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Red Clay Revival: Left to right: Zebulon Bowles, Doug McElvy, Daniel Ianuccie, Jacob Baumann. 
Photo by Adam Welsh

Doug McElvy’s Red Clay Revival Releases Single “Gold” – A Joyful Fishin’ Song

Out Now on All Platforms 

ASHEVILLE, N.C. — Born in the soul-basted countryside of Alabama, then brought to the heart of the Blue Ridge Mountains to marinade and mature, Red Clay Revival delivers an experience that continues to reshape the parameters of roots music with skillful, heart-driven compositions. Bandleader and songsmith extraordinaire, Doug McElvy, lays a solid foundation at the epicenter of Red Clay’s musical magnitude. The band’s high energy shows are filled with slam-grass/bluegrass breaks, with a rock feel; it’s an entertaining performance sure to get the crowd moving regardless of musical taste.

“I love this band! These musicians carve an irresistible groove that always gets the party started. Doug Mcelvy is an authentic, soulful powerhouse of a vocalist and songwriter, not to mention a world class fly fisherman! Fishin and pickin— what could be better?!” says flatpicking legend Larry Keel and bassist Jenny Keel, “Doug McElvy and his Red Clay Revival render a rootsy blend of folk rock foundation and inventive yet catchy lyrics. It’s earthy and fun music with dark overtones too.”

Red Clay Revival is excited to release a new song: “Gold.” McElvy calls it, “A song to remind us to connect with the natural world to let go of the everyday stress that life brings our way; it’s an expression of my happy place where I go to find peace and clarity.” 

Filled with jubilance and written and sung by McElvy, he leads “Gold” on guitar and is backed by Zebulon Bowles on fiddle, Jacob Baumann on drums, and Daniel Ianuccie on bass and harmony vocals. The track was recorded by Matt Williams and The Eagle Room in Asheville, NC.

Leftover Salmon’s Andy Thorn says, “Red Clay Revival’s new track ‘Gold’ takes you straight to the fly fishing streams of western North Carolina. Singer-songwriter Doug McElvy (who’s also a fly-fishing guide) is as natural on his guitar as with his fly rod. With festival-scene veteran Zeb Bowles on the fiddle, this is roots rock at its finest!”

Red Clay Revival’s powerful songs and live performances harness an energy that electrifies any space, leaving audiences with an embedded musical experience. “Red Clay Revival always brings the most fun and energetic crowd to Salvage Station and never fails to impress everyone with their spontaneous jams, high energy performances, and musical talent,” says the Asheville venue. “You know you have a great band on the stage when the entire crowd refuses to let a summer downpour stop the fun!” 

“Gold” has been a long time coming and a new studio album is in the works. Previous recordings include Barefoot, McElvy’s 2012 LP in which he teamed with resophonic guitar master, Billy Cardine, as creative consultant and co-producer, as well as collaborating with decorated pros, such as Keller Williams, Larry and Jenny Keel, as well as Tim Carbone of Railroad Earth. In 2014 he released an EP, Chilly, once again pairing with Cardine in production, and recruiting the talents of world class violinist, Casey Driessen, and beat master Jeff Sipe for backing elements.

Stay tuned to www.redclayrevival.com for more news and show dates.

www.facebook.com/redclayrevival 

Spotify Artist Page

Watch Red Clay Revival w/ Larry Keel – Salvage Station, Asheville, NC 10/3/20 Multi-Camera:

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Hot Buttered Rum’s Lonesome Panoramic OUT TODAY July 20, 2018
Recorded at Panoramic House Studio in Stinson Beach, CA
w/ Special Guests ALO’s Zach Gill and Dan Lebowitz,
The Coffis Brothers, and Rainbow Girls

Available now on all outlets → https://fanlink.to/HBRLoPan

SAN FRANCISCO, CA– Rooted in the trajectory of west coast bluegrass, uptempo string band Hot Buttered Rum is thrilled to independently release their sixth studio album, Lonesome Panoramic on July 20, 2018. The songs in Lonesome Panoramic are inspired by the northern California landscape and include mid-tempo Americana rockers, buoyant bluegrass tunes, lively boogies, and dark groves. The band is delighted to have garnered early support of the album with song premieres from Relix, The Bluegrass Situation, Live For Live Music, Bluegrass Today, and The Bay Bridged!

