Joseph LeMay Set To Release “Seventeen Acres” On May 20th: Stories of Desolation and Commitment From a Singlewide Trailer

Joseph LeMay Set To Release “Seventeen Acres” On May 20th

Stories of Desolation and Commitment From a Singlewide Trailer on Seventeen Acres in Tennessee

Before patching up the old trailer in West Tennessee, grass grew through cracks on the floor and copperheads mingled between decades of stacked boxes on a grandfather’s hand-me-down farm. It was in this abandoned singlewide that Americana artist Joseph LeMay cleared a space for his new life as a married man and Seventeen Acres, his first full-length release which is set for release on Tuesday, May 20, 2014.

Filled with stories of dissecting the nuances of love and uncertainty, Seventeen Acres was produced by LeMay himself and came to life in the same space the stories originated. Songs like “Fruit on the Vine” and “Warrant for My Worry” ache with missed expectations and hope in their draught, while “Molly My Girl” and “Just So” are timeless tales of endearing love. Start to finish, LeMay’s labor is driven by this love and all the desperation, fear and commitment that comes with it.

“Music fulfills a need,” says LeMay. “It’s communicating across mediums. We don’t just want words. It’s the color and the canvas. The cadence and the lyric.” It’s with a balanced grasp of bare truth and pursuit of grace that LeMay channels this primal need in the desolation of his Seventeen Acres.

LeMay began performing at an age when most kids are focused on learning the alphabet. Just barely a teen, the young musician could add Showtime at the Apollo, an opening gig for Brian Wilson and a countless line of county fairs across the southeast to his list of growing accomplishments. This passion for music continued to manifest during high school as LeMay took to writing and moved to New York in search of work as a performer.

During his time in Manhattan, LeMay’s musical future bent when he met music veteran Charlie Peacock, producer of The Civil Wars and The Lone Bellow. LeMay moved to Nashville and spent hours as a silent observer of Peacock as artists passed through his studio. Witnessing the life of a working musician changed LeMay, inspiring him to find his voice.

It wasn’t long before LeMay found himself in an age-old Nashville ritual- working a part-time job to pay the bills and creating on the side. “After making sandwiches for 60 hours a week, it’s hard to find the energy and time to do the work you want,” says LeMay. To escape the inevitable pace their life was heading, LeMay and his new wife made a drastic change of scenery and moved into that forgotten trailer on her family’s inherited farm on the outskirts of Dyersburg, Tenn.

“It’s like sitting under a magnifying glass,” says LeMay of the isolation of rural Tennessee. “Writing this record, I was constantly alone and in a period of self-doubt. I was worried I wouldn’t measure up as a new husband and as a songwriter, more or less thrown out in the wilderness.” The intensity of his self-examination led to what we now know as Seventeen Acres.

For more about Joseph LeMay and tour dates, please visit www.JosephLeMayMusic.com.

Also, keep up-to-date with news at facebook.com/josephlemaymusic  and twitter.com/josephlemay.

 

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Town Mountain Spring and Early Summer Tour Dates

Town Mountain Spring and Early Summer Tour Dates

Town Mountain is ready and reelin’ to travel the country this spring and summer! They will have stops in the Carolinas, Virginia, Georgia, Indiana, Illinois, Wisconsin, Ohio, Kentucky, Colorado, Tennessee, Pennsylvania, Washington and Oregon. Notable events include performance at the Leftover Salmon’s Bluegrass Throwdown, John Hartford Memorial Festival, ROMP, The Hampton Taphouse Festival, The Festival of Bluegrass, RapidGrass and much more!

Stay tuned for a new music videos coming your way from Town Mountain this season, including a track from Leave the Bottle [Pinecastle Records 2012]. They will be launching a new covers series that will kick off with their version of Bruce Springsteen’s “I’m on Fire”. This will premiere on The Bluegrass Situation this June (http://www.thebluegrasssituation.com).

Based in Asheville, NC, Town Mountain is Phil Barker on mandolin and vocals, Robert Greer on lead vocals and guitar guitar, Jesse Langlais on banjo and vocals, Bobby Britt on fiddle, and newest member Jake Hopping rounds them out with his rock-solid bass. One listen to their instantly memorable songs, and it’s plain to see why Grammy-winner Mike Bub would align with the group to produce Leave the Bottle as well as 2011’s Steady Operator.

