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MECO_ALBUM_COVERART
Amy McCarley To Release
MECO, Her 3rd Album, February 8, 2019
Co-produced by Kenny Vaughan & George Bradfute

Kenny Vaughan & Chris Scruggs Join McCarley on the Entire Album
Featuring special guests:
Pat Alger, Marty Stuart, Kenny Lovelace, Harry Stinson, and George Bradfute

The sound quality on ‘High Wire,’ like the rest of the album, is clear, spacious and uncluttered… McCarley’s voice rings out like a sultry blues nightclub singer, as the music spins a country waltz on the high wire.
Americana Highways premiered the first single, “High Wire

“High Wire” Available Now → http://radi.al/AmyMcCarleyHighWire

HUNTSVILLE, AL —  With poignant and thought provoking lyrics, Amy McCarley finds balance in a new perspective with MECO, her 3rd studio album due out February 8, 2019. After collaborating in writing new songs with Bluebird Cafe round-mate and Nashville Songwriters Hall of Famer, Pat Alger, McCarley returned to the studio with esteemed colleagues, co-producers Kenny Vaughan & George Bradfute to work on MECO, her highly anticipated follow up to 2014’s Jet Engines. MECO was recorded and mixed by Bradfute in his Tone Chaparral Studios in Madison, Tennessee and mastered by Jim DeMain at Yes Master Studios in Nashville.

A rhythm section all in himself, multi-instrumentalist Chris Scruggs lent his talents not only on drums, percussion, and bass, but also steel guitar. Alongside special guests Marty Stuart, Pat Alger, Kenny Lovelace, and Harry Stinson — the future is bright for fans of Amy McCarley.

Uniquely relatable, this northern Alabama native’s music is embraced by Americana fans across the country and abroad. Vaughan says, “I think all of her songs come from a personal experience. Each song is about something she’s gone through, which is good because it gives her a little edge on the delivery. The emotional content kinda comes through in there.”

MECO, an acronym borrowed from the Space Shuttle program that stands for Main Engine Cut Off, occurred for the shuttle when onboard propulsion systems were disengaged at an altitude where velocity could be maintained by the power of an innate force at work in the universe with periodic adjustments from the vehicle. The album traces McCarley’s experience of what it’s been like leaving life as a NASA contractor to pursue a career in music.

McCarley explains the inspiration behind the album, “Similar to shuttle missions, the trajectory of my path has been defined by how well I have been able to develop personal strength as an artist to the point where the possibility of connecting with the enormous collaborative power of other worldly talent exists. It has taken everything I have plus the guiding unseen hands of time and chance together with support from some incredibly talented generous souls in order for this album to be made and on its way to listeners.”

She says in an interview with Wide Open Country, “It’s taught me to be grateful for every opportunity and all the talented people I’ve had the good fortune to work with on this project. It’s taught me to do my best and then let go of the need for the outcome to be a certain way. Of course, that doesn’t mean I don’t forget and need to relearn all this over and over. I’ve certainly not graduated from the school of life!”

Her sultry voice was lauded by No Depression as “a nuanced instrument” and her drive and determination to continue charging forward is readily apparent on MECO with a blazing backing band to accent in instrumentation what her emotion filled vocals bring forth in each song.

This is McCarley’s second album working with Vaughan (Marty Stuart & His Fabulous Superlatives, The Pretenders, Lana Del Rey, et al) and Bradfute (Webb Wilder, Planet Rockers, et al) at the helm since she left the NASA contracting world in 2013. Both also accompany her in performance on MECO, with Vaughan taking the lead on electric and playing acoustic guitar on the entire album and Bradfute performing on slide guitar, fiddle, mandolin, and other strings.

McCarley says, “What Kenny brings to this whole project as producer and lead guitarist cannot be overstated. Together with a stellar assembled cast —including mighty partner in crime, co-producer / engineer / studio owner, George Bradfute— his influence and signature sound took this album to a place I never would have known to go on my own that I feel so fortunate to be able to share with the world.”

The ten tracks of all original material feature McCarley’s yearning vocals, acoustic guitar, and harmonica. Alger, who co-wrote half of the songs on MECO says of McCarley, “Super, super intense guitar style. And I was so fascinated by it. Everything she did was real. Super intense. She’s just a different kind of performer.”

Throughout the album there are songs of determination and revelation (“A Clue”), perseverance after despair (“Clarksdale Blues”), and cathartic release in a new perspective (“Everything Changed,” “Happy,” “Farewell Paradise”). There are melodies of joyful triumph (“High Wire”), gratitude (”Days”), and a song about finding meaning amidst uncertainty (“Never Can Tell”). Some are plaintive in nature (“How You Do,”)  while others are breezy lighthearted observations on universal topics (“Ain’t Life Funny”).

Based in Huntsville, Alabama, McCarley toured over 200 dates in support of her second album, Jet Engines, and is expecting to tour throughout 2019 with MECO. McCarley has made many festival appearances including Maverick Festival, Kerrville Folk Festival, Kate Wolf Music Festival, W.C. Handy Music Festival, 30A Songwriters Festival, EarleFest, Rocket City Summer Fest and Panoply Arts Festival, as well as unofficial showcases at Folk Alliance International, SXSW, and AmericanaFest. She has performed as an opening act and toured with a variety of performers including Marty Stuart & His Fabulous Superlatives, Ronnie Milsap, John Hiatt, Kenny Vaughan Trio, Pat Alger, Doyle Bramhall II, Kim Richey, Webb Wilder, Kevin Gordon, Claire Lynch, Lilly Hiatt, Delta Rae, Edwin McCain, and The Grahams.

MECO Track Listing & Credits:
1. A Clue (4:41)*
2. Clarksdale Blues (4:18)*
3. Everything Changed (5:28)
4. High Wire (4:20)
5. Days (3:13)*
6. Never Can Tell (2:39)
7. How You Do (4:32)
8. Happy (4:12)*
9. Ain’t Life Funny (3:04)*
10. Farewell Paradise (3:57)

Amy McCarley — vocals, acoustic guitar (all), harmonica (7)
Kenny Vaughan — electric guitar, acoustic guitar (all)
Chris Scruggs — drums, percussion, and bass (all), steel guitar (5,10), backing vocals (10)
George Bradfute — slide guitar (2), fiddle (6), viola and cello (7), fiddle and mandolin (8)
Pat Alger — acoustic guitar (5)
Marty Stuart — mandolin (6)
Kenny Lovelace — fiddle (9)
Harry Stinson — backing vocals (10)

Producers — Kenny Vaughan & George Bradfute
Audio & mix engineer — George Bradfute (Tone Chaparral)
Mastering engineer — Jim DeMain (Yes Master Studios)

*Indicates a song written by Amy McCarley & Pat Alger

© 2019 McCarley Publishing (BMI) & Algerhythms (ASCAP)
All other songs written by Amy McCarley © 2019 McCarley Publishing

For more information, please visit  www.amymccarley.com, www.facebook.com/amymccarleymusic, www.twitter.com/amymccarley,  www.instagram.com/amymccarleymusic.

