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RestHeavyCover_WEB
Chad Elliott & The Redemptions Release
Rest Heavy on August 10, 2018
Bluesy, Rockin’ and Soulful Original Music
Recorded at Sun Studio in Memphis


Available now on all outlets → https://chadelliottrestheavy.hearnow.com

LAMONI, IAIowa singer-songwriter, artist and author, Chad Elliott, independently releases Rest Heavy: The Sun Studio Sessions TODAY, August 10, 2018. With Rest Heavy, Elliott shows his love of roots-rock, soul, and blues music with a rocking band behind his artfully crafted songs and gravelly delivery. The self-produced album was recorded by Ples Hampton at the famed Sun Studio in Memphis, TN. Hampton said, “It was honestly one of the best sessions I’ve ever had up here. This is gold.”

Elliott’s writing weaves love, loss and forgiveness into well-worn lyrics with timeless melodies. “Low, loose, and full of juice. This album’s got a lot of life to it,” said acclaimed Iowa singer-songwriter Greg Brown.

Elliott, performing on acoustic guitar and harmonica, is joined by his full band, The Redemptions, which includes Tommy Lewis (electric guitar, harmonica, background vocals), Travis McFarlane (piano, B3 organ, keys), Kevin Boehnke (acoustic guitar, trumpet), Joseph Cafaro (upright bass), and Jim Van Dorn (drums).

Chad Elliott_PR1_creditMichaelGruich_WEB“I could, literally, feel the shift in the music just by walking through the doors at Sun Studio. The room seemed to have its own electric currency running through it and it made the songs come alive. We walked away feeling like we had an out of body experience. There were times I would just sit in the corners and look into the air of the room to see if that legendary music was still floating there, mixing with ours,” Elliott said.

Elliott performs more than 200 shows each year and is lauded as “Iowa’s Renaissance Man” by Culture Buzz. He has cultivated over 1,000 songs in his career while also honing his skills as a painter, sculptor, and children’s book author/illustrator (Wilderman’s Treetop Tales). He recently published a poetry book, Rumble & Flash.

What Folks Are Saying:

“Iowa suggests such names as Greg Brown, Bo Ramsey, and Pieta Brown among others but now singer-songwriter, artist and author, Chad Elliott can join their esteemed company with Rest Heavy. Even if you didn’t know that these tracks were recorded at Sun Studios in Memphis, you’d still sense a bit of that Elvis Presley style in Elliot’s mix of roots-rock, soul, blues and modern gospel… This album just oozes soul, truth, and seems rather timeless as it could have been recorded almost any time in the last fifty-sixty years.” Elmore, Jim Hynes

“Rest Heavy… opens with an arpeggiated piano riff and cymbal crash before launching into a leaned-back, eyes-closed, soulful-howl gospel-blues tune of which Sam Cooke would have approved… As he croon-wails his way through tracks that range from hardscrabble stories and ain’t-life-like-that tunes to songs of somber reflection, his constellation of influences is clear, with stylized moments and melodic arrangements that evoke the likes of Tom Waits, Eric Clapton, Bruce Springsteen and Doc Watson.”  Little Village Magazine, Lucas Benson

“ … there is a timeless feel all along the tracks that tell his talent.. roots rock, gospel, soul, blues in a perfect spirit… I would even say this album is the perfect tribute to the spirit of the Sun Studios. I already listened at least 10 times to it and these songs take me with them…” —Mike Penard, ISA Radio, France

Right out of the gates with the title track, ‘Rest Heavy,’ the listener knows they are about to take a journey” A Soulful Sound

“[‘Rest Heavy’ is] a modern gospel love song written on Easter Sunday that grabs your heart and soul with its classic harmonica-infused melody, tempered backbeat, and Elliott’s gravelly yet warm delivery that nods to the memory of the greats who made their mark at Sun.”  —The Daily Country premieres the title track “Rest Heavy”

Rest Heavy jumps right at you and doesn’t let go. The whole piece has an edge you can shave with.” —Rob Ellen, Medicine Show Radio (UK)

“Chad’s songs are inspired by real life and by real people. They’re not conjured up in a cookie cutter fashion designated by songwriting rules or regulations. He sings out loud and proud about the places he’s been, the things he’s seen, his life experiences and those of his family and friends.” —Bronson Herrmuth

Rest Heavy Track Listing:
1. Rest Heavy  (3:12)
2. Shy of Shameless  (5:23)
3. Hills of Tennessee  (3:29)
4. Shining Stars  (4:22)
5. Cadillac Problems, Buick Times  (4:56)
6. Alberta  (4:20)
7. Slow Again  (3:47)
8. Dirty River (Catfish Blues)  (3:45)
9. Embarcadero Street  (5:08)
10. Water Under the Bridge  (7:06)
11. St. James Infirmary  (6:21)

Chad Elliott – vocals, electric guitar, harmonica
Tommy Lewis – electric guitar, harmonica, vocals, track 10 chorus
Travis McFarlane – piano, B3 organ, keys, track 10 chorus
Kevin Boehnke – acoustic guitar, trumpet, track 10 chorus
Joseph Cafaro –  upright bass, track 10 chorus
Jim Van Dorn – drums (all), track 10 chorus
Roger D. Feldhans – track 10 chorus

All songs written by Chad Elliott except “St. James Infirmary” (Anonymous)

For more information, tour dates and news from Chad Elliott, please visit www.chadelliott.net, www.facebook.com/elliottmusic, www.twitter.com/chadelliottlive, and www.instagram.com/chadelliottmusic.

