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Tellico’s
Relics and Roses Hit the Streets This Week- Storytelling with Roots

Tellico takes you on a journey through the modern Appalachian soundscape, with masterful storytelling and memorable instrumental and vocal performances that wed tradition with a contemporary Americana sensibility

Now available at:
CD Baby,  iTunes, & Amazon

ASHEVILLE, NC — Tellico independently released their debut album, Relics and Roses, this week on June 2, 2015. The album features the singing and songwriting of Anya Hinkle (guitar, fiddle) and Stig Stiglets (bass), and showcases Aaron Ballance on dobro and pedal and lap steel and Jed Willis on mandolin and clawhammer banjo. Guitar virtuoso Jon Stickley (Jon Stickley Trio) produced the album and makes a few guest appearances with drums and guitar. The album was recorded at Sound Temple Studios in Asheville, NC.

Relics and Roses is a record that you be will be drawn to not to simply listen, but to actively listen. While timeless and authentic are words you hear describing music quite often, here they both ring true,” writes The Daily Country.

Storytelling is at the helm of Tellico’s music. “Throughout the set, they touch on issues ranging from natural disasters to foreign adventures. One tune, though, hits especially close to home. Inspired by Asheville author Thomas Wolfe’s book of the same name, ‘Can’t Go Home Again’ tugs at the loose threads of that notion,” writes The Bluegrass Situation.

The leading track, “Backstep Blues” [Hinkle] has a “backstep”, a rhythmic hiccup that is typical of old time music, telling the story of a man’s successive retreat from his wife (with the refrain “hey where did your daddy go wrong?”), leaving her with the “backstep blues.”  “Calamity”, written by Stiglets, is a tale of disaster sparked by a combination of Hurricane Katrina and Japan’s 2011 tsunami, and the destructive and terrifying images of those events. “Forsaken Winds” is poetry unto itself with the ethereal sounds of Ballance’s pedal steel filling in the spirit of the lyrics; while “Hawkeye Pierce and Honeycutt Blues” is a tongue and cheek raggy romp in an Asheville street busker’s shoes.

“Mexico 1995” is a coming-of-age story penned by Hinkle after a solo four month journey, mostly by bus, from Nogales, Arizona through Guatemala and back. It was before the internet, before cell phones, and after a grisly war and genocide in southern Mexico and Guatemala, a real eye opener for a kid, all during the winter after Jerry Garcia died. Hinkle says, “That early morning that I walked back, on foot, into my post-college privileged American life after crossing the border at Nogales was like a dream, I was a ghost in my own shoes, my idea of who I was as porous as the haze that seemed to linger that entire day that I re-emerged.” The song uses samples from iconic songs that set up the general feeling that it’s all been done before. Hinkle reflects, “Where does a kid go with that? What’s ahead that’s worth anything?”

All of the songs on Relics and Roses were penned by Hinkle and Stiglets with the exception “White Line-River of Pride,” a Neil Young and Crazy Horse medley of two dirty electric rock tunes buttoned up bluegrass-style.

Relics and Roses is the first since Anya, Stig, and Aaron formed Tellico after recording four records with the Asheville-based bluegrass band Dehlia Low, whose final album Ravens and Crows was released on the Rebel Records label in 2011.

Find out more about Tellico & Relics and Roses at at Tellicoband.comfacebook.com/Tellicotwitter.com/TellicoBand.

Tellico. Photo by Jennifer Calllahan

Tellico. Photo by Jennifer Calllahan

What Folks are Saying About Relics and Roses:

“Fresh from the fertile roots music scene in Asheville, NC, comes bluegrass foursome Tellico, who make a remarkable first impression with splendid debut album Relics and Roses. If you’re a fan of mountain music, I urge you to check out this up-and-coming outfit… four first-rate musicians… This one’s a winner, y’all” —Jeffrey Sisk, Pittsburgh in Tune

“With deep warm tones, intimate vocals, vivid lyrics, natural arrangements, and emotional solos Tellico masterfully draws the listener into the center of their original songs. Relics and Roses paints a cinematic picture, continually stirring feelings of nostalgia. Through their wonderful musicianship they never fail to create an atmosphere that perfectly enhances their storytelling.  I love this CD!”
Chad Manning of the David Grisman Bluegrass Experience

“….wonderfully original mountain music. Sometimes they sound like what Kate Wolf would sound like had she come from the Southern Appalachians – a beloved image if you ask me.”
Martin Anderson, Music Director & Morning Host WNCW-FM

