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The Company Stores Independently Release The Family Album
Produced by Galactic’s Robert Mercurio
OUT TODAY – Sept 23, 2022→
https://thecompanystores.hearnow.com/the-family-album  

The Family Album captures those moments of magic…
From endearing to personal and taking that party up a notch.
From their hearts to your soul via your listening device.
Please listen to this on a proper stereo.”
Jammerzine Exclusive: An Interview + Album Premiere, Ryan Martin

The album had me from the opening track, ‘Savannah,’ which could have easily been on a Steely Dan record (notably the guitar parts), by way of the jazz group Return to Forever. The vocals by Ileana Ille glide over the instrumentation much like those of Return to Forever’s first vocalist, Flora Purim, did. Ille’s vocals are but one of the many textured layers that blend together in unexpected ways.”
No Depression, Amos Perrine

“…a whirling musical milieu… Complete with horns to punctuate the high points’”
Americana Highways, Melissa Clarke, Song Premiere: “A New Leaf” 

“The Latin-influenced ‘Maria’ … is about relationships and patterns and is soundtrack-ready. Indeed, you can almost envision it as a theme song to a TV show…” —HVY, Will Phoenix

Watch the Official “Ways” Music Video

CHARLESTON, WV — With Horns, Strings, & Soaring Vocals, The Company Stores release The Family Album today, September 23. The album has received notable mentions in Bass Musician Magazine, No Depression, Beehive Candy, and a slot in Blue Ridge Outdoors Magazine’s September ‘Trail Mix’ Playlist; as well as premieres in JamBase, Americana Highways, and Jammerzine. No Depression’s Amos Perrine says, “This Charleston-based band has been making a lot of noise during the past few years. I first saw them six years ago at a one-day festival where they blew much bigger names off the stage. Not in loudness, but rather the quality of their songs and their intricate arrangements.” 

This album tells a story of everything being turned upside down; both personally and across the country,” says Matthew Marks, the primary songwriter for the band.  “It is about family and understanding the triumphs, failures, tendencies, and choices of the people who came before, in order to understand how to successfully navigate where you are going.” 

The Company Stores had plans to hit the road hard, raise funds, and save to record their new album in 2020, then all plans got curtailed and almost all of their live shows and side jobs were canceled due to the pandemic. The songs were written during a time of personal havoc for Marks after his engagement had ended and he moved to his family farm, where he still resides, in March 2020 to help with his Grandad who was dying of lung cancer. While first there, he did a deep dive into his family history and roots lending to the content and mood of the album. They were able to start recording in mid-2021 after a year-long pause once things seemed safe for travel again. 

Ileana Ille

The Company Stores features lead vocalist Ileana Ille’s stunning voice as she captivates the audience with her ability to express raw emotion. Ille says, “I am honored that The Company Stores chose my voice as a vehicle to express the stories in The Family Album. Each song is a collection of the people who have shaped us and the times that made us. I hope the listeners are able to connect with the musicality, storytelling, and creativity and feel at home when they listen to it.

The Company Stores unites many influences to lay down bold grooves amidst dynamic crescendos. In addition to collaborating with Marks on song arrangements, their key/vibes/trombone player Matthew Jackfert, works as a classical broadcaster/composer and host of All Things Considered at WV Public Broadcasting (and he and his family will appear on Family Feud in mid-October). Their music is brimming with beautiful orchestral soundscapes, soaring harmonies, strings, horns, electronic textures, and a tight rhythm section including bassist Michael Micucci, Joseph Cevallos on violin/trumpet, and John Query on drums.

The Family Album was produced by Robert Mercurio, bassist for New Orleans funk legends Galactic. The instrumentation was recorded by Julian Dreyer at Echo Mountain Recording in Asheville, NC. Mercurio stepped in as engineer to record the vocal parts at Galactic’s Number C Studio in New Orleans—including bringing in the Josh Kagler Choral Group to enhance the choruses on much of the album. The album was mixed and mastered by Mikael “Count” Eldridge [Trombone Shorty, DJ Shadow, The Revivalists]. 

Mercurio says, “As a producer, I feel like I saw this band grow immensely as songwriters though the process of making this album. We started working on it before the pandemic, and with their downtime they put in the work it takes to make great songs. Illy blossomed into the rock star she now is—crushing the vocals on every take. I’m very proud of the final product and had a blast working with all of them.” Along with his own band, Mercurio has production credits with an impressive list of artists including Big Freedia, Lyrics Born, and Karl Denson’s Tiny Universe.

With keys and vibes at the front, the album opens with “Savannah,” which alternates from dark and melancholy to upbeat and happy verses. Marks says, “This song is about my best and worst day in Savannah, GA. The verse is written in present time, on a day I was on tour and just found out my engagement to my fiancé had ended. The pre-chorus and chorus is me remembering my best day, when we got engaged on vacation in Savannah, GA.”

Press Shots by The Oberports 
Album Artwork by Chris Woodall 

The fiery “A New Leaf,” the second track as well as second single, explores negative patterns in life, with the lyrics, “Damn… what a year. Sucker punched me to the next hemisphere… And now I’m waking up thunderstruck. Right in front of God and everyoneBut now…clarity… A view from the floor that I had to see myself for sure. To turn over a new leaf…” 

With its rockin’ country western vibe “Ways,” the album’s lead single, continues on this theme, but sees the narrator start to recognize how choices made have developed these patterns of behavior that produce similar outcomes. “These old ways ain’t the best ways, just the ones I know… Trails blazed over time in my mind are deciding where I go… Now I gotta find peace of mind, redefine my life…”  “Ways” also sees special guests Walter DeBarr [Song of the Year in Minnesota 2021, William Elliot Whitmore] and Jodi Hall (also on “A New Leaf”) on backing vocals. “Ways” is dedicated to DeBarr, known for his soulful songwriting and deep raspy voice, who sadly passed away shortly after recording with the band.

Maria” sees someone trapped in comparisons of old relationships and incorporates Latin styles and instruments including Flamenco Guitar, Spanish Trumpet, Latin Bird Flute, Congas, Bongos, Timbales, and Talking Drum. 

Old Dog” is told from two perspectives; it has a hip hop flare on the verses—the “Old Dog” who is stuck in the past, afraid of change, and fighting the future and getting old—and heavy guitars and horns on the chorus—the “Boy” who is bluntly saying “stop barking at the shadows.” Jammerzine says of it, “Originality and presence collide in glorious splendor and raucous attitude to define our day and redefine our listening preferences. This is music.” 

Set in the minor key, “Fathers” looks into how mistakes made can be passed down for generations, stuck in a cycle and an ethereal “Blue Tide” calls out to explore the dark depths of oneself. A rock opera, “There Went The Neighborhood” is followed by the progressive “American Dream Girl.” “Some Sunday,” composed and written by Micucci, has a R&B flavor, with a focus on bass and groove. The album closes with a southern rock gospel ambience in “Castles & Cain.

The name “The Company Stores” is a throwback to the old coal mines of West Virginia referring to the store in Appalachian coal towns during the 19th and 20th century where workers were paid in coal money or “scrip,” leaving them with no exit from working the mines. This name not only shows the bands heritage, but also the gritty feel of their music and the meaning behind many of their songs about the struggles of the common man.

“Together we spent countless quarantine hours writing and the rehearsal room, growing as songwriters and musicians, and are getting excited to present what we think will be our greatest record to date.” The Family Album is preceded by Little Lights (2017), also recorded at Echo Mountain Studio in Asheville, and their local debut Rollin’ In (2014). 

Stream/ Order The Family Album at https://thecompanystores.hearnow.com/the-family-album.   

The Company Stores – The Family Album – Track Listing
1. Savannah (4:08)
2. A New Leaf (3:31
3. Ways (3:47)
4. Maria (5:53)
5. Old Dog (4:58)*
6. Fathers (4:07)*
7. Blue Tide (3:47)
8. There Went The Neighborhood (2:43)*
9. American Dream Girl (3:32)
10. Some Sunday (3:58)
11. Castles & Cain (3:54)
*FCC Warning: please note explicit language
Radio edited versions are available for “Old Dog” and “There Went The Neighborhood”

The Company Stores Tour Dates 
10/15 Sat – Spirits in the Sky Fest @ The Bullock Distillery – Charleston, WV
10/28 Fri – Martin’s – Jackson, MS
10/29 Sat – Tipitina’s – New Orleans, LA *w/ Galactic

Keep an eye on their website and socials for tour dates and further news: www.thecompanystoresband.com, facebook.com/thecompanystores, twitter.com/CompanyStoresWV and instagram.com/thecompanystores

###

Leftover Salmon’s Andy Thorn Releases Songs of the Sunrise Fox Today 9/16

Available Now:
https://distrokid.com/hyperfollow/andythorn/songs-of-the-sunrise-fox

“Just a Banjo Player Serenading a Wild Fox” —The A.V. Club

BOULDER, CO — Leftover Salmon banjo player Andy Thorn never expected to go viral. But in 2021, he was in his backyard, playing an improvised banjo tune to a wild fox, when his wife caught the whole thing on video. The video made headlines around the world. Soon, Andy was interviewed on the Kelly Clarkson Show, The Dodo, and A & E’s Neighborhood Wars. Even Political Gabfest discussed the video. A New York Times writer, Ferris Jabr, called it “a moment plucked from Aesop.” 

