LAAFF-in
by Alli Marshall in Vol. 15 / Iss. 06 on 09/03/2008
Related topics: LAAFF, Arts2People
Mountain Xpress http://www.mountainx.com/
“LAAFF just comes together. It’s basically anyone who shows up,” explains Erin Scholze, Arts2People’s vice president. That freeform approach might sound unhinged when it comes to planning a festival, but for Asheville’s strictly local Lexington Avenue Arts and Fun Festival, less (structure, that is) is more.
LAAFF wants you: Come learn to juggle, make a dress, paint with your feet or just dance, dance, dance.
“If someone quits doing something, we don’t ever look for another person to fill in,” Scholze says. That leaves the door open for fresh acts, art forms and ideas. After all, you can be oversaturated with art cars and zombie walks—and then it’s time for three-story bicycles and giant recycled squids.
What’s new?
This year’s LAAFF is the seventh annual installment of the festival, and while it’s more of the same Asheville celebratory mayhem (yes, there will be art cars, zombies and tall bikes—for more on tall-bike rider Mike Mooney, see this week’s Outdoors), there’s still plenty to discover.
• Get Your Freak On Photo Booth: Faces of Asheville photographer Jen Bowen has been collecting costumes for a Lexington Avenue-centric photo booth. In the spirit of Old West theme parks, where visitors can dress like outlaws and have old-timey sepia-tinted photos snapped, Bowen’s booth is an opportunity to dress in over-the-top costumes worthy of a sideshow.
Costumes encouraged: Wear what makes you happy.
• Freaky Tiki Lounge: “We’ve received feedback in the past that people wanted a place for DJs to be represented,” Scholze says. And since LAAFF has never been dominated by jam bands, an all-DJ area made sense. So, when DJ jOshU stepped forward to corral area spin doctors in the courtyard near Mela Indian Restaurant, an impromptu open-air dance club was born.
• Interactive events: That old Nike slogan, “Life is not a spectator sport,” pretty much applies. While LAAFF is filled with performers, the audience plays an important role, too. This year, festivalgoers can make their mark at a variety of workshops and live-art happenings. For instance, the Asheville juggling club will teaches tricks of the trade. And at HoneyPot, Emily Balcken hosts a sew-your-own art clothes experience. You can also learn basket weaving, bamboo flute-making or check out a demonstration by Unifire. WNC Magazine hosts a canvas dance—like finger painting for the feet, set to music. There’s even an, ahem … kissing booth.
Looking for something a little less hands on? Check out the work of Asheville Mural Project, on display at the I-240 overpass where the main stage is located. In the same area, artists Bob Seven and Phil Cheney interact with each other’s work, and with hula hooper Melanie MacNeil. And (just when you thought you’d hit creativity overload) live artists will fill canvases next to the electric stage.
• Kids’ activities: LAAFF has always been kid-friendly—which is right in line with Asheville as a community. People move here to start families; it makes sense that the kids should be able to cut loose at the local festival. LAAFF has provided plenty of outlets for youthful creative expression, from slapping paint on automobiles to showing up in costume. And it’s fun for kids to see Mom and Dad sporting a cape or a set of wings, too. Apart from the interactive aspects of the festival (see above), children are also taking on a larger role as performers. This year, Laura “Lulu” Edmonds from fire-dancing group Unifire hosts the kids’ area. Joe Adams of break-dancing troupe Hunab Kru introduces his young students in Hip Hop Revolution, showing off their skills on the Mountain Xpress Performing Arts Stage. Asheville Dance Revolution, a modern-dance project for children led by Jodi Taylor, performs on the same stage.
For more on kids’ activities at LAAFF, see this week’s Edgy Mama.
What’s back by popular demand?
Lexington Avenue should have its own ZIP code. In a handful of blocks, the street defines, if not the essence of downtown Asheville, an important slice of the city’s unique character. Locally owned boutiques, cafes, and restaurants make the area a desirable destination, as do the street’s inhabitants. There’s an air of experimentation and self-expression you’d be hard-pressed to find in most towns, and LAAFF tips its hat to that spirit. You know those bumper stickers that say “Keep Asheville weird?” Lexington Avenue is doing its damnedest.
So, even though Scholze and LAAFF organizers practice catch and release with the festival’s acts and artists, they also welcome repeat endeavors. Along with art cars and tall bikes, there are certain elements that LAAFF fans have come to expect.
• Angels and Zombies: Last year, the undead made a showing on Lexington Avenue. They’re back again this year, lurching through the festivities, led by performance artist Jim Julien. But the flesh-eating monsters aren’t alone: They’re joined by a host of angels (lead by Future of Tradition’s Onça O’Leary). More than entertainment, the zombies and angels serve an important function: They inform audiences about Arts2People, the nonprofit arts-promoting organization behind LAAFF and other ventures, such as the Asheville Mural Project and the Pritchard Park Cultural Arts Program.
Here’s something festivalgoers might not know: LAAFF is actually a fundraiser for Arts2People. And how exactly does a free festival raise cash? “Mainly through beer sales,” Scholze says. This year, French Broad Brewery is crafting a LAAFF beer that will debut at the festival.
• The Shady Grove Courtyard: The DJs get their own courtyard, but other musicians shouldn’t feel left out. Once again, florist Shady Grove opens its charmingly eccentric garden space to acoustic instrumentalists. Leigh Hilliard hosts an old-time string jam, bluegrass pickers follow suit, and Jenny “Juice” Greer of Jen and the Juice leads a singer/songwriter circle to round out the evening.
• The BoBo Gallery stage: Scholze notes, “A couple of local businesses are doing a lot to help us.” One of those is listening room and arts venue BoBo Gallery, which hosts a stage for singer/songwriters and world musicians, who play regular dates at the Lexington Avenue club.
• All local, all the time: Unlike many other area festivals, LAAFF doesn’t bring in outside help. Not when it comes to vendors, entertainment or organization. Instead, it’s a grassroots effort, combining locally procured resources and talents for an end result that’s completely Asheville-flavored. And that’s pretty tasty.
When it comes to booking bands, Scholze explains that there’s a certain level of competition, since space is limited and there’s a wealth of musicians competing for the 40- to 60-minutes long slots. Bands know that once they’ve played their show, they won’t be invited back for a few years (to allow everyone a fair chance for the spotlight), she notes. So they tend to either recommend their favorite acts, or else put together a side project with fellow musicians just for LAAFF. The result? Some familiar faces playing completely new sounds. This year’s mash-ups include Kitchen Furniture Drum Ensemble (a percussion group that will also perform as a marching band), Chakra Bird (with wordsmith Pam Howe, percussionist River Guerguerian and upright bassist Fatty) and Duende Mountain Duo (the electronic-dance experiment of Incognito Mosquito’s Will Stone and East Coast Dirt’s Will Little).
This year’s headlining act is Josh Phillips Folk Festival, playing a high-energy electric show that celebrates the release of the band’s new CD, Wicker. (Learn more about Josh Phillips Folk Festival in this week’s Sound Track.)
For more on local foods at LAAFF, see this week’s Small Bites; for Lexington Avenue businesses, see this week’s The Biz.
who: Lexington Avenue Arts and Fun Festival
what: All-local street festival and fundraiser for Arts2People.
where: Lexington Avenue, between College Street and the I-240 overpass in downtown Asheville.
when: Sunday, Sept. 7. 11 a.m.-10 p.m. (Free. 252-8149 http://www.arts2people.org).
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