“The album of mostly original songs is superbly orchestrated and delivered taking the listener on an auditory odyssey that ranges from soulful and deep to upbeat and euphoric. Anya, Aaron, Stig, and Jed have woven a tapestry that is timeless and authentic and deserving of your attention.”
Steve Johnson, Event Producer/Artist Relations Manager, Wilkesboro, NC

“Tellico picks up where Dehlia Low left off, focusing and refining their sound. Relics and Roses is… step forward in songwriting, with Anya Hinkle and Greg ‘Stig’ Stiglets crafting an acoustic soundscape of Appalachian daydreams that stack up to the works of John Hartford, Emmylou Harris and the Avett Brothers. Songs like ‘I Want To Know’ reach out and grab you immediately… a captivating album.”
–Joe Kendrick, WNCW Program Director 88.7 FM

“The bluegrass influence is as bright as the playing in the music of Tellico.” — The Alternate Root “Backstep Blues” listed in Top Ten Songs of the Week

“Asheville, NC has produced some of the most interesting new sounds in the modern bluegrass and old time music scene of late. Something about the community there is drawing creative people, and clumping them together to make string band music that pushes boundaries while holding on to tradition. Tellico is such a group —John Lawless, Bluegrass Today

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Asheville’s Tellico Debuts with Relics and Roses, Due Out June 2nd

Tellico takes you on a journey through the modern Appalachian soundscape, with masterful storytelling and memorable instrumental and vocal performances that wed tradition with a contemporary Americana sensibility

ASHEVILLE, NC — Tellico independently releases their debut album Relics and Roses on June 2, 2015. The album features the singing and songwriting of Anya Hinkle (guitar, fiddle) and Stig Stiglets (bass), and showcases Aaron Ballance on dobro and pedal and lap steel and Jed Willis on mandolin and clawhammer banjo. Guitar virtuoso Jon Stickley (Jon Stickley Trio) produced the album and makes a few guest appearances with drums and guitar.

The album is available now for pre-order at Tellicoband.com and includes an immediate download of the leading track, “Backstep Blues,” which is also available to stream now at the band’s website. Firmly planted in Asheville NC’s thriving roots music scene, Tellico is well schooled in bluegrass but with an unbridled organic “Appalachiacana” sound, combining some of the finest voices, songs and instrumental prowess in western North Carolina and beyond. Anya and Stig’s committed, authentic vocals are alloyed with Aaron’s flowing and soaring dobro and Jed’s textured and expressive mandolin, rooted in the mountain music they grew up with while pushing tradition into a modern Americana sound aesthetic.

Tellico. Photo by Jennifer Calllahan

Tellico. Photo by Jennifer Calllahan

Storytelling is at the helm of Tellico’s music. All of the songs on Relics and Roses were penned by Hinkle and Stiglets with the exception “White Line-River of Pride,” a Neil Young and Crazy Horse medley of two dirty electric rock tunes buttoned up bluegrass-style. The leading track, “Backstep Blues” [Hinkle] has a “backstep”, a rhythmic hiccup that is typical of old time music, telling the story of a man’s successive retreat from his wife (with the refrain “hey where did your daddy go wrong?”), leaving her with the “backstep blues.” “Calamity”, written by Stiglets, is a tale of disaster sparked by a combination of Hurricane Katrina and Japan’s 2011 tsunami, and the destructive and terrifying images of those events.

“Forsaken Winds” is poetry unto itself with the ethereal sounds of Ballance’s pedal steel filling in the spirit of the lyrics; while “Hawkeye Pierce and Honeycutt Blues” is a tongue and cheek raggy romp in an Asheville street busker’s shoes. “You Can’t Go Home Again” is inspired by Asheville author Thomas Wolfe’s book of the same name. Anya found the book to be so richly descriptive in Wolfe’s longwinded style, especially when the protagonist DOES go home again, which she said, “reminded me of something that my dad always used to say: ‘you can’t go home again’! Of course you can’t. The comforting idea of home is just that, an idea. You have to face yourself and your life. Running from it, either to home or far away from it, doesn’t alleviate your suffering.”

“Mexico 1995” is a coming-of-age story penned by Hinkle after a solo four month journey, mostly by bus, from Nogales, Arizona through Guatemala and back. It was before the internet, before cell phones, and after a grisly war and genocide in southern Mexico and Guatemala, a real eye opener for a kid, all during the winter after Jerry Garcia died. Hinkle says, “That early morning that I walked back, on foot, into my post-college privileged American life after crossing the border at Nogales was like a dream, I was a ghost in my own shoes, my idea of who I was as porous as the haze that seemed to linger that entire day that I re-emerged.” The song uses samples from iconic songs that set up the general feeling that it’s all been done before. Hinkle reflects, “Where does a kid go with that? What’s ahead that’s worth anything?”

