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Archive for October, 2018

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Amanda Anne Platt & The Honeycutters
Two Nights at The Grey Eagle
185 Clingman Ave., Asheville, NC

Amanda Anne Platt and her Honeycutters are excited to be making a
LIVE RECORDING of their upcoming shows at the Grey Eagle
Both nights will be recorded and the best cuts selected from the two sets,
to create an album that will be released in 2019

“We’ve never made a live album and I’m looking forward to putting something out that will capture our on stage energy and the spontaneity of a live show. The Grey Eagle is one of my all time favorite venues, and this is a homecoming show for us, so it makes that this is the weekend we do the recording”
Amanda Anne Platt

NIGHT ONE: AMANDA ANNE PLATT & THE HONEYCUTTERS (SEATED SHOW)
FRIDAY · NOV 2, 2018
doors: 7:00 pm / show: 8:00 pm; All Ages; $15-$18
Bob Sumner Opens

NIGHT TWO: AMANDA ANNE PLATT & THE HONEYCUTTERS (STANDING ROOM ONLY)
SATURDAY · NOV 3, 2018
doors: 8:00 pm / show: 9:00 pm; All Ages; $15-$18
Oliver Bates Craven Opens

ASHEVILLE, NC —  After a whirlwind of a summer, Amanda Anne Platt & The Honeycutters are excited to return home from overseas and play two nights at The Grey Eagle, Friday and Saturday, November 2 and 3 as a homecoming! Amanda says, “This has been one of the craziest summers of my life… possibly the craziest year. There’s so much going on in the world, and my own small world has seen its share of changes, from babies being born, illness, our tour van burning to a crisp on the side of the Texas highway, getting married…and this tour has been a wonderful way to encapsulate all the madness. It’s an incredible feeling to be so far from home and hear people singing along with every word of one of my songs. We’ve been in so many different places and met so many new people, and where I might have expected to feel lost and scattered, there has been an overwhelming sense of connectedness and camaraderie at every turn.”

Lyrically driven, the songs of Amanda Anne Platt & The Honeycutters blend the band’s old-school country roots attitude with their shared influences of rock and folk. Based in Asheville, North Carolina, Amanda Anne Platt is a storyteller by nature with an incredible band backing her. Performing along Platt, The Honeycutters are Matt Smith on pedal steel and guitar, Rick Cooper on bass, Josh Milligan on drums and harmony vocals, and Evan Martin on keys and guitar.

The band is thrilled to have returned from their overseas tour which will led them back to England and Scotland as well as to Ireland, Spain, and The Netherlands from late August through the end of September! To some wonderful International reviews:

Jump In Hot’s Juan Fitzgerald writes, ““Amanda Platt and her band The Honeycutters from Asheville, North Carolina brought over a warm country glow … and provided top class songs and musicianship throughout the evening… for me her solo spot was another high spot and the song ‘Americas Blues’  about the dreadful state of American politics at this present time again hit the spot.”

Americana UK’s Jim Finnie writes of them, “Great songwriting, an incredibly tight sound with very high-quality musicianship from the whole band and it all gets brought together with Amanda’s glorious voice,” and Rootstime in Belgium says, “Amanda’s singing heartbreakingly beautiful.”

A homegrown entity, the band is critically acclaimed locally, regionally, nationally, as well as overseas. Their most recent album Amanda Anne Platt & The Honeycutters [Organic Records 2017] placed #2 (sandwiched between Jason Isbell and Gregg Allman) in their regional radio station WNCW’s year end listeners poll for 2017! The station’s Music Director Martin Anderson said to No Depression, “Amanda Platt writes songs on par with Lucinda, Isbell, Lauderdale, Hank Sr. In my opinion, anyway.”

Music City Roots’ Craig Havighurst writes, “She’s soothing (even in the hurtin’ songs) and sobering (except for the drinkin’ songs) and nuanced in a way that I think tops even those rather famous ladies of the moment named Margo and Kacey… I’d be hard pressed to find a finer string of recordings from any band working in the classic country/mountain tradition in these last five years.”

Amanda Anne Platt & The Honeycutters are a diamond in the rough, and through their music, travels, the friendships they make along the way, they will continue to bring music straight from the heart to the world.