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Chicago Farmer Releases a Live Double Disc Album, Quarter Past Tonight, on Aug. 3
Recorded at the Apollo Theater in Peoria, IL During Two Nights of Sold Out Shows

Available now on Chicago Farmer’s online store, Amazon, iTunes & cdbaby

BLOOMINGTON, IL — Based in Bloomington, IL, Chicago Farmer (A.K.A. Cody Diekhoff) independently releases his first live Chicago Farmer album, Quarter Past Tonight, a two-disc set on Aug. 3. With long time studio engineer Chris Harden (I.V. Labs Studio/Chicago) in tow and armed with just his guitar, harmonica and distilled words and stories of heartache, social injustice, hometown pride, love and loss, Chicago Farmer played two sold out nights at the Apollo Theater in Peoria, IL in December of 2017 and captured it all as it went down.

Quarter Past Tonight offers a greatest-hits retrospective of his work with 32 tracks of stories and songs, including “Watch Doctor,” “Round Table,” and “Postcards” from his debut album, “Illinois Anthem” and “Assembly Line Blues” off of From a Small Town in Illinois [2006], “Weatherman” from Talk of Town [2007], “Workin’ On It” and “Backseat” from Backenforth, IL [2013], and “Rocco N’ Susie” and “Umbrella” from Midwest Side Stories [2016].  The album also features three new original Chicago Farmer songs — “Dirtiest Uniforms,” “$13 Beers,” and “I Need A Hit “— as well as a cover of Backyard Tire Fire’s “Good to Be.”

What folks are saying:

“Chicago Farmer has the novelist’s gift of building a suspenseful story to a surprising conclusion. He’s clever, insightful, and witty with his between songs banter, making the stories often every bit as good and memorable as his songs… His trademark appeal is his ability to sing about the regular person, the working person, in a relatable way.’Country Standard Time, Jim Hynes

“I’d never heard of transplanted son of the soil Cody Diekhoff and you probably haven’t either. But this tenth-anniversary double-live, 24 songs and eight spoken bits that include a tribute to his heroically supportive wife entitled ‘Benefits’… he’s funny, he’s kind, and he’s preparing an instructional video about ‘how do you get that drawl that you do—it’s kind of a mix between a small-town big-city kind of a northernly southernly easterly westerly stuck-in-the-middle type of a drawl.’” Noisey, Robert Christgau

You don’t hear many albums these days like this two-CD set, which hearkens back to a time when solo folk artists like Tom Paxton and Arlo Guthrie strode onstage offering nothing but their voices, guitars, harmonicas, visions, and wit.” The Morton Report, Jeff Burger

“The troubadour is standup – a storyteller like the best standup comics and an upright fellow standing up for regular folks and the lives of quiet desperation and outright glee we all experience to the soundtracks in our heads and hearts…. He’s comparable to John Prine, Loudon Wainwright and Neil Young, and also occasionally like the late Steve Goodman, Art Thieme and Woody Guthrie, with a soulful sense of humor and keen insight to the human condition and all its passion, silliness and dreams.”
The Community Word, Bill Knight

“A riveting live performer who has cultivated a loyal following with folk songs and stories about the American heartland” —WGLT, Jon Norton

“As hard-working musicians go, few can hold a candle to the Midwest’s own folk hero, Chicago Farmer. Back and forth across the great wide open, the authenticity of his music just resonates with something in the human spirit, with material ranging from raucous and boot-stompin’ runaway hootenannies, to subdued and heartfelt odes to love and loss.” News-Gazette, Andrew Howie

“Like the stage name that Cody Diekhoff adopted for himself, Chicago Farmer’s music has an urban big-city sensibility with rural small-town roots, similar to the genre of Americana music itself, which is a combination of different American music idioms.”  South Bend Tribune, Andrew S. Hughes

Americana Highways Song Premiere: “Dirtiest Uniforms”

Tomorrow’s Verse Song Premiere: “I Need A Hit”

Quarter Past Tonight Track Listing:

Disc One

  1. Dirtiest Uniforms   (4:52) [Previously Unreleased]
  2. Round Table   (4:38)
  3. Pulled Over On 29   (1:29)*
  4. Anymore   (2:54)
  5. Benefits   (1:23)*
  6. Backseat   (7:57)
  7. Assembly Line Blues   (3:23)
  8. $13 Dollar Beers   (3:03) [Previously Unreleased]
  9. Six Records   (1:00)*
  10. Who On Earth   (4:42)
  11. Fall   (4:05)
  12. Illinois Anthem   (4:03)
  13. Jon Stokes Prison Break Blues   (3:34)
  14. People N’ Places   (10:56)
  15. Good To Be   (3:27) [by Edward David Anderson & Backyard Tire Fire]

