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Posts Tagged ‘Tim Carbone’

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The Contribution’s Newest Single, “This Too Shall Pass” – Out 7/21

To Benefit BCEF (Breast Cancer Emergency Fund in SF Bay area)

Now Available on iTunes, Amazon, and Cdbaby

Since February, The Contribution have been living up to their name and giving back with each song. They have been releasing one single a month, as sort of a mid-month pick-me-up since February 2017 and have partnered with a variety of nonprofits to which 100% of the profits from each single (sold as a digital download) will go to a charity (hand-picked by members of the band) in perpetuity.

The Contribution is the brainchild of Tim Carbone of Railroad Earth (violin, guitar, vocals) together with Phil Ferlino (keyboards, vocals) and Jeff Miller (guitar, vocals) of New Monsoon. Keith Moseley (String Cheese Incident), has been the bass player from the band’s inception along with vocalist Sheryl Renee (The Black Swan Singers). The drum chair has been occupied by Jason Hann (String Cheese Incident), Matt Butler (Everyone Orchestra), and currently Duane Trucks (Widespread Panic). Both Matt Butler and Duane Trucks appear on the band’s new record, Wilderness And Space. The full ten song album will be released on vinyl this Fall on LoHi Records and reveals the group’s love of 60s pop and soul coupled with their ability to flat-out shred.

logoBCEFThey release their newest single “This Too Shall Pass” on Friday, July 21 and it will benefit BCEF, Breast Cancer Emergency Fund  in SF Bay area.

Co-founding member of The Contribution and resident of the Bay Area, Jeff Miller, says, “BCEF is a nonprofit that has special significance to me as my mother, Joann D. Miller, passed away in 2012 from breast cancer. My family and I found out when it was already stage 4, so we could do nothing but support her in her last months of life on this plane.”

Many people with breast cancer have inadequate or no health insurance. Most will be unable to work throughout their treatment, adding a huge financial toll to an already difficult struggle. BCEF’s fast and early intervention prevents financial deterioration and provides a sense of security during a devastating illness. BCEF helps people in need continue life-extending medical treatments, avoid utility shut-off, prevent eviction, and maintain stable housing while they battle breast cancer. BCEF is a tax-exempt non-profit organization and does not receive City, State or Federal funds. 100% of their funding is from private foundations, corporations, and individuals.

Miller continues, “The song ‘This Too Shall Pass’ was written as a reference to the cathartic idea that even in our darkest days, with a loved one passing, there is hope. In writing and recording this song, I forever have a way to remember my mom and bring her into being whenever the song is played… a true blessing.”

 

 

Tim Carbone tells Shows I Go To about how the nonprofits were selected, “I put it to the band at large and asked them, ‘What do you feel strongly about?’Tim says, “I wrote the words to ‘This Too Shall Pass’ for our guitar player Jeff after his mother passed away from breast cancer.” He says they did some searching and found BCEF, Breast Cancer Emergency Fund in SF Bay area, to pair up with that song.

The Delaware Riverkeeper Network is located nearby where Carbone is from and they do wonderful work in protecting the waterways, including the drinking water of nearly 17 Million people, throughout the entire Delaware River Watershed which includes Pennsylvania, New Jersey, Delaware, and New York.

Carbone continues, “Matt Butler said we should go for the Rex Foundation. Keith wanted Conscious Alliance, who I have also worked with before. Phil suggested Rock the Earth. I thought we would go with HeadCount because I am politically motivated. They don’t choose sides, they just encourage people to register to vote. When you don’t vote, bad things happen. I think we found that out.”

LoHi Records labelmate, Jim Brooks, suggested Piedmont Land Conservatory as he has held events to raise money for them in the past to preserve natural and scenic lands, farms, and open spaces in Piedmont North Carolina. All songs were written and produced by Tim Carbone, Phil Ferlino, and Jeff Miller.

“This Too Shall Pass” features Carbone on electric guitar, background vocals and percussion, Miller on electric guitars and background vocal, Ferlino on Wurlitzer electric piano, Hammond organ and background vocals with Sheryl Renee on lead vocals, Keith Moseley on bass, and Duane Trucks on drums. The song was recorded at Silo Sound Studio in Denver, CO and Engineered by Todd Divel. Additional recording by Don Sternaker at Mix-o-Lydian Studios in Delaware Water Gap, PA.

Carbone says, “We feel blessed to be able to make this music and have it help people in need… and we would like to empower those who share our passion and provide a resource for them to take action with us.”

All Released Singles Available Here → www.cdbaby.com/Artist/TheContribution

For more information, please visit www.TheContribution.net, www.facebook.com/TheContribution, www.twitter.com/thecontribution, and www.instagram.com/thecontribution.