Andy was stunned by the publicity, and by how many people kept asking him about the song. He finally recorded it (“Aesop Mountain”), along with 14 other banjo instrumentals. The resulting album, Songs of the Sunrise Fox, stands in contrast to the music Andy normally plays with Leftover Salmon. This new album isn’t about the flashy banjo picking favored by jam bands. Instead, it’s the banjo melodies Andy would play for his friend “Foxy” at sunrise. The stripped-down band also features Erik Deutsch [Black Crowes] on piano, Greg Garrison [Leftover Salmon] on bass, and Windfield champ Tyler Grant on guitar. 

Andy Thorn
Photo by Molly McCormick

The first single, “Aesop Mountain,” was released last month asd has already garnered nearly 100,000 listens on Spotify. This is the song from the viral video that started all the Foxy craze (that now has 3.8 million views). Thorn says, “I really enjoyed turning it into a full band tune and Erik Deutsch’s piano brought it all together.” The album also includes an acoustic solo version of the song as the closing track.

Other songs include the upbeat solo banjo tune, “Barry’s Bounce,” which was written right around the time Thorn’s baby boy Barry started bouncing around, while the solo clawhammer number “Stork Bite” was written right after his birth. “Red Sun Salutation” commemorates a wintery sunrise and “Dawn is Coming” feels like the winter storm that it was written about with the addition of Garrison and Grant adding  to the mood. “Monarch Morning” is a relaxing duet with Deutsch on piano; Andy wrote this tune in his backyard while butterflies were swirling around. 

As you keep listening you will hear more of the songs that were first performed for Foxy during the morning light, sun pillars, and sundown as his furry little friend sat down and listened and then trotted along…  Foxy even has kids of her own now. “In a world full of crazy, this brought joy to my soul. Thank you,” Eve S. wrote on YouTube. Andy is thrilled to release Songs of the Sunrise Fox and hopes it sends some joy your way as well.

Andy Thorn: Songs of the Sunrise Fox Track Listing:

1. Aesop Mountain (3:28)
2. Barry’s Bounce (1:40)
3. Red Sun Salutation (2:44)
4. Dawn is Coming (3:42)
5. Stork Bite (2:22)
6. Monarch Morning (3:39)
7. The Morning Light (1:25)
8. Whisker Twitchin’ (1:02)
9. Fox’s Fancy (3:06)
10. Fabled Way (3:45)
11. Trot Along (1:37)
12. Fox Trail (3:05)
13. Sun Pillar (1:54)
14. Silver Thorn (3:24)
15. Aesop Mountain (2:20)

Songs of the Sunrise Fox is available at  https://distrokid.com/hyperfollow/andythorn/songs-of-the-sunrise-fox.
Vinyl records are  available to purchase at the website www.andythornmusic.com/shop

More information at www.andythornmusic.com, facebook.com/andythornmusic.com, instagram.com/_thornpipe_, and youtube: Andy Thorn – Thornhub.

Witty and Engaging, Damn Tall Buildings
Independently Release Sleeping Dogs Sept 9

Stream/ Order Sleeping Dogs Today

What Folks Are Saying:

“Brooklyn indie folk trio Damn Tall Buildings have been making their way through the Americana world, releasing a trio of albums fusing roots rock, bluegrass, and swing. In their early days, the band busked together, and today their style captures that same ragtag charm and breezy joy, blending unassuming presentation with narrative observations on the mundanities of daily life.” 
Under the Radar, Caleb Campbell

“With the title song defying conventional wisdom by advising ‘Don’t you let them sleeping dogs lie,’ Damn Tall Buildings delivers an album that is anything but conventional, guaranteed to be played on repeat.” 
No Depression, Nancy Posey

“The group is damn close to excellence with songs like ‘Cold Rain.’ Here the performance is precise & the vocals resonate with vibrancy… ‘Lemons’ is mindful of the late John Hartford & expressive… They’re an engaging trio & they indeed know what they’re doing. What’s an added value is their original music is well-written & executed.”  —Americana Highways, John Apice

“I found their music to be energizing as they sing as witnesses into the world they explore”  —The Long Island Sound Podcast, Steve Yusko

“If you were needing a reason to stomp your feet (other than a tantrum), we have one.” —Dallas Observer

BROOKLYN, NY — Damn Tall Buildings are thrilled to independently release their 3rd album, Sleeping Dogs today, Sept 9. Bluegrass, roots rock, old time, and vintage swing are among the influences on this acoustic Americana trio. Whether sharing lead vocals and instrumental solos or blending their voices into loose, joyous harmony, the three members of Damn Tall Buildings—multi-instrumentalist and primary lyricist Max Capistran (guitar and banjo), bassist Sasha Dubyk, and fiddler Avery Ballotta—delight in entertaining. For a handful of tracks on the album, they brought in special guests on trumpet, drums, flutes, lap steel, and keys to add to their dynamic sound.

Damn Tall Buildings
Photos by Joe Angelini

Sleeping Dogs is a bop about looking things smack-dab-right-in-the-face and is essentially about how it has become almost impossible to not be constantly influenced by current events, media, and all of the other things that surround you in your day-to-day life.

Damn Tall Buildings produced and recorded the record themselves, back and forth between Sasha’s parents house in the south Jersey shore and in Max and Sasha’s apartment in Crown Heights, Brooklyn. After recording, they sent their tracks to Dan Cardinal [Darlingside, Lula Wiles, Josh Ritter] at Dimension Sound Studios in Jamaica Plain, MA to mix and master. Dan also played keyboard on the title track, adding to the texture of the song.

Max says, “With us taking the recording process into our own hands, we were able to set our studio up wherever we saw fit, which completely changed the recording process for us… With this new arrangement we were able to really take our time, which gave us more freedom to really explore the songs without the pressure of running out of studio days. We all love the beach, the ocean and surfing, so we set up shop at the house smack-dab in the middle of hurricane season in the northeast, so we were literally doing takes, then running out to the beach to catch some of the finest waves New Jersey has to offer. I’m pretty sure Hurricane Larry deserves co-producer credits, actually.”

The album opens with, “What A Nice Life,” which has some extra pep to balance out the darker “I-don’t-know-who-I-am-anymore” lyrics: “And it’s been feeling mighty lonesome now that winter’s coming on… Not sure who I’ve been lately… But holy sh*t can barely stand me.” This is followed by an old timey, swingin’ “Dark Window Panes,” in which they ponder a pending apocalypse, accompanied by longtime friend and maestro of sound Garrett Eaton [Dana Williams, Gracie and Rachel] on trumpet.

Podcast” was premiered by Under the Radar who writes, “With ‘Podcast’ the band leans further into their sun-lit harmonies, rugged instrumentation, and lively performances… they deliver some deliciously biting lyrics, taking shots at the entertainment industry’s complacency as the world rushes to its end: ‘Sleeping on the ground/Thinking you’re so profound/Your podcast sucks and I think I hate you…Your bio says your an artist/Filtering all your garbage/Do you know what you’re even saying?’”

The velvety and rejuvenating “Cold Rain” was premiered by AmericanaUK who calls it, “music that is determinedly of Now.” For the song, they are joined by mandolin wizard Dylan McCarthy (a longtime DTB collaborator and 2019 Rockygrass Mandolin Champion) and rock-steady drummer Micah Cowher [STOMP in NYC]. Cowher also lays down the beat on the catchy “Sweet Girl,” with its chorus, “I am not myself, I am everyone else,” which became what the band calls, “the motto for the record; It’s basically our new anthem.” 

Damn Tall Buildings calls Sleeping Dogs, “an exploration to the depths of oneself to discover who we truly are… maybe it really is as simple as buying some new shoes, and feeling really good wearing ‘em, while you cruise down the block on the sunny side of the street.” 

You can hear this cheery sentiment echoed in the deep groove and colorful melodies of “Lemons,” in which the virtuosic flute playing of Anh Phung [Twisted Pine] elevates the song to a new level. This fresh energy can also be felt as the sunshine slips in on “Patio.

The mid-tempo shuffle “Painter” illustrates a re-emergence into the world, with a regained sense of self with its lyrics—“But I’ve got some new shoes baby, and I’m feeling so fine… And it looks like we’ve got blue skies honey, coming up a’ down the line.” Lars Thorson [Kane Brown], an adjunct member of DTB since the beginning, brings the magic of the lap steel to this track.

They slow things down a bit in an ode to waiting, “Quietly Heartbreaking,” written on a beautiful rainy day, and the gentle “My Baby.” Avery wrote “My Baby” for his partner in both life and music (and soon-to-be-wife), Emily Gervaise Moran [Aurora Birch]; to hear her guitar sing over the bridge really brings everything full circle in sound and spirit.

The album closes out with the title track, “Sleeping Dogs,” pulling from the old proverb—“Don’t you let them sleeping dogs lie”—the song emphasizes the theme of the album: don’t ignore life, get out there and live it, take pleasure and meaning from the little things that keep us all connected and growing.

