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Introducing The High Hawks, Announcing Tour Dates

Denver, CO — Introducing the world to a new and exciting all-star project consisting of some good friends from the Americana, jam, and bluegrass worlds. Please meet THE HIGH HAWKS.

No one knows where the train will take them. It’s one you jump on out of the curiosity and excitement of the unknown. The very wonder of what the stars and the spirits will conjure on any given jubilee. And what the hell is a High Hawk?

Vince Herman (Leftover Salmon), Adam Greuel (Horseshoes & Hand Grenades), Chad Staehly (Hard Working Americans), Brian Adams (DeadPhish Orchestra), and Will Trask (Great American Taxi), come together with friends like Tim Carbone (Railroad Earth) as well as others to play songs, perhaps bringing an unusual sparkle to the galactic core.

THE HIGH HAWKS will be playing some Fall dates with more to come. Tickets go on sale on Friday.


10.18.19 – Fox Theatre – Boulder, CO*
10.19.19 – Cervantes Other Side – Denver, CO*
10.20.19 – Aggie Theatre – Fort Collins, CO*
11.7.19 – The Back Room @ Colectivo – Milwaukee, WI @#
11.8.19 – Spirit of Peoria – Peoria, IL @
11.9.19 – La Crosse Distilling Co. – La Crosse, WI @
11.10.19 – High Noon Saloon – Madison, WI @#

* – with special guest Kind Country
@ – with special guest Tim Carbone
# – with special guest Chicago Farmer

For more information and to stay in touch with THE HIGH HAWKS, follow along @thehighhawks on Facebook (www.facebook.com/thehighhawks) and Instagram (www.instagram.com/thehighhawks).

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Bill Scorzari Releases His 3rd Studio Album, Now I’m Free, September 20, 2019

Born of the past three years’ introspection and contemplation of the human condition, Scorzari writes some of his most compelling compositions to date

Produced by Neilson Hubbard at Skinny Elephant Recording,
With Performances by Erin Rae, Will Kimbrough, Eamon McLoughlin, Michael Rinne, and more

First Single “It All Matters” Out Now →  https://itallmatters.hearnow.com

 

With a somber musical style and a hushed, gritty vocal that rises like the morning mist to mingle with Erin Rae’s grounded tones, ‘It All Matters’ is just outright pretty. Now I’m Free should be nominated for awards this year with its depth of grace and innovative tones; Scorzari taps into a nexus between the familiar and the uncanny.Americana Highways

Pre-order with “It All Matters” available now on iTunes

(Huntington, NY) —  On September 20, New York native, Bill Scorzari, independently releases his third full-length album of all original music titled, Now I’m Free. His sound is gritty, raw and at times, downright sad. His songs transition through a multitude of emotions, with themes centered on the experiences of the human condition. Of his music, some say it’s spoken word, and others, an amalgam of the voice of Tom Waits, the delivery of Sam Baker, and the soul of Kris Kristofferson. In his lyrics, there is a poetic grace, a calming and resigned wisdom of acceptance that shines through the wistful melancholy of hope, and breaks free. No Depression wrote, “Bill Scorzari is a force. His songwriting is stellar, his picking above par and his voice fits his songs perfectly.”

Bill says of the record, “During the past three years and beyond, I found myself in a place that demanded prolonged introspection and profound healing to be able to navigate through and journey past. This record is a journal of some of the lessons and discoveries that I’ve encountered along the way.”

Produced by Neilson Hubbard (Orphan Brigade), Now I’m Free was recorded and mixed by engineer Dylan Alldredge at Skinny Elephant Recording in Inglewood, TN and mastered by Jim DeMain at Yes Master Studios. Hubbard says, “Bill tears himself open on these 15 songs and leaves it all out there in plain sight. He is an open book delivering a record of astonishing intimacy… and the gravel and whispers in his voice carry a true knockout punch.”

The album was performed live in the studio by Scorzari and a long list of critically acclaimed and otherwise notable musicians including, Hubbard on Drums/Percussion, Multi-Instrumentalist Will Kimbrough, Vocalist Erin Rae (Americana Music Association nominee for Best Emerging Artist of 2019), Fiddler/Strings Eamon McGloughlin (AMA nominee for Best Instrumentalist of 2019), Upright and Electric Bass player Michael Rinne (AMA nominee for Best Instrumentalist of 2019), Brent Burke on Dobro, Juan Solorzano on Electric Guitar and Lap Steel, Lap Steel player and Vocalist Megan McCormick, Greg Krockta on Harmonica, and Vocalist Mia Rose Lynne.

 

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Bill Scorzari. Photo by Jim Marchese

Throughout the entire album, Bill’s authenticity as a songwriter moves you through his music breath by breath. Profound and poetic, Scorzari’s emotionally charged and introspective compositions are sung with a knowing tenderness of heart.

 

The album opens with “Into the Light Of the Day,” of which Scorzari says, “Faith and trust are so important. When they are called into question, for whatever reason, it becomes difficult to see things clearly. We become distressed, and our distress makes it even harder to find clarity… Nothing can resolve until we look directly at it and confront the full depth of it all. The first step toward doing that is both the most difficult and the most liberating step, taking what troubles you into the light of the day.” 

This is fitting to describe Bill’s music in general and his approach of digging deeper into his own depth and bringing his thoughts and experiences honestly and authentically into the light through the medium of music.

He writes in the title track, “Now I’m Free,” “So, I stood there by the waterfall flowing from the bridal veil, with an angel dressed in rags. She said, ‘To hell you ride.’ And, to hell we sailed. And, we never did look back. And, she said, ‘Every word I say is true and someday you will see, spending all of our time always tryin’ to break through, leaves us no time for tryin’ to break free, and it’s time to break free.’”

Another standout track on the album is the first single, “It All Matters,” with Erin Rae adding vocal harmony. When asked about what the lyrics of this track mean to him, Scorzari says, “It’s so important to be attentive to each other. The way toward that goal, is to start to be more attentive to ourselves, to heal what needs to be healed in us and to find a path forward to our own better existence… It’s never too late to shine a light through the darkness... The big things are important, but so are the little things. It all matters.”

The nearly 11-minutes of “Yes I Will” were recorded in an unrehearsed, epic “first take” in which Bill sings, “And, I know these thoughts will come and that they will go again, and yes, I know, yes, I can still chase the harder days away with just some paper and a pen, the way the sun will rise and embrace the white moon in its own black skies, and then there’ll be no need to try to make me smile. Won’t you help me to more easily reveal my broken soul?...  I’m only distracted by my motion when I’m intent on standing still. And, if you let me have the time to just keep on tryin’ to break through, just to be human, well then, yes, I will.” 