 

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TaylorMartin_SongDogs_CoverArt_2018

Taylor Martin Releases Song Dogs on November 16 on Little King Records
Produced by Amanda Anne Platt at Sound Temple Studios in Asheville, NC
Featuring Members of Amanda Anne Platt & The Honeycutters, Mountain Heart, and more


First Single: “Little Pictures” Available Now →  https://taylormartin.hearnow.com/little-pictures

More about Taylor Martin at https://about.me/songdogs

ASHEVILLE, NC — Taylor Martin brings you music with a beating heart; his raspy, emotion filled voice is instantly recognizable and his lyrics have an unflinching sincerity. Martin releases his third album, Song Dogs November 16, 2018 on Little King Records. On it, he spins tales of the highway, homes, lost love, love regained, redemption, and the overuse of cell phones. The Honeycutters’ Amanda Anne Platt took the lead as Music Producer (along with adding harmony vocals on a handful of songs) with the help of Co-Producer and Engineer, Robert George, and Martin’s visions for the album. The album was recorded at Sound Temple Studios in Asheville, North Carolina.

“Taylor Martin is a killer songwriter,” declares Platt. “He’s got a great sense of melody and an ability to write classic, accessible songs about things we all take for granted. It’s also to his credit that he hits all sides of the spectrum– there are toe tappers and tear jerkers on this album and everything in between. I’m a big fan of the saying, ‘Great songs produce themselves,’ I certainly found that to be true in working with Taylor.”

The album’s bluesy opener “Little Pictures” tips the brim to people like Professor Longhair while having a contemporary social commentary. The song is what Martin calls his, “observation of people being lost to reality and the death of empathy and the human experience. People being on cell phones too much are missing out on the beauty of the world.” It also invites the listener to put down their electronics and sink further into the experience of the album. Americana Highways premieres the official music video for “Little Pictures and write, “The song rings instantly familiar and simplifies a complex message in clear lyrical fashion, over catchy, punchy, piano-prominent rhythms.”

A resident of Asheville, North Carolina since 2004, Martin has been creating music since 1994. He blends musical styles: the approach to music he grew up with in Richmond, Virginia; the western spirit he experienced living five years in Paradise, Utah; and the sounds of southern rock, country, and rhythm n’ blues.

The album features some of the finest, most innovative musicians in acoustic music today including, not only The Honeycutters’ Amanda Anne Platt, but also their guitarist and pedal steel player, Matthew Smith. Mountain Heart’s Aaron Ramsey (mandolin, acoustic guitar) and Josh Shilling (Piano, B3, Wurlitzer) perform on much of the album along with Jon Stickley Trio’s Lyndsay Pruett on fiddle. Drummer Richie Jones [Ralph Roddenbery, Donna Hopkins Band] and bassist Matt Dufon perform on all eleven tracks. Asheville guitar legend, Aaron “Woody” Wood, takes the lead on acoustic and electric guitars on a handful of tracks, GRAMMY winner Debrissa McKinney (Secret Agent 23 Skidoo, Empire Strikes Brass) lends harmony vocals on a song and Phil Alley adds some texture with his Telecaster on a track.

“I was supported by mostly local musicians for Song Dogs, says Martin. “Josh came in from Nashville and Richie came from Atlanta, but other than that it’s all friends from Asheville. There’s a lot of love on this record. Having close friends record with you really helps the album go deeper.”

“Working on Taylor’s albums has always been an awesome process,” says Josh Shilling.  “His distinct melodies, chord progressions, and organic recording approach create a unique and extremely vibey song and sound. His ability to pull the perfect band together makes the recording sessions feel amazing, and I love that he’s seeking emotional, human performances more than perfect performances. There’s some grit and soul on this record that feels like it came from another time and place… perhaps an Allman Brothers or Leon Russell time and place.”

“I’ve always tried to write from the heart and to do that there just has to be a story underneath,” says Martin. From the catchy “Here Comes The Flood” to the mellow and rolling “Eden Colorado” (with Wood’s expansive guitar solo and the delicate interplay of Smith’s pedal steel) to the dreamlike “Second Sight (with it’s lucid surf tones and Pruett’s orchestral string arrangement) to the more pop-oriented “Hollywood” (featuring McKinney on harmony vocals), the album will have you hooked.

Our Memories” is a lonesome duet that reflects on remaining in a home after the love has moved out and the remnants are left behind; Martin and Platt’s vocals intermingle with the sultry fiddle and pedal steel melodies of Pruett and Smith. Another duet with Platt, “Milk and Honey” features Aaron Ramsey on mandolin and is a love song that written over the course of many years to express that even in this numbing technological age people can still be in love in the land of milk and honey.

There are three covers on the album including Bob Dylan’s nostalgic “Sign on the Window [New Morning], an upbeat and slightly cajun version of Neil Young’s poignant “Music Arcade[Broken Arrow], and Merle Haggard’s song of tragic loss, “Kern River.”

The album’s title track, “Song Dogs,” lands as the final track and features Shilling on piano paired with Smith’s pedal steel. Martin says, “I spend a ridiculous amount of time in the woods alone. Usually right before dark the coyotes will begin to howl to find each other for the nights hunt. One such evening I wrote these lyrics about the loneliness of the modern age and how difficult it is to ‘stay’ when your heart is restless. And the remorse after you’ve gone too far… I sure do identify with those animals at dusk.”

“Taylor Martin is a singer-songwriter who will remind you of everything good from Tom Waits to the Everly Brothers or the Avett Brothers with some surf rock thrown in. Well-sung, well-played, well-written and relevant…” writes Asheville Citizen Times.

Asheville’s veteran songwriter is just below the forty mark with a bright future as a songwriter and performer ahead of him. Although as jaded and bitter as some road worned heroes, Martin finds refuge in a good sense of humor. “I would have been a terrible dentist,” he laughs. “I’m here, music is why, this is Earth, let’s make more music.”

