Feeds:
Posts
Comments

Posts Tagged ‘Shakori’

Super pumped about Shakori Hills Fest being right around the corner! It’s October 7-10th in Silk Hope North Carolina.

You never know what will happen at Shakori  as the magic sets in… I’ve seen plenty of rainbows &  blue skies (as well as a few muddy dancing rainstorms…) I’ve seen one of the longest shooting stars ever that lasted at least a minute and flew over the mainstage as Donna the Buffalo was playing on one of the famous Sunday night sets… and I’ve seen some of the best musical collaborations EVER on stage! Everything goes and the festival is always amazing!

On the lineup for this fall are Donna the Buffalo, Preston Frank, Toubab Krewe, Peter Rowan Bluegrass Band, Snake Oil Medicine Show,Woody PinesAmelia’s Mechanics, Carolina Chocolate Drops, Lizzy Ross Band, Mandolin Orange and lots more! See the complete lineup here: http://www.shakorihills.org/performers/

At every Shakori, the last set on Sunday night is always one that everyone looks forward to as host band Donna the Buffalo brings out many guests from other bands that have played all weekend. Last spring one of the biggest hits was when  John Paul Jones had randomly appeared at Shakori because his overseas flight to England was delayed from the volcanic ashes that were in the air from the eruption in Iceland. He sat in with Donna the Buffalo and played several songs on bass, keys, and mandolin. Here is a great video of one of them:

Check out this very in depth and personal interview that Paul Kerr from Homegrown Music Network did with DtB’s Tara Nevins on the DtB bus at the festival just before that Sunday night set. At the point of the interview, Tara did not know that John Paul Jones was there again and ready to play:

HGMN: How did [Led Zeppelin bassist] John Paul Jones end up coming to Shakori Hills?

Nevins: He really likes traditional music. He always did, and he plays the mandolin. He produced that all-girl old-time band Uncle Earl. He produced one of their records, and I play triangle on it actually. I got to work with him in the studio. He was at MerleFest a few times and was just checking everything out. Because I had played triangle and was in the studio and had met him and worked with him, I think I might have said, “Hey we’re doing a dance in the dance tent later, why don’t you come by and sit in?” And everyone wanted him to sit in, you know? But he actually showed up and my drummer almost fell off his stool.

She told me later that when she left the bus to get on stage Jeb said, “Hey, Tara, John Paul Jones is here and wants to sit in”. She said something like, “yeah right Jeb” and then he said, “No, really, turn around” and she did and there he was. Funny because she was just telling a story about him at the interview a few minutes before and had no clue about his delayed flight or that he was even at the festival at all… Well.. That’s just some of the magic that happens at Shakori Hills!

Read Full Post »

David Gans is starting off this weekend with a his run of Shows in North Carolina. He starts off at the Shakori Hills Festival in Silk Hope. Then he heads over to Asheville, Greensboro, Boone, and one secret surprise show that has not yet been announced. Check out this article from a recent interview with Ryan Snyder from Yes! Weekly in Greensboro:

‘Dead Hour’ DJ and guitarist gets a little help from friends for NC shows

By Ryan Snyder

Yes! Weekly

Songwriter, DJ and Deadhead David Gans trips out east for a run of fullband shows (photo by Bob Minkin).

It’s been a long, strange trip for David Gans. The quirky, inventive guitarist and songwriter has affixed innumerable other designations to his name over his 40-year career, all in the course of just trying to write a few songs and play a few shows. Among them are writer and author — Gans was a music journalist who wrote for several San Francisco publications in the ’70s and has published books on the Grateful Dead and the Talking Heads. But Deadheads who like their doses — the musical kind mind you — straight from the heart know Gans as the founder and still-host of the long-running and widely syndicated “Grateful Dead Radio Hour.” Gans has been in the booth for over 1000 broadcasts and as of a recent YES! Weekly interview, was working on episode no. 1127, but his journey into the booth doesn’t quite play out like one might expect.

Gans saw his first Dead show in 1972 at the behest of his then roommate and songwriting partner and it was only a few months later, he said, that he started to get a handle on what the band was doing.

“I grew up on the Beatles and was a big fan of early ’70s singer/ songwriters, the acoustic pop/folk/rock back then. The Dead expanded my horizons, so I began to get more into playing guitar and improvising,” Gans said. “It also just made me realize that songwriting could be literature. You could write stuff with depth to that that took a little more work to engage it than the pop stuff that just kind of tells you everything it knows in the first couple of listens.”

A few years later, while promoting his book Playing In the Band in 1985, Gans went onto a local radio show to produce a series of documentaries for the station and eventually began contributing regularly. They eventually asked him to take over the show and after other stations expressed interest in carrying it, it led to the “Grateful Dead Hour”’s eventual syndication.

“Without ever making a plan to do so, I sort of wandered into this thing of being the producer and host and still am 25 years later,” Gans said. “I never lost interest making my own music or all the other music out there in the world, but it became a pretty fun way to make a living.”

Though he insists that he never became a full-blown Deadhead, the band’s influence is felt all throughout Gans’ own music, from his ragged, witty Americana lyrical repertoire to his brazenly adventurous solo stage act to the Dead covers he weaves into it with regularity. Gans has become both known and celebrated for his live looping techniques, playing the role of his own rhythmic accompaniment, but for an upcoming trek to the Southeast for a string of shows, Gans will be meeting up with a few friends from North Carolina for a somewhat rare run of full-band shows on the East Coast.

Among them are Donna the Buffalo keyboardist and Greensboro resident Dave McCracken, Donna the Buffalo and Acoustic Syndicate bassist Jay Sanders, Virginia Daredevils mandolin player Bobby Miller, Biscuit Burners steel player Bill Cardine and Blue Rags drummer Mike Rhodes, who Gans has never performed alongside. With such a talented cast behind him, Gans will be setting his loop station aside for this occasion for obvious reasons, though he will be teaching a looping clinic this Saturday afternoon at the Shakori Hills Festival. [Gans and Friends performs on Wednesday, April 28th at the Blind Tiger]

“When you’re playing with a looping device, it’s like playing with a musician who’s a real dick. It can’t hear you and it can’t adjust,” Gans emphasized.” When you’re playing with a human, nothing’s perfect of course, but everybody listens to each other and the feel for what you’re doing sort of adjusts. It’s also just much more fun when you’re playing live to have others with you.”

READ THE FULL ARTICLE HERE: http://www.yesweekly.com/article-9235-dead-hour-dj-and-guitarist-gets-a-little-help-from-friends-for-nc-shows.html

Read Full Post »