Announcing Anya Hinkle’s ‘Nightingale – Bootleg for Peace’ and Europe Tour 2022

Anya Hinkle Announces 2022 European Tour
Touring in Netherlands, Denmark, Sweden, and France This May
w/ Billy Cardine, Mary Lucey, Julian Pinelli, and Marius Pibarot
 
New Single Benefiting Ukraine
“Nightingale (соловейко) – Bootleg for Peace”
All Proceeds go to Benefit The Ukrainian Relief Project – Guardians of Hope

Available Now On Bandcamp →
https://anyahinkle.bandcamp.com/releases

Streaming Everywhere on March 31 → https://distrokid.com/hyperfollow/anyahinkle/nightingale—-bootleg-for-peace

ASHEVILLE, NC — With vivid storytelling, vibrant musicianship and arresting honesty, Anya Hinkle explores the beauty of song craft through the lens of the Appalachian string band tradition. She is excited to announce her upcoming European tour as well as a new single, “Nightingale (соловейко) – Bootleg for Peace.” 

Originally from the mountains of Virginia, Anya’s music is steeped in the tones of folk and bluegrass and seasoned by travels across the world. A founding member of Asheville, NC-based bands Dehlia Low (Rebel Records) and Tellico (Organic Records), Anya released the first full-length album under her own name, Eden And Her Borderlands, in July 2021 on Organic Records. Hinkle won the MerleFest Chris Austin Songwriting Competition in 2019 for her song “Ballad of Zona Abston” and was runner-up in the International Acoustic Music Awards in 2022 for her song “Hills of Swannanoa.” 

PopMatters calls Hinkle, “A burgeoning force behind the Appalachian roots revival,” and AmericanaUK writes, “Certainly striking, certainly beautiful… everything one could look for in a bluegrass-tinged Americana.” No Depression calls her song “Lady Luck” “one of roots music’s gems so far this year.”

Anya will be on tour in Europe this May, presenting music from her new album with two wonderful lineups. First, as a trio featuring Billy Cardine on Dobro and Mary Lucey on bass and vocals; the second, in France only, featuring Billy Cardine along with Julian Pinelli on fiddle and vocals, and Marius Pibarot on bass and vocals. 

Anya Hinkle. Photo by WW Reaves

Hinkle says, “This will be my second European tour and my first visit to the far northern countries of the Netherlands, Denmark, and Sweden. This tour was rescheduled several times due to the pandemic and we are all thrilled to finally be able to have this incredible experience. Sharing music in a different culture brings many things together in a once-in-a-lifetime sort of way—you make memories and form bonds that can never be forgotten.”

She continues, “At the same time, we are saddened by the events in Ukraine. Although the war feels very remote here in the States, I think that in Europe, people feel a real chill in their bones. The old wars linger heavily—the shadows over the generations, the scars on the landscape. As I prepare to visit, I want to bring my new single ‘Nightingale’ with me to try to help in some small way.”

The day after Putin invaded, Anya had decided to take a day-long songwriting retreat:

With a few early images from the New York Times in my mind, somehow a song began, without my trying—I didn’t plan to write about this at all. But the dark grinding images of war were haunting me, and suddenly I thought, ‘there is a bird here.’ I discovered with a quick search that the nightingale is the most highly honored bird of Ukraine. Its song represents fertility, spring, love, and hope. 

The next day, I played a show and a woman named Tatyana came up to talk to me. She told me that exactly four years ago to the day she had come out to hear me sing and immediately afterward went to the hospital and gave birth to her first child. Our connection was so crazy and delightful. We laughed. Then she told me she was from Ukraine. I told her I had just written a song called “Nightingale” but it needed someone to sing for: Tatyana, and her family in Ukraine. Our conversation turned into a bridge section, and her insights gave the song a real purpose that it didn’t have before.

I made a quick recording in my home studio; Bridger Dunnagan at Echo Mountain Recording Studio here in Asheville donated the mix and David Glasser at Airshow Mastering in Boulder, Colorado donated the master. 

Anya is offering “Nightingale (соловейко) – Bootleg for Peace” as a downloadable track on Bandcamp. 100% of contributions go to The Ukrainian Relief Project – Guardians of Hope, an on-the-ground non-profit organization working to bring supplies back and forth across the Ukrainian border with Poland. It’s a group that Tatyana suggested because it’s someone she actually knows. 

The Anya Hinkle Trio features Dobro master Billy Cardine and Mary Lucey on bass and vocals.

Watch the trio as they perform “Ballad of Zona Abston” live at The Grey Eagle in Asheville → 

Anya Hinkle with Billy Cardine and Mary Lucey

Billy Cardine has been recognized as a slide guitar pioneer, taking the Dobro into unchartered genres for the instrument. Dobro master Jerry Douglas calls him “… an amazing Dobro player… He is fluent in everything that I do and… everybody that has come before. I couldn’t…pick a better example of where the Dobro is now or what the possibilities are with the instrument.” Billy has performed at Carnegie Hall, The Kennedy Center, and The Grand Ole Opry. He tours and teaches in India, Japan, Europe, and Canada. More info at www.billycardine.com/epk.

Mary Lucey is a talented vocalist, multi-instrumentalist and performer. She has played bass for the The Biscuit Burners and the all female group, Uncle Earl. She has graced stages at The Kennedy Center, Ryman Auditorium, Bonnaroo, MerleFest, Rockygrass, Mountain Stage, and Woodsongs Radio Hour.

Julian Pinelli is a free-spirited violinist who spins deep tone with modern ease. A graduate of Berklee College of music, Julian was awarded the 2016 Fresh Grass Fiddle Award and winner of the 2017 RockyGrass fiddle competition. “His fiddle playing is unique and joyful,” says Aoife O’Donovan, “a rare mix of technical precision and soul.” Darol Anger calls Julian “one of the most exciting fiddlers…who can play just about anything.”

Marius Pibarot is a Franco-American multi-instrumentalist and composer from Paris, France. He has traveled widely to learn the music and cultures of many different countries and namely those of Venezuela, India, Armenia, Turkey, and the US. 

Anya recently joined Black Oak Artists on their booking agency roster. “I’m thrilled to join Black Oak as we springboard from the success we had with Eden and am excited to see where we can go together!!” says Hinkle. Along with her upcoming European Tour, she will be announcing additional US dates, singles and videos ahead of her sophomore solo project, slated for release in 2023. 

