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Posts Tagged ‘traditional music’

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Red June Performs at Isis Restaurant and Music Hall on Friday, May 16th
CD Release Celebration for Ancient Dreams on Organic Records

Show at 8:30pm, tickets are $12 adv/$15 door and are available here.
General Admission Seated Show :: Limited Tables Available with Dinner Reservations
There will also be theater-style & balcony seating available

828-575-2737
743 Haywood Road Asheville, NC 28806
www.isisasheville.com

Powerful acoustic trio from Asheville, North Carolina, Red June released their third album Ancient Dreams on Organic Records April 15, 2014. They celebrate in Asheville at Isis Music Hall on Friday, May 16th for a special performance.

Purveyors of original music created in a traditional style, Red June performs beautifully distilled original music. The band is known for a dynamic, yet refined sound that features striking three-part harmonies, tasteful instrumental work, and honest, soulful songwriting that seamlessly blends bluegrass, old-time, country and American roots music.

Ancient Dreams is illustrative, honest and exquisitely crafted; it features the talents of Will Straughan (resonator guitar, guitar, mandolin and vocals), Natalya Weinstein (fiddle and vocals) and John Cloyd Miller (mandolin, guitar and vocals). The album was produced by Tim Surrett of the award-winning band Balsam Range; he also contributed some stellar bass playing on some tracks.

RedJUneAncientDreamsPressShotLOWImagine opening your front door on a mid-summer morning. Instead of your familiar scene, you walk out onto an old wooden porch facing east as the sun starts to rise. The day’s first light hits your eyes and your ears are filled with the close, warm sound of a mandolin.

Somewhere to one side the dust rises from a foot tapping. It’s keeping time to a melody that sounds older than any music you know. As the smell of dew covered grass floats by, so does a voice alongside that old melody….. ”I… I just want to wake… wake up with you and drink… something hot… best you’ve got.”

As you try to figure out how you got here, you realize it was by simply listening to the leadoff and title track of Red June’s Ancient Dreams.

The best thing is, this is not the only world you visit while listening to this North Carolina-based trio’s third release. Like your best dreams, nocturnal or daytime visions, Red June’s music has a transformative power that is the result of the pastoral story-songs which hold an underlying familiarity. It is music and songwriting that is instantly comforting, thought-evoking with relatable themes, even if they are not always obvious on the surface.

Like their namesake heirloom apple variety, Red June has strong roots in the Appalachian tradition while constantly forging new ground in American music. With Ancient Dreams, the trio collaborated with fine artist, Nancy Hilliard Joyce, who created the original album art: a pastoral painting that captures the idyllic tones within.

Preview and purchase Ancient Dreams today at Organic Records, iTunes, and AmazonMP3.

For more information and tour dates, please visit RedJuneMusic.com.

 

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John Cloyd Miller (Red June) Wins 2013
MerleFest’s Chris Austin Songwriting Contest

“Cloud of Dust” Places #1 in Bluegrass Category

John Cloyd Miller won first place in the 21st annual Chris Austin Songwriting Contest in the bluegrass category at MerleFest 2013. Miller is a vocalist, guitarist and mandolin player for the Asheville-based band, Red June, a nationally touring acoustic Americana trio that includes his wife, fiddler and vocalist Natalya Weinstein, and multi-instrumentalist and vocalist Will Straughan. The winning song, “Cloud of Dust,” appears on Red June’s 2012 sophomore release, Beauty Will Come.

“‘Cloud of Dust’ highlights the frustrations and resolve of a young man during the Dust Bowl of the 1930s.” John says, “This song tells the story of what happens when we abuse our land.” Red June kicked off 2013 with the release of a music video for the song which features powerful archival footage from the Dust Bowl.

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John Cloyd Miller. Photo by Terry Manier.

Acclaimed NC traditional musician, Riley Baugus, says, “John’s music reminds me of being in the Blue Ridge Mountains, high on a hill all alone and hearing the sound of the mountains coming from all around and filling your soul with the feeling that everything is just right in that place. His voice is strong and pure and harkens back to a time when there was no need for electronic enhancement and tuning adjustments. In short, John is the real thing and is just incredible.”