Watch the official music video for “Birthday Song” https://youtu.be/K168ib7ltTc

Watch the official music video for “Jukebox” → https://youtu.be/T87FD97QNRU

More information at www.TheHoneycutters.com, www.facebook.com/Honeycutters, and www.twitter.com/thehoneycutters.

 

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EDA Butterfly cover 2CD Cover

Edward David Anderson Releases Chasing Butterflies
Out Today October 19 on Black Dirt Records
Recorded at the NuttHouse in Muscle Shoals with Producer Jimmy Nutt

Available Now On All Outlets → http://smarturl.it/8bdvv6

BLOOMINGTON, IL — Edward David Anderson has been writing songs, making records, and playing shows for a living for more than 2 decades. An American songwriter and rock & roll veteran who spent his formative years fronting the revered Midwest band, Backyard Tire Fire, and having penned eight albums for the band, he is known for infectious melodies and memorable messages. Since their hiatus in 2011, EDA has continued to write and tour as a solo artist and his 3rd solo studio record, Chasing Butterflies, is out today October 19, 2018 on his own Black Dirt Records.

“The story of my life’s written on my skin,” sings Edward David Anderson on the devilishly sardonic “Bad Tattoos” on Chasing Butterflies. The song, like the artist, is brutally honest and has a worn feel; like it’s coming from someone that has been around and put in the miles. “I don’t think I could have written these tunes when I was 25,” Anderson explains. “Everything I’ve done, the people I’ve met, all the places I’ve been, have brought me to this moment.”

It was through a tip from a friend that Anderson connected with GRAMMY Award winner Jimmy Nutt (SteelDrivers) from the iconic Shoals region of north Alabama. During their first conversation it was clear the two had a natural rapport and he quickly set a course for Jimmy’s NuttHouse Recording Studio in Sheffield. Diverging from past albums EDA used local session musicians for his backing band. “I felt the way to get the most authentic Shoals sound was to play with people who live and work there,” he said. Nutt played bass and brought in Jon Davis (Dylan LeBlanc) on drums, Brad Kuhn on keys, Todd Beene (Lucero) on pedal steel, and Kimi Samson on violin and the chemistry was instant.

EDApress1kimanderson.jpgThe core of the 10-track album was cut live in just a few short days with minimal overdubbing, making it feel both cohesive and human. “We brought in strings on a few and pedal steel on one, but didn’t want to get too carried away,” Anderson recalls. The result is a stunningly sublime, less-is-more snapshot of a writer in his prime.  

On Chasing Butterflies there is a feeling of arrival. Absorbing and learning and growing through life experience has clearly refined his ability to write about the human condition. In “The Best Part, he sings to his wife “You help me to understand/you make me a better man/I’m gonna do the best I can/to love you,” and you believe him. This kind of sincerity and honesty along with a candidly dry sense of humor recur throughout the album.

WHAT FOLKS ARE SAYING:

“There are a handful of songs spread throughout the 40-minute disc that would make Chris Stapleton sit up and notice… Musically, the album has a deep southern soul feel… Grooves are deep, guitar breaks are extended (but not exaggerated), and emotion is palatable… Chasing Butterflies is a stunning collection of modern Americana. Poetic and fresh with a deceptively laconic quality making it all the more momentous. I don’t use the word often: brilliant.” —Fervor Coulee, Donald Teplyske

“Thematically, Anderson again weaves stories about the multi-faceted South, painting character portraits, dealing with its duality, its mysteries, and its special charms. Of course, there are love songs too…. Anderson has a knack for infectious hooks as evidenced by ‘Bad Tattoos’ and ‘Only in My Dreams’… Anderson continues to impress.” —Country Standard Time,  Jim Hynes

He has the rare ability to open his soul and unfold his stories in a natural style that is simultaneously guileslees and universal. Another fine collection from my good friend!” —Johnny Hickman (Cracker)

“The album’s other standout track… ‘The Ballad of Lemuel Penn’ tells the true story of a black war hero and Assistant Superintendant of the D.C. Public School System who was shot near Athens, GA by white supremacists nine days after the passage of the Civil Rights Act. Taking a story song format similar to Bob Dylan’s ‘The Hurricane,’ the song tells of how, despite witnesses turning in the three Klansmen who shot Penn, the ‘all white jury’ acquitted the trio. It’s an old story, but one that resonates just a year after the events of Charlottesville, especially in the closing lines, when Anderson reminds us that ‘one still lives in Athens today.’ Anderson’s tale is greatly assisted by fiddler Kimi Samson’s haunting melodies.” Concert Hopper, Chris Griffy