Disc Two

  1. I Need A Hit   (5:07) [Previously Unreleased]
  2. Umbrella   (4:55)
  3. We’re All Billy   (:48)*
  4. Quarter Life Crisis   (2:17)*
  5. Watch Doctor   (5:58)
  6. Weatherman   (3:04)
  7. Nostalgia & Folklore   (2:02)*
  8. Postcards   (2:41)
  9. Hats   (3:49)
  10. Workin’ On It   (7:38)
  11. Breaking Bad   (1:57)*
  12. Rocco N’ Susie   (5:55)
  13. Thank You’s   (:45)*
  14. Victoria Walker   (5:13)
  15. Farms & Factories   (4:22)
  16. Won’t Let You Down   (5:04
  17. For Dad (Pool Song)   (8:04)

All tracks FCC clean
*Banter/Story

Further information can be found at www.chicagofarmer.com, www.facebook.com/chicagofarmer, and twitter.com/chicagofarmer.###

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Hot Buttered Rum’s Lonesome Panoramic OUT TODAY July 20, 2018
Recorded at Panoramic House Studio in Stinson Beach, CA
w/ Special Guests ALO’s Zach Gill and Dan Lebowitz,
The Coffis Brothers, and Rainbow Girls

Available now on all outlets → https://fanlink.to/HBRLoPan

SAN FRANCISCO, CA– Rooted in the trajectory of west coast bluegrass, uptempo string band Hot Buttered Rum is thrilled to independently release their sixth studio album, Lonesome Panoramic on July 20, 2018. The songs in Lonesome Panoramic are inspired by the northern California landscape and include mid-tempo Americana rockers, buoyant bluegrass tunes, lively boogies, and dark groves. The band is delighted to have garnered early support of the album with song premieres from Relix, The Bluegrass Situation, Live For Live Music, Bluegrass Today, and The Bay Bridged!

No Depression’s Jim Shahen, in a review entitled, “Tight Tunes and Whispers of Tom Petty,” writes that the album is “some of the band’s tightest material to date…. Over its 15-plus-year career, the band has proven itself capable of pulling together strands of country, folk, bluegrass, and jam music into an energetic, good-time experience. But with the batch of well-crafted, sharply performed tunes they cooked up on Lonesome Panoramic, Hot Buttered Rum has managed to blend its ragged charms with that of a well-oiled musical machine.”

Country Standard Time’s Jim Hynes calls itrefreshing, breezy music.” He goes on to write, “Stellar musicianship and sturdy vocals help an album centered mostly on songs. Several threads and layers run through the music, embellishing the carefully crafted material.”

Bluegrass Today’s John Lawless acknowledges “…the band appeals to a wide range of listeners; bluegrass and old time fans who are drawn by their instrumentation and ability, plus live music lovers of all types who respond to their high-energy shows… Hot Buttered Rum has become a staple of the progressive bluegrass scene with their quick-paced and fiery blend of bluegrass, folk, rock, and country.”

HBR_2018_byMattSharkey_5787The band’s two vocalists and songwriters, guitarist Nat Keefe and multi-instrumentalist Erik Yates (mainly 5-string banjo, also resonator and acoustic guitars), take turns in writing and leading the songs. Rounding out the band, Bryan Horne delivers, in true athletic form, his talents on upright bass along with charismatic fiddler and harmony vocalist Zebulon Bowles and drummer/percussionist/mandolinist James Stafford, providing a warm and solid rhythmic foundation.

Self-produced, Lonesome Panoramic was recorded at Panoramic House Studio in Stinson Beach, CA, along the Panoramic Highway with majestic views of the western Marin County coastline. Lonesome Panoramic was engineered by Robert Cheek (Band of Horses, The Chris Robinson Brotherhood), mixed by Zebulon Bowles, and mastered by David Little.

Jim Pasinski gives a nice rundown of the tracks on his blog and writes, “It features 13-tracks, beginning with the high-energy swing of ‘You Can Tell’ and the steady strumming of ‘Sittin’ Here Alone.’ They slow the tempo down for the acoustic ballads ‘Country Tunes And Love Songs’ and ‘How Short The Song,’ before the fun, quick pace of ‘Never Got Married.’ The album continues with the tales of ‘Sleeping Giants’ and the swift pace of ‘Mighty Fine,’ before finishing with the 8-minute blues of ‘The One That Everybody Knows’ and sweet soulful sounds of the ‘Deep End.’”

With Lonesome Panoramic, Hot Buttered Rum wades the full width of the river from the shoals to the deep waters with a passionate, laid back attitude and they are excited to share this new album with the world.

