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Bill Scorzari Releases His 3rd Studio Album, Now I’m Free, September 20, 2019

Produced by Neilson Hubbard at Skinny Elephant Recording,With Performances by Erin Rae, Will Kimbrough, Eamon McLoughlin, Michael Rinne

Out Now →   https://nowimfree.hearnow.com

billscorzaricover-14

Huntington, NY —  With a raw and gritty sound, along with a stellar ear for lyrics and composition, New York native Bill Scorzari independently releases his third full-length album of all original music, Now I’m Free, on September 20. Produced by Neilson Hubbard (Orphan Brigade), Now I’m Free was recorded and mixed by engineer Dylan Alldredge at Skinny Elephant Recording in Inglewood, TN and mastered by Jim DeMain at Yes Master Studios.

Hubbard says, “Bill tears himself open on these 15 songs and leaves it all out there in plain sight. He is an open book delivering a record of astonishing intimacy… and the gravel and whispers in his voice carry a true knockout punch.”

Scorzari’s songs transition through a multitude of emotions centered on the experiences of the human condition and are, at times, downright sad. Of his music, some say it’s spoken word, and others, an amalgam of the voice of Tom Waits, the delivery of Sam Baker, and the soul of Kris Kristofferson. In his lyrics, there is a poetic grace, a calming and resigned wisdom of acceptance that shines through the wistful melancholy of hope, and breaks free. 

Bill says of the record, “During the past three years and beyond, I found myself in a place that demanded prolonged introspection and profound healing to be able to navigate through and journey past. This record is a journal of some of the lessons and discoveries that I’ve encountered along the way.”

Kind Words About Now I’m Free:

delicately nuanced” with “detailed arrangements”
Billboard, Gary Graff, Exclusive Interview and Full Album Stream

“There are poets, there are songwriters, there are painters of fine art, and there’s Bill Scorzari. The new album, Now I’m Free is a bold and delicate balance of each. To say it is a thing of beauty is an understatement… To compare Now I’m Free to the other albums released at this time would be unfair to the industry. Perhaps Dylan or Townes could go toe to toe, but my money’s on Scorzari. He makes me want to be a better writer. His writing is vivid and succinct.” —Making A Scene!, Viola Krouse

There may be a handful of songwriters as good as Scorzari but no one else could deliver these stunning songs. It’s even deeper and every bit as good as his last one. Bigger names will get more recognition but Scorzari’s getting there. He did play the Newport Folk Festival this year. He has my vote for Americana Album of the Year.” —Glide, Jim Hynes

This new album simply blows me away… you might want to think about Tom Waits a little, but better… The thing that impresses me is, of course, is the fact that [Bill’s] voice is very distinctive, there is no question about the fact, that if someone hears this, hears this music, hears your new album, they are gonna know: this is Bill Scorzari, because there’s not many people that have this voice and evoke this kind of emotion.
Mostly Folk, WIOX Catskills Cafe, Artie Martello

Bill says “I could feel some of the old 1970s ‘country rock’ (Marshall Tucker Band, Charlie Daniels Band…) influences from my youth welling up and flowing out and that made writing this song a whole lot of fun.”
The Bluegrass Situation premiered the uptempo “Treat Me Kind”

“A stunning work. Bill’s poetic lyrics are a frozen rope to the heart.”
Podcast interview on The Marinade with Jason Earle

“With a somber musical style and a hushed, gritty vocal that rises like the morning mist to mingle with Erin Rae’s grounded tones, ‘It All Matters’ is just outright pretty. Now I’m Free should be nominated for awards this year with its depth of grace and innovative tones; Scorzari taps into a nexus between the familiar and the uncanny.”
Americana Highways Song Premiere of “It All Matters,” Melissa Clarke

“Like the songs on his last CD… the ones here are all original, deeply personal and affecting; and Scorzari’s earthy vocals, which are just a bit less sandpapery than Dave Van Ronk’s, drive them home. With any luck, this guy is going places, and chances are, you’ll want to follow along for the ride.”  
The Morton Report, Americana Highways, Jeff Burger