Edward David Anderson’s Chasing Butterflies paints a melodic Americana picture that humanizes symbols we see every day.” —Jon Norton (WGLT)

“EDA has always been one of my favorite songwriters and singers, and on this record he has beautifully managed to capture the elusive dichotomy that is the American South- a combination of mystery, darkness and relaxed geniality. Great album.” —Steve Berlin, Los Lobos

“An artist to the bone who is raw, open, gritty… A portal into the human condition.” —Seth Walker

Chasing Butterflies is a treasure chest full of American songs, just waiting for you to open and find all of the joy and mysteries stored inside.  Edward David Anderson’s voice and these songs are like a back porch conversation with a great old long lost friend. You can pick up right where you left off and it always feels right.” –Ed Jurdi (Band of Heathens)

The Bluegrass Situation Song Premiere “The Best Part”

Americana Highways Song Premiere “Chasing Butterflies”

Live And LIsten Song Premiere “Only In My Dreams”

Chasing Butterflies Track Listing:

  1. Harmony (3:19)
  2. The Ballad of Lemuel Penn (4:02)
  3. The Best Part (3:23)
  4. Bad Tattoos (4:19)
  5. Crosses (4:03)
  6. Only in My Dreams (4:49)
  7. Dog Days (2:32)
  8. Chasing Butterflies (4:19)
  9. Sittin’ ‘Round at Home (2:23)
  10. Seasons Turn (5:45)

Edward David Anderson – vocals, acoustic, electric & baritone guitars, banjo
Jimmy Nutt – Bass, Percussion
Jon Davis – Drums, Percussion
Brad Kuhn – Keys (Wurlitzer, Hammond A100, Yamaha C7 Grand, Rhodes)
Kimi Samson – Violin (2,6,9)
Todd Beene – Pedal Steel (8)

For more information, please visit www.edwarddavidanderson.com, facebook.com/edwarddavidandersonmusic, twitter.com/edanderson72, and instagram.com/edwarddavidanderson.

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Leftover Salmon’s Boogie At The Broadmoor
March 22-24, 2019
Leftover Salmon with Special Guests The High Country Horns
Featuring: Jennifer Hartswick, Natalie Cressman, and Skerik

Full Line And More Up To Be Announced Soon!  

After four great years at the Stanley Hotel, Leftover Salmon is graduating to the next level and are thrilled to bring you Leftover Salmon’s Boogie At The Broadmoor!

Please join the band for a first class, five-star concert experience like no other at The Broadmoor Resort. Leftover Salmon’s Boogie At The Broadmoor is three days and nights of the live music, dancing, dining, and activities of all kinds! Nestled against the backdrop of the Cheyenne Foothills just 75 miles south of Denver.

The Broadmoor welcomes guests to a legendary Forbes Five-Star and AAA Five-Diamond resort with impeccable service and distinctive amenities. Here, the spirit of the West inspires the adventurer within, providing endless opportunities to explore the picturesque mountains, streams, and canyons that have inspired generations. Whether you are interested in zip lining adventures and horseback riding, Colorado fly-fishing, or an indulgent day at the spa, you’ll find endless activities for every age in every season.

Experience an iconic resort where personalized luxury offers an escape from the ordinary and modern details blend seamlessly with the timeless European elegance of this historic hotel.

The Resort has been operating for over 100 years, undergoing regular renovations to keep amenities ahead of the curve. With Valet parking, 24/7 room service, ice service, and views that can’t be beat, they have a variety of rooms to fit your budget. A state of the art movie theater, bowling alley, and so much more!

Check out where the Boogie’s going down here: https://www.broadmoor.com/the-resort.

For more information, tour dates, and other LoS news, please visit www.LeftoverSalmon.com.

