bass, pedal steel, piano) – welcomed spontaneity and the sometimes palpable will of the songs themselves into the process.

“There’s a lot of growing up in this record,” muses Dave Wilson, Chatham County Line‘s vocalist and guitarist. “The next generation is coming. We’re maturing in this world and seeing things through a different set of eyes – and that materializes in a lot of these songs…”

Produced by Wilson and Chatham County Line, Tightrope benefits from an unusually rich, resonant sound that blends each member’s contributions into a powerful, dynamic whole. The  poetic insight of the album’s eleven original songs is grounded by Chatham County Line’s ongoing commitment to classic stringband instrumentation.

Chatham County Line allowed some songs to emerge out of informal jams or nascent fragments of melody. “Songs like ‘Should Have Known Better’ and ‘Ships at Sea’ were based on ideas that Teer had,” Wilson explains. “We’d have instruments and mics set up, record the idea, and people would take the recording home and dissect it. We recorded them informally three or four times until we got something that could fit and make sense with what we do. It’s those songs that we listen to the most now, because they were such spur-of-the-moment creations.”

Above all, Tightrope reinforces the deep bond shared by the members of Chatham County Line. The lineup has consisted of the same four men for ten years now, giving them an unusually solid foundation. They have grown up together, weathered storms together, and performed around the world – resulting in a vital, instinctive collaborative sensibility and deep reserves of trust. “This band really started out of a couple of friendships,” Wilson concludes. “I was buddies with Greg, and John and Chandler were really tight. We came together by chance. You can’t just rotate a guy out and replace him when you have these friendships and do this kind of original material. It’s become something larger than that. It’s a big train we’re riding on and everybody’s enjoying the ride.”

Watch the Music Video for the song “Tightrope of Love” ->

For more information and updates from the road, please visit www.chathamcountyline.com.

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Sturgill Simpson Tours the Southeast
New Album: High Top Mountain

9916Sturgill’s hitting some GREAT towns in the SouthEast…
Wed 9/4 – Asheville, NC – The Altamont Theatre
Thu 9/5 – Chattanooga, TN – Scenic City Roots
Fri 9/6 – Louisville, KY – The New Vintagee
Sat 9/7 – Knoxville, TN – Barley’s Knoxville
Sun 9/8 – Atlanta (Decatur), GA – Eddie’s Attic
Mon 9/9 – Athens, GA – Georgia Theatre
Wed 9/11 – Charlotte, NC – The Evening Muse
Thu 9/12 – Raleigh, NC – The Pour House Music Hall
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sturgill-simpson-high-top-mountainNashville sounds like Nashville again on High Top Mountain, the debut release from singer-songwriter Sturgill Simpson. From furious honky-tonk and pre-outlaw country-rocking to spellbinding bluegrass pickin’ and emotional balladry, the album serves as a one-stop guide to everything that made real country music such a force to be reckoned with. Pure and uncompromising, devoid of gloss and fakery, High Top Mountain’s dozen instant classics evoke the sound of timeless country in its many guises and brings back the lyrical forthrightness and depth that permeated the music Simpson absorbed during his Kentucky childhood.

“…this is GOOD COUNTRY. You know, the kind cut from the same mold as Waylon, Willie, and Johnny. ..outlaw, gritty, country-rock with a shot of bourbon (no ice.) …We’re glad he gave up the railroad and got back to writin’ songs. There is something here for sure. Something I think any music lover (country or not) can appreciate.” —MOKB Presents

“’The most outlaw thing that I ever done is give a good woman a ring,’ sings Simpson on ‘Life Ain’t Fair And The World Is Mean,’ off his new album, High Top Mountain, which mostly works to subvert the outlaw myth. Not that Simpson disdains outlaw’s forefathers, but High Top Mountain tells his own story. He started recording it in mid 2012, laying down tracks at Hillbilly Central and other studios in Nashville with players like ‘Pig’ Robbins on piano and Robby Turner on pedal steel. Simpson says the record is an effort to ‘capture the music my grandfathers played.’ The album is named after a cemetery where many of Simpson’s family members are buried, near his family’s home in the Appalachia coal town of Jackson, Kentucky. The town is on the Kentucky River in Breathitt County, about 50 miles south of Sandy Hook, where Keith Whitley was born, and also not far from Cordell, where Ricky Skaggs was born. ‘I love it. In my heart it will always be home,’ says Simpson” —Davis Inman, American Songwriter

For more about Sturgill Simpson and further tour dates, please visit: http://sturgillsimpson.com.