No Depression’s Jim Shahen, in a review entitled, “Tight Tunes and Whispers of Tom Petty,” writes that the album is “some of the band’s tightest material to date…. Over its 15-plus-year career, the band has proven itself capable of pulling together strands of country, folk, bluegrass, and jam music into an energetic, good-time experience. But with the batch of well-crafted, sharply performed tunes they cooked up on Lonesome Panoramic, Hot Buttered Rum has managed to blend its ragged charms with that of a well-oiled musical machine.”

Country Standard Time’s Jim Hynes calls itrefreshing, breezy music.” He goes on to write, “Stellar musicianship and sturdy vocals help an album centered mostly on songs. Several threads and layers run through the music, embellishing the carefully crafted material.”

Bluegrass Today’s John Lawless acknowledges “…the band appeals to a wide range of listeners; bluegrass and old time fans who are drawn by their instrumentation and ability, plus live music lovers of all types who respond to their high-energy shows… Hot Buttered Rum has become a staple of the progressive bluegrass scene with their quick-paced and fiery blend of bluegrass, folk, rock, and country.”

HBR_2018_byMattSharkey_5787The band’s two vocalists and songwriters, guitarist Nat Keefe and multi-instrumentalist Erik Yates (mainly 5-string banjo, also resonator and acoustic guitars), take turns in writing and leading the songs. Rounding out the band, Bryan Horne delivers, in true athletic form, his talents on upright bass along with charismatic fiddler and harmony vocalist Zebulon Bowles and drummer/percussionist/mandolinist James Stafford, providing a warm and solid rhythmic foundation.

Self-produced, Lonesome Panoramic was recorded at Panoramic House Studio in Stinson Beach, CA, along the Panoramic Highway with majestic views of the western Marin County coastline. Lonesome Panoramic was engineered by Robert Cheek (Band of Horses, The Chris Robinson Brotherhood), mixed by Zebulon Bowles, and mastered by David Little.

Jim Pasinski gives a nice rundown of the tracks on his blog and writes, “It features 13-tracks, beginning with the high-energy swing of ‘You Can Tell’ and the steady strumming of ‘Sittin’ Here Alone.’ They slow the tempo down for the acoustic ballads ‘Country Tunes And Love Songs’ and ‘How Short The Song,’ before the fun, quick pace of ‘Never Got Married.’ The album continues with the tales of ‘Sleeping Giants’ and the swift pace of ‘Mighty Fine,’ before finishing with the 8-minute blues of ‘The One That Everybody Knows’ and sweet soulful sounds of the ‘Deep End.’”

With Lonesome Panoramic, Hot Buttered Rum wades the full width of the river from the shoals to the deep waters with a passionate, laid back attitude and they are excited to share this new album with the world.

Listen to an interview with Erik Yates in The Sound Podcast with Ira Haberman

Lonesome Panoramic Track Listing
1. You Can Tell   2:11 (Yates)
2. Sittin’ Here Alone   3:14 (Keefe)
3. Country Tunes & Love Songs (ft. The Coffis Bros.)  4:29 (Keefe, K Coffis, J Coffis)
4. How Short the Song   3:27 (Yates)
5. Treasure Island Blues   4:46 (Yates)
6. Never Got Married   2:50  (Keefe)
7. Spirits Still Come (ft. Rainbow Girls)   4:54 (Keefe)
8. Sleeping Giants   5:04  (Yates)
9. Leaving Dallas   4:31 (Keefe)
10. When that Lonesome Feeling Comes 4:07 (Yates)
11. Mighty Fine   4:25 (Keefe)
12. The One that Everybody Knows   8:04  (Yates)
13. The Deep End (ft. ALO)   4:55 (Keefe, Yates, Lebowitz, Gill)

Hot Buttered Rum is:
Zebulon Bowles – fiddle (all), backup vocals (2,8,10,13), Pacific Ocean (7)
Bryan Horne – upright bass (all)
Nat Keefe – acoustic guitar (all but 4), lead vocals (2,3,6,7,9,11,13), backup vocals (8,10)
James Stafford – drums and percussion (3,5,6,7,8,10,11,12,12), mandolin (1,2,9)
Erik Yates – 5-string banjo (1,2,6,8,9,10,11,12,13), lead vocals (1,5,8,10,12,13), acoustic guitar (4), resophonic guitar (3,5,7), backup vocals (2)


Guest Musicians:
Jamie Coffis – vocals (3)
Kellen Coffis – vocals (3)
Rainbow Girls: Erin Chapin, Caitlin Gowdey, Vanessa May – backup vocals (7,13)
Dan Lebowitz (ALO) – electric guitar & vocals (13)
Zach Gill (ALO) – vocals (13)

For more information and updates from the road, please visit www.hotbutteredrum.net, www.facebook.com/hotbutteredrum, www.twitter.com/hotbutteredrum, and www.instagram.com/hot.buttered.rum.band.