The Chris Austin Songwriting Contest offers songwriters the opportunity to have their original songs heard by a panel of professional songwriters and others from the Nashville music industry. The 2013 winners were chosen from more than 700 entries. Winners in the Bluegrass category included 1st Place – John Cloyd Miller’s “Cloud of Dust” (Asheville, NC); 2nd Place – Todd Grebe’s “Master of My Destiny”  (Nashville, Tenn.); and 3rd Place – Aaron Burdett’s “Magpie (Saluda, NC). Previous winners of the Chris Austin Songwriting Contest include Gillian Welch, Tift Merritt, Michael Reno Harrell, Adrienne Young, Martha Scanlan, David Via and Johnny Williams.

“The talent this year was amazing!” says Laurie Brintle-Jarvis, coordinator of the Chris Austin Songwriting Contest. “They gave an inspirational performance on the Cabin Stage on Friday evening, sharing their talents and enthusiasm with the crowd.” For more details about the contest, visit www.MerleFest.org/ChrisAustinSongwritingContest.

In 2012, Red June made their MerleFest debut, performing at the 25th anniversary festival. Later that year they released their second full-length album, Beauty Will Come, and performed at numerous shows and festivals across the country including Music City Roots, Suwannee Springfest, Beartrap Summer Festival, and Shakori Hills GrassRoots Festival. The band was selected for an official showcase at The Station Inn in Nashville at the Americana Music Association conference, and was featured in the October 2012 issue of Southern Living magazine with Douglas Rogers writing, “Bands like Old Crow Medicine Show, The Avett Brothers, and Red June have recently put the sounds of Appalachia back on the map.”

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Red June at MerleFest by Will Sparklin

A native of Hickory, NC, Miller’s musical background includes deep roots in bluegrass. A self-taught musician, he grew up listening to his grandfather, legendary bluegrass fiddler and NC Folk Heritage Award winner, Jim Shumate. After graduating from Appalachian State University, Miller moved to Utah and joined the bluegrass band Lo-Fi Breakdown. Eventually the band relocated to Asheville, NC, and continued to perform until early 2009. Around that same time, Miller, Weinstein, and Straughan formed Red June (named after an heirloom apple variety), a group that emphasizes songwriting while combining elements of bluegrass, old-time, country and American roots music.

“Beauty Will Come by Red June just may be the most stunningly gorgeous country album in years. Everything about it: from the exquisite three-part harmonies and acoustic loveliness of the mandolin, fiddle, guitar and upright bass…This is the epitome of Americana…” says Mike Greenblatt with Rant’n’Roll Aquarian Weekly.

For more information, visit www.redjunemusic.com or www.johncloydmiller.com.