 

 

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The Contribution’s Newest Single, “Dream Out In The Rain” – Out 6/16
To Benefit The Delaware Riverkeeper

The Contribution Release New Music Throughout 2017

Singles to be released for seven months, with 100% of proceeds going to nonprofits
Rex Foundation, Conscious Alliance, HeadCount, Rock the Earth, The Delaware Riverkeeper Network, BCEF (Breast Cancer Emergency Fund in SF Bay area), and Piedmont Land Conservatory

Listen to the Exclusive Stream Premiere of “Dream Out In The Rain” at NJArts.net

Released Singles Available Here → www.cdbaby.com/Artist/TheContribution

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Since this February, The Contribution have been living up to their name and giving back with each song. They have been releasing one single a month, as sort of a mid-month pick-me-up since February 2017 and have partnered with a variety of nonprofits to which 100% of the profits from each single (sold as a digital download) will go to a charity (hand-picked by members of the band) in perpetuity.

They release their newest single “Dream Out In The Rain” on Friday, June 16 and it will benefit The Delaware Riverkeeper Network. This is a song about having the courage to dream and believing in yourself, with the lyrics “Don’t wait to start… Today’s the new tomorrow… Open your heart… And your story will follow.” Listen to the Exclusive Stream Premiere of “Dream Out In The Rain” at NJArts.net.

The Contribution is the brainchild of Tim Carbone of Railroad Earth (violin, guitar, vocals) together with Phil Ferlino (keyboards, vocals) and Jeff Miller (guitar, vocals) of New Monsoon. Keith Moseley (String Cheese Incident), has been the bass player from the band’s inception along with vocalist Sheryl Renee (The Black Swan Singers). The drum chair has been occupied by Jason Hann (String Cheese Incident), Matt Butler (Everyone Orchestra), and currently Duane Trucks (Widespread Panic). Both Matt Butler and Duane Trucks appear on the band’s new record, Wilderness And Space. The full ten song album will be released on vinyl this Fall on LoHi Records and reveals the group’s love of 60s pop and soul coupled with their ability to flat-out shred.

Tim Carbone tells Shows I Go To about how the nonprofits were selected, “I put it to the band at large and asked them, ‘What do you feel strongly about?’ The Delaware Riverkeeper Network is located nearby where Carbone is from and they do wonderful work in protecting the waterways, including the drinking water of nearly 17 Million people, throughout the entire Delaware River Watershed which includes Pennsylvania, New Jersey, Delaware, and New York.

Carbone continues, “Matt Butler said we should go for the Rex Foundation. Keith wanted Conscious Alliance, who I have also worked with before. Phil suggested Rock the Earth. I thought we would go with HeadCount because I am politically motivated. They don’t choose sides, they just encourage people to register to vote. When you don’t vote, bad things happen. I think we found that out.”

Tim says, “I wrote the words to ‘This Too Shall Pass’ for our guitar player Jeff after his mother passed away from breast cancer.” He says they did some searching and found BCEF, a Breast Cancer Emergency Fund in SF Bay area, to pair up with that song. LoHi Records labelmate, Jim Brooks, suggested Piedmont Land Conservatory as he has held events to raise money for them in the past to preserve natural and scenic lands, farms, and open spaces in Piedmont North Carolina. All songs were written and produced by Tim Carbone, Phil Ferlino, and Jeff Miller.

“Dream Out In The Rain” features Carbone, Miller, Ferlino with Sheryl Renee on background vocals, Keith Moseley on bass, and Matt Butler on drums. They also have a handful of special guests including Jay Rattman on saxophones and horn arrangement, Rick Chamberlain on trombone, Sean McAnally on trumpet. The song was recorded at Silo Sound Studio in Denver, CO and Engineered by Todd Divel. Additional recording by Don Sternaker at Mix-o-Lydian Studios, Delaware Water Gap, PA.

Carbone says, “We feel blessed to be able to make this music and have it help people in need… and we would like to empower those who share our passion and provide a resource for them to take action with us.”

Released Singles Available Here → www.cdbaby.com/Artist/TheContribution

For more information, please visit www.TheContribution.net, www.facebook.com/TheContribution, www.twitter.com/thecontribution, and www.instagram.com/thecontribution.

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Passengers Of Darkness

The Contribution Release New Music Throughout 2017
Singles to be released for seven months, with 100% of proceeds going to nonprofits

Rex Foundation, Conscious Alliance, HeadCount, Rock the Earth, The Delaware Riverkeeper Network, BCEF (Breast Cancer Emergency Fund in SF Bay area), and Piedmont Land Conservatory

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The Contribution has been living up to their name and giving back, they released their third single from their Wilderness And Space project April 21, benefiting HeadCount. Listen to the Exclusive Stream Premiere of “Passengers of Darkness” at Live For Live Music.

Since this February, The Contribution has been releasing one single a month, as sort of a mid-month pick-me-up, partnering with a variety of nonprofits to which 100% of the profits from each single (sold as a digital download) go to a charity (hand-picked by members of the band) in perpetuity.

The Contribution is the brainchild of Tim Carbone of Railroad Earth (violin, guitar, vocals) together with Phil Ferlino (keyboards, vocals) and Jeff Miller (guitar, vocals) of New Monsoon. Keith Moseley (String Cheese Incident), has been the bass player from the band’s inception along with vocalist Sheryl Renee (The Black Swan Singers). The drum chair has been occupied by Jason Hann (String Cheese Incident), Matt Butler (Everyone Orchestra), and currently Duane Trucks (Widespread Panic). Both Matt Butler and Duane Trucks appear on the band’s new record, Wilderness And Space. Although the band is comprised of some of the scene’s heavy hitters, the first listen to their music reveals their love of 60s pop and soul coupled with their ability to flat-out shred. The full ten song album will be released on vinyl this Fall on LoHi Records.