Like singer-songwriters, Kris Kristofferson, Leonard Cohen, and Tom Waits, Bill’s raspy baritone snarls, hisses, and whispers through his heartfelt lyrics. Sometimes leaving the melody and just speaking the words, he comes off like a modern-day Rod McKuen, sweeping us up in his narratives and wringing out their plaintive content.
WTCA 106.1 FM & 1050 AM, South Bend Tribune, Kathy Bottorf

“Fans of Bob Dylan, Leonard Cohen, Neil Young and anyone who likes quality song writing will dig this” Live Music News and Review, Phil Simon

“A superb singer/songwriter with an outlaw rasp and a heavy-hearted soul”
The Ripple Effect

“Wonderfully gruff and oozing with emotion and raw honesty.”
Listening Through The Lens, Rob Dickens

Singer-songwriter Bill Scorzari skates in the ether with a sort of Ry Cooder ambient dream. But his voice is absolutely of the earth with its whiskey-borne rasp. Scorzari sings in the folk tradition of those who aren’t afraid to jerk a few tears but doesn’t mask his intentions or pull any punches. Sometimes the man gets mean.”
Rochester City Newspaper, Frank De Blase

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More about Bill Scorzari and Now I’m Free:

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Bill Scorzari. Photo by Jim Marchese

The album was performed live in the studio by Scorzari and a long list of critically acclaimed and otherwise notable musicians including, Hubbard on drums/percussion and piano, multi-instrumentalist Will Kimbrough, vocalist Erin Rae (Americana Music Association nominee for Best Emerging Artist of 2019), fiddler/strings Eamon McGloughlin (AMA nominee for Best Instrumentalist of 2019), upright and electric bass player Michael Rinne (AMA nominee for Best Instrumentalist of 2019), Brent Burke on Dobro, Juan Solorzano on electric guitar and lap steel, lap steel player and vocalist Megan McCormick, Greg Krockta on harmonica, and vocalist Mia Rose Lynne.

Throughout the entire album, Bill’s authenticity as a songwriter moves you through his music breath by breath. Profound and poetic, Scorzari’s emotionally charged and introspective compositions are sung with a knowing tenderness of heart. 

Bill transformed his life at a later age from being a New York trial lawyer turned full-time musician. In 2008, he stumbled upon a Live-at-Paste recording of Justin Townes Earle performing “Mama’s Eyes.” The song resonated within his soul and sparked the kind of life-altering moment that you hear a person speak of, that singular moment when everything changed. Although he picked up his first guitar at just 8 years old, it wasn’t until 2011 that he was able to give his artistry the attention it deserves. 

The passing of Bill’s father and role-model, whose footsteps he had followed into the practice of law, marked a time of profound change and opened a new chapter – one that required a giant leap towards pursuing a passion that had long been tucked away in Bill’s heart. Bill put out his first album, Just the Same, in 2014, followed by Through These Waves (produced by Jonah Tolchin) in 2017. The three albums (and their titles) that he created thereafter, represent the narrative and catharsis of his journey: past, present and future.

The success of his first two records allowed Bill to share stages with Sarah Jarosz, Sam Outlaw, The Dustbowl Revival, Tall Tall Trees, Seldom Scene, Billy Strings, Frank Fairfield, Tom Marion, Zak Sokolow, Jonah Tolchin, Jenni Lyn Gardner (Della Mae), Jeff Scroggins and Colorado, Twisted Pine, Whiskey Myers, Big Country, and others. In July of 2019, Bill became “One of the folk,” with his inaugural performance at the Newport Folk Festival.

This third installment in his discography, Now I’m Free, offers a deeper and unguarded look into Scorzari’s soul, weathered and bared, and rooted in the present moment while moving freely into the unspoken promises of the future.

For more information, up-dates and news, please visit www.billscorzari.com, www.facebook.com/billscorzari, www.twitter.com/BillScorzari, and www.instagram.com/billscorzari.