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Dreamspider Publicity is so excited about MerleFest 2012! Dreamspider is working with 5 acts that will be performing this weekend including Donna the Buffalo, Red June, The Honeycutters, Johnson’s Crossroad, and Jonathan Scales Fourchestra. Both Red June and The Honeycutters have albums due out soon!  Please click on the images for links to their websites.
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Donna the Buffalo’s feel-good, groove-oriented, danceable and often socially conscious music all began over twenty years ago with roots in old time fiddle music that evolved into a soulful electric Americana mix infused with elements of cajun/ zydeco, rock, folk, reggae, and country. Donna the Buffalo is known for touring the country remaining fiercely independent as one of the industry’s most diverse roots-music bands and has “earned a reputation as one of the most respected, eclectic and hardest-working acts today,” praises Encore. The dynamic songwriting tandem of vocalists Jeb Puryear and Tara Nevins have penned over 180 songs in their collaboration with DTB and have many more in the making.
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Donna the Buffalo MerleFest Schedule:
Thursday, April 26, 2012:
Outreach:  1:30 PM- 2:30PM (DtB performance at Wilkes Middle School)
Media Tent: 4:30-5PM
Watson Stage: 6:45-7:45PM (Donna The Buffalo with Jim Lauderdale)
Autograph Signing: 8:15-8:45PM
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Friday, April 27, 2012
Traditional Tent: 2:30-3:30PM (Tara Nevins and Friends)
Hillside Stage: 6:15-7PM (DtB)
Dance Tent: 10:30-11:59PM (DtB)
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Saturday, April 28, 2012
Creekside Stage: 2-3:30PM Tara will sit in for a song with Peter Wernick’s Flexigrass
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Sunday, April 29, 2012    
Traditional Tent: 11:30AM-12:30PM Tara will take part in the “Women Who Sing Traditional Music” workshop
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Red June is an acoustic trio based in Asheville, NC who creates and performs beautifully distilled Americana music. They are making waves with their dynamic, yet refined sound that features striking 3-part harmonies, tasteful instrumental work and honest, soulful songwriting that seamlessly blends old-time, bluegrass, roots rock and traditional country music. Poised to release their second full-length album, Beauty Will Come, on June 5th, 2012, listeners can expect an album to fall in love with. “The record is a brilliant integration of old-time, bluegrass, and beyond, and feels like a holding of hands… the blend is beautiful,” says singer/songwriter Kari Sickenberger of Polecat Creek.  Red June is made up of Will Straughan on resonator guitar, vocals and guitar, John Cloyd Miller on mandolin, vocals and guitar, and Natalya Weinstein on fiddle and vocals.
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Red June MerleFest Schedule:
Friday, April 27, 2012
Dance Tent: 12:45-1:45 PM “Learn to Clog with Carol Rifkin and Red June”
Dance Tent: 8:30PM Natalya will be a guest performers at the Square Dance
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Saturday, April 28, 2012
Americana Stage: 11:00-11:45AM
Autograph Signing: 12:15-12:45PM
Traditional Tent: 1:30-2:15PM
Traditional Tent: 3:30-4:15PM Natalya will be part of the Fiddle Workshop
Dance Tent: 4:15-5:45PM
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Sunday, April 29, 2012
Media Tent: 11:00-11:30 AM
Cabin Stage 12:20-12:45PM
Autograph Signing  1:15-1:45PM
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The Honeycutters are excited to introduce their second full length studio release, When Bitter Met Sweet this spring. Like their first release, Irene, When Bitter Met Sweet features singer/songwriter Amanda Anne Platt, who has been hailed as “one of the best songwriters coming out of WNC these days” by WNCW programming director Martin Anderson. Peter James accompanies her on lead and rhythm guitar as well as harmony vocals. The Real Southern Say, “I can see a day when her name is mentioned alongside Lucinda Williams, Mary Gauthier and Gillian Welch. She’s just that good.”
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The Honeycutters MerleFest Schedule:
Friday, April 27, 2012
Americana Stage: 9:45-10:30AM
Creekside: 1:15-2PM
Austin Alumni Hall: 2-3:30PM Amanda is a guest judge @ Chris Austin Songwriting Contest
Austin Alumni Hall: 8:55-9:10PM Amanda will be performing a solo songwriter session
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Saturday, April 28, 2012
Media Tent: 1:30-2PM
Cabin stage: 3:05-3:30PM
Autograph signing:  4-4:30PM
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Johnson’s Crossroad has been described by friends and fans as everything from Appalachian Soul” to “Hillbilly Metal.” The band blends blues, roots-rock, folk, bluegrass, and Appalachian Old Time for a sound that The Daily Times’ Steve Wildsmith calls “both mournful and jubilant, breezy and graveyard serious.” He goes on to comment that frontman Paul Johnson’s voice “barely rises above a growl, but he stretches that sound to encompass the experience of a train-hopping hobo and the wisdom of an old man recalling loves lost and wars fought from the porch of a backwoods cabin.”  Watching his back is mandolin player Keith Minguez, a strong friendship at the core of the group… ironically enough the band originated on Keith’s first visit to MerleFest watching John Hartford perform.
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Johnson’s Crossroad MerleFest Schedule:
 Friday, April 27, 2012
Walker Center: 1:15-2:00PM
Creekside Stage: 3:45PM-4:30PM
Autograph Signing: 5-5:30PM
Austin Stage in Alumni Hall: 10:05-10:20PM Songwriter Coffeehouse with Paul Johnson
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Saturday, April 28, 2012
Media Tent: 10-10:30AM
Cabin Stage: 11:15-11:45AM
Autograph Signing: 12:30-1pm
Americana Stage: 1:30-2:15PM
Plaza Stage:  5:45PM- 6:30PM
Autograph signing: 7-7:30PM
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Classically trained composer turned steel pan maestro and front man of the Fourchestra, Jonathan Scales is heavily influenced by the complexity of banjo virtuoso Bela Fleck to the hustle of Jay-Z and is known for his unique presentation of the Steel Pan that brings the instrument into new realms of musical influence and has been called, “… a rising star of the steel drums” by Traps Magazine and “The Real Deal [with] a Thelonius Monk-like attitude with a Mozart creativity that works” by Pan on the Net. Fusion-chops bassist, Cody Wright provides the harmonic support for Scales’ sound, while jazz/hip-hop drummer, Phill Bronson, drives the time-shifting, modern grooves.  Premier Steel Pan Magazine When Steel Talks says, “At the end of the day, Scales is going to be a major play in rewriting the books on steelpan music outside of the box.”
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Jonathan Scales Fourchestra MerleFest Schedule:
Friday, April 27, 2012
Media Tent: 10:30-11AM
Watson Stage: 11:45AM-12:45PM
Autograph signing: 1-1:30PM
Hillside Stage: 2:15-3PM
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Saturday, April 28, 2012
Walker Center: 9:15-10:15AM Intimate performance for ticketed guests @ Patron Breakfast
Walker Center: 11:15PM-12AM Midnight Jam Opening Act
Mayes Pit-Cohn Auditorium: 2:45 PM 3:30PM Steel Drum Workshop
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Mandolin Orange
w/ Maggie & Her Mistakes
Saturday, April 30, 2011
The Emerald Lounge