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Kellin Watson will be sitting in with old friends The Duhks, as a guest vocalist for two shows this February. With Tania Elizabeth on Fiddle and Scott Senior on percussion, Jordan McConnell on guitar and Leonard Podolak on Banjo and vocals it will be almost all of the original members of The Duhks! It will be a special night, but if you can’t make it, be sure and help us spread the word to others in or around the Raleigh or Spindale area.

Spindale, NC
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The most vital acoustic music being made today acknowledges its predecessors and lives in the here and now. The Duhks, a band of skilled, high-energy, tattooed musicians from Winnipeg, Manitoba, have been riveting audiences and winning staunch fans around the world with just that kind of music. The Boston Globe says about them, “Canada’s premier neo-tradsters romp from world-beat to blues, urban-pop to old-timey, with wild-eyed invention, haunting traditionalism, and spine-rattling groove. Who says the Frozen North can’t sizzle, eh?”
NPR says, “The inventive Canadians in The Duhks are widely beloved for their smooth blend of traditional roots music and soul, which they inject with well-placed Afro-Cuban and Celtic influences.” Ultimately though, according to band founder and claw-hammer banjoist Leonard Podolak, the Duhks “just want to play music that speaks to everybody.” Mission accomplished.

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Kellin Watson is a internationally-touring singer-songwriter, whose award-winning sound blends elements of blues, pop, folk, and soul. Hailing from Asheville, NC, Kellin draws on her Appalachian roots to bring both power and rawness to her music. “There are a lot of common talents in the world, but there are very few rare talents. I feel that Kellin is a rare, uncommon talent. Her songs have the ability to take someone gently by the wrist and tell them a story…”  states Billy Corgan of The Smashing Pumpkins. The Charlotte Observer calls her, “Jazzy soul and swinging pop comparable to Fiona Apple or a less folksy Ani DiFranco, Watson has an endearing stage demeanor and a killer voice, not to mention soulful songs that don’t fit in any particular box.” Keep an eye out for her 2011 release “Halo of Blue.”

www.duhks.com
www.kellinwatson.com

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Have you Herd? Countdown to Midnight with Donna The Buffalo 2010-2011

First Night Raleigh
Friday, December 31st, 2010
set time: 10:30 – Midnight
Main Stage – Site 26
The $9 First Night Raleigh Admission Button grants you access to every venue and every activity.
All Ages
City Plaza – Downtown
Raleigh, NC

The countdown is underway to First Night Raleigh 2011 — marking 20 YEARS as central North Carolina’s best and biggest New Year’s Eve celebration. Festivities will begin at 2:00 on December 31, 2010 with the Children’s Celebration, followed by the People’s Procession down Fayetteville Street, an Early Countdown at 7:00 and Evening Performances of music, dance, comedy, interactive activities and more in two dozen venues throughout downtown Raleigh.

Donna the Buffalo is happy to be ringing in the New Year with the countdown to midnight at First Night Raleigh this year! The day’s events look to be fantastic and others on the lineup include Tropic Culture, Danny Paisley & The Southern Grass, Comedy Worx, Holy Ghost Tent Revival, Chuck Davis and the African American Dance Ensemble, Mandolin Orange, Lenny Marcus Trio, Transactors Improv Company, the First Night Light Circus and many more!

Fireworks at Midnight and appearance by Ira David Wood III, actor and Executive Director of Raleigh’s Theatre in the Park, sponsored by goLiveWorkPlay.com

For complete festival details, performer schedules and admission buttons go to firstnightraleigh.com. Ring in 2011 with 40,000 of your closest friends at FIRST NIGHT RALEIGH!