Now I’m Free Track Listing:

  1. Into the Light of the Day (5:07)
  2. Over Again (4:40)
  3. Now I’m Free (3:44)
  4. It All Matters (4:35)
  5. One More Time (4:07)
  6. When Will My Time Come Along (3:58) 
  7. Treat Me Kind (3:23)
  8. San Miguel County (4:36)
  9. It’s Just What I Know (4:47)
  10. Steel Wheels (4:48)
  11. You’re Gonna Miss Me When I’m Gone (2:59)
  12. Yes I Will (10:51)
  13. Cypress Tree (3:37)
  14. Don’t You Ever Go Away From Me (4:20)
  15. New Mexico (I to Mine) (7:20)

PERFORMANCE CREDITS BY MUSICIAN
Bill Scorzari: Vocals and Acoustic Guitar
Erin Rae: Harmony Vocal (Track 4)
Mia Rose Lynne: Harmony Vocals (Tracks 2, 14)
Will Kimbrough: Electric Guitar (Tracks 5, 7, 10, 15), Slide Guitar (Track 7), Mandolin (Track 11), Cigar Box Guitar (Track 14), Piano (Track 5)
Juan Solorzano: Electric Guitar (Tracks 1, 4, 7, 9, 10, 12), Lap Steel Guitar (Tracks 2, 8, 9, 11), 2nd Acoustic Guitar (Tracks 4, 15)
Megan McCormick: Lap steel (Tracks 1, 3, 4, 6, 13), Harmony Vocal (Track 6)
Brent Burke: Dobro
Greg Krockta: Harmonica
Michael Rinne: Upright Bass & Electric Bass
Neilson Hubbard: Drums/Percussion, Piano (Track 14)

All songs, lyrics and music written, arranged and performed by Bill Scorzari

For more information, up-dates and news, please visit www.billscorzari.com, www.facebook.com/billscorzari, www.twitter.com/BillScorzari, and www.instagram.com/billscorzari

 

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billscorzaricover-14.jpg
Bill Scorzari Releases His 3rd Studio Album, Now I’m Free, September 20, 2019

Born of the past three years’ introspection and contemplation of the human condition, Scorzari writes some of his most compelling compositions to date

Produced by Neilson Hubbard at Skinny Elephant Recording,
With Performances by Erin Rae, Will Kimbrough, Eamon McLoughlin, Michael Rinne, and more

First Single “It All Matters” Out Now →  https://itallmatters.hearnow.com

 

With a somber musical style and a hushed, gritty vocal that rises like the morning mist to mingle with Erin Rae’s grounded tones, ‘It All Matters’ is just outright pretty. Now I’m Free should be nominated for awards this year with its depth of grace and innovative tones; Scorzari taps into a nexus between the familiar and the uncanny.Americana Highways

Pre-order with “It All Matters” available now on iTunes

(Huntington, NY) —  On September 20, New York native, Bill Scorzari, independently releases his third full-length album of all original music titled, Now I’m Free. His sound is gritty, raw and at times, downright sad. His songs transition through a multitude of emotions, with themes centered on the experiences of the human condition. Of his music, some say it’s spoken word, and others, an amalgam of the voice of Tom Waits, the delivery of Sam Baker, and the soul of Kris Kristofferson. In his lyrics, there is a poetic grace, a calming and resigned wisdom of acceptance that shines through the wistful melancholy of hope, and breaks free. No Depression wrote, “Bill Scorzari is a force. His songwriting is stellar, his picking above par and his voice fits his songs perfectly.”

Bill says of the record, “During the past three years and beyond, I found myself in a place that demanded prolonged introspection and profound healing to be able to navigate through and journey past. This record is a journal of some of the lessons and discoveries that I’ve encountered along the way.”

Produced by Neilson Hubbard (Orphan Brigade), Now I’m Free was recorded and mixed by engineer Dylan Alldredge at Skinny Elephant Recording in Inglewood, TN and mastered by Jim DeMain at Yes Master Studios. Hubbard says, “Bill tears himself open on these 15 songs and leaves it all out there in plain sight. He is an open book delivering a record of astonishing intimacy… and the gravel and whispers in his voice carry a true knockout punch.”