 

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Taylor Martin Releases Song Dogs on November 16 on Little King Records
Produced by Amanda Anne Platt at Sound Temple Studios in Asheville, NC
Featuring Members of Amanda Anne Platt & The Honeycutters, Mountain Heart, and more


First Single: “Little Pictures” Available Now →  https://taylormartin.hearnow.com/little-pictures

More about Taylor Martin at https://about.me/songdogs

ASHEVILLE, NC — Taylor Martin brings you music with a beating heart; his raspy, emotion filled voice is instantly recognizable and his lyrics have an unflinching sincerity. Martin releases his third album, Song Dogs November 16, 2018 on Little King Records. On it, he spins tales of the highway, homes, lost love, love regained, redemption, and the overuse of cell phones. The Honeycutters’ Amanda Anne Platt took the lead as Music Producer (along with adding harmony vocals on a handful of songs) with the help of Co-Producer and Engineer, Robert George, and Martin’s visions for the album. The album was recorded at Sound Temple Studios in Asheville, North Carolina.

“Taylor Martin is a killer songwriter,” declares Platt. “He’s got a great sense of melody and an ability to write classic, accessible songs about things we all take for granted. It’s also to his credit that he hits all sides of the spectrum– there are toe tappers and tear jerkers on this album and everything in between. I’m a big fan of the saying, ‘Great songs produce themselves,’ I certainly found that to be true in working with Taylor.”

The album’s bluesy opener “Little Pictures” tips the brim to people like Professor Longhair while having a contemporary social commentary. The song is what Martin calls his, “observation of people being lost to reality and the death of empathy and the human experience. People being on cell phones too much are missing out on the beauty of the world.” It also invites the listener to put down their electronics and sink further into the experience of the album. Americana Highways premieres the official music video for “Little Pictures and write, “The song rings instantly familiar and simplifies a complex message in clear lyrical fashion, over catchy, punchy, piano-prominent rhythms.”

A resident of Asheville, North Carolina since 2004, Martin has been creating music since 1994. He blends musical styles: the approach to music he grew up with in Richmond, Virginia; the western spirit he experienced living five years in Paradise, Utah; and the sounds of southern rock, country, and rhythm n’ blues.

The album features some of the finest, most innovative musicians in acoustic music today including, not only The Honeycutters’ Amanda Anne Platt, but also their guitarist and pedal steel player, Matthew Smith. Mountain Heart’s Aaron Ramsey (mandolin, acoustic guitar) and Josh Shilling (Piano, B3, Wurlitzer) perform on much of the album along with Jon Stickley Trio’s Lyndsay Pruett on fiddle. Drummer Richie Jones [Ralph Roddenbery, Donna Hopkins Band] and bassist Matt Dufon perform on all eleven tracks. Asheville guitar legend, Aaron “Woody” Wood, takes the lead on acoustic and electric guitars on a handful of tracks, GRAMMY winner Debrissa McKinney (Secret Agent 23 Skidoo, Empire Strikes Brass) lends harmony vocals on a song and Phil Alley adds some texture with his Telecaster on a track.

“I was supported by mostly local musicians for Song Dogs, says Martin. “Josh came in from Nashville and Richie came from Atlanta, but other than that it’s all friends from Asheville. There’s a lot of love on this record. Having close friends record with you really helps the album go deeper.”

“Working on Taylor’s albums has always been an awesome process,” says Josh Shilling.  “His distinct melodies, chord progressions, and organic recording approach create a unique and extremely vibey song and sound. His ability to pull the perfect band together makes the recording sessions feel amazing, and I love that he’s seeking emotional, human performances more than perfect performances. There’s some grit and soul on this record that feels like it came from another time and place… perhaps an Allman Brothers or Leon Russell time and place.”

“I’ve always tried to write from the heart and to do that there just has to be a story underneath,” says Martin. From the catchy “Here Comes The Flood” to the mellow and rolling “Eden Colorado” (with Wood’s expansive guitar solo and the delicate interplay of Smith’s pedal steel) to the dreamlike “Second Sight (with it’s lucid surf tones and Pruett’s orchestral string arrangement) to the more pop-oriented “Hollywood” (featuring McKinney on harmony vocals), the album will have you hooked.

Our Memories” is a lonesome duet that reflects on remaining in a home after the love has moved out and the remnants are left behind; Martin and Platt’s vocals intermingle with the sultry fiddle and pedal steel melodies of Pruett and Smith. Another duet with Platt, “Milk and Honey” features Aaron Ramsey on mandolin and is a love song that written over the course of many years to express that even in this numbing technological age people can still be in love in the land of milk and honey.