Listen to an interview with Erik Yates in The Sound Podcast with Ira Haberman

Lonesome Panoramic Track Listing
1. You Can Tell   2:11 (Yates)
2. Sittin’ Here Alone   3:14 (Keefe)
3. Country Tunes & Love Songs (ft. The Coffis Bros.)  4:29 (Keefe, K Coffis, J Coffis)
4. How Short the Song   3:27 (Yates)
5. Treasure Island Blues   4:46 (Yates)
6. Never Got Married   2:50  (Keefe)
7. Spirits Still Come (ft. Rainbow Girls)   4:54 (Keefe)
8. Sleeping Giants   5:04  (Yates)
9. Leaving Dallas   4:31 (Keefe)
10. When that Lonesome Feeling Comes 4:07 (Yates)
11. Mighty Fine   4:25 (Keefe)
12. The One that Everybody Knows   8:04  (Yates)
13. The Deep End (ft. ALO)   4:55 (Keefe, Yates, Lebowitz, Gill)

Hot Buttered Rum is:
Zebulon Bowles – fiddle (all), backup vocals (2,8,10,13), Pacific Ocean (7)
Bryan Horne – upright bass (all)
Nat Keefe – acoustic guitar (all but 4), lead vocals (2,3,6,7,9,11,13), backup vocals (8,10)
James Stafford – drums and percussion (3,5,6,7,8,10,11,12,12), mandolin (1,2,9)
Erik Yates – 5-string banjo (1,2,6,8,9,10,11,12,13), lead vocals (1,5,8,10,12,13), acoustic guitar (4), resophonic guitar (3,5,7), backup vocals (2)


Guest Musicians:
Jamie Coffis – vocals (3)
Kellen Coffis – vocals (3)
Rainbow Girls: Erin Chapin, Caitlin Gowdey, Vanessa May – backup vocals (7,13)
Dan Lebowitz (ALO) – electric guitar & vocals (13)
Zach Gill (ALO) – vocals (13)

For more information and updates from the road, please visit www.hotbutteredrum.net, www.facebook.com/hotbutteredrum, www.twitter.com/hotbutteredrum, and www.instagram.com/hot.buttered.rum.band.

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Love Canon’s
Cover Story Out Today On Organic Records
With Guest Artists Jerry Douglas, Aoife O’Donovan, Keller Williams,
Michael Cleveland, Eric Krasno, Alex Hargreaves, Mike Barnett, and more!

Available on all outlets at → https://clg.lnk.to/yNLcf

CHARLOTTESVILLE, VA — LOVE CANON releases Cover Story, their 4th album, TODAY, July 13, 2018, on Organic Records. They are master instrumentalists with a charismatic lead vocalist, and they cleverly bring their acoustic-roots sensibilities to the electronic-tinged pop hits of the 80s and 90s to create a fresh set of classics. A plethora of special guests join in on the album including Dobro master Jerry Douglas, Aoife O’Donovan, Keller Williams, Michael Cleveland, and Eric Krasno, among others.

LOVE CANON pleases audiences of many walks of life, which is testified by early listens in publications running the gamut of genres including Bluegrass Today, JamBase, The Boot, and Cover Me Songs!

Blue Ridge Outdoors writes, “Love Canon is leading an eighties acoustic revival. But make no mistake. Love Canon is most definitely not a tribute band. This is not kitsch or schtick. These guys are bad ass pickers, with as much (if not more) prowess on their instruments as the bluegrass bands out there tackling more traditional Bill Monroe or Stanley Brothers standards. These guys prove their brilliance in their interpretations of these songs and the attention to detail and the work on Cover Story is simply genius.”

The band’s diehard fans are music lovers first and are drawn to the wide-ranging stylings of lead singer and guitarist Jesse Harper matched with banjo master Adam Larrabee, mandolin pickin’ by Andy Thacker, Darrell Muller holding down the low-end on standup bass, and the slick sounds of resonator guitar king Jay Starling on the Beard MA-6. It’s acoustic rock! Acclaimed fiddler Alex Hargreaves [Turtle Island Quartet, Sarah Jarosz] does all of the fiddling on this record with the exception of two tracks, and he occasionally joins them on tour.

LOVE CANON has taken many of the suggestions called out at their high-energy live shows as well as from their guest performers to offer nine invigorating tracks to bring it to the max! From the instrumental album opener, Prelude (Angry Young Man)” by Billy Joel, to the unforgettable chorus of Howard Jones’ “Things Can Only Get Better” to the 7/4 timing of Peter Gabriel’s “Solsbury Hill / Icecaps Of Pentatonia (with guest vocalist Mark Errelli [Lori McKenna, Paula Cole and Josh Ritter]), they run the gamut of songs from the cassette generation.  

When LOVE CANON was first thinking of putting together a guest artist record Jerry Douglas was at the top of their list. He not only acquiesced, but proposed the great Mr. Mister tune, “Kyrie Eleison.” Mike Barnett [Ricky Skaggs and Kentucky Thunder, Bryan Sutton Band] joins in on fiddle for this track.

Aoife O’Donovan seamlessly blends her beautiful vocal harmonies with Harper on Paul Simon’s Graceland,” and, with ten International Bluegrass Music Association (IBMA) Fiddle Player of the Year awards under his belt, Michael Cleveland steps in blazing on fiddle.