The trio is individually from all over the United States (New Hampshire, Pennsylvania, Montana), but were born as a band while attending Berklee College of Music in Boston, MA in 2013. They started as buskers on Newbury Street in Boston, started touring nationally, and then moved the band to Brooklyn in 2017. Max says, “Brooklyn has an endless influence on our music. Yemeni music on iPhone speakers at the deli. Reggaeton from the street side auto shop across the street rattling our window panes. West African guitar rhythms on the walk to the train. It’s insane. We love it.”

Damn Tall Buildings
Photos by Joe Angelini

Since their busking days, they’ve made two albums—Cure-All (2014) and Don’t Look Down (2019)—and released a self-titled EP in 2015. The band’s music has been praised by publications such as Bluegrass Today, PopMatters, The Boot, Saving Country Music, The Boston Globe, The Alternate Root, Folk Radio UK and more.

Damn Tall Building says, “Our innate desire is to connect with people on a level that’s beyond day-to-day interaction. Our hope is that the joy that making this music brings us will somehow get passed along to the people listening, which they can then take with them to pass along to someone else. It’s a shared celebration of positive energy, and that’s what keeps us cooking.”

Damn Tall Buildings on Tour

9/9 Fri – Coppell Arts Center – Coppell, TX
9/10 Sat – Cactus Cafe – Austin, TX 
9/15-17 Thu-Sat – Walnut Valley Music Festival – Winfield, KS
9/27-29 Tue-Thu – IBMA Bluegrass Ramble – Raleigh, NC
9/29 Thu – The Ramkat – Winston Salem, NC
9/30 Fri – Bourgie Nights – Wilmington, NC
10/1 Sat – IBMA Wide Open Bluegrass Festival – Martin St. Stage – Raleigh, NC
10/13 Thu – Parlor Room – Northampton, MA
10/15 Sat – Glastonbury Apple Harvest & Music Festival – Glastonbury, CT
10/16 Sun – 118 North – Wayne, PA
10/20 Thu – Rockwood Music Hall – New York, NY
10/21 Fri – City Winery – Boston, MA
11/10 Thu – Prius Hall-Ball State University – Muncie, IN
11/11 Fri – Thrasher Opera House – Green Lake, WI

Website: www.damntallbuildings.com
Facebook: www.facebook.com/DamnTallBuildings 
Twitter: @DamnTallTweets
Instagram: www.instagram.com/gramtallbuildings 
YouTube: www.youtube.com/c/damntallbuildings

With Horns, Strings, & Soaring Vocals, 
The Company Stores Release The Family Album Sept 23, 2022

2nd Single “A New Leaf” Out Today
https://thecompanystores.hearnow.com/a-new-leaf

Produced by Galactic’s Robert Mercurio
Recorded at Echo Mountain Recording in Asheville
and
Galactic’s Number C Studio in New Orleans

Watch the Official “Ways” (1st Single) Music Video

Preorder The Family Album 

CHARLESTON, WV — The Company Stores independently releases The Family Album, their third full-length album, on September 23. The powerful and sultry voice of lead vocalist Ileana Ille captivates the audience with her ability to express raw emotion, while the band unites many influences to lay down bold grooves amidst dynamic crescendos. 

This album tells a story of everything being turned upside down; both personally and across the country,” says Matthew Marks, the primary lyricist for the band. “It is about family and understanding the triumphs, failures, tendencies, and choices of the people who came before, in order to understand how to successfully navigate where you are going.” 

No Depression’s Amos Perrine writes, “The album had me from the opening track, ‘Savannah,’ which could have easily been on a Steely Dan record (notably the guitar parts), by way of the jazz group Return to Forever. The vocals by Ileana Ille glide over the instrumentation much like those of Return to Forever’s first vocalist, Flora Purim, did. Ille’s vocals are but one of the many textured layers that blend together in unexpected ways.”

The fiery “A New Leaf” is the second track as well as second single, premiered by Americana Highways who calls it “…a whirling musical milieu… Complete with horns to punctuate the high points’” The song explores negative patterns in life, with the lyrics, “Damn… what a year. Sucker punched me to the next hemisphere… And now I’m waking up thunderstruck. Right in front of God and everyoneBut now…clarity… A view from the floor that I had to see myself for sure. To turn over a new leaf…” 

With its rockin’ country western vibe “Ways” continues on this theme, but sees the narrator start to recognize how choices made have developed these patterns of behavior that produce similar outcomes. “These old ways ain’t the best ways, just the ones I know… Trails blazed over time in my mind are deciding where I go… Now I gotta find peace of mind, redefine my life…” “Ways” also sees special guests Walter DeBarr [Song of the Year in Minnesota 2021, William Elliot Whitmore] and Jodi Hall (also on “A New Leaf”) on backing vocals. “Ways” is dedicated to DeBarr, known for his soulful songwriting and deep raspy voice, who sadly passed away shortly after recording with the band.
JamBase premiered the “Ways” music video and the song was the album’s first single.

Maria” sees Latin influence and “Old Dog” has a bit of hip-hop flare. Set in the minor key, “Fathers” looks into how mistakes made can be passed down for generations, stuck in a cycle and an ethereal “Blue Tide” calls out to explore the dark depths of oneself. A rock opera, “There Went The Neighborhood” is followed by the progressive “American Dream Girl.” “Some Sunday,” composed and written by Micucci, has a R&B flavor, with a focus on bass and groove. The album closes with a southern rock gospel ambience in “Castles & Cain.”

Based in Charleston, WV, the band blends elements of rock and roll, jazz, funk, world music, Appalachian folk, gospel, and other soulful roots music with soaring harmonies, electronic textures, strings, and horns over a solid rhythm section. Along with Ille’s vocals and Marks on guitar, The Company Stores is Michael Micucci on bass, Joseph Cevallos on violin and trumpet, Matthew Jackfert on keys, vibes, trombone, among other instruments, and John Query on drums. Jackfert, who is also a freelance composer and classical music broadcaster, collaborated with Marks on the arrangements in shaping the lush orchestral soundscapes.

The Company Stores had plans to hit the road hard, raise funds, and save to record their new album in 2020, then all plans got curtailed and almost all of their live shows and side jobs were canceled due to the pandemic. The songs were written during a time of personal havoc for Marks after his engagement had ended and he moved to his family farm, where he still resides, in March 2020 to help with his Grandad who was dying of lung cancer. While first there, he did a deep dive into his family history and roots lending to the content and mood of the album. They were able to start recording in mid-2021 after a year-long pause once things seemed safe for travel again. 

The Family Album was produced by Robert Mercurio, bassist for New Orleans funk legends Galactic. The instrumentation was recorded by Julian Dreyer at Echo Mountain Recording in Asheville, NC. Mercurio stepped in as engineer to record the vocal parts at Galactic’s Number C Studio in New Orleans—including bringing in the Josh Kagler Choral Group to enhance the choruses on much of the album. The album was mixed and mastered by Mikael “Count” Eldridge [Trombone Shorty, DJ Shadow, The Revivalists]. 

Mercurio says, “As a producer, I feel like I saw this band grow immensely as songwriters though the process of making this album. We started working on it before the pandemic, and with their downtime they put in the work it takes to make great songs. Illy blossomed into the rock star she now is—crushing the vocals on every take. I’m very proud of the final product and had a blast working with all of them.” Along with his own band, Mercurio has production credits with an impressive list of artists including Big Freedia, Lyrics Born, and Karl Denson’s Tiny Universe.

The Family Album is preceded by the 2017 release Little Lights, also recorded at Echo Mountain Studio in Asheville, and their local debut Rollin’ In in 2014. Mother Church Pew says, “The Company Stores‘ Little Lights features a fiery backdrop of musicality that begs for a festival-sized stage and a whole lot of sunshine. It’s punchy, it’s poignant, and it’s perfect” and Jammerzine says it is “filled with emotional highs and empathetic harmonies laid over an almost orchestral level of musicianship.” 