Taylor Martin – Song Dogs Track Listing

  1. Little Pictures   3:34
  2. Here Comes the Flood    2:59
  3. Eden Colorado   3:17
  4. Music Arcade [Neil Young] copyright Silver Fiddle Music   4:25
  5. Second Sight   3:41
  6. Hollywood   3:41
  7. Our Memories   3:49
  8. Kern River [Merle Haggard] copyright Mt. Shasta Music   4:00
  9. Milk and Honey   3:22
  10. Sign on the Window [Bob Dylan] copyright Big Sky Music   3:39
  11. Song Dogs   4:49

    MUSICIAN CREDITS
    Taylor Martin – Lead Vocals, Acoustic Guitar (all)
    Richie Jones – Drums, Aux Percussion (all)
    Matthew Dufon – Bass (all) Harmony Vocals (2,10)
    Aaron Woody Wood – Acoustic Guitar (3,8), Electric Guitar (5, 6,10)
    Matthew Smith – Electric Guitar (1, 2), Pedal Steel (3,7,8,11)
    Aaron Ramsey – Acoustic Guitar (2,4,7,9,10), Mandolin (9)
    Josh Shilling – Piano (1,2, 6,7, 8,10,11), B3 (1,2,5,6,7,10), Wurlitzer (5)
    Phil Alley – Telecaster (7)
    Lyndsay Pruett – fiddle (4,5,7,8)
    Amanda Anne Platt – harmony  vocals (2,4,7,9,10)
    Debrissa McKinney – harmony vocals (6)

    Recorded @ Sound Temple Studios in Asheville, NC
    Recorded & Mixed by Robert George
    Produced by Amanda Anne Platt
    Co-Produced by Robert George & Taylor Martin

    For more information and tour dates, please visit www.TaylorMartin.org and www.facebook.com/taylormartin.org and www.twitter.com/song_dogs.

 

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Carolina Chimes:
Rudi Ekstein’s All Original Bluegrass Instrumental Showcase

Ekstein Collaborates with All-star Musicians Stuart Duncan, Jeff Autry, Mark Schatz & More

OUT TODAY: October 5, 2018 on Foxfire Recording

Available Now On All Outlets→ http://smarturl.it/2pryj6   

Asheville, NC – Rudi Ekstein has been in the music business for many years as a performer, producer, and studio owner. Now, on his album Carolina Chimes: Rudi Ekstein’s All Original Bluegrass Instrumental Showcase, released October 5, on Foxfire Recording, Ekstein showcases his mandolin prowess on 12 original instrumental tunes featuring an all-star cast of world-class talent. Some of the artists brought into the studio for this project include multi-GRAMMY Award Winner Stuart Duncan on fiddle and renowned guitarist Jeff Autry for the entire album, two time IBMA Bass Player of the Year Mark Schatz performs on all but one tune, long-time collaborator John Plotnik plays banjo on the majority of the album and steps in on Dobro on four tracks while GRAMMY nominated multi instrumentalist, Patrick Sauber takes the lead on banjo. Bluegrass Today premiered the first single off the album, “Spikebuck.”

With Carolina Chimes as Ekstein has put together an upbeat collection of bluegrass barn burners performed with great pickers who help to bring these unique cuts to life. Unselfish and smart, Ekstein lets his collaborators do what they do best here. The result is a fast-paced recording that will remind you of the power of bluegrass music.

rudi_ekstein suit-473_fxd_CreditSandlinGaither.jpg

Rudi Ekstein. Photo by Sandlin Gaither.

“The most obvious parts of everyone’s life have been depicted in a bluegrass song,” says Ekstein. “The bluegrass tunes I’ve written for my records over the past 30 or so years are mostly named after people, events, or something important that happened in my life. That’s just part of my love for bluegrass.”

As the son of an Austrian immigrant to America his surname, Ekstein, translates, literally, to “Cornerstone,” which is the aptly titled opening track to the album, symbolizing his heritage and love of the genre. Another song on Carolina Chimes that reflects that philosophy is “Jessy’s Fancy,” named for Ekstein’s daughter.

Many of the tunes on Carolina Chimes reflect Ekstein’s travels in this world, from his early years living in California and exploring the American West, to settling down in the western North Carolina mountain town of Asheville.

“Hoot Owl Hop” was written from his days of living in California when the warm summer nights brought hoot owls to the eucalyptus trees every year. The perfect title for a wild ride of a tune, ‘Spikebuck,’ refers to the name of some rapids on the Arkansas River in Colorado where his family, barely hanging on, took a fast-moving whitewater rafting trip one year. “Back Drag” was named after an insane stunt Ekstein once attempted for the first and last time as a trick rider on a galloping horse in his youth.

About a decade ago, Ekstein relocated to Asheville, where he continues to run the Foxfire Recording Studio (started in 1990), so he could play more bluegrass with western North Carolina roots musician, Billy Constable, for whom this album is dedicated. Constable, who passed away in 2015 of cancer, was best known for his three-finger-picking banjo technique and his vigorous acoustic guitar leads.

A couple of songs on this project were written in Constable’s memory including, “‘Bacon in the Pan,’ Rudi’s version of an old-time fiddle tune done in the bluegrass style as, Rudi recalls, “Billy often spoke endlessly on the phone about the fine points of cooking a good breakfast, and ‘All Night in Kentucky’ is a tune I wrote after jamming all night long at the IBMA convention in Louisville, KY, with Billy. Inspired by that experience, I just couldn’t stop pickin’ on that early morning and I spontaneously ended up playing this tune.”

Rock ‘n’ roll music and bluegrass music from the Appalachian Mountains have had a big influence in Ekstein’s musical life. Within weeks of arriving in the area, Constable introduced Ekstein to many players in the WNC pickin’ scene. Both were in the band Blue Wheel Drive, along with bassist Rob Parks, and all three went on to perform for two years with The Bobby Hicks Band. Parks makes an appearance on Carolina Chimes playing “Rockalachia,” a tune BWD performed live that is reminiscent of the boogie-woogie style of bluegrass played on the mandolin in the 1940’s by the Father of Bluegrass, Bill Monroe. Another bluegrass buddy from those days, Seth Rhinehart, also steps in on banjo on that ditty as well as “Dixie Sunset,” of which Ekstein says, “I wanted to see how close I could write a ¾-time tune within the style of bluegrass, but still make it unique in its own way. Playing music on the deck of my North Carolina mountain home while overlooking the woods and watching the sunset inspired me to write this twisty waltz.”