The album was performed live in the studio by Scorzari and a long list of critically acclaimed and otherwise notable musicians including, Hubbard on Drums/Percussion, Multi-Instrumentalist Will Kimbrough, Vocalist Erin Rae (Americana Music Association nominee for Best Emerging Artist of 2019), Fiddler/Strings Eamon McGloughlin (AMA nominee for Best Instrumentalist of 2019), Upright and Electric Bass player Michael Rinne (AMA nominee for Best Instrumentalist of 2019), Brent Burke on Dobro, Juan Solorzano on Electric Guitar and Lap Steel, Lap Steel player and Vocalist Megan McCormick, Greg Krockta on Harmonica, and Vocalist Mia Rose Lynne.

 

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Bill Scorzari. Photo by Jim Marchese

Throughout the entire album, Bill’s authenticity as a songwriter moves you through his music breath by breath. Profound and poetic, Scorzari’s emotionally charged and introspective compositions are sung with a knowing tenderness of heart.

 

The album opens with “Into the Light Of the Day,” of which Scorzari says, “Faith and trust are so important. When they are called into question, for whatever reason, it becomes difficult to see things clearly. We become distressed, and our distress makes it even harder to find clarity… Nothing can resolve until we look directly at it and confront the full depth of it all. The first step toward doing that is both the most difficult and the most liberating step, taking what troubles you into the light of the day.” 

This is fitting to describe Bill’s music in general and his approach of digging deeper into his own depth and bringing his thoughts and experiences honestly and authentically into the light through the medium of music.

He writes in the title track, “Now I’m Free,” “So, I stood there by the waterfall flowing from the bridal veil, with an angel dressed in rags. She said, ‘To hell you ride.’ And, to hell we sailed. And, we never did look back. And, she said, ‘Every word I say is true and someday you will see, spending all of our time always tryin’ to break through, leaves us no time for tryin’ to break free, and it’s time to break free.’”

Another standout track on the album is the first single, “It All Matters,” with Erin Rae adding vocal harmony. When asked about what the lyrics of this track mean to him, Scorzari says, “It’s so important to be attentive to each other. The way toward that goal, is to start to be more attentive to ourselves, to heal what needs to be healed in us and to find a path forward to our own better existence… It’s never too late to shine a light through the darkness... The big things are important, but so are the little things. It all matters.”

The nearly 11-minutes of “Yes I Will” were recorded in an unrehearsed, epic “first take” in which Bill sings, “And, I know these thoughts will come and that they will go again, and yes, I know, yes, I can still chase the harder days away with just some paper and a pen, the way the sun will rise and embrace the white moon in its own black skies, and then there’ll be no need to try to make me smile. Won’t you help me to more easily reveal my broken soul?...  I’m only distracted by my motion when I’m intent on standing still. And, if you let me have the time to just keep on tryin’ to break through, just to be human, well then, yes, I will.” 

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Bill Scorzari. Photo by Jim Marchese

There is a wide variety of soundscapes in Now I’m Free, ranging from the slow country waltz of “Over Again,” the catchy uptempo road song “Treat Me Kind,” the sleepy-slow, intoxicating, drunken-swaying groove in “San Miguel County,” the crushingly intimate and breathtaking “One More Time,” and the raging blues number, “Steel Wheels.”

When Will My Time Come Along” is a humble reminder of the seemingly endless struggles we must endure, and the importance of small accomplishments made along the way towards larger pursuits. It’s chord progression manifested easily in Scorzari’s mind, as did the lyrics for “It’s Just What I Know,” when he found himself in that “longed-for space where the words you’ve desperately searched for, and have been struggling with how to say, suddenly arrive as a gift in an unfettered moment of clarity.”

Although he picked up his first guitar at just 8 years old, it wasn’t until 2011 that he was able to give his artistry the attention it deserves. The passing of Bill’s father and role-model, whose footsteps he had followed into the practice of law, marked a time of profound change and opened a new chapter – one that required a giant leap towards pursuing a passion that had long been tucked away in Bill’s heart. The three albums (and their titles) that he created thereafter, represent the narrative and catharsis of his journey: past, present and future. 