There are three covers on the album including Bob Dylan’s nostalgic “Sign on the Window [New Morning], an upbeat and slightly cajun version of Neil Young’s poignant “Music Arcade[Broken Arrow], and Merle Haggard’s song of tragic loss, “Kern River.”

The album’s title track, “Song Dogs,” lands as the final track and features Shilling on piano paired with Smith’s pedal steel. Martin says, “I spend a ridiculous amount of time in the woods alone. Usually right before dark the coyotes will begin to howl to find each other for the nights hunt. One such evening I wrote these lyrics about the loneliness of the modern age and how difficult it is to ‘stay’ when your heart is restless. And the remorse after you’ve gone too far… I sure do identify with those animals at dusk.”

“Taylor Martin is a singer-songwriter who will remind you of everything good from Tom Waits to the Everly Brothers or the Avett Brothers with some surf rock thrown in. Well-sung, well-played, well-written and relevant…” writes Asheville Citizen Times.

Asheville’s veteran songwriter is just below the forty mark with a bright future as a songwriter and performer ahead of him. Although as jaded and bitter as some road worned heroes, Martin finds refuge in a good sense of humor. “I would have been a terrible dentist,” he laughs. “I’m here, music is why, this is Earth, let’s make more music.”

Taylor Martin – Song Dogs Track Listing

  1. Little Pictures   3:34
  2. Here Comes the Flood    2:59
  3. Eden Colorado   3:17
  4. Music Arcade [Neil Young] copyright Silver Fiddle Music   4:25
  5. Second Sight   3:41
  6. Hollywood   3:41
  7. Our Memories   3:49
  8. Kern River [Merle Haggard] copyright Mt. Shasta Music   4:00
  9. Milk and Honey   3:22
  10. Sign on the Window [Bob Dylan] copyright Big Sky Music   3:39
  11. Song Dogs   4:49

    MUSICIAN CREDITS
    Taylor Martin – Lead Vocals, Acoustic Guitar (all)
    Richie Jones – Drums, Aux Percussion (all)
    Matthew Dufon – Bass (all) Harmony Vocals (2,10)
    Aaron Woody Wood – Acoustic Guitar (3,8), Electric Guitar (5, 6,10)
    Matthew Smith – Electric Guitar (1, 2), Pedal Steel (3,7,8,11)
    Aaron Ramsey – Acoustic Guitar (2,4,7,9,10), Mandolin (9)
    Josh Shilling – Piano (1,2, 6,7, 8,10,11), B3 (1,2,5,6,7,10), Wurlitzer (5)
    Phil Alley – Telecaster (7)
    Lyndsay Pruett – fiddle (4,5,7,8)
    Amanda Anne Platt – harmony  vocals (2,4,7,9,10)
    Debrissa McKinney – harmony vocals (6)

    Recorded @ Sound Temple Studios in Asheville, NC
    Recorded & Mixed by Robert George
    Produced by Amanda Anne Platt
    Co-Produced by Robert George & Taylor Martin

    For more information and tour dates, please visit www.TaylorMartin.org and www.facebook.com/taylormartin.org and www.twitter.com/song_dogs.

 

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Carolina Chimes:
Rudi Ekstein’s All Original Bluegrass Instrumental Showcase

Ekstein Collaborates with All-star Musicians Stuart Duncan, Jeff Autry, Mark Schatz & More

OUT TODAY: October 5, 2018 on Foxfire Recording

Available Now On All Outlets→ http://smarturl.it/2pryj6   

Asheville, NC – Rudi Ekstein has been in the music business for many years as a performer, producer, and studio owner. Now, on his album Carolina Chimes: Rudi Ekstein’s All Original Bluegrass Instrumental Showcase, released October 5, on Foxfire Recording, Ekstein showcases his mandolin prowess on 12 original instrumental tunes featuring an all-star cast of world-class talent. Some of the artists brought into the studio for this project include multi-GRAMMY Award Winner Stuart Duncan on fiddle and renowned guitarist Jeff Autry for the entire album, two time IBMA Bass Player of the Year Mark Schatz performs on all but one tune, long-time collaborator John Plotnik plays banjo on the majority of the album and steps in on Dobro on four tracks while GRAMMY nominated multi instrumentalist, Patrick Sauber takes the lead on banjo. Bluegrass Today premiered the first single off the album, “Spikebuck.”

