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RestHeavyCover_WEB
Chad Elliott & The Redemptions Release
Rest Heavy on August 10, 2018
Bluesy, Rockin’ and Soulful Original Music
Recorded at Sun Studio in Memphis


Available now on all outlets → https://chadelliottrestheavy.hearnow.com

LAMONI, IAIowa singer-songwriter, artist and author, Chad Elliott, independently releases Rest Heavy: The Sun Studio Sessions TODAY, August 10, 2018. With Rest Heavy, Elliott shows his love of roots-rock, soul, and blues music with a rocking band behind his artfully crafted songs and gravelly delivery. The self-produced album was recorded by Ples Hampton at the famed Sun Studio in Memphis, TN. Hampton said, “It was honestly one of the best sessions I’ve ever had up here. This is gold.”

Elliott’s writing weaves love, loss and forgiveness into well-worn lyrics with timeless melodies. “Low, loose, and full of juice. This album’s got a lot of life to it,” said acclaimed Iowa singer-songwriter Greg Brown.

Elliott, performing on acoustic guitar and harmonica, is joined by his full band, The Redemptions, which includes Tommy Lewis (electric guitar, harmonica, background vocals), Travis McFarlane (piano, B3 organ, keys), Kevin Boehnke (acoustic guitar, trumpet), Joseph Cafaro (upright bass), and Jim Van Dorn (drums).

Chad Elliott_PR1_creditMichaelGruich_WEB“I could, literally, feel the shift in the music just by walking through the doors at Sun Studio. The room seemed to have its own electric currency running through it and it made the songs come alive. We walked away feeling like we had an out of body experience. There were times I would just sit in the corners and look into the air of the room to see if that legendary music was still floating there, mixing with ours,” Elliott said.

Elliott performs more than 200 shows each year and is lauded as “Iowa’s Renaissance Man” by Culture Buzz. He has cultivated over 1,000 songs in his career while also honing his skills as a painter, sculptor, and children’s book author/illustrator (Wilderman’s Treetop Tales). He recently published a poetry book, Rumble & Flash.

What Folks Are Saying:

“Iowa suggests such names as Greg Brown, Bo Ramsey, and Pieta Brown among others but now singer-songwriter, artist and author, Chad Elliott can join their esteemed company with Rest Heavy. Even if you didn’t know that these tracks were recorded at Sun Studios in Memphis, you’d still sense a bit of that Elvis Presley style in Elliot’s mix of roots-rock, soul, blues and modern gospel… This album just oozes soul, truth, and seems rather timeless as it could have been recorded almost any time in the last fifty-sixty years.” Elmore, Jim Hynes

“Rest Heavy… opens with an arpeggiated piano riff and cymbal crash before launching into a leaned-back, eyes-closed, soulful-howl gospel-blues tune of which Sam Cooke would have approved… As he croon-wails his way through tracks that range from hardscrabble stories and ain’t-life-like-that tunes to songs of somber reflection, his constellation of influences is clear, with stylized moments and melodic arrangements that evoke the likes of Tom Waits, Eric Clapton, Bruce Springsteen and Doc Watson.”  Little Village Magazine, Lucas Benson

“ … there is a timeless feel all along the tracks that tell his talent.. roots rock, gospel, soul, blues in a perfect spirit… I would even say this album is the perfect tribute to the spirit of the Sun Studios. I already listened at least 10 times to it and these songs take me with them…” —Mike Penard, ISA Radio, France

Right out of the gates with the title track, ‘Rest Heavy,’ the listener knows they are about to take a journey” A Soulful Sound

“[‘Rest Heavy’ is] a modern gospel love song written on Easter Sunday that grabs your heart and soul with its classic harmonica-infused melody, tempered backbeat, and Elliott’s gravelly yet warm delivery that nods to the memory of the greats who made their mark at Sun.”  —The Daily Country premieres the title track “Rest Heavy”

Rest Heavy jumps right at you and doesn’t let go. The whole piece has an edge you can shave with.” —Rob Ellen, Medicine Show Radio (UK)

“Chad’s songs are inspired by real life and by real people. They’re not conjured up in a cookie cutter fashion designated by songwriting rules or regulations. He sings out loud and proud about the places he’s been, the things he’s seen, his life experiences and those of his family and friends.” —Bronson Herrmuth

Rest Heavy Track Listing:
1. Rest Heavy  (3:12)
2. Shy of Shameless  (5:23)
3. Hills of Tennessee  (3:29)
4. Shining Stars  (4:22)
5. Cadillac Problems, Buick Times  (4:56)
6. Alberta  (4:20)
7. Slow Again  (3:47)
8. Dirty River (Catfish Blues)  (3:45)
9. Embarcadero Street  (5:08)
10. Water Under the Bridge  (7:06)
11. St. James Infirmary  (6:21)

Chad Elliott – vocals, electric guitar, harmonica
Tommy Lewis – electric guitar, harmonica, vocals, track 10 chorus
Travis McFarlane – piano, B3 organ, keys, track 10 chorus
Kevin Boehnke – acoustic guitar, trumpet, track 10 chorus
Joseph Cafaro –  upright bass, track 10 chorus
Jim Van Dorn – drums (all), track 10 chorus
Roger D. Feldhans – track 10 chorus

All songs written by Chad Elliott except “St. James Infirmary” (Anonymous)

For more information, tour dates and news from Chad Elliott, please visit www.chadelliott.net, www.facebook.com/elliottmusic, www.twitter.com/chadelliottlive, and www.instagram.com/chadelliottmusic.