“Stripped of its slick ’70s country production and replaced with upbeat horns and killer harmonies, ‘Islands in the Stream’ is a perfect laid-back love ballad when performed by Love Canon,” writes The Boot about the band’s take on the Barry Gibb [Bee Gees] classic. It features Lauren Balthrop [Dear Georgiana, Balthrop Alabama, The Bandana Splits], singing the tarnation out of the Dolly Parton part, while Harper takes on Kenny Rogers complete with a saxophone and trumpet section at the end featuring Charlottesville Jazz legends Bobby Read and John D’earth [Bruce Hornsby and The Noisemakers].

Another great example of using bluegrass instrumentation to imitate the ambient electronic processed sounds is the very epic, cinematic version of Depeche Mode’s “Enjoy The Silence,” complete with a soaring string arrangement at the end by Trey Pollard of Richmond, Virginia’s Spacebomb Studios.

Guitar hero Eric “Kraz” Krasno does a bang-up job with a fierce guitar solo on Squeeze’s “Tempted,” a song he recommended. Keller Williams brought the closing track, “Driver 8” (R.E.M.), to the band’s attention as a personal favorite; Keller wanted to do an uptempo bluegrass arrangement and LOVE CANON was envisioning a reggae/dub version, so they compromised and added the jaw-dropping classical fiddle work of Mike Barnett.

As seasoned virtuoso string players who have been touring the mid-Atlantic since 2010, LOVE CANON stays true to the approach, arrangements, and keen artistry of these nostalgic hits. Cover Story was engineered by Rob Evans at Dave Matthews Band’s Haunted Hollow Studio in the band’s hometown of Charlottesville, Virginia and mixed by Wayne Pooley, Bruce Hornsby’s Engineer/Producer. Cover Story is a follow up to the band’s previous efforts, Greatest Hits Volumes 1-3.

With this adventurous chapter in their Cover Story, LOVE CANON proves they don’t just know music history but have a vision for where music can go.

 

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Love Canon photos credited to Sandlin Gaither

Cover Story Track Listing:
1. Prelude (Angry Young Man)   2:22 [Billy Joel]
2. Things Can Only Get Better   5:01 [Howard Jones]
3. Kyrie Eleison   4:13 [Steven Park, John R Lang, Richard J Page]
4. Graceland   5:56 [Paul Simon]
5. Islands In The Stream   4:04 [Barry Gibb, Maurice Gibb, Robin Gibb]
6. Enjoy The Silence   5:09 [Martin L Gore]
7. Solsbury Hill / Icecaps Of Pentatonia – Medley   5:29 [Peter Gabriel]
8. Tempted   5:21 [Christopher H Difford, Glenn M Tilbrook]
9. Driver 8   6:37 [Peter Buck, Bill Berry]

LOVE CANON is:
Jesse Harper – Guitar, Lead Vocals
Adam Larrabee – Banjo, Vocals
Andy Thacker – Mandolin, Vocals
Darrell Muller – Standup Bass, Vocals
Jay Starling – Resonator Guitar, Vocals

Guest Artists:
Alex Hargreaves – Fiddle – 1, 2, 5, 6, 7, 8
Sam Wilson – Backing Vocals – 2
Jerry Douglas – Dobro – 3
Mike Barnett – Fiddle – 3, 9
Michael Cleveland – Fiddle – 4
Aoife O’Donovan – Vocals – 4
John D’earth – Trumpet – 5
Bobby Read – Tenor Sax – 5
Lauren Balthrop – Vocals – 5
Trey Pollard – String Arrangement – 6
Colin Killalea – Nylon String Guitar and Backing Vocals – 6
Mark Erelli – Lead Vocals – 7
Erik Krasno – Lead and Backing Vocals and Electric Guitar Solo – 8
Daniel Clarke – Wurlitzer Piano – 7
Keller Williams – Lead Vocals – 9

Available on all outlets at → https://clg.lnk.to/yNLcf

Find out more about LOVE CANON at www.lovecanonmusic.com.

 

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Andy Hall and Roosevelt Collier Release Let The Steel Play June 16
Sacred Steel Meets Bluegrass in this Exploration of the Slide Guitar

two noted masters of the slide guitar” –Andrew O’Brien
Listen to the Song Premiere of “This Little Light Of Mine” at Live For Live Music

This is Hall’s Music City dobro meeting Collier’s Sacred Steel from the Deep South in an all-instrumental record, and the result is a full-bodied, highly conversational sound that you will not want to put down.” –Richard Oakley, Listen to the Song Premiere of their version of “Crazy Fingers” at The Poke Around

Available now:
iTunes | Amazon | CD Baby | Spotify

DENVER, CO — Andy Hall of The Infamous Stringdusters and Roosevelt Collier of the Lee Boys released Let The Steel Play today, June 16, 2017. “This album is the perfect example of something you do strictly for the joy of the music. We shared songs that highlight our slide guitar history, but we also wrote some super cool modern tunes together. We came together through our love of slide and have become close musical partners,” says Andy, “It was engineered by a great slide guitarist in his own right, John Macy (The Nitty Gritty Dirt Band, Los Lobos) in Denver CO. So it’s slide top to bottom!”

Andy Hall and Roosevelt Collier met in 2012 on Jam Cruise, and began playing music with one another when their paths would cross. Both are sought after sit-in players at festivals throughout the country and known for their dexterity, versatility, and intuitive knack for picking up rhythms and melodies.