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Bill Scorzari. Photo by Jim Marchese

There is a wide variety of soundscapes in Now I’m Free, ranging from the slow country waltz of “Over Again,” the catchy uptempo road song “Treat Me Kind,” the sleepy-slow, intoxicating, drunken-swaying groove in “San Miguel County,” the crushingly intimate and breathtaking “One More Time,” and the raging blues number, “Steel Wheels.”

When Will My Time Come Along” is a humble reminder of the seemingly endless struggles we must endure, and the importance of small accomplishments made along the way towards larger pursuits. It’s chord progression manifested easily in Scorzari’s mind, as did the lyrics for “It’s Just What I Know,” when he found himself in that “longed-for space where the words you’ve desperately searched for, and have been struggling with how to say, suddenly arrive as a gift in an unfettered moment of clarity.”

Although he picked up his first guitar at just 8 years old, it wasn’t until 2011 that he was able to give his artistry the attention it deserves. The passing of Bill’s father and role-model, whose footsteps he had followed into the practice of law, marked a time of profound change and opened a new chapter – one that required a giant leap towards pursuing a passion that had long been tucked away in Bill’s heart. The three albums (and their titles) that he created thereafter, represent the narrative and catharsis of his journey: past, present and future. 

The first two, Just the Same (2014) and Through These Waves (2017), were both released to critical acclaim. Waves, a spring release, made several best-album-of-2017 lists, including Folk Alley and Elmore Magazine. Jim Hynes, in his review of Waves in Elmore, says of Bill, “…his thoughtful, cinematically shaped songs that continue to resonate after repeated listens. Yes, this is a ‘must hear’ for singer-songwriter aficionados.” One such aficionado, WFUV’s John Platt, says, “Bill Scorzari has a lived-in voice that says, ‘Listen to these songs. They spring from the earth and the ocean with an open heart and the wisdom of experience.’” 

The success of his first two records allowed Bill to share stages with Sarah Jarosz, Sam Outlaw, The Dustbowl Revival, Tall Tall Trees, Seldom Scene, Billy Strings, Frank Fairfield, Tom Marion, Zak Sokolow, Jonah Tolchin, Jenni Lyn Gardner (Della Mae), Jeff Scroggins and Colorado, Twisted Pine, Whiskey Myers, Big Country, and many others. In July of 2019, Bill became “One of the folk,” with his inaugural performance at the Newport Folk Festival.

This third installment in his discography, Now I’m Free, offers a deeper and unguarded look into Scorzari’s soul, weathered and bared, and rooted in the present moment while moving freely into the unspoken promises of the future.

For more information, up-dates and news, please visit www.billscorzari.com, www.facebook.com/billscorzari, www.twitter.com/BillScorzari, and www.instagram.com/billscorzari 

Now I’m Free Track Listing:

  1. Into the Light of the Day (5:07)
  2. Over Again (4:40)
  3. Now I’m Free (3:44)
  4. It All Matters (4:35)
  5. One More Time (4:07)
  6. When Will My Time Come Along (3:58) 
  7. Treat Me Kind (3:23)
  8. San Miguel County (4:36)
  9. It’s Just What I Know (4:47)
  10. Steel Wheels (4:48)
  11. You’re Gonna Miss Me When I’m Gone (2:59)
  12. Yes I Will (10:51)
  13. Cypress Tree (3:37)
  14. Don’t You Ever Go Away From Me (4:20)
  15. New Mexico (I to Mine) (7:20)

PERFORMANCE CREDITS BY MUSICIAN
Bill Scorzari: Vocals and Acoustic Guitar
Erin Rae: Harmony Vocal (Track 4)
Mia Rose Lynne: Harmony Vocals (Tracks 2, 14)
Will Kimbrough: Electric Guitar (Tracks 5, 7, 10, 15), Slide Guitar (Track 7), Mandolin (Track 11), Cigar Box Guitar (Track 14), Piano (Track 5)
Juan Solorzano: Electric Guitar (Tracks 1, 4, 7, 9, 10, 12), Lap Steel Guitar (Tracks 2, 8, 9, 11), 2nd Acoustic Guitar (Tracks 4, 15)
Megan McCormick: Lap steel (Tracks 1, 3, 4, 6, 13), Harmony Vocal (Track 6)
Brent Burke: Dobro
Greg Krockta: Harmonica
Michael Rinne: Upright Bass & Electric Bass
Neilson Hubbard: Drums/Percussion, Piano (Track 14)

All songs, lyrics and music written, arranged and performed by Bill Scorzari

 

Bill Scorzari Tour Dates

8/24 Sat – Taste Budd’s Cafe’ – Red Hook, NY
8/25 Sun – Dogwood Bread Company – Wadhams, NY
8/26 Mon – Radio Bean – Burlington, VT
8/27 Tue – Abilene Bar and Lounge – Rochester, NY
8/30 Fri – Plain Folk Cafe’ Music & Coffee House – Pleasant Plain, OH
8/31 Sat – Over Yonder House Concerts – Toledo, OH
9/1 Sun – Visible Voice – Cleveland, OH
9/4 Wed – Uncommon Ground – Edgewater Listening Room – Chicago, IL
9/5 Thu – The Elbo Room – Chicago, IL
9/6 Fri –  Wild Rose Moon – Plymouth, IN
9/7 Sat – Wild Rose Moon – Plymouth, IN
9/8 Sun – Ca’d’Zan House Concerts – Cambridge, IL
9/13 Fri – Black Forest Community Center – Colorado Springs, CO
9/14 Sat – The Laughing Goat Coffee House – Boulder, CO
9/15 Sun – The Muse Performance Space – Lafayette, CO
9/21 Sat – Cafe Zippy – Everett, WA
9/22 Sun – Tim’s Tavern – Seattle, WA
9/27 Fri – Artichoke Music – Portland, OR
9/28 Sat – Crown Alley Irish Pub – Ocean Park, WA
10/3 Thu – Flynn’s Cabaret & Steakhouse – Felton, CA
10/5 Sat – The Shady Lady House Concert – Saratoga, CA
10/9 Wed – The Blue Guitar at The Arroyo Seco Golf Course – South Pasadena, CA
10/11-12 Fri-Sat – 16th Annual Far-West Conference – Woodland Hills, CA
10/25 Fri – Pecan Grove Store – Fredericksburg, TX
For more information, up-dates and news, please visit www.billscorzari.com, www.facebook.com/billscorzari, www.twitter.com/BillScorzari, and www.instagram.com/billscorzari.