With Carolina Chimes as Ekstein has put together an upbeat collection of bluegrass barn burners performed with great pickers who help to bring these unique cuts to life. Unselfish and smart, Ekstein lets his collaborators do what they do best here. The result is a fast-paced recording that will remind you of the power of bluegrass music.

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Rudi Ekstein. Photo by Sandlin Gaither.

“The most obvious parts of everyone’s life have been depicted in a bluegrass song,” says Ekstein. “The bluegrass tunes I’ve written for my records over the past 30 or so years are mostly named after people, events, or something important that happened in my life. That’s just part of my love for bluegrass.”

As the son of an Austrian immigrant to America his surname, Ekstein, translates, literally, to “Cornerstone,” which is the aptly titled opening track to the album, symbolizing his heritage and love of the genre. Another song on Carolina Chimes that reflects that philosophy is “Jessy’s Fancy,” named for Ekstein’s daughter.

Many of the tunes on Carolina Chimes reflect Ekstein’s travels in this world, from his early years living in California and exploring the American West, to settling down in the western North Carolina mountain town of Asheville.

“Hoot Owl Hop” was written from his days of living in California when the warm summer nights brought hoot owls to the eucalyptus trees every year. The perfect title for a wild ride of a tune, ‘Spikebuck,’ refers to the name of some rapids on the Arkansas River in Colorado where his family, barely hanging on, took a fast-moving whitewater rafting trip one year. “Back Drag” was named after an insane stunt Ekstein once attempted for the first and last time as a trick rider on a galloping horse in his youth.

About a decade ago, Ekstein relocated to Asheville, where he continues to run the Foxfire Recording Studio (started in 1990), so he could play more bluegrass with western North Carolina roots musician, Billy Constable, for whom this album is dedicated. Constable, who passed away in 2015 of cancer, was best known for his three-finger-picking banjo technique and his vigorous acoustic guitar leads.

A couple of songs on this project were written in Constable’s memory including, “‘Bacon in the Pan,’ Rudi’s version of an old-time fiddle tune done in the bluegrass style as, Rudi recalls, “Billy often spoke endlessly on the phone about the fine points of cooking a good breakfast, and ‘All Night in Kentucky’ is a tune I wrote after jamming all night long at the IBMA convention in Louisville, KY, with Billy. Inspired by that experience, I just couldn’t stop pickin’ on that early morning and I spontaneously ended up playing this tune.”

Rock ‘n’ roll music and bluegrass music from the Appalachian Mountains have had a big influence in Ekstein’s musical life. Within weeks of arriving in the area, Constable introduced Ekstein to many players in the WNC pickin’ scene. Both were in the band Blue Wheel Drive, along with bassist Rob Parks, and all three went on to perform for two years with The Bobby Hicks Band. Parks makes an appearance on Carolina Chimes playing “Rockalachia,” a tune BWD performed live that is reminiscent of the boogie-woogie style of bluegrass played on the mandolin in the 1940’s by the Father of Bluegrass, Bill Monroe. Another bluegrass buddy from those days, Seth Rhinehart, also steps in on banjo on that ditty as well as “Dixie Sunset,” of which Ekstein says, “I wanted to see how close I could write a ¾-time tune within the style of bluegrass, but still make it unique in its own way. Playing music on the deck of my North Carolina mountain home while overlooking the woods and watching the sunset inspired me to write this twisty waltz.”

Other cuts on Carolina Chimes reflect Ekstein’s many musical influences. “I always thought ‘Indian Rain’ would be a good song for an old fashioned western movie. Too bad it was 60 years too late. Turned out to be a better bluegrass fiddle tune, especially with Stuart Duncan at the Helm. In the late 1980’s, I recorded my song ‘Flapjack’ while playing Dobro for a band project,” says Ekstein. “I originally wrote it on the Dobro as a tune for the mandolin. I finally made it a reality here on this album. And, that brings me to the album’s title cut, ‘Carolina Chimes.’ I’ve always loved the classic banjo tunes that featured the sound of arpeggio chimes created by banjo and mandolin duets. It reminds me of bells ringing at an old Carolina country church house.”