“I’m not sure what the definition of bluegrass would be in words alone, but if that definition was set to music, it would probably sound something like Town Mountain’s Leave the Bottle… I could go on,” says Bluegrass Today’s David Morris, “There are no duds, and no filler songs on this project. But you get the point. This, my friends, is how bluegrass is supposed to sound.”

Leave the Bottle effortlessly covers a wide array of styles in the stringband spectrum featuring the stellar in-house songwriting that has become the band’s trademark. There’s the barroom swagger and honky tonk edge of tracks like “Up the Ladder” and the title track “Leave the Bottle”, the Jimmy Martin style bounce and confidence of “Lawdog” and “Lookin’ in the Mirror”, the Irish flavor of Bobby Britt’s “Four Miles”, and the laid back John Hartford style groove of “Greenbud on the Flower” among others. But no matter the style, the band’s delivery gives every tune a true and honest feel.

Town Mountain On Tour Spring and Early Summer Tour Dates
Fri 5/10 Chapel Hill, NC Merritt’s
Sat 5/11 Harrisonburg, VA The Clementine Cafe
Fri 5/17 Bloomingdale, GA Randy Wood Guitars
Sat 5/18 Panola, SC Birdfest at Pineland Farms
Sun 5/26  Black Mountain, NC Pisgah Brewing w/ Leftover Salmon’s Bluegrass Throwdown with Elephant Revival & Dangermuffin
Fri 5/31 Bean Blossom, IN John Hartford Memorial Festival
Sat 6/1 Carbondale, IL The Hangar 9
Sun 6/2 Chicago, IL The Red Line Tap
Mon 6/3 Urbana, IL The Iron Post
Tue 6/4 Lancaster, WI House Concert
Wed 6/5 Madison, WI High Noon Saloon w/ Horseshoes and Hand Grenades
Thu 6/6 Bangor WI Leo and Leona’s w/ Horseshoes & Hand Grenades and Cactus Blossoms
Fri 6/7 Cincinnati, OH THe Crow’s Nest
Sat 6/8 Lexington, KY Festival of the Bluegrass
Thu 6/13 Lexington, NC High Rock Outfitters
Fri 6/14 Tryon, NC Blue Ridge BBQ & Music Festival
Thu 6/20 Salem, VA Private Event
Fri 6/21 Raleigh, NC The Pour House Music Hall
Sat 6/22 Hampton, VA Hampton Taphouse Festival & After-Party
Sun 6/23 Norfolk, VA Town Mountain BBQ Picnic @ Norfolk Taphouse
Wed 6/26 Lexington, KY Willie’s Locally Known w/ Tyler Childers and the High Wall
Fri 6/28 Owensboro, KY ROMP: Bluegrass Roots & Branches Festival
Sat 6/29 Belvidere,TN Circle E Guest Ranch 2nd Annual Bluegrass Festival
Thu 7/4 Gold Hill, CO The Gold Hill Inn
Fri 7/5 Fort Collins, CO Acoustic Bridge Musical Potluck
Sat 7/6  Idaho Springs, CO Clear Creek RapidGrass Bluegrass Festival
Thu Thu 7/11 Charlotte, NC Whitewater River Jam at US National Whitewater Center
Fri 7/12 Fairfax, VA Fairfax County Summer Entertainment Series at Royal Lake Park
Sat 7/13 Gardners, PA Bluegrass On The Grass
Sun 7/14 Mount Solon, VA Red Wing Roots Music Festival
Tue 7/23 Bellingham, WA The Green Frog
Thu 7/25 Seattle, WA Tractor Tavern
Fri 7/26 Skamania, WA Columbia Gorge Bluegrass Festival
Sun 7/28 Eugene, OR Sam Bond’s Garage
Fri 8/2 Saxapahaw, NC Haw River Ballroom w/ Big Fat Gap

Please visit www.TownMountain.net for more information and further tour dates.

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John Driskell Hopkins & Balsam Range Debut at the Grand Ole Opry March 8th

Performing Music from Their Independently Released Album DAYLIGHT

John Driskell Hopkins & Balsam Range Performances:

Fri 3/8 Nashville, TN  WSM 9am

Fri 3/8 Nashville, TN The Grand Ole Opry 7pm
Sat 3/9 Knoxville, TN WDVX 1:30pm

Sat 3/9 Knoxville, TN The Shed

Thu 3/14 Athens, GA The Melting Point

www.JohnDriskellHopkins.com

Kind Words About Daylight:

“Hopkins’ vocals complement the use of fiddle, mandolin, banjo, and Dobro played by BR to produce a Southern sound that is truly alive… The deep tone of Hopkins’ vocals have the ability to convey edge and grit in songs [with] original lyrics are consistently honest, at times tongue-in-cheek, and at other times thoughtful…”
–Valerie Bertolami, Performer Magazine

“Pure musical joy, with songs ranging across every musical style from bluegrass and gospel to jazz and blues to country… often blinds with dazzling light.”
–Henry Carrigan, Country Standard Time

“Front and center here is Hopkins’ deep, rich and sensual baritone. His singing is warm and melodious in tone, inviting one to pay closer attention… Daylight is deserving of brighter shade.”
–Bill Clifford, Jambands.com

“I Will Lay Me Down” listed as a recommended track in indie releases
—CMT’s Craig Shelburne

“They make music that’s both country and grass, while being pure expressions of neither.  There are banjo rolls and mando scratches throughout… Purists may scoff (as purists are wont to do), but the results are enough to satisfy the lover of hyphens in me.” –Scott Foley, KRFC’s Routes and Branches

“Love a rich, deep country voice? Then John Driskell Hopkins is your man.”
–Mary Armstrong, Philadelphia City Paper

“A voice huskier than Charlie Daniels after a hard night.”
—Jim Farber, New York Daily News, #5 in Top 10 picks in music release week

“…what a great sound for John! I’m excited for people to hear him in this raw and broken-down format, his unique voice front and center!”
–Oliver Wood (of the Wood Brothers)

“It’s been a long time since I’ve been in the thick of it, swattin’ it out with a bonafide Bluegrass band with power vocals coming from a fellow with a pedigree like John Driskell Hopkins possesses. I don’t see anything but clear sailing for this song [Runaway Train].”
–Jerry Douglas

“John Hopkins’ new album, Daylight, has rich vocals and excellent pickers that are wrapped around well-crafted songs. What’s not to love?”
–Jim Lauderdale

“The unusual Sunday Jan. 27 WDVX Blue Plate Special [John Driskell Hopkins & Balsam Range] was the most highly attended yet in 2013, and one of the biggest turnouts in memory.  Even before the show went live on the air, the standing-room-only audience’s excitement was electric.”
–Sarah Waldrip, Blank News 

“A colorful collaboration… with meaty vocal performances that fluctuate from smooth croon to bluesy spittin’ growl, Hopkins takes us on a lively journey backed by a fine, fine group of ace musicians.”
–Janet Goodman, Music News Nashville

Listen HERE  “In Search of a Song with Jason Wilber”
John Driskell Hopkins’ interview with Executive Producer Rich Reardin

 

For more about John Driskell Hopkins and Daylight, visit www.JohnDriskellHopkins.com.

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Peter Rowan and The Mosier Brothers Present “Roots & Branches” ~ An Eclectic A-Z Musical Journey of Songs & Stories From the Life of Peter Rowan

Peter Rowan and The Mosier Brothers Present “Roots and Branches”
An Eclectic A-Z Musical Journey of Songs & Stories From the Life of Peter Rowan

Wednesday, June 13th   Riverbend Festival  Chattanooga, TN
Thursday, June 14th   Pisgah Brewing   Black Mountain, NC
Friday, June 15th  The Pour House  Charleston, SC
Saturday, June 16th  The Handlebar  Greenville, SC

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themosierbrothers.com/roots-branches
peter-rowan.com

We are thrilled to announce Peter Rowan will be joining The Mosier Brothers for a series of select shows! Peter Rowan has played in Bill Monroe’s Bluegrass Boys, with Jerry Garcia and David Grisman in the supergroup Old & In The Way, and with Tony Rice and a host of other acclaimed musicians throughout his storied career. Now, the Grammy winner joins The Mosier Brothers, the Atlanta band that evolved from the psychedelic hick-hop jamgrass band, Blueground Undergrass.

Rowan says, “I am always ready to collaborate with Jeff Mosier and his fine musicians, to explore the musical tree of Americana-bluegrass roots. We might even find some new branches on the old tree! We can harvest new fruit from old roots!”

Jeff Mosier and Peter Rowan met in 1985 on Mosier’s radio show in Atlanta. Since 1998 they have shared the stage together many times including Suwannee Springfest and Magnolia Festival in Live Oak, Florida. Rowan has always been a key figure in The Mosier Brothers career giving them what Mosier calls “the inspiration to fly between the extremes of traditional and progressive bluegrass music styles, even entering into psychedelic jamgrass and rock.”