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CF_LiveAlbumCover_2018_CreditKeithBersonPhotography

‘Quarter Past Tonight’ Live Album Art by Keith Berson Photography

Chicago Farmer Releases a Live Double Disc Album on Aug. 3
Quarter Past Tonight
Recorded at the Apollo Theater in Peoria, IL
During Two Nights of Sold Out Shows


Chicago Farmer has a truly eclectic style that echoes Arlo Guthrie’s with a contemporary twist, and his storytelling is presented in clear syncopated cadence.Americana Highways: Song Premiere of “Dirtiest Uniforms”


BLOOMINGTON, IL — Some live albums are so good they become the recordings those artists are known for. Frampton Comes Alive and Cheap Trick at Budokan were monster hits and catapulted them to rock superstar status. Cody Diekhoff, too, has big hopes for his first live Chicago Farmer first live album, Quarter Past Tonight, a two-disc set to be independently released Aug. 3. “Folk superstar would be just fine,” Diekhoff says.

A touring musician for 20 years with a quarter century of writing songs under his belt, Diekhoff has seen the type size for his moniker grow steadily larger on festival posters over the years. He called his 21-song 2005 debut album About Time, and the same title would have fit for the new live album, recorded Dec. 1-2, two sold-out nights at the Apollo Theater in Peoria, IL in 2017. This is a solo record with Cody being the only performer, singing and playing guitar as well as harmonica as Chicago Farmer. Fans have requested a live album for years with a love for his stories and banter as much as his songs.

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Chicago Farmer. Photo by Troy Phillips

“People for the longest time have been coming up to me at the merch table — ‘What do you have that’s just like what you just did on stage,’” Diekhoff says. “So after a long time of putting it off, I finally did it.”

Quarter Past Tonight is a celebration of a musical career in which he’s recorded five studio albums of Chicago Farmer music, criss-crossed the country playing thousands of shows, and shared stages with Robert Earl Keen, Todd Snider, Greg Brown, Greensky Bluegrass, The Wood Brothers, Elizabeth Cook, Wayne Hancock, Del McCoury, and Gene Ween — the last two on the same weekend. It also marks a milestone in his life, coming out just before his 40th birthday. “This is kind of my big tribute to me for sticking around this long,” he says.

Growing up in the tiny Illinois town of Delavan (born the same year Cheap Trick at Budokan was recorded), Diekhoff got the writing bug in high school, translating daydreams into stories. He thought of becoming an English teacher… but then he got a guitar. A friend’s father with a guitar introduced him to the timeless artistry of Hank Williams, and when he moved to Chicago after high school he went to the famed Old Town School of Folk Music to hone his harmonica skills and took a deep dive into work of John Prine and Steve Goodman, giants of the Chicago folk scene. Neil Young, John Fogerty, and Arlo Guthrie were among the other role models Diekhoff turned to as he launched his career.

The storytelling he does came early on, from having to fill a four-hour gig without repeating his songs, so he began crafting elaborate introductions to his songs. “In some cases, I guess the story of the song became more entertaining than some of the songs themselves, so people started reciting and requesting those as well,” he says.

Recorded, mixed, and mastered by Chris Harden of The I.V. Labs Studios in Chicago, Quarter Past Tonight offers a greatest-hits retrospective of his work with 32 tracks of stories and songs, including “Watch Doctor,” “Round Table,” and “Postcards” from his debut album, “Illinois Anthem” and “Assembly Line Blues” off of From a Small Town in Illinois [2006], “Weatherman” from Talk of Town [2007], “Workin’ On It” and “Backseat” from Backenforth, IL [2013], and “Rocco N’ Susie” and “Umbrella” from Midwest Side Stories [2016]. The album also features three new original Chicago Farmer songs — “Dirtiest Uniforms,” “$13 Beers,” and “I Need A Hit “— as well as a cover of Backyard Tire Fire’s “Good to Be.”

Quarter Past Tonight is about as authentic as they come. The first disc is the first night’s show, as presented, and disc two documents the second night just as it happened. What’s on those discs is about 98 percent of what he gave the audiences those nights. “We tried to keep it as real as we could,” he says, and that’s his approach to songwriting, too. “Now that I’m older, there’s way more honesty and realness that goes into my songs. Life has happened to me in the last decade, good and bad, and that’s what these songs are about.”

Todd Snider has called Chicago Farmer “the genuine heir to Arlo Guthrie and Ramblin’ Jack Elliot,” and he’s one of Pokey La Farge’s favorite singers. Accolades like that and the chance to record a double live album have Diekhoff feeling fortunate. He’s grateful for what he’s been able to do, for being able to make his daydreams come true, and yet he wants more, has unfulfilled ambitions and feels no relief from “the creativity bug.”

“My heroes all have their own chapter in the Great American Folk Book. Right now, I have a run-on sentence,” he says. “With this live album, I hope it will turn into a paragraph, and maybe a page, and who knows, maybe a chapter of my own. I’m a quarter century into it and feel my best adventures and songs are yet to come.”

Chicago Farmer 2018 Tour Dates
7/12 Thu – The Village Idiot – Maumee, OH
7/14 Sat – Acorn Theater – Three Oaks, MI
7/26 Thu – The Southgate House Revival Sanctuary – Newport, KY
7/27 Fri – Zanzabar – Louisville, KY
7/28 Sat – The Bootleg at Atomic Cowboy  St. Louis, MO
8/2 Thu – SPACE (40th B-day Celebration) – Evanston, IL
8/3-4 Fri-Sat – Castle Theatre (40th B-day Celebration) – Bloomington, IL
8/9 Thu –  Codfish Hollow Barnstormers – Maquoketa, IA
8/10 Fri – The Washington – Burlington, IA
8/11 Sat – People Fest – Hillsboro, WI
8/15 Wed – Harmony By The Bay – Sturgeon Bay, WI
8/16 Thu – 3 Sheeps Brewing Sheboygan, WI
8/17 Fri – Minocqua Brewing Co. – Minocqua, WI
8/18 Sat – Short Branch Saloon – Neenah, WI
8/22 Wed – Hi-Fi – Indianapolis, IN
8/23 Thu – Whispering Beard Folk Fest – Friendship, IN
8/31 Fri – Brewgrass Festival at Edgewater – Madison, WI
9/1 Sat – Shoe Fest – Manteno, IL
9/6 Thu – Woodlands Tavern – Columbus, OH
9/13 Thu – Raccoon Motel – Davenport, IA
9/14 Fri – Cavalier Theater – La Crosse, WI
9/15-16 Sat-Sun – Prairie Burn Music Festival – Hudson, WI
10/12-13 Fri-Sat –  Wander Down Music Festival – Makanda, IL