Tim Carbone tells Shows I Go To about how the nonprofits were selected, “I put it to the band at large. What do you feel strongly about? Matt Butler said we should go for the Rex Foundation. Keith wanted Conscious Alliance, who I have also worked with before. Phil suggested Rock the Earth. I thought we would go with HeadCount because I am politically motivated. They don’t choose sides, they just encourage people to register to vote. When you don’t vote, bad things happen. I think we found that out.”

Tim says, “I wrote the words to ‘This Too Shall Pass’ for our guitar player Jeff after his mother passed away from breast cancer.” He says they did some searching and found BCEF, a Breast Cancer Emergency Fund in SF Bay area, to pair up with that song. LoHi Records labelmate, Jim Brooks, suggested Piedmont Land Conservatory as he has held events to raise money for them in the past to preserve natural and scenic lands, farms, and open spaces in Piedmont North Carolina. The Delaware Riverkeeper Network is located nearby where Carbone is from and they do wonderful work in protecting the waterways, including the drinking water of nearly 17 Million people, throughout the entire Delaware River Watershed which includes Pennsylvania, New Jersey, Delaware, and New York.

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The Contribution. Photo by Erin Mills

The newest single release “Passengers of Darkness” explores trauma suffered in a relationship, with two people confronting challenges to their love and trust. Carbone says, “It could also be a metaphor [in retrospect] for the trauma some people are feeling over our recent presidential election. The lack of transparency and trust in an election, as well as a relationship, can be destructive and almost always leads to chaos.”

How fitting to pair the song up with HeadCount, an organization that works with musicians to promote participation in democracy. HeadCount is best known for registering voters at concerts – having signed up 450,000 voters since its launch in 2004 – and for the Participation Row social action villages at concerts and festivals which have raised over $1 million for various nonprofit organizations.

“The Contribution is a brilliant concept and we were honored when Tim asked HeadCount to participate. Seeing Tim and The Contribution elevate and amplify the voices of so many incredible organizations is a real example of how music can change the world,” says Andy Bernstein, HeadCount’s Executive Director.

The first single “Back This Way” came out in February with proceeds going to Rex Foundation. Created in 1983 by the Grateful Dead and Family, Rex Foundation aims to help secure a healthy environment, promote individuality in the arts, provide support to critical and necessary social services, assist others less fortunate than ourselves, protect the rights of indigenous people and ensure their cultural survival, build a stronger community, and educate children and adults everywhere. Rex Foundation has granted $8.9 million to over 1,200 recipients.

“For more than 30 years, the Rex Foundation has funded organizations most people might never have heard of, but all of whom do meaningful work that we find important. I believe that these same groups need all of us now more than ever, and I doubt there could be any better way to celebrate their work than by coming together with songs in the air and spirits held high,” says Rex Foundation Executive Director Cameron Sears.

March’s release unveiled “The Great Boot” to benefit Conscious Alliance. Live Music News and Review’s Miles Hurley spoke with Conscious Alliance’s Executive Director Justin Levy about their work to help solve the hunger crisis in America since 2002. He writes, “… one of the organization’s really successful efforts in the music world has been Art That Feeds, a project that has touring bands’ artists creating posters and other art that fans can donate food to purchase. As Justin tell us, it’s the fan bases that are a fundamental part of the organization’s mission. “People do want to contribute, people do want to give back locally. It’s about making it easy and accessible, and effective for folks,” he says.

“The idea,” Justin explains, “is to engage people in the middle of their good time, and provide them an outlet to give back locally in each city where the music plays. Tim Carbone has been a huge supporter of Conscious Alliance for many years,” Justin says. “[He] reached out to us as they were getting ready to launch, and said ‘We love Conscious Alliance, and we’d love to continue the support through this program.’”

Hurley says “The Great Boot” is “a doozy of a track, echoing both the epicness of something like ‘Terrapin Station,’ and the folky, rich tones of a Railroad Earth tune. The last few minutes launches the song into a powerful climax, fronted by some inspired fiddle playing from band leader Tim Carbone.”

“It’s a pretty special collaboration and we’re very lucky and honored to be involved,” says Levy.

Hurley writes, “Purchasing a wicked cool new track, and getting to contribute to an amazing cause while doing so? It’s a definite win-win all around.”

All songs written and produced by Tim Carbone, Phil Ferlino, and Jeff Miller. The songs from Wilderness And Space were recorded mainly at Silo Sound Studio in Denver, Colorado and engineered by Todd Dival with additional recordings at TRI Studios in San Rafael, California (engineered by Rick Vargas).

Carbone says, “We feel blessed to be able to make this music and have it help people in need… and we would like to empower those who share our passion and provide a resource for them to take action with us.”