$5, doors 9pm, show 10pm
(828) 232-4372
112 North Lexington Avenue
Asheville, NC 28801
emeraldlounge.com

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Mandolin Orange is a Chapel Hill, NC-based duo led by songwriter Andrew Marlin and instrumentalist Emily Frantz, who ornament lyric- and harmony-focused tunes with acoustic and electric guitars, fiddle and mandolin. The duo’s understated instrumentation draws on bluegrass and rock-and-roll alike, keeping Marlin’s dark lyrical themes at the forefront of their folk-country sound. Together they deliver a sound that’s uniquely their own yet satisfyingly familiar, and were recently recognized by Rosanne Cash to be “very exciting young people making great music”. Since releasing their debut full length ‘Quiet Little Room’ in May 2010, the duo has shared bills with Chatham County Line, the Steep Canyon Rangers and Abigail Washburn, and has performed at notable festivals such as Shakori Hills Grassroots, Beaufort Music Festival, and Albino Skunk Festival (SC).

Mandolin Orange is currently touring throughout the southeast in advance of their second full-length release, and working on its finishing touches in the meantime. On some tour dates the duo is joined by their recently added rhythm section, made up of Jeff Crawford on bass (formerly of Roman Candle, SpencerAcuff) and James Wallace on drums and organ (formerly of Max Indian, The Old Ceremony). The majority of the forthcoming album was recorded in a cabin in Franklin, NC with Jeff and James in December 2010, while the rest was completed at Crawford’s Arbor Ridge Studios in Chapel Hill. The album is not yet named, and is set to release in early fall of 2011.