Relics and Roses is the first since Anya, Stig, and Aaron formed Tellico after recording four records with the Asheville-based bluegrass band Dehlia Low, whose final album Ravens and Crows was released on the Rebel Records label in 2011.

“I love how the songs on Relics and Roses sound with these musicians covering all details that I didn’t even realize I was longing to hear. The band’s rich playing overlays absolutely perfectly with the meanings of the songs, whether playful and amusing or searching, haunting and lonely,” says Hinkle.

What Folks are Saying About Relics and Roses:

“With deep warm tones, intimate vocals, vivid lyrics, natural arrangements, and emotional solos Tellico masterfully draws the listener into the center of their original songs. Relics and Roses paints a cinematic picture, continually stirring feelings of nostalgia. Through their wonderful musicianship they never fail to create an atmosphere that perfectly enhances their storytelling.  I love this CD!”
Chad Manning of the David Grisman Bluegrass Experience

“….wonderfully original mountain music. Sometimes they sound like what Kate Wolf would sound like had she come from the Southern Appalachians – a beloved image if you ask me.” —Martin Anderson, Music Director & Morning Host WNCW-FM

“The album of mostly original songs is superbly orchestrated and delivered taking the listener on an auditory odyssey that ranges from soulful and deep to upbeat and euphoric. Anya, Aaron, Stig, and Jed have woven a tapestry that is timeless and authentic and deserving of your attention.” —Steve Johnson, Event Producer/Artist Relations Manager, Wilkesboro, NC

“Tellico picks up where Dehlia Low left off, focusing and refining their sound. Relics and Roses is… step forward in songwriting, with Anya Hinkle and Greg ‘Stig’ Stiglets crafting an acoustic soundscape of Appalachian daydreams that stack up to the works of John Hartford, Emmylou Harris and the Avett Brothers. Songs like ‘I Want To Know’ reach out and grab you immediately… a captivating album.”
–Joe Kendrick, WNCW Program Director 88.7 FM

Tellico Tour Dates
Fri 5/8 – LEAF Festival – Black Mountain, NC
Fri 5/22 – Music In The Valle – Valle Crucis Community Park – Valle Crucis, NC
Sun 5/31 – The Rooster’s Wife – Aberdeen, NC
Fri 6/5 – Isis Restaurant and Music Hall – Asheville, NC
Fri 6/12 – Music On The Square – Jonesborough, TN
Sat 6/13 – Granite Falls Brewery- Granite Falls, NC
Fri 6/19 – Groovin’ on the Green Summer Concert Series – Cashiers, NC
Fri 6/26 – Nantahala Outdoor Center – Bryson City, NC
Sat 6/27 – 185 King Street – Brevard, NC
Sat 7/11 – Bluegrass On The Grass, 20th Anniversary – Carlisle, PA
Fri 8/21 – The Jones House-Summer Concert Series – Boone, NC
Sat 8/29 – US National Whitewater Center River Jam – Charlotte, NC
Sat 9/19 – Apple Fest – Winston-Salem, NC
Sat 10/17 – Cowee School Concert Series – Franklin, NC

More shows to be announced!

Find out more about Tellico and Relics and Roses at at Tellicoband.com, facebook.com/Tellico & twitter.com/TellicoBand.

 

 

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Tellico. Photo by Jennifer Calllahan

Tellico. Photo by Jennifer Calllahan

Asheville’s Tellico Debuts with Relics and Roses, Due Out June 2nd Announcing Shows at LEAF & Isis in Asheville this Spring!

Explorative acoustic music that goes beyond conventional bluegrass, integrating with equal ease an old-time banjo-fiddle groove and an Americana aesthetic with drums and electric steel guitars.

“….wonderfully original mountain music. Sometimes they sound like what Kate Wolf would sound like had she come from the Southern Appalachians
– a beloved image if you ask me.”
Martin Anderson, Music Director & Morning Host WNCW-FM

“The album of mostly original songs is superbly orchestrated and delivered taking the listener on an auditory odyssey that ranges from soulful and deep to upbeat and euphoric. Anya, Aaron, Stig, and Jed have woven a tapestry that is timeless and authentic and deserving of your attention.”
Steve Johnson, Event Producer/Artist Relations Manager, Wilkesboro, NC

tellicoW142fin2Tellico will independently release their debut album Relics and Roses on June 2, 2015. The album features the singing and songwriting of Anya Hinkle (guitar, fiddle) and Stig Stiglets (bass), and showcases Aaron Ballance on dobro and pedal and lap steel and Jed Willis on mandolin and clawhammer banjo. Guitar virtuoso Jon Stickley (Jon Stickley Trio) produced the album and makes a few guest appearances with drums and guitar.