Wilderness And Space Singles

2/17 — “Back This Way” benefits Rex Foundation
Listen to the Exclusive Stream Premiere at Relix Magazine

3/17 — “The Great Boot” benefits Conscious Alliance
Listen to the Exclusive Stream Premiere at Shows I Go To

4/21 — “Passengers Of Darkness” benefits HeadCount
Listen to the Exclusive Stream Premiere at Live For Live Music  

Further Release Dates:
5/19 — Ain’t No Sin” – Rock the Earth
6/16 — “Dream Out In The Rain” – The Delaware Riverkeeper Network
7/21 —  “This Too Shall Pass” – BCEF (Bay Area Breast Cancer Emergency Fund)
8/18 — “Wilderness And Space” – Piedmont Land Conservatory

Music available to buy here → www.cdbaby.com/Artist/TheContribution

For more information, please visit www.TheContribution.net, www.facebook.com/TheContribution, www.twitter.com/thecontribution, and www.instagram.com/thecontribution.

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Relix Magazine Premieres The Contribution’s “Back This Way”
All Proceeds Donated to Rex Foundation ~ OUT TODAY February 17, 2017

The Contribution is:
Tim Carbone
, Phil Ferlino, Jeff Miller, Keith Moseley, Sheryl Renee, Matt Butler, & Duane Trucks

On Sale Now at:
iTunes | Amazon | cdbaby.com
TheContribution.net | LoHiRecords.com | RexFoundation.org

The Contribution is pleased to release tracks from their upcoming LoHi Records album, Wilderness And Space, one song at a time over the course of seven months, with full proceeds of each single going to a different non-profit. The full ten-song album will be released on vinyl this Fall.

They kick off with the single “Back This Way” which will be available online on February 17, 2017 with all proceeds donated to Rex Foundation. This track was recorded at Bob Weir’s TRI Studios in San Rafael, CA and engineered by Rick Vargas. Head over to Relix Magazine to hear the World Premiere of “Back This Way” →  http://bit.ly/TheContributionRexPremiere_Relix.

The Contribution is the brainchild of Tim Carbone of Railroad Earth (violin, guitar, vocals) together with Phil Ferlino (keyboards, vocals) and Jeff Miller (guitar, vocals) of New Monsoon. Keith Moseley (String Cheese Incident), has been the bass player from the band’s inception along with vocalist Sheryl Renee (The Black Swan Singers). The drum chair has been occupied by Jason Hann (String Cheese Incident), Matt Butler (Everyone Orchestra), and currently Duane Trucks (Widespread Panic). Both Matt Butler and Duane Trucks appear on the band’s new record, Wilderness And Space.

When Relix magazine announced the The Contribution’s debut record, Which Way World [2010], and called them a “jamband supergroup,” they also recognized, “the band serves the songs first and foremost.” Although the band is comprised of some of the scene’s heavy hitters, the first listen to their music reveals their love of 60s pop and soul coupled with their ability to flat-out shred. It’s what makes the band appealing to music lovers from all walks of life.

Since they are in other touring bands and cannot really get on the road together that often, they came up with this unique idea; Carbone wanted to find a way to live up to the band’s name, which in itself provided the clue as to how, and this is what they cooked up as a way to keep it going and give back in the process. Individually the members of The Contribution have been advocates and activists for various environmental and social causes. Now they have thought of a way to meld the two worlds the band holds dear. They are The Contribution, after all.

The group selected a handful of organizations to partner with and are excited to kick things off with Rex Foundation. Created in 1983 by the Grateful Dead and Family, Rex Foundation aims to help secure a healthy environment, promote individuality in the arts, provide support to critical and necessary social services, assist others less fortunate than ourselves, protect the rights of indigenous people and ensure their cultural survival, build a stronger community, and educate children and adults everywhere. Rex Foundation has granted $8.9 million to over 1,200 recipients.

“For more than 30 years, the Rex Foundation has funded organizations most people might never have heard of, but all of whom do meaningful work that we find important. I believe that these same groups need all of us now more than ever, and I doubt there could be any better way to celebrate their work than by coming together with songs in the air and spirits held high,” says Rex Foundation Executive Director Cameron Sears.

Carbone says, “We feel blessed to be able to make this music and have it help people in need… and we would like to empower those who share our passion and provide a resource for them to take action with us.”

Back This Way” is a duet sung as a conversation between a man and a woman whose relationship is suffering because the man is always away from home. He could be a musician or a traveling salesman (kind of the same thing) or in the military. It’s an argument that somehow, through love, turns out well. Carbone and Renee take the lead on vocals, backed by Miller, Ferlino, and Mosely, with Matt Butler holding it down on the drums.

Other organizations which will be featured include Conscious Alliance and HeadCount, as well as a handful of others that support the arts, environment, and health. Wilderness And Space will be released on LoHi Records, of which Carbone is one of the partners along with Hard Working Americans’ Todd Snider and Chad Staehly (Gold Mountain Entertainment), and entrepreneur/marketing veteran Jim Brooks.

For more information and music, stay tuned to www.TheContribution.net, www.facebook.com/TheContribution, www.twitter.com/thecontribution, and www.instagram.com/thecontribution.

Hear more about the Wilderness And Space project from Tim Carbone →  https://youtu.be/_6qfJzD97Ak.