The duo’s first album ‘Quiet Little Room’ released in May 2010 and was self-produced, recorded and engineered by Marlin and Frantz at Rubber Room Studios in Chapel Hill. The intimate and sparse style of the tracks met critical acclaim in several reviews. Independent Weekly’s Rick Cornell states that “all across the record is the sound of voices and instruments in the dark, finding light.” In a review for swampland.com, James Clementine confidently likens the album’s harmonies to those of Gram Parsons and Emmylou Harris. Muzzle of Bees noted that their “focus moves from the instrumentation to the melody and ethos of songs … a little bit grassy, a little bit country-folk, a little bit something else.” Both North Carolina natives, Marlin’s rural upbringing and Frantz’s roots in bluegrass fiddle and harmony serve as the basis for the duo’s more explorative style. Quiet Little Room reflects the influence of traditional music on their original material, which edges into southern gothic with poignant, sometimes foreboding lyrics centered on themes of the natural world.

Mandolin Orange’s current work retains the intimacy, open space and focus established in their first album, but explores new musical territories through both Marlin’s songwriting and the addition of a full rhythm section. The band’s evolving sound reflects the eclectic musical environment of Chapel Hill, and their engaging performances are packing houses throughout North Carolina and beyond. With festivals booked for summer and Fall 2011 and an appetite for expansive touring, the second album release is sure to take this lyrical Americana act into new territory.

Find out more at mandolinorange.com, facebook.com/mandolinorange and twitter.com/mandolinorange


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Donna the Buffalo is on for a great weekend heading through Nashville, Greensboro, and Asheville. There are lots of great interviews for the shows which are posted below. Co-band leader, Tara Nevins, kicked of the day yesterday with a solo studio session on the Lightning  100 with Lt Dan. Then the band went over to the Loveless Barn for a Music City Roots performance with other amazing artist including  Catie Curtis, The Cleverlys, The Black Lillies, and Rayland Baxter. Check out some wonderful pics from the night here.

DtB will be playing on Cannery Street tonight in Nashville at the Mercy Lounge with the Roy Jay Band, who is on the road with DtB for several shows this winter. Here’s a nice writeup in the Nashville Scene by Edd Hurt about the show:

Photo by Jim Gavenus

Folkies with a superior sense of rhythm are rare enough, but folkies with a good beat and a healthy disrespect for eclectic clichés are a national treasure. Hailing from the metropolis of Trumansburg, N.Y., Donna the Buffalo began playing their mixture of country, soul, zydeco and folk 20 years ago, and they’ve never sounded better. On their 2008 full-length Silverlined, songwriters Tara Nevins and Jeb Puryear came up with such great songs as “Biggie K,” which may be the finest tune ever written about childbirth: “Though her stomach’s stretched and pulled / She’s never been more beautiful.” The quintet’s easy way with American roots music suggests a fusion of Brinsley Schwarz and The Holy Modal Rounders, and they make music that’s beautiful but never prettified. They say they have a couple of projects in the works, including a full-band effort and a solo record by Nevins.  Read the original post at nashvillescene.com.

On Friday, January 28th, they head on over to Greensboro, NC to play at the new Blind Tiger. David McCracken, DtB’s B3 Hammond player, grew up in Greensboro and did this great interview with Eddie Huffman from GoTriad.com:

photo by Jim Gavenus

From the moment Greensboro native Dave McCracken first saw Donna the Buffalo play live, at MerleFest in 1997, he knew he belonged in the band.

“I watched them for the first time, and I remember I saw them move the organ across the stage,” McCracken says, speaking by phone from his mother’s house in Liberty. “I said out loud, ‘Man, that should be me.’ Ten years later — 10 years later! — it’s me. I swear, I don’t even know how that happened. I just knew it should be me for some reason.”

. . .    . . .    . . .

Donna the Buffalo formed in 1989 in upstate New York but has made many N.C. connections in the years since — McCracken and North Wilkesboro’s MerleFest among them. The group signed with Sugar Hill Records, a fixture in Durham for more than two decades before the label moved its offices to Nashville, and the members of Donna the Buffalo founded the twice-yearly Shakori Hills Grassroots Festival of Music and Dance in rural Chatham County, now entering its eighth year.

. . .    . . .    . . .