NETHERLANDS, DENMARK AND SWEDEN TOUR:
Anya Hinkle Trio Feat. Billy Cardine (Dobro) & Mary Lucey (Bass, Vocals)

May 7 (Sat) Festival Obdam voor Oekraïne – Obdam, Netherlands
May 8 (Sun) Roots of Heaven – Haarlem, Netherlands
May 9 (Mon) Muziekgebouw Frits Philips – Eindhoven, Netherlands
May 10(Tue) Blue Room Sessions – Verkadefabriek, Hertogenbosch
May 11 (Wed) Crossroads @ Vestzaktheater – Bergen op Zoom
May 12 (Thu) TivoliVredenburg Cloud Nine – Utrecht, Netherlands
May 14 (Sat) Cafe De Amer – Amen, Netherlands
May 15 (Sun) Theater Walhalla – Rotterdam, Netherlands
May 18 (Wed) 2022 Grenna Bluegrass Festival – Gränna, Sweden
May 19 (Thu) Karens Minde Kulturhus – Copenhagen, Denmark
May 20 (Fri) Bobuska Cafe – Copenhagen, Denmark
May 21 (Sat) BRUUNS HJØRNE – Skaelskor, Denmark

FRANCE TOUR: 

Anya Hinkle Featuring Billy Cardine (Dobro)
with Julian Pinelli (Fiddle, Vocals) and Marius Pibarot (Bass, Vocals)
May 24 (Tue) La Machine – Trémons, France
May 25 (Wed) 2022 Chez Maquignon – Touvérac, France
May 26 (Thu) La Souris Verte – Épinal France
May 27 (Fri) Peniche Anako – Paris, France
May 28 (Sat) The Church – St. Andeol de Vals, France
May 29 (Sun) TBA – France

Official Videos:

“Eden And Her Borderlands” → https://youtu.be/D7-EduKxw_M
“Hills of Swannanoa” →  https://youtu.be/YS5Hkfmb4Bk

Stream Anya Hinkle online → https://clg.lnk.to/PBHjp

Stay tuned to for more information and updates at www.anyahinkle.com.

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We Can All Use Some “Love Medicine” Right Now– New Single by Nate Lee Out Today

Nate Lee Independently Releases Wings of a Jetliner June 12, 2020

1st Single “Love Medicine” Out Today:
https://distrokid.com/hyperfollow/natelee/love-medicine

Produced by Professor Dan Boner, the Album Features Todd Phillips,
Wyatt Rice, Ned Luberecki, Bronwyn Keith-Hynes, Thomas Cassell, Daniel Salyer,
and the Becky Buller Band!

Wings of a Jetliner Preorder Link: https://distrokid.com/hyperfollow/natelee/wings-of-a-jetliner 

“On first hearing, Wings of a Jetliner reminded me of the first time I heard the original David Grisman Quintet album. Something distinctive and new has arrived, and it’s Nate Lee’s musical voice” —Chris Sanders

“Nate is an incredible musician and human being. This project really shows the world the depth of his abilities, both as a picker and a singer. I’m so honored to be along for the fun!”
—Becky Buller 

“Wings of a Jetliner is your first class window seat on an exciting musical journey with Captain Nate Lee at the helm. So put on your noise cancelling headphones, recline the seat and enjoy your flight!” —Ned Luberecki, SiriusXM Bluegrass Junction Derailed Host

“Wings of a Jetliner mirrors all that I have observed in Nate’s persona. He is an objective seeker, lifelong learner, patient teacher, and a quick-witted responder to happenstances. He is as nimble on the fretboard as he is at racking up airline points. His smooth bow arm reflects his own pursuit of balance.” —Professor Dan Boner

NASHVILLE, TN — Nate Lee is an International Bluegrass Music Association (IBMA) award-winning instrumentalist and renowned teacher of private lessons and music camps. The overlapping landscapes of folk, bluegrass, old-time, and new acoustic music offer a wide field to hoe and singer/mandolinist Nate ably covers every bit of that ground. Tuneful lopes, the muscular bounce of ‘grass, the sparkling charm of Grisman-Rice inspired dawg music, and more are all in his comfort zone and he moves between them with uncommon ease. Nate is known as the kind of musician who is able to put his own stamp on whatever he plays and his forthcoming album, Wings of a Jetliner, brings that home and is set for independent release June 12, 2020 on his own Adverb Records.

The first single “Love Medicine,” (written by Chris Sanders of the Hard Road Trio) was premiered by The Bluegrass Situation who says, “Even while bluegrasser and multi-instrumentalist Nate Lee puts the main focus on the powerhouse instrumentalists on his new album, Wings of a Jetliner, the lyrics and masterful chordal harmonies of ‘Love Medicine’ — a song about addiction and tough situations — shine through.” 

Nate Lee. Photo by Dan Boner

Nate is known as a member of award-winning bluegrass group, the Becky Buller Band, which he joined in 2017. For this project Nate assembled an inspired collection of iconic players, modern masters, and rising stars—including bandmates from Becky Buller Band: Becky Buller herself, banjoist Ned Luberecki, bassist Daniel Hardin, and the album’s producer and engineer Dan Boner. Also joining in on guitar is original member of the Tony Rice Unit and flatpicking legend, Wyatt Rice,  icon of acoustic music and sideman to the stars, living-legend bassist Todd Phillips, and rising star Bronwyn Keith-Hynes (Mile Twelve) on fiddle. Bluegrass singer and songwriter Daniel Salyer joins in on harmony vocals on a few songs and Thomas Cassell (Circus No. 9) serves as Nate’s duet partner on the Grisman-inspired two-mandolin instrumental “Serenity.” 

Nate composed all five instrumental numbers on Wings of a Jetliner: The lead-off track and bluegrass ripper, “Wonderbat,” the light-hearted jazzy “Quick Select,” the lovely and spare “Comealong Brown Dog,” and the spiraling “Rook Roller.”

Listeners will find equally satisfying variety in the carefully chosen vocal numbers, penned by an eclectic assortment of accomplished songwriters, on Wings of a Jetliner. All here to delight are hard-driving bluegrass songs (“Tobacco”), western swing (“The More I Pour”), nuanced tales (“Miner’s Grave”, “Somewhere Far Away”), the waltzy “Sweet Allis Chalmers,” and the new-grassy sounds of “Love Medicine,” as well as a cover of 90’s rock icons The Offspring’s “All Along.”

Nate Lee: Wings of a Jetliner Track Listing and Credits

1. Wonderbat 1:54
2. Tobacco 3:21
3. Quick Select 3:05
4. Somewhere Far Away 3:27
5. Serenity 3:45
6. All Along 2:20
7. Comealong Brown Dog 4:10
8. Miner’s Grave 2:55
9. Rook Roller 3:39
10. The More I Pour 2:54
11. Sweet Allis Chalmers 3:45
12. Love Medicine 3:57

Nate Lee – mandolin (1,2,3,4,5,6,7,9,10,11,12), lead vocals (2,4,6,8,10,11,12), fiddle (5,10), banjos (8)
Todd Phillips – bass (1,3,4,5,8,9,10,11,12)
Wyatt Rice – guitar (1,3,4,5,8,9,10,11,12)
Bronwyn Keith-Hynes – fiddle (1,3,4,8,9,10,11,12)
Ned Luberecki – banjo (1,2,3,4,5,6,9,10,11,12)

Becky Buller – fiddle (2,6,7), harmony vocals (2,6,11)
Daniel Hardin – bass (2,6,7), harmony vocals (6)
Dan Boner – guitar (2,6), fiddle (10), harmony vocals (10,11)
Thomas Cassell – mandolin (5)
Daniel Salyer – harmony vocals (8,10,12)