Andy comes from the world of bluegrass, and cut his teeth in Nashville’s vibrant country and bluegrass scene having performed with Earl Scruggs, Ryan Adams, and Dolly Parton (who he is also on two albums with). Roosevelt “The Dr.” was born into the Sacred Steel sound, learning lap and pedal steel at a young age directly under his uncles and grandfather in the House of God church his family attended in Perrine, FL. Roosevelt has performed alongside BB King, Widespread Panic, The Allman Brothers, and Del McCoury Band.

Let the Steel Play is an instrumental offering that gives the listener something new, yet familiar. Where two traditions unite and form something new and relevant. The slide guitar is not all that common, but it’s certainly a treat to the ear and to the soul.

What people are saying about Let The Steel Play:

“Music so beautiful, you could imagine angels in heaven playing steel guitar instead of harps” —Honest Tune, Kyler Klix

“Different musical worlds bridged by steel strings and glass slides. The resulting sound is a perfect blend of the heavenly and the down home, a religious experience happening casually from the porch of a country home.”
NYS Music, Eli Stein

“The pair add their own spin to such traditional songs as ‘This Little Light Of Mine,’ ‘Power In The Blood’ and ‘Reuben’s Train’ as well as an inventive cover of the Grateful Dead’s ‘Crazy Fingers’ and more… their playing comes together in a fresh and enjoyable way.” —Jambase

“‘Singing Steel’ has all the hallmarks of what is good about the respective instruments, when played by such stellar craftsmen. They make the strings really pop.” —Flying Shoes Review (UK), Maurice Hope

This recording feels live; it has that fresh, immediate vibe, like they got one chance at it, and everything worked out beautifully.”
Michael’s Music Log, Michael Doherty

LetTheSteelPlay_CoverLet The Steel Play Track Listing
1. This Little Light Of Mine 4:51
2. Maiden’s Prayer 3:48
3. Singing Steel 4:01
4. Crazy Fingers 4:40
5. Rosebud 3:04
6. Reuben’s Train 3:34
7. Remington 3:06
8. The Darkest Hour 4:05
9. Power In the Blood 3:50
10. Colfax Boogie (W/ Anders Beck) 4:46

Instruments & credits:
Andy Hall:
1929 National Style 2 Squareneck Tricone 1, 10
Beard Mahogany Belle Beard Model Resonator Guitar 2, 3, 4, 5, 6, 7, 9
Bear Creek Koa Weissenborn Style Guitar 8

Roosevelt Collier:
Asher Electro Hawaiian Lap Steel, 1, 2, 4, 5, 6, 7, 8, 9
Meredith Maple Resonator Guitar 3, 10

Anders Beck:
Meredith Mahogany Resonator Guitar 10

Websites:
www.artistworks.com/dobro-lessons-andy-hall
www.rooseveltcollier.net

Facebook:
www.facebook.com/andyhalldobro
www.facebook.com/RooseveltCollier

Watch the video promo for Let The Steel Play

 

 

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Andy Hall and Roosevelt Collier Release Let The Steel Play June 16, 2017
Sacred Steel Meets Bluegrass in this Exploration of the Slide Guitar

Andy Hall and Roosevelt Collier will be doing a Stageit show
Sunday, May 21 at 9:15pm ET/ 7:15pm MT to celebrate the upcoming release!
Tune in → www.stageit.com/andy_hall/andy_hall_and_roosevelt_collier/61242
The top 5 supporters will get a signed copy of the cd!

DENVER, CO — Andy Hall of The Infamous Stringdusters and Roosevelt Collier of the Lee Boys have come together on a new album, Let The Steel Play, which is set for independent release June 16, 2017. Let the Steel Play was born out of a love of slide guitar, and a friendship made through music. Andy Hall and Roosevelt Collier met in 2012 on Jam Cruise, and began playing music together when their paths would cross. Both are sought after sit-in players at festivals throughout the country and known for their dexterity, versatility, and intuitive knack for picking up rhythms and melodies.

Andy comes from the world of bluegrass, and cut his teeth in Nashville’s vibrant country and bluegrass scene having performed with Earl Scruggs, Ryan Adams, and Dolly Parton (who he is also on two albums with). Roosevelt “The Dr.” was born into the Sacred Steel sound, learning lap and pedal steel at a young age directly under his uncles and grandfather in the House of God church his family attended in Perrine, FL. Roosevelt has performed alongside BB King, Widespread Panic, The Allman Brothers, and Del McCoury Band.

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Andy Hall  & Roosevelt Collier. Photo by Jason Charme

Coming from different backgrounds and methods, yet brought together through slide guitar, Roosevelt and Andy have joined forces to create a musical bridge that emanates a freshness, yet honors both traditions.

The bluegrass tradition is highlighted by classics such as a haunting and melodic version of “A Maiden’s Prayer,” which was written initially for piano in Poland and made popular in the 1930’s in America by Bob Wills who arranged it on fiddle in a more Western Swing style and added lyrics; it was later recorded by Buck Owens and Willie Nelson. Let The Steel Play also includes the 1920’s folk song made popular by Flatts and Scruggs, “Reuben’s Train,” which is jazzed up even more in it’s evolution here.