The album is available now for pre-order at Tellicoband.com and includes an immediate download of the leading track, “Backstep Blues.” Tellico is pleased to announce Asheville regional shows including a Friday evening set at LEAF Festival on May 8th and an album release celebration at Isis Music Hall on Friday, June 5th. Visit their website for the most updated show listings.

Firmly planted in Asheville NC’s thriving roots music scene, Tellico is well schooled in bluegrass but with an unbridled organic “Appalachiacana” sound, combining some of the finest voices, songs and instrumental prowess in western North Carolina and beyond. Anya and Stig’s committed, authentic vocals are alloyed with Aaron’s flowing and soaring dobro and Jed’s textured and expressive mandolin, rooted in the mountain music they grew up with while pushing tradition into a modern Americana sound aesthetic.

Storytelling is at the helm of Tellico’s music. All of the songs on Relics and Roses were penned by Hinkle and Stiglets with the exception “White Line-River of Pride,” a Neil Young and Crazy Horse medley of two dirty electric rock tunes buttoned up bluegrass-style. The leading track, “Backstep Blues” [Hinkle] has a “backstep”, a rhythmic hiccup that is typical of old time music, telling the story of a man’s successive retreat from his wife (with the refrain “hey where did your daddy go wrong?”), leaving her with the “backstep blues.” “Calamity”, written by Stiglets, is a tale of disaster sparked by a combination of Hurricane Katrina and Japan’s 2011 tsunami, and the destructive and terrifying images of those events.

“Forsaken Winds” is poetry unto itself with the ethereal sounds of Ballance’s pedal steel filling in the spirit of the lyrics; while “Hawkeye Pierce and Honeycutt Blues” is a tongue and cheek raggy romp in an Asheville street busker’s shoes. “You Can’t Go Home Again” is inspired by Asheville author Thomas Wolfe’s book of the same name. Anya found the book to be so richly descriptive in Wolfe’s longwinded style, especially when the protagonist DOES go home again, which she said, “reminded me of something that my dad always used to say: ‘you can’t go home again’! Of course you can’t. The comforting idea of home is just that, an idea. You have to face yourself and your life. Running from it, either to home or far away from it, doesn’t alleviate your suffering.”

“Mexico 1995” is a coming-of-age story penned by Hinkle after a solo four month journey, mostly by bus, from Nogales, Arizona through Guatemala and back. It was before the internet, before cell phones, and after a grisly war and genocide in southern Mexico and Guatemala, a real eye opener for a kid, all during the winter after Jerry Garcia died. Hinkle says, “That early morning that I walked back, on foot, into my post-college privileged American life after crossing the border at Nogales was like a dream, I was a ghost in my own shoes, my idea of who I was as porous as the haze that seemed to linger that entire day that I re-emerged.” The song uses samples from iconic songs that set up the general feeling that it’s all been done before. Hinkle reflects, “Where does a kid go with that? What’s ahead that’s worth anything?”

Relics and Roses is the first since Anya, Stig, and Aaron formed Tellico after recording four records with the Asheville-based bluegrass band Dehlia Low, whose final album Ravens and Crows was released on the Rebel Records label in 2011. “I love how the songs on Relics and Roses sound with these musicians covering all details that I didn’t even realize I was longing to hear. The band’s rich playing overlays absolutely perfectly with the meanings of the songs, whether playful and amusing or searching, haunting and lonely,” says Hinkle.