Songwriting Credits:
Nate Lee (Human Adverb Music, BMI) – 1,3,5,7,9
Daniel Salyer (Pay Low Music, BMI) – 2
Bradford Lee Folk & Nicholas Ian Woods (Folk/Woods, BMI) – 4
Bryan Holland (Round Hill Works, BMI) – 6
Ashleigh Caudill (Ashleigh Deanna Caudill Music, SESAC) – 8
Tim Stafford & Mark Bumgarner (Daniel House Music, BMI/Two Chairs Music, BMI) – 10
Bill Caswell (Farmhand Music, BMI) – 11
Chris Sanders (Desert Night Music, BMI) – 12

Produced by Professor Dan Boner at ETSU Recording Lab
© 2020 Adverb Records, a division of Nate Lee, LLC

www.thenatelee.com
www.facebook.com/LikeNateLeeLLC
www.twitter.com/NateLeeLLC
www.instagram.com/nateleellc
www.PlayNately.com (teaching information)

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Chicago Farmer’s ‘Flyover Country’ Features The Band Of Heathens – 2nd Single Out Today – Outlaw Country w/ Heart & Humor

Putting the Poetry in Motion,
Chicago Farmer Joins Forces with The Band of Heathens
New Album, Flyover Country  – Due Out Feb 7, 2020
Recorded at The Finishing School in Austin, Texas

2nd Single “All In One Place” Out Now →   chicagofarmer.hearnow.com/all-in-one-place

“Chicago Farmer’s ‘All In One Place’ Is Outlaw Country with Heart and Humor”
—American Songwriter “All In One Place” Song Premiere

BLOOMINGTON, IL — For recording artists, albums can be like children — it’s hard to go on record choosing one as a favorite. But Cody “Chicago Farmer” Diekhoff doesn’t hesitate to designate his forthcoming release, Flyover Country, as his “golden child.” 

Chicago Farmer is known for his clever and heartfelt songwriting and unique voice. Todd Snider exclaims, “Chicago Farmer is my brother; if you like me, you’ll love him,” and Pokey LaFarge says“Chicago Farmer represents the best qualities of Midwestern U.S.A. His lyrics, his stories and his heart are true… Definitely one of my favorite singers out there today.”

Flyover Country features The Band of Heathens and was recorded at the Heathens studio, The Finishing School, in Austin TX with Gordy Quist and Ed Jurdi serving as co-producers alongside Diekhoff.

Jurdi says, “Cody (Chicago Farmer) came in with a stellar batch of songs and really had a good vision for what he wanted the album to be. The material really takes a look at the kaleidoscopic fabric of the Midwest. Chicago Farmer writes and sings in a truly authentic voice about the people that inhabit the spaces that America’s hopes and dreams have been built upon. Always the underdog, sometimes overlooked, but never to be forgotten.”

“I think it’s my best work so far and definitely the one that I put the most into,” Diekhoff said of the 10-song album, due out Feb. 7. This is Chicago Farmer’s first studio album in four years and it will be available on CD and vinyl, as well as digital & streaming services.

The 2nd single, “All In One Place,” is out now and starting to hit Americana reporting radio stations American Songwriter premiered the song and calls, “This tale of high hopes and low returns” an “outlaw country number that resounds with heart and humor.” 

“I knew as I was writing these songs that they called for another direction — and a band. A band that was tight, had soul, and knew how to make records,” Diekhoff said about Flyover Country, his sixth full-length studio album. “I’ll always be a folksinger, but you can’t just keep doing the same thing over and over. I decided it’s time to throw some fuel on this fire and get it going. For me, it’s all about the poetry and playing with a band is about putting the poetry in motion a little differently.”

Fans of Chicago Farmer will already know at least a couple of the songs on Flyover Country if they’ve seen a show in the past couple years. In fact, Diekhoff’s talking-blues tribute to hardworking, unsung, everyday heroes, “Dirtiest Uniform,” and his country-folk singalong anthem extolling the virtues of intimate live music shows and cheap beer over corporate arena concerts, “$13 Beers,” are among the highlights on 2019’s double-disc live release, Quarter Past Tonight.

Flyover Country Track Listing
Indiana Line 3:51
Flyover Country 4:59
Mother Nature’s Daughter 3:01
$13 Beers 3:17
Collars 5:23 
All In One Place 2:51
Deer In The Sky 3:23
Ramblin’ Man 4:44
Dirtiest Uniforms 4:43
The Village Revisited 6:56

Diekhoff and the Heathens cover a lot of musical territory on Flyover Country. 

The album opens with “Indiana Line,” a country-tinged rootsy raveup, a tale of a desperate drive down the road to redemption with great, growling slide guitar work. This track was released towards the end of 2019 as the album’s first single. Americana Highways premiered it, writing, “With an ominous western intro, ‘Indiana Line’ builds up to a foot stompin,’ thumpin’ instant singalong. This bodes very well for Chicago Farmer’s Flyover Country. The harmonies with The Band of Heathens are irresistible, and the style is absolute contagion.”

The title track is a languid waltz with a shuffling beat and jangly guitar, an ode to the people of the rural heartland, his people, putting Diekhoff’s high vibrato to great use. A brisker waltz beat propels “Collars,” another tribute to small-town folks, this one inspired by a young soldier who didn’t come home from Iraq.

Harmonica and baritone guitar drive “Deer in the Sky,” an uptempo folk-rock number about the benefits of flying over driving (you can drink beer on a plane and you’ll never hit a deer). Things get downright raucous on a couple songs, with Diekhoff’s grunge-rock roots coming out on “Mother Nature’s Daughter,” an environmental protest song, while the guitars go to town on “All in One Place,” a humorous look at the sad truth about making money in the music business.

Diekhoff pays tribute to Hank Williams with the album’s sole cover, Williams’ “Ramblin’ Man,” while also honoring Kenny Forbes, a friend’s father who introduced a young Diekhoff to the music of Hank Williams, setting him off on his musical quest as a folksinger. “Ramblin’ Man” starts with a stripped-down presentation but by the final verse it explodes with intensity.

The album ends with “The Village Revisited,” a sprawling, gospel-tinged song about the importance of community that recalls Creedence Clearwater Revival’s take on “Midnight Special” at times and at the end sounds like a party has broken out in the studio.

Through all the songs on Flyover Country — and most Chicago Farmer songs, for that matter —runs a common thread, a love and respect for regular folks, those who might be overlooked and underappreciated.

“A lot of my friends are just getting by day-to-day,” Diekhoff said. “We keep at it, we keep working hard. Hopefully, eventually, things will turn around.”

When Flyover Country comes out in February, Diekhoff will put his solo troubadour days behind him, at least for a while. He’ll hit the road with a band, performing as Chicago Farmer and the Fieldnotes which includes Jaik Willis, Cody Jensen, & Cosmic Charlie Harris.