Jam band fans already knew McCracken via Folkswaggin’, which started in Greensboro in 1994 and played at the Blind Tiger regularly.

“I really cut my teeth in that place,” he says. “That’s where I learned how to play keyboards. I’ve been playing there since ’97. I’ve gone through a lot of things in that place, and it means a lot to me. I’m looking forward to playing there again. It’s been a long time since I’ve been there.”

In recent years, McCracken has played at the Blind Tiger with Q-Bex, a version of the band Hobex which includes acclaimed drummer Jeff Sipe.

McCracken did a stint in Hobex about 10 years ago, and he played in a metal band called Perpetual Iniquity in Greensboro as a teenager in the late 1980s. But his musical ambitions go all the way back to his early childhood in the 1970s.

“Playing music for a living was seriously a dream I had when I was, like, 3,” McCracken says. “You know how Facebook reunites people so much? I reunited with somebody who was my friend until I was 5. He was like, ‘Wow, you’re playing music for a living.’ He said it wasn’t surprising at all because all I talked about back then was how I wanted to do it.”

. . .    . . .    . . .

Read the full article at gotriad.news-record.com

Tara Nevins also interviewed for the Blind Tiger show. She spoke with Laura Graff from the Winston-Salem Journal. Here is a bit of the article:

Photo by Lewis Tezak Jr

Donna the Buffalo’s music belongs on the festival circuit — it’s an engaging mix of roots, bluegrass, reggae, country and New Orleans-inspired zydeco. . .

. . .     . . .    . . .

“We just come from a base of traditional music,” said Tara Nevins, one of the band’s original members. Nevins formed the band with Jeb Puryear, and both play old-time fiddle.

“Over the years of playing fiddle music, we discovered other traditional music,” Nevins said. “We don’t do it on purpose, it’s just that we have a lot of music that we’ve been involved in over the years and that we love.”

Nevins, who started out playing the fiddle, bought an accordion about 20 years ago.

“That gave us a Louisiana flavor to our songs,” she said. “We just have a lot of musical influences, because of some of the different instruments we play, those flavors come out in our music.”

. . .    . . .    . . .

Nevins just finished work on a solo album, “Wood and Stone,” which will be released on Sugar Hill in April.”Wood and Stone” is her second solo album. The last, “Mule to Ride,” showcased the fiddle and was, Nevins said, more “old-time bluegrass.” This new album, she said, showcases her songwriting.

“I’ve written pretty much everything on the record,” Nevins said. “It’s not all about the fiddle the way the first one was.”

She said the band is planning to return to the studio in late February to work on a new album.

“It’s going to be a collaboration,” Nevins said. “We’re inviting other artists that we’ve played at with festivals over the years — artists we admire.”

Read the full article at www2.journalnow.com

On Saturday, the band jumps on the bus over to Asheville to play the Orange Peel. The Mountain Xpress wrote a nice little blurb about the show and some of DtB’s Asheville connections:

Kyle Spark. Photo by Lewis Tezak Jr.

For years, upstate N.Y.-based, self-desribed “Cajun/ zydeco, rock, folk, reggae and country” band Donna the Buffalo has long had an Asheville connection through it’s bassist. First it was Bill Reynolds (Band of Horses) then Jay Sanders (Acoustic Syndicate). Now DTB has Massachusetts bassist Kyle Spark but the group (who has toured for 21 years) still makes its semi-annual trek South (DTB is likely to pop up at regional warm-weather festivals). . .

Read the original post at: mountainx.com

Great weekend in store. We hope to see lots of the Herd around for these SouthEast shows!



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Emerging out of Asheville, North Carolina’s roots renaissance, Dehlia Low echoes the sounds of early country with a strong bluegrass flavor, crafting a fresh originality that feels like home.