Tellico is Pleased to Announce Asheville Regional Shows Including

LEAF Festival on Friday, May 8th
Set Time: Eden Hall @ 7:15-8:30pm
www.theleaf.org/the-festival/

AND

Isis Music Hall on Friday, June 5th Album Release Celebration
Jon Stickley opens solo and will join Tellico for some tunes
$8 adv / $10 dos; 5pm/ 8:30pm Show
828-575-2737
www.isisasheville.com

Tellico Tour Dates
Fri 5/8 – LEAF Festival – Black Mountain, NC
Fri 5/22 – Music In The Valle – Valle Crucis Community Park – Valle Crucis, NC
Sun 5/31 – The Rooster’s Wife – Aberdeen, NC
Fri 6/5 – Isis Restaurant and Music Hall – Asheville, NC
Fri 6/12 – Music On The Square – Jonesborough, TN
Sat 6/13 – Granite Falls Brewery- Granite Falls, NC
Fri 6/19 – Groovin’ on the Green Summer Concert Series – Cashiers, NC
Fri 6/26 – Nantahala Outdoor Center – Bryson City, NC
Sat 6/27 – 185 King Street – Brevard, NC
Sat 7/11 – Bluegrass On The Grass, 20th Anniversary – Carlisle, PA
Fri 8/21 – The Jones House-Summer Concert Series – Boone, NC
Sat 8/29 – US National Whitewater Center River Jam – Charlotte, NC
Sat 9/19 – Apple Fest – Winston-Salem, NC
Sat 10/17 – Cowee School Concert Series – Franklin, NC

Find out more about Tellico and Relics and Roses at at Tellicoband.com, facebook.com/Tellico & twitter.com/TellicoBand.

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The Barstool Monologues

MIKE CULLISON & The Regulars

“A Honky-Tonk Canterbury Tales”
***   ***   ***

Fans of classic country music will feel right at home with Mike Cullison.
–John Davy, No Depression

A captivating blues rocker … soulful roadhouse songwriting.” –Simon Hallett, Totnes FM (UK)

This is what country music has been missing … [Mike] is bringing it back.” –Renaldo 6, SongCritic.com

I think music is the highway through life and I’m just rockin’ and rollin’ down the road.” —Mike Cullison

www.theroadhouserambler.com

Singer-songwriter Mike Cullison (aka “The Roadhouse Rambler”) is used to hearing his work defined in painterly terms; music journalists commonly pull out such metaphors when trying to describe songs. But with his new album, The Barstool Monologues (due out November 13th through JoeDog Records), it’s almost as if he’s working in the 3D style of sculptor J. Seward Johnson Jr., who turns famous Impressionist paintings into life-sized tableaux, incorporating not only the original images, but his own fanciful imaginings of what went on beyond the canvas.

Cullison takes a similar approach with The Barstool Monologues, weaving lives of bar patrons into songs, then threading them together with spoken-word narrative to create a vivid musical tableau. There’s the heartbroken lover, the fracturing couple, the other woman, the lonely imbiber … each introduced by a bartender named Hollis, who sees and hears it all. Various singers (including Jon Byrd, Davis Raines, and six others) inhabit their personas, spinning musical novellas into what Cullison likes to describe as “a honky-tonk Canterbury Tales.”

“It’s as if you walked into a place and you took a snapshot and everybody’s looking in the camera,” says the Nashville resident. “What I wanted to do was place everybody in that picture into one of the songs, either as its subject or the person singing it to somebody else.”

Mike Cullison. Photo by Greg Roth.

Cullison, an Oklahoma native who’s honed his songwriting skills with such royalty as Don Goodman (“Ol’ Red”; “Ring on Her Finger, Time on Her Hands”), Johnny Neel (the Allman Brothers) and Mike Stergis (Crosby, Stills & Nash), describes his style as “roadhouse blues and country roots-rock.” But his influences are as vast as the early rock ‘n’ roll his mom adored and the classic country his dad preferred, and he draws deeply from that well, along with other Americana styles — from Bakersfield to hybrid zyde-Cajun blues — to create a rich aural tapestry as colorful as Johnson’s art.

He considers himself a lyric writer first, however. “The story and how it is told are very important to me,” Cullison says. “Some songs come at you very quickly, but most take time. There’s still a lot of polishing to do even after the lightning bolts strike.”

Cullison’s career has taken time, too. In fact, the release party for his first album, 2004’s BAC (Big American Car), was also his retirement party after 32 years with the Bell Telephone Co. Midway through his Bell Tel years, he moved to Atlanta, “because it was five hours closer to Nashville.” His ultimate goal was always Music City, “because that’s where the writers were.”

He finally made it in 1995. Throughout his day-job years, he always wrote and performed; in Atlanta, he was in a band called Lone Walter. These days, Cullison appears solo or with a variety of friends and collaborators in the states and Europe, where he first released the EP Roadhouse Rambler in 2011, which hit #1 on the Airplay Direct radio charts. (His second CD, Blue Collar Tired, came out in 2007.)