Read a great interview with Carbone at Shows I Go To →  http://showsigoto.com/the-contribution-new-music/

Listen in to a podcast interview with Carbone at Ragin’ Randy Entertainment http://raginrandyentertainment.com/interview-tim-carbone-the-contribution/

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The Contribution To Release New Music Throughout The Year
Tim Carbone, Phil Ferlino, Jeff Miller, Keith Moseley, Sheryl Renee, Matt Butler, & Duane Trucks, Join Musical Forces To Release Their 2nd Album, Wilderness And Space, on LoHi Records

Singles to be released for seven months, with 100% of proceeds going to non-profits and the first single paired with Rex Foundation to come out February 17, 2017

When Relix magazine announced the The Contribution’s debut record, Which Way World [2010], and called them a “jamband supergroup,” they also recognized, “the band serves the songs first and foremost.” Although the band is comprised of some of the scene’s heavy hitters, the first listen to their music reveals their love of 60s pop and soul coupled with their ability to flat-out shred. It’s what makes the band appealing to music lovers from all walks of life and they are pleased to release tracks from their upcoming LoHi Records album, Wilderness And Space, one song at a time over the course of seven months, with full proceeds of each single going to a different non-profit with each track.

The Contribution is the brainchild of Tim Carbone of Railroad Earth (violin, guitar, vocals) together with Phil Ferlino (keyboards, vocals) and Jeff Miller (guitar, vocals) of New Monsoon. Keith Moseley (String Cheese Incident), has been the bass player from the band’s inception along with vocalist Sheryl Renee (The Black Swan Singers). The drum chair has been occupied by Jason Hann (String Cheese Incident), Matt Butler (Everyone Orchestra), and currently Duane Trucks (Widespread Panic). Both Matt Butler and Duane Trucks appear on the band’s new record, Wilderness And Space.

The first song will be released on February 17, 2017 and all proceeds will be donated to Rex Foundation. Consecutive songs will come out each month, each paired with it’s own art and a different non-profit partner. Others taking part include Conscious Alliance, HeadCount, and a handful of other organizations that support the arts, environment, and health. The full ten song album will be released on vinyl this Fall.

SONY DSCReleasing records and touring is a cycle that is connected and a part of each member’s individual careers. Initially conceived as a studio project that would play select live shows, the emphasis for The Contribution was always on writing and recording. Rather than releasing a full record with expectations of touring to support it, Carbone wanted to find a way to live up to the band’s name, which in itself provided the clue as to how, and this is what they cooked up as a way to keep it going and give back in the process.

How could the creation of music be leveraged best for the betterment of the world at large? A lofty goal. The band has never been about personal profit and individually the members have been advocates and activists for various environmental and social causes. Now they have thought of a way to meld the two worlds the band holds dear. They are The Contribution, after all.

Carbone says, “We feel blessed to be able to make this music and have it help people in need… and we would like to empower those who share our passion and provide a resource for them to take action with us.”

All songs written and produced by Tim Carbone, Phil Ferlino and Jeff Miller. The songs from Wilderness And Space were recorded mainly at Silo Sound Studio in Denver, Colorado and engineered by Todd Dival with additional recordings at TRI Studios in San Rafael, CA, (engineered by Rick Vargas). The full ten-song album will come out on vinyl in the Fall of 2017.

Wilderness And Space will be released on LoHi Records, of which Carbone is one of the partners along with singer/songwriter and record producer Todd Snider, Hard Working Americans’ Chad Staehly, who is also with Gold Mountain Entertainment in Nashville, and entrepreneur and marketing veteran Jim Brooks.

Hear more about the Wilderness And Space project from Tim Carbone →

For more information, please visit www.TheContribution.net, www.facebook.com/TheContribution, www.twitter.com/thecontribution, and www.instagram.com/thecontribution.

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Town Mountain’s ‘Southern Crescent’ OUT TODAY on LoHi Records

Available April 1, 2016 on iTunes → http://apple.co/1QW52ZJ
Limited edition signed CD bundles directly from the web store → www.townmountain.net/shop

ASHEVILLE, NC — Raw, soulful, and with plenty of swagger, Town Mountain, based in Asheville, NC, releases their 5th studio album Southern Crescent on April 1, 2016 through LoHi Records. Produced and engineered by GRAMMY winner Dirk Powell, the album was recorded in Powell’s studio The Cypress House in Breaux Bridge, LA. It was mixed by Mixed by Scott Vestal at Digital Underground in Greenbrier, TN.

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Town Mountain. Photo by Sandlin Gaither.

With an insatiable musical hunger, the members of Town Mountain (Robert Greer on vocals and guitar, Jesse Langlais on banjo and vocals, Bobby Britt on fiddle, Phil Barker on mandolin and vocals, and Nick DiSebastian on bass) made their way to the little south-central Louisiana town of Breaux Bridge, where they recorded their most cohesive, most satisfying album to date. Adam Chaffins* plays bass in the touring outfit.

Southern Crescent was recorded in a decidedly old-school way, live, with minimal fixes and overdubs, with all the musicians in the same room and no noise-reducing baffling between them. Each of Town Mountain’s members contributed songs to Southern Crescent, with Barker, Langlais and Greer the chief writers in the band.