Chicago Farmer Solo Supporting Todd Snider:
1/15 Wed – The Lyric – Oxford, MS
1/16 Thu – Vinyl Music Hall – Pensacola, FL
1/21 Tue – Key West Theater – Key West, FL
1/23 Thu – The Funky Biscuit – Boca Raton, FL
1/24 Fri – Centro Asturiano de Tampa – Tampa, FL
1/25 Sat – Ponte Vedra Concert Hall – Ponte Vedra Beach, FL
1/26 Sun – Iron City Bham – Birmingham, AL
1/29 Wed – Georgia Theater – Athens, GA
1/30 Thu – Victory North – Savannah, GA
1/31 Fri – Charleston Music Hall – Charleston, SC
2/1 Sat – Rocky Mount Mills – Rocky Mount, NC

Winter Shows Featuring Chicago Farmer & The Fieldnotes:
2/7 Fri – The Bootleg – St. Louis, MO
2/8 Sat –  The Eagle’s Theater – Olney, IL
2/9 Sun – Stellar Cellar – Effingham, IL
2/14 Fri – Castle Theatre – Bloomington, IL
2/15 Sat – Fitzgerald’s Nightclub – Berwyn, IL
2/16 Sun – Anodyne Coffee – Milwaukee, WI
2/20 Thu – Pearl Street Brewery – LaCrosse, WI
2/21 Fri – The Turf Club –  St Paul, MN
2/22 Sat – The Outer Edge – Appleton, WI
2/28 Fri – Southgate House – Newport, KY
2/29 Sat – Duke’s INDY – Indianapolis, IN
3/6 Fri – Redstone Room – Davenport, IA
3/7 Sat – Vaudeville Mews – Des Moines, IA
3/8 Sun – World Theater – Kearney, NE
3/12 Thu – Magic Rat – Fort Collins, CO
3/13 Fri – Walnut Room – Denver, CO
3/14 Sat – Western Jubilee – Colorado Springs, CO

Further information and tour dates can be found at www.chicagofarmer.com, www.facebook.com/chicagofarmer, instagram.com/chicagofarmermusic, and twitter.com/chicagofarmer.

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Bill Scorzari Releases 1st Single From New Album, Produced by Neilson Hubbard, Feat. Erin Rae

Bill Scorzari Releases His 3rd Studio Album, Now I’m Free, September 20, 2019

Born of the past three years’ introspection and contemplation of the human condition, Scorzari writes some of his most compelling compositions to date

Produced by Neilson Hubbard at Skinny Elephant Recording,
With Performances by Erin Rae, Will Kimbrough, Eamon McLoughlin, Michael Rinne, and more

First Single “It All Matters” Out Now →  https://itallmatters.hearnow.com

 

“With a somber musical style and a hushed, gritty vocal that rises like the morning mist to mingle with Erin Rae’s grounded tones, ‘It All Matters’ is just outright pretty. Now I’m Free should be nominated for awards this year with its depth of grace and innovative tones; Scorzari taps into a nexus between the familiar and the uncanny.” —Americana Highways

Pre-order with “It All Matters” available now on iTunes

(Huntington, NY) —  On September 20, New York native, Bill Scorzari, independently releases his third full-length album of all original music titled, Now I’m Free. His sound is gritty, raw and at times, downright sad. His songs transition through a multitude of emotions, with themes centered on the experiences of the human condition. Of his music, some say it’s spoken word, and others, an amalgam of the voice of Tom Waits, the delivery of Sam Baker, and the soul of Kris Kristofferson. In his lyrics, there is a poetic grace, a calming and resigned wisdom of acceptance that shines through the wistful melancholy of hope, and breaks free. No Depression wrote, “Bill Scorzari is a force. His songwriting is stellar, his picking above par and his voice fits his songs perfectly.”

Bill says of the record, “During the past three years and beyond, I found myself in a place that demanded prolonged introspection and profound healing to be able to navigate through and journey past. This record is a journal of some of the lessons and discoveries that I’ve encountered along the way.”

Produced by Neilson Hubbard (Orphan Brigade), Now I’m Free was recorded and mixed by engineer Dylan Alldredge at Skinny Elephant Recording in Inglewood, TN and mastered by Jim DeMain at Yes Master Studios. Hubbard says, “Bill tears himself open on these 15 songs and leaves it all out there in plain sight. He is an open book delivering a record of astonishing intimacy… and the gravel and whispers in his voice carry a true knockout punch.”

The album was performed live in the studio by Scorzari and a long list of critically acclaimed and otherwise notable musicians including, Hubbard on Drums/Percussion, Multi-Instrumentalist Will Kimbrough, Vocalist Erin Rae (Americana Music Association nominee for Best Emerging Artist of 2019), Fiddler/Strings Eamon McGloughlin (AMA nominee for Best Instrumentalist of 2019), Upright and Electric Bass player Michael Rinne (AMA nominee for Best Instrumentalist of 2019), Brent Burke on Dobro, Juan Solorzano on Electric Guitar and Lap Steel, Lap Steel player and Vocalist Megan McCormick, Greg Krockta on Harmonica, and Vocalist Mia Rose Lynne.

 

Bill Scorzari. Photo by Jim Marchese

Throughout the entire album, Bill’s authenticity as a songwriter moves you through his music breath by breath. Profound and poetic, Scorzari’s emotionally charged and introspective compositions are sung with a knowing tenderness of heart.

 

The album opens with “Into the Light Of the Day,” of which Scorzari says, “Faith and trust are so important. When they are called into question, for whatever reason, it becomes difficult to see things clearly. We become distressed, and our distress makes it even harder to find clarity… Nothing can resolve until we look directly at it and confront the full depth of it all. The first step toward doing that is both the most difficult and the most liberating step, taking what troubles you into the light of the day.” 

This is fitting to describe Bill’s music in general and his approach of digging deeper into his own depth and bringing his thoughts and experiences honestly and authentically into the light through the medium of music.

He writes in the title track, “Now I’m Free,” “So, I stood there by the waterfall flowing from the bridal veil, with an angel dressed in rags. She said, ‘To hell you ride.’ And, to hell we sailed. And, we never did look back. And, she said, ‘Every word I say is true and someday you will see, spending all of our time always tryin’ to break through, leaves us no time for tryin’ to break free, and it’s time to break free.’”

Another standout track on the album is the first single, “It All Matters,” with Erin Rae adding vocal harmony. When asked about what the lyrics of this track mean to him, Scorzari says, “It’s so important to be attentive to each other. The way toward that goal, is to start to be more attentive to ourselves, to heal what needs to be healed in us and to find a path forward to our own better existence… It’s never too late to shine a light through the darkness... The big things are important, but so are the little things. It all matters.”

The nearly 11-minutes of “Yes I Will” were recorded in an unrehearsed, epic “first take” in which Bill sings, “And, I know these thoughts will come and that they will go again, and yes, I know, yes, I can still chase the harder days away with just some paper and a pen, the way the sun will rise and embrace the white moon in its own black skies, and then there’ll be no need to try to make me smile. Won’t you help me to more easily reveal my broken soul?...  I’m only distracted by my motion when I’m intent on standing still. And, if you let me have the time to just keep on tryin’ to break through, just to be human, well then, yes, I will.” 