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Acoustic Syndicate


The Lincoln Theater ~ Raleigh, NC
Friday, November 26th, 2010
 

&

The Orange Peel ~ Asheville, NC
Saturday, November 27th, 2010


Acoustic Syndicate is:
Steve McMurry: Acoustic guitars, mandolin, vocals.
Bryon McMurry: Banjos, electric guitar, vocals.
Fitz McMurry: Drums, vocals.
Jay Sanders: Acoustic upright bass, electric bass.
Billy Cardine: Acoustic and electric dobros.
………………………….
Acoustic Syndicate was born in December, 1977 when Joe and Fitzhugh McMurry, a couple of brothers from Cleveland County, NC got together and decided to get their kids bluegrass instruments for Christmas that year. The kids were brothers Fitz Jr. and Bryon McMurry, and their cousin Steve McMurry. Fitzie, as he was known back then, got a Gibson Hummingbird guitar. Bryon got an Eagle banjo and Steve got a fiddle from Sears & Roebuck. All were excited and happy. The trio was nicknamed the “The Maple Creek Three” by Fitzhugh Sr. They learned a few songs, mostly church songs from the Methodist hymnal, and threw in a couple of country and bluegrass numbers and before long they were playing whenever they could…mostly serving at the pleasure of the parents at family gatherings and church functions. Joe and Fitzhugh, taking great delight in the results of their scheme, had unwittingly laid the foundation of what was to become Acoustic Syndicate. The boys spent the remainder of their childhood and adolescence singing, playing, living and working together on the family farm in Cleveland County.

After high school the trio drifted on separate paths for a while…moving off to college, taking jobs, getting married and so on. But the boys would always make time to get together and go see some good, live music…anything from bluegrass to punk rock. One could find them at a reggae festival on Lake Norman as easily as you could see them at the Milestone in Charlotte to see the Bad Brains, or in DC at a Grateful Dead show. In 1992 the three landed back in Cleveland County, quite by coincidence, and started playing again. In 1993 the trio added Doug Rogers to the group on upright bass. The band played their first gig as The Mint Jubilee Blues at the suggestion of a friend. After some debate on the topic, the band decided on “Acoustic Syndicate” over dinner at the old El Cancun Mexican restaurant in Shelby, NC in October of that year. Bryon actually came up with the name.

Photo by Bright Life Photography

The Band started out pretty much as any other, playing at parties, bars and alike. In 1994 the band caught the attention of Steve Metcalf of the world famous Green Acres Music Hall, in Bostic, NC. He featured them at “The Acres” on a couple of big bills like David Grisman and Bela Fleck. In 1997, the Syndicate added Nashville bassist, Jay Sanders, formerly of the Snake Oil Medicine Show to their line up to complete the Syndicate core. The rest is a matter of record. From there, with the help and connections of Steve Metcalf and the booking of Hugh Southard at Blue Mountain Artists, the band went on to tour the country extensively for the next eight years, completing six recording projects, two of them for Sugar Hill Records.

In 2001 they added long time friend and collaborator, Jeremy Saunders on saxophones. With their distinct brand of folk rock, bluegrass and reggae, coupled with their romper room, ultra high-energy, live performances they went on to be regulars at the biggest music festivals in the country, playing Bonnaroo, Farm Aid, High Sierra Music Festival, Telluride Music Festival, Merle Fest, Magnolia Fest and many more. The band played most of the A list rooms in the country and continued to tour and record until 2005.

The collapse of the record industry along with growing family needs at home forced the band to either commit to a long term tour schedule, or stop playing. The band decided to call it quits at Smilefest in May of 2005. The decision to disband would not stand. After only a two year break, the people called for the music to continue, and at the frequent and steadfast urging of Blue Mountain Artists, the Syndicate decided to play again.
From the very beginning the band resolved to play honest, good music with emphasis on musicianship and vocal harmonies. The mission was to provide good music to the masses as an alternative to the cookie cutter, self-centered industry standards of the day. Their body of original material always conveyed a positive message of coexistence, peace, conservation, sustainability and happiness. They opted to leave the sappy love songs to those who take no exception to wasting the precious time and minds of the body politic.

Acoustic Syndicate plays on with its message of peace, earth, unity and family. The Syndicate will enter the studio this winter to begin work on their 7th recording. They can be found out and about in the South East touring with their new music and their newest addition to the group, dobro player Billy Cardine.

Biography: Lyle Cordova.

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