From the boogie-woogie piano of Jerry Lee Lewis that inspired the delightful (and danceable) “Coming Back to You,” to Greer’s cleverly penned and fast-paced “Tick on a Dog,” which offers a taste of another major bluegrass influence, Jimmy Martin, Southern Crescent is tailor-made to keep live audiences on their feet, but it’ll also keep those who think they can easily peg Town Mountain on their toes.

That variety is indeed part of what drives Southern Crescent, which opens with Britt’s delightfully dizzying fiddle work on “St. Augustine,” and showcases Greer’s hard-country vocals on “House With No Windows” and on the freewheeling composition “Ain’t Gonna Worry Me,” (penned by Barker). The group members’ palpable chemistry (and individual artistry) are displayed throughout such instantly memorable tracks as “Wildbird,” (Barker) and “I Miss the Night,” which Langlais penned (with Mark Bumgarner) after experiencing 22 hours of daylight during Alaska’s summer solstice.

The new album is being released on LoHi Records
. Based in Greensboro, N.C., the label is a partnership formed by entrepreneur and marketing veteran Jim Brooks with singer/songwriter and record producer Todd Snider, record producer Tim Carbone (who also plays fiddle in newgrass band Railroad Earth) and Chad Staehly from Gold Mountain Entertainment in Nashville.

Go Behind The Scenes with Town Mountain In “The Making of Southern Crescent” → https://youtu.be/VZD7avVtI4U

Listen to the world premier of “Comin’ Back to You” at The Bluegrass Situation → www.thebluegrasssituation.com/read/listen-town-mountain-comin-back-you

Final Cover Lo ResWhat Folks Are Saying about Town Mountain and Southern Crescent:

“Produced by Dirk Powell, Southern Crescent is hard-charging, grits-and-gravy authentic, the kind of emotions on the strings of Bill Monroe and Flatts and Scruggs pioneered more than 60 years ago. But Town Mountain is no copy band. With Songs written by each band member, and instrumental and vocal originality, Town Mountain honors the Ancients while bringing a collective and generational identity to their art.” —Raleigh News & Observer, Jack Bernhardt

“Southern Crescent reflects the band’s loose, dance-able music, more reflective of their festival and club sets that a staid performing arts center straight-bluegrass set. I’m not sure if the Southern Crescent still runs from Atlanta to Boston like my relatives talked about taking to go ‘visit culture’ in the Northeast, but I’m fairly sure it still runs down to New Orleans, where a more exhilarating culture has endured — an apt analogy for this album.” –Listen to this podcast interview with Town Mountain about Southern Crescent on Country Fried Rock with Sloane Spencer → http://countryfriedrock.org/town-mountain-1606/#.Vv09AnBKhaU

“On Southern Crescent, there’s little fuss and pretension, as each track has a lived-in and live feel, with the band members coalescing around the song in an almost preordained way. There is as much outlaw country and Western swing to these songs as bluegrass, despite the instrumentation. As traditional and even-keeled as Town Mountain is, no other band sounds quite the same.” —Mountain Xpress, Kyle Petersen

“I have seen this band many times, and while there are a couple of bigger names out there, this Asheville group is the most exciting bluegrass band to come along in a long time” –-No Depression, Amos Perrine

Southern Crescent is a near-perfect balance of tradition and young, raw energy… They’ll hear a hundred years of southern musical culture bubbling up and finding a common point where North Carolina, Georgia, and Louisiana meet as old friends. Town Mountain’s style and sonic footprint comes from a foundation of rhythm and groove that comes not from just loving the music (that’s too easy) but from living the music.” —Stream to the Premier of the song “Wildbird” at Bluegrass Today, Brian Swenk

“The record features an expected dose of fast string picking, including the opening fiddle workout ‘St. Augustine,’ but as it unfolds it becomes a well-rounded effort full of front-porch song craft that touches on various shades of roots music. ‘Leroy’s Reel’ has a distinctly Cajun flavor, while ‘Comin’ Back to You’ is a rockabilly dance tune propelled by some boogie-woogie piano.”  —Blue Ridge Outdoors, Jedd Ferris

“By the time they arrive at ‘Whiskey With Tears,’ one is ready to recommend them to country radio not because they sound like they belong there, but because you wish radio sounded like Town Mountain.”–Fervor Coulee, Donald Teplyske

“From the fiddle filled, energetic instrumental opener, ‘St. Augustine’ to the carefree ‘Ain’t Gonna Worry Me’ bluegrass sensibilities merge with roots, rock and country in melodies that will not only make you sit up and listen – they’ll have you getting up and moving as well.” —The Daily Country, Tara Joan

“There are a lot of bluegrass and country bands out there but only a few really have the ability to pull off what Ricky Skaggs and Tony Rice pulled off… Town Mountain, a band out of Asheville NC, does though and they prove it song after song. A bit more country here and a bit more bluegrass there makes the music as roots as you can get.” –-Frank Gutch Jr., Bob Segarini Blog