Quarter Past Tonight Track Listing:

Disc One

  1. Dirtiest Uniforms   (4:52) [Previously Unreleased]
  2. Round Table   (4:38)
  3. Pulled Over On 29   (1:29)*
  4. Anymore   (2:54)
  5. Benefits   (1:23)*
  6. Backseat   (7:57)
  7. Assembly Line Blues   (3:23)
  8. $13 Dollar Beers   (3:03) [Previously Unreleased]
  9. Six Records   (1:00)*
  10. Who On Earth   (4:42)
  11. Fall   (4:05)
  12. Illinois Anthem   (4:03)
  13. Jon Stokes Prison Break Blues   (3:34)
  14. People N’ Places   (10:56)
  15. Good To Be   (3:27) [by Edward David Anderson & Backyard Tire Fire]

    Disc Two
  16. I Need A Hit   (5:07) [Previously Unreleased]
  17. Umbrella   (4:55)
  18. We’re All Billy   (:48)*
  19. Quarter Life Crisis   (2:17)*
  20. Watch Doctor   (5:58)
  21. Weatherman   (3:04)
  22. Nostalgia & Folklore   (2:02)*
  23. Postcards   (2:41)
  24. Hats   (3:49)
  25. Workin’ On It   (7:38)
  26. Breaking Bad   (1:57)*
  27. Rocco N’ Susie   (5:55)
  28. Thank You’s   (:45)*
  29. Victoria Walker   (5:13)
  30. Farms & Factories   (4:22)
  31. Won’t Let You Down   (5:04)
  32. For Dad (Pool Song)   (8:04)

    All tracks FCC clean
    *Banter/Story

    Further information can be found at www.chicagofarmer.com, www.facebook.com/chicagofarmer, and twitter.com/chicagofarmer.

 

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RestHeavyCover_WEB
Chad Elliott & The Redemptions Release
Rest Heavy on August 10, 2018
Bluesy, Rockin’ and Soulful Original Music
Recorded at Sun Studio in Memphis

LAMONI, IAIowa singer-songwriter, artist and author, Chad Elliott, independently releases Rest Heavy: The Sun Studio Sessions on August 10, 2018. Elliott’s writing weaves love, loss and forgiveness into well-worn lyrics with timeless melodies. “Low, loose, and full of juice. This album’s got a lot of life to it,” said acclaimed Iowa singer-songwriter Greg Brown.

With Rest Heavy, Elliott shows his love of roots-rock, soul, and blues music with a rocking band behind his artfully crafted songs and gravelly delivery. The self-produced album was recorded by Ples Hampton at the famed Sun Studio in Memphis, TN. Hampton said, “It was honestly one of the best sessions I’ve ever had up here. This is gold.”

Elliott, performing on acoustic guitar and harmonica, is joined by his full band, The Redemptions, which includes Tommy Lewis (electric guitar, harmonica, background vocals), Travis McFarlane (piano, B3 organ, keys), Kevin Boehnke (acoustic guitar, trumpet), Joseph Cafaro (upright bass), and Jim Van Dorn (drums).

Chad Elliott_PR1_creditMichaelGruich_WEB.jpg

Chad Elliott
Photo by Michael Gruich

“I could, literally, feel the shift in the music just by walking through the doors at Sun Studio. The room seemed to have its own electric currency running through it and it made the songs come alive. We walked away feeling like we had an out of body experience. There were times I would just sit in the corners and look into the air of the room to see if that legendary music was still floating there, mixing with ours,” Elliott said.

Elliott’s live performances, whether with a full band or solo, are a blend of engaging storytelling and memorable song lyrics that captivate audiences of all ages. He said, “Live performance is every bit as creative as the writing process. I love the energy created between performer and audience. It can be a heartbreaking solo ballad or a full band, foot-stomping blues song. When it connects there is no better feeling.”

The Daily Country premiered the title track, “Rest Heavy,” and says it, “grabs your heart and soul with its classic harmonica-infused melody, tempered backbeat, and Elliott’s gravelly yet warm delivery that nods to the memory of the greats who made their mark at Sun.”
Listen here http://bit.ly/TDC_RestHeavy_SongPremiere.

Rest Heavy ranges from modern gospel love songs like the title track (with its throwback soul sound) to the tale of unrequited love in “Alberta.” He delves into country soul with “Hills of Tennessee,” recalls early Tom Waits in the jazzy Cadillac Problems, Buick Times,” adds in some Parlor blues in “Slow Again,” and offers some bottom feeder blues with “Dirty River (Catfish Blues).”

An American ramble song that tips its hat to beat poets, musicians, and ramblers of the world, “Shy of Shameless” is a travel log of sorts. It depicts Elliott’s years of touring and wandering America, living out of a vehicle.

Embarcadero Street” has a raw feel to it with its slinky slide guitar, trashy drums, and the lyrics “Never would’ve guessed I was on the edge… Because I kept myself so clean… Shaved my beard up good and tight… Tried to wash away all the mean… Elliott said, “Years ago, Embarcadero Street in San Francisco was my stomping grounds during a difficult time in my life. I slept on park benches and abandoned piers. This song is like a brief journal entry for me.”