Other cuts on Carolina Chimes reflect Ekstein’s many musical influences. “I always thought ‘Indian Rain’ would be a good song for an old fashioned western movie. Too bad it was 60 years too late. Turned out to be a better bluegrass fiddle tune, especially with Stuart Duncan at the Helm. In the late 1980’s, I recorded my song ‘Flapjack’ while playing Dobro for a band project,” says Ekstein. “I originally wrote it on the Dobro as a tune for the mandolin. I finally made it a reality here on this album. And, that brings me to the album’s title cut, ‘Carolina Chimes.’ I’ve always loved the classic banjo tunes that featured the sound of arpeggio chimes created by banjo and mandolin duets. It reminds me of bells ringing at an old Carolina country church house.”

Kind Words about Carolina Chimes:

“The bulk of [the songs] are flat-out, hold-on-to-your-hat wild rides that he takes you on… The entire album brings back many great memories to me of John Hartford’s many musical excursions through the years, jam sessions with Mike Marshall down in Florida back in the ’70’s and all sorts of good stuff... I would suggest the best way to listen to this CD is on a nice drive through the country or anywhere.”Elmore, Ken Spooner

“Here is good, pure music… ‘Carolina Chimes,’ the disc’s title track, is one that completely delights me, certainly another of the disc’s highlights. There is something incredibly catchy and even pretty about it. It’s happiness in the form of music.” Michael’s Music Log, Michael Doherty

“Rudi Ekstein has written a great collection of new bluegrass instrumentals and as writer, producer, engineer and musician, recorded this album and maintained a very high degree of quality at every step of the production process! The mix is wonderful and Rudi’s cast of musicians is stellar!” —Gene Libbea (Nashville Bluegrass Band)

“Rudi’s original tunes are sure to become classics. The musicians on this project are fantastic – every tune is a gem.” –Dennis Caplinger

“Rudi has put together a nice mixture of tunes that take us from up tempo fiddle numbers to sad mountain laments with a gypsy jazz feel thrown in for good measure. I am honored to be included in this stellar lineup of world class acoustic players from around the country. This project is superbly crafted using the finest instruments, played through the finest microphones by virtuoso musicians. Great job Rudi! —Jeff Autry

“I have known Rudi for a long time. Having lived in California for several years we used to cross paths alot. Rudi, like me, as we have grown older, seems to have a calling to write tunes. Bill Monroe did the same thing. The 12 tunes that Rudi has put together are winners. These musicians that Rudi picked to play on his project are top notch. Surrounding yourself with good musicians is the key, and Rudi, you found the right key.”  —Byron Berline

Carolina Chimes Track Listing
1. Cornerstone   (2:41)
2. Indian Rain   (3:21)
3. All Night in Kentucky  (2:48)
4. Hoot Owl Hop   (2:52)
5. Jessy’s Fancy   (3:54)
6. Spikebuck   (2:04)
7. Flapjack   (3:31)
8. Bacon in the Pan   (2:28)
9. Rockalachia   (2:35)
10. Carolina Chimes   (2:26)
11. Dixie Sunset   (2:39 )
12. Back Drag   (1:50)

 

The Musicians on Carolina Chimes include:
Stuart Duncan – Fiddle (all tracks)
Jeff Autry – Guitar (all tracks)
Mark Schatz – Upright Bass (all tracks except 9)
Rob Parks – Upright Bass (9)
John Plotnik – Banjo (1,2,3,7,10,12), Dobro (4,5,6,8)
Patrick Sauber – Banjo (4,5,6,8)
Seth Rhinehart – Banjo (9,11)
Rudi Ekstein – Mandolin (all tracks)

All tunes written by Rudi Ekstein, BMI, Carolina Chimes Music, P & C 2018
Produced by Rudi Ekstein.  Recorded and Mixed by Rudi Ekstein

Rudi has owned and operated his own commercial recording studio business Foxfire Recording since 1990, and since then has played for, or produced and/or engineered numerous albums for CMH, Rounder, Sugar Hill Records, as well as artists like Tony Rice, Larry Rice, Chris Hillman, Josh Graves, David Grisman, Richard Greene, Bill Keith, David Grier, Herb Pedersen, Bill Bryson, and other notables. His array of recording and live performance credits include many internationally known bluegrass musicians like fiddle players Byron Berline and Gabe Witcher; banjo hotshots John Hickman, Dennis Caplinger, and Craig Smith; gifted Dobro player, Rob Ickes, The Nashville Bluegrass Band’s GRAMMY award winning bass player, Gene Libbea; an original Bluegrass Cardinal bass player Bill Bryson; as well as three members of the Country Boys (later the Kentucky Colonels), bass man Eric White, banjo player, Billy Ray Lathum, and Dobro player, Leroy Mack among many others.

For more information, please visit the album website: www.carolinachimes.com and www.facebook.com/rudieksteinbluegrass.

 

 

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coverimage
Carolina Chimes: Rudi Ekstein’s All Original Bluegrass Instrumental Showcase

Ekstein Collaborates with All-star Musicians Stuart Duncan, Jeff Autry, Mark Schatz & more

Released October 5, 2018 on Foxfire Recording

New single “Spikebuck”out now to stream and purchase → https://rudiekstein.hearnow.com
The album is also available to pre-order → http://smarturl.it/2pryj6   

Asheville, NC – Rudi Ekstein has been in the music business for many years as a performer, producer, and studio owner. Now, on his album Carolina Chimes: Rudi Ekstein’s All Original Bluegrass Instrumental Showcase, to be independently released October 5, Ekstein showcases his mandolin prowess on 12 original instrumental tunes featuring an all-star cast of world-class talent. Some of the artists brought into the studio for this project include multi-GRAMMY Award Winner Stuart Duncan on fiddle and renowned guitarist Jeff Autry for the entire album, two time IBMA Bass Player of the Year Mark Schatz performs on all but one tune, long-time collaborator John Plotnik plays banjo on the majority of the album and steps in on Dobro on four tracks while GRAMMY nominated multi instrumentalist, Patrick Sauber takes the lead on banjo. Bluegrass Today premiered the first single off the album, “Spikebuck.”

Throughout bluegrass music’s 70-plus year history, albums of all-instrumental tunes have been recorded and released, showcasing the amazing level of artistry found in the genre. While singers tend to write songs that require lyrics brought to life by vocalists, instrumentalists of all stripes are prone to write tunes and melodies that let them cut loose and have some fun.

That is the case with Carolina Chimes as Ekstein has put together an upbeat collection of bluegrass barn burners performed with great pickers who help to bring these unique cuts to life. Unselfish and smart, Ekstein lets his collaborators do what they do best here. The result is a fast-paced recording that will remind you of the power of bluegrass music.

rudi_ekstein 1-176_fxd_CreditSandlinGaither.jpg

Rudi Ekstein. Photo by Sandlin Gaither.