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Hot Buttered Rum Independently Release
Lonesome Panoramic on July 20
Recorded at Panoramic House Studio in Stinson Beach, CA

Live For Live Music Debuted The Song  “Country Tunes & Love Songs
Featuring Cameo Collaborations With The Coffis Brothers →
https://liveforlivemusic.com/features/premiere-hot-buttered-rum-country-tunes/  

Other Special Guests Include
ALO’s
Zach Gill and Dan “Lebo” Lebowitz and Rainbow Girls

SAN FRANCISCO, CA– For nearly two decades, Hot Buttered Rum has attracted a truly multi-generational audience across the States with their high energy and fun-loving performances that showcase their stunning instrumental and vocal ingenuity. Hot Buttered Rum is excited to independently release Lonesome Panoramic, their sixth studio album, on July 20, 2018.

Lonesome Panoramic is the result of different thematic and stylistic threads that Butter has been chasing over the years: driving uptempo stringband tunes, layers of dark lonesome drum grooves, letting things go, and embracing what we have,” says HBR’s Nat Keefe.

The band’s two vocalists and songwriters, guitarist Nat Keefe and multi-instrumentalist Erik Yates (mainly 5-string banjo, also resonator and acoustic guitars), take turns leading each of the 13 well-crafted originals on the album. Rounding out the band, Bryan Horne delivers, in true athletic form, his talents on upright bass along with charismatic fiddler and harmony vocalist Zebulon Bowles and drummer/percussionist/mandolinist James Stafford, providing a warm and solid rhythmic foundation.

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Hot Buttered Rum is (left to right): Erik Yates, James Stafford, Nat Keefe, Bryan Horne, and Zebulon Bowles. Photo by Matt Sharkey

Rooted in the trajectory of west coast bluegrass, Hot Buttered Rum began in San Francisco in 1999 after Keefe, Yates, and Horne connected through backcountry trip in the High Sierras; they added drums in 2008 and have since progressed into upbeat improvisational mix of song-oriented string music with a groove that interplays between bluegrass, folk, rock, and country. Their years of touring have given the band the chance to work and play with an extensive cross-section of musicians including Phil Lesh, Chris Thile, Kyle Hollingsworth, Brett Dennen, and Robert Earl Keen, to name a few, as well as being named “The Official Bluegrass Band of the San Francisco Giants.”

Self-produced, Lonesome Panoramic was recorded at Panoramic House Studio in Stinson Beach, CA, along the Panoramic Highway. With majestic views of the western Marin County coastline, it is a landmark destination studio built with recycled materials in the60s and renovated and upgraded into a studio in 2013. The studio has been host to several big-name indie bands, including My Morning Jacket, Band of Horses, and Thee Oh Sees. Lonesome Panoramic was engineered by Robert Cheek (Band of Horses, The Chris Robinson Brotherhood), mixed by Zebulon Bowles, and mastered by David Little.

Yates says, “Making music on the Panoramic Highway carried a lot with it for me. It’s one of the roads I grew up driving, towards the ocean, the mountain, the woods, and, eventually, back home again. I hope some of these tunes can do the same for the listener.”

Much of Hot Buttered Rum’s music is inspired by the northern California landscape which can be heard in the lyrics, felt through the music, and known from the backstory. Lonesome Panoramic conveys a broad range of what Hot Buttered Rum offers.

The album kicks off with a pair of buoyant bluegrass tunes, opening with their more traditional lineup of guitar, fiddle, banjo, bass, with Stafford forgoing the drums for mandolin. The opening track, “You Can Tell,” written by Yates while pickin’ on one of the East Bay’s many trails, has a tinge of old-tyme to it. It is followed by “Sittin’ Here Alone,” written by Keefe about the time he built himself a cabin in the woods.