A deeply personal song, “Shining Stars” has a more ethereal sound, highlighting the acoustics of the room and the B3 organ, making this intimate song feel like a throwback to the 50s. Similarly, Water Under the Bridge” is a mending song with a serene groove. Elliott said, “Forgiveness for the sake of peace — that is what ‘Water Under the Bridge’ is about. Finding a place of atonement so one can move on past pain and fear.”

St. James Infirmary,” the only cover on the eleven-track album, is an old New Orleans flavored traditional. Elliott said, “We were in Memphis, so we picked up the tempo and did it in just one take as a bonus track. I have always loved the dark mystery of this song. It was an added bonus track and the entire band let loose.”

Elliott’s early career demonstrates a love of folk, roots, and singer-songwriter music. He has worked with many greats and shared the stage with artists of the highest caliber, including Odetta, Tom Paxton, Loudon Wainwright III, R.L. Burnside, Greg Brown, Ruthie Foster, Jimmie Vaughan, etc.

“Chad’s songs are inspired by real life and by real people,” said Bronson Herrmuth, “They’re not conjured up in a cookie cutter fashion designated by songwriting rules or regulations. He sings out loud and proud about the places he’s been, the things he’s seen, his life experiences, and those of his family and friends.”

Elliott has released 22 albums including The Den Sessions in 2010 which is a ten-volume set. His most recent being RINGGOLD (2017) and Wreck and Ruin (2015). He has been featured on Iowa Public Radio’s Java Blend (“rootsy, gravely growl and impressive, tasteful guitar work”), showcased at Folk Alliance International, composed and performed music for several IPTV documentaries, and won prestigious awards, such as the Woody Guthrie Song Contest (2009).

Elliott performs more than 200 shows each year and is lauded as “Iowa’s Renaissance Man” by Culture Buzz. He has cultivated over 1,000 songs in his career while also honing his skills as a painter, sculptor, and children’s book author/illustrator (Wilderman’s Treetop Tales). He recently published a poetry book, Rumble & Flash.

Rest Heavy jumps right at you and doesn’t let go,” said Rob Ellen of The UK’s Medicine Show Radio. “The whole piece has an edge you can shave with.”

Rest Heavy Track Listing:
1. Rest Heavy  (3:12)
2. Shy of Shameless  (5:23)
3. Hills of Tennessee  (3:29)
4. Shining Stars  (4:22)
5. Cadillac Problems, Buick Times  (4:56)
6. Alberta  (4:20)
7. Slow Again  (3:47)
8. Dirty River (Catfish Blues)  (3:45)
9. Embarcadero Street  (5:08)
10. Water Under the Bridge  (7:06)
11. St. James Infirmary  (6:21)

Chad Elliott – vocals, electric guitar, harmonica
Tommy Lewis – electric guitar, harmonica, vocals, track 10 chorus
Travis McFarlane – piano, B3 organ, keys, track 10 chorus
Kevin Boehnke – acoustic guitar, trumpet, track 10 chorus
Joseph Cafaro –  upright bass, track 10 chorus
Jim Van Dorn – drums (all), track 10 chorus
Roger D. Feldhans – track 10 chorus

All songs written by Chad Elliott except “St. James Infirmary” (Anonymous)

For more information, tour dates and news from Chad Elliott, please visit, www.chadelliott.net, www.facebook.com/elliottmusic, www.twitter.com/chadelliottlive, and www.instagram.com/chadelliottmusic.

 

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AAPHC - promopic.jpg

Amanda Anne Platt & The Honeycutters Play Salvage Station on Friday, July 20
opener tba
$15 adv/ $18 dos
468 Riverside Drive, Asheville, NC
www.salvagestation.com/events2/2018/7/21/amanda-anne-platt-and-the-honeycutters

ASHEVILLE, NC —  Lyrically driven, the songs of Amanda Anne Platt & The Honeycutters blend the band’s old-school country roots attitude with their shared influences of rock and folk. Based in Asheville, North Carolina, Amanda Anne Platt is a storyteller by nature with an incredible band backing her. Performing along Platt, The Honeycutters are Matt Smith on pedal steel and guitar, Rick Cooper on bass, Josh Milligan on drums and harmony vocals, and Evan Martin on keys and guitar.

There is an empathetic and charming wit ingrained in Platt’s songwriting. She has a knack for accessing a deep well of emotion and applying it to her story-telling, whether she is writing from her own experiences or immersing herself into the melody of emotions in another person’s life.

Music City Roots’ Craig Havighurst writes, “She’s soothing (even in the hurtin’ songs) and sobering (except for the drinkin’ songs) and nuanced in a way that I think tops even those rather famous ladies of the moment named Margo and Kacey… I’d be hard pressed to find a finer string of recordings from any band working in the classic country/mountain tradition in these last five years.”

A homegrown entity, the band is critically acclaimed locally, regionally, nationally, as well as overseas. Their most recent album Amanda Anne Platt & The Honeycutters [Organic Records 2017] placed #2 (sandwiched between Jason Isbell and Gregg Allman) in their regional radio station WNCW’s year end listeners poll for 2017! The station’s Music Director Martin Anderson said to No Depression, “Amanda Platt writes songs on par with Lucinda, Isbell, Lauderdale, Hank Sr. In my opinion, anyway.”

“This is a band that does everything right,” says Goldmine’s Mike Greenblatt. “Platt deserves all that might come to her over this, her fifth (and best) album. Backed by pedal steel, electric guitar, keyboards, bass, drums, percussion, and vocal harmony, it’s Platt’s show as she writes, sings and co-produces. Complete with lyrics of introspection with the kind of words you can chew on long after the album ends, it also works on a lighter level by dint of the fact that it just sounds so damn good. Go as deep as you want. It’s all good, as they say.”