Town Mountain’s Southern Crescent Tour 2016:
4/1 Fri – The Grey Eagle – Asheville, NC
4/2 Sat – Newgrass Brewing Company – Shelby, NC
4/5 Tue – Hampton Taphouse – Hampton, VA
4/6 Wed – Gypsy Sally’s – Washington, DC
4/7 Thu – Lizard Lounge – Cambridge, MA
4/8 Fri – Hill Country BBQ – New York, NY
4/9 Sat – The Hobo Stage – Fredon, NJ
4/10 Sun – Tin Angel – Philadelphia, PA
4/12 Tue – Haymarket Whiskey Bar – Louisville, KY
4/13 Wed – Cosmic Charlie’s – Lexington, KY
4/14 Thu – The Station Inn – Nashville, TN
4/15 Fri – Barley’s – Knoxville, TN
4/16 Sat – Waverly “Old 280” Boogie – Waverly, AL
4/17 Sun – Zydeco – Birmingham, AL
4/28 Thu – Independent Ale House – Greenville, SC
4/30 Sat – UNC – Chapel Hill, NC
5/13 Fri – KSUT Concert Series @ Henry Strater Theatre – Durango, CO
5/14 Sat – Denver Beer Co.’s Sundrenched Music Festival – Denver, CO
5/14 Sat – Ophelia’s Electric Soapbox – Denver, CO (After party with Hot Buttered Run)
5/21 Sat – The Pour House – Charleston, SC (with Peter Rowan)
5/22 Sun – Lincoln Theatre – Raleigh, NC (supporting Hard Working Americans)
5/24 Tue – The Orange Peel – Asheville, NC (supporting Hard Working Americans)
5/25 Wed – Minglewood Hall – Memphis, TN (supporting Hard Working Americans)
5/27 Fri – White Squirrel Festival – Brevard, NC
5/28 Sat – Rooster Walk – Martinsville, VA
6/1 Wed – Music City Roots – Nashville, TN
6/3 Fri – Bailey Park – Winston-Salem, NC
6/5 Sun – Nelsonville Music Festival
6/11 Sat – Festival of the Bluegrass – Lexington, KY
6/16 Thu – Back Porch Music Series – Durham, NC
6/23 Thu – Rudyfest 16 – Grayson, KY
6/24 Fri – ROMP Fest – Owensboro, KY
7/23 Sat – Homegrown Music Festival – Ozark, AR
8/5 Sat – Pickathon – Happy Valley, OR

For more information, please visit TownMountain.net, facebook.com/TownMountain, twitter.com/TownMountain, and instagram.com/townmountainbluegrass.

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Raw, soulful, and with plenty of swagger,
Town Mountain releases 5th album, Southern Crescent,
April 1, 2016 on LoHi Records

Produced by Dirk Powell at his Cypress House studio
in Breaux Bridge, Louisiana

ASHEVILLE — In much the same way that iconic southern dishes such as Louisiana gumbo or Brunswick stew can include any number of flavorful ingredients, so too does bluegrass music rely on a recipe that can vary wildly, depending on who’s doing the cooking. For Asheville, North Carolina-based bluegrass band Town Mountain, the key ingredient of the musical stew that is their career-defining fifth album, Southern Crescent, is the same confident – yet entirely embraceable – swagger that has distinguished the group since they first formed in 2005. The new album is due out on April 1, 2016 on LoHi Records.

Final Cover Lo Res

With an insatiable musical hunger, the members of Town Mountain (Robert Greer on vocals and guitar, Jesse Langlais on banjo and vocals, Bobby Britt on fiddle, Phil Barker on mandolin and vocals, and Nick DiSebastian* on bass) made their way to the little south-central Louisiana town of Breaux Bridge, where they recorded their most cohesive, most satisfying album to date. Produced by legendary GRAMMY-winning musician (and Louisiana transplant) Dirk Powell at his Cypress House studio, with low-swooping live oak trees and the picturesque Bayou Teche nearby, Southern Crescent is nothing less than a musical tour-de-force. Adam Chaffins* plays bass in the touring outfit.

The 2013 winners of IBMA Momentum Awards for Performance Band and Vocalist of the Year (Robert Greer), Town Mountain has earned raves for their hard-driving sound, their in-house songwriting and the honky-tonk edge that permeates their exhilarating live performances, whether in a packed club or at a sold-out festival. Just as a gumbo recipe starts with the “holy trinity” of staples (onions, bell peppers and celery), and can contain a wide variety of additional ingredients and inspiration, the hearty base of Town Mountain’s music is the bluegrass triumvirate of Bill Monroe, Lester Flatt and Earl Scruggs. It’s what else goes into the mix that brings it all to life both on stage and on record and reflects the group’s wide-ranging influences – from the Grateful Dead’s Jerry Garcia and the ethereal lyrics of Robert Hunter, to the honest, vintage country of Willie, Waylon and Merle.

Southern Crescent was recorded in a decidedly old-school way, live, with minimal fixes and overdubs, with all the musicians in the same room and no noise-reducing baffling between them. The result: a raw, soulful album that prompted iconic singer-songwriter Jim Lauderdale to enthuse in the liner notes, “The first time I heard Town Mountain I loved, respected, and enjoyed them. And I do now more than ever. They have stuck with their deep bluegrass roots but as they have with all of their releases, they have grown and expanded. They sound like Carolina, and they carry that sound farther and farther with Southern Crescent, their latest gem.”