The Mosier Brothers, originally from Bristol, Tennessee, have always maintained their “brother sound” amid their various configurations. The solid band sound that Rowan had heard from them over the years, along with their collective stage experience, eclectic musical taste, and genre bending tendencies, created the perfect creative soil in which to forge ahead with a project which both Mosier and Rowan had been thinking about for years. Johnny Mosier’s ability to switch-hit between playing bluegrass with flatpick style guitar, to rock, swing, and jazz on electric guitar, along with Jeff’s unique ability to compose “pick and jam” rock songs on the banjo, are the true ingredients of the “Mosier sound.”

Johnny and Jeff Mosier. Photo by Ian Rawn.

Veterans of the jamband and jamgrass scenes, The Mosier Brothers have been entertaining audiences for over 30 years (longer if you consider pickin’ on the front porch with their family), first with the bluegrass band Good Medicine for 23 years. In the late 1980’s, Jeff Mosier got his first experience playing Rock on the cutting edge of the newly developing jamband scene as a founding member of Col. Bruce Hampton’s Aquarium Rescue Unit, the band that gave him the stage name “Rev.” In 1994 he toured with Phish and tutored them in the ways of bluegrass. The Phish Companion writes “Perhaps no guest artist has had as great an influence on the band’s music as the Rev. Jeff Mosier…”. The brothers re-joined in 1998 in Jeff Mosier’s first nationally known brainchild, Blueground Undergrass, one of the earliest bands to merge bluegrass instruments and traditional tunes with the magnetic energy of Rock n Roll. Then, in 2010, they formed The Mosier Brothers which more finely blends the traditional bluegrass sound of Good Medicine and the jamming of Blueground Undergrass into a more song-driven Americana roots rock unit, all while remaining an eclectic endeavor.

For these “Roots and Branches” shows, Peter Rowan and The Mosier Brothers will be performing an A-Z retrospective of Rowan’s musical career.

Peter Rowan. Photo by Ronald Rietman.

The band will take the audience on a musical journey that builds throughout the evening, starting with the traditional bluegrass of Rowan’s days with Bill Monroe in the 1960’s, then leading into the progressive bluegrass years of Old and In The Way, Crucial Country, and The Free Mexican Air Force. The result: a night of life-affirming songs with rich melodies and harmonies, all led by the compelling stories of Peter Rowan that will serve as the backdrop for each musical number. Of that, Mosier says, “I think people really want and need to hear ‘songs’ now more than ever, and more importantly, the stories that inspired them.”

Mosier continues, “We can go anywhere Peter wants to go musically with this show, because his career helped mold our own musical taste. He’s been such a major influence on us. He’s like our Bill Monroe and Beatles all in one. The Monroe generation of players spawned the Rowan generation, and the Rowan generation spawned the Mosier generation, no doubt.”

Johnny Mosier adds, “After years of enjoying Rowan’s music from the audience, to actually perform with him on stage is a true joy and career high for me.”

Peter Rowan and The Mosier Brothers will be both acoustic and electric for each performance, as will their band of Kris Dale on bass, Edward Hunter on fiddle, and Will Groth on drums. The Rowan/Mosier recipe will give the songs a new spin while keeping the original flavor, in what promises to be one of the tastiest of musical collaborations.

themosierbrothers.com/roots-branches
peter-rowan.com

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Donna the Buffalo continues to stampede with the Herd this winter!

“With more than 20 years of experience, impeccable musicianship, and uplifting, heady music, Donna the Buffalo has become one of the premier Americana and roots-rock outfits on the eastern seaboard, if not the whole country.” ~ Ryan Whirty, Rochester City Paper

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Donna the Buffalo continues to stampede with the Herd this winter! They will be traveling through North Carolina, Tennessee, and Alabama before heading back up north to West Virginia, Virginia, Pennsylvania, and New York before making the trek back down to Florida for the Inagural Virginia Key Grassroots Festival the 2nd weekend of February!

Travis Newbill wrote an awesome live review from Donna The Buffalo’s recent show at Revolution Live in Ft Lauderdale on Jan 9th! Some excerpts are below.

Donna’s groove is infectious, hypnotic and wholesome, subtly incorporating trance, reggae, and pop qualities into a sound which is Americana first and foremost. It is rootsy music offered by deep, sensitive players. At times they could be described as Mazzy Star, sped up and minus the echo, with an emphasis on allowing grooves to develop, peak, and come to rest.