Bill Scorzari. Photo by Jim Marchese

There is a wide variety of soundscapes in Now I’m Free, ranging from the slow country waltz of “Over Again,” the catchy uptempo road song “Treat Me Kind,” the sleepy-slow, intoxicating, drunken-swaying groove in “San Miguel County,” the crushingly intimate and breathtaking “One More Time,” and the raging blues number, “Steel Wheels.”

“When Will My Time Come Along” is a humble reminder of the seemingly endless struggles we must endure, and the importance of small accomplishments made along the way towards larger pursuits. It’s chord progression manifested easily in Scorzari’s mind, as did the lyrics for “It’s Just What I Know,” when he found himself in that “longed-for space where the words you’ve desperately searched for, and have been struggling with how to say, suddenly arrive as a gift in an unfettered moment of clarity.”

Although he picked up his first guitar at just 8 years old, it wasn’t until 2011 that he was able to give his artistry the attention it deserves. The passing of Bill’s father and role-model, whose footsteps he had followed into the practice of law, marked a time of profound change and opened a new chapter – one that required a giant leap towards pursuing a passion that had long been tucked away in Bill’s heart. The three albums (and their titles) that he created thereafter, represent the narrative and catharsis of his journey: past, present and future. 

The first two, Just the Same (2014) and Through These Waves (2017), were both released to critical acclaim. Waves, a spring release, made several best-album-of-2017 lists, including Folk Alley and Elmore Magazine. Jim Hynes, in his review of Waves in Elmore, says of Bill, “…his thoughtful, cinematically shaped songs that continue to resonate after repeated listens. Yes, this is a ‘must hear’ for singer-songwriter aficionados.” One such aficionado, WFUV’s John Platt, says, “Bill Scorzari has a lived-in voice that says, ‘Listen to these songs. They spring from the earth and the ocean with an open heart and the wisdom of experience.’” 

The success of his first two records allowed Bill to share stages with Sarah Jarosz, Sam Outlaw, The Dustbowl Revival, Tall Tall Trees, Seldom Scene, Billy Strings, Frank Fairfield, Tom Marion, Zak Sokolow, Jonah Tolchin, Jenni Lyn Gardner (Della Mae), Jeff Scroggins and Colorado, Twisted Pine, Whiskey Myers, Big Country, and many others. In July of 2019, Bill became “One of the folk,” with his inaugural performance at the Newport Folk Festival.

This third installment in his discography, Now I’m Free, offers a deeper and unguarded look into Scorzari’s soul, weathered and bared, and rooted in the present moment while moving freely into the unspoken promises of the future.

For more information, up-dates and news, please visit www.billscorzari.com, www.facebook.com/billscorzari, www.twitter.com/BillScorzari, and www.instagram.com/billscorzari.  

Now I’m Free Track Listing:

1. Into the Light of the Day (5:07)
2. Over Again (4:40)
3. Now I’m Free (3:44)
4. It All Matters (4:35)
5. One More Time (4:07)
6. When Will My Time Come Along (3:58) 
7. Treat Me Kind (3:23)
8. San Miguel County (4:36)
9. It’s Just What I Know (4:47)
10. Steel Wheels (4:48)
11. You’re Gonna Miss Me When I’m Gone (2:59)
12. Yes I Will (10:51)
13. Cypress Tree (3:37)
14. Don’t You Ever Go Away From Me (4:20)
15. New Mexico (I to Mine) (7:20)

PERFORMANCE CREDITS BY MUSICIAN
Bill Scorzari: Vocals and Acoustic Guitar
Erin Rae: Harmony Vocal (Track 4)
Mia Rose Lynne: Harmony Vocals (Tracks 2, 14)
Will Kimbrough: Electric Guitar (Tracks 5, 7, 10, 15), Slide Guitar (Track 7), Mandolin (Track 11), Cigar Box Guitar (Track 14), Piano (Track 5)
Juan Solorzano: Electric Guitar (Tracks 1, 4, 7, 9, 10, 12), Lap Steel Guitar (Tracks 2, 8, 9, 11), 2nd Acoustic Guitar (Tracks 4, 15)
Megan McCormick: Lap steel (Tracks 1, 3, 4, 6, 13), Harmony Vocal (Track 6)
Brent Burke: Dobro
Greg Krockta: Harmonica
Michael Rinne: Upright Bass & Electric Bass
Neilson Hubbard: Drums/Percussion, Piano (Track 14)

All songs, lyrics and music written, arranged and performed by Bill Scorzari

 

Bill Scorzari Tour Dates

8/24 Sat – Taste Budd’s Cafe’ – Red Hook, NY
8/25 Sun – Dogwood Bread Company – Wadhams, NY
8/26 Mon – Radio Bean – Burlington, VT
8/27 Tue – Abilene Bar and Lounge – Rochester, NY
8/30 Fri – Plain Folk Cafe’ Music & Coffee House – Pleasant Plain, OH
8/31 Sat – Over Yonder House Concerts – Toledo, OH
9/1 Sun – Visible Voice – Cleveland, OH
9/4 Wed – Uncommon Ground – Edgewater Listening Room – Chicago, IL
9/5 Thu – The Elbo Room – Chicago, IL
9/6 Fri –  Wild Rose Moon – Plymouth, IN
9/7 Sat – Wild Rose Moon – Plymouth, IN
9/8 Sun – Ca’d’Zan House Concerts – Cambridge, IL
9/13 Fri – Black Forest Community Center – Colorado Springs, CO
9/14 Sat – The Laughing Goat Coffee House – Boulder, CO
9/15 Sun – The Muse Performance Space – Lafayette, CO
9/21 Sat – Cafe Zippy – Everett, WA
9/22 Sun – Tim’s Tavern – Seattle, WA
9/27 Fri – Artichoke Music – Portland, OR
9/28 Sat – Crown Alley Irish Pub – Ocean Park, WA
10/3 Thu – Flynn’s Cabaret & Steakhouse – Felton, CA
10/5 Sat – The Shady Lady House Concert – Saratoga, CA
10/9 Wed – The Blue Guitar at The Arroyo Seco Golf Course – South Pasadena, CA
10/11-12 Fri-Sat – 16th Annual Far-West Conference – Woodland Hills, CA
10/25 Fri – Pecan Grove Store – Fredericksburg, TX
For more information, up-dates and news, please visit www.billscorzari.com, www.facebook.com/billscorzari, www.twitter.com/BillScorzari, and www.instagram.com/billscorzari.