Since the release of their second studio album “Tellico” in 2009, Dehlia Low has traveled across the U.S. in support of the album, including appearances at Merlefest, Gettysburg Bluegrass Festival, Appalachian Uprising, Pickathon, Jammin’ at Hippie Jack’s, Durango Meltdown and Bristol Rhythm & Roots. Dehlia Low’s most recent releaseDehlia Low – Live” showcases the group’s exceptional songwriting talent and outstanding vocal and instrumental performances recorded during the 2010 season at notable venues in the southeast including the Grey Eagle, Down Home and Mockingbird.

Dehlia Low’s had great success with their first two albums; both being listed within the top 20 of 100 releases in 2008 and 2009 on WNCW. They are also featured on a Live MerleFest compilation for 2010 for the Bluegrass Trust Fund.

Mandolin Orange is a Carrboro, NC-based band with songwriting and vocal harmonies at the core, led by Andrew Marlin and Emily Frantz. The duo ornaments lyrical tunes both tender and tough with acoustic & electric guitars, fiddle, and mandolin. As a band, they are joined by Jeff Crawford and James Wallace on bass and drums.  The duo’s debut album “Quiet Little Room” released May 1 to critical acclaim, and reflects the influence of traditional music on the duo’s contemporary folk style.


Show details:
Dehlia Low & Mandolin Orange
Pisgah Brewing
Saturday, October 23, 2010

doors 7:30; $8
828-669-0190
150 Eastside Drive
Black Mountain, NC 28711
www.pisgahbrewing.com

Advance copies of Dehlia Low- Live will be available at the show.

Stay tuned for more on the official album release party and tour

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Super pumped about Shakori Hills Fest being right around the corner! It’s October 7-10th in Silk Hope North Carolina.

You never know what will happen at Shakori  as the magic sets in… I’ve seen plenty of rainbows &  blue skies (as well as a few muddy dancing rainstorms…) I’ve seen one of the longest shooting stars ever that lasted at least a minute and flew over the mainstage as Donna the Buffalo was playing on one of the famous Sunday night sets… and I’ve seen some of the best musical collaborations EVER on stage! Everything goes and the festival is always amazing!

On the lineup for this fall are Donna the Buffalo, Preston Frank, Toubab Krewe, Peter Rowan Bluegrass Band, Snake Oil Medicine Show,Woody PinesAmelia’s Mechanics, Carolina Chocolate Drops, Lizzy Ross Band, Mandolin Orange and lots more! See the complete lineup here: http://www.shakorihills.org/performers/

At every Shakori, the last set on Sunday night is always one that everyone looks forward to as host band Donna the Buffalo brings out many guests from other bands that have played all weekend. Last spring one of the biggest hits was when  John Paul Jones had randomly appeared at Shakori because his overseas flight to England was delayed from the volcanic ashes that were in the air from the eruption in Iceland. He sat in with Donna the Buffalo and played several songs on bass, keys, and mandolin. Here is a great video of one of them:

Check out this very in depth and personal interview that Paul Kerr from Homegrown Music Network did with DtB’s Tara Nevins on the DtB bus at the festival just before that Sunday night set. At the point of the interview, Tara did not know that John Paul Jones was there again and ready to play:

HGMN: How did [Led Zeppelin bassist] John Paul Jones end up coming to Shakori Hills?

Nevins: He really likes traditional music. He always did, and he plays the mandolin. He produced that all-girl old-time band Uncle Earl. He produced one of their records, and I play triangle on it actually. I got to work with him in the studio. He was at MerleFest a few times and was just checking everything out. Because I had played triangle and was in the studio and had met him and worked with him, I think I might have said, “Hey we’re doing a dance in the dance tent later, why don’t you come by and sit in?” And everyone wanted him to sit in, you know? But he actually showed up and my drummer almost fell off his stool.

She told me later that when she left the bus to get on stage Jeb said, “Hey, Tara, John Paul Jones is here and wants to sit in”. She said something like, “yeah right Jeb” and then he said, “No, really, turn around” and she did and there he was. Funny because she was just telling a story about him at the interview a few minutes before and had no clue about his delayed flight or that he was even at the festival at all… Well.. That’s just some of the magic that happens at Shakori Hills!

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