The time-honored song “This Little Light Of Mine” is played in both bluegrass and gospel music. Andy says, “We chose it because it seemed like a natural bridge between our two styles, and it is just fun to play. Roosevelt’s unique way of playing bass parts on the steel is highlighted in the breakdown section.”

Power In the Blood” showcase the sounds of Sacred Steel. Written by Lewis E. Jones in 1899, the slides take on a very vocal style here; you can almost imagine yourself in church, feeling the holy spirit!

For a slightly more modern flair they also perform a version of the Grateful Dead’s “Crazy Fingers.” “When we recorded this album I had been playing quite a bit with Phil Lesh, and was doing Grateful Grass shows with Keller Williams, so I certainly had the Grateful Dead on the brain,” says Andy Hall, “‘Crazy Fingers’ has always been a closet favorite of mine. Amazing complex chords that work so well together. Yet the melody is so memorable. I play the melody throughout, and then Roosevelt soars on the intro riff that we repeat at the end.”

Additionally there are 5 originals that Andy and Roosevelt wrote together specifically for this project. From the uplifting “Rosebud” to the fast paced “Remington,” this record showcases not only exceptional slide work, but engaging songwriting. “The Darkest Hour” was written on Hall’s Weissenborn style guitar, which has a mellower, pretty sound and juxtaposes nicely with the gritty low sound of Roosevelt’s lap steel.

In the final song of the album, “Colfax Boogie,” Anders Beck of Greensky Bluegrass adds his Dobro prowess to make a slide guitar power trio. They co-wrote it while all together in the studio and had fun with three slides all taking turns and playing off each other, a perfect way to round out the project.

Let The Steel Play was recorded at Macy Sound Studios in Denver, CO, and produced by John Macy (The Nitty Gritty Dirt Band, Los Lobos). The mastering was done by Fred Guarino (he also recorded The Infamous Stringdusters’ 2015 album Undercover), at Tiki Recording.

Let the Steel Play is an instrumental offering that gives the listener something new, yet familiar. Where two traditions come together and form something new and relevant. The slide guitar is not all that common, but it’s certainly a treat to the ear and to the soul.

LetTheSteelPlay_Cover.jpeg

Let The Steel Play Track Listing
1. This Little Light Of Mine 4:51
2. Maiden’s Prayer 3:48
3. Singing Steel 4:01
4. Crazy Fingers 4:40
5. Rosebud 3:04
6. Reuben’s Train 3:34
7. Remington 3:06
8. The Darkest Hour 4:05
9. Power In the Blood 3:50
10. Colfax Boogie (W/ Anders Beck) 4:46


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Instruments & credits:
Andy Hall:
1929 National Style 2 Squareneck Tricone 1, 10
Beard Mahogany Belle Beard Model Resonator Guitar 2, 3, 4, 5, 6, 7, 9
Bear Creek Koa Weissenborn Style Guitar 8

Roosevelt Collier:
Asher Electro Hawaiian Lap Steel, 1, 2, 4, 5, 6, 7, 8, 9
Meredith Maple Resonator Guitar 3, 10

Anders Beck:
Meredith Mahogany Resonator Guitar 10
Websites:
www.artistworks.com/dobro-lessons-andy-hall
www.rooseveltcollier.net

Facebook:
www.facebook.com/andyhalldobro
www.facebook.com/RooseveltCollier

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Heather Hambor Photography_Jon Stickley Trio_2017_53.jpeg

Jon Stickley Trio. Photo by Heather Hambor

Jon Stickley Trio Featured on NPR’s Folk Alley & Mountain Stage

New Album, Maybe Believe, Produced by Dave King (The Bad Plus)
at Echo Mountain Studios in Asheville NC

Out now on Amazon, iTunes, cdbaby, Bandcamp
www.jonstickley.com/product/maybe-believe/

ASHEVILLE —  Jon Stickley Trio independently released their 3rd full length album, Maybe Believe, on May 12, 2017. Jon Stickley Trio create textural soundscapes combining Jon Stickley’s rapid-fire flatpicking guitar with the sultry and wild, yet refined, melodies of Lyndsay Pruett on violin set over the deep groove of Patrick Armitage on drums. Produced by Dave King (Of The Bad Plus) at Echo Mountain Recording Studio in the band’s hometown of Asheville, NC.

On release week, NPR’s Folk Alley posted the world premiere of a stream of the entire album www.folkalley.com/archives/001565.php.

In April, Jon Stickley Trio performed on NPR’s Mountain Stage and their episode is scheduled for broadcast this Friday, May 20 and begins feeding to 200+ NPR stations. Airtimes and stations can be found here: http://goo.gl/7p4Y7J.

They will also be touring the States extensively with Maybe Believe. See the full list of tour dates below.