Amanda Anne Platt & The Honeycutters received a shout out from Fodor’s Travel Magazine in a write-up about the band’s hometown of Asheville, NC, and a couple of years back they were also featured on XPN World Cafe’s Sense of Place series. In 2017, their music also placed into the Americana Music Association Year End Top 100 list of Americana Airplay for the second year in a row!

For the past ten years Amanda Anne Platt has been singing her original songs with her band The Honeycutters. In that time they have toured all over the United States and (parts of) Canada, as well as making their first trip overseas last summer, playing shows in England and Scotland garnering much praise and many sold out shows, and they made a lot of new friends and fans that they are excited to see again!

The UK’s American Roots’ Magazine Mike Morrison writes, “This is a band whose back catalogue is a match for anyone’s and yet still they’re improving. Modern country music really doesn’t get much better than the highly individual style of Amanda Anne Platt and the Honeycutters.”  

The band is thrilled to have another overseas tour booked for this summer which will take them back to England and Scotland as well as to Ireland, Spain, and The Netherlands from late August through the end of September! They have an Indiegogo campaign currently running to help raise funds to cover the travel costs associated with the trip including round trip airfare to Dublin from the US for 5, internal flights, van and backline (amps, drums) rental, lodging (travelodges, tents, etc), and fuel with a goal aiming to raise $9000 by June 25 which they just surpassed today!

Everyone who donates will gain access to an exclusive (ooo!) tour blog (ahh!) featuring updates and anecdotes from Amanda, as well as photo and video documentation of the band as they experience some inevitable culture shock. Other perks include limited edition tee shirts, handwritten lyrics to an AAP song of your choice, pet portraits (Amanda says, “I don’t claim to be good at drawing, but it will be unique. I can guarantee that.”), CD packages, stickers, drink koozies, and a private House Concert.

Amanda says, “In these crazy days we live in it’s easy to forget that when a song comes on the radio and makes your day a little easier, there were a lot of people involved in getting that song there. However you support the arts, you are making it possible for working artists to keep creating. And when you do that, you are ensuring that this world will continue to have a thriving stream of original art and music. And we all need that!”

Amanda Anne Platt & The Honeycutters are a diamond in the rough, and through their music, travels, the friendships they make along the way, they will continue to bring music straight from the heart to the world.

Watch the official music video for “Birthday Song” https://youtu.be/K168ib7ltTc

Watch the official music video for “Jukebox” → https://youtu.be/T87FD97QNRU

More information at www.TheHoneycutters.com, www.facebook.com/Honeycutters, and www.twitter.com/thehoneycutters.

 

 

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HoneyCov2

Amanda Anne Platt & The Honeycutters New Album
Out June 9 on Organic Records

Country Roots Band from Asheville, North Carolina

Stream or purchase today at all outlets –> https://clg.lnk.to/Lj4Wo

“’Learning How To Love Him’ is a prime example of the new intimacy Platt shares with her audience. Her voice, rising and falling above a simple, spare guitar line, is on display in a way it never has been before.” –Elena See
LISTEN to the song premiere on NPR’s Folk Alley

A coming-of-age song of sorts, ‘Diamond in the Rough’ is a rock-tinged, rootsy track”–Amy McCarthy
LISTEN to the Song Premiere on The Boot

ASHEVILLE, NC — Amanda Anne Platt & The Honeycutters new self-titled album is out today, June 9, on Organic Records. “We’re switching things up a little. After four albums I’ve decided to step out and start using my own name. It’s something that a lot of people have encouraged me to do over the years, and I guess that 2017 just felt right.” says Amanda. “We’re keeping The Honeycutters too because we don’t want to confuse people… really, we’ve always been Amanda Anne Platt & The Honeycutters. I think I’ve just gotten to a place where I feel comfortable enough to be in the spotlight.”

Based in Asheville, North Carolina, Amanda is a storyteller by nature with an incredible band backing her. Performing along with Amanda Anne Platt, The Honeycutters are Matt Smith on pedal steel and Stratocaster, Rick Cooper on bass, Josh Milligan on drums and harmony vocals, and Evan Martin on keys and Telecaster. Lyrically driven, the songs on Amanda Anne Platt & The Honeycutters blend the band’s old-school country roots attitude with their shared influences of rock and folk.

Amanda Anne Platt & The Honeycutters will tour extensively in US this year and are traveling to Europe for the first time this summer. Tour dates and more information at www.TheHoneycutters.com.

Critical Acclaim for Amanda Anne Platt & The Honeycutters:

“Writing with a maturity that belies her early thirties age, Amanda pens tunes about a couple with a 40-year relationship, reflections of a spouse with a terminally ill husband, break-up, strangers, leaving, the music industry, and, of course, love. Platt is as good a songwriter as anyone with an Americana label by their name and that includes Isbell and Lucinda to name just two of them… You will need to listen repeatedly as the album is lengthy and Platt’s lyrics are so damn real and relatable on so many levels.”
Elmore, Jim Hynes

“They… deliver a feisty, witty, hard-knock life realism on their records and this eponymous release, their fifth, is like the continuation of a classic serial novel you just can’t put down… My favorite track is ‘Eden’ and I must have listened to it at least five times because it’s just bloody brilliant, cheeky and slightly heart-wrenching all at once: ‘Don’t keep a TV ’cause the news is always bad and it teaches us to want all the things we’ll never have’ and then the storyteller asks to be let ‘back inside that garden, I won’t eat anything that’s fallen from that goddamn tree.’ —That Mag, Jane Roser

“Platt can find a tune and express it exquisitely with a distinctive voice and a sympathetic band… Her wonderful lyrics seem to be an assessment of the people and circumstances that surround her to find the good bits.”
Americana Music Show, Tony Ives