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Taylor Martin’s ‘Song Dogs,’ Produced by Amanda Anne Platt, Out 11/16 on Little King Records

Taylor Martin Releases Song Dogs on November 16 on Little King Records
Produced by Amanda Anne Platt at Sound Temple Studios in Asheville, NC
Featuring Members of Amanda Anne Platt & The Honeycutters, Mountain Heart, and more

First Single: “Little Pictures” Available Now →  https://taylormartin.hearnow.com/little-pictures

More about Taylor Martin at https://about.me/songdogs

ASHEVILLE, NC — Taylor Martin brings you music with a beating heart; his raspy, emotion filled voice is instantly recognizable and his lyrics have an unflinching sincerity. Martin releases his third album, Song Dogs November 16, 2018 on Little King Records. On it, he spins tales of the highway, homes, lost love, love regained, redemption, and the overuse of cell phones. The Honeycutters’ Amanda Anne Platt took the lead as Music Producer (along with adding harmony vocals on a handful of songs) with the help of Co-Producer and Engineer, Robert George, and Martin’s visions for the album. The album was recorded at Sound Temple Studios in Asheville, North Carolina.

“Taylor Martin is a killer songwriter,” declares Platt. “He’s got a great sense of melody and an ability to write classic, accessible songs about things we all take for granted. It’s also to his credit that he hits all sides of the spectrum– there are toe tappers and tear jerkers on this album and everything in between. I’m a big fan of the saying, ‘Great songs produce themselves,’ I certainly found that to be true in working with Taylor.”

The album’s bluesy opener “Little Pictures” tips the brim to people like Professor Longhair while having a contemporary social commentary. The song is what Martin calls his, “observation of people being lost to reality and the death of empathy and the human experience. People being on cell phones too much are missing out on the beauty of the world.” It also invites the listener to put down their electronics and sink further into the experience of the album. Americana Highways premieres the official music video for “Little Pictures” and write, “The song rings instantly familiar and simplifies a complex message in clear lyrical fashion, over catchy, punchy, piano-prominent rhythms.”

A resident of Asheville, North Carolina since 2004, Martin has been creating music since 1994. He blends musical styles: the approach to music he grew up with in Richmond, Virginia; the western spirit he experienced living five years in Paradise, Utah; and the sounds of southern rock, country, and rhythm n’ blues.

The album features some of the finest, most innovative musicians in acoustic music today including, not only The Honeycutters’ Amanda Anne Platt, but also their guitarist and pedal steel player, Matthew Smith. Mountain Heart’s Aaron Ramsey (mandolin, acoustic guitar) and Josh Shilling (Piano, B3, Wurlitzer) perform on much of the album along with Jon Stickley Trio’s Lyndsay Pruett on fiddle. Drummer Richie Jones [Ralph Roddenbery, Donna Hopkins Band] and bassist Matt Dufon perform on all eleven tracks. Asheville guitar legend, Aaron “Woody” Wood, takes the lead on acoustic and electric guitars on a handful of tracks, GRAMMY winner Debrissa McKinney (Secret Agent 23 Skidoo, Empire Strikes Brass) lends harmony vocals on a song and Phil Alley adds some texture with his Telecaster on a track.

“I was supported by mostly local musicians for Song Dogs, says Martin. “Josh came in from Nashville and Richie came from Atlanta, but other than that it’s all friends from Asheville. There’s a lot of love on this record. Having close friends record with you really helps the album go deeper.”

“Working on Taylor’s albums has always been an awesome process,” says Josh Shilling.  “His distinct melodies, chord progressions, and organic recording approach create a unique and extremely vibey song and sound. His ability to pull the perfect band together makes the recording sessions feel amazing, and I love that he’s seeking emotional, human performances more than perfect performances. There’s some grit and soul on this record that feels like it came from another time and place… perhaps an Allman Brothers or Leon Russell time and place.”

“I’ve always tried to write from the heart and to do that there just has to be a story underneath,” says Martin. From the catchy “Here Comes The Flood” to the mellow and rolling “Eden Colorado” (with Wood’s expansive guitar solo and the delicate interplay of Smith’s pedal steel) to the dreamlike “Second Sight” (with it’s lucid surf tones and Pruett’s orchestral string arrangement) to the more pop-oriented “Hollywood” (featuring McKinney on harmony vocals), the album will have you hooked.

“Our Memories” is a lonesome duet that reflects on remaining in a home after the love has moved out and the remnants are left behind; Martin and Platt’s vocals intermingle with the sultry fiddle and pedal steel melodies of Pruett and Smith. Another duet with Platt, “Milk and Honey” features Aaron Ramsey on mandolin and is a love song that written over the course of many years to express that even in this numbing technological age people can still be in love in the land of milk and honey.

There are three covers on the album including Bob Dylan’s nostalgic “Sign on the Window” [New Morning], an upbeat and slightly cajun version of Neil Young’s poignant “Music Arcade” [Broken Arrow], and Merle Haggard’s song of tragic loss, “Kern River.”

The album’s title track, “Song Dogs,” lands as the final track and features Shilling on piano paired with Smith’s pedal steel. Martin says, “I spend a ridiculous amount of time in the woods alone. Usually right before dark the coyotes will begin to howl to find each other for the nights hunt. One such evening I wrote these lyrics about the loneliness of the modern age and how difficult it is to ‘stay’ when your heart is restless. And the remorse after you’ve gone too far… I sure do identify with those animals at dusk.”

“Taylor Martin is a singer-songwriter who will remind you of everything good from Tom Waits to the Everly Brothers or the Avett Brothers with some surf rock thrown in. Well-sung, well-played, well-written and relevant…” writes Asheville Citizen Times.

Asheville’s veteran songwriter is just below the forty mark with a bright future as a songwriter and performer ahead of him. Although as jaded and bitter as some road worned heroes, Martin finds refuge in a good sense of humor. “I would have been a terrible dentist,” he laughs. “I’m here, music is why, this is Earth, let’s make more music.”

Taylor Martin – Song Dogs Track Listing

1. Little Pictures   3:34
2. Here Comes the Flood    2:59
3. Eden Colorado   3:17
4. Music Arcade [Neil Young] copyright Silver Fiddle Music   4:25
5. Second Sight   3:41
6. Hollywood   3:41
7. Our Memories   3:49
8. Kern River [Merle Haggard] copyright Mt. Shasta Music   4:00
9. Milk and Honey   3:22
10. Sign on the Window [Bob Dylan] copyright Big Sky Music   3:39
11. Song Dogs   4:49
    
    MUSICIAN CREDITS
    Taylor Martin – Lead Vocals, Acoustic Guitar (all)
    Richie Jones – Drums, Aux Percussion (all)
    Matthew Dufon – Bass (all) Harmony Vocals (2,10)
    Aaron Woody Wood – Acoustic Guitar (3,8), Electric Guitar (5, 6,10)
    Matthew Smith – Electric Guitar (1, 2), Pedal Steel (3,7,8,11)
    Aaron Ramsey – Acoustic Guitar (2,4,7,9,10), Mandolin (9)
    Josh Shilling – Piano (1,2, 6,7, 8,10,11), B3 (1,2,5,6,7,10), Wurlitzer (5)
    Phil Alley – Telecaster (7)
    Lyndsay Pruett – fiddle (4,5,7,8)
    Amanda Anne Platt – harmony  vocals (2,4,7,9,10)
    Debrissa McKinney – harmony vocals (6)
    
    Recorded @ Sound Temple Studios in Asheville, NC
    Recorded & Mixed by Robert George
    Produced by Amanda Anne Platt
    Co-Produced by Robert George & Taylor Martin
    
    For more information and tour dates, please visit www.TaylorMartin.org and www.facebook.com/taylormartin.org and www.twitter.com/song_dogs.