“The most obvious parts of everyone’s life have been depicted in a bluegrass song,” says Ekstein. “The bluegrass tunes I’ve written for my records over the past 30 or so years are mostly named after people, events, or something important that happened in my life. That’s just part of my love for bluegrass.”

As the son of an Austrian immigrant to America his surname, Ekstein, translates, literally, to “Cornerstone,” which is the aptly titled opening track to the album, symbolizing his heritage and love of the genre. Another song on Carolina Chimes that reflects that philosophy is “Jessy’s Fancy,” named for Ekstein’s daughter who finally noticed his mandolin playing in a different way. “My daughter Jessy heard me working out this tune in my backyard one day,” says Ekstein. “She said, ‘What’s that Dad? It’s beautiful.’ It was the first time I ever got my daughter’s attention while playing the mandolin, so this one is dedicated to her. She still loves to hear it.”

Many of the tunes on Carolina Chimes reflect Ekstein’s travels in this world, from his early years living in California and exploring the American West, to settling down in the western North Carolina mountain town of Asheville.

“Hoot Owl Hop” was written from his days of living in California when the warm summer nights brought hoot owls to the eucalyptus trees every year, which he often heard and occasionally saw. The perfect title for a wild ride of a tune, ‘Spikebuck,’ refers to the name of some rapids on the Arkansas River in Colorado where his family, barely hanging on, took a fast-moving whitewater rafting trip one year. “Back Drag” was named after an insane stunt Ekstein once attempted for the first and last time. He says,”I was an accomplished trick rider in my youth and I tried a crazy stunt with my ankles strapped to the back of the saddle while dangling behind a galloping horse. I was nervous at first as I coaxed my horse to a full gallop. I threw myself back, with rocks flying, the wind in my ears and my head and hands now dragging within reach of the ground. After rounding the corner of the arena at full speed, my horse abruptly stopped, throwing me off to fall flat on my face in the mud.”

About a decade ago, Ekstein relocated to Asheville, where he continues to run the Foxfire Recording Studio (started in 1990), so he could play more bluegrass with western North Carolina roots musician, Billy Constable, for whom this album is dedicated. Constable, who passed away in 2015 of cancer, was best known for his three-finger-picking banjo technique and his vigorous acoustic guitar leads. A couple of songs on this project were written in his memory.

‘Bacon in the Pan’ is my version of an old-time fiddle tune done in the bluegrass style,” says Ekstein. “It is named after my beloved friend of a lifetime and band mate Billy Constable. He often spoke endlessly on the phone about the fine points of cooking a good breakfast. ‘All Night in Kentucky’ is a tune I wrote after jamming all night long at the IBMA convention in Louisville, KY, with Billy, who was an instrumental wizard. Inspired by that experience, I just couldn’t stop pickin’ on that early morning and I spontaneously ended up playing this tune.”

Rock ‘n’ roll music and bluegrass music from the Appalachian Mountains have had a big influence in Ekstein’s musical life. Within weeks of arriving in the area, Constable introduced Ekstein to many players in the WNC pickin’ scene. Both were in the band Blue Wheel Drive, along with bassist Rob Parks, and all three went on to perform for two years with The Bobby Hicks Band. Parks makes an appearance on Carolina Chimes playing “Rockalachia,” a tune BWD performed live that is reminiscent of the boogie-woogie style of bluegrass played on the mandolin in the 1940’s by the Father of Bluegrass, Bill Monroe. Another bluegrass buddy from those days, Seth Rhinehart, also steps in on banjo on that ditty as well as “Dixie Sunset,” of which Ekstein says, “I wanted to see how close I could write a ¾-time tune within the style of bluegrass, but still make it unique in its own way. Playing music on the deck of my North Carolina mountain home while overlooking the woods and watching the sunset inspired me to write this twisty waltz.”


Other cuts on Carolina Chimes reflect Ekstein’s many musical influences. “I always thought ‘Indian Rain’ would be a good song for an old fashioned western movie. Too bad it was 60 years too late. Turned out to be a better bluegrass fiddle tune, especially with Stuart Duncan at the Helm. In the late 1980’s, I recorded my song ‘Flapjack’ while playing Dobro for a band project,” says Ekstein. “I originally wrote it on the Dobro as a tune for the mandolin. I finally made it a reality here on this album. And, that brings me to the album’s title cut, ‘Carolina Chimes.’ I’ve always loved the classic banjo tunes that featured the sound of arpeggio chimes created by banjo and mandolin duets. It reminds me of bells ringing at an old Carolina country church house.”

As producer of his own album, Ekstein had the pleasure of deciding who he would bring in to play on the project. Fortunately, he chose to collaborate with some of the best pickers in the business.

When it comes to musicians respected by music fans and professional peers alike, few receive the accolades that are routinely given to fiddler Stuart Duncan. From his work in the Nashville Bluegrass Band to his contribution to the 8-million copy selling “O Brother, Where Art Thou” movie soundtrack album, from his annual run in the all-star Telluride Bluegrass Festival House Band to his playing on countless recording sessions, and with multiple IBMA Fiddle Player of the Year Awards and also nominated for 2018, Duncan is considered one of the best fiddlers on the planet.

Guitarist Jeff Autry is also widely appreciated as a solid axe man who has played with everyone from the Ricky Skaggs to Tony Rice, Peter Rowan, and others. He also held down the guitar chair for a decade-and-a-half with the John Cowan Band. His latest gig finds him as a member of The Edgar Loudermilk Band featuring Jeff Autry.

Mark Schatz has played the bass with living legends for most of his career, anchoring historical jams with folks like Tony Rice, Sam Bush, Peter Rowan, Vassar Clements, and so many more. Currently he is the bassist for the Claire Lynch Band and is one of the best in the business and is a two time winner of IBMA Bass Player of the Year and is currently nominated 2018.

The same can be said for Patrick Sauber, a GRAMMY nominated banjo picker, who is currently kicking up the five-string for many well known national acts like Tim O’Brien, the Peter Rowan Band, John Reishmann and the Jaybirds, Laurie Lewis and the Right Hands, and others.

Rudi has owned and operated his own commercial recording studio business Foxfire Recording since 1990, and since then has played for, or produced and/or engineered numerous albums for CMH, Rounder, Sugar Hill Records, as well as artists like Tony Rice, Larry Rice, Chris Hillman, Josh Graves, David Grisman, Richard Greene, Bill Keith, David Grier, Herb Pedersen, Bill Bryson, and other notables. His array of recording and live performance credits include many internationally known bluegrass musicians like fiddle players Byron Berline and Gabe Witcher; banjo hotshots John Hickman, Dennis Caplinger, and Craig Smith; gifted Dobro player, Rob Ickes, The Nashville Bluegrass Band’s GRAMMY award winning bass player, Gene Libbea; an original Bluegrass Cardinal bass player Bill Bryson; as well as three members of the Country Boys (later the Kentucky Colonels), bass man Eric White, banjo player, Billy Ray Lathum, and Dobro player, Leroy Mack among many others.