“Platt opens with the reflective ‘Birthday Song’, warmed in among other things, tasty piano the album is immediately up and running on greased wheels. Blending country with folk and country pop you have Americana music with a capital ‘A’ and it is good!” —Flying Shoes Review (UK), Maurice Hope

“Platt sings like she means it on this country-tinged folk album, and whether or not her nuanced lyrics are drawn directly from real life, they sure sound as if they are… Platt’s vocals convey joy and tenderness and her band provide amiable backup. At its best, this music is on a par with Lucinda Williams’s, which is saying a lot.” —The Morton Report, Jeff Burger

“There is, as with the two before, an easygoing warmth to the album, and a certain kind of knowing. The kind from that comes from being a keen and empathetic observer. From the upbeat ‘Diamond in the Rough’ to the poetic ‘Eden’ to the solemn ‘Long Ride,’ Platt and her band flesh out all that’s real and been missing in country music for lo these many years.”  —No Depression, Amos Perrine

“a gem of an album… The collection combines sharp and emotive songwriting with crisp production values. A successful blend of country roots and honky-tonk, but with a defining Appalachian twist. Above it all hovers Platt’s voice – laconic, sultry, pitch perfect and ultimately charming.” —Listening Through The Lens, Rob Dickens

“Amanda Anne is one of the best songwriters I have ever heard – and I have been listening carefully to music for about 55 years. She writes with her heart and her brain and her observations on life, love and other matters of importance are sparkling …
Her songs get into your blood and become a part of you.”
letter from David Whittaker who commissioned the song “Rare Thing” for his wife Holly

“Amanda is so good it’s ridiculous. I don’t even know what words to use. Her singing, songwriting and presence is unmatched in Americana, Country, Pop… Simply breathtaking.” — Saul Davis: producer (Percy Sledge), manager (Gene Clark, Carla Olson, Phil Seymour).

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Amanda Anne Platt & The Honeycutters Track Listing

1. Birthday Song 4:15
2. Long Ride 3:47
3. What We’ve Got 4:46
4. Diamond In The Rough 4:37
5. Eden 5:33
6. The Guitar Case 4:18
7. Learning How To Love Him 4:17
8. Brand New Start 3:14
9. Late Summer’s Child 3:57
10. The Good Guys (Dick Tracy) 4:38
11. Rare Thing 4:43
12. The Things We Call Home 2:39
13. The Road 2:40

Produced by Amanda Anne Platt and Tim Surrett

Mixing and Mastering by Recording Engineer Scott Barnett at Crossroads Studios in Arden, NC

Stream or purchase Amanda Anne Platt & The Honeycutters here →  https://clg.lnk.to/Lj4Wo

More information at www.TheHoneycutters.com, www.facebook.com/Honeycutters, and www.twitter.com/thehoneycutters.

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Amanda Anne Platt & The Honeycutters New Album Out June 9
The album is now on pre-sale →  https://clg.lnk.to/Lj4Wo

ASHEVILLE, NC –“We’re switching things up a little. After four albums I’ve decided to step out and start using my own name. It’s something that a lot of people have encouraged me to do over the years, and I guess that 2017 just felt right.” That name, Amanda Anne Platt & The Honeycutters, is also the title of the band’s new album, which will be released by Organic Records June 9, 2017. “We’re keeping The Honeycutters too because we don’t want to confuse people… really, we’ve always been Amanda Anne Platt & The Honeycutters. I think I’ve just gotten to a place where I feel comfortable enough to be in the spotlight.”

Amanda is so good it’s ridiculous. I don’t even know what words to use. Her singing, songwriting and presence is unmatched in Americana, Country, Pop… Simply breathtaking,” said Saul Davis: producer (Percy Sledge), manager (Gene Clark, Carla Olson, Phil Seymour).

Lyrically driven, the songs on Amanda Anne Platt & The Honeycutters blend the band’s old-school country roots attitude with their shared influences of rock and folk. Amanda says of the album, “I think it’s just about life and all that that entails. Including but not limited to death, strangers, birthdays, money, leaving, arriving, seasons, corruption, and love.”

Performing along with Platt, The Honeycutters are Matt Smith on pedal steel and Stratocaster, Rick Cooper on bass, Josh Milligan on drums and harmony vocals, and Evan Martin on keys and Telecaster.

Amanda Anne Platt & The Honeycutters is the group’s third release on Organic Records, and fifth album. Assembling the same the same team as 2016’s On The Ropes, Balsam Range’s Tim Surrett steps in for the second time to co-produce this album along with Amanda. Its thirteen tracks were recorded, mixed, and mastered by Scott Barnett at Crossroads Studios in Arden, NC near the band’s hometown of Asheville, NC.

There is an empathetic and charming wit ingrained in Amanda’s songwriting. She has a knack for accessing a deep well of emotion and applying it to her story-telling, whether she is writing from her own experiences or immersing herself into the melody of emotions in another person’s life.

Amanda Platt writes songs on par with Lucinda, Isbell, Lauderdale, Hank Sr. In my opinion, anyway.” said, WNCW’s Music Director Martin Anderson to No Depression.

In the lead off track, “Birthday Song,” Amanda writes with a gentle optimism, “Every time it gets colder I get another year older… I start looking for lines in the bathroom mirror… but when I lay down at night I swear I must have done something right… cause I’m still so damn glad to be here… I’ve been trying to love the questions, and keep on guessing.” Written just before her 30th birthday, Platt calls the song, “a summation of everything I learned in that decade.

There is an easygoing warmth to the album, enhanced by the its refined arrangement and production; from the upbeat “Diamond in the Rough” to the poetic and observational “Eden” to the very personal, yet universal, “Brand New Start” to “Late Summer’s Child” (an ode to her favorite season) and “Rare Thing” (a song commissioned from Platt from a fan as a love song to his wife that ended up being included on the album. “Your mama said that it would never last… but these years go by so fast… and you’re the song I’m humming to myself as I’m counting the miles… you’re such a rare thing.”) One can feel it even in songs with a more solemn concept behind them like, like “Long Ride,” which speaks of living in the moment in the face of mortality.