 

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Relix Magazine Premieres The Contribution’s “Back This Way” – Single To Benefit Rex Foundation

Relix Magazine Premieres The Contribution’s “Back This Way”
All Proceeds Donated to Rex Foundation ~ OUT TODAY February 17, 2017

The Contribution is:
Tim Carbone, Phil Ferlino, Jeff Miller, Keith Moseley, Sheryl Renee, Matt Butler, & Duane Trucks

On Sale Now at:
iTunes | Amazon | cdbaby.com
TheContribution.net | LoHiRecords.com | RexFoundation.org

The Contribution is pleased to release tracks from their upcoming LoHi Records album, Wilderness And Space, one song at a time over the course of seven months, with full proceeds of each single going to a different non-profit. The full ten-song album will be released on vinyl this Fall.

They kick off with the single “Back This Way” which will be available online on February 17, 2017 with all proceeds donated to Rex Foundation. This track was recorded at Bob Weir’s TRI Studios in San Rafael, CA and engineered by Rick Vargas. Head over to Relix Magazine to hear the World Premiere of “Back This Way” →  http://bit.ly/TheContributionRexPremiere_Relix.

The Contribution is the brainchild of Tim Carbone of Railroad Earth (violin, guitar, vocals) together with Phil Ferlino (keyboards, vocals) and Jeff Miller (guitar, vocals) of New Monsoon. Keith Moseley (String Cheese Incident), has been the bass player from the band’s inception along with vocalist Sheryl Renee (The Black Swan Singers). The drum chair has been occupied by Jason Hann (String Cheese Incident), Matt Butler (Everyone Orchestra), and currently Duane Trucks (Widespread Panic). Both Matt Butler and Duane Trucks appear on the band’s new record, Wilderness And Space.

When Relix magazine announced the The Contribution’s debut record, Which Way World [2010], and called them a “jamband supergroup,” they also recognized, “the band serves the songs first and foremost.” Although the band is comprised of some of the scene’s heavy hitters, the first listen to their music reveals their love of 60s pop and soul coupled with their ability to flat-out shred. It’s what makes the band appealing to music lovers from all walks of life.

Since they are in other touring bands and cannot really get on the road together that often, they came up with this unique idea; Carbone wanted to find a way to live up to the band’s name, which in itself provided the clue as to how, and this is what they cooked up as a way to keep it going and give back in the process. Individually the members of The Contribution have been advocates and activists for various environmental and social causes. Now they have thought of a way to meld the two worlds the band holds dear. They are The Contribution, after all.

The group selected a handful of organizations to partner with and are excited to kick things off with Rex Foundation. Created in 1983 by the Grateful Dead and Family, Rex Foundation aims to help secure a healthy environment, promote individuality in the arts, provide support to critical and necessary social services, assist others less fortunate than ourselves, protect the rights of indigenous people and ensure their cultural survival, build a stronger community, and educate children and adults everywhere. Rex Foundation has granted $8.9 million to over 1,200 recipients.

“For more than 30 years, the Rex Foundation has funded organizations most people might never have heard of, but all of whom do meaningful work that we find important. I believe that these same groups need all of us now more than ever, and I doubt there could be any better way to celebrate their work than by coming together with songs in the air and spirits held high,” says Rex Foundation Executive Director Cameron Sears.

Carbone says, “We feel blessed to be able to make this music and have it help people in need… and we would like to empower those who share our passion and provide a resource for them to take action with us.”

“Back This Way” is a duet sung as a conversation between a man and a woman whose relationship is suffering because the man is always away from home. He could be a musician or a traveling salesman (kind of the same thing) or in the military. It’s an argument that somehow, through love, turns out well. Carbone and Renee take the lead on vocals, backed by Miller, Ferlino, and Mosely, with Matt Butler holding it down on the drums.

Other organizations which will be featured include Conscious Alliance and HeadCount, as well as a handful of others that support the arts, environment, and health. Wilderness And Space will be released on LoHi Records, of which Carbone is one of the partners along with Hard Working Americans’ Todd Snider and Chad Staehly (Gold Mountain Entertainment), and entrepreneur/marketing veteran Jim Brooks.

For more information and music, stay tuned to www.TheContribution.net, www.facebook.com/TheContribution, www.twitter.com/thecontribution, and www.instagram.com/thecontribution.

Hear more about the Wilderness And Space project from Tim Carbone →  https://youtu.be/_6qfJzD97Ak.

Read a great interview with Carbone at Shows I Go To →  http://showsigoto.com/the-contribution-new-music/

Listen in to a podcast interview with Carbone at Ragin’ Randy Entertainment → http://raginrandyentertainment.com/interview-tim-carbone-the-contribution/

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Leftover Salmon Welcomes New Drummer Alwyn Robinson, Release New Song “Two Highways”

Leftover Salmon Fall 2013 Photo by Susan Weiand

 

Leftover Salmon Welcomes New Drummer Alwyn Robinson

Exclusive Jambase Video
Watch LoS Perform “Bird Call” in Jambase Studios

 Jose’ Martinez, our beloved drummer of the past 12+ years and dear friend, has decided to retire from the road and is currently living and performing in Seattle, WA. We wish Jose’ all the best with his future.

With that, we are happy to welcome the young and talented drummer, Alwyn Robinson, into the Leftover Salmon family. Alwyn has been playing with the band for the past few months and the fit couldn’t be better; it’s time to make it official. “Alwyn not only fills Jose’ Martinez’s shoes but his incredible chops and ears are going to propel the next era of Salmon’s growth.” says Vince Herman, “Look out.”

Watch this exclusive video of Leftover Salmon introducing Alwyn and performing “Bird Call” Live at JamBase HQ in San Francisco. → http://bit.ly/19GaRCm. Thanks to Susan Weiand for the new band photo!

Born in 1989 and raised in Marshall, TX, Alwyn Robinson began performing music at the age of three under the guidance of his father and two older brothers. He studied classical percussion as well as marching percussion from his early years through college, and began playing drum set with local bands in Marshall around fourteen. While studying at Texas Tech University and CU Boulder, he performed in various musical ensembles and studied a broad range of musical styles, from classical percussion to steel drum music. Currently living in Colorado, he is teaching and performing with numerous ensembles, including playing with musicians/groups such as: Ron Miles, Organization, Megan Burtt, Ayo Awosika  and Ayo Awosika amongst others.