Kind Words:

“Rudi Ekstein has written a great collection of new bluegrass instrumentals and as writer, producer, engineer and musician, recorded this album and maintained a very high degree of quality at every step of the production process! The mix is wonderful and Rudi’s cast of musicians is stellar!” —Gene Libbea (Nashville Bluegrass Band)

“Rudi’s original tunes are sure to become classics. The musicians on this project are fantastic – every tune is a gem.” –Dennis Caplinger

“Rudi has put together a nice mixture of tunes that take us from up tempo fiddle numbers to sad mountain laments with a gypsy jazz feel thrown in for good measure. I am honored to be included in this stellar lineup of world class acoustic players from around the country. This project is superbly crafted using the finest instruments, played through the finest microphones by virtuoso musicians. Great job Rudi!” —Jeff Autry

“I have known Rudi for a long time. Having lived in California for several years we used to cross paths alot. Rudi, like me, as we have grown older, seems to have a calling to write tunes. Bill Monroe did the same thing. The 12 tunes that Rudi has put together are winners. These musicians that Rudi picked to play on his project are top notch. Surrounding yourself with good musicians is the key, and Rudi, you found the right key.”  —Byron Berline

Carolina Chimes Track Listing
1. Cornerstone   (2:41)
2. Indian Rain   (3:21)
3. All Night in Kentucky  (2:48)
4. Hoot Owl Hop   (2:52)
5. Jessy’s Fancy   (3:54)
6. Spikebuck   (2:04)
7. Flapjack   (3:31)
8. Bacon in the Pan   (2:28)
9. Rockalachia   (2:35)
10. Carolina Chimes   (2:26)
11. Dixie Sunset   (2:39 )
12. Back Drag   (1:50)

The Musicians on Carolina Chimes include:
Stuart Duncan – Fiddle (all tracks)
Jeff Autry – Guitar (all tracks)
Mark Schatz – Upright Bass (all tracks except 9)
Rob Parks – Upright Bass (9)
John Plotnik – Banjo (1,2,3,7,10,12), Dobro (4,5,6,8)
Patrick Sauber – Banjo (4,5,6,8)
Seth Rhinehart – Banjo (9,11)
Rudi Ekstein – Mandolin (all tracks)

All tunes written by Rudi Ekstein, BMI, Carolina Chimes Music, P & C 2018
Produced by Rudi Ekstein.  Recorded and Mixed by Rudi Ekstein

 

For more information, please visit the album website: www.carolinachimes.com and www.facebook.com/rudieksteinbluegrass.

###

 

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Chad Elliott & The Redemptions Release
Rest Heavy on August 10, 2018
Bluesy, Rockin’ and Soulful Original Music
Recorded at Sun Studio in Memphis


Available now on all outlets → https://chadelliottrestheavy.hearnow.com

LAMONI, IAIowa singer-songwriter, artist and author, Chad Elliott, independently releases Rest Heavy: The Sun Studio Sessions TODAY, August 10, 2018. With Rest Heavy, Elliott shows his love of roots-rock, soul, and blues music with a rocking band behind his artfully crafted songs and gravelly delivery. The self-produced album was recorded by Ples Hampton at the famed Sun Studio in Memphis, TN. Hampton said, “It was honestly one of the best sessions I’ve ever had up here. This is gold.”

Elliott’s writing weaves love, loss and forgiveness into well-worn lyrics with timeless melodies. “Low, loose, and full of juice. This album’s got a lot of life to it,” said acclaimed Iowa singer-songwriter Greg Brown.

Elliott, performing on acoustic guitar and harmonica, is joined by his full band, The Redemptions, which includes Tommy Lewis (electric guitar, harmonica, background vocals), Travis McFarlane (piano, B3 organ, keys), Kevin Boehnke (acoustic guitar, trumpet), Joseph Cafaro (upright bass), and Jim Van Dorn (drums).

Chad Elliott_PR1_creditMichaelGruich_WEB“I could, literally, feel the shift in the music just by walking through the doors at Sun Studio. The room seemed to have its own electric currency running through it and it made the songs come alive. We walked away feeling like we had an out of body experience. There were times I would just sit in the corners and look into the air of the room to see if that legendary music was still floating there, mixing with ours,” Elliott said.

Elliott performs more than 200 shows each year and is lauded as “Iowa’s Renaissance Man” by Culture Buzz. He has cultivated over 1,000 songs in his career while also honing his skills as a painter, sculptor, and children’s book author/illustrator (Wilderman’s Treetop Tales). He recently published a poetry book, Rumble & Flash.

What Folks Are Saying:

“Iowa suggests such names as Greg Brown, Bo Ramsey, and Pieta Brown among others but now singer-songwriter, artist and author, Chad Elliott can join their esteemed company with Rest Heavy. Even if you didn’t know that these tracks were recorded at Sun Studios in Memphis, you’d still sense a bit of that Elvis Presley style in Elliot’s mix of roots-rock, soul, blues and modern gospel… This album just oozes soul, truth, and seems rather timeless as it could have been recorded almost any time in the last fifty-sixty years.” Elmore, Jim Hynes

“Rest Heavy… opens with an arpeggiated piano riff and cymbal crash before launching into a leaned-back, eyes-closed, soulful-howl gospel-blues tune of which Sam Cooke would have approved… As he croon-wails his way through tracks that range from hardscrabble stories and ain’t-life-like-that tunes to songs of somber reflection, his constellation of influences is clear, with stylized moments and melodic arrangements that evoke the likes of Tom Waits, Eric Clapton, Bruce Springsteen and Doc Watson.”  Little Village Magazine, Lucas Benson

“ … there is a timeless feel all along the tracks that tell his talent.. roots rock, gospel, soul, blues in a perfect spirit… I would even say this album is the perfect tribute to the spirit of the Sun Studios. I already listened at least 10 times to it and these songs take me with them…” —Mike Penard, ISA Radio, France

Right out of the gates with the title track, ‘Rest Heavy,’ the listener knows they are about to take a journey” A Soulful Sound

“[‘Rest Heavy’ is] a modern gospel love song written on Easter Sunday that grabs your heart and soul with its classic harmonica-infused melody, tempered backbeat, and Elliott’s gravelly yet warm delivery that nods to the memory of the greats who made their mark at Sun.”  —The Daily Country premieres the title track “Rest Heavy”