Keep an eye on their website and socials for tour dates and further news: www.thecompanystoresband.com, facebook.com/thecompanystores, twitter.com/CompanyStoresWV and instagram.com/thecompanystores

Presave and preorder The Family Album at https://thecompanystores.hearnow.com

The Company Stores – The Family Album – Track Listing
1. Savannah (4:08)
2. A New Leaf (3:31)
3. Ways (3:47)
4. Maria (5:53)
5. Old Dog (4:58)*
6. Fathers (4:07)*
7. Blue Tide (3:47)
8. There Went The Neighborhood (2:43)*
9. American Dream Girl (3:32)
10. Some Sunday (3:58)
11. Castles & Cain (3:54)

*FCC Warning: please note explicit language
Radio edited versions are available for “Old Dog” and “There Went The Neighborhood”

Press Shots by The Oberports 
Album Artwork by Chris Woodall 

The Company Stores Tour Dates 

9/3 Sat – ACE Adventure Resort – Fayetteville, WV
9/17 Sat – Funktafest- Huntington, WV
10/15 Sat – Spirits in the Sky Fest @ The Bullock Distillery – Charleston, WV
10/28 Fri – Martin’s – Jackson, MS
10/29 Sat – Tipitina’s – New Orleans, LA 

Bill Scorzari Independently Releases The Crosswinds of Kansas 8/19

The Musicians:
Bill Scorzari, Brent Burke, Cindy Richardson Walker and Marie Lewey a/k/a The Shoals Sisters,” Chelsea McGough, Danny Mitchell, Eamon McLoughlin, Fats Kaplin, Juan Solorzano, Kyle Tuttle, Matt Menefee, Mia Rose Lynne, Michael Rinne, Neilson Hubbard, Ty Allison, Will Kimbrough 

The Crosswinds of Kansas Available Now
https://billscorzari.hearnow.com/the-crosswinds-of-kansas

HUNTNGTON, NY — With a rich, raspy voice and a remarkable ear for lyrics and composition, prolific songwriter Bill Scorzari independently released The Crosswinds of Kansas Aug 19. The album was co-produced by Neilson Hubbard and was recorded in part at Scorzari’s studio in Huntington, NY—First Thunder— before bringing it to Nashville (after pandemic restrictions eased) to Skinny Elephant Recording—with a cast of incredible musicians. Born and raised in New York, Bill transformed his life as a New York Trial Lawyer to a new life as a full-time musician. This is his 4th album released, following Just the Same (2014), Through These Waves (2017), and Now I’m Free (2019)—-all independently released to critical acclaim.

The Crosswinds of Kansas was released to radio in mid-July and debuted on the Folk DJ Monthly Chart for July at #36 and climbed to #19 on August 10th on the Alternative Country Specialty Chart. The album is well received by the press with nods from Glide Magazine, The Boot, Americana Highways, Music Mecca, DittyTV among others.

What Folks Are Saying:

“His thoughtful, cinematically shaped songs continue to resonate after repeated listens… To be sure, one needs solitude to appreciate his literate craft, a blend of prose and poetry put to music, a Walt Whitman of sorts for our times… With Scorzari, one hangs not just onto every word, but just about every breath (which unbelievably, you can hear.) Strap yourself in. This album runs for 71 minutes, and some are so emotionally devastating that it’s almost too much to take in at once. Allow yourself the time. The music is mostly surprisingly upbeat even when he is singing about pain and darker times.” —Glide Magazine, Jim Hynes

“It’s the voice of someone who brings a variety of experienced life stories into focus and one that draws you into the heart of each song… It is the kind of music that envelops you” —Lonesome Highway, Stephen Rapid

“The instrumentation and production are superb, while his weather-worn voice embodies the heartbreak and hope in the finely crafted lyrics.” —KPFA Radio, Tim Lynch

“Singer, songwriter, Americana hypnotist Bill Scorzari effortlessly captivates with his forthcoming The Crosswinds of Kansas … Scorzari’s vocals immediately grab hold of your attention with this or any of his previous work, bleeding with honesty and conviction while gravelly capturing your imagination… It is meticulously drawn from the experiences, emotionally-fueled then executed as naturally as the sunset across the plains or the water falling over Multnomah Falls… Expectations were high and Bill Scorzari, naturally, exceeded them with every chord and word…” —Nanobot Rock

“The poetic rhythm of Scorzari’s lyrics is most impressive, the syllables serving as elemental pulse as much as any of the (many) instruments constructing his songs… This is what I find with Scorzari’s songs and albums: there is always something new to capture your attention, something previously missed that reveals itself as it must… ” —FervorCoulee, Donald Tepylske

“…Scorzari’s message is powerful and profound. …this listener cannot get enough of “All Behind Me Now”, “Try, Try Again” and the eleven-minute glorious, meditative opus “Tryin’, Tryin’, Tryin’, Tryin’”. Oh, and “Patience and Time” might well be the most tender and loving song I’ve heard this year. …The Crosswinds of Kansas is an indisputable triumph… an utter joy to review.”  —Listening Through The Lens, Rob Dickens

“Scorzari’s raspy vocals—think Dave Van Ronk with a touch of Steve Earle—add weight to his wise, poetic lyrics and contrast beautifully with the album’s frequently sweet-sounding music, which features a variety of guitars and such other instruments as dobro, cello, piano, fiddle, banjo, upright bass, mandolin, and percussion, not to mention Native American flutes and a Tibetan singing bowl bell. Songs like ‘All Behind Me Now’ and ‘Inside My Heart’ will have you hanging on every word and wondering why Scorzari isn’t famous yet.” —Americana Highways, Blog Critics, Jeff Burger

“A  welcome treasure to my ears… with each lyric, he calls my mind to ponder, the crunch of a gravel road below resonates with a voice that is both conversational and reflective. Bill Scorzari’s music is akin to the musings of  Tom Waits, John Prine, and John Moreland. His songs are a conversation where we can savor his poetry. The message echoes in our souls with every instrumental break. Bill’s music is both organic and timely. With each creative muse, I really can’t wait to see where he leads us.” —The Long Island Sound Podcast, Steve Yusko

“[‘The Broken Heart Side of the Road,’ is] a standout track… With its melancholy tone, Scorzari lends his gritty vocals to a work of dark Americana roots music… a song that carries a stirring energy and a haunting tale.” —Glide Magazine, Song Premiere “Broken Heart Side of the Road”

“He’s captured such pain. And the beauty of a Rose.” —Americana Highways Video Premiere: “I-70 East” 

“Bill Scorzari’s sandy blast suggests he was born to sing tales of the dusty highway. In fact, Scorzari was a trial lawyer in New York City before hanging it up to tour, the setting for ‘I-70,’ in which he fights the literal winds to make it back to the East Coast to care for his mother. The song’s surging melody and Scorzari’s impassioned punk-influenced performance calls to mind vintage Two Cow Garage.” —The Boot’s Weekly Picks, Rachel Cholst 

“I like Bill’s voice & ‘Ocean In Your Eyes’ – that’s the ticket, that’s a great showcase. The resonance in his voice has spirit. Instead of burning kindling, he’s ignited a log. This is what Bill needs with lines like ‘I’m swimming for my life’ – perfect for his penetrating vocals. The words he sings must be believable. It’s here. They need to be words from a voice as lived in as Bill’s.” —Americana Highways, John Apice

“‘All Behind Me Now’… is surprisingly welcoming and perfect for a movie soundtrack. It presents listeners with a sense of perseverance and hopefulness for the future and a lesson in personal perspective” —HVY.com, Will Phoenix

“From New York Trial Attorney to full-time musician, Bill Scorzari makes the seemingly 180-degree transition to a new life look natural.” —Music Mecca, Morgan Brady 

“Bill Scorzari is a master storyteller. He puts it to music and creates pure magic!!” —The Colfax Journal’s Jay Vee Music Review, Jeff Vallet 

MORE ABOUT THE ALBUM

Much of The Crosswinds of Kansas was inspired by his three-month-long Now I’m Free Tour in 2019—which had become a journey of self discovery, with Bill ultimately arriving at a new awareness and desire to adapt and continue to create. He had made his way from the east coast, toward, and around the west coast and back, traveling under two full moons, visiting waterfalls, hiking, climbing, pondering and processing his life experiences of loss, gain and change, and at times composed haiku as a way to pass the time on the long drives between performances, until the tour came to an unexpected early end when Bill learned of the sudden decline in the health of his then 94 year old mother back home in NY.

His journey home, which included travel through some treacherous crosswinds over the Kansas highways, was folded into the story told within the electric-guitar-driven opening track (and first single released) “I-70 East” and its accompanying music video

Upon his return to Huntington, NY, Bill spent the early days of the Covid lockdown finishing the songs for the album, building out his studio, gathering the right instruments to fit the mood, and caring for his ailing mother. He also learned Navajo from new friends that he met when commissioning a Native American flute to be able to recite his lyrics in the language for the closing track, “Tryin’, Tryin’, Tryin’, Tryin’”—a song with an intriguing backstory. 

Scorzari draws inspiration from a full palette of moods and emotions and the 13 original tracks on The Crosswinds of Kansas have many stories to tell. On the lighter side he presents, the transcendent “All Behind Me Now,” the life-affirming “1, 2, 3, Jump,” the fast-moving acoustic jam of “A Ghost, My Hat and My Coat,” and the rhythmic, semi-autobiographical, sound-collage that is “The Measure of a Man.” 

With a heavier brush stroke, Scorzari recounts a hard tale of the destruction of a relationship in the rootsy “The Broken Heart Side of the Road” (the album’s 2nd single and music video). “Multnomah Falls” weaves a chronicle of a rainy day’s hike into an account of the trials of change and transcendence set to cascading mandolin lines. The orchestral “Oceans In Your Eyes” recounts a perilous navigation through an enchanted captivation, and in “Patience and Time” he evokes a haunting nostalgia with wistful melody and lyrical promise. Nostalgia reemerges in the hypnotic, plaintive “Try, Try Again,” and prescience triumphs over uncertainty in the folksy “Not Should’ve Known.” With a mix of contemporary and Indigenous instruments, “Inside My Heart” tells a melancholy story of an unrequited love.