In spite of not having worked with Powell as their producer before, singer-songwriter Robert Greer says he walked away from the experience “thinking this is how I want to record every record from this point on.” It probably didn’t hurt that Powell’s mom, who lives next door to the studio, was keeping the group supplied with coffee and homemade chocolate chip cookies.

The new album is being released on LoHi Records. Based in Greensboro, N.C., the label is a partnership formed by entrepreneur and marketing veteran Jim Brooks with singer/songwriter and record producer Todd Snider, record producer Tim Carbone (who also plays fiddle in newgrass band Railroad Earth) and Chad Staehly from Gold Mountain Entertainment in Nashville.

Town_Mountain_355_Credit_SandlinGaither

Town Mountain. Photo by Sandlin Gaither

Each of Town Mountain’s members contributed songs to Southern Crescent, with Barker, Langlais and Greer the chief writers in the band. A democratic process determines what they’ll record, but the greatest factor, especially on the new record, is audience reaction, which is basically what led to release of the band’s first official live album, Town Mountain: Live At The Isis, in 2014. “We’ve gone into the studio before with new stuff but every tune on this record had been road-tested,” says Greer. “We go in to the recording situation and we have our tunes arranged already because we’ve been playing them on stage. That’s a contributing factor to successfully being able to record them live, because we’re used to doing them night after night.”

From the boogie-woogie piano of Jerry Lee Lewis that inspired the delightful (and danceable) “Coming Back to You,” to Greer’s cleverly penned and fast-paced “Tick on a Dog,” which offers a taste of another major bluegrass influence, Jimmy Martin, Southern Crescent is tailor-made to keep live audiences on their feet, but it’ll also keep those who think they can easily peg Town Mountain on their toes. “With live music, anything can happen,” Greer acknowledges. “It’s not supposed to be perfect but does it have soul!”

The music, perhaps, should also come with a road map. As Langlais explains, “A lot of the material is based around traveling. You start to peel back the lyrics of the songs and see that a lot of the material is about being out on the road and the experiences – positive or negative – that we may have living the lifestyle.”

Just as the guys find a wealth of musical inspiration in each other, there’s admittedly a little frustration that comes from being in a band with several other gifted songwriters at the same time. As Langlais explains, “You want to make sure you’re up there and everybody else is feeling the same about you. It’s good to have multiple writers in the band because it gives your audience more variety.”

That variety is indeed part of what drives Southern Crescent, which opens with Britt’s delightfully dizzying fiddle work on “St. Augustine,” and showcases Greer’s hard-country vocals on “House With No Windows” and on the freewheeling composition “Ain’t Gonna Worry Me,” (penned by Barker). The group members’ palpable chemistry (and individual artistry) are displayed throughout such instantly memorable tracks as “Wildbird,” (Barker) and “I Miss the Night,” which Langlais penned (with Mark Bumgarner) after experiencing 22 hours of daylight during Alaska’s summer solstice.

“Bands are constantly trying to define their sound, a sound that sets them apart from every other band, especially in genre as small as bluegrass,” says Langlais. “Our approach has been to find what our sound inherently will be and build off of that. Granted, we are taking a piece of what Bill Monroe’s band did in order to make our own bluegrass band. That’s just inevitable. But he borrowed from all these other genres, too – rock ‘n’ roll, country music, Scots-Irish fiddle music. I think we have realized what our sound is with this album.”

Greer, who hosts occasional nights of acoustic classic country and bluegrass in Asheville called Cornmeal Waltz (after a Guy Clark song), understands the music-food connection, saying that no matter what goes into gumbo or Brusnwick stew, they’re still “as southern as red clay.” The same is certainly true of Southern Crescent, Town Mountain’s prize-worthy signature dish.

Town Mountain on Tour 2016:
3/4-5 Fri-Sat – Hilton Head Island Seafood Festival – Hilton Head, SC
3/19 Sat – The Rabbit Hole – Charlotte, NC (with Jeff Austin Band)
4/1 Fri – The Grey Eagle – Asheville, NC
4/2 Sat – Newgrass Brewing Company – Shelby, NC
4/5 Tue – Hampton Taphouse – Hampton, VA
4/6 Wed – Gypsy Sally’s – Washington, DC
4/7 Thu – Lizard Lounge – Cambridge, MA
4/8 Fri – Hill Country BBQ – New York, NY
4/10 Sun – Tin Angel – Philadelphia, PA
4/12 Tue – Haymarket Whiskey Bar – Louisville, KY
4/13 Wed – Cosmic Charlie’s – Lexington, KY
4/14 Thu – The Station Inn – Nashville, TN
4/15 Fri – Barley’s – Knoxville, TN
4/16 Sat – Waverly “Old 280” Boogie – Waverly, AL
4/17 Sun – Zydeco – Birmingham, AL
5/28 Sat – Rooster Walk – Martinsville, VA
6/24 Fri – ROMP Fest – Owensboro, KY
7/23 Sat – Homegrown Music Festival – Ozark, AR

For more information, please visit TownMountain.net, facebook.com/TownMountain, twitter.com/TownMountain, and instagram.com/townmountainbluegrass

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