Singer and multi-instrumentalist Tara Nevins has the presence of an Americana shaman. Whether she is zoning with the tambourine, violin, washboard, accordion, guitar, or singing, she is visibly tapping into mystical energy, and inviting all those willing into that vast space. Ditto guitarist Jeb Puryear, whose eyes roll involuntarily into the back of his head while the rest of his body surrenders as well–possessed by the groove with jaw agape.

The band was locked in from start to finish Friday night while delivering their sweetly melodic songs and jamming extensively. The crowd was locked in as well. The audience was equal parts bluegrass, Grateful Dead, and reggae people — all friendly spirits. It is no wonder why this band has such a dedicated following. There is no other band that this writer has come across that does quite what they do. And they do it with a humble confidence and great joy. Click here for the full review in the Broward-Palm Beach New Times.

Photo credits: Full band shot by John D Kurc.  Jeb Puryear by Gene Martin. Tara Nevins and Kyle Spark by Rich Orris.

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DtB on the radio this winter:

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Sun, Jan 15th; between 6-8pm EST — WQFS in Greensboro, NC — Interview with Tara on “Hangin’ with Higgs”. (also doing a ticket giveaway!)

Tue, Jan 17th; 6-8pm EST — WMNF in Tampa, FL — Jeb Puryear Co-Hosts & plays Virginia Key GrassRoots Fest DJ with DJ Ed Greene on “Freak Show” Listen to the Poscast!

Thu, Jan 19th; 4pm EST — WQFS in Greensboro, NC — Duo session with Jeb & Tara on David Wright’s program “The Caravan” (also doing a ticket giveaway!)

Fri, Jan 20th; 5pm EST — WDVX in Knoxville — Jeb & Tara duo session with Tony Lawson in the “Features at 5”

Sat, Jan 21st; between 4 and 6pm — 98.1 The River in Asheville — Jeb & Tara duo session with Aaron LaFalce in “Studio AVL”

Sat, Jan 21st; in the 5pm EST hour — WCOM in Carborro, NC — Tara Nevins interviews on Tom Arnell’s “Placeholder Show”

Sun, Jan 22nd; starts around 7pm EST — Kix Country in Port Charles, FL — Studio session and interview with Jeb who will also play DJ with Virginia Key GrassRoots Fest Music on Larry’s Timko’s show “Down Home Cookin'”

Sat, Jan 28th; — time tba  WWVU (U92 fm) in Morgantown, WV — Jeb and Tara duo session with Carly Parana’s “Alternate Routes”

Sun, Feb 5th; 2pm WLRN in Miami, FL — Interview with Jeb Puryear and Emma Hewitt about the Virginia Key Grassroots Festival with Michael Stock on “Folk & Acoustic Music”

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DtB on tour this winter:

Thu, Jan 19, 2012 – Greensboro, NC – The Blind Tiger – w/ Woody Pines
Fri, Jan 20, 2012- Knoxville, TN – The Bijou Theatre – w/ Woody Pines
Sat, Jan 21, 2012 – Asheville, NC – The Orange Peel – w/ Woody Pines
Sun, Jan 22, 2012 – Huntsville, AL – Crossroads Café – w/ Woody Pines
Tue, Jan 24, 2012 – Birmingham, AL – WorkPlay Theatre – w/ Woody Pines
Wed, Jan 25, 2012 – Nashville, TN – 3rd & Lindsley – w/ Wooten Brothers
Thu, Jan 26, 2012 – Carrboro, NC – The Cat’s Cradle – w/ Woody Pines
Fri, Jan 27, 2012 – Falls Church, VA – The State Theatre
Sat, Jan 28, 2012 – Morgantown, WV – 123 Pleasant Street
Thu, Feb 2, 2012 – West Chester, PA – The Note – w/ Mason Porter
Fri, Feb 3, 2012 – Buffalo, NY – The Tralf
Sat, Feb 4, 2012 – Utica, NY – Uptown Theatre
Sat-Sun, Feb 10-12, 2012 – Miami, FL – Virginia Key Grassroots Festival
Fri, March 23, 2012 – Charleston, SC – The Pour House
Sat-Sun, March 24-25,2012 – Live Oak, FL – Suwanee Springfest
Sun, March 22, 2012 – Atlanta, GA – Sweetwater 420 Festival
Thu-Sat, April 26-28, 2012 – Wilkesboro, NC – Merlefest

More shows tbd…
Stay tuned to www.donnatehbuffalo.com

 

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Intimate interview with Tara Nevins on the making of the song “Tennessee River” off the new album “Wood and Stone”