The first two, Just the Same (2014) and Through These Waves (2017), were both released to critical acclaim. Waves, a spring release, made several best-album-of-2017 lists, including Folk Alley and Elmore Magazine. Jim Hynes, in his review of Waves in Elmore, says of Bill, “…his thoughtful, cinematically shaped songs that continue to resonate after repeated listens. Yes, this is a ‘must hear’ for singer-songwriter aficionados.” One such aficionado, WFUV’s John Platt, says, “Bill Scorzari has a lived-in voice that says, ‘Listen to these songs. They spring from the earth and the ocean with an open heart and the wisdom of experience.’” 

The success of his first two records allowed Bill to share stages with Sarah Jarosz, Sam Outlaw, The Dustbowl Revival, Tall Tall Trees, Seldom Scene, Billy Strings, Frank Fairfield, Tom Marion, Zak Sokolow, Jonah Tolchin, Jenni Lyn Gardner (Della Mae), Jeff Scroggins and Colorado, Twisted Pine, Whiskey Myers, Big Country, and many others. In July of 2019, Bill became “One of the folk,” with his inaugural performance at the Newport Folk Festival.

This third installment in his discography, Now I’m Free, offers a deeper and unguarded look into Scorzari’s soul, weathered and bared, and rooted in the present moment while moving freely into the unspoken promises of the future.

For more information, up-dates and news, please visit www.billscorzari.com, www.facebook.com/billscorzari, www.twitter.com/BillScorzari, and www.instagram.com/billscorzari 

Now I’m Free Track Listing:

  1. Into the Light of the Day (5:07)
  2. Over Again (4:40)
  3. Now I’m Free (3:44)
  4. It All Matters (4:35)
  5. One More Time (4:07)
  6. When Will My Time Come Along (3:58) 
  7. Treat Me Kind (3:23)
  8. San Miguel County (4:36)
  9. It’s Just What I Know (4:47)
  10. Steel Wheels (4:48)
  11. You’re Gonna Miss Me When I’m Gone (2:59)
  12. Yes I Will (10:51)
  13. Cypress Tree (3:37)
  14. Don’t You Ever Go Away From Me (4:20)
  15. New Mexico (I to Mine) (7:20)

PERFORMANCE CREDITS BY MUSICIAN
Bill Scorzari: Vocals and Acoustic Guitar
Erin Rae: Harmony Vocal (Track 4)
Mia Rose Lynne: Harmony Vocals (Tracks 2, 14)
Will Kimbrough: Electric Guitar (Tracks 5, 7, 10, 15), Slide Guitar (Track 7), Mandolin (Track 11), Cigar Box Guitar (Track 14), Piano (Track 5)
Juan Solorzano: Electric Guitar (Tracks 1, 4, 7, 9, 10, 12), Lap Steel Guitar (Tracks 2, 8, 9, 11), 2nd Acoustic Guitar (Tracks 4, 15)
Megan McCormick: Lap steel (Tracks 1, 3, 4, 6, 13), Harmony Vocal (Track 6)
Brent Burke: Dobro
Greg Krockta: Harmonica
Michael Rinne: Upright Bass & Electric Bass
Neilson Hubbard: Drums/Percussion, Piano (Track 14)

All songs, lyrics and music written, arranged and performed by Bill Scorzari

 