Platt wrote “Learning How To Love Him” after hearing an acquaintance of hers talk about learning that her husband of 40+ years was terminally ill. She says, “What really struck me was how she described the tenderness that the news brought back to their relationship.” Amanda sings, “’I woke last night and I felt so afraid, I turned on the light and shook him awake and we stared at the ceiling, listening to the sink drip… I spent my whole life learning how to love him and I never loved him more than I do today.”

The successes of On The Ropes [2016] and Me Oh My [2015] have propelled Amanda Anne Platt and The Honeycutters onto the national scene and they have been featured on NPR’s World Cafe’s Sense of Place, NPR’s Mountain Stage, Nashville’s Music City Roots, and Folk Alley and they have performed at AmericanaFest, MerleFest, and IBMA. On The Ropes debuted at #39 on iTunes Top 40 Country Chart on release day and landed on a plethora of year end lists including placing #35 on the Top 100 Albums played on Americana Radio in 2016 and landing at #1 on Western North Carolina’s WNCW Radio’s Year End Listeners Poll of Top Albums of 2016!

On The Ropes hit #11 on the EuroAmericana Chart and The UK’s Julian Piper with Acoustic Magazine says, “Amanda Platt has one of those gorgeous heartache-drenched voices that brings to mind Loretta Lynn or Sheryl Crow.”

Amanda Anne Platt & The Honeycutters plan to tour extensively in US this year and will travel to Europe for the first time in the summer. They are excited to release Amanda Anne Platt & The Honeycutters to the world this spring!

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Amanda Anne Platt and The Honeycutters on Tour
5/6 Sat – Green River Adventures – Saluda, NC
5/19 Fri – Birdfest – Pinewood, SC
5/20 Sat – Sunset Fest – Dandridge, TN
6/2 Fri – The Neighborhood Theater – Charlotte, NC ^ w/ Town Mountain
6/9-10 Fri-Sat – The Grey Eagle – Asheville, NC
6/17 Sat – The Ark – Ann Arbor, MI
6/21 Wed – Abilene Bar and Lounge – Rochester, NY
6/22 Thu – Sportsmen’s Tavern – Buffalo, NY
6/23 Fri – Cathedral Café – Fayetteville, WV
7/14 Fri – Variety Playhouse – Atlanta, GA * w/ Amy Ray Band (of The Indigo Girls)
7/19 Wed – Taos Mesa Brewing – El Prado, NM
7/21 Fri – Telluride Americana Music Fest & Songwriter Showcase at Sheridan Opera House – Telluride, CO
7/22-23 Sat-Sun – Mountain Rails Live – Alamosa, CO

UK DATES
8/4 Fri – Plough Arts Centre – Great Torrington
8/5 Sat – Tumbleweed at Seven Arts – Leeds
8/6 Sun – Saltburn Arts – Saltburn-by-the-Sea
8/8 Tue – Performing Arts Centre – Kilbarchan
8/9 Wed – Private function – Edinburgh
8/10 Thu – Fringe by The Sea – North Berwick
8/11 Fri – Eastgate Theatre – Peebles
8/12 Sat – Jumpin Hot Country Cantina at Acklington Village Hall – Acklington, Northumberland
8/13 Sun – Woodend Gallery – Scarborough
8/16 Wed – Green Note – London
8/17 Thu -Union Music Store at Con Club – Lewes
8/18 Fri – Square & Compass – Worth Matravers
8/19 Sat – Town Hall Live @ Kirton in Lindesy – Lincs
8/20 Sun – American Museum – Bath (afternoon)
More USA dates TBA!

Amanda Anne Platt & The Honeycutters Track Listing
1. Birthday Song 4:15
2. Long Ride 3:47
3. What We’ve Got 4:46
4. Diamond In The Rough 4:37
5. Eden 5:33
6. The Guitar Case 4:18
7. Learning How To Love Him 4:17
8. Brand New Start 3:14
9. Late Summer’s Child 3:57
10. The Good Guys (Dick Tracy) 4:38
11. Rare Thing 4:43
12. The Things We Call Home 2:39
13. The Road 2:40

More information at www.TheHoneycutters.com, www.facebook.com/Honeycutters, and www.twitter.com/thehoneycutters.

 

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Bill Scorzari’s
Through These Waves, Produced by Jonah Tolchin, Released March 10

Bringing Together a Cast of Fine Musicians,
Scorzari Explores Impassioned & Thoughtful Landscapes

Available now on iTunes, Bandcamp, Spotify, and CD Baby

Huntington, NY — New York native, Bill Scorzari independently releases his sophomore album, Through These Waves, Today, March 10, 2017. Produced by Jonah Tolchin (Yep Roc) and engineered, mixed, and mastered by Billy Bennett, the album of all original material was recorded over twelve days at the famed Bomb Shelter in East Nashville through the studio’s 1970’s MCI console and mixed to tape. In a recent interview with No Depression, Tolchin calls Bill Scorzari, “one of the greatest songwriters I’ve ever heard.” With sincere and robust lyrics, Scorzari’s raspy vocals usher the listener breezily into his world.

Joining Scorzari on the album are Joachim Cooder (drums, percussion), Laur Joamets (electric guitar, slide guitar), Chris Scruggs (steel guitar), Will Kimbrough (mandolin, piano), Eamon McLoughlin (fiddle, viola, cello), Jon Estes (upright bass, guitar, organ), Kim Richey (vocals), Brent Burke (dobro) and more.