Intimate interview with Tara Nevins on the making of the song “Tennessee River” off the new album “Wood and Stone” (Sugar Hill 2011)

Filmed and produced by JAMerica‘s Peter Conners and Denver Miller

“‘Stars Fell On Alabama’ is Tara’s version of an old standard, while ‘Tennessee River’ sounds like she’s written a new standard.” – Hudson Valley Bluegrass Association

“The highlight of the record, though, might be “Tennessee River”, a song that again sees Nevins turning introspective as crunchy, distorted guitars creak in the background a la 1970s Neil Young. In fact, this song could easily be an outtake from Everybody Knows This Is Nowhere, with a different vocalist. Again, the disparate elements come together powerfully to provide a neat bookend for the hard-charging opening track. At five minutes, it’s the longest song on the album and one of its most satisfying. “ – David Maine, Pop Matters

“Two surprises on the album are “Stars Fell on Alabama,” in which Nevins turns the ‘30s jazz standard into a bleak, gothic soundscape, and “Tennessee River,” an even more desolate turn recalling the best of Lucinda Williams.” – Aaron Keith Harris, Lonesome Road Review

“‘Tennessee River,’ a dark and gripping song about love’s place in ones’ life, features Campbell’s harrowing, electric guitar wails.” – Bill Clifford – Relix

“If heroes and heroines of rock ‘n’ roll are defined by their uniqueness, they definitely broke the mold when they made Tara Nevins.” – Wildman Steve, The Corner News

“‘Wood and Stone’ is strangely hypnotic at times, with its mesmerizing rhythms and Nevins’ relaxed but commanding delivery. The beautifully dark “Tennessee River” and her cover of the jazz standard, ‘Stars Fell On Alabama,’ are entrancing and highlight Nevins’ beautiful voice” – Boone Mountain Times

“Tara channels swampy accordion and mountain fiddles through a set of songs about heartaches and a longing for the sanctity of family values and a simple home life. The chemistry between Nevins and Campbell cooks up a powerfully convincing sound through tracks like Down South Blues, The Wrong Side and You’re Still Driving That Truck as the duo’s varied strings entwine. But the star turn is the brooding Tennessee River with its big, fat, shimmering guitars and broken heart laid bare. Terrific.” – Properganda

“With the wonderful fiddle groove and vividly written lyrics, Nevins gives a glimpse into her roots. Stepping out for a rare solo record (beyond her beloved band, Donna the Buffalo), she meshes her Cajun influences, unique voice, drums and steel guitars for an intriguing look at her heritage.” – CMT

“A tour de force from start to finish” – Kay Cordtz, Elmore

Visit Tara Nevins website www.TaraNevins.com for more information about the album, a gallery of images, videos, music, and lyrics.

JAMerica is is dial book/ documentary film project that will tell the story of the roots and evolution of the Jam and Festival Scene. Visit www.jamerica.net

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Free Download of the Title Track of Dehlia Low’s ‘Ravens and Crows’ Which Releases Through Rebel Records on Aug 2, 2011

Newly signed to Rebel Records, Dehlia Low echoes the sounds of early country with a strong bluegrass flavor, crafting a fresh originality that feels like home in the flourishing roots music soundscape. Their new release ‘Ravens and Crows’ was produced by the Infamous Stringdusters’ Travis Book and hits the streets on August 2nd…

Dehlia Low’s vocal harmony and instrumentation reflect a deep connection to traditional music with modern arrangements and relevant, smart songwriting. The band combines their gripping, rustic-flavored vocal style with extraordinary instrumental prowess in original songs that feel at once both old and new pushing their sound into the emerging Americana genre. The group’s sound is focused on original music rooted in bluegrass but with a distinctive country/folk feel true to their southern Appalachian roots.

Dehlia Low’s eagerly-anticipated Rebel Records debut ‘Ravens & Crows’ is released August 2nd. Produced by Travis Book of The Infamous Stringdusters, this album helps to firmly establish Dehlia Low as one of the most compelling and distinctive young groups on the acoustic music scene today. With their tasteful, sometimes moody blending of different styles, the group has created a unique sound that already seems fully mature and established.

Dehlia Low formed in late 2007 as part of Asheville, North Carolina’s roots music renaissance. Singers Anya Hinkle (from Blacksburg, VA on fiddle) and Stacy Claude (from Atlanta, GA on guitar) pulled together a group of talented pickers from the region: Aaron Ballance on Dobro (Winston-Salem, NC), Bryan Clendenin on mandolin (Hurricane, WV) and Greg Stiglets on bass (Jackson, MS).