Like most musicians, Cullison spends his share of time in bars. And like most country-influenced players, he’s sung his share of “tears in beer” tunes. But one night, while performing at the late Nashville bar the Sutler (lost, sadly, to developers), a thought struck: “Instead of having somebody sitting on the customer’s side of the bar crying in their beer, what if we turned it around?”

That was the genesis of the Mark Robinson-produced The Barstool Monologues.

“Songwriting is storytelling, so it kind of fit for me,” says Cullison, who also has plenty of “behind the song” stories. One of his favorites involves the opening tune, “Wish I Didn’t Like Whiskey” — a perfect choice to open an album set in a bar.

“I had bought a drink for a friend of mine,” Cullison relates, “and as I handed her the glass, she said, ‘I wish I didn’t like whiskey so much.’ I excused myself for a minute while I wrote that on a coaster. Turned out to be a very good song.”

They’ve all turned out to be very good songs — vignettes, actually, sung and performed by some of Nashville’s finest. If Cullison has his way, The Barstool Monologues might even turn into a musical of some sort, with actors and stage sets. Life-sized, like a Johnson tableau. Only even more real, because we can recognize the characters in Cullison’s stories. They’re our friends, our exes … or maybe even ourselves.

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Click to visit the MVA website

FOAM and HATCH Present the 4th annual MUSIC VIDEO ASHEVILLE to showcase the pairing of Asheville musicians and filmmakers. We are thrilled to announce this year’s Music Video Asheville is presented by HATCH and sponsored by Music Allies, Creative Allies, Echo Mountain Recording, and fiscal sponsor The Media Arts Project. The MVA Mission is to increase the awareness and appreciation of Asheville musicians and filmmakers/ videographers by showcasing their collaborative works in a public event. The MVA screening is open to the public and takes place on Wednesday, April 13th, 2010 at the Fine Arts Theater in downtown Asheville starting at 7pm. Tickets are available now for $6 each at the Fine Arts Theater, Mamacitas, Static Age, Harvest Records, and Orbitz DVD.

Music Video Asheville will be highlighting the music video achievements of Ben Lovett and featuring amazing animation video “Eye of the Storm” (See below). MVA is honored to have Lovett give a Q&A session during the event. MVA has invited the producers of his three videos to come and speak as well.
MVA’s partnership with HATCH and Music Allies has landed MVA some exciting judges for the “Best of Music Video Asheville 2011 Award.” MVA’s guest panel will include the following mentors from HATCH: Malcolm Campbell – Publisher of Spin, Sean O’Connell – Founder of Music Allies and  Creative Allies, Crissa Requate – Director of Publicity Music Allies, and Tor Hansen – Founder Red Eye Distribution / Yep Roc Records. All their bios are on the hatchexperience.com site.

Music Allies has generously offered a $500 cash prize for the Best of MVA winner and Echo Mountain Recording Studio has offered a full day in the studio for the runner up. The other big prize is the “Crowd Favorite Award” which will receive a large portion of the ticket sales to the event! The MVA Submission Board will give a series of honorable mention trophies for outstanding work as well.

Artists that have submitted to this year’s MVA include: Ben Lovett, Acoustic Syndicate, Agent 23 Skidoo, Aaron Woody Wood, Stephanie’s id, Mad Tea Party, Jar-e, Jonathan Scales Fourchestra, Rock Eblen, Enemy Lovers, Alisa Kumba, Kovacs and the Polar Bear, Jen and the Juice, Brian McGee, Juan Holiday, Chompin at the Bit String Band, Now You See Them, Ten Cent Poetry, Quetzatl, GalaxC Girl , Serious Clark, and many more… See them all on the big screen…
***   ***   ***
Attendees are encouraged to dress-up glamorously and quarkly awesome!
Music Video Asheville tickets on sale now! http://musicvideoasheville.com/tickets/
***  ***   ***
More info about film mentor, Ben Lovett’s ‘Eye of the Storm’:
“The self-released first single, “Eye of the Storm,” showcases Lovett’s uncanny knack for storytelling and production with its haunting vocals and acoustic guitar expertly melded with somber cello and violin into a lush watercolor of sound. The song’s visual counterpart, directed by Chris Alender of Soapbox Films, is a stunning steampunk masterpiece that became a viral sensation, generating over 2 million plays in its first month.” ~ http://themusebox.net/lovett:

“Set in a visually arresting steampunk world, ‘Eye of the Storm’ is the epic tale of a lonely sky captain who must literally and figuratively brave a raging tempest in order to find his salvation on the other side. Featuring the music by Lovett” ~ http://atlanta.bside.com/2011/films/eyeofthestorm_christopheralender_atlanta2011

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