Bill says, “For me, the journey that had begun in 2019 (and in many respects, much earlier), became a journey into the depths of my soul, not just in a nebulous aspirational or conceptual sense, but in its fruition, and this album is a record of many of the ways in which it has all unfolded for me so far. I’m grateful for the opportunity to have occupied my time with this effort and for the opportunity to continue to participate in the dance that is life, through this pandemic and beyond.”

He continues, “It has been an arduous and relentless trek to the ultimate discovery that we are here simply to dwell in the experience of being human and to come to know that wherever that experience may take us, and to whatever heights or depths we may rise or fall in it, it is all nothing less than an unspeakably generous and miraculous gift of life and great love.”

Order or stream The Crosswinds of Kansas at billscorzari.hearnow.com/the-crosswinds-of-kansas.

The CD is a six-panel digipack and includes a 16-page lyric book beautifully decorated with original art by Anna Berman and photography by Jacob Blickenstaff. 

For more information, updates and tour dates, visit www.BillScorzari.com

Vibrant, Rootsy, and Vivid, Damn Tall Buildings

Independently Release Their 3rd Album Sleeping Dogs Sept 9

Presave/ Preorder Sleeping Dogs

Under the Radar Premieres Damn Tall Buildings’ “Podcast”

Brooklyn indie folk trio Damn Tall Buildings have been making their way through the Americana world… In their early days, the band busked together, and today their style captures that same ragtag charm and breezy joy, blending unassuming presentation with narrative observations on the mundanities of daily life. 

With ‘Podcast’ the band leans further into their sun-lit harmonies, rugged instrumentation, and lively performances… they deliver some deliciously biting lyrics, taking shots at the entertainment industry’s complacency as the world rushes to its end.” —Under the Radar, Caleb Campbell

“Podcast” Available Now
https://damntallbuildings.hearnow.com/podcast

What others have said about Damn Tall Buildings:

Virtually unmatched energy and enthusiasm, underpinned by intelligent songs that don’t skimp on the infectiousness… The musicianship is smart and skilled, but still playful and groove savvy” —Saving Country Music

The Carter Family for the millennial generation” —The Boston Globe

Damn Tall Buildings is a damn fine trio, mixing bluegrass, swing, and foot-stomping old-time music you wouldn’t think possible from a band from Brooklyn” —No Depression, Chris Griffy

The natural groove made by a string band seriously happy with the music they are making speaks louder than wordsThe Alternate Root

BROOKLYN, NY — Acoustic Americana trio fed on bluegrass, roots rock, old time, and vintage swing, Damn Tall Buildings are excited to release their 3rd album, Sleeping Dogs, on September 9. Whether sharing lead vocals and instrumental solos or blending their voices into loose, joyous harmony, the three members of Damn Tall Buildings—multi-instrumentalist and primary lyricist Max Capistran (guitar and banjo), bassist Sasha Dubyk, and fiddler Avery Ballotta—delight in entertaining. For a handful of tracks on the album, they brought in special guests on trumpet, drums, flutes, lap steel, and keys to add to their dynamic sound.

Witty and engaging, Damn Tall Buildings’ energizing music finds beauty and glory in the mundane workaday struggle of everyday life: time keeps passing and the seasons come and go, you scroll too much, you smoke too much, you lose yourself, only to sit with yourself and find yourself again, you laugh with your friends, and you look out the window and dream about what else might be out there. It all keeps coming around. You carry on, intent on flourishing and thriving. This is what Damn Tall Buildings sings about, what they seek to share with their audience.

Sleeping Dogs is a bop about looking things smack-dab-right-in-the-face and is essentially about how it has become almost impossible to not be constantly influenced by current events, media, and all of the other things that surround you in your day-to-day life. “Snow Crash” by Neal Sephenson—a bizarre, mind-altering romp through the infocalypse— is high on the band’s reading list. Damn Tall Buildings says, “The impact that things outside ourselves have on us, specifically, the rise of social media and all that comes with it, leads to an exponential increase of people’s awareness of other people’s lives, and how that affects them and how they feel about their life.”

The album’s 2nd single, “Podcast” is out now and was premiered by Under the Radar who writes, “With ‘Podcast’ the band leans further into their sun-lit harmonies, rugged instrumentation, and lively performances… they deliver some deliciously biting lyrics, taking shots at the entertainment industry’s complacency as the world rushes to its end: ‘Sleeping on the ground/Thinking you’re so profound/Your podcast sucks and I think I hate you…Your bio says your an artist/Filtering all your garbage/Do you know what you’re even saying?’”

“Sometimes you just gotta get the lead out,” Ballotta says to Under the Radar. “This upcoming album is all about facing our skeletons head-on (er skull-on?), and ‘Podcast’ is a real tongue-in-cheek commentary on the use of honesty–in the entertainment realm especially. Also, this one is definitely about the end of the world. A nice funk to it. Some sticky icky guitar picking. A little fiddle chuck. Bass thump. Oh it’s all going south for sure, but we are groovin’ to it. When it’s all said and done, life is worth living while we’re here – don’t you think?”

The album opens with, “What A Nice Life,” which has some extra pep to balance out the darker “I-don’t-know-who-I-am-anymore” lyrics: “And it’s been feeling mighty lonesome now that winter’s coming on… Not sure who I’ve been lately… But holy sh*t can barely stand me.” This is followed by an old timey, swingin’ “Dark Window Panes,” in which they ponder a pending apocalypse, accompanied by longtime friend and maestro of sound Garrett Eaton [Dana Williams, Gracie and Rachel] on trumpet.

The velvety and rejuvenating Cold Rain,” the album’s 1st single, was premiered by AmericanaUK who calls it, “music that is determinedly of Now.” For the song, they are joined by mandolin wizard Dylan McCarthy (a longtime DTB collaborator and 2019 Rockygrass Mandolin Champion) and rock-steady drummer Micah Cowher [STOMP in NYC]. Micah also lays down the beat on the catchy “Sweet Girl,” with its chorus, “I am not myself, I am everyone else,” which became what the band calls, “the motto for the record; It’s basically our new anthem.” 

A cheery sentiment echoes in the deep groove & colorful melodies of “Lemons” (with the virtuosic flute playing of Anh Phung [Twisted Pine]), and this fresh energy can also be felt as the sunshine slips in on “Patio.” The mid-tempo shuffle “Painter” (with Lars Thorson [Kane Brown on lap steel) illustrates a re-emergence into the world. They slow things down a bit in an ode to waiting, “Quietly Heartbreaking,” & the gentle “My Baby.” 

The album closes out with the title track, “Sleeping Dogs,” flipping the script on the old proverb—“Don’t you let them sleeping dogs lie.” The song emphasizes the theme of the album: don’t ignore life, get out there and live it, take pleasure and meaning from the little things that keep us all connected and growing.

Self produced and recorded, the album was mixed & mastered by Dan Cardinal [Darlingside, Lula Wiles, Josh Ritter] at Dimension Sound Studios. Dan also played keyboard on the title track, adding to the texture of the song.

The trio is individually from all over the United States (New Hampshire, Pennsylvania, Montana), but were born as a band while attending Berklee College of Music in Boston, MA in 2013. They started as buskers on Newbury Street in Boston, started touring nationally, and then moved the band to Brooklyn in 2017. Max says, “Brooklyn has an endless influence on our music. Yemeni music on iPhone speakers at the deli. Reggaeton from the street side auto shop across the street rattling our window panes. West African guitar rhythms on the walk to the train. It’s insane. We love it.”

Damn Tall Buildings have made notable appearances at MerleFest, John Hartford Memorial Festival, Grey Fox Bluegrass Festival, Philadelphia Folk Festival, Ossipee Valley Music Festival, Bear Creek Folk Festival, BlissFest, and Freshgrass Festival (where they took second place in the 2016 band competition).

Since their busking days, they’ve made two albums—Cure-All (2014) and Don’t Look Down (2019)—and released a self-titled EP in 2015. The band’s music has been praised by publications such as Bluegrass Today, PopMatters, The Boot, Saving Country Music, The Boston Globe, The Alternate Root, Folk Radio UK and more.

Damn Tall Building says, “Our innate desire is to connect with people on a level that’s beyond day-to-day interaction. Our hope is that the joy that making this music brings us will somehow get passed along to the people listening, which they can then take with them to pass along to someone else. It’s a shared celebration of positive energy, and that’s what keeps us cooking.”