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Reed Foehl Releases 5th Studio Album,
Lucky Enough, Feb 1, 2019

Recorded in Austin, TX with The Band of Heathens
Co-Produced by Reed Foehl with Gordy Quist and Ed Jurdi


Available Now On All Outlets to Stream and Purchase → http://hyperurl.co/3xm6td

POWNAL, VT — With the Feb. 1, 2019, release of Reed Foehl’s fifth solo album, Lucky Enough, fans will get a dose of powerful medicine, a cathartic collection of 10 songs that Foehl recorded with help from a mighty musical force, The Band of Heathens, at their Finishing School studio in Austin, Texas. It’s an album that will undoubtedly solidify his standing as one of the most compelling and vital Americana artists around.

On Lucky Enough, Foehl touches on a range of Americana styles, all with emotionally charged lyrics and can’t-get-out-of-your-head choruses, from somber folk elegies and gospel-tinged tunes to barroom country singalongs and jaunty calypso-flavored, country-infused pop. These are deeply personal songs for Foehl, and while they were written during some dark days, there’s a sense of optimism and gratitude, an overriding feeling that the hope outshines the heartbreak.

Lucky Enough is dedicated to the memory of Foehl’s mother — “the Queen of Everything” — and a keen sense of loss flavors the album. But there’s also a sense of hope, of forward momentum, change and a celebration of love, including not just the romantic variety but the kind a guy has for the oldest of old friends. For Foehl, creating Lucky Enough with The Band of Heathens has been a cathartic process. “If I can help myself, maybe I can help others,” he says. “You’ve got to keep moving forward. I think that’s the important thing. Live to fight another day.”

What People Are Saying:

“Certain songwriters have an innate gift for infectious songs that just linger for days on end. Reed Foehl is one of them. Each song on his fifth album, Lucky Enough, tells a story in his quietly understated way that somehow results in powerful imagery and emotions… This is as good as songwriting gets. Foehl’s lyrics are often astonishing and his relaxed, comforting approach works wonders.” —Glide, Jim Hynes

“His voice—smooth, companionable, and flavoured with a touch of palatable wisdom—is the first thing one is likely to notice. But the songs are masterfully constructed, some poetic and symbolic, most situational explorations brought to fruition with elegantly nuanced instrumentation… ‘Stealing Starlight’ and ‘American Miles’—both expansive, grandly produced three-minute epics, worthy entertainment for listeners who appreciate Josh Ritter, Fleet Foxes, or Vance Joy.” Fervor Coulee, Donald Teplyske

The Bluegrass Situation premiered “Stealing Starlight”

“Reed Foehl’s excellent album Lucky Enough takes the listener on an existential journey to fill life’s holes. Written at an impossibly difficult time in Foehl’s life, while he was caring for his mother who was battling cancer, Foehl would be understood for writing a melancholy record. Lucky Enough ducks expectation. It does not feel melancholy. It feels settled. Not resigned, but at peace with life’s challenges and tribulations.” The Marinade with Jason Earle, Listen in to a Podcast Interview

“Reed has the ability to transport the soul, a true master. One of the great songwriters of our time.” —Gregory Alan Isakov. Isakov co-wrote the debut track, “American Miles,” a road song that was inspired by traveling and the great american landscape. Glide Magazine premiered “American Miles”

“Reed Foehl is like a brother to me, we’ve traveled a lot of miles on the road together, and I don’t think they make better singer-songwriters than him.” —Todd Snider  

“He starts out with the gentle strumming ‘Stealing Starlight’ and the quiet acoustics of ‘American Miles,’ which just excels into the beautiful landscape that Reed paints with his words. He begins to pick the tempo up with the steady rhythm of ‘If It Rains’ and ‘He’s On An Island,’ but sandwiched in-between is the piano ballad ‘Carousel Horses.’ Reed Foehl finishes up his new album with the pop/folk tone of ‘Wish I Knew’ and wonderfully, emotion-filled ‘Color Me In.’” JP’s Music Blog, Jim Pasinski

“I fell for this album just a few moments into its first track, ‘Stealing Starlight.’ There is something so sad and yet oddly comforting in Reed Foehl’s vocal delivery that worked on me immediately and pulled me in, so that I wanted to pay closer attention to every word, to see what this voice had to tell me.”
Michael’s Music Log, Michael Doherty

“Reed Foehl is a familiar voice in the wilderness calling you home.  His songs are part New England Folklore, told around an old wood stove in the midst of a winter’s blizzard and part Southern Charm, warm and inviting, like the spring breeze that welcome the magnolia blossoms.” —Ed Jurdi, The Band of Heathens

“Reed’s songs hit you in the heart, and everything else falls away” —Anais Mitchell

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Reed Foehl. Photo By Kate Drew Miller

More About Reed Foehl & Lucky Enough:

Foehl certainly took an unexpected route in getting to Lucky Enough. Then again, he says, “I’ve always done things very unconventionally.”

A New England native who had long lived in Colorado, Foehl was making a big move, heading to Nashville to continue his craft as an artist and a songwriter. That made sense after co-writing the leadoff song (“Fly”) with up-and-coming country singer/songwriter Brent Cobb on Lee Ann Womack’s 2014 GRAMMY nominated album, The Way I’m Livin’.

On the way, he got a call from his mother, Linda. She had lymphoma, and she needed him. He didn’t hesitate, ditching his fully loaded car in Nashville and flying straight home to Massachusetts. “It put in perspective what life’s about,” he says. “This was important, definitely more than any of these records I’ve made.”

While he cared for his mother, Foehl kept at his songwriting, thanks to the sponsorship of a longtime friend and hockey teammate. Keeping the creative flames burning was vital. “It’s not just what I do, it’s who I am. I’m writing songs so people can hear them and so I can be OK. That’s really the gist of it,” he says.

After Foehl lost his mother in July 2017, he knew he had to keep moving forward and started thinking about recording an album. Although he launched his solo career with the release of Spark in 2001, he played in bands for years, notably fronting Acoustic Junction and then as a charter member of Great American Taxi. For his fifth solo album, he thought, why not go into the studio with a full-fledged band? “With all my records. I like to take leaps and chances and want to try different things,” he says. “I said, ‘What about doing it with The Band of Heathens?’”