They change the pace a bit on the third track, “Country Tunes & Love Songs,” adding in drums for this mid-tempo Americana rocker which was was co-written by Keefe along with Kellen and Jamie Coffis (of The Coffis Brothers), who also sing vocal harmonies with Keefe. It is one of a few songs on the album where Yates trades his banjo for the Dobro; another is “Treasure Island Blues,” which Erik thought up while sitting on the manmade island halfway between San Francisco and Oakland.

How Short the Song” is performed as a trio with velvety string arrangements making it peaceful and reflective, just like Oakland’s Lake Merritt where Yates wrote it, while When that Lonesome Feeling Comes” is a more lively ragtime boogie gospel.

Keefe says in a recent interview with Marin Magazine, “There are some songs I’ve been keeping in my back pocket for a long time, like ‘Leaving Dallas’ and ‘Spirits Still Come.’ They’ve been the shy kids hiding in their mother’s skirts but I’m glad they’re seeing the light of day. ‘Spirits’ is a heavy one, about my aunt passing away. I wasn’t sure I’d share it with the world but it’s feeling good to sing it out.”Spirits” features special guests, Rainbow Girls (Erin Chapin, Caitlin Gowdey, Vanessa May) with their haunting backup vocals to Keefe’s lyrics.

Some songs on the album are more lighthearted such as “Mighty Fine” and “Never Got Married,” while songs like “Sleeping Giants” and the intricate 8-minute “The One that Everybody Knows” have a deeper, slow burn. The closing track of the album, “The Deep End” is one that is dear to the band’s heart and was co-written by Keefe and Yates along with old friends ALO’s Zach Gill and Dan “Lebo” Lebowitz (who also added electric guitar to the mix) as a theme song for a festival the two bands co-host called Camp Deep End.

It’s an undeniably hip and fresh sound that has found its way to the most prestigious festivals in the country including Telluride Bluegrass, Newport Folk Festival, Jam Cruise, Bonnaroo, Strawberry, Hardly Strictly Bluegrass, Kate Wolf, Northwest String Summit, Grey Fox, WinterWonderGass, The Bender Jamboree, Summer Camp, and High Sierra, among others.

With Lonesome Panoramic, Hot Buttered Rum wades the full width of the river from the shoals to the deep waters with a passionate, laid back attitude and they are thrilled to share this new album with the world.

 

Lonesome Panoramic Track Listing
1. You Can Tell   2:11 (Yates)
2. Sittin’ Here Alone   3:14 (Keefe)
3. Country Tunes & Love Songs (ft. The Coffis Bros.)  4:29 (Keefe, K Coffis, J Coffis)
4. How Short the Song   3:27 (Yates)
5. Treasure Island Blues   4:46 (Yates)
6. Never Got Married   2:50  (Keefe)
7. Spirits Still Come (ft. Rainbow Girls)   4:54 (Keefe)
8. Sleeping Giants   5:04  (Yates)
9. Leaving Dallas   4:31 (Keefe)
10. When that Lonesome Feeling Comes 4:07 (Yates)
11. Mighty Fine   4:25 (Keefe)
12. The One that Everybody Knows   8:04  (Yates)
13. The Deep End (ft. ALO)   4:55 (Keefe, Yates, Lebowitz, Gill)

For more information and updates from the road, please visit www.hotbutteredrum.net, www.facebook.com/hotbutteredrum, www.twitter.com/hotbutteredrum, and www.instagram.com/hot.buttered.rum.band.

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SHOW CANCELLATION: Vince Herman’s mother and father are both gravely ill and he will be unable to perform. Please keep Vince, Colin, Silas and their family in your prayers this holiday season. Bobby Miller and the Virginia DareDevils will be performing in their honor for the MoDaddy’s show this Thursday Dec. 2nd in Asheville.

The Herman Clan is proud to announce their debut East Coast Tour! Hailing from the music infused—and snow clad—mountains of Colorado, they bring with them a flavor of life and Bluegrass in Nederland, CO. The Herman Clan is a family band led by the one and only Vince Herman of Leftover Salmon & Great American Taxi.

Teaming up with his sons Silas and Colin on guitar and upright bass, respectively, The Herman Clan delivers their own unique and tightly knit interpretation of traditional bluegrass, Americana and beyond. Joining the Herman Clan for this run are:  on Banjo  Jason Flournoy, on B3 Hammond ~ Dave McCracken (Donna the Buffalo), on Mandolin ~ Bobby Miller (Virginia DareDevils), and on Fiddle ~ Zebulon Bowles (Emmit Nershi Band)!

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