Website: www.damntallbuildings.com
Facebook: www.facebook.com/DamnTallBuildings 
Twitter: @DamnTallTweets
Instagram: www.instagram.com/gramtallbuildings/ 
YouTube: www.youtube.com/c/damntallbuildings 

Damn Tall Buildings on Tour

9/2 Fri – Towne Crier Cafe – Beacon, NY
9/3 Sat – Rettich Preserve @ Madison Land Trust – Madison, CT
9/6 Tue – WDVX Blue Plate Special – Knoxville, TN
9/6 Tue – Dee’s Country Cocktail Lounge – Madison, TN
9/9 Fri – Coppell Arts Center – Coppell, TX
9/10 Sat – Cactus Cafe – Austin, TX 
9/15-17 Thu-Sat – Walnut Valley Music Festival – Winfield, KS
9/27-29 Tue-Thu – IBMA Bluegrass Ramble – Raleigh, NC
9/30 Fri – Bourgie Nights – Wilmington, NC
10/1 Sat – IBMA Wide Open Bluegrass Festival – Martin St. Stage – Raleigh, NC
10/13 Thu – Parlor Room – Northampton, MA
10/15 Sat – Glastonbury Apple Harvest & Music Festival – Glastonbury, CT
10/16 Sun – 118 North – Wayne, PA
10/20 – Rockwood Music Hall – New York, NY
11/10 Thu – Prius Hall-Ball State University – Muncie, IN
11/11 Fri – Thrasher Opera House – Green Lake, WI

Drunken Hearts Release ‘Sunlight’ (Feat. Big Richard)

“Sunlight” Available Now

BOULDER, Colo. — Led by acoustic guitarist and powerhouse lead singer Andrew McConathy—known for his compelling songwriting and distinct, deep, and expressive vocals—Drunken Hearts independently release their new single, “Sunlight (feat. Big Richard)” July 29 on all platforms

McConathy says, “I wrote ‘Sunlight’ in September of 2021, I was depressed about the pandemic and hung up on trying to get things back to the way they used to be. The weekend before, I planned a writing trip to a cabin in the mountains of Colorado but encountered some of the worst writer’s block I’ve had. It was pretty frustrating and I guess only made my condition worse. However, when I got home, ‘Sunlight’ emerged the first time I pulled out my guitar.”

Andrew McConathy
Photo by Tobin Voggesser

The song begins with a more mournful feel and progresses into another realm of joyful sorrow with it’s lyrics:

I can’t sleep with light in my eyes

I can’t help reaching for the sky

I don’t want to leave it all behind

you know I can’t stop my mind

“While it certainly delves into depression and anxiety, “Sunlight” also serves as a reminder to be resilient in the face of adversity, and to never, ever stop pursuing your dreams, even if you can’t get out of bed in the morning, “says McConathy. “It was an exhilarating experience tracking this song with so many amazing friends and musicians.”

John Grigsby [bassist in Gregory Alan Isakov’s band] did a fantastic job bringing it all to life with stunning surrealist animation, which can be viewed here → https://youtu.be/-qgHfV49Dp4

Americana Highways premiered the video and writes, “With gorgeous pine rainforest footage and misty otherworldly natural images, the video supports this song of renewal. Starting with low, foreboding cello tones and McConathy’s raw vibrato, this song builds piece by piece into a glorious celebration.”

This release from Drunken Hearts features McConathy along with Alex Johnson on drums/ percussion/samples, Adrian Engfer on upright bass and violin, Tyler Adams on piano, and Andy Reiner on violin. Johnson recorded the basic tracks in his basement studio in Arvada, CO and then Todd Divel re-tracked the acoustic guitar and vocals at Silo Sound in Denver, CO and finalized the mix and master.

“When we recorded it, I wanted the instrumentation to match the vibe of the song, which felt different from my other releases, and instantly thought cello would be fitting. I made a Facebook post looking for a cellist, and Joy Adams from Big Richard was the first recommendation. At first we just had upright bass, violin, and acoustic guitar, but over time added cello, more strings, piano, and very light drums. I love Big Richard and after already having Joy’s cello, it only made sense to add the rest of the band on harmony vocals to give the song an eerie, siren-esque feel. I love the way ‘Sunlight’ turned out.”

All contributing to backing vocals on “Sunlight” (with Adams on cello), Big Richard is a charismatic, neo-acoustic supergroup formed in 2021 composed of four well-established Colorado musicians including Bonnie Sims [Bonnie & Taylor Sims, Everybody Loves an Outlaw, Bonnie and the Clydes], Joy Adams [Nathaniel Rateliff, Darol Anger, Half Pelican], Emma Rose [Sound of Honey, Daniel Rodriguez, Whippoorwill], and Eve Panning [Lonesome Days]. Big Richard’s vocal parts were recorded by Kyle Donovan at Cinder Sound Studio in Longmont, CO. Joy Adams and husband Andy Reiner recorded and tracked the cello and fiddle parts at their home studio outside of Black Hawk, CO.

Drunken Hearts have previously released four studio albums—Wheels of the City (2019 LoHi Records, Produced by Tim Carbone [Railroad Earth]), The Prize (2018), Love & Thirst (2016) (produced by Rob Eaton of Dark Star Orchestra) and Live For Today (2012)— as well as a live album, Alive ‘n Free (2021). More recently they released a series of singles through the pandemic from their EP Wildflower Sessions (recorded at Planet Bluegrass) in 2021 and early 2022. Drunken Hearts have shared the stage with acts like Billy Strings, Mumford & Sons, The Revivalists, Greensky Bluegrass, Mavis Staples, Black Pumas, Stevie Wonder, The String Cheese Incident, Railroad Earth, The Infamous Stringdusters, Elephant Revival, Leftover Salmon, Yonder Mountain String Band, and many more. 

Kind Words About Drunken Hearts From Previous Releases:

“… surely McConathy has one of the most memorable voices in roots music”  
Glide Magazine, Jim Hynes

“Heavy thinkers and power players” —PopMatters, Michael Bialas

“We are over the moon with their infectious humor, quick wit, and edgy Americana sound, so much so, we brought them into the studio” —WEXT Radio, Tabitha Clancy

“If you mix Pearl Jam with a mountain spirit, you get Drunken Hearts”
American Songwriter, Dallas Jackson

“[MConathy’s] distinctive and coarse tonality is sure to please listeners and carries the lyrics with intent” —Americana UK, Joe Edwards 

“Drunken Hearts deliver an intimate perspective to a nostalgic rock and roll sound. Passionate vocals that are reminiscent of Eddie Vedder are both familiar and a newfound discovery”
Paul Hoffman [Greensky Bluegrass]

“Somewhere between Counting Crows and Nathaniel Rateliff & the Night Sweats you’ll find Drunken Hearts” —Fervor Coulee, Donald Teplyske

“Lead singer Andrew McConathy is not an imitation, he does emulate expressively a pure Eddie Vedder alt-country vocal halfway to deep-voiced Brad Roberts (Crash Test Dummies vocalist). But the Hearts’ music has musicality: it’s all golden” —Americana Highways, John Apice

Sunlight Features:

Drunken Hearts:
Andrew McConathy: Acoustic Guitar / Vocals
Alex Johnson: Drums / Percussion 
Adrian Engfer: Upright Bass / Violin
Tyler Adams: Piano
Andy Reiner: Violin

+ Big Richard:
Joy Adams: Cello / Background Vocals
Bonnie Simms: Background Vocals
Emma Rose: Background Vocals
Eve Panning: Background Vocals

Credits:

Written and Produced by Andrew McConathy 
Recorded by Alex Johnson in Arvada, CO & Todd Divel at Silo Sound in Denver, CO
Big Richard was recorded by Kyle Donovan at Cinder Sound Studio in Longmont, CO
Mixed and Mastered by Todd Divel
Video animation by John Grigsby

For more information, please visit www.thedrunkenhearts.com, facebook.com/thedrunkenhearts, twitter.com/drunkenhearts, tiktok.com/@thedrunkenhearts, Spotify, and instagram.com/thedrunkenhearts.

Anya Hinkle and Akira Satake Release New Single “Coming Home”
Released July 29

“The song harkens to childhood and summer scenes—baseball, shooting stars, an ‘evening train,’ and the nostalgic scent of mama’s home cooking…”
First Listen at Folk Alley

Presave “Coming Home” →
https://distrokid.com/hyperfollow/anyahinkle/coming-home-feat-akira-satake

Hinkle Tours Colorado in August
(See the full list of tour date below)

ASHEVILLE, NC — Born in the Appalachian Mountains of Virginia, Anya Hinkle’s music is steeped in the tones of folk and bluegrass, and seasoned by travels across the world with her vivid storytelling, vibrant musicianship, and arresting honesty. 

For her latest single, Hinkle teamed up with Japanese banjoist and composer Akira Satake to release “Coming Home,” a nostalgic and spare song with echoes of a childhood summer in Japan. The single will be out July 29 and is available to presave now

Folk Alley’s Kim Ruehl calls the song a “beautiful collaboration” and premiered the lyric video for “Coming Home saying, “Satake’s inimitable banjo rolls paces in the background, supporting and holding aloft Hinkle’s poetic lyricism with pride, like a summer flower in a child’s fist.”

Akira Satake & Anya Hinkle

Anya says, “Akira had written a beautiful instrumental called ‘Coming Home’ and asked me to write lyrics to go with it. When I asked him what the song was about, he shared some memories of his childhood in Osaka, Japan. I tried to capture the details of the sounds, sights, tastes, and smells of Japan in late summer—children playing baseball in the city, the smells of food cooking as you wander through narrow alleys, the sounds of bicycles and trains, the resounding songs of cicadas. It’s a pleasure collaborating again with Akira.” 