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“Two Highways” Artwork by Tyler Stout

Leftover Salmon Releases 4th Single Through Breckenridge Brewery

Leftover Salmon Releases Their Fourth Single “Two Highways” through Breckenridge Brewery of Colorado. Drew Emmitt says, “I got the idea for “Two Highways” going down the road in the tour bus on Salmon tour. It’s my attempt to describe the two worlds of being on tour and being home with the family, two very different places that each have a very strong pull on my life and are both equally inspiring and challenging in their own ways.”

“Two Highways” features special guest Steve Berlin (Los Lobos) on keys, and  is the final in a series of four original tunes that have been released since this summer through LoS’s collaboration to offering Handcrafted Music with Handcrafted Beer.

The new tunes are pre-released exclusively within Breckenridge Brewery’s 12-pack Sampler Packs through October. A download code for each song is provided on an exclusive Artist Series coaster, specially created by four well-known artists from the “Rock Art” community and packaged inside the Sampler Packs. There are also screenprinted posters of each song’s artwork available. Tyler Stout designed the image to go along with “Two Highways.” The song will be available soon on iTunes.

More information at: www.breckbrew.com/leftoversalmon

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Leftover Salmon Fall Tour 2013
Oct-29  Tue – Fayetteville, AR – George’s Majestic Lounge
Oct-30  Wed – Nashville, TN – Music City Roots
Oct-31  Thu – Atlanta, GA – Variety Playhouse %
Nov-01  Fri – Charlotte, NC – Visulite Theatre *
Nov-03  Sun – Wilmington, NC – Greenfield Lake Amphitheater *
Nov-05  Tue – Charleston, SC – The Pour House
Nov-06  Wed – Charleston, SC – The Pour House
Nov-07  Thu – Carrboro, NC – Cat’s Cradle *
Nov-08  Fri – Washington, DC – 9:30 Club +
Nov-09  Sat – Richmond, VA – The National +
Nov-10  Sun – Louisville, KY – Headliners Music Hall #
Nov-12  Tue – Ann Arbor, MI – The Ark
Nov-13  Wed – Des Moines, IA – Wooly’s
Nov-14  Thu – Madison, WI – Majestic Theatre ^
Nov-15  Fri – Chicago, IL – The Vic Theatre ^@
Nov-16  Sat – Minneapolis, MN – First Avenue
Nov-17  Sun – Lincoln, NE – Bourbon Theatre
Nov-29  Fri – Boulder, CO – The Boulder Theater
Nov-30  Sat – Boulder, CO – The Boulder Theater
Dec 11-15 Wed-Sun Puerto Morelos, Mexico – Strings and Sol
Dec 28-29 Sat-Sun – Park City, UT- Park City Live
Dec 30-31 Mon-Tue – Seattle, WA – Neptune Theatre
Jan 3-4, 2014 Fri-Sat – Girdwood, AK- Alyeska Resort
Jan 8-9, 2014 Wed-Thu – Kihei, Maui, HI- Stella Blues
Jan 10, 2014 Fri – Paia, Maui, HI – Charley’s
Jan 11, 2014 Sat – Makawao, Maui, HI – Casanova

% w/ Col. Bruce Hampton, Packway Handle Band, & Count M’Butu
* w/ Jon Stickley Trio
+ w/ Swear and Shake
# w/ Bawn in the Mash
^ w/ Big Wu
@ w/ Old Shoe

For more information, please visit: www.LeftoverSalmon.com

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Leftover Salmon Releases 2nd Single Through Breckenridge Brewery: “Thornpipe” Featuring Casey Dreissen

Leftover Salmon Releases 2nd Single Through Breckenridge Brewery:
“Thornpipe” Featuring Casey Dreissen

Because Handcrafted Music Deserves Handcrafted Beer.

Thornpipe Artwork by Jeff Wood

Thornpipe is Available This August Through Breck Brew Download Cards
Accompanied with an Artist Series Coaster and Contests

Bringing new meaning to the practice of catch and release, Breckenridge Brewery of Colorado and bluegrass band Leftover Salmon have caught up with each other to launch the second release in a series of four original songs. The new music is being pre-released exclusively within Breckenridge Brewery’s 12-pack Sampler Packs through October. Each of four song download codes is provided on Artist Series coasters, specially created by four well-known artists from the “Rock Art” community and packaged inside the Sampler Packs.

The second song available is “Thornpipe,” which Andy Thorn wrote years ago, but he believed it was missing something. While attending the Old Settler’s Music Festival in Austin in April, the group hooked up with Casey Driessen who added the missing component – sounds from his fiddle. Sound engineer Mario Casillio was able to set up a makeshift studio in the back of the band’s bus, and as Thorn remembers, “Casey was kind enough to spend a bit of his afternoon laying down some hot fiddlin’.”

“In music you’ve got your hornpipes and your jigs, but this tune is a ‘Thornpipe,’” continued Thorn. “It’s a pretty simple banjo tune with a few twists and turns to have fun with.”

Renowned poster artist Jeff Wood of Zen Mystic Studio created the artwork for “Thornpipe.”

“My art is heavily steeped in psychedelia, so when approached about the LoS Breckenridge coaster project, swirling images started dancing through my head,” said Wood. “‘Thornpipe’ is a great bluegrass tune and I envisioned a group of salmon forming a mandala spinning inside a ring of thorns. Mandalas have been used through the ages as a meditation and contemplation tool for the artist and the viewer. My hopes were that when one looks at the coaster image they will become lost in the image and, with beer in hand, it will take them to a more peaceful Colorado state of mind.”

The second Artist Series song download coasters will begin shipping in specially marked Breckenridge Brewery 12-pack Sampler Packs in mid-August. Every download that is retrieved enters that person in a drawing. The grand prize is a trip for two to Colorado for a VIP experience at Leftover Salmon’s Thanksgiving shows, with a behind-the-scenes Breckenridge Brewery tour and a band meet-and-greet. Other prizes include a band-autographed acoustic guitar made by Andrew White Guitars, which builds Vince Herman his guitars; a set of four Artist Series coaster posters, framed and signed by the band; and weekly online poster giveaways.

Gary Houston, Jeff Wood, Nate Duval and Tyler Stout each crafted their artwork with inspiration from Leftover Salmon’s new music and Breckenridge Brewery’s beers. In addition to the coasters, each artist is printing a limited run of 100 screen print posters that are numbered and signed. The posters are available through weekly giveaways on both Breckenridge Brewery’s and Leftover Salmon’s Facebook and Instagram pages. They also will be given away at special events in select bars in cities where the band is touring.

About Breckenridge Brewery
Breckenridge Brewery was founded in 1990 in Breckenridge, Colorado. In the past two decades Breckenridge Brewery has grown from a small 3,000-barrels-a-year brewpub to one of the most successful craft beer and restaurant companies in the nation. It now handcrafts more than 52,000 barrels of fresh beer annually and owns and operates five brewpubs and ale houses in the state of Colorado. For more information visit www.breckbrew.com.
For complete information visit http://www.breckbrew.com/LeftoverSalmon or follow on Facebook, http://www.facebook.com/BreckenridgeBrewery.

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