Kind Words about Carolina Chimes:

“The bulk of [the songs] are flat-out, hold-on-to-your-hat wild rides that he takes you on… The entire album brings back many great memories to me of John Hartford’s many musical excursions through the years, jam sessions with Mike Marshall down in Florida back in the ’70’s and all sorts of good stuff... I would suggest the best way to listen to this CD is on a nice drive through the country or anywhere.”Elmore, Ken Spooner

“Here is good, pure music… ‘Carolina Chimes,’ the disc’s title track, is one that completely delights me, certainly another of the disc’s highlights. There is something incredibly catchy and even pretty about it. It’s happiness in the form of music.” Michael’s Music Log, Michael Doherty

“Rudi Ekstein has written a great collection of new bluegrass instrumentals and as writer, producer, engineer and musician, recorded this album and maintained a very high degree of quality at every step of the production process! The mix is wonderful and Rudi’s cast of musicians is stellar!” —Gene Libbea (Nashville Bluegrass Band)

“Rudi’s original tunes are sure to become classics. The musicians on this project are fantastic – every tune is a gem.” –Dennis Caplinger

“Rudi has put together a nice mixture of tunes that take us from up tempo fiddle numbers to sad mountain laments with a gypsy jazz feel thrown in for good measure. I am honored to be included in this stellar lineup of world class acoustic players from around the country. This project is superbly crafted using the finest instruments, played through the finest microphones by virtuoso musicians. Great job Rudi! —Jeff Autry

“I have known Rudi for a long time. Having lived in California for several years we used to cross paths alot. Rudi, like me, as we have grown older, seems to have a calling to write tunes. Bill Monroe did the same thing. The 12 tunes that Rudi has put together are winners. These musicians that Rudi picked to play on his project are top notch. Surrounding yourself with good musicians is the key, and Rudi, you found the right key.”  —Byron Berline

Carolina Chimes Track Listing
1. Cornerstone   (2:41)
2. Indian Rain   (3:21)
3. All Night in Kentucky  (2:48)
4. Hoot Owl Hop   (2:52)
5. Jessy’s Fancy   (3:54)
6. Spikebuck   (2:04)
7. Flapjack   (3:31)
8. Bacon in the Pan   (2:28)
9. Rockalachia   (2:35)
10. Carolina Chimes   (2:26)
11. Dixie Sunset   (2:39 )
12. Back Drag   (1:50)

 

The Musicians on Carolina Chimes include:
Stuart Duncan – Fiddle (all tracks)
Jeff Autry – Guitar (all tracks)
Mark Schatz – Upright Bass (all tracks except 9)
Rob Parks – Upright Bass (9)
John Plotnik – Banjo (1,2,3,7,10,12), Dobro (4,5,6,8)
Patrick Sauber – Banjo (4,5,6,8)
Seth Rhinehart – Banjo (9,11)
Rudi Ekstein – Mandolin (all tracks)

All tunes written by Rudi Ekstein, BMI, Carolina Chimes Music, P & C 2018
Produced by Rudi Ekstein.  Recorded and Mixed by Rudi Ekstein

Rudi has owned and operated his own commercial recording studio business Foxfire Recording since 1990, and since then has played for, or produced and/or engineered numerous albums for CMH, Rounder, Sugar Hill Records, as well as artists like Tony Rice, Larry Rice, Chris Hillman, Josh Graves, David Grisman, Richard Greene, Bill Keith, David Grier, Herb Pedersen, Bill Bryson, and other notables. His array of recording and live performance credits include many internationally known bluegrass musicians like fiddle players Byron Berline and Gabe Witcher; banjo hotshots John Hickman, Dennis Caplinger, and Craig Smith; gifted Dobro player, Rob Ickes, The Nashville Bluegrass Band’s GRAMMY award winning bass player, Gene Libbea; an original Bluegrass Cardinal bass player Bill Bryson; as well as three members of the Country Boys (later the Kentucky Colonels), bass man Eric White, banjo player, Billy Ray Lathum, and Dobro player, Leroy Mack among many others.

For more information, please visit the album website: www.carolinachimes.com and www.facebook.com/rudieksteinbluegrass.

 

 

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