This is the second release of a Hinkle/Satake collaboration; the first, “Hills of Swannanoa,” which appears on Hinkle’s album Eden and Her Borderlands (Organic Records 2021), won runner-up in the 18th International Acoustic Music Awards song competition in the country/bluegrass category. In 2019, she won the MerleFest Chris Austin song contest and was a finalist in the Hazel Dickens songwriting competition for her song “Ballad of Zona Abston.” 

PopMatters calls Hinkle, “A burgeoning force behind the Appalachian roots revival,” and AmericanaUK writes, “Certainly striking, certainly beautiful… everything one could look for in a bluegrass-tinged Americana.”

Anya began her recording career in 2007 for the Virginia Folklife label, The Crooked Road, before moving to Asheville, NC, where she founded bands Dehlia Low (Rebel Records) and Tellico (Organic Records). She released the first full-length album under her own name, Eden and Her Borderlands, in July 2021 to favorable reviews from the genre’s top media outlets including No Depression, Folk Alley, and PopMatters, with features in The Bluegrass Situation, Americana Highways, and more. Several songs placed on Spotify editorial playlists such as Indigo and Grass Roots, and the album was “Bubblin’ Up” on the Americana Radio Chart.

Anya has recorded some 10 albums in various collaborations both in the US and Japan, and in March 2022, she released a single,Nightingale (соловейко) – Bootleg for Peace,” that raised over $2,000 for Ukrainian relief. Hinkle is currently working on her second studio album under her name, slated for release in 2023.

Just back from her second European tour in May 2022, Anya tours regionally and nationally as well as extensively in Japan. She has played stages at MerleFest, Gettysburg Bluegrass Festival, La Roche Bluegrass Festival (France), Bristol Rhythm & Roots, and has supported/performed with Mipso, John Doyle, Malcolm Holcombe, The Stray Birds, and many others. 

Anya will be touring through Colorado this summer, including appearances at Red Rocks Summer on the Plaza Music Series, joined by her cousin, Denver-based bassist Troy Robey [Taarka, Jake Leg].

See Anya Hinkle’s tour dates below and catch up on her latest news at www.anyahinkle.cominstagram.com/anyahinkle.music, and facebook.com/anyahinkle.music. Check out her Youtube and Spotify for more music.

Anya Hinkle
Photo by WW Reaves

Anya Hinkle on Tour:
8/4 Thu – The Purple Onion – Saluda, NC w/ Julian Pinelli
8/5 Fri – Jones House – Boone, NC w/ Andrew Finn Magill

Colorado Dates
8/9 Tue – KGNU 88.5 FM & 1390 AM – Boulder, CO
8/9 Tue – Five Points Live! – Denver, CO *
8/10 Wed –  A Church – Salida, CO *
8/11 Thu – Wallis House Concert – Carbondale, CO *
8/12 Fri – Healthy Rhythm Listening Room – Montrose *
8/13-14 Sat-Sun – Red Rocks Summer on the Plaza Music Series – Morrison, CO
8/14 Sun – Old Town House Concerts – Colorado Springs, CO *
8/17 Wed – Gold Hill Inn – Boulder, CO
8/18 Thu – Listening At The Legion – Estes Park, CO*
8/19 Fri – The Post – Denver, CO *
8/20 Sat – Woodie Fisher – Denver, CO *
*with Troy Robey on Bass

Further shows:
9/11 Sun – Charlotte Folk Society – Charlotte, NC
9/23 Fri – Oskar Blues Brewery – Brevard, NC
10/1 Sat – Ol’ Front Porch Music Festival 2022 – Oriental, NC
10/2 Sun – Schoolkids Records – Raleigh, NC

Watch the Music Video for “The Broken Heart Side of The Road”

Bill Scorzari Releases 2nd Single
“The Broken Heart Side of the Road”
From Upcoming Album: The Crosswinds of Kansas

“With its melancholy tone, Scorzari lends his gritty vocals to a work of dark Americana roots music. Mandolin, banjo, and fiddle add to the rustic imagery of the lyrics, while a lonesome Dobro and soulful background vocals give the tune a sense of spirituality and depth. The result is a song that carries a stirring energy and a haunting tale.”Glide Magazine – Song Premiere

The Crosswinds of Kansas is Independently Released Aug 19

Thirteen tracks at well over an hour provides plenty of evidence that Scorzari’s message is powerful and profound. The raspy, emotive voice and the chanting ruminations throughout are a joy… The Crosswinds of Kansas therefore has many vivid and sometimes dark stories to tell… [It] is an indisputable triumph and presented in a lavish, detailed CD package, which was an utter joy to review.Rob Dickens’ Listening Through The Lens

HUNTINGTON, NY — Today, Bill Scorzari is excited to release “The Broken Heart Side of the Road” as the 2nd single (and 2nd music video) from his upcoming album, The Crosswinds of Kansas (independently released Aug 19). In “The Broken Heart Side of the Road,” Scorzari recounts a hard tale of the destruction of a relationship, set to traditional roots music. 

He tells Glide Magazine, “I started writing ‘The Broken Heart Side of the Road’ back in 2015 and then it kind of fell off my radar for a while. When I returned to New York after the end of the Now I’m Free tour in 2019, I found that it fit really well with the other songs I was writing at the time, and so I made a few changes to the lyrics and reworked the song structure until it felt right. The lyrics sprouted right out of the chord progression and, at least on some level, are grounded in time I spent in my childhood, learning from my dad how to plant and care for growing things. I especially loved being able to work a lyric into the first chorus, about the risks of planting corn too early in the season. ‘And then a cold rain in the morning corkscrewed my cold-planted corn, and then half my crop took twice the time to grow.’” 

Bill recorded the acoustic guitar and vocal tracks for “The Broken Heart Side of the Road” (and much of the 13-track album) in his studio—First Thunder— in New York in late 2020. In mid 2021, after many people had gotten vaccinated and it appeared to be relatively safe to travel again, Bill drove to Skinny Elephant Recording in Nashville, TN (where he previously recorded Now I’m Free 2019) and met with album Co-Producer Neilson Hubbard (drums, percussion), Michael Rinne (upright bass), Fats Kaplin (fiddle), Matt Menefee (banjo), Brent Burke (Dobro), Will Kimbrough (mandolin), and Engineer Dylan Alldredge to record their parts live there together for the song. Later, in September of 2021, Bill returned to Nashville to work with Dylan on the final mixes and they recorded Marie Lewey and Cindy Richardson Walker, a/k/a The Shoals Sisters, singing the backing vocals to “The Broken Heart Side of the Road.” Lewy and Walker recorded backing vocals for a few of the other tracks. For some of the other songs, Rinne also plays electric bass, in addition to his upright, and Kaplin adds his richly melodic and rhythmic sensibilities on pedal steel guitar, and viola, in addition to his fiddle.

Album & Lyric Book Art & Design:
Anna Berman

Other musicians who joined in for the recording of The Crosswinds of Kansas during the Nashville sessions include Danny Mitchell on Hammond B3 organ and piano with a masterfully cinematic approach; Juan Solorzano on electric, slide, and baritone guitars with flawless technique and heart wrenching phrasing; Grand Ole Opry staff fiddle player Eamon McLoughlin; accomplished cellist Chelsea McGough; acclaimed banjo player Kyle Tuttle; and gifted vocalist Mia Rose Lynne on harmony vocals.

Much of The Crosswinds of Kansas was inspired by his Now I’m Free Tour in 2019—which had become a journey of self discovery, with Bill ultimately arriving at a new awareness and desire to adapt and continue to create. He made his way from the east coast, toward, and around the west coast and back, traveling under two full moons, visiting waterfalls, hiking, climbing, pondering and processing his life experiences of loss, gain and change, and at times composed haiku as a way to pass the time. The tour came to a sudden early end as Bill learned of the decline in the health of his then 94 year old mother. 

The album begins with “I-70 East,” an electric-guitar-driven song that came to him while driving home from the Now I’m Free Tour. Scorzari sings, “Then, came the crosswinds of Kansas unleashed, and it pushed me hard, north and south, all down I-70 east… As I tore home to my mother, before her health, it would fail, at 94, I felt another love leaving me lost, like a nail in a cross.”

Bill says, “When I wrote ‘I-70 East,’ I immediately knew that it was going to be the first track on this new album, even before I wrote the others, and when you cue up this record, it’ll be the first song that you hear when the music begins.” It was also the first single released from the album. Americana Highways premiered the music video for the song and says, “He’s captured such pain. And the beauty of a Rose.”

The 13 original tracks on The Crosswinds of Kansas have many stories to tell including the enlightened “All Behind Me Now,” the life-affirming “1, 2, 3, Jump,” the fast-moving acoustic jam of “A Ghost, My Hat and My Coat,” and the rhythmic, semi-autobiographical, sound-collage The Measure of a Man.” 

Bill says, “I found that a lot of the songs on this record wound up having an upbeat feel, even when the lyrical content wasn’t necessarily upbeat, or at least not primarily or entirely so. It’s a very satisfying thing when that happens, like positivity shining through and prevailing over our struggles with adversity.”