Bill Scorzari Tour Dates

8/24 Sat – Taste Budd’s Cafe’ – Red Hook, NY
8/25 Sun – Dogwood Bread Company – Wadhams, NY
8/26 Mon – Radio Bean – Burlington, VT
8/27 Tue – Abilene Bar and Lounge – Rochester, NY
8/30 Fri – Plain Folk Cafe’ Music & Coffee House – Pleasant Plain, OH
8/31 Sat – Over Yonder House Concerts – Toledo, OH
9/1 Sun – Visible Voice – Cleveland, OH
9/4 Wed – Uncommon Ground – Edgewater Listening Room – Chicago, IL
9/5 Thu – The Elbo Room – Chicago, IL
9/6 Fri –  Wild Rose Moon – Plymouth, IN
9/7 Sat – Wild Rose Moon – Plymouth, IN
9/8 Sun – Ca’d’Zan House Concerts – Cambridge, IL
9/13 Fri – Black Forest Community Center – Colorado Springs, CO
9/14 Sat – The Laughing Goat Coffee House – Boulder, CO
9/15 Sun – The Muse Performance Space – Lafayette, CO
9/21 Sat – Cafe Zippy – Everett, WA
9/22 Sun – Tim’s Tavern – Seattle, WA
9/27 Fri – Artichoke Music – Portland, OR
9/28 Sat – Crown Alley Irish Pub – Ocean Park, WA
10/3 Thu – Flynn’s Cabaret & Steakhouse – Felton, CA
10/5 Sat – The Shady Lady House Concert – Saratoga, CA
10/9 Wed – The Blue Guitar at The Arroyo Seco Golf Course – South Pasadena, CA
10/11-12 Fri-Sat – 16th Annual Far-West Conference – Woodland Hills, CA
10/25 Fri – Pecan Grove Store – Fredericksburg, TX
For more information, up-dates and news, please visit www.billscorzari.com, www.facebook.com/billscorzari, www.twitter.com/BillScorzari, and www.instagram.com/billscorzari.

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MECO_ALBUM_COVERART
Amy McCarley To Release
MECO, Her 3rd Album, February 8, 2019
Co-produced by Kenny Vaughan & George Bradfute

Kenny Vaughan & Chris Scruggs Join McCarley on the Entire Album
Featuring special guests:
Pat Alger, Marty Stuart, Kenny Lovelace, Harry Stinson, and George Bradfute

The sound quality on ‘High Wire,’ like the rest of the album, is clear, spacious and uncluttered… McCarley’s voice rings out like a sultry blues nightclub singer, as the music spins a country waltz on the high wire.
Americana Highways premiered the first single, “High Wire

“High Wire” Available Now → http://radi.al/AmyMcCarleyHighWire

HUNTSVILLE, AL —  With poignant and thought provoking lyrics, Amy McCarley finds balance in a new perspective with MECO, her 3rd studio album due out February 8, 2019. After collaborating in writing new songs with Bluebird Cafe round-mate and Nashville Songwriters Hall of Famer, Pat Alger, McCarley returned to the studio with esteemed colleagues, co-producers Kenny Vaughan & George Bradfute to work on MECO, her highly anticipated follow up to 2014’s Jet Engines. MECO was recorded and mixed by Bradfute in his Tone Chaparral Studios in Madison, Tennessee and mastered by Jim DeMain at Yes Master Studios in Nashville.

A rhythm section all in himself, multi-instrumentalist Chris Scruggs lent his talents not only on drums, percussion, and bass, but also steel guitar. Alongside special guests Marty Stuart, Pat Alger, Kenny Lovelace, and Harry Stinson — the future is bright for fans of Amy McCarley.

Uniquely relatable, this northern Alabama native’s music is embraced by Americana fans across the country and abroad. Vaughan says, “I think all of her songs come from a personal experience. Each song is about something she’s gone through, which is good because it gives her a little edge on the delivery. The emotional content kinda comes through in there.”

MECO, an acronym borrowed from the Space Shuttle program that stands for Main Engine Cut Off, occurred for the shuttle when onboard propulsion systems were disengaged at an altitude where velocity could be maintained by the power of an innate force at work in the universe with periodic adjustments from the vehicle. The album traces McCarley’s experience of what it’s been like leaving life as a NASA contractor to pursue a career in music.

McCarley explains the inspiration behind the album, “Similar to shuttle missions, the trajectory of my path has been defined by how well I have been able to develop personal strength as an artist to the point where the possibility of connecting with the enormous collaborative power of other worldly talent exists. It has taken everything I have plus the guiding unseen hands of time and chance together with support from some incredibly talented generous souls in order for this album to be made and on its way to listeners.”

She says in an interview with Wide Open Country, “It’s taught me to be grateful for every opportunity and all the talented people I’ve had the good fortune to work with on this project. It’s taught me to do my best and then let go of the need for the outcome to be a certain way. Of course, that doesn’t mean I don’t forget and need to relearn all this over and over. I’ve certainly not graduated from the school of life!”