Foehl had toured as an opener with The Band of Heathens, and he knew and loved their tones and sound and how they worked together. The Heathens, for their part, had really hit it off with Foehl on tour and were primed to help him make an album. “We really dug his stuff and felt like it would be a good match,” said Ed Jurdi, who co-produced Lucky Enough with Foehl and fellow Heathen Gordy Quist, with both Jurdi and Quist adding guitars and vocals on the album. “What I felt our job was, was to put him in a position where he could do his thing, just really make him comfortable. The record is about Reed and his songs, so how do we elevate that by adding what we can do? The idea as a producer is to both create a record the artist likes and making an album that the artist didn’t know they could make.”

The great thing about the Heathens, Foehl says, is they always knew when to hold back and when to let it rip, deftly embellishing the 10 songs on Lucky Enough. “They are very much chameleon-like,” Foehl said of the Heathens, “capable and talented enough to adapt and play any style of music.”

Foehl’s solo career has been bookended by loss, losing his father, Billy, in 2001 around the time Spark came out and then his mother preceding Lucky Enough, with three albums in between — 2007’s Stoned Beautiful, 2009’s Once an Ocean and 2014’s Lost in the West. Growing up in Dover, Mass., his parents were a huge influence for Foehl, filling the house with John Prine music and playing for decades together in a bluegrass/country band called The Centre Streeters. His parents encouraged him in his musical passion, regularly taking him to Boston, where he cut his teeth as a performer, busking at the Faneuil Hall Marketplace at the tender age of 11.

ReedFoehl_LuckyEnough_back.jpgLucky Enough Track Listing
1. Stealing Starlight (3:33)
2. American Miles (3:22)
3. If It Rains (4:48)
4. Takes a Long Time to Make Old Friends (3:18)
5. Carousel Horses (3:00)
6. He’s on an Island (3:26)
7. Running Out of You (3:46)
8. Wish I Knew (2:36)
9. Hello My Dear (4:12)
10. Color Me In (3:28)

Reed Foehl – lead vocals and acoustic guitar
Gordy Quist – guitars, background vocals
Ed Jurdi – guitars, background vocals
Trevor Nealon – keyboards, background vocals
Jesse Wilson – bass guitar, background vocals
Richard Millsap – drums, background vocals
Geoff Queen – pedal steel

Engineered and mixed by Steve Christensen
Mastered by Fred Kevorkian
Green Mountain Records

Reed Foehl On Tour Supporting Todd Snider!
3/13 Wed – The Gramercy Theatre – New York, NY
3/14 Thu – Ardmore Music Hall – Ardmore, PA
3/15 Fri – The Sinclair – Cambridge, MA
3/17 Sun – Infinity Music Hall & Bistro – Hartford, CT
3/18 Mon – The Birchmere – Alexandria, VA
3/20 Wed- The Beacon Theater – Hopewell, VA
3/22 Fri – Lincoln Theater – Raleigh, NC
3/23 Sat – The Ramkat – Winston-Salem, NC
3/24 Sun – The Orange Peel – Asheville, NC
5/2 Thu – The Jefferson Theater – Charlottesville, VA
5/3 Fri – The Rex Theater – Pittsburgh, PA
5/4 Sat – Rams Head On Stage – Annapolis, MD

For more information and updates, please visit www.reedfoehlmusic.com, www.facebook.com/ReedFoehl, www.twitter.com/reedfoehl, and www.instagram.com/reedfoehl.

 

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Reed Foehl To Release 5th Studio Album, Lucky Enough, Feb 1, 2019

Recorded in Austin, TX with The Band of Heathens
Co-Produced by Reed Foehl with Gordy Quist and Ed Jurdi

On Tour with Todd Snider in March!


POWNAL, VT —
With the Feb. 1, 2019, release of Reed Foehl’s fifth solo album, Lucky Enough, fans will get a dose of powerful medicine, a cathartic collection of 10 songs that Foehl recorded with help from a mighty musical force, The Band of Heathens, at their Finishing School studio in Austin, Texas. It’s an album that will undoubtedly solidify his standing as one of the most compelling and vital Americana artists around.

Other artists have long sung the praises of Foehl. As fellow songwriter Gregory Alan Isakov notes, “Reed has the ability to transport the soul, a true master. One of the great songwriters of our time.”

Isakov co-wrote the debut track, “American Miles,” a road song that was inspired by traveling and the great american landscape. Glide Magazine premiered the song and writes, “…the vocals in the beginning immediately conjure images of staring out the window of a car as it cruises along a lonesome highway at sunrise. Foehl keeps the instrumentation sparse, letting a lightly picked acoustic and the quiet thumb of a drum create the groove while the occasional flourish of a piano and a tambourine. His vocals have a dreamy folk quality that reflects the quietly reflective lyrics.”

Listen to “American Miles”→ http://bit.ly/AmericanMiles_GlidePremiere.

Todd Snider, whom Foehl will be touring with in March 2019, says, “Reed Foehl is like a brother to me. We’ve had a lot of miles on the road together, and I don’t think they make better singer-songwriters than him.”

Ed Jurdi of The Band of Heathens, a fellow native of Massachusetts, was downright poetic in his expression of admiration for Foehl, “Reed Foehl is a familiar voice in the wilderness calling you home. His songs are part New England folklore, told around an old wood stove in the midst of a winter’s blizzard and part Southern charm, warm and inviting, like the spring breeze that welcome the magnolia blossoms.”

On Lucky Enough, Foehl touches on a range of Americana styles, all with emotionally charged lyrics and can’t-get-out-of-your-head choruses, from somber folk elegies (“Stealing Starlight” and “American Miles”)  and gospel-tinged tunes (“Carousel Horses”) to barroom country singalongs (“Long Time to Make Old Friends”) and jaunty calypso-flavored, country-infused pop (“Wish I Knew”). These are deeply personal songs for Foehl, and while they were written during some dark days, there’s a sense of optimism and gratitude, an overriding feeling that the hope outshines the heartbreak.

The uncannily cinematic album takes its title from the chorus of “If It Rains,” on its surface a Dust Bowl ballad about persistence in the face of the vagaries of nature. “If it don’t shed a tear, we wait ’til next year, heartbroken but lucky enough,” Foehl sings in the unforgettably melodic chorus. With the final verse, it’s clear the song digs deeper than drought when he sings, in a voice worn and weary but warm:

With the cold came the snow

On our favorite place to go

I carved the slated path

Just thought you should know

And built a wooden bench

Then laid it in cement

Out of love and in memory of.”