Rest Heavy jumps right at you and doesn’t let go. The whole piece has an edge you can shave with.” —Rob Ellen, Medicine Show Radio (UK)

“Chad’s songs are inspired by real life and by real people. They’re not conjured up in a cookie cutter fashion designated by songwriting rules or regulations. He sings out loud and proud about the places he’s been, the things he’s seen, his life experiences and those of his family and friends.” —Bronson Herrmuth

Rest Heavy Track Listing:
1. Rest Heavy  (3:12)
2. Shy of Shameless  (5:23)
3. Hills of Tennessee  (3:29)
4. Shining Stars  (4:22)
5. Cadillac Problems, Buick Times  (4:56)
6. Alberta  (4:20)
7. Slow Again  (3:47)
8. Dirty River (Catfish Blues)  (3:45)
9. Embarcadero Street  (5:08)
10. Water Under the Bridge  (7:06)
11. St. James Infirmary  (6:21)

Chad Elliott – vocals, electric guitar, harmonica
Tommy Lewis – electric guitar, harmonica, vocals, track 10 chorus
Travis McFarlane – piano, B3 organ, keys, track 10 chorus
Kevin Boehnke – acoustic guitar, trumpet, track 10 chorus
Joseph Cafaro –  upright bass, track 10 chorus
Jim Van Dorn – drums (all), track 10 chorus
Roger D. Feldhans – track 10 chorus

All songs written by Chad Elliott except “St. James Infirmary” (Anonymous)

For more information, tour dates and news from Chad Elliott, please visit www.chadelliott.net, www.facebook.com/elliottmusic, www.twitter.com/chadelliottlive, and www.instagram.com/chadelliottmusic.

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Chicago Farmer Releases a Live Double Disc Album, Quarter Past Tonight, on Aug. 3
Recorded at the Apollo Theater in Peoria, IL During Two Nights of Sold Out Shows

Available now on Chicago Farmer’s online store, Amazon, iTunes & cdbaby

BLOOMINGTON, IL — Based in Bloomington, IL, Chicago Farmer (A.K.A. Cody Diekhoff) independently releases his first live Chicago Farmer album, Quarter Past Tonight, a two-disc set on Aug. 3. With long time studio engineer Chris Harden (I.V. Labs Studio/Chicago) in tow and armed with just his guitar, harmonica and distilled words and stories of heartache, social injustice, hometown pride, love and loss, Chicago Farmer played two sold out nights at the Apollo Theater in Peoria, IL in December of 2017 and captured it all as it went down.

Quarter Past Tonight offers a greatest-hits retrospective of his work with 32 tracks of stories and songs, including “Watch Doctor,” “Round Table,” and “Postcards” from his debut album, “Illinois Anthem” and “Assembly Line Blues” off of From a Small Town in Illinois [2006], “Weatherman” from Talk of Town [2007], “Workin’ On It” and “Backseat” from Backenforth, IL [2013], and “Rocco N’ Susie” and “Umbrella” from Midwest Side Stories [2016].  The album also features three new original Chicago Farmer songs — “Dirtiest Uniforms,” “$13 Beers,” and “I Need A Hit “— as well as a cover of Backyard Tire Fire’s “Good to Be.”

What folks are saying:

“Chicago Farmer has the novelist’s gift of building a suspenseful story to a surprising conclusion. He’s clever, insightful, and witty with his between songs banter, making the stories often every bit as good and memorable as his songs… His trademark appeal is his ability to sing about the regular person, the working person, in a relatable way.’Country Standard Time, Jim Hynes

“I’d never heard of transplanted son of the soil Cody Diekhoff and you probably haven’t either. But this tenth-anniversary double-live, 24 songs and eight spoken bits that include a tribute to his heroically supportive wife entitled ‘Benefits’… he’s funny, he’s kind, and he’s preparing an instructional video about ‘how do you get that drawl that you do—it’s kind of a mix between a small-town big-city kind of a northernly southernly easterly westerly stuck-in-the-middle type of a drawl.’” Noisey, Robert Christgau

You don’t hear many albums these days like this two-CD set, which hearkens back to a time when solo folk artists like Tom Paxton and Arlo Guthrie strode onstage offering nothing but their voices, guitars, harmonicas, visions, and wit.” The Morton Report, Jeff Burger

“The troubadour is standup – a storyteller like the best standup comics and an upright fellow standing up for regular folks and the lives of quiet desperation and outright glee we all experience to the soundtracks in our heads and hearts…. He’s comparable to John Prine, Loudon Wainwright and Neil Young, and also occasionally like the late Steve Goodman, Art Thieme and Woody Guthrie, with a soulful sense of humor and keen insight to the human condition and all its passion, silliness and dreams.”
The Community Word, Bill Knight

“A riveting live performer who has cultivated a loyal following with folk songs and stories about the American heartland” —WGLT, Jon Norton

“As hard-working musicians go, few can hold a candle to the Midwest’s own folk hero, Chicago Farmer. Back and forth across the great wide open, the authenticity of his music just resonates with something in the human spirit, with material ranging from raucous and boot-stompin’ runaway hootenannies, to subdued and heartfelt odes to love and loss.” News-Gazette, Andrew Howie

“Like the stage name that Cody Diekhoff adopted for himself, Chicago Farmer’s music has an urban big-city sensibility with rural small-town roots, similar to the genre of Americana music itself, which is a combination of different American music idioms.”  South Bend Tribune, Andrew S. Hughes

Americana Highways Song Premiere: “Dirtiest Uniforms”

Tomorrow’s Verse Song Premiere: “I Need A Hit”

Quarter Past Tonight Track Listing:

Disc One

  1. Dirtiest Uniforms   (4:52) [Previously Unreleased]
  2. Round Table   (4:38)
  3. Pulled Over On 29   (1:29)*
  4. Anymore   (2:54)
  5. Benefits   (1:23)*
  6. Backseat   (7:57)
  7. Assembly Line Blues   (3:23)
  8. $13 Dollar Beers   (3:03) [Previously Unreleased]
  9. Six Records   (1:00)*
  10. Who On Earth   (4:42)
  11. Fall   (4:05)
  12. Illinois Anthem   (4:03)
  13. Jon Stokes Prison Break Blues   (3:34)
  14. People N’ Places   (10:56)
  15. Good To Be   (3:27) [by Edward David Anderson & Backyard Tire Fire]