Her sultry voice was lauded by No Depression as “a nuanced instrument” and her drive and determination to continue charging forward is readily apparent on MECO with a blazing backing band to accent in instrumentation what her emotion filled vocals bring forth in each song.

This is McCarley’s second album working with Vaughan (Marty Stuart & His Fabulous Superlatives, The Pretenders, Lana Del Rey, et al) and Bradfute (Webb Wilder, Planet Rockers, et al) at the helm since she left the NASA contracting world in 2013. Both also accompany her in performance on MECO, with Vaughan taking the lead on electric and playing acoustic guitar on the entire album and Bradfute performing on slide guitar, fiddle, mandolin, and other strings.

McCarley says, “What Kenny brings to this whole project as producer and lead guitarist cannot be overstated. Together with a stellar assembled cast —including mighty partner in crime, co-producer / engineer / studio owner, George Bradfute— his influence and signature sound took this album to a place I never would have known to go on my own that I feel so fortunate to be able to share with the world.”

The ten tracks of all original material feature McCarley’s yearning vocals, acoustic guitar, and harmonica. Alger, who co-wrote half of the songs on MECO says of McCarley, “Super, super intense guitar style. And I was so fascinated by it. Everything she did was real. Super intense. She’s just a different kind of performer.”

Throughout the album there are songs of determination and revelation (“A Clue”), perseverance after despair (“Clarksdale Blues”), and cathartic release in a new perspective (“Everything Changed,” “Happy,” “Farewell Paradise”). There are melodies of joyful triumph (“High Wire”), gratitude (”Days”), and a song about finding meaning amidst uncertainty (“Never Can Tell”). Some are plaintive in nature (“How You Do,”)  while others are breezy lighthearted observations on universal topics (“Ain’t Life Funny”).

Based in Huntsville, Alabama, McCarley toured over 200 dates in support of her second album, Jet Engines, and is expecting to tour throughout 2019 with MECO. McCarley has made many festival appearances including Maverick Festival, Kerrville Folk Festival, Kate Wolf Music Festival, W.C. Handy Music Festival, 30A Songwriters Festival, EarleFest, Rocket City Summer Fest and Panoply Arts Festival, as well as unofficial showcases at Folk Alliance International, SXSW, and AmericanaFest. She has performed as an opening act and toured with a variety of performers including Marty Stuart & His Fabulous Superlatives, Ronnie Milsap, John Hiatt, Kenny Vaughan Trio, Pat Alger, Doyle Bramhall II, Kim Richey, Webb Wilder, Kevin Gordon, Claire Lynch, Lilly Hiatt, Delta Rae, Edwin McCain, and The Grahams.

MECO Track Listing & Credits:
1. A Clue (4:41)*
2. Clarksdale Blues (4:18)*
3. Everything Changed (5:28)
4. High Wire (4:20)
5. Days (3:13)*
6. Never Can Tell (2:39)
7. How You Do (4:32)
8. Happy (4:12)*
9. Ain’t Life Funny (3:04)*
10. Farewell Paradise (3:57)

Amy McCarley — vocals, acoustic guitar (all), harmonica (7)
Kenny Vaughan — electric guitar, acoustic guitar (all)
Chris Scruggs — drums, percussion, and bass (all), steel guitar (5,10), backing vocals (10)
George Bradfute — slide guitar (2), fiddle (6), viola and cello (7), fiddle and mandolin (8)
Pat Alger — acoustic guitar (5)
Marty Stuart — mandolin (6)
Kenny Lovelace — fiddle (9)
Harry Stinson — backing vocals (10)

Producers — Kenny Vaughan & George Bradfute
Audio & mix engineer — George Bradfute (Tone Chaparral)
Mastering engineer — Jim DeMain (Yes Master Studios)

*Indicates a song written by Amy McCarley & Pat Alger

© 2019 McCarley Publishing (BMI) & Algerhythms (ASCAP)
All other songs written by Amy McCarley © 2019 McCarley Publishing

For more information, please visit  www.amymccarley.com, www.facebook.com/amymccarleymusic, www.twitter.com/amymccarley,  www.instagram.com/amymccarleymusic.

 

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