Foehl certainly took an unexpected route in getting to Lucky Enough. Then again, he says, “I’ve always done things very unconventionally.”

A New England native who had long lived in Colorado, Foehl was making a big move, heading to Nashville to continue his craft as an artist and a songwriter. That made sense after co-writing the leadoff song (“Fly”) with up-and-coming country singer/songwriter Brent Cobb on Lee Ann Womack’s 2014 GRAMMY nominated album, The Way I’m Livin’.

On the way, he got a call from his mother, Linda. She had lymphoma, and she needed him. He didn’t hesitate, ditching his fully loaded car in Nashville and flying straight home to Massachusetts. “It put in perspective what life’s about,” he says. “This was important, definitely more than any of these records I’ve made.”

While he cared for his mother, Foehl kept at his songwriting, thanks to the sponsorship of a longtime friend and hockey teammate. Keeping the creative flames burning was vital. “It’s not just what I do, it’s who I am. I’m writing songs so people can hear them and so I can be OK. That’s really the gist of it,” he says.

After Foehl lost his mother in July 2017, he knew he had to keep moving forward and started thinking about recording an album. Although he launched his solo career with the release of Spark in 2001, he played in bands for years, notably fronting Acoustic Junction and then as a charter member of Great American Taxi. For his fifth solo album, he thought, why not go into the studio with a full-fledged band? “With all my records. I like to take leaps and chances and want to try different things,” he says. “I said, ‘What about doing it with The Band of Heathens?’”

Foehl had toured as an opener with The Band of Heathens, and he knew and loved their tones and sound and how they worked together. And The Heathens had just opened their own studio in Austin, christening it by recording an update of the entire landmark Ray Charles album, A Message from the People. “These guys are really good,” Foehl says. “If I hire them, it’s a built in sound. They’ve been playing together forever.”

The Heathens, for their part, had really hit it off with Foehl on tour and were primed to help him make an album. “We really dug his stuff and felt like it would be a good match,” said Ed Jurdi, who co-produced Lucky Enough with Foehl and fellow Heathen Gordy Quist, with both Jurdi and Quist adding guitars and vocals on the album. “What I felt our job was, was to put him in a position where he could do his thing, just really make him comfortable. The record is about Reed and his songs, so how do we elevate that by adding what we can do? The idea as a producer is to both create a record the artist likes and making an album that the artist didn’t know they could make.”

The great thing about the Heathens, Foehl says, is they always knew when to hold back and when to let it rip, deftly embellishing the 10 songs on Lucky Enough. “They are very much chameleon-like,” Foehl said of the Heathens, “capable and talented enough to adapt and play any style of music.”

Quist even pitched in on the writing of “Wish I Knew,” helping Foehl take the song in a direction he would never have thought to go. Musically, it playfully moves along at a frisky pace, while lyrically Foehl wrestles with some of the life’s big questions:

If the choices were just black and white

I’d a half a chance to get things right

How to make it through the dark of night

Only wish I wish I knew

In addition to Quist and Jurdi, the other Heathens playing on the album include Trevor Nealon (keyboards), Jesse Wilson (bass guitar), and Richard Millsap, (who played drums as well as electric guitar), along with Geoff Queen on pedal steel. Lucky Enough, which will be released on Green Mountain Records, was engineered and mixed by Steve Christensen and mastered by Fred Kevorkian.

Foehl’s solo career has been bookended by loss, losing his father, Billy, in 2001 around the time Spark came out and then his mother preceding Lucky Enough, with three albums in between — 2007’s Stoned Beautiful, 2009’s Once an Ocean and 2014’s Lost in the West. Growing up in Dover, Mass., his parents were a huge influence for Foehl, filling the house with John Prine music and playing for decades together in a bluegrass/country band called The Centre Streeters. His parents encouraged him in his musical passion, regularly taking him to Boston, where he cut his teeth as a performer, busking at the Faneuil Hall Marketplace at the tender age of 11.

Lucky Enough is dedicated to the memory of Foehl’s mother — “the Queen of Everything” — and a keen sense of loss flavors the album. But there’s also a sense of hope, of forward momentum, change and a celebration of love, including not just the romantic variety but the kind a guy has for the oldest of old friends. For Foehl, creating Lucky Enough with The Band of Heathens has been a cathartic process. “If I can help myself, maybe I can help others,” he says. “You’ve got to keep moving forward. I think that’s the important thing. Live to fight another day.”

Reed Foel Holiday Shows This December with Gregory Alan Isakov
12/22-22 Fri-Sat – Gold Hill Inn, Boulder, CO

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Reed Foehl
Photo by Kate Drew Miller

Reed Foehl On Tour Supporting Todd Snider March 2019!
3/13 Wed – The Gramercy Theatre – New York, NY
3/14 Thu – Ardmore Music Hall – Ardmore, PA
3/15 Fri – The Sinclair – Cambridge, MA
3/17 Sun – Infinity Music Hall & Bistro – Hartford, CT
3/18 The Birchmere – Alexandria, VA
3/20 Wed- The Beacon Theater – Hopewell, VA
3/22 Fri – Lincoln Theater – Raleigh, NC
3/23 Sat – The Ramkat – Winston-Salem, NC
3/24 Sun – The Orange Peel – Asheville, NC

Lucky Enough Track Listing
1. Stealing Starlight (3:33)
2. American Miles (3:22)
3. If It Rains (4:48)
4. Takes a Long Time to Make Old Friends (3:18)
5. Carousel Horses (3:00)
6. He’s on an Island (3:26)
7. Running Out of You (3:46)
8. Wish I Knew (2:36)
9. Hello My Dear (4:12)
10. Color Me In (3:28)

Reed Foehl – lead vocals and acoustic guitar
Gordy Quist – guitars, background vocals
Ed Jurdi – guitars, background vocals
Trevor Nealon – keyboards, background vocals
Jesse Wilson – bass guitar, background vocals
Richard Millsap – drums, background vocals
Geoff Queen – pedal steel

For more information and updates, please visit www.reedfoehlmusic.com, www.facebook.com/ReedFoehl, www.twitter.com/reedfoehl, and www.instagram.com/reedfoehl.

