‘Tis the Season and the end of the year! Here’s a rundown of the albums that Dreamspider Publicity publicized in 2018 in order of release date. Please do keep listening to and supporting live and recorded music! THANK YOU to all the artists, writers, DJs, listeners, and concert goers!!
Cheers and have a fantastic Holiday Season!
~Erin Scholze, Dreamspider Publicity
These Things Just Don’t Happen By Themselves…
Love Canon – Cover Story
Released on Organic Records: July 13
www.lovecanonmusic.com
“Charlottesville, VA’s Love Canon have established themselves as prodigious interpreters of others’ songs. Their latest is chock full of circa 1980’s classics, each imbued with an acoustic charm. In some ways it speaks to the flexibility of the underlying song… In others it speaks the group’s ability to transform the song.” —Twangville, Mayer Danzig
“A guest-filled ride through familiar old favorites, interpreted not as party reboots but as thoughtful reimaginations. Songs from an era known for indulgent electric sheen get broken down and rebuilt with serious bluegrass chops… Throughout the record, the band dips into its deep rolodex of musical friends, tapping quirky troubadour Keller Williams to sing lead on R.E.M.’s ‘Driver 8,’ which features blazing solos and an extended reggae breakdown. Ace fiddler Michael Cleveland and singer Aoife O’Donovan also show up for one of the album’s best tracks, a mountain-hop version of Paul Simon’s ‘Graceland.’ Bluegrass has always been about passing songs down the line and sharing them with friends; Love Canon is toying with that tradition in a good way.” ––Blue Ridge Outdoors, Jedd Ferris
“Stripped of its slick ’70s country production and replaced with upbeat horns and killer harmonies, ‘Islands in the Stream’ is a perfect laid-back love ballad when performed by Love Canon. The band’s friend Lauren Balthrop evokes Parton in the high harmonies, and Bobby Read and John D’Earth provide a little bit of funk on the saxophone and trumpet, respectively.” –The Boot, Amy McCarthy
Hot Buttered Rum – Lonesome Panoramic
Independently Released: July 20
www.hotbutteredrum.net
“Tight Tunes and Whispers of Tom Petty: Lurking behind each song is a rhythmic urgency that’s less prog-bluegrass and more rock oriented… Over its 15-plus-year career, the band has proven itself capable of pulling together strands of country, folk, bluegrass, and jam music into an energetic, good-time experience. But with the batch of well-crafted, sharply performed tunes they cooked up on Lonesome Panoramic, Hot Buttered Rum has managed to blend its ragged charms with that of a well-oiled musical machine.” —No Depression, Jim Shahen
“Ultimately, Lonesome Panoramic reflects the work of a talented group of close-knit colleagues who know how to share their skills and play in sync, with no one individual eager to overshadow the others. The band emphasize subtlety over sizzle, finesse as opposed to frenzy, and a confidence and assurance that makes melody the primary focus. It’s a decided skill set to be sure…” —Bluegrass Today, Lee Zimmerman
“Probably best described as a tangling of jam, country, folk, and bluegrass that results in a timeless energy and easily enjoyable spirit, this is a criminally underappreciated outfit and a fantastic album.” —The Daily Vault, Tom Haugen
Chicago Farmer – Quarter Past Tonight – Live Double Disc Album
Independently Released: August 3
www.chicagofarmer.com
“I’d never heard of transplanted son of the soil Cody Diekhoff and you probably haven’t either. But this tenth-anniversary double-live, 24 songs and eight spoken bits that include a tribute to his heroically supportive wife entitled ‘Benefits’… he’s funny, he’s kind, and he’s preparing an instructional video about ‘how do you get that drawl that you do—it’s kind of a mix between a small-town big-city kind of a northernly southernly easterly westerly stuck-in-the-middle type of a drawl.’” —Noisey, Robert Christgau
“You don’t hear many albums these days like this two-CD set, which hearkens back to a time when solo folk artists like Tom Paxton and Arlo Guthrie strode onstage offering nothing but their voices, guitars, harmonicas, visions, and wit.” —The Morton Report, Jeff Burger
“A great example of his songwriting and performing chops is ‘I Need a Hit,’ the first song off disc one. It’s about a road-worn troubadour dreaming about a John Hartford scenario — meaning he’d have a money-maker like ‘Gentle on My Mind’ funding his traveling circus.” —Wide Open Country, Bobby Moore
Chad Elliott & The Redemptions – Rest Heavy: The Sun Studio Sessions
Independently Released: August 10
www.chadelliott.net
“Iowa suggests such names as Greg Brown, Bo Ramsey, and Pieta Brown among others but now singer-songwriter, artist and author, Chad Elliott can join their esteemed company with Rest Heavy. Even if you didn’t know that these tracks were recorded at Sun Studios in Memphis, you’d still sense a bit of that Elvis Presley style in Elliot’s mix of roots-rock, soul, blues and modern gospel… This album just oozes soul, truth, and seems rather timeless as it could have been recorded almost any time in the last fifty-sixty years.” ––Elmore, Jim Hynes
“Rest Heavy… opens with an arpeggiated piano riff and cymbal crash before launching into a leaned-back, eyes-closed, soulful-howl gospel-blues tune of which Sam Cooke would have approved… As he croon-wails his way through tracks that range from hardscrabble stories and ain’t-life-like-that tunes to songs of somber reflection, his constellation of influences is clear, with stylized moments and melodic arrangements that evoke the likes of Tom Waits, Eric Clapton, Bruce Springsteen and Doc Watson.”