Disc Two

  1. I Need A Hit   (5:07) [Previously Unreleased]
  2. Umbrella   (4:55)
  3. We’re All Billy   (:48)*
  4. Quarter Life Crisis   (2:17)*
  5. Watch Doctor   (5:58)
  6. Weatherman   (3:04)
  7. Nostalgia & Folklore   (2:02)*
  8. Postcards   (2:41)
  9. Hats   (3:49)
  10. Workin’ On It   (7:38)
  11. Breaking Bad   (1:57)*
  12. Rocco N’ Susie   (5:55)
  13. Thank You’s   (:45)*
  14. Victoria Walker   (5:13)
  15. Farms & Factories   (4:22)
  16. Won’t Let You Down   (5:04
  17. For Dad (Pool Song)   (8:04)

All tracks FCC clean
*Banter/Story

Further information can be found at www.chicagofarmer.com, www.facebook.com/chicagofarmer, and twitter.com/chicagofarmer.###

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Hot Buttered Rum’s Lonesome Panoramic OUT TODAY July 20, 2018
Recorded at Panoramic House Studio in Stinson Beach, CA
w/ Special Guests ALO’s Zach Gill and Dan Lebowitz,
The Coffis Brothers, and Rainbow Girls

Available now on all outlets → https://fanlink.to/HBRLoPan

SAN FRANCISCO, CA– Rooted in the trajectory of west coast bluegrass, uptempo string band Hot Buttered Rum is thrilled to independently release their sixth studio album, Lonesome Panoramic on July 20, 2018. The songs in Lonesome Panoramic are inspired by the northern California landscape and include mid-tempo Americana rockers, buoyant bluegrass tunes, lively boogies, and dark groves. The band is delighted to have garnered early support of the album with song premieres from Relix, The Bluegrass Situation, Live For Live Music, Bluegrass Today, and The Bay Bridged!

No Depression’s Jim Shahen, in a review entitled, “Tight Tunes and Whispers of Tom Petty,” writes that the album is “some of the band’s tightest material to date…. Over its 15-plus-year career, the band has proven itself capable of pulling together strands of country, folk, bluegrass, and jam music into an energetic, good-time experience. But with the batch of well-crafted, sharply performed tunes they cooked up on Lonesome Panoramic, Hot Buttered Rum has managed to blend its ragged charms with that of a well-oiled musical machine.”

Country Standard Time’s Jim Hynes calls itrefreshing, breezy music.” He goes on to write, “Stellar musicianship and sturdy vocals help an album centered mostly on songs. Several threads and layers run through the music, embellishing the carefully crafted material.”

Bluegrass Today’s John Lawless acknowledges “…the band appeals to a wide range of listeners; bluegrass and old time fans who are drawn by their instrumentation and ability, plus live music lovers of all types who respond to their high-energy shows… Hot Buttered Rum has become a staple of the progressive bluegrass scene with their quick-paced and fiery blend of bluegrass, folk, rock, and country.”

HBR_2018_byMattSharkey_5787The band’s two vocalists and songwriters, guitarist Nat Keefe and multi-instrumentalist Erik Yates (mainly 5-string banjo, also resonator and acoustic guitars), take turns in writing and leading the songs. Rounding out the band, Bryan Horne delivers, in true athletic form, his talents on upright bass along with charismatic fiddler and harmony vocalist Zebulon Bowles and drummer/percussionist/mandolinist James Stafford, providing a warm and solid rhythmic foundation.

Self-produced, Lonesome Panoramic was recorded at Panoramic House Studio in Stinson Beach, CA, along the Panoramic Highway with majestic views of the western Marin County coastline. Lonesome Panoramic was engineered by Robert Cheek (Band of Horses, The Chris Robinson Brotherhood), mixed by Zebulon Bowles, and mastered by David Little.

Jim Pasinski gives a nice rundown of the tracks on his blog and writes, “It features 13-tracks, beginning with the high-energy swing of ‘You Can Tell’ and the steady strumming of ‘Sittin’ Here Alone.’ They slow the tempo down for the acoustic ballads ‘Country Tunes And Love Songs’ and ‘How Short The Song,’ before the fun, quick pace of ‘Never Got Married.’ The album continues with the tales of ‘Sleeping Giants’ and the swift pace of ‘Mighty Fine,’ before finishing with the 8-minute blues of ‘The One That Everybody Knows’ and sweet soulful sounds of the ‘Deep End.’”

With Lonesome Panoramic, Hot Buttered Rum wades the full width of the river from the shoals to the deep waters with a passionate, laid back attitude and they are excited to share this new album with the world.

Listen to an interview with Erik Yates in The Sound Podcast with Ira Haberman

Lonesome Panoramic Track Listing
1. You Can Tell   2:11 (Yates)
2. Sittin’ Here Alone   3:14 (Keefe)
3. Country Tunes & Love Songs (ft. The Coffis Bros.)  4:29 (Keefe, K Coffis, J Coffis)
4. How Short the Song   3:27 (Yates)
5. Treasure Island Blues   4:46 (Yates)
6. Never Got Married   2:50  (Keefe)
7. Spirits Still Come (ft. Rainbow Girls)   4:54 (Keefe)
8. Sleeping Giants   5:04  (Yates)
9. Leaving Dallas   4:31 (Keefe)
10. When that Lonesome Feeling Comes 4:07 (Yates)
11. Mighty Fine   4:25 (Keefe)
12. The One that Everybody Knows   8:04  (Yates)
13. The Deep End (ft. ALO)   4:55 (Keefe, Yates, Lebowitz, Gill)

Hot Buttered Rum is:
Zebulon Bowles – fiddle (all), backup vocals (2,8,10,13), Pacific Ocean (7)
Bryan Horne – upright bass (all)
Nat Keefe – acoustic guitar (all but 4), lead vocals (2,3,6,7,9,11,13), backup vocals (8,10)
James Stafford – drums and percussion (3,5,6,7,8,10,11,12,12), mandolin (1,2,9)
Erik Yates – 5-string banjo (1,2,6,8,9,10,11,12,13), lead vocals (1,5,8,10,12,13), acoustic guitar (4), resophonic guitar (3,5,7), backup vocals (2)


Guest Musicians:
Jamie Coffis – vocals (3)
Kellen Coffis – vocals (3)
Rainbow Girls: Erin Chapin, Caitlin Gowdey, Vanessa May – backup vocals (7,13)
Dan Lebowitz (ALO) – electric guitar & vocals (13)
Zach Gill (ALO) – vocals (13)

For more information and updates from the road, please visit www.hotbutteredrum.net, www.facebook.com/hotbutteredrum, www.twitter.com/hotbutteredrum, and www.instagram.com/hot.buttered.rum.band.

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