 

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Leftover Salmon: Thirty Years of Festival!
New Book By Author Tim Newby Due Out February 2019 on Rowman & Littlefield

“History is made by those who write it, not the musicians who can’t remember it, Tim Newby knows our history and now it’s up to him to teach us what happened!” —Vince Herman (Leftover Salmon)

“Tim Newby has somehow managed to capture the unique combination of personalities that is Leftover Salmon; a feat that I would have thought fairly impossible. As unique as their music, Tim weaves his story through the sensibilities of the individual players which creates a wonderful kaleidoscope resulting in the definitive biography of a band that is still constantly changing and growing into their 4th decade.”
-Steve Berlin (Los Lobos)


Book CoverDENVER, CO — Few bands stick around for thirty years. Even fewer bands leave a legacy during that time that marks them as a truly special, once-in-lifetime type band. And no band has done all that and had as much fun as Leftover Salmon. Since their earliest days as a forward thinking, progressive bluegrass band who had the guts to add drums to the mix and who was unafraid to stir in any number of highly combustible styles into their ever evolving sound, to their role as a pioneer of the modern jamband scene, to their current status as elder-statesmen of the scene who cast a huge influential shadow over every festival they play, Leftover Salmon has been a crucial link in keeping alive the traditional music of the past while at the same time pushing that sound forward with their own weirdly, unique style.

As Leftover Salmon nears their 30th year, their inspiring story is set to be told in a brand new book, Leftover Salmon: Thirty Years of Festival! that will be released February 2019 by Rowman & Littlefield. In this book, critically acclaimed author of Bluegrass in Baltimore: The Hard Drivin’ Sound & It’s Legacy, Tim Newby presents an intimate portrait of Leftover Salmon through the personal recollections of its band members, family, friends, former band-mates, managers, and the countless musicians they have influenced. Leftover Salmon: Thirty Years of Festival! is a thorough guide covering a thirty-year journey of a truly remarkable band. It is a tale of friendships and losses, musical discoveries and Wild West adventures, and the brethren they surround themselves with who fortify Salmon’s unique voice. Their story is one of tragedy and rebirth, of unimaginable highs and crushing lows, of friendships, of music, but most importantly it is the story of a special band and those that have lived through it all to create, inspire, and have everlasting fun.

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Leftover Salmon. Photo by Bob Carmichael

Heading into their fourth decade Leftover Salmon is showing no signs of slowing down as they are coming off the release of their most recent album, Something Higher (released in 2018), which has been universally hailed as one of the band’s finest releases. Something Higher shows how even upon preparing to enter their fourth decade Leftover Salmon is proving it possible to recreate themselves without changing who they are. The band now features a line-up that has been together longer than any other in Salmon history and is one of the strongest the legendary band has ever assembled. Built around the core of founding members Drew Emmitt and Vince Herman, the band is now powered by banjo-wiz Andy Thorn, and driven by the steady rhythm section of bassist Greg Garrison, drummer Alwyn Robinson, and keyboardist Erik Deutsch.

The new line-up is continuing the long, storied history of Salmon which found them first emerging from the progressive bluegrass world and coming of age as one the original jam bands, before rising to become architects of what has become known as Jamgrass and helping to create a landscape where bands schooled in the traditional rules of bluegrass can break free of those bonds through nontraditional instrumentation and an innate ability to push songs in new psychedelic directions live.

Salmon is a band who, over their thirty-year career, has never stood still; they are constantly changing, evolving, and inspiring. If someone wanted to understand what Americana music is they could do no better than to go to a Leftover Salmon show, where they effortlessly glide from a bluegrass number born on the front porch, to the down-and-dirty Cajun swamps with a stop on Bourbon Street in New Orleans, to the hallowed halls of the Ryman in Nashville, before firing one up in the mountains of Colorado.

 

Leftover Salmon On Tour:

2018

Thanksgiving Run- featuring pre/post shows and a Day of Giving at Moe’s BBQ Englewood
11/23 Fri – Gothic Theatre – Englewood, CO w/ Gasoline Lollipops
11/24 Sat – Gothic Theatre – Englewood, CO w/ Tenth Mountain Division

12/7-11 Fri-Tues – Strings & Sol – Puerto Morelos, Mexico

New Years Run
12/28 Fri – Crystal Bay Club Casino – Crystal Bay, NV
12/29 Sat – Sierra Nevada Brewing Co – Chico, CA
12/30 Sun – Terrapin Crossroads – San Rafael, CA
12/31 Mon – Terrapin Crossroads – San Rafael, CA

2019
1/15-20 Tue-Mon – Jam Cruise – Miami, FL
1/31 Thu – Soreng Theatre – Eugene, OR*
2/1 Fri – Revolution Hall – Portland, OR*
2/2 Sat – The Triple Door – Seattle, WA (2 shows)*
2/14 Thu – Wheeler Opera House – Aspen, CO*
2/15 Fri – Vilar Performing Arts Center – Beaver Creek, CO*
2/16 Sat – Washington’s – Fort Collins, CO*
2/21 Thu – The Steifel Theatre for the Performing Arts – Salina, KS*
2/22 Fri – Sheldon Concert Hall – St. Louis, MO*
2/23 Sat – North Shore Center for the Performing Arts – Skokie, IL*
2/24 Sun – Turner Hall Ballroom – Milwaukee, WI*
2/26 Tue – Woodward Theatre – Owensboro, KY*
2/27 Wed – Minglewood Hall – Memphis, TN*
2/28 Thu – City Winery – Atlanta, GA (2 shows)*
3/1 Fri – The Caverns – Pelham, TN*
3/2 Sat – Dave Finkelman Auditorium – Middletown, OH*
3/14-16 Thur-Sat – Alyeska Resort – Girdwood, AK
3/22-24 Fri-Sun – Boogie at the Broadmoor – Colorado Springs, CO
3/29-31 Fri-Sun – WinterWonderGrass – Tahoe, CA
4/13-14 Sat-Sun – Bender Jamboree – Las Vegas, NV
4/26 Fri – Stoughton Opera House – Stoughton, WI*
4/27 Sat – Stefanie H. Weill Center for the Performing Arts – Sheboygan, WI*
4/28 Sun – Sheldon Theatre – Red Wing, MN*

*Stories From the Living Room Shows:
Each of the SFTLR shows listed will feature Leftover Salmon’s acoustic Living Room set with stories and chatter about Thirty Year Of Festival from the band.
Tickets On Sale for SFTLR show: Friday, Nov. 16, 10am MST

For more information, tour dates, and other LoS news, please visit www.LeftoverSalmon.com.
Stream and purchase Something Higher at https://lnk.to/SomethingHigher.

 

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(Left to right: David McCracken, Jeb Puryear, Tara Nevins, Mark Raudabaugh, Kyle Spark). Photo by Chris Mortenson from the band’s recent appearance on Jam in The Van

Distinctive, Groove-heavy, and Danceable,
Donna The Buffalo Recording New Album with Producer Rob Fraboni

 

Spring and Summer Tour Dates Announced!