—Little Village Magazine, Lucas Benson
“ … there is a timeless feel all along the tracks that tell his talent.. roots rock, gospel, soul, blues in a perfect spirit… I would even say this album is the perfect tribute to the spirit of the Sun Studios. I already listened at least 10 times to it and these songs take me with them…” —ISA Radio, Mike Penard, France
Rudi Ekstein – Carolina Chimes: Rudi Ekstein’s All Original Bluegrass Instrumental Showcase Featuring Stuart Duncan, Jeff Autry, Mark Schatz
Independently Released on Foxfire Recording: October 5
www.carolinachimes.com
“The bulk of [the songs] are flat-out, hold-on-to-your-hat wild rides that he takes you on… The entire album brings back many great memories to me of John Hartford’s many musical excursions through the years, jam sessions with Mike Marshall down in Florida back in the ’70’s and all sorts of good stuff... I would suggest the best way to listen to this CD is on a nice drive through the country or anywhere.” —Elmore, Ken Spooner
“These twelve original numbers flow brilliantly, a set of mandolin-based bluegrass the likes we haven’t experienced in a number of years. I’ve hit ‘repeat’ more than once listening to the set, the minutes passing by much too quickly…. An absolute stunner of a bluegrass album.” –-Fervor Coulee, Donald Teplyske
“This is some serious, hard core bluegrass played with a lot of fire… Good stuff.” —Mandolin Cafe
Edward David Anderson – Chasing Butterflies
Independently Released on Black Dirt Records: October 18
www.edwarddavidanderson.com
“Key tracks are the disturbing epic tale of race and injustice (with majestic, swirling fiddle) in ‘The Ballad of Lemuel Penn’, the brutally honest ‘Bad Tattoos’ (‘The story of my life’s written on my skin’) and the hypnotic ‘Crosses’ with its rousing and extended instrumental section closing out the track… On Chasing Butterflies, Edward David Anderson commands our attention with his accomplished songwriting and sublime presentation. He certainly has mine. It’s a triumph.” —Listening Through The Lens, No Depression, Rob Dickens
“…nothing here is overplayed: the sound is light, mainly acoustic and upbeat… Judging by his self-penned songs, Anderson observes his world and writes what comes to mind. On his second solo release he covers family, misspent youth (tattoos), dogs, inspirational friends, bleak Montana landscapes and injustices… All in all an interesting outing that explains his wide fanbase.” –Americana Music Show, Tony Ives
“The quality of songwriting here is exemplary. Without exception we are treated to consistently strong melodies with memorable hooky choruses that will live with you after only a few listens. There is a very strong and diverse lyrical theme to these songs while the musicianship on the record is outstanding throughout.” —AmericanaUK, Mark Hegarty
Roy Schneider & Kim Mayfield – Reckless Saints
Independently Released on Shiny Gnu Records: Nov 2
www.RecklessSaints.com
“This husband and wife team runs the gamut from engaging acoustic folk to driving bluesy tunes, with hints of twang sprinkled in… The ringing impression from this offering is the seamless blending of so many forms of roots music, combined with meaningful and often insightful lyrics. It works beautifully.”
—Making A Scene, Jim Hynes
“Reckless Saints is an acoustic duo comprised of Roy Schneider Music on guitar, harmonica, dobro, drums, banjo and bass with wife Kim Mayfield on guitar, baritone ukulele, mandolin and piano. They both sing and they both write. Their self-titled debut only has one cover: “Election Day” by the late Blaze Foley (the subject of Ethan Hawke’s new movie, Blaze.) Bonnie Raitt bassist Freebo is on hand as is the legendary Nashville harmonica player Charlie McCoy and fiddler Keven Aland. It all amounts to an Americana gem that fans of real pure mountain-stream country will love.” —The Aquarian Weekly, Mike Greenblatt
“Enlisting Blaze Foley’s old musical partner Gurf Morlix for help, Schneider and Mayfield cover Foley’s classic ‘Election Day’ with rough passion, but the beautifully rendered ‘If I Die Tomorrow’ and ‘Poison Arrow’ swoon in their arms. All who cry out for salvation from Reckless Saints might experience the same effect.”
—Elmore Magazine, Peter Lindblad
Taylor Martin – Song Dogs
Released on Little King Records: Nov 16
www.taylormartin.org
“Indeed, Martin, an Asheville, NC resident, delivers a stunning work of eight original and three covers all done in a sometimes rock, sometimes blues, sometime ballad and sometimes folk style. His cover of Neil Young’s ‘Music Arcade’ is definitely a Cajun themed sound. Martin’s voice is rather gravelly sounding and is surprisingly easy to listen to for an entire CD… All in all, Song Dogs is an excellent release of music to which almost any listener can relate. Lets face it, maybe some of us can’t relate to love lost or being on the highway. But seriously, who among us can’t claim overuse of a cell phone, at least at some point in time. This is just great music. Highly recommended.” —Audiophile Voice, Paul Wilson
“The piano driven, haunting title song comes last, inspired in part by coyotes howling (per cover art) to find each other at night… It may seem that it stands apart from the others in tone and style, but several listens to Martin will have you hearing an array of styles and influences. That’s what makes it so infectious. Each song stands apart.” —Country Standard Times, Jim Hynes
“The song [‘Little Pictures’] rings instantly familiar and simplifies a complex message in clear lyrical fashion, over catchy, punchy, piano-prominent rhythms.” —Americana Highways, Melissa Clarke
NEW FOR 2019!
Be on the lookout for a new book about Leftover Salmon in February entitled Leftover Salmon: Thirty Years of Festival! Written by Tim Newby
New albums in early 2019:
Amy McCarley
MECO – (Feb 8, 2019)
Reed Foehl
Lucky Enough – (Feb 1, 2019)
Roy began playing and writing songs as a seventeen year old while recovering from a horrific, year-long incarceration in 1985 at the now defunct 
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