Here is what the press is saying about Dehlia Low’s Ravens and Crows:

“The group has taken off like a skyrocket…and deservedly so: in a musical world that doesn’t always treasure creativity, Dehlia Low has staked out a good piece of ground all its own.” ~ Nashville Scene, Jon Weisberger

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“Dehlia Low’s “Ravens & Crows” is carefully crafted to lure traditional, country, bluegrass and Americana fans. They are generally appealing to all of these genres without alienating anyone, which is hard to do.” ~ Boone Mountain Times, Ashley Wilson

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“Heavenly lead & harmony vocals…superb original songs…musical prowess.” ~ Al Shusterman, Backroads Bluegrass on KCBL

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“…bittersweet vocal harmonies and spirited picking…Dehlia Low promises to bring the sounds and soul of the Blue Ridge Mountains …” ~ Art News New Orleans

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“…relying on the warm tones of acoustic guitar, mandolin, upright bass, slide guitar, and not to mention fiddle thumpin’, strummin’ and pickin’ underneath honeysuckle vocal harmonies — the Asheville, N.C., quintet seems like it has rolled straight off a mountainside and right onto a wraparound wooden porch in some summer-grass valley.” ~ Style Weekly, Mike Hilleary

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“The real highlight on Ravens and Crows is the vocal harmony. Lead singer Anya Hinkle, guitarist Stacy Claude, and bassist Greg Stiglets’ voices blend beautifully on songs like the album’s title track.“ ~ Americana Music Examiner, Chris Griffy

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“…really special. I have added them to my “must see” list permanently.” ~ The Bluegrass Blog, Diane Farineau

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In 2011, Dehlia Low will be taking their “Appalachiagrassicana” sound across the U.S. in support of the new album:

Sun, July 24th – Mast Farm Inn – Banner Elk, NC
Fri, July 29th – North Columbia Schoolhouse Cultural Center – Nevada City, CA
Sat, July 30th – Sutter Creek Theatre – Sutter Creek, CA
Sun, July 31st -Freight & Salvage – Berkeley, CA
Tues, August 2nd – House Concert – Bear Valley, CA
Wed, August 3rd -The Abbey at Hopmonk Tavern – Sebastopol, CA
Thurs, August 4th – The Red Fox Tavern – Eureka, CA
Fri, August 5th – Dead on the Creek Festival – Willits, CA
Sat, August 6th – Oaksong Music Society at Gray Pine Farm – Oak Run, CA
Sunday, August 7th – House Concert | Berkeley, CA
Sat, August 13th- Stecoah Valley Center -Robbinsville, NC
Mon, August 15-21st – Northern Lights Bluegrass Festival |- Big River, SK
Fri, August 26th – Bacchus Bistro – Marshall, NC
Sat, September 3rd – The Station Inn – Nashville, TN
Thurs, September 8th – The Evening Muse – Charlotte, NC
Sat, September 10th – Mountain Song Festival – Brevard, NC
Fri, September 23rd – Hendershots Coffee Bar – Athens, GA
Sat, September 24th – Jammin’ at Hippie Jack’s – Crawford, TN
Mon, September 26th Abbeville County Career Center – Abbeville, SC
Tues, September 27th – The Basement – Nashville, TN
Sat, October 1st – The Blue Ridge Parkway Visitor Center – Asheville, NC
Sat, October 8th – Shakori Hills Grassroots Festival – Silk Hope, NC
Fri, October 14th – Private Event – Seneca, SC
Sat, October 15th – Private Event – Candler, NC
Sun, October 16, 2011 – Poplar Knight Spot – Aberdeen, NC
Thurs, October 20th – Cafe Nola – Frederick, MD
Fri, October 21st – The Purple Fiddle – Thomas, WV
Sat, October 22nd – Elk Creek Café – Millheim, PA
Sun, October 23rd – Puck Live – Doylestown, PA
Sat, November 12th – The Grey Eagle – Asheville, NC
Fri, November 18th – Ashland Coffee & Tea – Ashland, VA
Sat, November 19th – Southern Cafe and Music Hall – Charlottesville, VA
Tues, December 6th – Wilbert’s | Cleveland, OH
Wed, December 7th – Circus – Ann Arbor, MI
Thurs, December 8th – Salt of the Earth – Fennville,MI
Stay tuned to DehliaLow.com for more tour dates TBA!