ASHEVILLE, NC — Donna the Buffalo is joining forces with legendary Producer/ Engineer Rob Fraboni to record their next album February 2018 at Sonic Ranch in El Paso, TX. It is one of the world’s largest residential recording studios and is built around an 80-year-old hacienda and pecan orchard right along the border. Fraboni is well known for his work with Bob Dylan, The Band, Eric Clapton, The Rolling Stones, Tim Hardin, The Beach Boys, Joe Cocker, and Bonnie Raitt, and as Vice President at Island Records where he oversaw the remastering of the entire Bob Marley catalog. He produced the soundtrack on Martin Scorsese‘s groundbreaking concert movie, The Last Waltz, which included an all-star cast of famous rock and roll performers. He built and designed the legendary Shangri-La studios in Malibu to the specification of Bob Dylan and the Band. Referred to as a “genius” by Keith Richards in his bestselling autobiography Life.

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Rob Fraboni, Tara Nevins, and Jeb Puryer at Sonic Ranch. Photo by Bess Greenberg

Known as one of the most dynamic and determined bands continuously touring America since 1989, Pittsburgh City Paper says, “Though it will always be hard to pinpoint the key to an act’s staying power, distinctiveness and consistency surely can’t hurt. Donna the Buffalo has carved out a niche; it has weathered trends, and even made some of its own by being unapologetically itself.Donna the Buffalo is Jeb Puryear (vocals, electric guitar) and Tara Nevins (vocals, fiddle, guitar, accordion, scrubboard) joined by David McCracken (B3 Hammond organ, Hohner Clavinet & piano), Kyle Spark (bass) and Mark Raudabaugh (drums).

Donna the Buffalo drew their original inspiration from a cherished part of the American heritage: the old-time music festivals of the south that drew entire towns and counties together. Not only was it playing music at these events, it was the vibe and the togetherness that bonded the people that attended. The Erie Times says, They craft spirit-soaring songs with distinct sensibilities: Nevins’ songs are unfailingly melodic, brisk and buoyant, powered by her reassuring, wisdom-soaked vocals and ever-present fiddle and accordion. Puryear’s songs accentuate the groove, his exceptional guitar work and sly, Dylan-like way with lyrics.”

Donna the Buffalo’s fanbase, The Herd, will be excited to hear the news of the upcoming album since their most recent album, Tonight, Tomorrow and Yesterday, came out nearly five years ago in the spring of 2013. All Music Guide says of it, “This is what 21st century Americana sounds like, a little bit of this and that from anywhere wrapped up into a poignant, jamming dance reel, a place where the past and history meet easily in the immediate now and everybody feels like dancing.”

Donna the Buffalo has released ten albums and are affiliated with several others including  two solo albums from Nevins including 2011’s Wood and Stone (produced by Larry Campbell in Levon Helm Studios) and Mule to Ride in 1999,  Puryear’s 2007 solo album Hopes and Dreams, and a 2003 release, Wait Til Spring, with Jim Lauderdale. The band’s 2008 release, Silverlined, as well as the 2013 release, Tonight, Tomorrow and Yesterday, (both on Sugar Hill Records) did well on the Americana Music Chart, each placing well into the top ten.

Donna the Buffalo knows a thing or two about rhythm, says New Haven Register. “Cajun, zydeco and old-time rhythms. A bit of reggae rhythm. Various guitar and fiddle rhythms. The rhythm of traveling by bus year after year for more than a quarter-century now, criss-crossing America… over and over again.”

The band’s tour kicks back up in New York City at at the City Winery in mid-March before a show at Ransom Steele Tavern near their hometown in the Finger Lakes region of New York state. They’ll be sunny Florida for the Suwannee Spring Reunion in March and the Peace River Revival in early April. They’ve got a plethora of shows lined up including two festivals which they started and are still the driving force behind: Spring Shakori Hills GrassRoots Festival in Pittsboro in North Carolina in May and The Finger Lakes Grassroots Festival in Trumansburg, New York in July, as well as other great festivals like MerleFest, Old Settlers Music Festival, Edinboro Music & Arts Fest, Buttermilk Jamboree, Blue Heron Music Festival, and more!

Donna the Buffalo on Tour
3/16 Fri – City Winery – New York, NY
3/17 Sat – Ransom Steele Tavern – Apalachin, NY
3/24-25 Sat-Sun – Suwannee Spring Reunion – Live Oak, FL
4/6 Fri – Terra Fermata – Stuart, FL
4/7 Sat – Peace River Revival – Punta Gorda, FL
4/14 Sat – Loaded Up and Truckin @ Oskar Blues Brewery – Hendersonville, NC
4/19-20 Thu-Fri – Old Settlers Music Festival – Driftwood, TX
4/21 Sat – Blue Moon Saloon and Guest House – Lafayette, LA
4/26-29 Thu-Sun – MerleFest – Wilkesboro, NC
5/3-6 Thu-Sun – Spring Shakori Hills GrassRoots Festival – Pittsboro, NC
5/11 Fri – The Dock – Ithaca, NY
5/12 Sat – Narrows Center for the Arts – Fall River, MA
5/13 Sun – Infinity Hall – Norfolk, CT
5/17 Thu – Edinboro Music & Arts Fest – Edinboro, PA
5/18 Fri – The Ardmore Music Hall – Ardmore, PA
5/19 Sat – The State Theatre – Falls Church, VA
5/20 Sun – Edinboro Music & Arts Fest – Edinboro, PA
6/16 Sat – Buttermilk Jamboree – Delton, MI
7/6-8 Fri-Sun – Blue Heron Music Festival – Sherman, NY
7/19-22 Thu-Sun – Finger Lakes GrassRoots Festival – Trumansburg, NY
8/16 Thu – Daryl’s House Club – Pawling, NY
8/17 Fri – Green Mountain Bluegrass & Roots Festival – Manchester, VT
8/18 Sat – Hickory Festival – Wellsboro, PA
8/24 Fri – Evanston SPACE – Evanston, IL
8/25 Sat – Porcupine Mountains Music Festival – Ontonagon, MI
9/15 Sat – Harwich Cranberry Jam – Harwich, MA

 

“Swing That Thing” Live on Jam in The Van –> 

For more information and tour dates, please visit www.donnathebuffalo.com
www.facebook.com/donnathebuffalo and www.twitter.com/donnathebuffalo

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Photo from Love Canon Signing: Left to Right: Darrell Muller, Jay Starling, Andy Thacker, and Adam Larrabee of Love Canon; Josh Trivett of Moonstruck Management; Ty Gilpin of Organic Records; Jesse Harper of Love Canon.