What people are saying about Jon Stickley Trio:

“The latest record from the Jon Stickley Trio flexes new and strong muscles, utilizing more progressive structures and deeper pockets than ever before. All the while, the group retains its place as a modern-thinking acoustic ensemble with one foot in tradition and the other in a bluegrass honored future that allows for the avant garde, punk, and be bop to mix in freely and tastefully.”
Dave King

“Clear, Present, and Slightly Dangerous
Musoscribe, Bill Kopp

“The Trio… flex some seriously creative musical muscles on the twelve-track project which contains nine originals and three covers that beguile with the trio’s skillful, energetic musicianship.”
The Daily Country, No Depression, Tara Joan

With this eclectic instrumentation, their melodies wander between cultures and rhythms, pulling you in and making you want to dance… With instrumental only tracks, the Jon Stickley Trio’s diverse musicality is the star.” —Scenes Media, Christie Hudon

“In an age of music where it can be difficult to find something new, Jon Stickley Trio is a consistent breath of fresh air. Their infectious and irresistible energy can be felt through each note, providing a compelling soundtrack you never knew you needed.” — The Poke Around, Tom Cunningham

“Sure, comparisons to previous musicians are a good way to explain a new artist to the masses, but to do so is to cheat Stickley of what he really is: a damn genius, a musical mastermind, and one of the most unique, creative, and inventive guitar players I’ve ever heard…  Stickley’s guitar playing shares as much in common with the flow of the greatest rappers of all time as it does with his flatpicking heroes…” —Greensky Bluegrass’ Anders Beck

“The majority of the songs on the new album were written by Stickley, using his talents to layer different grooves and play with polyrhythms. Lyndsay Pruett contributed a couple of jazzier numbers including ‘The Price of Being Nice”’ and a short solo, ‘Lady Time,’ that closes out the album with her distinctive pizzicato playing and violin improvisation.” —AXS, Renee Wright, Renee Wright

A new generation of bluegrass-reared instrumental explorers is coming into its own, and the Stickley Trio is in the vanguard.” — Music City Roots, Craig Havighurst

“Thoughtful & energetic” —Bryan Sutton

Find out more about Maybe Believe in this behind-the-scenes video with the band recorded at Echo Mountain during their recording sessions →

Jon Stickley Trio On Tour
5/19 Fri – Lower Town Arts & Music Festival – Paducah, KY
5/20 Sat – Forest Fest – Louisville, KY (11am show)
5/20 Sat – Moonshiner’s Ball – Berea, KY
5/26 Fri – Rooster Walk – Martinsville, VA
5/27 Sat – Big Wesser BBZ at Nantahala Outdoor Center – Bryson City, NC
6/8 Thu – Founders Brewing Co – Grand Rapids, MI
6/9 Fri – Parliament Room at Otus Supply – Ferndale, MI
6/10-11 Sat-Sun – NorEastr Festival @ County Fairgrounds – Mio, MI
6/12 Mon – WNMC House Concert Series @ The Moon Tower – Traverse City, MI
6/14 Wed – B Side Ballroom – Oneonta, NY
6/15 Thu – Abilene Bar – Rochester, NY
6/17 Sat – Skunk Funk Music Festival – Cazenovia, NY
6/18 Sun – Gypsy Sally’s – Washington DC
6/19 Mon – Metro Gallery – Baltimore, MD
6/20 Tue – Motorco Music Hall – Durham, NC
6/21 Wed – Muddy Creek Music Hall – Winston-Salem, NC
6/22 Thu – River Jam at US Whitewater Center – Charlotte, NC
6/23-24 Fri-Sat – Clusterpluck @ Spirit of Suwannee Music Park – Live Oak, FL
7/7-8 Fri-Sat – Breckenridge Brewery – Littleton, CO
7/15 Sat – Red Wing Roots Music Festival – Mount Solon, VA
7/22 Sat – Burning Can @ Oskar Blues – Brevard, NC
7/29-30 Sat-Sun – FloydFest – Floyd, VA
8/2 Wed – The High Watt – Nashville, TN
8/3 Thu – Hi Tone – Memphis, TN
8/4 Fri – Homegrown on the River – Ozark, AR
8/6 Sun – Rhythms on the Rio – South Fork, CO
8/9 Wed – The Bishop – Bloomington, IN
8/10 Thu – Woodlands Tavern – Columbus, OH
8/11 Fri – Bright Box Theater – Winchester, VA
8/12 Sat – Musikfest – Bethlehem, PA
8/16 Wed – The Ark – Ann Arbor, MI
8/17 Thu – Albert S. George Youth Center – Barnesville, OH
8/18 Fri – Ignition Music Garage – Goshen, IN
8/19 Sat – Short’s Brewing Co – Bellaire, MI
8/20 Sun – Hoxyville Music Festival – Wellston, MI
9/5-10 Fri-Sun – Sisters Folk Fest – Sisters, OR
9/14 Thu – World Cafe Live – Philadelphia, PA
9/15-16 Fri-Sat – Wormtown Music Festival – Greenfield, MA
9/17 Sun – The Knitting Factory – New York, NY
10/7 Sat – Joshua Tree Music Festival – Joshua Tree, CA

For more information and updates from the road, please visit www.jonstickley.com, www.facebook.com/JonStickleyTrio, www.instagram.com/jonstickleytrio, and www.twitter.com/jonstickleytrio.

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