In the rootsy “The Broken Heart Side of the Road” Scorzari recounts the destruction of a relationship, while the upbeat “Multnomah Falls” weaves a rainy day’s hike into a story of the trials of change and transcendence, and the orchestral “Oceans In Your Eyes” recounts perilous navigation through enchanted waters. The wistful melody and promising lyrics of “Patience and Time” bring a haunting nostalgia which reemerges as the central theme of the hypnotic, plaintive “Try, Try Again,” and prescience triumphs in 

uncertain circumstance in the folksy “Not Should’ve Known.”

Inside My Heart” features a mix of contemporary and Indigenous instruments and opens with the bell chime of a Tibetan singing bowl, a cluster of claw-hammer banjo notes, and a Native American flute flourish, while “Tryin’,Tryin’,Tryin’,Tryin’,” the final track on the album, has an intriguing story behind it which resulted in Bill learning Navajo from the flutemaker for the song, a Navajo man named Ty Allison and his friends.

Photography by Jacob Blickenstaff

Bill Scorzari is a New York native, with a richly raspy voice and a stellar ear for lyrics and composition. At a later age, he transformed his life as a New York Trial Attorney, to a new life as an accomplished, full-time musician. His discography includes four full-length albums: Just the Same (2014), Through These Waves (2017), and Now I’m Free (2019)—-all independently released to critical acclaim. Acoustic Guitar’s Pat Moran wrote, “New York-based singer-songwriter Bill Scorzari transcends titles like songwriter or poet. He catapults past categories into a dark, ruminative, and ultimately life-affirming realm where family folklore, memories, pain, prayer, and incantation meet.” Scorzari dives deeper into these themes with his 4th studio album, The Crosswinds of Kansas, which will be out on August 19.

For more information, updates and tour dates, visit www.BillScorzari.com

Pre-order The Crosswinds of Kansas at https://billscorzari.hearnow.com/the-crosswinds-of-kansas

Bill Scorzari — The Crosswinds of Kansas
Track Listing & Credits:

1.) I-70 East (3:16)
2.) Inside My Heart (5:09)
3.) All Behind Me Now (6:01)
4.) Multnomah Falls (4:21)
5.) Oceans In Your Eyes (4:14)
6.) Not Should’ve Known (5:23)
7.) The Broken Heart Side of the Road (4:38)
8.) A Ghost, My Hat and My Coat (4:23)
9.) Patience and Time (6:15)
10.) 1, 2, 3, Jump (6:29)
11.) Try, Try Again (5:17)
12.) The Measure of a Man (4:02)
13.) Tryin’, Tryin’,Tryin’,Tryin’ (11:56)



Final Lineup Announced for the 6th Suwannee Roots Revival
October 13-16, 2022

The Spirit of Suwannee Music Park in Live Oak, FL

Suwannee Roots Revival Lineup Additions Include:
Larry Keel Experience – John Mailander (Artist at Large)
AJ Lee & Blue Summit – Blair Crimmins & The Hookers
Dread Clampitt – The Krickets – Grandpa’s Cough Medicine
The New Cahoots
Free Range Strange

Added to the already stellar lineup:
JJ Grey & Mofro –  Punch Brothers
Peter Rowan’s Bluegrass Band – Donna the Buffalo – Kitchen Dwellers
Jon Stickley Trio – Jim Lauderdale – Seth Walker
Verlon Thompson – Shawn Camp – Joe Craven

Tickets →
suwanneerootsrevival.com/tickets

LIVE OAK, FL — The 6th Suwannee Roots Revival takes place Thursday, October 13 – Sunday, October 16 at the renowned Spirit of the Suwannee Music Park (SOSMP) in Live Oak, Florida. We are excited to announce an additional round of artists to this incredible lineup that includes JJ Grey & Mofro, Punch Brothers, Peter Rowan’s Bluegrass Band, Donna the Buffalo, Kitchen Dwellers, Jon Stickley Trio, Jim Lauderdale, and Seth Walker. 

Additions include Larry Keel Experience; based in Virginia, Keel has performed a plethora of times at SOSMP and Rolling Stone recently called him, “One of the finest flatpickers around” and described his unparalleled live performance as, “taking songs up a notch with psychedelic hillbilly shredding.” 

John Mailander, acclaimed multi-instrumentalist who is well known for his fiddle playing with Bruce Hornsby & the Noisemakers and appearances with Billy Strings, will be around for the weekend joining in as Artist-At-Large as well as performing with the Rev Jeff Mosier Ensemble. AJ Lee & Blue Summit features singer, songwriter, and mandolinist, AJ Lee who has been performing since the age of 5. In 2011 Mother Jones magazine asked, “Could This Kid Be the Next Alison Krauss? By the time she was 21 she won the Northern California Bluegrass Society’s (NCBS) Best Female Vocalist award nine times!

Atlanta’s Blair Crimmins & The Hookers will get folks dancing with their supercharged hot ragtime jazz, Dread Clampitt will be performing a 20th anniversary set of their funky bluegrass, The Krickets are a female Americana group from the gulf coast who’s music is what Paste Magazine called a “a truly stunning, one-of-a-kind sound.” Other additions include Florida’s Grandpa’s Cough Medicine, The New Cahoots, and Free Range Strange.

Add that all in along with Suwannee mainstays Verlon Thompson, Shawn Camp, Joe Craven, Rev Jeff Mosier Ensemble, The Grass Is Dead, Ralph Roddenbery & the HighRoad, Nikki Talley & Jason Sharp, Nicholas Edward Williams, Sloppy Joe, Quartermoon, The Fried Turkeys, Tania & the Magic Moon Traveling Circus and you’ve got a weekend of unforgettable memories, musical favorites, and news discoveries!

Suwannee Roots Revival focuses on showcasing established as well as up-and-coming roots musicians throughout a weekend laced with community based fun, growing friendships, laughing families, and that feel-good feeling you get from hanging out in such a beautiful natural setting.

Suwannee Roots Revival is jam-packed with stellar music and dance on multiple stages throughout the weekend. This family-friendly festival includes four days of music, camping, yoga, music workshops, a Kids Tent, as well as campground pickin’ sessions. Set in the midst of 800 acres of Spanish moss-draped oak and cypress trees along the Suwannee River, the venue is a playground for endless activities such as swimming, canoeing, kayaking, disc golf, and biking. 

Placing a strong emphasis on embracing the traditions that have made the park a national treasure, there will be a wide array of arts & crafts as well as culinary delights ranging from healthy to decadent in the Vending Village. Hands-on and performance workshops will be held throughout the weekend with a variety of artists set to perform. The park itself is a place where kids of all ages can remember why they fell in love with the magic mixture of sights, sounds, and sensations that constitutes a weekend of paradise that is the Spirit of the Suwannee Music Park.

Tickets are on sale now. Suwannee Roots Revival offers a multi-day Weekend Ticket that includes festival admission for four days of music, as well as primitive camping on Thursday, Friday, Saturday, and Sunday nights. Children 12 and under are free if accompanied by a parent or legal guardian. Early Bird 2 Tickets are $175 (includes fees and taxes); Student / Military Early Bird are $160 (with a valid ID). Get your tickets quickly before they rise to the next pricing tier, Advance Weekend, at $200 ($250 at the Gate). Single Day tickets are also available. An additional event car pass is now required to bring a car into the campground. Advance Car Pass: $15 or $20 at the Gate. For complete ticket information and to purchase tickets, visit suwanneerootsrevival.com/tickets/.

SOSMP offers guest comforts including a general store, full service restaurant, free showers, indoor bathrooms, and water stations. Upgraded camping, including RV hook ups and cabin rentals, as well as golf cart rentals are currently on sale. Reservations may be made by calling the Park office at (386) 364­-1683. SOSMP is located between Jacksonville, Florida & Tallahassee, Florida about 30 minutes south of the Georgia State line, about 45 minutes north of Gainesville and is host to a variety of events. Please visit the park’s web site at www.musicliveshere.com for further information.

Suwannee Roots Revival 2022 Lineup
JJ Grey & Mofro
Punch Brothers
Peter Rowan’s Bluegrass Band
Donna the Buffalo
Kitchen Dwellers
Larry Keel Experience
Jon Stickley Trio
Jim Lauderdale
Seth Walker
Verlon Thompson
Shawn Camp
Joe Craven
Rev Jeff Mosier Ensemble
John Mailander – Artist at Large
AJ Lee & Blue Summit
The Grass Is Dead
Blair Crimmins & The Hookers
Dread Clampitt
The Krickets
Ralph Roddenbery & the HighRoad
Grandpa’s Cough Medicine
The New Cahoots
Nikki Talley & Jason Sharp
Free Range Strange
Nicholas Edward Williams
Sloppy Joe
Quartermoon
The Fried Turkeys
Tania & the Magic Moon Traveling Circus

For more information, tickets, and to reserve camping, please visit www.suwanneerootsrevival.com.
Also visit us on a www.facebook.com/suwanneeroots, Twitter & Instagram: @SuwanneeRoots (#SuwanneeRoots).