Love Canon Signs with Moonstruck Management
Releasing New Album On Organic Records

Sprouting from the musical foothills of the Blue Ridge Mountains, Charlottesville, Virginia’s LOVE CANON is excited to announce they have signed on with Moonstruck Management and Organic Records and are set to release their 4th album, Cover Story, in Spring 2018. For Cover Story, LOVE CANON has decided to take many of the suggestions that they get at their high energy live shows and will feature ten new-to-them 80’s hits and a plethora of special guests. Cover Story  is a follow up to their previous efforts, Greatest Hits Volumes 1-3.

The musicians, led by guitarist Jesse Harper, are seasoned virtuoso string players of which Style Weekly says, “LOVE CANON doesn’t cover the music of the ’80s as much as kidnap it and take it on a bluegrass-tinged joyride. It’s a general rule of American culture that it takes 20-40 years for a decade to shed its stale stench and get its groove back… LOVE CANON refreshes and extends the originals with affectionate humor and effortless virtuosity. The players… add layers of depth to the still-appealing pop hooks.

LOVE CANON has been touring the mid-Atlantic since 2010 bringing their own raucous blend of bluegrass to the masses. The band’s diehard fans are music lovers first and foremost, drawn to the beautiful high-lonesome stylings of Harper’s guitar and vocals paired with banjo master Adam Larrabee, mandolin pickin’ by Andy Thacker with Darrell Muller holding down the low-end on standup bass. The band is augmented with the sweet sounds of resonator guitar king Jay Starling on the Beard MA-6.

“I first became a fan of LOVE CANON back in 2015 when I saw them at a show in Bristol, Tenn. The following year, I was able to work with them as the talent buyer for the Huck Finn Jubilee in California. The guys have always blown me away with their musicianship, unique approach and execution of their live show! We couldn’t be more excited to finally have the opportunity to add LOVE CANON to the Moonstruck Management Roster,” says Josh Trivett of Moonstruck Management.

“We are super excited to be working with Josh and his team at Moonstruck. They have proven to be a guiding light and loyal champions of some of our musical heros Lonesome River Band, Ralph Stanley, Russell Moore, Dan Tyminski & The Soggy Bottom Boys and more,” says Harper. “The band is really looking forward to starting this new chapter in our ongoing adventure with Moonstruck at the helm! And with their help we are happy to have found a home at Organic Records and are looking forward to releasing new material with a company that has consistently put out high quality  acoustic music. It is a rare and beautiful thing to find kindred spirits who care about the music as much as we do.”

“We are so glad to welcome the refined talent of LOVE CANON to Organic Records. They have done something I’ve not heard many artists do. They blend musical styles in a way embody the best of all worlds. If you are a music fan that has only dabbled in acoustic music, LOVE CANON is your gateway drug!” says Ty Gilpin of Organic Records.

LOVE CANON and its individual members have shared the stage and studio with many notable acts over the years. Harper and Muller were members of acoustic supergroup Old School Freight Train and they performed shows with David Grisman (who also produced one of their albums), Ricky Skaggs, and Merle Haggard. As a band, LOVE CANON was the backing band for Keb Mo and Jason Mraz at SPARC performance LIVE ART event in Richmond and they also performed as the house band at the Warren Haynes Christmas Jam a couple of years in a row with sits in from Bruce Hornsby and Warren Haynes among others. They’ve toured with Josh Ritter, Keller Williams, and The Infamous Stringdusters and have played festivals around the country including LOCKN’, Jam Cruise, FloydFest, Bourbon and Beyond (as part of Bluegrass Situation Stage), and Gathering of the Vibes as well as having performed live on the BBC (British Broadcasting Corporation) and RTE radio (Raidió Teilifís Éirean – Irish Public-service Broadcasting). Individual members have made their rounds on the music scene and have performed with KD Lang, Emmylou Harris, Sara Bareilles, John C. Reilly, Madeleine Peyroux, Colbie Caillat, among others.

Moonstruck Management is a successful music artist management company representing some of the top acts in acoustic music such as Soggy Bottom Boys, Lonesome River Band, Russell Moore & IIIrd Tyme Out, The Cleverlys, and more. They are also the talent buyer for the Huck Finn Jubilee in CA, Uncle Dave Macon Days in Murfreesboro, TN, Rockingham County Fair in Harrisonburg, VA, Washington County Fair in Abingdon, VA, Ole Smoky Distillery in Gatlinburg, TN, and more. For more information on Moonstruck Management, please visit moonstruckmanagement.com.

Organic Records® is an eclectic home for a variety of artists that are singularly unique and defy categorization. In a time when music is becoming less defined by genre, Organic artists are developing their own musical identity outside the confines of traditional classifications. Organic Records is an independent label based in Arden, NC, near Asheville and they currently represent Front Country, Amanda Anne Platt & The Honeycutters, Aaron Burdett, and Michael Gamble and the Rhythm Serenaders. Organic promotes, distributes, and markets music created by original artists who defy genre categorization. Organic Records is a division of Crossroads Entertainment and Marketing, Inc. who represent Doyle Lawson & Quicksilver, Balsam Range, Adam Steffey, Flatt Lonesome, The Boxcars, The Grascals, and more. Their team, with decades of music marketing, licensing, distribution and promotional experience, brings artists to the world marketplace. Find out more about Organic Records at www.organic-records.com

LOVE CANON ON TOUR:
2/2 Fri – The Tin Pan – Richmond, VA
2/23 Fri – Garth Newel Music Center – Hot Springs, VA
3/17 Sat – Historic Masonic Theater – Clifton Forge, VA    
3/24 Sat – Fork In The Alley Street Festival – Roanoke, VA    
4/7 Sat – The Peace River Revival – Punta Gorda, FL   
5/25 Fri – Station Inn – Nashville, TN
5/26 Sat – Chantilly Farm Bluegrass and BBQ Festival – Floyd, VA
6/9 Sat – Ole Smoky Moonshine Distillery – Gatlinburg, TN
6/30 Sat – ROMP – Owensboro, KY

More information about LOVE CANON can be found at www.lovecanonmusic.com, www.facebook.com/lovecanonmusic, www.twitter.com/lovecanon80s, and www.instagram.com/thelovecanon.

 

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