Dehlia low on the web:
www.dehlialow.com
twitter.com/dehlialow
www.reverbnation.com/dehlialow
www.facebook.com/pages/Dehlia-Low

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Jonathan Scales Brings His Cast of Characters to Nashville This May!

Called the “SteelPan Jazz Rock Star” by the Caiso Steel Band, Jonathan Scales is brings this traditional Caribbean instrument into the uncharted territories filled with jazz/rock metric complexities for the modern ear. Fresh into a new release of his third album, Character Farm & Other Short Stories, Jonathan Scales tours in Tennessee this May!

The Jonathan Scales Fourchestra is fronted by classically trained composer turned steel pan maestro, Jonathan Scales, who is heavily influenced by the complexity of banjo virtuoso Bela Fleck to the hustle of Jay-Z. Gritty blues guitarist, Duane Simpson, and fusion-chops bassist, Cody Wright, provide the harmonic support for Scales’ sound, while jazz/hip-hop drummer, Phill Bronson, drives the time-shifting, modern grooves. The cast of Characters hold this mind-bending concoction together with jazz edge and classical sensibility.

Come to the Fourchestra’s free ‘teaser’ set at The Basement on Tuesday, May 17th and let yourself boil over in anticipation for Friday the 20th’s show at the French Quarter Cafe, where they play a double bill with Nashville’s own steel pan master, Tony Hartman, and his band The Great Barrier Reefs. The Fourchestra also plays just 45 minutes away in Mufreesboro on Thursday, May 19th.
“Character Farm solidifies Jonathan Scales’ place as one of western North Carolina’s most innovative and creative artists. Not only as a performer, but as the composer of all the music on the album, Scales is a groundbreaker,” states The Boone Mountain Times.

The album is a 45-minute dive deeper into the compositionally-twisted work of steel pannist Jonathan Scales. The nine original instrumental “stories” on the album take listeners from the primal Jam We Did to the lush Hallucinations of the Dream Chasers. The title track Character Farm takes the audience into a chilled, ‘worldly’ ride after the frantically emotional The Longest December. Guest appearance on the record include Jeff Coffin (of Dave Matthews Band / Bela Fleck & the Flecktones), Yonrico Scott and Kofi Burbridge (of Derek Trucks Band fame) and the dazzling work of fiddle virtuoso Casey Driessen.

“Through the album’s countless turns, Scales manages to blend in the very particular sound of steel pan seamlessly with everything from a flute, horn and saxophone to the oft-accompanying electric guitar, all while showing off the easily stereotyped instrument in a new light,” declares Kevin Jones from Exclaim.CA.

Show Details at a Glance:

Tues, May 17 ~ The Basement ~ Nashville

Thurs, May 19 ~ Liquid Smoke ~ Murfreesboro

Fri, May 20 ~ The French Quarter Cafe w/ The Great Barrier Reefs ~ Nashville

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Scales’ created a wonderful  Music Video for the song “Muddy Vishnu” from the album:

“…the visual for steel pan player Jonathan Scales’ “Muddy Vishnu” is almost like a Being John Malkovich set inside Scales’ own world of found rhythms, visions, colors, friends, inspirations and rare silence.” – Alli Marshall, Asheville’s Mountain Xpress

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Johnson City and Kentucky: Get ready for some fiery flatpickin’ this weekend with Larry Keel & Natural Bridge!

Larry Keel and Natural Bridge

Thursday, Feb 10th ~ Gerstle’s Place ~ Louisville, KY

Friday, Feb 11th ~ Cosmic Charlie’s ~ Lexington, KY

Saturday, Feb 12th ~ Spring Street Music Hall ~ Johnson City, TN

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Joining the award-winning Flatpickin legend, Larry Keel, to make up Natural Bridge are Mark Schimick on mandolin and vocals, Larry’s life-long picker pal (and fishing phenom) Will Lee on blistering banjo and otherworldly lead vocals, and wife Jenny Keel holding strong on upright bass and vocals. Jenny Keel has been playing bass with her husband and virtually all of his specialty projects for over 14 years, she is a player known for impeccable timing and solid, yet imaginative bass lines as well as adding tenor vocal harmonies.

“Hot and fluent bluegrass act showcasing Larry Keel’s dazzling guitar skills and gruff, baritone vocals, wife Jenny’s granite-firm bass guitar work and the support of top-shelf backing players. . . Good folks, amazing roots music.” ~ Tad Dickens

Find out more about The Spring Street Music Hall Show in this post by Go-Tricities

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