Bill has a scruffy sentimentality that was comforting to behold.” Billy Bennett comments on the recording sessions, “There were humbling moments of marvel for me during the process, as the tremendous cast of musicians populated Bill’s emotional landscapes beautifully. I was privileged to have played a part.”

“One of the most idiosyncratic voices I’ve ever come across,” Laur Joamets expresses. “Bill’s timbre is one-of-a-kind. It’s a great record. I’m proud to be on it.”

Even through all of the chaos in the world, every time you are let down, or hurt, or feel broken, there is a softness within our hearts that will help us to come through and rise above anything that life deals us, without hardening our spirit. There’s a solemn, yet uplifting and gracious feel to Through These Waves, a gentle roll of energy in the songs and the recording experience that is emphasized in the musical collaboration that came about when the musicians entered the studio.

Will Kimbrough says, “I enjoyed playing on Bill Scorzari’s record… Boy, did it turn out fine — thoughtful, soulful songs, with -by God- real music to back them up. Top notch.”

From the Critics:

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Bill Scorzari. Photo by Lauren Jahoda

“One of 2017’s best albums so far… The crisp, organic interplay of both acoustic and electric instruments perfectly frame Scorzari’s weathered, raspy voice that many have described as ‘singular’ or ‘idiosyncratic.’ Just to give you some clues, head in the direction of Tom Waits or Malcolm Holcombe. Scorzari’s voice is in that neighborhood but still stands apart. And, then there are his thoughtful, cinematically shaped songs that continue to resonate after repeated listens. Yes, this is a ‘must hear’ for singer-songwriter aficionados.” —Elmore, Jim Hynes

“…once in awhile… just once in awhile… you find one and, man, it’s a rush. Case in point, a compact disc by Bill Scorzari titled Through These Waves…Bill Scorzari is a force. His songwriting is stellar, his picking above par and his voice fits his songs perfectly. The album itself is a knockout… performances are topnotch all-around…I give this a solid A, top to bottom. I give ‘Hound Dog Diggin” an A+ for the groove alone.” —No Depression, Frank Gutch Jr.

“Bill Scorzari has a lived-in voice that says, ‘Listen to these songs.’ They spring from the earth and the ocean with an open heart and the wisdom of experience.” –WFUV’s John Platt. Listen in to Bill’s recent interview in WFUV’s Sunday Supper → www.wfuv.org/content/susan-kane-and-bill-scorzari

“Scorzari’s songs are consistently profound, poetic, and emotional; and his voice—as gravelly and compelling as Tom Waits’s—is counterpointed beautifully with strings and, on the gorgeous ‘More of Your Love,’ a female vocalist. This is one of the most compelling albums by a little-known artist that I’ve heard in a while.”  The Morton Report, Jeff Burger

“Scorzari’s songs are often about seeking a kindred soul and in that finding solace. There is a poetic grace that makes them worth listening to and reading.” —Lonesome Highway, Stephen Rapid

“An album that is serene, uplifting, and powerful, Through These Waves is a gem waiting to be discovered.” —The Daily Country, Tara Joan

“Scorzari sings, but his version of singing is more of the spoken poetry with a pulsating vibration timbre that Sam Baker has perfected over the course of four albums and innumerable gigs. He connects with listeners by creating soundscapes that reveal descriptions of mood and atmosphere more than character. You listen and think, Yes—I’ve felt that…” —Fervor Coulee, Donald Teplyske

“… he’s a songwriter of the highest order with a three pack a day voice that sounds nothing like that during every day conversation. When he’s on stage though, that voice will make you pay attention to lyrics that can turn a phrase, make you think or make you thankful that there’s someone out there to relate to.” —Medium, Thomas Gerbasi

“…Scorzari has struck gold on what is only his second album, Through These Waves…His style of music occasionally reminds me of Sam Baker, the wistfulness and precise nature of the songs and wondrous beauty, and arguably his greatest attribute honesty the record is one of the finest I have stumbled across in a long time.”  —Flying Shoes Review (UK) Maurice Hope

Through These Waves Track Listing:
1. A Dream of You (5:48)
2. A Brand New Deal (3:12)
3. Shelter From the Wind (5:28)
4. Hound Dog Diggin’ (3:27)
5. More of Your Love (5:23)
6. Holy Man (3:26)
7. She Don’t Care About Auld Lang Syne (4:21)
8. For When I Didn’t See (3:56)
9. Loser at Heart (4:33)
10. I Can Carry This (4:32)
11. It’s Time (3:30)
12. Riptide (4:38)

Musician Credits (alphabetical order):
Brent Burke: Dobro
Joachim Cooder: Drums, Percussion
Jon Estes: Upright Bass (Tracks 2, 3, 5, 8, 11), Second Acoustic Guitar (Track 5), Organ (Track 10), Percussion (Track 8)
Laur Joamets: Electric Guitars (Track 4), Slide Guitar (Track 6)
Annie Johnson: Second Vocal (Track 5)
Will Kimbrough: Mandolin, Piano
Marie Lewey: Background Vocals (Tracks 4, 10)
Eamon McLoughlin: Fiddle, Viola, Cello
Matt Murphy: Upright Bass (Tracks 1, 4, 6, 9, 10, 12)
Kim Richey: Second Vocal (Track 6)
Danny Roaman: Slide Guitar (Tracks 3, 4, 9)
Bill Scorzari: Acoustic Guitar, Vocals, Chair
Chris Scruggs: Steel Guitar
Jonah Tolchin: Electric Guitar (Tracks 1, 6, 11, 12), Lap Steel (Tracks 1, 10, 11)
Kyle Tuttle: Banjo
Cindy Walker: Background Vocals (Tracks 4, 10)

For more information and updates, please visit www.billscorzari.com, www.facebook.com/billscorzari , and www.twitter.com/BillScorzari.

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